1 00:00:00,520 --> 00:00:06,600 Speaker 1: It's the Will and Woody podcast. What stressful show, very stressful. 2 00:00:06,680 --> 00:00:09,520 Speaker 1: I'm getting the phone call. It's probably breaking up with 3 00:00:09,560 --> 00:00:11,559 Speaker 1: him because he didn't get the script tickets. No, it's 4 00:00:11,560 --> 00:00:13,039 Speaker 1: a mum. Should we get it? Should we get a 5 00:00:13,039 --> 00:00:16,720 Speaker 1: live one call? Let's get it on. It's been a 6 00:00:16,720 --> 00:00:18,079 Speaker 1: stressful show for me. I was trying to play for 7 00:00:18,079 --> 00:00:20,520 Speaker 1: script tickets from a girlfriend favorite band, and you're making 8 00:00:20,560 --> 00:00:22,759 Speaker 1: me compete for them. But this is just live mum 9 00:00:22,800 --> 00:00:26,960 Speaker 1: gear Hi, Hey, mum, hey you going? Oh yeah good, 10 00:00:27,720 --> 00:00:31,840 Speaker 1: that was fun. Oh you're referring to the lead sales thing. 11 00:00:32,600 --> 00:00:35,480 Speaker 1: Yeah yeah, well we're actually we're recording a podcast top 12 00:00:35,560 --> 00:00:42,280 Speaker 1: so everyone can hear you. Huh, I'm recording. We're recording 13 00:00:42,280 --> 00:00:44,640 Speaker 1: a podcast thing. So I've put you up to the microphone. 14 00:00:47,640 --> 00:00:51,200 Speaker 2: Hello. 15 00:00:52,440 --> 00:00:55,200 Speaker 1: Nothing, this is a silly idea. I'll call you back 16 00:00:55,200 --> 00:00:57,000 Speaker 1: after we've we've done this bit. 17 00:00:57,760 --> 00:00:59,640 Speaker 3: You can put on the podcast that it made my 18 00:00:59,760 --> 00:01:03,520 Speaker 3: year today speaking to sales probably made my century. 19 00:01:03,680 --> 00:01:06,880 Speaker 1: Oh that is that is lovely. That's so good you 20 00:01:07,160 --> 00:01:10,240 Speaker 1: you You were great though as well. You two are 21 00:01:10,240 --> 00:01:10,720 Speaker 1: abound to ever. 22 00:01:10,800 --> 00:01:12,119 Speaker 4: Tather really well, she's fun. 23 00:01:12,160 --> 00:01:15,000 Speaker 1: I'm to have a drink with her sometimes she's fun. Okay, 24 00:01:15,040 --> 00:01:16,559 Speaker 1: well I'll pass that on to her people. 25 00:01:16,760 --> 00:01:18,920 Speaker 4: I was great. I particularly enjoyed we can talk to 26 00:01:18,959 --> 00:01:20,279 Speaker 4: my people by oh. 27 00:01:20,360 --> 00:01:28,080 Speaker 1: Wow, wow, bloody hell something I feel very used by 28 00:01:28,120 --> 00:01:31,280 Speaker 1: my mom. Yeah, yeah, no, I'll do a little bit vibe. 29 00:01:31,280 --> 00:01:33,200 Speaker 4: It's always like, yeah, well, this is something that you've 30 00:01:33,200 --> 00:01:35,520 Speaker 4: owed me. Let's just give, give, give, there's something you've 31 00:01:35,520 --> 00:01:38,560 Speaker 4: owed me. There's a premium interview with a premium Yes. 32 00:01:39,200 --> 00:01:40,959 Speaker 4: And then she said the last thing she said to 33 00:01:41,040 --> 00:01:43,040 Speaker 4: was was you can talk to my people, and then 34 00:01:43,080 --> 00:01:43,880 Speaker 4: put the phone. 35 00:01:44,280 --> 00:01:44,520 Speaker 5: Yeah. 36 00:01:44,520 --> 00:01:47,000 Speaker 1: And that's pretty much our relationship now. She's no longer 37 00:01:47,080 --> 00:01:49,800 Speaker 1: a motherly figure. She's just like a like a celebrity 38 00:01:49,840 --> 00:01:54,520 Speaker 1: to me, like a high profile savage. Yeah, yeah it is. 39 00:01:54,560 --> 00:01:56,800 Speaker 1: And she was so she loved speaking to such a 40 00:01:56,840 --> 00:01:57,240 Speaker 1: good time. 41 00:01:57,280 --> 00:01:58,200 Speaker 4: It was such a good give. 42 00:01:58,680 --> 00:01:58,880 Speaker 6: Yeah. 43 00:01:58,920 --> 00:02:00,880 Speaker 1: And our show is just it's just the bottom of. 44 00:02:00,840 --> 00:02:04,559 Speaker 4: The We were just the we were just the vehicle, yes, 45 00:02:04,800 --> 00:02:07,640 Speaker 4: for her to climb that ladder. We were wrung her 46 00:02:07,680 --> 00:02:10,480 Speaker 4: own son, her own son was lung on her way 47 00:02:10,480 --> 00:02:10,919 Speaker 4: to the top. 48 00:02:12,160 --> 00:02:16,400 Speaker 1: She's a great woman. Though my emotions, she's a great woman. Anyway, 49 00:02:16,440 --> 00:02:17,520 Speaker 1: let's have them. 50 00:02:17,480 --> 00:02:20,680 Speaker 4: Open for goodbye. We have a very very special guest 51 00:02:20,760 --> 00:02:24,280 Speaker 4: on this show, genuinely admired by everybody on this team, 52 00:02:24,320 --> 00:02:28,840 Speaker 4: anybody really in Australia. She's become a real talisman, a 53 00:02:28,880 --> 00:02:32,960 Speaker 4: real focal point for a lot of people, spokesperson across anything. 54 00:02:33,000 --> 00:02:35,600 Speaker 4: She's so well respected. Now I haven't even said he 55 00:02:35,639 --> 00:02:37,359 Speaker 4: name yet. It's Lee Sales, and maybe give her another 56 00:02:37,400 --> 00:02:39,919 Speaker 4: round of a pause game that we've spent that early. 57 00:02:42,960 --> 00:02:45,079 Speaker 7: A talisman. It sounds like I should be like some 58 00:02:45,120 --> 00:02:46,880 Speaker 7: sort of idol that people wear around their neck. 59 00:02:46,960 --> 00:02:47,280 Speaker 1: I think so. 60 00:02:47,320 --> 00:02:49,119 Speaker 7: It'd be a good idea for some Lee salient merch. 61 00:02:49,600 --> 00:02:52,079 Speaker 4: It be good if we can get like a bust 62 00:02:52,080 --> 00:02:54,480 Speaker 4: of you or something that maybe the next Olympics the 63 00:02:54,520 --> 00:02:56,680 Speaker 4: athletes can walk out, you know, with like a model 64 00:02:56,760 --> 00:02:58,080 Speaker 4: Le Sales on a stick. 65 00:02:58,560 --> 00:03:01,480 Speaker 7: Totally, and then the children could be like my head 66 00:03:01,800 --> 00:03:03,560 Speaker 7: with like an open bowl at the top. 67 00:03:03,919 --> 00:03:09,040 Speaker 1: It's good to see your success hasn't gone to your head. 68 00:03:10,720 --> 00:03:13,480 Speaker 1: So refreshing to hear that. 69 00:03:14,840 --> 00:03:17,200 Speaker 4: Leave it look mate, honestly, we were actually talking about 70 00:03:17,200 --> 00:03:18,919 Speaker 4: because youve got a brand new book which you put 71 00:03:18,919 --> 00:03:21,560 Speaker 4: together with your great mate Annabel Crab, which people can 72 00:03:21,560 --> 00:03:24,680 Speaker 4: get at all good bookstores. Well, Hello is available now 73 00:03:24,720 --> 00:03:26,239 Speaker 4: at a good bookstores. And it's almost just like a 74 00:03:26,280 --> 00:03:28,640 Speaker 4: little bit of a transcript of the conversation that you 75 00:03:28,639 --> 00:03:31,560 Speaker 4: guys have on your podcast. And one of the things 76 00:03:31,560 --> 00:03:32,960 Speaker 4: that I wanted to focus on in the book, which 77 00:03:33,520 --> 00:03:36,480 Speaker 4: I follow you on Twitter, and something that you continue 78 00:03:36,480 --> 00:03:41,760 Speaker 4: to speak about really well, is just the iniquity that 79 00:03:42,240 --> 00:03:45,760 Speaker 4: is now laced all the way through Twitter at the moment. 80 00:03:46,000 --> 00:03:48,760 Speaker 4: Can I just read a tweet that I got off 81 00:03:48,840 --> 00:03:51,120 Speaker 4: your Twitter that somebody sent you that you posted, Is 82 00:03:51,120 --> 00:03:53,960 Speaker 4: that all right? And the reason I'm asking that is 83 00:03:54,040 --> 00:03:57,440 Speaker 4: and is just because this is vulgar, but I want 84 00:03:57,480 --> 00:03:59,560 Speaker 4: to make a point of reading it because I know 85 00:03:59,640 --> 00:04:01,600 Speaker 4: that's why you posted it as well, so that this 86 00:04:01,680 --> 00:04:04,640 Speaker 4: isn't some distant war that's happening somewhere in you know, 87 00:04:04,680 --> 00:04:06,920 Speaker 4: a corner of cyber space. This is something that somebody 88 00:04:07,000 --> 00:04:10,680 Speaker 4: is very happy publicly writing about you. So you know, 89 00:04:10,760 --> 00:04:12,160 Speaker 4: the kids in the cars, we're going to beat the 90 00:04:12,160 --> 00:04:15,240 Speaker 4: swear words here, but this is pointed. This is very 91 00:04:15,280 --> 00:04:19,040 Speaker 4: pointed language. So this is what it says. Lee's sales 92 00:04:19,160 --> 00:04:23,120 Speaker 4: is a lefty piece of Remember how she behaved like 93 00:04:23,120 --> 00:04:28,640 Speaker 4: a cavorting when she interviewed that dumb Malcolm Turnbull. That's 94 00:04:28,680 --> 00:04:34,359 Speaker 4: the tweet. Wow, I cannot believe the level of venom 95 00:04:34,400 --> 00:04:37,920 Speaker 4: that is attached to that. Lee, How do you think 96 00:04:37,920 --> 00:04:40,200 Speaker 4: about that now? How do you respond to that? And 97 00:04:40,320 --> 00:04:43,119 Speaker 4: do you think there's a way away from the current 98 00:04:43,160 --> 00:04:44,000 Speaker 4: climate on Twitter? 99 00:04:44,200 --> 00:04:47,000 Speaker 7: Look, I reckon that person probably would actually like to 100 00:04:47,160 --> 00:04:49,480 Speaker 7: set fire to my caldron head. I just want to 101 00:04:49,520 --> 00:04:56,599 Speaker 7: make that clear. We can just get it back onto 102 00:04:57,040 --> 00:04:58,960 Speaker 7: you know, sort of getting me just a dug out 103 00:04:58,960 --> 00:05:03,520 Speaker 7: of gasagy of myself, I think, you know, frankly, word 104 00:05:03,680 --> 00:05:05,680 Speaker 7: just then, like making that a bit of an objective 105 00:05:05,720 --> 00:05:08,280 Speaker 7: ridicule is a really kind of useful way to view 106 00:05:08,320 --> 00:05:10,560 Speaker 7: this stuff, because I noticed, you know, a lot of 107 00:05:10,560 --> 00:05:13,040 Speaker 7: my colleagues and friends and other people on social media 108 00:05:13,120 --> 00:05:14,760 Speaker 7: can take it really to heart, and it can be 109 00:05:14,880 --> 00:05:17,520 Speaker 7: quite perfect, particularly if you're not used to it and 110 00:05:17,600 --> 00:05:20,480 Speaker 7: so looking at it and seeing it how ridiculous it 111 00:05:20,520 --> 00:05:23,839 Speaker 7: is that some anonymous moron took the time to send 112 00:05:23,960 --> 00:05:27,960 Speaker 7: me that message. I think, you know, trying to sort 113 00:05:27,960 --> 00:05:30,920 Speaker 7: of find something to laugh at about it, you know, 114 00:05:31,000 --> 00:05:32,640 Speaker 7: sometimes helps you. But I think the good thing for 115 00:05:32,640 --> 00:05:34,560 Speaker 7: people to remember is it's not real life. It's not 116 00:05:34,600 --> 00:05:36,560 Speaker 7: the real world. It's what people actually think of you. 117 00:05:37,279 --> 00:05:39,160 Speaker 1: Yeah, that is very true. 118 00:05:39,200 --> 00:05:41,479 Speaker 4: It is hard to do though, isn't it, Like you know, 119 00:05:41,560 --> 00:05:44,599 Speaker 4: it's a nice intellectually to know that. But yeah, I 120 00:05:44,600 --> 00:05:46,920 Speaker 4: think if you're in a dark spot yourself for going 121 00:05:46,960 --> 00:05:49,359 Speaker 4: through something and then you read it, for me, is 122 00:05:49,400 --> 00:05:52,480 Speaker 4: that someone's taken the time out of their day to write. 123 00:05:52,520 --> 00:05:52,719 Speaker 6: Yeah. 124 00:05:53,200 --> 00:05:55,320 Speaker 1: Well, speaking of that, though, another one you posted here 125 00:05:55,360 --> 00:05:57,919 Speaker 1: is and I'll say, I'll say their handle being Pringle. 126 00:05:58,320 --> 00:06:00,159 Speaker 1: The amazing thing here is that this message is and 127 00:06:00,160 --> 00:06:02,680 Speaker 1: at six am in the morning, the picture of someone 128 00:06:02,720 --> 00:06:04,799 Speaker 1: at six am in the morning and for whatever reason, 129 00:06:04,800 --> 00:06:07,159 Speaker 1: hand or being Pretingle, so being this is out there, 130 00:06:07,279 --> 00:06:10,839 Speaker 1: he's waking up at six am and he's going, what's 131 00:06:10,839 --> 00:06:12,720 Speaker 1: the first I want to do this morning? I'm gonna 132 00:06:12,720 --> 00:06:15,560 Speaker 1: I'm going to tweet Lee Sales and say she is 133 00:06:15,600 --> 00:06:17,080 Speaker 1: in desperate need of a vibrator. 134 00:06:17,600 --> 00:06:20,919 Speaker 4: Why Colin, what was that? 135 00:06:21,000 --> 00:06:21,680 Speaker 1: After? Lee? 136 00:06:22,240 --> 00:06:24,640 Speaker 7: I've got absolutely no idea. But you know, funnily enough, 137 00:06:24,760 --> 00:06:27,520 Speaker 7: like sometimes on the same night I'll get something like 138 00:06:27,760 --> 00:06:29,960 Speaker 7: she's in desperate need of a vibrator and also she's 139 00:06:29,960 --> 00:06:33,640 Speaker 7: just like who loves sucking, you know, liberal blah blah blah, 140 00:06:33,839 --> 00:06:34,400 Speaker 7: which am I. 141 00:06:37,520 --> 00:06:41,599 Speaker 4: It's very confusing confused. 142 00:06:42,480 --> 00:06:43,120 Speaker 7: Myself. 143 00:06:43,240 --> 00:06:48,880 Speaker 4: I'm like, which one am I getting at her or 144 00:06:48,920 --> 00:06:50,920 Speaker 4: my not? Guys, make make up your mind. 145 00:06:51,720 --> 00:06:55,600 Speaker 5: Oh god, if. 146 00:06:55,520 --> 00:06:57,640 Speaker 7: I tried to get my identity from Twitter, I mean 147 00:06:57,680 --> 00:06:58,919 Speaker 7: I've just lost. 148 00:07:00,400 --> 00:07:02,520 Speaker 4: We've got more with Lisays right up next, I can 149 00:07:02,560 --> 00:07:04,599 Speaker 4: go get Lee's a brand new book. The Lee's book 150 00:07:04,680 --> 00:07:07,800 Speaker 4: is called Well Hello, available at all Good bookstores. She's 151 00:07:07,839 --> 00:07:09,359 Speaker 4: going to stay with us, but Meanson, I'm wlllam woddy. 152 00:07:09,560 --> 00:07:12,080 Speaker 4: We have got one of our favorite people on the show, 153 00:07:12,160 --> 00:07:14,800 Speaker 4: woulds Lee Sales joins the boys. Yeah, she's got a 154 00:07:14,800 --> 00:07:17,600 Speaker 4: brand new book, Well Hello, available now at all Good bookstores. 155 00:07:17,640 --> 00:07:20,120 Speaker 4: She's written with Annabel krab Lee. We were just having 156 00:07:20,120 --> 00:07:22,280 Speaker 4: a look at like some of the alumni. Obviously seven 157 00:07:22,400 --> 00:07:25,280 Speaker 4: thirty report, You've just had some of the biggest interviews 158 00:07:25,280 --> 00:07:27,760 Speaker 4: ever Elton John Paul McCartney, Bill Gates, the Dala Lama, 159 00:07:28,320 --> 00:07:33,280 Speaker 4: Bob Hawk, Hillary Clinton, Wow, to name a few. Have 160 00:07:33,360 --> 00:07:35,400 Speaker 4: you got someone that you haven't interviewed yet that you 161 00:07:35,440 --> 00:07:38,560 Speaker 4: would love to interview? Like, have you got an top sho? 162 00:07:39,840 --> 00:07:41,400 Speaker 7: Now that I'm on with you, guys, I mean I'm done. 163 00:07:44,040 --> 00:07:44,800 Speaker 1: You're welcome Lee. 164 00:07:44,880 --> 00:07:46,760 Speaker 4: Happy to do that, happy to service that. 165 00:07:47,400 --> 00:07:49,440 Speaker 7: Bringing enough comedy here to dis wade paper that my 166 00:07:49,480 --> 00:07:52,120 Speaker 7: book's actually quite funny, right, because you know, I think 167 00:07:52,280 --> 00:07:54,720 Speaker 7: it's one of those I think misconceptions about me because 168 00:07:54,720 --> 00:07:56,480 Speaker 7: people see me on seven thirty, which is a very 169 00:07:56,520 --> 00:07:58,600 Speaker 7: serious show, and so they think that that must mean 170 00:07:58,640 --> 00:08:00,640 Speaker 7: that when I go home, I just did around, you know, 171 00:08:00,960 --> 00:08:05,920 Speaker 7: stroking my neighbor and thinking about the war inferior or whatever. Well, 172 00:08:06,000 --> 00:08:08,440 Speaker 7: I do, you know, do that sometimes? I actually also, 173 00:08:08,640 --> 00:08:10,560 Speaker 7: you know, enjoy having a bit of a laugh. And 174 00:08:10,600 --> 00:08:13,160 Speaker 7: our book is very much you know, along those lines. 175 00:08:13,320 --> 00:08:15,160 Speaker 7: I think, you know, you can have a serious job 176 00:08:15,200 --> 00:08:17,720 Speaker 7: that not have to take yourself too seriously. Like I 177 00:08:17,840 --> 00:08:18,640 Speaker 7: take what I do. 178 00:08:18,680 --> 00:08:20,680 Speaker 3: Very seriously into desponsibility that. 179 00:08:20,720 --> 00:08:23,120 Speaker 7: Public plea recalls are not standing. I try to not 180 00:08:23,160 --> 00:08:24,480 Speaker 7: take myself too seriously. 181 00:08:26,720 --> 00:08:28,720 Speaker 1: Natalie, I want to flip the question that we'll ask you, 182 00:08:28,760 --> 00:08:31,040 Speaker 1: and that was we'll ask you who is your dream 183 00:08:31,600 --> 00:08:33,480 Speaker 1: interview the person you want to interview? And I want 184 00:08:33,480 --> 00:08:35,960 Speaker 1: to flip that and tell you that my mum recently 185 00:08:36,000 --> 00:08:39,920 Speaker 1: completed her doctorate and she did a PhD. Yeah. Yeah, 186 00:08:40,080 --> 00:08:42,440 Speaker 1: As a son, I'm super impressed. Years and years and 187 00:08:42,480 --> 00:08:45,800 Speaker 1: years of hard work and she finished her doctorate and 188 00:08:45,920 --> 00:08:47,600 Speaker 1: just to give it to you in Layman's terms, or 189 00:08:47,640 --> 00:08:51,440 Speaker 1: to summarize her work, She's basically done research into anorexia 190 00:08:52,080 --> 00:08:55,080 Speaker 1: when you don't show the appearance of being anorexic, so 191 00:08:55,120 --> 00:08:58,080 Speaker 1: you can still be overweight, but you unfortunately show the 192 00:08:58,080 --> 00:09:00,920 Speaker 1: physical side effects of someone who's going going through anarexia, 193 00:09:01,080 --> 00:09:03,240 Speaker 1: which would just be horrific if you're going through that. 194 00:09:03,280 --> 00:09:04,680 Speaker 1: So she's done a lot of research into that, and 195 00:09:04,679 --> 00:09:08,040 Speaker 1: she's an adolescent dietitian. And when her work came out, 196 00:09:08,800 --> 00:09:10,440 Speaker 1: the hospital said, there might be a little bit of 197 00:09:10,440 --> 00:09:14,240 Speaker 1: media coverage for your work. Who is your number one 198 00:09:14,240 --> 00:09:17,560 Speaker 1: person who'd want to interview you? And she no word 199 00:09:17,559 --> 00:09:21,679 Speaker 1: of a lie, said Lee Sales, to which the hospital 200 00:09:21,920 --> 00:09:22,800 Speaker 1: laughed at. 201 00:09:22,640 --> 00:09:23,480 Speaker 4: Her fast. 202 00:09:24,800 --> 00:09:28,080 Speaker 1: Because they were like, they knew that's quite a big fish, Melissa. 203 00:09:28,480 --> 00:09:32,720 Speaker 1: For sure, we'll write it down. But I just thought that, 204 00:09:32,800 --> 00:09:35,640 Speaker 1: given we've got you right now, if you'd be okay 205 00:09:35,679 --> 00:09:37,760 Speaker 1: with it, if I could call my mum right now 206 00:09:37,800 --> 00:09:39,320 Speaker 1: and effectively surprise her. 207 00:09:39,559 --> 00:09:41,400 Speaker 5: With you, let's do it. 208 00:09:41,480 --> 00:09:42,240 Speaker 7: Let's bring it. 209 00:09:42,320 --> 00:09:45,559 Speaker 1: Okay, huge, she is going to lose her Mond watch now. 210 00:09:45,559 --> 00:09:46,960 Speaker 7: She's going to send you to voicemail. 211 00:09:50,679 --> 00:09:56,680 Speaker 1: Okay, we're calling, Hey, mum, hair game twooty. Hi, Hi mum. 212 00:09:57,320 --> 00:09:59,520 Speaker 1: I don't have a huge amount of time, but can 213 00:09:59,559 --> 00:10:02,360 Speaker 1: you just can you just remind me when you finished 214 00:10:02,360 --> 00:10:05,680 Speaker 1: your PhD and you were asked that you might be 215 00:10:05,720 --> 00:10:09,640 Speaker 1: interviewed by some people, who was your number one request 216 00:10:09,679 --> 00:10:14,760 Speaker 1: to be interviewed by sales? Lee Sales. That's really interesting 217 00:10:14,840 --> 00:10:17,440 Speaker 1: because I've got someone on the phone here who wants 218 00:10:17,440 --> 00:10:18,120 Speaker 1: to say, Hi. 219 00:10:18,320 --> 00:10:18,960 Speaker 7: Hello, Milisa. 220 00:10:19,000 --> 00:10:26,600 Speaker 8: It's Lee s Oh my god, why didn't I get 221 00:10:26,679 --> 00:10:34,240 Speaker 8: on your show? I had a really good story to 222 00:10:34,320 --> 00:10:37,720 Speaker 8: tell you. Well, do you know what I think? 223 00:10:37,880 --> 00:10:41,080 Speaker 7: Research brief here and some questions prepared that's been given 224 00:10:41,120 --> 00:10:43,439 Speaker 7: to me, But it seems like every question he is 225 00:10:43,480 --> 00:10:53,439 Speaker 7: about your son. Oh it's pretty rough. I think when 226 00:10:53,480 --> 00:10:56,000 Speaker 7: you've gone and got a doctorate in a very important field, 227 00:10:56,040 --> 00:10:58,959 Speaker 7: and you know your attention seeking son, who's getting all 228 00:10:58,960 --> 00:10:59,840 Speaker 7: the attention from me? 229 00:11:00,120 --> 00:11:03,080 Speaker 3: I know I'm great, and I would like to ask 230 00:11:03,240 --> 00:11:09,920 Speaker 3: you a question, Lisa, what if earth are you doing 231 00:11:09,960 --> 00:11:11,480 Speaker 3: on their show? 232 00:11:15,160 --> 00:11:18,319 Speaker 7: They're not I hat to point out I'm on their show, 233 00:11:18,400 --> 00:11:21,880 Speaker 7: They're not on show near my show. 234 00:11:23,679 --> 00:11:26,560 Speaker 4: I don't think I've got to know of the channing 235 00:11:26,640 --> 00:11:28,920 Speaker 4: that's going on. I hope you guys are enjoying. We 236 00:11:29,040 --> 00:11:31,280 Speaker 4: are still here. By the way, you are still live 237 00:11:31,360 --> 00:11:37,360 Speaker 4: on our show, actors if we're not here, Melissa, congratulations 238 00:11:37,360 --> 00:11:39,840 Speaker 4: on your doctorate. I'm glad that you got to meet Lee. 239 00:11:40,400 --> 00:11:40,600 Speaker 1: Lee. 240 00:11:40,920 --> 00:11:43,560 Speaker 4: Thank you so much for joining us. It's been an 241 00:11:43,559 --> 00:11:45,840 Speaker 4: absolute pleasure to have you on the show. Lea's book 242 00:11:45,880 --> 00:11:49,080 Speaker 4: Well Hello, available now at all good bookstores. Melissa a 243 00:11:49,160 --> 00:11:50,720 Speaker 4: chance to say thanks to Lee if you. 244 00:11:50,720 --> 00:11:53,680 Speaker 3: Would like to, thank you very much for the opportunity 245 00:11:53,720 --> 00:11:56,319 Speaker 3: to chat. Maybe one day I'll see you on seven. 246 00:11:58,360 --> 00:11:59,600 Speaker 4: Still piddling your agenda. 247 00:12:02,120 --> 00:12:02,480 Speaker 6: I love it. 248 00:12:02,559 --> 00:12:04,640 Speaker 4: Lee, Thank you so much for joining us, your legend mate. 249 00:12:04,640 --> 00:12:05,439 Speaker 4: Good luck at the book. 250 00:12:05,520 --> 00:12:06,199 Speaker 7: Thanks guys. 251 00:12:06,240 --> 00:12:10,800 Speaker 1: It's the Will and Woody Podcast. It's time for Believe 252 00:12:11,280 --> 00:12:18,040 Speaker 1: or Not. He's got some weird facts and stories. 253 00:12:18,760 --> 00:12:20,559 Speaker 4: Some of them are real and some. 254 00:12:22,920 --> 00:12:26,160 Speaker 1: The opener says it, I've got some facts on stories. 255 00:12:26,480 --> 00:12:28,600 Speaker 1: Will you have to tell me if they are real 256 00:12:29,559 --> 00:12:31,680 Speaker 1: or if I have just made them up. It's a 257 00:12:31,679 --> 00:12:36,400 Speaker 1: best of three situations and today the theme is James Bond. 258 00:12:37,480 --> 00:12:39,800 Speaker 4: By Well We'll but just on a theme of James Bond, 259 00:12:39,840 --> 00:12:43,880 Speaker 4: We've got well non exclusive chat, certainly not exclusive. We've 260 00:12:43,880 --> 00:12:45,720 Speaker 4: got Rummy mallick. He's going to be on the show. 261 00:12:45,840 --> 00:12:47,960 Speaker 4: Sure that we snagged him for James Bond along with 262 00:12:48,960 --> 00:12:50,280 Speaker 4: ten thousand other people. 263 00:12:50,440 --> 00:12:53,520 Speaker 1: Yeah, absolutely we did. We're in the pack. We're in 264 00:12:53,559 --> 00:12:53,840 Speaker 1: the pack. 265 00:12:53,920 --> 00:12:55,719 Speaker 4: Nice to be in the pelotons, say bloody Earth. 266 00:12:56,240 --> 00:12:59,880 Speaker 1: All right, here we go, first one? Here will Is 267 00:12:59,880 --> 00:13:01,679 Speaker 1: it it's real? Or am I making this up? 268 00:13:02,040 --> 00:13:03,680 Speaker 4: Best of three? Here? Is it a best of five? 269 00:13:03,800 --> 00:13:04,760 Speaker 1: Best of three? Okay? 270 00:13:04,840 --> 00:13:05,480 Speaker 4: Best of three? 271 00:13:05,640 --> 00:13:12,120 Speaker 1: Okay. Sean Connery, who obviously played Bond equal with Roger 272 00:13:12,160 --> 00:13:17,640 Speaker 1: Moore actually and doing seven movies shaven shaven movie Okay, 273 00:13:17,800 --> 00:13:22,480 Speaker 1: He wasn't allowed to drink a martini in any other 274 00:13:22,600 --> 00:13:25,200 Speaker 1: film for the rest of his life. It was a 275 00:13:25,240 --> 00:13:30,160 Speaker 1: clause in his first Bond movie contract. Is that real? 276 00:13:30,840 --> 00:13:31,839 Speaker 1: Or have I just made it. 277 00:13:31,840 --> 00:13:34,080 Speaker 4: Up that he could only drink a martini. 278 00:13:34,480 --> 00:13:36,559 Speaker 1: He wasn't allowed to drink a martini in any other 279 00:13:36,600 --> 00:13:37,920 Speaker 1: film for the rest of his career. 280 00:13:38,400 --> 00:13:40,920 Speaker 8: Jesus Bond, Gems Bond? 281 00:13:41,559 --> 00:13:42,000 Speaker 1: There he is? 282 00:13:42,040 --> 00:13:49,360 Speaker 4: There another fun fact about Connery. 283 00:13:49,440 --> 00:13:51,280 Speaker 1: Now, I don't want to find fact about Connery. Is 284 00:13:51,280 --> 00:13:52,360 Speaker 1: that a real fact? 285 00:13:52,480 --> 00:13:54,640 Speaker 4: Or is that I'm stalling? 286 00:13:55,240 --> 00:13:58,920 Speaker 1: Ah? 287 00:13:59,679 --> 00:14:02,559 Speaker 4: I think that's not a real fact. 288 00:14:03,280 --> 00:14:05,400 Speaker 1: Yeah, I made it up. Well done, Yeah, well done? 289 00:14:05,600 --> 00:14:05,960 Speaker 7: Bye? 290 00:14:06,920 --> 00:14:09,840 Speaker 1: Who No one saw that kind of no wow, I 291 00:14:09,880 --> 00:14:10,800 Speaker 1: really thought your form for that. 292 00:14:11,600 --> 00:14:13,800 Speaker 4: Hey better Bond better Sean Connry. Fact, if you like, 293 00:14:14,240 --> 00:14:16,720 Speaker 4: he wasn't going to get the part for the interview 294 00:14:16,760 --> 00:14:18,080 Speaker 4: when he did the interview with James Bond and then 295 00:14:18,120 --> 00:14:20,440 Speaker 4: apparently they were looking across the road. I saw him 296 00:14:20,440 --> 00:14:22,960 Speaker 4: walk across the road afterwards, and they said because the 297 00:14:22,960 --> 00:14:25,440 Speaker 4: way he walked, they gave him the part because he walked, 298 00:14:25,560 --> 00:14:27,320 Speaker 4: he said. They said that he walked like a panther, 299 00:14:28,080 --> 00:14:29,760 Speaker 4: and he does and he does. 300 00:14:29,800 --> 00:14:31,160 Speaker 1: Do you know? He also had to wear a two 301 00:14:31,200 --> 00:14:33,600 Speaker 1: pay for all of his Bonds. He went bald at 302 00:14:33,640 --> 00:14:34,760 Speaker 1: twenty one, a bit like yourself. 303 00:14:37,720 --> 00:14:38,920 Speaker 4: I don't even know that's true. 304 00:14:38,960 --> 00:14:40,240 Speaker 1: How we all have fun? Fact, No, he wore a 305 00:14:40,280 --> 00:14:41,920 Speaker 1: two paint for all of his Bond films. He did 306 00:14:42,040 --> 00:14:45,280 Speaker 1: never goes underwater. Check it all right, next one? Here 307 00:14:45,320 --> 00:14:50,120 Speaker 1: you are one nil up? This is best of three. Yeah, 308 00:14:50,240 --> 00:14:54,680 Speaker 1: back on Sean Connery. He famously learnt martial arts from 309 00:14:54,680 --> 00:14:58,440 Speaker 1: Stephen Segal when filming a James Bond film. Stephen quit 310 00:14:58,560 --> 00:15:02,720 Speaker 1: though after Sean kicked him in the privates during one 311 00:15:02,760 --> 00:15:03,880 Speaker 1: of these lessons. 312 00:15:05,480 --> 00:15:06,920 Speaker 4: What movie what Bond movie. 313 00:15:07,000 --> 00:15:08,800 Speaker 1: Was he training for I will be able to tell 314 00:15:08,840 --> 00:15:15,360 Speaker 1: you hang on two seconds? Ye, excuse me, excuse me? 315 00:15:15,800 --> 00:15:16,640 Speaker 4: Probably taking a bit. 316 00:15:17,120 --> 00:15:20,120 Speaker 1: It was Never Say Never Again. Never Say Never, Never 317 00:15:20,160 --> 00:15:21,760 Speaker 1: Say Never Again was the film, And. 318 00:15:21,720 --> 00:15:23,720 Speaker 4: Steven Cigar was training him and then he kicked him 319 00:15:23,720 --> 00:15:27,760 Speaker 4: in the privates Stephen sorry, kicked Steve in the private 320 00:15:28,200 --> 00:15:29,520 Speaker 4: and Steven Cigar said no more. 321 00:15:29,560 --> 00:15:32,520 Speaker 1: He quit. Yeah, yeah, and didn't teach him. Oh geez, 322 00:15:33,360 --> 00:15:34,400 Speaker 1: is that true? If I made it up? 323 00:15:34,440 --> 00:15:35,080 Speaker 4: I think that's real. 324 00:15:35,360 --> 00:15:44,240 Speaker 9: That might be true. Okay, did he actually train him? 325 00:15:44,240 --> 00:15:45,840 Speaker 9: Though he did train him? Oh see, this is what 326 00:15:45,920 --> 00:15:49,120 Speaker 9: I don't like. This is where the games we start 327 00:15:49,160 --> 00:15:49,800 Speaker 9: to blow the line. 328 00:15:49,880 --> 00:15:51,480 Speaker 4: You don't, you don't. You don't make something up. 329 00:15:51,520 --> 00:15:51,800 Speaker 1: You don't. 330 00:15:52,080 --> 00:15:54,760 Speaker 4: You just tweak a tiny bit at the end. You 331 00:15:54,880 --> 00:15:57,800 Speaker 4: totally lull me into a false insecurity, it's ninety percent true, 332 00:15:57,840 --> 00:15:59,320 Speaker 4: and then you tell a little fib on the end. 333 00:15:59,600 --> 00:16:02,280 Speaker 4: Come up with your own lies. Do some work in here. 334 00:16:02,440 --> 00:16:05,280 Speaker 1: Okay, here we go, God, here we go. 335 00:16:05,720 --> 00:16:08,160 Speaker 4: And on the day they weren't doing karate, they did taekwondo. 336 00:16:09,320 --> 00:16:11,120 Speaker 4: I mean, like Jesus, I could do this. 337 00:16:11,920 --> 00:16:13,640 Speaker 1: I get a lot of joy out of how much 338 00:16:13,680 --> 00:16:14,200 Speaker 1: you get angry. 339 00:16:14,280 --> 00:16:15,760 Speaker 4: Well, I think we're going to have to go through 340 00:16:15,760 --> 00:16:18,520 Speaker 4: the teas and says here, you must write your own lieues. 341 00:16:18,680 --> 00:16:20,480 Speaker 1: I host it, I write the tees and sees. 342 00:16:20,560 --> 00:16:22,120 Speaker 4: Yeah, well the thing is I anchor the show, so 343 00:16:22,120 --> 00:16:24,320 Speaker 4: I might just skip four fifty in the future, all right. 344 00:16:24,240 --> 00:16:27,560 Speaker 1: The producers are all rappiness people outside saying just get 345 00:16:27,600 --> 00:16:28,240 Speaker 1: on with the game. 346 00:16:29,560 --> 00:16:31,600 Speaker 4: They know that, they know that it gets competitive, they 347 00:16:31,680 --> 00:16:33,160 Speaker 4: know that it's a game, and they should have programmed 348 00:16:33,200 --> 00:16:35,120 Speaker 4: the show better. I mean, at the end of the day, 349 00:16:35,200 --> 00:16:36,560 Speaker 4: you know it's going to be a ten minute bit. 350 00:16:36,640 --> 00:16:38,320 Speaker 4: Don't put it at four fifty five. And we've got 351 00:16:38,400 --> 00:16:40,440 Speaker 4: lease sales after five o'clock. That's not our fault. 352 00:16:40,480 --> 00:16:41,760 Speaker 1: Okay, here we get fault. Here we go. 353 00:16:41,960 --> 00:16:42,160 Speaker 6: Yeah. 354 00:16:43,200 --> 00:16:45,840 Speaker 1: Ian Fleming, who's the writer of all the James Bond 355 00:16:46,000 --> 00:16:49,560 Speaker 1: movies and books. He famously wrote all of the James 356 00:16:49,560 --> 00:16:53,240 Speaker 1: Bond novels with a loaded pistol sitting on the desk. 357 00:16:53,480 --> 00:16:53,920 Speaker 4: Jesus. 358 00:16:54,120 --> 00:16:57,400 Speaker 1: He said it gave him the sense of danger. Wow, 359 00:16:57,920 --> 00:17:01,000 Speaker 1: loaded gun on the next to his time? 360 00:17:01,040 --> 00:17:03,200 Speaker 4: Where is he from? Fleming? He's British. 361 00:17:03,400 --> 00:17:05,320 Speaker 1: I'm pretty I'm pretty sure he's British. 362 00:17:05,359 --> 00:17:07,040 Speaker 4: He's British gave him a sense of danger. 363 00:17:07,440 --> 00:17:11,840 Speaker 1: Yeah, loaded gun, I think that's true. 364 00:17:13,000 --> 00:17:22,479 Speaker 4: That's no matter what money. That's so believable. Truth at all, 365 00:17:22,560 --> 00:17:23,000 Speaker 4: no truth. 366 00:17:23,640 --> 00:17:25,119 Speaker 1: The only truth of that is he wrote with a 367 00:17:25,160 --> 00:17:27,439 Speaker 1: golden typewriter. But I don't know what that's going to 368 00:17:27,440 --> 00:17:35,080 Speaker 1: do with Anything's podcast. Adele has released a snippet We'll 369 00:17:35,160 --> 00:17:37,359 Speaker 1: of some brand new music, which I'm sure a lot 370 00:17:37,400 --> 00:17:39,520 Speaker 1: of people are very excited about. Oh wow, you've got 371 00:17:39,520 --> 00:17:41,760 Speaker 1: the exclusive Buddy oath, I do do you? She sent 372 00:17:41,840 --> 00:17:43,560 Speaker 1: it to me directly with my friends as you know. 373 00:17:44,480 --> 00:17:47,920 Speaker 1: But before I play the snippet of Adele's brand new single, 374 00:17:47,920 --> 00:17:49,680 Speaker 1: which is called easy On Me, I've got a question 375 00:17:49,720 --> 00:17:52,280 Speaker 1: for everyone, and I'm just thirteen one oh sixty five. 376 00:17:53,000 --> 00:17:57,320 Speaker 1: Would you rather break up or be broken up with? 377 00:17:59,000 --> 00:17:59,400 Speaker 4: Wow? 378 00:18:00,119 --> 00:18:02,159 Speaker 1: This it's a deep question, isn't it. Absolutely we are 379 00:18:02,160 --> 00:18:06,920 Speaker 1: getting deep on a Monday. Get your shovels Australia. Yeah. 380 00:18:06,960 --> 00:18:11,120 Speaker 1: So in this hypothetical, the relationship has to end. Yeah, 381 00:18:11,160 --> 00:18:12,919 Speaker 1: but would you rather be the one doing the breaking 382 00:18:13,000 --> 00:18:15,600 Speaker 1: up or be broken up with? Yeah? 383 00:18:15,640 --> 00:18:17,400 Speaker 4: Wow? Okay, okay. 384 00:18:17,920 --> 00:18:21,040 Speaker 1: Now Dell's new music. This is a snippet of her 385 00:18:21,119 --> 00:18:24,040 Speaker 1: new single easy on Me, which she released on an 386 00:18:24,080 --> 00:18:25,000 Speaker 1: Instagram live. 387 00:18:28,720 --> 00:18:29,680 Speaker 4: In this World. 388 00:18:32,000 --> 00:18:38,879 Speaker 1: But I can bring herself to swim nine joining. 389 00:18:38,800 --> 00:18:39,360 Speaker 5: In this. 390 00:18:49,080 --> 00:18:50,360 Speaker 10: That's that's it. 391 00:18:50,400 --> 00:18:51,359 Speaker 6: That's all I'm going to play. 392 00:18:52,040 --> 00:18:56,640 Speaker 1: So there she's an Instagram live turning it off. So yeah, 393 00:18:56,680 --> 00:18:57,200 Speaker 1: pretty wild. 394 00:18:57,280 --> 00:18:59,639 Speaker 4: Sounds like a pretty extraordinary Instagram light. So she did 395 00:18:59,680 --> 00:19:01,959 Speaker 4: a bit of an ama as well, didn't she. 396 00:19:02,440 --> 00:19:05,680 Speaker 1: Yeah, and she started just getting super inappropriate questions. Someone 397 00:19:05,720 --> 00:19:09,080 Speaker 1: says to her, what's your body count? And Adele was like, 398 00:19:09,119 --> 00:19:11,400 Speaker 1: what the hell is a body count? And effectively that's 399 00:19:11,480 --> 00:19:13,479 Speaker 1: young slang for how many people have just slept with? 400 00:19:13,880 --> 00:19:15,119 Speaker 4: Oh my god? Someone asked her that. 401 00:19:15,200 --> 00:19:16,040 Speaker 1: Yeah, someone asked her that. 402 00:19:16,160 --> 00:19:19,960 Speaker 4: She's like, they didn't ask you like announcing COVID numbers 403 00:19:20,000 --> 00:19:21,600 Speaker 4: in Victoria, No. 404 00:19:21,600 --> 00:19:29,719 Speaker 1: More like wa my numbers. Anyway. Back on her new 405 00:19:29,840 --> 00:19:31,960 Speaker 1: song easy on Me. Now, I might be reading too 406 00:19:32,000 --> 00:19:36,879 Speaker 1: much between the lines here, Prick, I might be reading 407 00:19:36,880 --> 00:19:38,920 Speaker 1: too much between the lines here, but I'm pretty sure 408 00:19:38,920 --> 00:19:40,680 Speaker 1: the song easy on Me is referring to the fact 409 00:19:40,720 --> 00:19:43,520 Speaker 1: that she ended her previous marriage. She was the one 410 00:19:43,520 --> 00:19:46,600 Speaker 1: who made the decision to divorce. Figure what the guy's 411 00:19:46,680 --> 00:19:49,800 Speaker 1: name is, and she's saying that's still really difficult for 412 00:19:49,840 --> 00:19:52,440 Speaker 1: the person that's doing the breaking up. Yes, the person 413 00:19:52,440 --> 00:19:55,040 Speaker 1: who gets broken up with always gets a lot of sympathy, 414 00:19:55,200 --> 00:19:57,439 Speaker 1: Oh poor you, you've been broken up with. The person 415 00:19:57,480 --> 00:20:01,040 Speaker 1: who causes the breakup often doesn't get that sympathy because 416 00:20:01,080 --> 00:20:02,800 Speaker 1: it was like, oh, well, you're in control of it. 417 00:20:03,080 --> 00:20:03,560 Speaker 4: Yeah. 418 00:20:03,600 --> 00:20:06,399 Speaker 1: So what is an interesting question to ask? Who is 419 00:20:06,440 --> 00:20:08,520 Speaker 1: in the harder position there? What do you reckon? Would 420 00:20:08,520 --> 00:20:09,280 Speaker 1: you would you rather? 421 00:20:09,600 --> 00:20:10,119 Speaker 4: Yeah? 422 00:20:10,160 --> 00:20:12,159 Speaker 1: And I'm saying what the easiest position to be in is? 423 00:20:12,200 --> 00:20:13,879 Speaker 1: Would you rather be the one breaking up or be 424 00:20:13,880 --> 00:20:14,439 Speaker 1: broken up with? 425 00:20:14,880 --> 00:20:20,000 Speaker 4: So? I, in all honesty, I actually haven't. I don't 426 00:20:20,000 --> 00:20:22,320 Speaker 4: think i've I've only been in three relationships and I 427 00:20:22,440 --> 00:20:24,679 Speaker 4: ended all of them. So I haven't been in a 428 00:20:24,720 --> 00:20:26,639 Speaker 4: serious relationship and had it ended on me. 429 00:20:26,880 --> 00:20:29,680 Speaker 1: Sure, gee, it must be nice. Who would break up with? 430 00:20:29,720 --> 00:20:30,720 Speaker 1: Will McMahon right? 431 00:20:33,119 --> 00:20:35,720 Speaker 4: So I can't. So I can't. If I'm being totally honest, 432 00:20:35,800 --> 00:20:37,840 Speaker 4: I can't actually empathize with it. I know it is 433 00:20:38,359 --> 00:20:40,160 Speaker 4: no matter what ir to break up you're on. It's tough. 434 00:20:40,240 --> 00:20:44,080 Speaker 4: But the only thing I can really empathize with there's 435 00:20:44,080 --> 00:20:48,199 Speaker 4: a Bonnie Ver does a cover of this song. I 436 00:20:48,200 --> 00:20:51,119 Speaker 4: can't remember exactly what it's called But there's a line 437 00:20:51,119 --> 00:20:55,920 Speaker 4: in that song that says, you can't make your heart 438 00:20:56,000 --> 00:21:00,680 Speaker 4: feel something it won't, and that feeling. I can empathize 439 00:21:00,680 --> 00:21:05,520 Speaker 4: with that feeling of loving someone but then knowing that 440 00:21:05,520 --> 00:21:08,520 Speaker 4: there's no power, that there's nothing you can possibly do 441 00:21:08,640 --> 00:21:10,920 Speaker 4: to make someone's heart feel the way that it doesn't 442 00:21:10,960 --> 00:21:13,480 Speaker 4: want to feel. So yeah, that I'd never felt more 443 00:21:13,520 --> 00:21:15,560 Speaker 4: helpless than that. Like I've obviously been in love with 444 00:21:15,600 --> 00:21:17,720 Speaker 4: people and felt like, oh wow, I know you don't 445 00:21:17,720 --> 00:21:21,760 Speaker 4: love me. So that's a shocking feeling. So I feel hard. 446 00:21:21,800 --> 00:21:23,679 Speaker 4: And I feel like if someone broke up with me 447 00:21:23,720 --> 00:21:25,560 Speaker 4: and I was still full head over heels and love 448 00:21:25,560 --> 00:21:28,639 Speaker 4: with them, like it's almost nonsensical, particularly when you love 449 00:21:28,720 --> 00:21:30,920 Speaker 4: someone that much you just don't understand why they don't 450 00:21:30,920 --> 00:21:33,200 Speaker 4: feel the other way. So yeah, I don't know. There's 451 00:21:33,240 --> 00:21:34,199 Speaker 4: points for both sides. 452 00:21:34,240 --> 00:21:36,159 Speaker 1: Bloody hell. Let's talk about it more up next, But 453 00:21:36,200 --> 00:21:38,680 Speaker 1: I'd love some people to join the conversation. Maybe you've 454 00:21:38,720 --> 00:21:40,920 Speaker 1: been through a breakup recently. I remember to two fresh 455 00:21:40,960 --> 00:21:43,080 Speaker 1: that might get a been emotional with thirteen one or 456 00:21:43,119 --> 00:21:43,640 Speaker 1: sixty five. 457 00:21:44,240 --> 00:21:45,480 Speaker 4: No no, No, give us a call. 458 00:21:45,520 --> 00:21:49,399 Speaker 1: Its a safe space, bloody open, It's a space it's 459 00:21:49,520 --> 00:21:52,320 Speaker 1: like a marshmallow in him anyway. Would you rather break 460 00:21:52,400 --> 00:21:55,280 Speaker 1: up with someone be broken up with? 461 00:21:55,520 --> 00:21:55,760 Speaker 6: Wow? 462 00:21:55,840 --> 00:21:57,120 Speaker 4: The ultimate hope with a girl. 463 00:21:57,320 --> 00:22:01,960 Speaker 1: It's the Will and Woody podcast, Deep on a Monday 464 00:22:02,080 --> 00:22:05,840 Speaker 1: with a crazy hypothetical. Would you rather break up or 465 00:22:05,920 --> 00:22:07,719 Speaker 1: be broken up with someone? 466 00:22:07,960 --> 00:22:08,160 Speaker 6: Yeah? 467 00:22:08,240 --> 00:22:09,040 Speaker 4: Totally won You. 468 00:22:09,040 --> 00:22:11,679 Speaker 1: Want to join the boys on the radio? Thirteen one 469 00:22:11,680 --> 00:22:14,280 Speaker 1: oh sixty five is our question. Now we're talking about 470 00:22:14,320 --> 00:22:17,280 Speaker 1: it because Adele gave us a sneak peek of some 471 00:22:17,359 --> 00:22:27,280 Speaker 1: new music, a new single called easy on Me. I 472 00:22:27,359 --> 00:22:33,360 Speaker 1: can't bring usself to swim when Yeah, I'm sorry, sorry 473 00:22:33,359 --> 00:22:36,520 Speaker 1: that I can't bring myself. You can bring it down now. 474 00:22:36,840 --> 00:22:39,600 Speaker 1: I can't bring myself to swim in this stream. Now. 475 00:22:40,440 --> 00:22:42,800 Speaker 1: I might be jumping to conclusions here, but I'm pretty 476 00:22:42,840 --> 00:22:45,920 Speaker 1: sure that's her saying I broke up with my ex husband. 477 00:22:46,359 --> 00:22:48,800 Speaker 1: I was the one who caused the divorce because the 478 00:22:48,880 --> 00:22:50,640 Speaker 1: stream is the. 479 00:22:50,600 --> 00:22:53,600 Speaker 4: Marriageah right, I'm gonna go to Danielle if that's okay. Okay, 480 00:22:54,080 --> 00:22:57,080 Speaker 4: Danielle's called on thirty one and six five. Gooday, Dannielle. 481 00:22:57,840 --> 00:23:01,080 Speaker 4: Hello Danielle, you broke up with someone recently? 482 00:23:02,240 --> 00:23:05,760 Speaker 6: Yeah, about six weeks ago after being in a relationship 483 00:23:05,760 --> 00:23:06,840 Speaker 6: for nearly two years. 484 00:23:07,080 --> 00:23:10,240 Speaker 1: Wow, So how hard was it to be the one 485 00:23:10,400 --> 00:23:11,600 Speaker 1: to break up with someone? 486 00:23:12,840 --> 00:23:16,840 Speaker 6: I reckon it's the being the dumper is harder because 487 00:23:16,920 --> 00:23:20,520 Speaker 6: you've come to the realization that things aren't working anymore. 488 00:23:20,960 --> 00:23:23,919 Speaker 6: So you've got to try and like continue the relationship 489 00:23:23,920 --> 00:23:26,240 Speaker 6: with hope to try and work things out. In the 490 00:23:26,240 --> 00:23:29,560 Speaker 6: back of your mind, you're still buddling life. Is this 491 00:23:29,640 --> 00:23:34,040 Speaker 6: relationship working? You to bring up to speak without them 492 00:23:34,680 --> 00:23:37,080 Speaker 6: like they kind of might be a bit blindsided. 493 00:23:38,320 --> 00:23:40,080 Speaker 4: And when you are the dumper, well, I don't know 494 00:23:40,080 --> 00:23:42,119 Speaker 4: if we should use the term dumper. It might be 495 00:23:42,240 --> 00:23:43,359 Speaker 4: confusing for some people. 496 00:23:43,840 --> 00:23:46,080 Speaker 1: Fair Enough, I'm going to continue to use it when 497 00:23:46,119 --> 00:23:48,959 Speaker 1: you are because I think I don't know. Daniel's clarified it. 498 00:23:48,960 --> 00:23:51,119 Speaker 1: It's so much easier saying when you're the dumper. I 499 00:23:51,160 --> 00:23:54,560 Speaker 1: don't know when When you are the dumper, though, all 500 00:23:54,600 --> 00:23:56,560 Speaker 1: the control is on you so you can pull out, 501 00:23:56,960 --> 00:23:58,440 Speaker 1: do you know what I mean? It's like when you're 502 00:23:58,440 --> 00:24:00,560 Speaker 1: the one making the decision to break up with Yes, 503 00:24:00,960 --> 00:24:02,639 Speaker 1: you obviously walk away from that and go and I'm 504 00:24:02,680 --> 00:24:04,800 Speaker 1: making the right decision. Yes, have I been stupid here? 505 00:24:04,840 --> 00:24:07,240 Speaker 1: And I reckon that stress makes it so much harder 506 00:24:07,240 --> 00:24:08,960 Speaker 1: to be the to be the dumper. Yeah. 507 00:24:09,000 --> 00:24:12,760 Speaker 4: Sure, but but it's also your responsibility because you're the 508 00:24:12,760 --> 00:24:16,080 Speaker 4: one who's not feeling the same, you know, Like, it's 509 00:24:16,080 --> 00:24:18,600 Speaker 4: not if they don't know that you're feeling that way. 510 00:24:19,040 --> 00:24:20,359 Speaker 4: I don't think that you get it. It's not like 511 00:24:20,359 --> 00:24:23,879 Speaker 4: you're putting on a cape and pulling some super heroic maneuver. 512 00:24:24,320 --> 00:24:26,320 Speaker 4: But you're the one who's fallen out with them. They 513 00:24:26,400 --> 00:24:29,119 Speaker 4: need to know that you're not a legend for doing that. 514 00:24:29,480 --> 00:24:32,280 Speaker 4: Just adult up and go and tell them how you feel. 515 00:24:32,320 --> 00:24:36,360 Speaker 1: Yeah, it's Taylor here, Taylor, what do you reckon it? 516 00:24:36,400 --> 00:24:38,480 Speaker 1: Is it easier? Would you rather be the person breaking 517 00:24:38,520 --> 00:24:39,360 Speaker 1: up with someone or be. 518 00:24:39,280 --> 00:24:42,320 Speaker 2: Broken up with I've been on both sides, and I 519 00:24:42,320 --> 00:24:45,280 Speaker 2: can say one hundred percent it's worse to be broken 520 00:24:45,359 --> 00:24:49,480 Speaker 2: up with It's obviously, yeah, it's not good to break 521 00:24:49,560 --> 00:24:52,000 Speaker 2: up with someone, But in the end, you're the one 522 00:24:52,000 --> 00:24:56,400 Speaker 2: that's not feeling it anymore and you're coming to that conclusion, 523 00:24:56,400 --> 00:24:58,280 Speaker 2: Whereas if you're on the other end and someone's breaking 524 00:24:58,359 --> 00:25:00,000 Speaker 2: up with you, you're helpless. 525 00:25:02,359 --> 00:25:04,280 Speaker 1: And then I imagine as well, you're probably thinking when 526 00:25:04,320 --> 00:25:06,679 Speaker 1: you've been broken up with, like, what's wrong with me. 527 00:25:08,320 --> 00:25:11,360 Speaker 2: Yeah, sometimes I guess because it'll be heartbroken. 528 00:25:11,720 --> 00:25:15,240 Speaker 1: Yeah, Like, it's obviously a hit to yourself worth a 529 00:25:15,240 --> 00:25:15,680 Speaker 1: little bit. 530 00:25:15,800 --> 00:25:17,840 Speaker 4: Oh mate. And this is what I said. If anyone 531 00:25:17,880 --> 00:25:21,040 Speaker 4: wants to have a genuine cry to themselves tonight, we've 532 00:25:21,040 --> 00:25:24,680 Speaker 4: all had our heart broken. Go to YouTube and YouTube 533 00:25:24,720 --> 00:25:27,960 Speaker 4: Bonnie Vert covering I Can't make You Love Me. That 534 00:25:28,880 --> 00:25:30,560 Speaker 4: will pick you up and put you down because it 535 00:25:30,680 --> 00:25:32,960 Speaker 4: just hits you between the eye. There's nothing worse than 536 00:25:33,040 --> 00:25:35,959 Speaker 4: knowing full on that this person is for you and 537 00:25:36,000 --> 00:25:38,439 Speaker 4: then knowing that there's nothing you can do to make 538 00:25:38,480 --> 00:25:39,919 Speaker 4: them feel the same way. You can pull out all 539 00:25:40,000 --> 00:25:42,720 Speaker 4: the tricks, all the stops, you can't make somebody love 540 00:25:42,760 --> 00:25:47,160 Speaker 4: you again. I tend to agree, like I don't get 541 00:25:47,160 --> 00:25:49,119 Speaker 4: me wrong, it's it's a tough decision to have to 542 00:25:49,119 --> 00:25:51,159 Speaker 4: adult up and be honest with someone about how you 543 00:25:51,200 --> 00:25:52,879 Speaker 4: feel and tell them not into you, but to be 544 00:25:52,920 --> 00:25:56,280 Speaker 4: on the receive, to be totally vulnerable. I think our 545 00:25:56,320 --> 00:26:00,000 Speaker 4: first caller Danielle used the term blindside to be totally 546 00:26:00,119 --> 00:26:04,400 Speaker 4: blindsided by someone when you think something's going on, you're 547 00:26:04,440 --> 00:26:07,320 Speaker 4: fully you're totally dependent on them as well. 548 00:26:07,440 --> 00:26:11,840 Speaker 1: Yeah, no fair, coll stop complaining Adele you. Well, at 549 00:26:11,840 --> 00:26:13,280 Speaker 1: the end of the day, I've done full circle there. 550 00:26:13,280 --> 00:26:18,000 Speaker 4: Well, you are the ultimate fence, you know, you were 551 00:26:18,040 --> 00:26:19,200 Speaker 4: fully on the board with that. 552 00:26:20,680 --> 00:26:23,080 Speaker 10: On board, with that, it's the Will and Woody podcast 553 00:26:23,200 --> 00:26:23,879 Speaker 10: you and I have. 554 00:26:24,600 --> 00:26:27,720 Speaker 4: Honestly, we're lucky. We're really lucky. We work the job 555 00:26:27,760 --> 00:26:29,800 Speaker 4: that we work. In so many ways. One of the 556 00:26:29,840 --> 00:26:32,240 Speaker 4: great perks of working in radio Guns and Cards on 557 00:26:32,280 --> 00:26:34,520 Speaker 4: the Table is that we do get great access to 558 00:26:34,560 --> 00:26:36,560 Speaker 4: tickets to go to things. 559 00:26:35,920 --> 00:26:41,760 Speaker 1: And specually, yeah, it just flies under the radar. There's 560 00:26:41,760 --> 00:26:43,320 Speaker 1: no need to make it public. But you know, yeah, 561 00:26:43,320 --> 00:26:45,200 Speaker 1: we might get a few free tickets to a few things, 562 00:26:45,200 --> 00:26:47,119 Speaker 1: and yeah, it's just it's just a beautiful perk of 563 00:26:47,160 --> 00:26:47,440 Speaker 1: the job. 564 00:26:47,480 --> 00:26:49,520 Speaker 4: It's a beautiful perk of the job. And that's because 565 00:26:49,600 --> 00:26:50,919 Speaker 4: a lot of the time, you know, that's because we 566 00:26:50,960 --> 00:26:53,920 Speaker 4: were a good camaraderie with the record rep and you know, so, 567 00:26:53,920 --> 00:26:55,960 Speaker 4: so they offer them to us, they offer them to us. 568 00:26:55,960 --> 00:26:58,199 Speaker 4: That's what happens. But the Script are going to be 569 00:26:58,200 --> 00:27:00,520 Speaker 4: touring their greatest hits to A twenty twenty two. Tickets 570 00:27:00,520 --> 00:27:04,520 Speaker 4: on sale now. Tickets on sale now. Tickets are on 571 00:27:04,600 --> 00:27:06,639 Speaker 4: sale now. If you want to buy them, like an 572 00:27:06,680 --> 00:27:10,040 Speaker 4: honest citizen visit Frontier Touring dot com forward such a 573 00:27:10,119 --> 00:27:13,560 Speaker 4: script and we have got some tickets to give away 574 00:27:13,600 --> 00:27:15,680 Speaker 4: to our listeners. We were allocated a certain amount of tickets. 575 00:27:15,680 --> 00:27:17,320 Speaker 4: You might have heard me giving them away to people 576 00:27:17,320 --> 00:27:19,200 Speaker 4: that just miss out on things, or they don't quite win, 577 00:27:19,359 --> 00:27:22,199 Speaker 4: or like just a nice caller on the air. You 578 00:27:22,320 --> 00:27:30,359 Speaker 4: came in here, you know, similar to a pirate scumbag. 579 00:27:31,240 --> 00:27:31,760 Speaker 4: I'll take that. 580 00:27:31,840 --> 00:27:32,560 Speaker 1: Pirates are sexy. 581 00:27:32,600 --> 00:27:35,280 Speaker 4: A week or two ago and you said, see that 582 00:27:35,440 --> 00:27:38,760 Speaker 4: food that we're offering two people, you know, like to 583 00:27:38,800 --> 00:27:41,160 Speaker 4: give back to people that we've stolen from. I would 584 00:27:41,240 --> 00:27:46,040 Speaker 4: like to take that for myself and my new Sea Wench, whom. 585 00:27:46,400 --> 00:27:48,359 Speaker 1: I mean, it's like to have got me. But don't 586 00:27:48,359 --> 00:27:50,679 Speaker 1: you dare call my part of the pirate analogy. She 587 00:27:50,800 --> 00:27:51,280 Speaker 1: order a Wench. 588 00:27:51,280 --> 00:27:53,240 Speaker 4: She would have loved it. She would have loved it. 589 00:27:53,400 --> 00:27:55,280 Speaker 4: And she joins us on the phone. Now, Mimi, welcome 590 00:27:55,320 --> 00:27:55,760 Speaker 4: to the show. 591 00:27:56,600 --> 00:27:56,919 Speaker 3: Thank you. 592 00:27:56,960 --> 00:27:58,600 Speaker 7: I don't mind the name see Wench. 593 00:27:58,760 --> 00:28:01,080 Speaker 1: No, there you go, are you salting Sea Wench? 594 00:28:03,240 --> 00:28:07,399 Speaker 4: Okay, all right, so Mim told you she was a 595 00:28:07,400 --> 00:28:08,840 Speaker 4: big fan of the script. So you tried to have 596 00:28:08,880 --> 00:28:10,960 Speaker 4: a quiet word to our producer, and you said, look, mate, 597 00:28:11,000 --> 00:28:12,520 Speaker 4: I know we've got two of those tickets left. I 598 00:28:12,560 --> 00:28:14,560 Speaker 4: know most of the country has been in lockdown, and 599 00:28:14,560 --> 00:28:16,080 Speaker 4: I know this is probably the best thing that they'll 600 00:28:16,080 --> 00:28:17,640 Speaker 4: ever happened to them in a couple of years. Yeah, 601 00:28:17,760 --> 00:28:19,359 Speaker 4: but I would like to take them off my hands 602 00:28:19,560 --> 00:28:22,119 Speaker 4: as a romantic gesture to my sea Wench because I. 603 00:28:22,200 --> 00:28:23,240 Speaker 1: Butchered the birthday. 604 00:28:23,359 --> 00:28:25,320 Speaker 4: Yeah, well, he his birthday and get her at present 605 00:28:25,400 --> 00:28:25,800 Speaker 4: in the end. 606 00:28:25,840 --> 00:28:28,439 Speaker 1: No, well, I got ripped off by a man in 607 00:28:28,600 --> 00:28:29,720 Speaker 1: America anyway. 608 00:28:29,800 --> 00:28:31,440 Speaker 4: We don't think he was in America now, Yeah, and 609 00:28:31,600 --> 00:28:33,800 Speaker 4: it was almost certainly somewhere else. 610 00:28:33,840 --> 00:28:36,480 Speaker 1: It's not a real person. So I made a big 611 00:28:36,520 --> 00:28:38,920 Speaker 1: comeback and I was like organized tickets. It was all 612 00:28:38,920 --> 00:28:41,320 Speaker 1: working beautifully until you found out, well. 613 00:28:41,280 --> 00:28:43,040 Speaker 4: Until the authorities got wind of it. There are lots 614 00:28:43,080 --> 00:28:45,560 Speaker 4: of inquiries at the moment into corruption, and you know, 615 00:28:45,560 --> 00:28:48,600 Speaker 4: I was inspired by that. So you corrupt, Bustard, I'm 616 00:28:48,640 --> 00:28:51,120 Speaker 4: holding you taking those tickets off our listeners. And so 617 00:28:51,200 --> 00:28:53,120 Speaker 4: you had to compete in a script off with one 618 00:28:53,160 --> 00:28:57,000 Speaker 4: of our listeners, Courtney last week on Friday, and I 619 00:28:57,040 --> 00:28:59,560 Speaker 4: it was all all all the money was saying Courtney 620 00:28:59,560 --> 00:29:01,200 Speaker 4: was going to win She was a huge script fan, 621 00:29:01,880 --> 00:29:03,640 Speaker 4: particularly when you were playing like this. 622 00:29:08,760 --> 00:29:14,760 Speaker 1: Standing in the hall for the first time. 623 00:29:17,280 --> 00:29:18,800 Speaker 5: To Courtney because. 624 00:29:20,280 --> 00:29:25,640 Speaker 4: She's got it. So Courtney was good, but it was 625 00:29:25,680 --> 00:29:28,160 Speaker 4: all tied up on Friday, which means that Courtney is 626 00:29:28,240 --> 00:29:33,280 Speaker 4: back to compete for the script tickets again. Gosh, everyone's here, guys. Courtney, 627 00:29:33,280 --> 00:29:34,040 Speaker 4: how are you feeling? 628 00:29:35,160 --> 00:29:38,960 Speaker 6: Oh, you know, pretty disappointed on Friday with my brain 629 00:29:39,000 --> 00:29:40,200 Speaker 6: fart moment the last question. 630 00:29:40,240 --> 00:29:40,760 Speaker 8: But I'll get it. 631 00:29:40,800 --> 00:29:42,520 Speaker 3: I'm over it rock and. 632 00:29:42,560 --> 00:29:44,000 Speaker 8: Roll today, right, all right? 633 00:29:44,040 --> 00:29:46,640 Speaker 4: Any bribes from Mimy or Woody to Courtney before we 634 00:29:46,680 --> 00:29:47,480 Speaker 4: begin the script off? 635 00:29:47,520 --> 00:29:51,400 Speaker 7: Mimy, I mean, I'm willing to do some pretty crazy things. 636 00:29:52,280 --> 00:29:55,120 Speaker 1: Jesus Christ. You know, I keep the tickets. 637 00:29:55,360 --> 00:30:00,920 Speaker 4: Keep the tickets. The script off continues, right up. I'm sorry, 638 00:30:00,920 --> 00:30:03,360 Speaker 4: Mimmy doesn't. It's going to be PG so we can't 639 00:30:03,360 --> 00:30:05,920 Speaker 4: film it or broadcast, so we'll go to our script 640 00:30:05,960 --> 00:30:09,360 Speaker 4: off as scheduled with us swelling Boody. Quick reminder if 641 00:30:09,400 --> 00:30:11,240 Speaker 4: you want to go and see the script, they return 642 00:30:11,320 --> 00:30:14,040 Speaker 4: for their Greatest Hits Tour in twenty twenty two. Tickets 643 00:30:14,040 --> 00:30:18,560 Speaker 4: on sale now visit Frontier Touring dot com. Forward Slash 644 00:30:18,640 --> 00:30:21,600 Speaker 4: the script tickets on sale now. If you don't have 645 00:30:21,640 --> 00:30:24,080 Speaker 4: the ethics of a jaded Mexican drug dealer like my 646 00:30:24,320 --> 00:30:27,160 Speaker 4: co host, what he who tried to pinch our final 647 00:30:27,200 --> 00:30:30,720 Speaker 4: Script tickets meant for our listeners for his girlfriend Mimi, 648 00:30:30,760 --> 00:30:34,000 Speaker 4: who also joins us and who also has the morals 649 00:30:34,120 --> 00:30:35,440 Speaker 4: of a jaded Mexican drug dealer. 650 00:30:35,440 --> 00:30:39,480 Speaker 1: Welcome Mexican drug dealers. No no, no, no no. If they're 651 00:30:39,480 --> 00:30:42,720 Speaker 1: doing it for the right reasons, so they're sacrificing that, Okay. 652 00:30:43,240 --> 00:30:45,200 Speaker 4: Welcome back to the show. Mim. Pleasure to have you 653 00:30:45,280 --> 00:30:46,760 Speaker 4: back nowhere is it all? 654 00:30:47,320 --> 00:30:48,520 Speaker 5: Is more important than anything? 655 00:30:48,520 --> 00:30:50,560 Speaker 3: And I want those tickets and that will make me happy. 656 00:30:50,640 --> 00:30:51,719 Speaker 5: So I said it. 657 00:30:51,960 --> 00:30:54,760 Speaker 1: Why can't we make Mimi happy? 658 00:30:54,760 --> 00:30:55,000 Speaker 4: Why? 659 00:30:55,000 --> 00:30:58,000 Speaker 1: Why are you standing in the way me making my 660 00:30:58,080 --> 00:30:58,840 Speaker 1: partner happy? 661 00:30:59,160 --> 00:31:00,880 Speaker 5: Why are you standing in the hall of fame? 662 00:31:03,160 --> 00:31:05,040 Speaker 1: There she buddy is it's sort a gear that rolls 663 00:31:05,040 --> 00:31:05,960 Speaker 1: around in our household. 664 00:31:06,040 --> 00:31:11,760 Speaker 4: All right, let's not. Let's go to Courtney. Who's playing 665 00:31:11,840 --> 00:31:14,600 Speaker 4: for the tickets. Who's the who's the genuine, bona fide, 666 00:31:14,640 --> 00:31:19,240 Speaker 4: honest listener who's competing for these tickets? Courtney, welcome back. 667 00:31:19,240 --> 00:31:20,959 Speaker 4: You're a big Script fan as well. You've got all 668 00:31:20,960 --> 00:31:23,480 Speaker 4: their records. You actually care about them, and it's not 669 00:31:23,680 --> 00:31:26,680 Speaker 4: just a puffery of your love. All right, So she 670 00:31:26,760 --> 00:31:28,120 Speaker 4: dropped the ball? Who did so? 671 00:31:28,240 --> 00:31:30,920 Speaker 1: Courtney? If she's such a big fan, how did she 672 00:31:30,960 --> 00:31:33,160 Speaker 1: tie with me in a quiz about a band I 673 00:31:33,240 --> 00:31:33,920 Speaker 1: know nothing about? 674 00:31:34,400 --> 00:31:37,280 Speaker 4: Yeah, look, I'm not sure what it might have been. 675 00:31:37,400 --> 00:31:38,680 Speaker 4: It might have been the fact that I let you 676 00:31:38,720 --> 00:31:40,240 Speaker 4: answer every question first. 677 00:31:41,400 --> 00:31:43,800 Speaker 1: Yeah, I forgot to forget that. I didn't forget that. 678 00:31:43,840 --> 00:31:45,280 Speaker 4: So what we're going to do this time? Man? It's 679 00:31:45,320 --> 00:31:46,480 Speaker 4: just a best of three. We've got to get this 680 00:31:46,520 --> 00:31:48,120 Speaker 4: over and done with quickly. These tickets have to go 681 00:31:48,200 --> 00:31:51,200 Speaker 4: to somebody. Woody and Mimi are going to be playing 682 00:31:51,200 --> 00:31:53,719 Speaker 4: as a team, and I'm going to be I'm going 683 00:31:53,800 --> 00:31:57,520 Speaker 4: to be directing who answers the questions? Woody or Mimy 684 00:31:58,000 --> 00:32:00,760 Speaker 4: and Courtney? I think fair fair, And I know you're 685 00:32:00,760 --> 00:32:04,920 Speaker 4: a great sport about this, but we're gonna let them 686 00:32:04,920 --> 00:32:07,040 Speaker 4: answer the questions first. Okay, are you cool with that? Corney? 687 00:32:07,040 --> 00:32:09,280 Speaker 4: All right, let's do it. You're the games laughter than 688 00:32:10,120 --> 00:32:15,720 Speaker 4: sure and in my pocket. Wait, come to me. It's 689 00:32:15,720 --> 00:32:16,920 Speaker 4: way to get the judge on side. 690 00:32:16,920 --> 00:32:17,960 Speaker 1: Absolutely sick of fans. 691 00:32:18,040 --> 00:32:20,560 Speaker 4: All right, here we go over here. All right, here 692 00:32:20,600 --> 00:32:23,760 Speaker 4: we go, So Woody and Mimy, Woody and Mimmy, you've 693 00:32:23,760 --> 00:32:25,800 Speaker 4: got the first question. You'll have all that, you'll have 694 00:32:25,880 --> 00:32:28,360 Speaker 4: the first first shot of all the questions. Now, Mimi, 695 00:32:28,400 --> 00:32:31,440 Speaker 4: this one is for you. Okay, now the key here, Mimmy, 696 00:32:31,480 --> 00:32:34,080 Speaker 4: I'm giving points. You have to know the lyrics. You 697 00:32:34,120 --> 00:32:37,480 Speaker 4: also have to hit the note. So I'm not sure 698 00:32:37,480 --> 00:32:42,440 Speaker 4: what your singing is like, but please finish, Please finish 699 00:32:42,480 --> 00:32:43,000 Speaker 4: this lyric. 700 00:32:43,320 --> 00:32:59,960 Speaker 5: Here you go, geez, I don't know. 701 00:33:01,520 --> 00:33:05,000 Speaker 4: What what do you even have? You got your bands 702 00:33:05,000 --> 00:33:05,520 Speaker 4: mixed up? 703 00:33:05,560 --> 00:33:05,840 Speaker 1: Mates? 704 00:33:05,920 --> 00:33:07,760 Speaker 4: Like, do you want to say the script? 705 00:33:08,120 --> 00:33:10,240 Speaker 7: I had that part down pat like, I thought you're 706 00:33:10,240 --> 00:33:12,360 Speaker 7: gonna cut out, and then I was gonna really hit 707 00:33:12,440 --> 00:33:14,480 Speaker 7: that like a minus. A. 708 00:33:16,320 --> 00:33:22,200 Speaker 4: No, I'm going to a minus. Oh my god, Mimmy, 709 00:33:22,280 --> 00:33:24,320 Speaker 4: you are too much. I'm gonna turn to Courtney. Courtney 710 00:33:24,360 --> 00:33:28,400 Speaker 4: your turn. Here you go, mates, Why am I to 711 00:33:28,480 --> 00:33:35,160 Speaker 4: do money as well? To say that I'm down? 712 00:33:38,480 --> 00:33:39,520 Speaker 7: I'm for then. 713 00:33:40,840 --> 00:33:46,760 Speaker 4: S Yeah, pretty good, I'll give it to you. She's 714 00:33:46,800 --> 00:33:50,200 Speaker 4: one of What is going on, is mim All right. 715 00:33:50,200 --> 00:33:51,560 Speaker 3: Here we go minus. 716 00:33:51,640 --> 00:33:58,280 Speaker 4: By the way, we'll have to pull down Mimi's fader 717 00:33:58,320 --> 00:34:02,560 Speaker 4: in between questions. If we make a note of that production. 718 00:34:02,680 --> 00:34:02,840 Speaker 1: Ten. 719 00:34:03,040 --> 00:34:06,200 Speaker 4: All right, here we go. Question two woulds this one's 720 00:34:06,240 --> 00:34:11,360 Speaker 4: for you? Okay, tell me why you deserve these script tickets, 721 00:34:12,360 --> 00:34:16,040 Speaker 4: But but tell me why, as if you are reading 722 00:34:16,080 --> 00:34:17,880 Speaker 4: an ancient piece of scripture. 723 00:34:19,920 --> 00:34:28,080 Speaker 11: Ah, to make love to my fair lady, one must 724 00:34:28,080 --> 00:34:30,400 Speaker 11: do the things that he would choose not to in 725 00:34:30,440 --> 00:34:31,160 Speaker 11: a normal life. 726 00:34:32,160 --> 00:34:39,360 Speaker 1: But for me, I must sacrifice my dignity and my 727 00:34:39,840 --> 00:34:43,960 Speaker 1: effects and steal the tickets from Courtney. 728 00:34:44,560 --> 00:34:45,359 Speaker 4: Can I have a hell? 729 00:34:45,440 --> 00:34:45,640 Speaker 2: Yeah? 730 00:34:45,880 --> 00:34:50,560 Speaker 4: Yeah, not too mad. I'll give it to you. Guys. 731 00:34:50,600 --> 00:34:56,600 Speaker 4: It's one apiece with one. Why my god, the tension 732 00:34:56,800 --> 00:34:59,040 Speaker 4: is hi? That was nice, it sounds like, but it 733 00:34:59,080 --> 00:35:01,360 Speaker 4: did eventually sound he was just getting you the ticket 734 00:35:01,360 --> 00:35:04,880 Speaker 4: to get into your pants, which was you opened with 735 00:35:05,040 --> 00:35:06,560 Speaker 4: to make love to my fair lady? 736 00:35:06,920 --> 00:35:10,239 Speaker 1: Yeah? Metaphorically metaphorically what's that meant? 737 00:35:10,800 --> 00:35:12,120 Speaker 5: I'm okay with that? If that's what. 738 00:35:15,080 --> 00:35:18,040 Speaker 1: Are you drinking? Are you? 739 00:35:20,000 --> 00:35:20,239 Speaker 6: We go? 740 00:35:20,920 --> 00:35:23,840 Speaker 4: Final question? I don't think we can take her live anymore. 741 00:35:25,680 --> 00:35:28,439 Speaker 4: She might she might have to be under the pre 742 00:35:28,440 --> 00:35:32,680 Speaker 4: recorded space. I'm sorry. Here we go. The final question. 743 00:35:33,560 --> 00:35:37,200 Speaker 4: Final question, Mimmy, these are for your script tickets, mate, 744 00:35:37,239 --> 00:35:38,319 Speaker 4: so you can sing for it. 745 00:35:38,360 --> 00:35:42,560 Speaker 10: Okay, you're ready, ready, Okay, finish this lyric. Here you go, 746 00:35:47,760 --> 00:35:48,440 Speaker 10: see you in. 747 00:35:48,800 --> 00:35:54,520 Speaker 4: For you there. 748 00:36:00,600 --> 00:36:01,200 Speaker 6: Oh my. 749 00:36:02,880 --> 00:36:06,680 Speaker 4: God, we heard there's substantiating the fact that she did 750 00:36:06,800 --> 00:36:10,280 Speaker 4: have a midday Vodkas. Let's go to Courtney. Let's see 751 00:36:10,320 --> 00:36:13,520 Speaker 4: what she's got. Courtney. This is your thesis for your tickets. 752 00:36:13,840 --> 00:36:18,000 Speaker 4: Final play. Here, here we go. Mimmy's calm back. You 753 00:36:21,239 --> 00:36:25,319 Speaker 4: see me in for you on the final rough Street. 754 00:36:27,200 --> 00:36:32,040 Speaker 7: I'm not moving, I'm not move. 755 00:36:33,960 --> 00:36:42,560 Speaker 4: Has she got it? Let's find out the tenant Cornie 756 00:36:42,800 --> 00:36:49,400 Speaker 4: the script ticket, Joel yours, Okay, gelations, you deserve her. 757 00:36:49,520 --> 00:36:52,399 Speaker 4: The script returns for their Greatest Hits tour in twenty 758 00:36:52,440 --> 00:36:54,360 Speaker 4: twenty two. That all yours? You got double passing go 759 00:36:54,400 --> 00:36:56,799 Speaker 4: to the script courney. This let the tickets go to 760 00:36:56,960 --> 00:37:00,640 Speaker 4: the listeners as they deserve Mimi. Any final words from 761 00:37:00,680 --> 00:37:07,680 Speaker 4: you mates, whatever. She's flat, she's flashy, she's hung up, 762 00:37:08,040 --> 00:37:11,000 Speaker 4: she's gone, she's angry. 763 00:37:11,600 --> 00:37:12,919 Speaker 1: She's going to finish the bottle of red