1 00:00:01,639 --> 00:00:02,120 Speaker 1: There's sure. 2 00:00:02,240 --> 00:00:09,000 Speaker 2: Report on ninety six Am Taylor Swift is planning an 3 00:00:09,039 --> 00:00:12,920 Speaker 2: extravagant bachelorette party, a Taylor Ganza. 4 00:00:13,119 --> 00:00:14,200 Speaker 1: Can she afford it? Well? 5 00:00:14,280 --> 00:00:16,040 Speaker 2: Yeah, word is, the bill's going to come to well 6 00:00:16,079 --> 00:00:18,640 Speaker 2: over a million dollars. But you know, to be fair 7 00:00:19,200 --> 00:00:21,840 Speaker 2: when you've got swifty money, that's like the rest of 8 00:00:21,920 --> 00:00:23,440 Speaker 2: us mere mortals budgeting a. 9 00:00:23,360 --> 00:00:24,000 Speaker 1: Couple of grand. 10 00:00:24,440 --> 00:00:26,319 Speaker 2: She's pulled it back by a million or so, just 11 00:00:26,320 --> 00:00:28,680 Speaker 2: you know, just cost of living and all that sort 12 00:00:28,680 --> 00:00:28,920 Speaker 2: of thing. 13 00:00:29,120 --> 00:00:30,600 Speaker 1: A drop in the swifty ocean. 14 00:00:31,040 --> 00:00:34,320 Speaker 2: Sources suggests it's going to be a global, multi stop 15 00:00:34,360 --> 00:00:37,840 Speaker 2: experience rather than just a single weekend get away. 16 00:00:37,960 --> 00:00:40,320 Speaker 1: What a high tea at the thing? 17 00:00:40,400 --> 00:00:43,479 Speaker 2: Not good enough for you, Taylor highlight thirty three, Yes exactly. 18 00:00:43,800 --> 00:00:46,920 Speaker 2: Potential locations for the bachelorette party include a high end 19 00:00:47,000 --> 00:00:50,800 Speaker 2: chalet in France, a Caribbean yacht charter, or a possible 20 00:00:50,880 --> 00:00:54,400 Speaker 2: takeover of Sir Richard Branson's Necker Island, with plans to 21 00:00:54,480 --> 00:00:57,080 Speaker 2: invite the likes of Joni Mitchell and Stevie Nicks for 22 00:00:57,160 --> 00:00:58,200 Speaker 2: private performances. 23 00:00:58,280 --> 00:01:00,600 Speaker 1: I sort of like about her. She's she's just like 24 00:01:00,640 --> 00:01:03,520 Speaker 1: the rest of it. She's just one of us. She's 25 00:01:03,560 --> 00:01:04,520 Speaker 1: just a simple girl. 26 00:01:05,280 --> 00:01:09,160 Speaker 2: Every rose has its thorn, and every band has its 27 00:01:09,240 --> 00:01:15,240 Speaker 2: party pooper. See Poison is one of the very few 28 00:01:15,360 --> 00:01:17,880 Speaker 2: classic rock bands to have made it four decades with 29 00:01:17,959 --> 00:01:23,640 Speaker 2: its original lineup, but today not original. There's a lot, 30 00:01:23,840 --> 00:01:27,200 Speaker 2: but today there's reports the band has shelved it's much 31 00:01:27,200 --> 00:01:31,960 Speaker 2: anticipated fortieth anniversary tour because lead singer Brett Michaels wants 32 00:01:32,080 --> 00:01:35,440 Speaker 2: to be paid six dollars for every one dollar his 33 00:01:35,600 --> 00:01:37,280 Speaker 2: bandmates earned from the tour. 34 00:01:38,040 --> 00:01:39,640 Speaker 1: That's it equates to. 35 00:01:39,640 --> 00:01:42,280 Speaker 2: Him getting six hundred percent more than the other guys. 36 00:01:42,520 --> 00:01:46,000 Speaker 1: Yeah, come on now, drummer Rick wants to break the 37 00:01:46,040 --> 00:01:48,720 Speaker 1: band up with it, you know, Ricky. 38 00:01:48,480 --> 00:01:51,960 Speaker 2: Rocket, The drummer says it's all fallen through because while 39 00:01:52,000 --> 00:01:54,200 Speaker 2: he doesn't do this just for the money, you don't 40 00:01:54,240 --> 00:01:55,240 Speaker 2: want to go out and work. 41 00:01:55,080 --> 00:01:57,919 Speaker 1: Really hard just to make somebody else exactly a bunch 42 00:01:58,000 --> 00:02:01,120 Speaker 1: of money been there for forty years. That surprised me 43 00:02:01,160 --> 00:02:01,480 Speaker 1: a lot. 44 00:02:01,560 --> 00:02:04,200 Speaker 2: Actually, speaking of things not working out, I saw a 45 00:02:04,200 --> 00:02:07,400 Speaker 2: story online this morning about five little words being called 46 00:02:07,400 --> 00:02:08,960 Speaker 2: the new dating cop out. 47 00:02:09,400 --> 00:02:13,560 Speaker 1: It's the new It's not you, it's me, drum. 48 00:02:13,360 --> 00:02:20,560 Speaker 2: Roll if you will, Okay, it is You're too good 49 00:02:20,560 --> 00:02:20,840 Speaker 2: for me. 50 00:02:22,320 --> 00:02:24,960 Speaker 1: Well, that's you're too good for me. 51 00:02:25,520 --> 00:02:28,600 Speaker 2: It's fast being called out across TikTok and dating forums 52 00:02:28,600 --> 00:02:33,480 Speaker 2: as modern dating's most insidious cliche, designed to shut conversation down. 53 00:02:33,840 --> 00:02:37,080 Speaker 2: The idea is to deliver it calmly, with a self 54 00:02:37,120 --> 00:02:40,600 Speaker 2: aware gentleness, you're too good for me, and then take 55 00:02:40,639 --> 00:02:43,560 Speaker 2: off with the speed of a startled gazelle before they 56 00:02:43,600 --> 00:02:47,239 Speaker 2: wake up. Anyway, the TikTok generation are buying it. They say, 57 00:02:47,280 --> 00:02:50,000 Speaker 2: this line isn't a compliment, it's a disclaimer. 58 00:02:51,639 --> 00:02:55,800 Speaker 1: It's wine. That is pretty much how it's not you, it's. 59 00:02:55,639 --> 00:02:58,800 Speaker 2: Me worked very little change, very little changes, which is 60 00:02:58,840 --> 00:03:02,840 Speaker 2: also five words, very little changes over time, just the 61 00:03:02,960 --> 00:03:06,800 Speaker 2: text but not the context. No, I say, if someone 62 00:03:06,919 --> 00:03:10,320 Speaker 2: tells you you're too good for them, just believe them. 63 00:03:10,840 --> 00:03:12,880 Speaker 1: Believe them, get on your way.