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Speaker 1: Powered by the iHeartRadio WAPP from ninety six air VM

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Speaker 1: to where here but you're listening today? This is Clearsy

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Speaker 1: and Lisa's podcast.

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Speaker 2: Coming up.

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Speaker 3: On the podcast, we caught up with Pete Rose Thorn

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Speaker 3: opening that Door on Thank God You're Here.

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Speaker 4: We continued How to Make It in Wa series with

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Speaker 4: casting director Annie Merta Monks.

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Speaker 2: Had a bit of a laugh and to catch up

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Speaker 2: with the boys from the Block.

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Speaker 4: Rickey and Hayden took you calls on what you are

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Speaker 4: not into that everyone else is.

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Speaker 3: And some top shelf reviews for the Joker Folly Ado.

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Speaker 3: On the show report Cleary and lisas how to make

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Speaker 3: It in Way, She bring this son, I'll make.

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Speaker 2: You a start. Thank you, Brian.

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Speaker 3: Good on you, Brian, Brian Brown. Not too many better.

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Speaker 3: Hey from Australia. Our guest today is Annie murder Marks.

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Speaker 3: I've known Nannie for known Nanny for a long time.

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Speaker 3: Casting director and acting coach has worked on so many

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Speaker 3: projects based here in the West and filmed here, including

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Speaker 3: Rabbit Proofence, Japanese Story, Last Train to Free O and Drift.

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Speaker 3: And we're very proud of the actors. A lot of

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Speaker 3: the stars who have become international stars. From the West,

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Speaker 3: but she's been pivotal in their careers. Heith Ledger, Melissa George,

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Speaker 3: Eila fisherm Booth and Joy Corney just some of those

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Speaker 3: and Johnny Yes today casting director acting coach Anie Murta

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Speaker 3: marks any welcome, Oh, thank you.

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Speaker 5: So Hi Hi Claricy, Hi Lisa, So talk.

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Speaker 2: To you lovely. Have you joined us on this? What

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Speaker 2: tell us?

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Speaker 4: First of all, Annie, let's start at the beginning. What

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Speaker 4: exactly is a casting director and how did you get

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Speaker 4: into it?

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Speaker 6: Great question actually, because a lot of people get confused. Yes,

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Speaker 6: So a casting director is someone who is hired by

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Speaker 6: a production either a film production company or television company

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Speaker 6: to help them find the best possible actors for a production.

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Speaker 6: So I work on behalf of the production company. An

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Speaker 6: actor's agent works on behalf of the actors and they

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Speaker 6: and they represent the actors. And so I deal with

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Speaker 6: all the different agents.

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Speaker 7: Dodga working through your wish. Yes, you can the movie.

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Speaker 2: Whatever it will be.

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Speaker 6: It's always casting by committee these days, so everybody's you know,

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Speaker 6: the producer, the director, the investors in the film or

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Speaker 6: the television show. So it could be Netflix or stand

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Speaker 6: or the ABC or you know one of the networks.

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Speaker 6: Everyone tends to have a bit of a say with

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Speaker 6: the lead roles in something.

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Speaker 2: I bet.

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Speaker 6: Yeah, So it's an interesting job and it can be

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Speaker 6: very time intensive.

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Speaker 5: Put it that way, I would.

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Speaker 3: Imagine so any when you're trying to deal with so

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Speaker 3: many cooks to come up with the right format.

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Speaker 6: Yes, yeah, what about hopefully it works?

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Speaker 4: Yes, those you have to deal with the actors or

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Speaker 4: is it their agents that approach you and go? But

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Speaker 4: mine's going to be perfect for that role of you

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Speaker 4: know that all be onto you.

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Speaker 5: Yeah, yeah, I suppose.

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Speaker 6: Look, I used to be an actor years ago and

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Speaker 6: I trained in that area, so I know what it

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Speaker 6: was like for them on that side, and hopefully I

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Speaker 6: can potentially help them to give their best performances when

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Speaker 6: it's when it comes time to do an audition or

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Speaker 6: a callback.

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Speaker 3: And can I say, a bloody good actor too, because

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Speaker 3: you fooled us one day and to cod did it

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Speaker 3: was very curious and did an acting course Sunday your

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Speaker 3: tutelage and watched you in another actor completely baffle us

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Speaker 3: with a performance for a guy who reckon he rented

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Speaker 3: the same room.

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Speaker 6: I've forgotten about it.

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Speaker 2: You've had us all.

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Speaker 3: And it was well, then just showed your skill and

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Speaker 3: you can't do what you do, especially as an acting coach,

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Speaker 3: without having those skills.

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Speaker 6: Yeah, oh that's I'm very glad to hear that it

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Speaker 6: was effective.

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Speaker 4: And Annie, what a lot of people, you know, they

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Speaker 4: talk about the factor?

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Speaker 2: What is the factor?

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Speaker 5: Look?

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Speaker 6: I was reading something last night and it said it

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Speaker 6: only takes fifteen years to become an overnight success. And

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Speaker 6: I think it's so true because he've got to You

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Speaker 6: can have a certain quality that the screen loves, but

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Speaker 6: you have to learn how to use that and be

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Speaker 6: able to act effectively and bring a character to life.

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Speaker 6: And most people don't get cast in lead roles having

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Speaker 6: had no training or experience. So if you're interested in

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Speaker 6: becoming a skilled actor, you've really got to put in

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Speaker 6: the hard yards. You've got to do some training, and

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Speaker 6: various people, like for instance, Heath Ledger, they had their

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Speaker 6: own acting coaches in LA and he would have an

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Speaker 6: acting coach to assist him with every single audition and

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Speaker 6: every role. He referred to him as a voice coach,

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Speaker 6: but he was really also his acting coach as well.

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Speaker 6: And most actors spend a lot of time developing their skills.

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Speaker 6: I think for a lot of your listeners, what's exciting

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Speaker 6: with the new per Film Studio is that there's potentially

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Speaker 6: going to be a lot small productions filming in wa.

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Speaker 6: I mean, we could have big Hollywood productions because they've

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Speaker 6: got two twenty five thousand feet soundstages they're building, they

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Speaker 6: can be split into four smaller ones. There'll be probably

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Speaker 6: going to be quite a few more productions, and so

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Speaker 6: a lot of people might be interested in just having

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Speaker 6: the fun experience of being an extra yes well on

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Speaker 6: film or TV.

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Speaker 4: This is why we're talking about this in a bit

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Speaker 4: more depth any because of the Gamebusters that way has

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Speaker 4: gone recently in terms of being a location for making staff.

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Speaker 2: You know, we've had movies, We've had The Twelve.

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Speaker 4: Up in New York, We've had Runt in York, just

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Speaker 4: to name a few, and now we've got the Malaga

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Speaker 4: studios coming.

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Speaker 2: What would be.

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Speaker 4: Your top couple of tips to people, you know, just

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Speaker 4: for the ordinary of you know, not the people trying

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Speaker 4: out for major roles, they already know what they're doing,

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Speaker 4: but those of us just want to get involved in

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Speaker 4: this industry as an extra or whatever. How do people

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Speaker 4: go about it? How do they put themselves in the

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Speaker 4: right place at the right time.

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Speaker 6: A great question. And by the way, just before I

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Speaker 6: answer that, I just want to give a plug because

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Speaker 6: I was casting director on Runs and it's close to

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Speaker 6: the third biggest opening weekend and film this year.

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Speaker 8: So good.

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Speaker 6: It's passed the one million total and it was all

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Speaker 6: filmed in Way, all filmed in Perth and York and

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Speaker 6: I'm so excited that a lovely family film who has

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Speaker 6: come from.

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Speaker 9: Wa like that.

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Speaker 6: Yes, So advice if you want to do extra work,

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Speaker 6: I would suggest that a good way is to join

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Speaker 6: an agency who represent extras. So there are several in Perth.

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Speaker 6: Some of those are film Bites. Another one is called Padua,

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Speaker 6: Another one is Artist Management Australia. Another one is called

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Speaker 6: now Actors Now. Both those last two also represent actors,

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Speaker 6: but they do have extras on their books as well.

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Speaker 6: There are other actors agents as well. There's several of those,

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Speaker 6: but they're more for people who have trained and have experience,

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Speaker 6: but also for extras. There are quite a lot of

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Speaker 6: Facebook groups in Perth. Some of them are called Perth Actors,

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Speaker 6: some are called Actors in Perth, and many times there

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Speaker 6: are student filmmakers who post notices asking for volunteers for

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Speaker 6: their student films, and also when people are casting productions

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Speaker 6: and they need extras, like on films like rumpt Or twelve,

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Speaker 6: the third series that the Twelve is filming right at

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Speaker 6: the moment in Perth as well. Yeah, so often they

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Speaker 6: will post if they're searching for extras. A colleague of mine,

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Speaker 6: Megan Carpenter, she's a trusting director in Perth and she

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Speaker 6: specializes in extras and in television commercials as well. So

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Speaker 6: I would suggest that exploring any of those would be

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Speaker 6: a good way of maybe joining one of the agencies

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Speaker 6: and they're going to be able to let you know

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Speaker 6: when there are jobs. And being an extra can be

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Speaker 6: a lot of fun because you'll get behaved and you

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Speaker 6: get to you get to observe what's going on.

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Speaker 2: You just need to be.

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Speaker 6: Prepared that there's a lot of hurry up and wait.

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Speaker 3: It's funny you say that because when they made the

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Speaker 3: boxing movie Two for One Heart and Astrata about fifteen,

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Speaker 3: about ten years ago, Ray Fasio film. I've had a

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Speaker 3: lot of friends who were extras on that, and for

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Speaker 3: the boxing scenes, they had to keep moving around to

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Speaker 3: make it look like it was a full stadium of people,

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Speaker 3: but it was it was a whole day. Is going

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Speaker 3: to be patient, But you learned so much from behind

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Speaker 3: the scenes.

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Speaker 6: Yes, yeah, and it's fascinating to watch to see how

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Speaker 6: they do it and how the actors get directed. But yeah,

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Speaker 6: you do need to be prepared, so you need to

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Speaker 6: take along the book with you and a jumper in

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Speaker 6: case it gets cold. But you get fed and paid,

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Speaker 6: so it can be something to do.

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Speaker 7: It's pretty exciting.

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Speaker 4: I remember a movie that came out in nineteen eighty

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Speaker 4: called Harlequin. I don't know if anyone remembers this movie,

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Speaker 4: and it.

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Speaker 2: Was it was.

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Speaker 5: It was a horror.

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Speaker 2: It was scary one, scary one.

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Speaker 4: It was the first movie ever to be made because

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Speaker 4: it was made with the Wa Film Corporation and it

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Speaker 4: was made in Wa, but it was it was set

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Speaker 4: in the States, and they tried to make out that

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Speaker 4: it was filmed in the States, but it was made here.

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Speaker 4: And I remember watching and there were scenes on the

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Speaker 4: river sort of around Mosman Parkway, and I was my

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Speaker 4: thirteen year old self or whatever was so excited that.

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Speaker 2: On the screen.

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Speaker 4: So to see it come to this extent where we're

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Speaker 4: making these you know, we've got huge stars coming to

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Speaker 4: town to make these movies and quality television, light the

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Speaker 4: twelve being made right on our doorstep. It must be

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Speaker 4: you must what you've seen in your time, and you

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Speaker 4: must be so excited by the developments.

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Speaker 6: I am. And look, we've known to years that wa

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Speaker 6: has the most beautiful, unique light. I know you don't

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Speaker 6: have today.

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Speaker 2: At the moment, we're always talking about the light.

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Speaker 6: We have nine months of almost guaranteed perfect filming weather. Yeah,

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Speaker 6: you know, because our climate really I suppose it's quite

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Speaker 6: similar to Los Angeles in that way, but we have

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Speaker 6: ideal conditions for filming. But the challenge I think is

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Speaker 6: up until now is we've never had a film studio.

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Speaker 6: And all the other capital cities except for Darwin, I

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Speaker 6: think all of them and Tasmania hope that all of

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Speaker 6: the others have got film studios, some more than one,

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Speaker 6: and so we've been missing out for years. And I

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Speaker 6: got to tell you, we were so stoked that David Templeman,

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Speaker 6: our arts minister, managed to push for this and has

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Speaker 6: managed to make it a reality. And now we're devastated

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Speaker 6: because he's stepping down.

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Speaker 4: He has his eye on signing up though to he

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Speaker 4: was to be an extra all right. We spoke to

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Speaker 4: him yesterday excited about that.

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Speaker 2: So right about the light.

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Speaker 4: I remember when they made Cloud Street, the director was

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Speaker 4: absolutely adamant that it be made here because he said,

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Speaker 4: you cannot create that light anywhere else, and it was,

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Speaker 4: you know.

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Speaker 2: Was captured in Cloud Street.

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Speaker 4: Can you tell us anything about any of the things

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Speaker 4: you've been in involved with just recently or are involved

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Speaker 4: with as well.

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Speaker 5: Runt is.

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Speaker 6: What I just the latest film that I worked on,

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Speaker 6: and I'm just so excited that it's come out, and

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Speaker 6: if if audiences haven't gone to see it, I really

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Speaker 6: recommend it for their families, for any age.

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Speaker 9: Really.

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Speaker 6: It's the adaptation of Craig Sylvie's novel Yep. I know

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Speaker 6: it's playing currently at Luna Leadable and I think at

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Speaker 6: most other cinemas yes, as well. And it's a really

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Speaker 6: beautiful film with amazing classic Australian actors in it as well.

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Speaker 6: So that's that's a perfect one I would recommend.

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Speaker 2: Yeah.

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Speaker 4: Absolutely, we're big Craig Sylvie fans, so we're already gunning

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Speaker 4: for Honeybee to be one of the next things.

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Speaker 3: A couple of weeks ago, Yeah, we made we could

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Speaker 3: let it go. I just want to raise the word.

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Speaker 3: I want to bring the word charisma. Now you talked

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Speaker 3: about acting skill. You have to have skill to make it.

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Speaker 3: But I look at someone them multiple generations of actors,

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Speaker 3: and you look at someone like Sam Neil looking so

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Speaker 3: good in his seventies, and then Lee Tiger Helli from Frio,

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Speaker 3: the Young Fella, and then everyone in between. Sometimes they

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Speaker 3: just walk in for an audition or walk in and

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Speaker 3: you just go, they've got.

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Speaker 2: It or do you have to see the depth of

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Speaker 2: the skill first.

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Speaker 5: Look.

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Speaker 6: I certainly think the camera does love some people, and

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Speaker 6: that's to do with what likel their photogenicity. I made

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Speaker 6: that word up, and that's really to do with their

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Speaker 6: bone structure, their eye color, their skin tone, the quality

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Speaker 6: of their voice, all of those things. Certainly, if they're

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Speaker 6: not difficult to look at or look at, then we

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Speaker 6: take notice. And that's across the board. And they don't

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Speaker 6: have to be beautiful either. It can be something that

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Speaker 6: knows of you through them and their eyes and what

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Speaker 6: they embody when they bring you they come on screen.

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Speaker 5: But that won't do it.

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Speaker 6: Otherwise models would be playing the leads everything.

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Speaker 4: Yeah, well, Hally has got that photogenicity in Spain, and

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Speaker 4: then you're going to then who's walked under the set

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Speaker 4: and become become a quality actress as well, exactly.

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Speaker 6: And Lee we cast I cast him in The Heights,

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Speaker 6: which is the LA episode in his first adult role,

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Speaker 6: and it was just beautiful to really see him blossom.

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Speaker 6: And what he did in Boys Follows Universe extraordinary, extraordinary.

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Speaker 4: Indeed, by the way I loved The Heights, I would,

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Speaker 4: you know, I would have no problem with the making

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Speaker 4: another series, but I don't think there's going to be

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Speaker 4: anymore now.

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Speaker 2: I think we wanted it.

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Speaker 6: We wanted it, but COVID here funding cuts to the

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Speaker 6: ABC here.

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Speaker 9: But yeah, we love doing that.

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Speaker 6: It was and that was all filmed in Perth.

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Speaker 4: Yeah, well yeah, absolutely, cod which drive past the building,

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Speaker 4: you know to get into work.

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Speaker 2: Annie, Thanks for what you do, keep doing it.

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Speaker 4: It's all fantastic, and thank you so much for joining

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Speaker 4: us today with all that great advice about where.

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Speaker 2: People want to make sure they're in the.

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Speaker 4: Right place to for for all to happen, because it's

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Speaker 4: exciting time the right time.

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Speaker 2: You never know what's going to happen.

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Speaker 6: It is, it is, and let's hope our industry continues

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Speaker 6: to keep growing here.

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Speaker 2: Oh, I think it's going to any good to hear

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Speaker 2: you voice again, Thanks Annie, Yes see you later, Bye bye.

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Speaker 3: Some of these guests, and we can hear the excitement

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Speaker 3: about this new studio setup in Malai.

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Speaker 2: Yeah, it's very very cool.

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Speaker 4: So film Bits, PADOI Artist Management Australia. Good good advice there,

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Speaker 4: and like you.

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Speaker 3: Said, let's twenty twenty six will be here like that, Yeah,

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Speaker 3: where reproduction will start and let's.

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Speaker 4: Hope we can be like New Yorker's by the end

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Speaker 4: of this decade. All have appeared in some sort ser

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Speaker 4: you know, as an extra one shot because he's in

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Speaker 4: the Red Jumper.

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Speaker 1: More Clezy, more Lisa, more podcasts soon.

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Speaker 4: The block continues seven thirty tonight on nine. So we

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Speaker 4: thought it was a good opportun enity to check in

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Speaker 4: with the boys in House three Ricky and Hayden. Good morning, morning,

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Speaker 4: hell lovely, Are we very well? Yes, very well, well

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Speaker 4: we're just we're just past hump week, as you were

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Speaker 4: calling it on the show the halfway mark.

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Speaker 7: How's it been watching it back?

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Speaker 5: It's been pretty interesting.

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Speaker 8: Good to see I guess all the I guess the

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Speaker 8: content coming.

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Speaker 10: Together and all the stuff that we don't see behind

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Speaker 10: the scenes as we're stuck down in House three most

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Speaker 10: of the time.

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Speaker 8: So yeah, a bit of a different perspective.

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Speaker 4: Did you hit the floor sometimes when you see it like,

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Speaker 4: I didn't know that was said or that happened.

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Speaker 10: Probably for me, it's more I just don't remember saying

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Speaker 10: any of that. Some of the wild crap that comes

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Speaker 10: out of my head is absolutely ridiculous. Yeah, probably, it

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Speaker 10: just comes into my head and just rolls straight out

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Speaker 10: of my mouth.

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Speaker 11: So I try to remember what you called your beef

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Speaker 11: burgundy on the other night, but which by the way,

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Speaker 11: and I like a good beef bny on anything with

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Speaker 11: mash it looked awesome, So never mind what it's called.

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Speaker 2: It looked good.

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Speaker 4: Were you happy with your on Sweet coming second on Monday,

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Speaker 4: well Sunday, I should say.

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Speaker 10: Yeah, we we're pretty happy with that.

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Speaker 8: I think it took a few weeks.

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Speaker 10: For us to get our groove on, Yeah, and obviously

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Speaker 10: a few little waterproofing tiling nightmares to start our journey off.

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Speaker 10: But we've got a really good team on now, and

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Speaker 10: those guys had committed to the result and you can

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Speaker 10: see you can see obviously with our finish on the weekend,

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Speaker 10: so it was it was good to compete, and I

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Speaker 10: think to come second of the girls was still a

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Speaker 10: pretty good effort. They're really good at what they do,

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Speaker 10: so yeah, we'll take that and hopefully we're even closer

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Speaker 10: to a win now.

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Speaker 4: There was a small matter of a baby being born

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Speaker 4: in the first couple of weeks too, so you know, yeah.

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Speaker 10: Yeah, look we've got We've got her on the island now,

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Speaker 10: so where I'm cruising at the moment, So step back

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Speaker 10: on full house.

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Speaker 3: Yeah, little guns blazing. Hey, boys, be honest, would you

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Speaker 3: rather do more work with little sleep or go go

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Speaker 3: cutting on?

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Speaker 2: Philipine on the race track?

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Speaker 8: Bear, I reckon?

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Speaker 10: Oh that go kart tracks pretty elite, so you can't

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Speaker 10: go past it.

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Speaker 8: But yeah, we enjoy the block.

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Speaker 10: We enjoy doing the hard yards and the things that

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Speaker 10: you don't see late at night, sweating it out and slogging,

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Speaker 10: you know, doing the painting and insulating and all that

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Speaker 10: funn Yeah, that you don't see much of if we're

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Speaker 10: not winning these go cut races and winning boats and

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Speaker 10: stuff like that. Though we're not winning too much at

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Speaker 10: the moment, so anytime anytime those challenges pop up, we're

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Speaker 10: pretty keen to get out there, try and get the win,

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Speaker 10: try and get some cash back or win something, just

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Speaker 10: to not only keep the confidence up that, but yeah,

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Speaker 10: trying trying to snag a win where we can to

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Speaker 10: That the hardest part about the block day in, day out,

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Speaker 10: and then when you're not getting the wins, you feel

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Speaker 10: like you're sort of getting nowhere.

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Speaker 4: So you guys are really good at the challenges. I

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Speaker 4: actually remember watching when you won the boat that the

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Speaker 4: bar Crusher. I was losing my mind at the television

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Speaker 4: because I was feeling like they were changing the.

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Speaker 7: Rules halfway through of you know, of who was getting there.

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00:19:05,960 --> 00:19:08,000
Speaker 4: All of a sudden you had to cook the damn thing,

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00:19:08,680 --> 00:19:11,040
Speaker 4: and I thought, hang on. I was ready to write

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Speaker 4: a sternly worded complaint, and then it all came good.

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Speaker 2: You got the bar Crusher, which is by the way.

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Speaker 10: Yeah, that was honestly one of the grimmest trips.

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Speaker 2: There was.

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Speaker 10: There was not there was not a word being said.

390
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Speaker 10: I didn't know if I was getting a bite or

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Speaker 10: if I was just shaken the rod.

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Speaker 2: Yeah, well it all worked out in the end. Now

393
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Speaker 2: before the week.

394
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Speaker 4: Is out, we are.

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Speaker 7: We going to see you having some landscaping issues.

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Speaker 10: I already came to came to the light last night.

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Speaker 7: Okay, because I watched it the next day, I haven't

398
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Speaker 7: seen last night.

399
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Speaker 2: I have to catch up.

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00:19:55,720 --> 00:19:56,400
Speaker 12: Yeah, gotcha.

401
00:19:56,560 --> 00:20:00,480
Speaker 10: Yeah, Look, the landscaper pulled out last night, so no,

402
00:20:01,920 --> 00:20:04,240
Speaker 10: so hopefully we can sort it out.

403
00:20:04,320 --> 00:20:05,520
Speaker 8: Was still a couple of weeks ago.

404
00:20:06,600 --> 00:20:08,720
Speaker 3: The landscape is say, guys will be there before between

405
00:20:08,760 --> 00:20:11,160
Speaker 3: eight am and five pm. You know, like trades often

406
00:20:11,200 --> 00:20:12,600
Speaker 3: do give you the long span.

407
00:20:13,480 --> 00:20:17,720
Speaker 10: Well, the traders have got especially on the island. What

408
00:20:17,760 --> 00:20:20,560
Speaker 10: we found out was apparently that if the surf's up

409
00:20:20,640 --> 00:20:24,440
Speaker 10: or the fishing's on, the problem. Look, we didn't well,

410
00:20:24,520 --> 00:20:26,879
Speaker 10: we didn't have any We we were pretty lucky, I

411
00:20:26,960 --> 00:20:29,520
Speaker 10: propose we're a bit unlucky losing a couple of landscapers.

412
00:20:29,520 --> 00:20:32,760
Speaker 10: But all the trades that we had a flute rippers,

413
00:20:33,520 --> 00:20:36,760
Speaker 10: and they really make that experience that much that much easier.

414
00:20:36,800 --> 00:20:39,040
Speaker 10: And they're the youngsung heroes. They do a lot of

415
00:20:39,080 --> 00:20:41,320
Speaker 10: all nights and a lot of hard work and they

416
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Speaker 10: barely come on the screen for a few seconds.

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Speaker 2: So you pay. So that should have been good camera.

418
00:20:47,920 --> 00:20:52,600
Speaker 2: All my trades. You are a trade, you know what

419
00:20:52,680 --> 00:20:53,199
Speaker 2: it means?

420
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Speaker 8: Yeah, exactly.

421
00:20:56,000 --> 00:20:58,600
Speaker 10: Yeah, we I me and my company we ride off

422
00:20:58,760 --> 00:21:01,800
Speaker 10: sixteen to eighteen thousand dollars a year for unpaid bills,

423
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Speaker 10: So I know exactly what it's like, you know, And

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00:21:04,720 --> 00:21:07,080
Speaker 10: that's the hardest thing for a small business doing. You

425
00:21:07,640 --> 00:21:09,760
Speaker 10: doing the hard work and knowing that you're probably gonna

426
00:21:09,760 --> 00:21:11,440
Speaker 10: have to work just as hard to get paid. So

427
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Speaker 10: I didn't care whether we're winning rooms or not. You know,

428
00:21:15,119 --> 00:21:16,719
Speaker 10: it was always about paying our trades.

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Speaker 2: Yeah, ching, Yeah, that's frustrating number one.

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00:21:20,920 --> 00:21:22,640
Speaker 3: Yeah, boys, we thought we'd have to tell you about

431
00:21:22,640 --> 00:21:24,560
Speaker 3: a change of plans. You will have to put the

432
00:21:24,560 --> 00:21:26,560
Speaker 3: suits back in the wardrobe because jesse In Page's wedding

433
00:21:26,600 --> 00:21:27,439
Speaker 3: has been postponed.

434
00:21:27,520 --> 00:21:30,360
Speaker 2: So yeah, I don't believe you went there.

435
00:21:33,480 --> 00:21:37,280
Speaker 3: Yeah yeah, back is Yeah, apparently December twelve is not on.

436
00:21:37,720 --> 00:21:41,280
Speaker 3: But like Donkey Kong, well watch the space. I don't

437
00:21:41,280 --> 00:21:42,800
Speaker 3: know if you can invites, you get invites.

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00:21:43,680 --> 00:21:43,880
Speaker 2: Yeah.

439
00:21:43,920 --> 00:21:45,960
Speaker 10: Look, I think I think twenty twenty four has been

440
00:21:45,960 --> 00:21:49,160
Speaker 10: a tough year for those two sounds like it obviously,

441
00:21:49,240 --> 00:21:51,200
Speaker 10: stuff that's happened on the block and whatnot, So putting

442
00:21:51,200 --> 00:21:52,879
Speaker 10: that behind them and twenty twenty five is.

443
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Speaker 8: Going to be a lot better for them, So I

444
00:21:53,840 --> 00:21:55,000
Speaker 8: think that'll be a much better year.

445
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Speaker 4: So I want to ask you one more question, boys,

446
00:21:57,760 --> 00:22:00,320
Speaker 4: other than your own, whose house do you you like

447
00:22:00,400 --> 00:22:00,760
Speaker 4: the best?

448
00:22:01,400 --> 00:22:02,360
Speaker 8: Great question.

449
00:22:05,440 --> 00:22:10,639
Speaker 10: I would I'd probably go, jeez, maybe House five.

450
00:22:10,920 --> 00:22:13,679
Speaker 2: Right to House five and Christian?

451
00:22:14,119 --> 00:22:16,320
Speaker 10: Yeah, yeah, yeah, I think so.

452
00:22:16,600 --> 00:22:16,920
Speaker 2: I think.

453
00:22:18,119 --> 00:22:20,680
Speaker 10: I think it's hard because we really fell in love

454
00:22:20,720 --> 00:22:23,359
Speaker 10: with our house and we genuinely think our house is

455
00:22:23,359 --> 00:22:27,119
Speaker 10: that much better. Just the biggest, the bigger entertaining spaces.

456
00:22:28,200 --> 00:22:32,760
Speaker 10: I won't say too much about what happens landscaping, but honestly, reckon,

457
00:22:32,760 --> 00:22:34,840
Speaker 10: we have the best position on the block, the biggest pool.

458
00:22:35,359 --> 00:22:37,440
Speaker 10: I don't know why you want you'd want to buy

459
00:22:37,480 --> 00:22:38,120
Speaker 10: any other house?

460
00:22:38,600 --> 00:22:42,199
Speaker 4: Yeah, and hopefully don't have to play water polo with

461
00:22:42,280 --> 00:22:42,800
Speaker 4: your neighbor.

462
00:22:44,640 --> 00:22:48,000
Speaker 2: I'll see how that pans out, or.

463
00:22:48,040 --> 00:22:50,680
Speaker 10: Try and battle them with volume on our music.

464
00:22:51,560 --> 00:22:52,160
Speaker 9: We win.

465
00:22:52,440 --> 00:22:56,000
Speaker 10: I will win that every day.

466
00:22:56,400 --> 00:22:58,440
Speaker 4: Well, Ricking and Hayden, good luck with the rest of

467
00:22:58,480 --> 00:23:03,000
Speaker 4: the series. I watch with baited breath, and I hope

468
00:23:03,000 --> 00:23:06,000
Speaker 4: you get a night off from cooking the You didn't

469
00:23:06,040 --> 00:23:08,399
Speaker 4: even lose and you're still cooking the beef.

470
00:23:08,560 --> 00:23:08,720
Speaker 5: But.

471
00:23:10,600 --> 00:23:12,360
Speaker 10: Goes straight in the Master Chef.

472
00:23:13,920 --> 00:23:18,440
Speaker 3: Perfect Jack Kenny, you'll be on every show.

473
00:23:20,960 --> 00:23:24,879
Speaker 2: And your wife's going to be thrilled. I'm just stop

474
00:23:24,920 --> 00:23:26,119
Speaker 2: for another once.

475
00:23:26,440 --> 00:23:32,480
Speaker 3: Yeah, thanks, guys, you take care. I heard something very

476
00:23:32,480 --> 00:23:36,040
Speaker 3: interesting said yesterday. Yes, someone who we know, Yes, who

477
00:23:36,080 --> 00:23:37,120
Speaker 3: gets up very very early.

478
00:23:37,280 --> 00:23:37,600
Speaker 2: Yes.

479
00:23:37,760 --> 00:23:39,920
Speaker 3: Well let's find out from the person themsels. Let's buzz down,

480
00:23:40,280 --> 00:23:43,440
Speaker 3: just buzz down to us room. Helen's good morning, Helen, Oh,

481
00:23:43,560 --> 00:23:44,119
Speaker 3: good morning.

482
00:23:44,160 --> 00:23:45,879
Speaker 5: It's so nice to talk to you, guys. You know

483
00:23:46,000 --> 00:23:47,560
Speaker 5: I'm always so busy.

484
00:23:48,800 --> 00:23:51,200
Speaker 3: Yeah, and probably you're tapping because you are busy, so

485
00:23:51,240 --> 00:23:52,200
Speaker 3: we know you're busy now.

486
00:23:52,240 --> 00:23:56,440
Speaker 4: But I just want to hear this from your mouth confirmation,

487
00:23:56,560 --> 00:23:58,800
Speaker 4: because I find it hard to believe. We've been getting

488
00:23:58,840 --> 00:24:01,679
Speaker 4: up so early for a long time. But you do

489
00:24:01,840 --> 00:24:03,520
Speaker 4: not drink coffee, Helen.

490
00:24:04,840 --> 00:24:10,840
Speaker 5: No, I don't, I truly don't. Yes, the last time

491
00:24:10,840 --> 00:24:13,080
Speaker 5: I drank coffee was actually a long long time ago,

492
00:24:13,080 --> 00:24:16,240
Speaker 5: and it was decat I realized, you know what, I

493
00:24:16,280 --> 00:24:18,960
Speaker 5: don't really love the taste of coffee, not that I

494
00:24:19,000 --> 00:24:21,000
Speaker 5: ever went out of my way to get great coffee,

495
00:24:21,160 --> 00:24:23,440
Speaker 5: and I thought I'm full of beans anyway, I don't

496
00:24:23,480 --> 00:24:25,240
Speaker 5: really need it. And can I tell you that song

497
00:24:25,320 --> 00:24:28,000
Speaker 5: you just played if I'm not full of beans already?

498
00:24:28,000 --> 00:24:33,760
Speaker 2: That really got me going caffeine. Okay, do you drink tea.

499
00:24:35,080 --> 00:24:41,760
Speaker 5: Very very rarely? You know what My poison is water.

500
00:24:39,960 --> 00:24:42,760
Speaker 2: Chocolate or milo water, so not the hot drinks.

501
00:24:43,280 --> 00:24:44,879
Speaker 5: So if I do go out with a friend for

502
00:24:44,960 --> 00:24:48,560
Speaker 5: a coffee, I even write people for coffee. But I

503
00:24:48,640 --> 00:24:51,199
Speaker 5: might have, you know, a hot chocolate, which would you like?

504
00:24:51,680 --> 00:24:54,920
Speaker 5: I am quite partial to. Or on a very odd occasion,

505
00:24:54,920 --> 00:24:56,760
Speaker 5: I might have a soft drink which I don't drink,

506
00:24:57,240 --> 00:25:00,560
Speaker 5: you know, especial occasion, I might have that, but I've yeah,

507
00:25:00,920 --> 00:25:02,760
Speaker 5: it just doesn't do it for me. I just don't

508
00:25:02,880 --> 00:25:03,400
Speaker 5: enjoy it.

509
00:25:03,640 --> 00:25:03,880
Speaker 6: Wow.

510
00:25:04,960 --> 00:25:07,160
Speaker 5: And I've known a lot of people who've actually given

511
00:25:07,200 --> 00:25:09,760
Speaker 5: up coffee and ended up with all these headaches. And

512
00:25:09,800 --> 00:25:11,800
Speaker 5: then I found out that tea is even worse than

513
00:25:11,800 --> 00:25:15,960
Speaker 5: coffee because tea actually has a lot more caffeine than coffee,

514
00:25:16,080 --> 00:25:17,680
Speaker 5: which I didn't know, and I was all glad. I

515
00:25:17,720 --> 00:25:19,800
Speaker 5: don't really drink t and if I do, it's herbal.

516
00:25:20,760 --> 00:25:21,840
Speaker 2: You're in good company. I linkau.

517
00:25:21,880 --> 00:25:24,040
Speaker 3: Sam Mac from Sunrise doesn't drink coffee either. He's very

518
00:25:24,040 --> 00:25:26,520
Speaker 3: proud of me. Another early starter, Another early starter.

519
00:25:26,640 --> 00:25:29,479
Speaker 7: There you go, Well, I've had three already.

520
00:25:30,400 --> 00:25:35,200
Speaker 4: Is buzzing like dishes, Hella, Risha'll let you continue powered

521
00:25:35,240 --> 00:25:37,120
Speaker 4: by water, thank.

522
00:25:36,960 --> 00:25:39,959
Speaker 5: You, But I must People always think I'm a weirdo

523
00:25:40,080 --> 00:25:42,720
Speaker 5: because I don't drink coffee and people just like you

524
00:25:42,760 --> 00:25:45,360
Speaker 5: guys are really surprised by it. But to me, it's

525
00:25:45,440 --> 00:25:47,320
Speaker 5: just normal. I don't judge people.

526
00:25:47,960 --> 00:25:50,080
Speaker 2: I don't think you're part of the team. You're not

527
00:25:50,080 --> 00:25:53,760
Speaker 2: a weird good it's not your fault. It's not your fault.

528
00:25:53,800 --> 00:25:57,879
Speaker 2: You're good as you were. Thank you, Helen in the misroom, Well,

529
00:25:57,920 --> 00:25:58,399
Speaker 2: we want.

530
00:25:58,280 --> 00:26:00,000
Speaker 4: To open up the phones and ask what are you

531
00:26:00,200 --> 00:26:02,600
Speaker 4: not into that everyone else seems to love.

532
00:26:02,680 --> 00:26:06,320
Speaker 2: I don't really do pizza. I know you've said this

533
00:26:06,359 --> 00:26:06,600
Speaker 2: to me.

534
00:26:06,920 --> 00:26:09,560
Speaker 3: I don't think we can be friends.

535
00:26:09,560 --> 00:26:13,639
Speaker 2: No pizza at all. No pizza at all. No, okay,

536
00:26:14,920 --> 00:26:19,000
Speaker 2: it's not like I despise it. Yeah, okay, I'm not.

537
00:26:19,200 --> 00:26:20,600
Speaker 2: Let's order a pizza person.

538
00:26:20,440 --> 00:26:22,000
Speaker 3: Right, okay when people are really loving it, you know,

539
00:26:22,080 --> 00:26:25,400
Speaker 3: for me, I don't understand the chili muscles thing. Chili

540
00:26:25,440 --> 00:26:26,480
Speaker 3: muscles just don't do it.

541
00:26:26,520 --> 00:26:26,760
Speaker 8: For me.

542
00:26:27,200 --> 00:26:28,639
Speaker 2: It's all about the chili sauce.

543
00:26:28,720 --> 00:26:28,840
Speaker 5: There.

544
00:26:28,920 --> 00:26:32,119
Speaker 4: You had some nice white crusty bread to mop it

545
00:26:32,200 --> 00:26:33,440
Speaker 4: up with, but do you.

546
00:26:33,440 --> 00:26:36,600
Speaker 2: Really live the chili bread? I don't really do muscles.

547
00:26:36,600 --> 00:26:39,080
Speaker 4: There's too much work for too little paps like a

548
00:26:39,160 --> 00:26:39,840
Speaker 4: chili crab.

549
00:26:39,960 --> 00:26:42,880
Speaker 2: Okay, yeah you're going there. Yeah, crab's beautiful. Okay.

550
00:26:42,920 --> 00:26:44,560
Speaker 3: So you may have been ostracized for this thing that

551
00:26:44,600 --> 00:26:46,480
Speaker 3: you're not really into it. It seems like everyone else is.

552
00:26:46,480 --> 00:26:47,440
Speaker 2: Yes, great love.

553
00:26:47,520 --> 00:26:49,639
Speaker 4: Maybe you don't follow the AFL, maybe you're not on

554
00:26:49,720 --> 00:26:53,879
Speaker 4: social media Joanne and Ykiki, good morning?

555
00:26:53,920 --> 00:26:54,720
Speaker 5: How are you bad?

556
00:26:54,920 --> 00:26:55,200
Speaker 2: Good?

557
00:26:55,280 --> 00:26:58,160
Speaker 7: What are you not into that everyone else seems to be.

558
00:26:58,400 --> 00:27:01,280
Speaker 9: I'm not into coffee, chocolate.

559
00:27:01,400 --> 00:27:02,880
Speaker 2: The double Banger, Joe.

560
00:27:03,280 --> 00:27:06,479
Speaker 9: Yeah, I'm thinking something just totally weird.

561
00:27:07,280 --> 00:27:09,200
Speaker 5: What's wrong with you?

562
00:27:10,760 --> 00:27:14,760
Speaker 2: I don't want to say chocolate.

563
00:27:14,800 --> 00:27:17,240
Speaker 3: Does it become awkward when you especially someone's hand around

564
00:27:17,240 --> 00:27:18,720
Speaker 3: a block of chocolate and there's a couple of squeeze

565
00:27:18,760 --> 00:27:20,159
Speaker 3: there for you and you just said, how do you

566
00:27:20,520 --> 00:27:23,200
Speaker 3: respond to their quizzical faces?

567
00:27:24,720 --> 00:27:27,480
Speaker 9: Well, I just say I know, I'm right.

568
00:27:27,600 --> 00:27:27,919
Speaker 12: Thanks.

569
00:27:28,680 --> 00:27:30,679
Speaker 9: I've already told you ten times I don't eat.

570
00:27:33,560 --> 00:27:33,919
Speaker 5: You know, it.

571
00:27:33,960 --> 00:27:38,399
Speaker 11: Completes that, It's okay, nothing.

572
00:27:38,160 --> 00:27:46,119
Speaker 9: To Also, just lately I've started drinking boiling water okay,

573
00:27:47,040 --> 00:27:47,720
Speaker 9: not coffee.

574
00:27:49,160 --> 00:27:51,560
Speaker 2: Yeah, I know people that do that. It's cleansing kind

575
00:27:51,560 --> 00:27:51,760
Speaker 2: of thing.

576
00:27:51,800 --> 00:27:58,520
Speaker 4: Isn't Yeah, yeah, all right, Joe. On the text line

577
00:27:58,720 --> 00:28:01,560
Speaker 4: Sally and Forestale, So I don't do apples. I haven't

578
00:28:01,560 --> 00:28:04,520
Speaker 4: met got my head around eating an apple, and I

579
00:28:04,680 --> 00:28:07,320
Speaker 4: don't do biting into an apple, right.

580
00:28:07,359 --> 00:28:09,480
Speaker 7: I've never been out of bite, so it scares me.

581
00:28:11,280 --> 00:28:12,639
Speaker 2: Yes, I always cut.

582
00:28:12,520 --> 00:28:14,000
Speaker 4: An apple up, but I've had The last time I

583
00:28:14,040 --> 00:28:16,400
Speaker 4: add an apple is probably nineteen seventy seven, So I'm

584
00:28:16,440 --> 00:28:17,320
Speaker 4: not really into apples.

585
00:28:17,440 --> 00:28:20,160
Speaker 3: A lot of good apple's grown since then. Just going

586
00:28:20,200 --> 00:28:23,000
Speaker 3: to be bothered. I'm sure we're talking about those things.

587
00:28:23,040 --> 00:28:23,240
Speaker 10: You know.

588
00:28:23,359 --> 00:28:25,800
Speaker 3: Sometimes everyone seems to love something and you don't. When

589
00:28:25,800 --> 00:28:27,760
Speaker 3: I was losing it over Logan Roy and he's greedy

590
00:28:27,800 --> 00:28:30,159
Speaker 3: kids on succession, you hadn't really gotten into it, had

591
00:28:30,560 --> 00:28:33,120
Speaker 3: So I was going on TV, shot.

592
00:28:32,520 --> 00:28:33,320
Speaker 7: Out three times.

593
00:28:33,520 --> 00:28:35,399
Speaker 2: I'll be but one more. Got to have another crowd,

594
00:28:35,920 --> 00:28:36,560
Speaker 2: have another crack.

595
00:28:37,359 --> 00:28:39,040
Speaker 7: It happens sometimes and all of a sudden it just

596
00:28:39,040 --> 00:28:39,560
Speaker 7: clicks in.

597
00:28:40,480 --> 00:28:44,080
Speaker 4: On the text line Murray and Kenwick Beer drinking, Murray says,

598
00:28:44,120 --> 00:28:46,760
Speaker 4: I can't understand people's obsession with wine.

599
00:28:47,120 --> 00:28:48,680
Speaker 2: Can't can't stand the taste of it.

600
00:28:48,800 --> 00:28:51,640
Speaker 4: Okay, And on the other way, Murray, it would be

601
00:28:51,640 --> 00:28:55,000
Speaker 4: good drinking together because I can't understand the obsession with beer. Yeah, okay,

602
00:28:55,080 --> 00:28:58,760
Speaker 4: it's that I don't know that tops yeasty, so I

603
00:28:58,800 --> 00:29:01,560
Speaker 4: don't know what it is. And David Ridgeard says, I

604
00:29:01,600 --> 00:29:04,719
Speaker 4: can't stand prawns. I'm like that scene from The Exorcist.

605
00:29:05,000 --> 00:29:06,440
Speaker 2: Nice particular.

606
00:29:06,720 --> 00:29:10,800
Speaker 3: Yeah not goody hoy, you going good?

607
00:29:11,040 --> 00:29:14,160
Speaker 4: What what are you not into that everyone else seems

608
00:29:14,160 --> 00:29:14,480
Speaker 4: to love.

609
00:29:15,040 --> 00:29:18,240
Speaker 6: I can eat fresh fruit like apples, but apple pie

610
00:29:19,320 --> 00:29:20,200
Speaker 6: just can't cut it.

611
00:29:20,720 --> 00:29:23,040
Speaker 5: And I can't have pineapple on pizza.

612
00:29:23,200 --> 00:29:25,200
Speaker 9: Cooked fruit just does not do it for me.

613
00:29:25,520 --> 00:29:26,200
Speaker 2: Okay.

614
00:29:29,520 --> 00:29:32,360
Speaker 5: I can eat jam so like. I like fruit as

615
00:29:32,400 --> 00:29:33,440
Speaker 5: in I can eat.

616
00:29:35,200 --> 00:29:38,000
Speaker 2: Right it's not hot, that's a cooked fruit.

617
00:29:38,320 --> 00:29:42,720
Speaker 6: But I just cannot eat cooked fruit in apple pie.

618
00:29:42,600 --> 00:29:46,160
Speaker 2: Ye yeah, no, strawberry pie. I love an apple pie.

619
00:29:46,360 --> 00:29:46,520
Speaker 5: Now.

620
00:29:46,600 --> 00:29:49,400
Speaker 4: I have a similar situation though, with carrot. I don't

621
00:29:49,440 --> 00:29:51,960
Speaker 4: like cook carrot, but I like a you know, an

622
00:29:52,040 --> 00:29:55,520
Speaker 4: uncooked carrot, like.

623
00:29:55,560 --> 00:29:58,720
Speaker 2: As in just cooked.

624
00:29:59,680 --> 00:30:03,200
Speaker 4: Like a don't Yeah no, I don't like it cooked.

625
00:30:03,640 --> 00:30:06,440
Speaker 4: I also like it in honey. No, no, not at all,

626
00:30:06,600 --> 00:30:11,240
Speaker 4: but it is okay, so I get it.

627
00:30:13,920 --> 00:30:17,400
Speaker 3: If anyone hands you a really nice home baked apple pie.

628
00:30:17,520 --> 00:30:21,520
Speaker 3: We're in the eastern into Perth, down at hay Street,

629
00:30:21,840 --> 00:30:23,360
Speaker 3: and we both love apple pie.

630
00:30:23,560 --> 00:30:26,040
Speaker 4: It's thundering outside of apple pie.

631
00:30:26,960 --> 00:30:33,120
Speaker 2: That's a comfort food. I wish she hadn't said those words. Well,

632
00:30:33,200 --> 00:30:37,520
Speaker 2: apple pie, apple pie. But not everyone's into everything.

633
00:30:37,640 --> 00:30:40,480
Speaker 4: No, we've had a couple of not into sushi votes

634
00:30:40,520 --> 00:30:45,880
Speaker 4: put hereween and also Bianca in Sonagra doesn't do anything

635
00:30:45,880 --> 00:30:47,840
Speaker 4: for them sushi blowing.

636
00:30:47,560 --> 00:30:48,000
Speaker 2: Their hair back.

637
00:30:48,120 --> 00:30:51,440
Speaker 3: No, all right, well tell us that thing that and

638
00:30:51,480 --> 00:30:53,240
Speaker 3: it might be something that could be embarrassing or just

639
00:30:53,320 --> 00:30:55,880
Speaker 3: you become the talking point at work amongst your family

640
00:30:55,960 --> 00:30:58,400
Speaker 3: or friends, and what do you are not into that

641
00:30:58,400 --> 00:30:59,520
Speaker 3: everyone else seems to love.

642
00:30:59,720 --> 00:31:01,520
Speaker 2: Not just food, of course, it doesn't be anything.

643
00:31:02,040 --> 00:31:03,760
Speaker 4: Just got a message from Tommy because I said I

644
00:31:03,760 --> 00:31:07,680
Speaker 4: don't like cooked carrots. Oh yes, but I will eat them,

645
00:31:07,960 --> 00:31:10,560
Speaker 4: you know, not cooked. And he said, how about mashed

646
00:31:10,560 --> 00:31:14,840
Speaker 4: potatoes where you've got the carrots and the potatoes together.

647
00:31:14,920 --> 00:31:17,840
Speaker 4: And remember we were talking the other day about how

648
00:31:17,920 --> 00:31:22,160
Speaker 4: my mom used to try to sneak swede and turnip

649
00:31:22,240 --> 00:31:25,000
Speaker 4: and passnip into the mash, and I said, I do

650
00:31:25,040 --> 00:31:25,520
Speaker 4: not do it.

651
00:31:25,800 --> 00:31:26,400
Speaker 2: Vegetables.

652
00:31:26,560 --> 00:31:32,120
Speaker 4: I can stop trying to the yips, the turnip, the

653
00:31:32,200 --> 00:31:36,200
Speaker 4: parsnip and the swede into the mash. But yes, Tommy,

654
00:31:36,280 --> 00:31:40,200
Speaker 4: I can handle the carrot as well, as long as

655
00:31:40,240 --> 00:31:45,040
Speaker 4: it's really mashed. Okay, it's going to be smotherings. Okay, yeah,

656
00:31:45,120 --> 00:31:45,560
Speaker 4: so you get the.

657
00:31:45,560 --> 00:31:50,560
Speaker 2: Same smoothless smoothness as the mashed potato. Fussy much, Yeah right,

658
00:31:50,800 --> 00:31:52,920
Speaker 2: And when you start talking about sweez and turners make

659
00:31:52,960 --> 00:31:57,840
Speaker 2: me big of votes, food money.

660
00:32:00,000 --> 00:32:02,920
Speaker 9: Reality TV. I don't understand it. I don't want to

661
00:32:02,960 --> 00:32:05,600
Speaker 9: watch it. I can't if by Island, I don't care

662
00:32:05,680 --> 00:32:11,120
Speaker 9: that the fun wants a wife, there are no ven.

663
00:32:11,600 --> 00:32:12,880
Speaker 5: Doesn't rule.

664
00:32:15,800 --> 00:32:20,360
Speaker 2: You stand aw, it's just no I can.

665
00:32:20,240 --> 00:32:25,000
Speaker 9: Do like the police fum my dad's cop. I get it, yeah, hospital,

666
00:32:25,480 --> 00:32:28,960
Speaker 9: but I don't care about housewives because.

667
00:32:28,680 --> 00:32:31,760
Speaker 2: They're not serious security.

668
00:32:32,960 --> 00:32:33,760
Speaker 5: Security.

669
00:32:33,760 --> 00:32:42,040
Speaker 13: Because one they're not reality anderiously reality if they're people. Oh,

670
00:32:42,160 --> 00:32:48,800
Speaker 13: I get it off my television not reality creating new

671
00:32:48,880 --> 00:32:52,120
Speaker 13: category so I don't have to otherwise my my TV

672
00:32:52,200 --> 00:32:55,200
Speaker 13: gets confused. Okay, reality TV, I don't want to know.

673
00:32:55,480 --> 00:32:57,200
Speaker 7: Aaron hasn't got the Bravo channel.

674
00:32:57,240 --> 00:32:58,440
Speaker 2: No, she hasn't got Brav's.

675
00:33:00,120 --> 00:33:00,680
Speaker 7: You have Eric.

676
00:33:02,520 --> 00:33:03,160
Speaker 2: And real estate.

677
00:33:03,160 --> 00:33:05,000
Speaker 3: That's even the real estate shows are all becoming like that.

678
00:33:05,040 --> 00:33:07,640
Speaker 3: Now it's all about It's all about relationships and stories

679
00:33:07,840 --> 00:33:08,320
Speaker 3: this house.

680
00:33:09,360 --> 00:33:12,080
Speaker 4: I was six episodes into the last series of Selling

681
00:33:12,120 --> 00:33:15,360
Speaker 4: Sunset and I hadn't been to a home all the

682
00:33:15,680 --> 00:33:18,160
Speaker 4: in fighting and the nights and stuff.

683
00:33:19,200 --> 00:33:26,080
Speaker 9: Sarah, sometimes thisge.

684
00:33:26,480 --> 00:33:32,240
Speaker 2: Keep it real as erin into reality.

685
00:33:34,360 --> 00:33:38,160
Speaker 4: My coin the TV show Friends, Craig and Singleton said

686
00:33:38,240 --> 00:33:40,000
Speaker 4: they're all too good looking.

687
00:33:40,880 --> 00:33:43,120
Speaker 2: It was a bit unreached. A found it very cheesy

688
00:33:43,160 --> 00:33:45,479
Speaker 2: and no way they were speaking of property.

689
00:33:45,520 --> 00:33:47,520
Speaker 4: There's no way they were living in those apartments in

690
00:33:47,560 --> 00:33:48,640
Speaker 4: New York working at.

691
00:33:48,520 --> 00:33:51,680
Speaker 2: A coffee shop. Definitely not perks for you.

692
00:33:51,800 --> 00:33:52,600
Speaker 7: Margaret and Carter.

693
00:33:52,680 --> 00:33:55,120
Speaker 2: Hello, how are you guys?

694
00:33:55,440 --> 00:33:55,720
Speaker 13: Good?

695
00:33:55,960 --> 00:33:59,960
Speaker 2: We're great? What is it? Were you the outlier? What's yours? Australia?

696
00:34:00,280 --> 00:34:01,440
Speaker 5: But I'm not into.

697
00:34:01,240 --> 00:34:05,680
Speaker 2: Caravanning, okay in the future.

698
00:34:07,000 --> 00:34:10,000
Speaker 5: No desire to drag a house full of a box

699
00:34:10,040 --> 00:34:14,160
Speaker 5: full of house make around behind me. Give me give

700
00:34:14,200 --> 00:34:15,840
Speaker 5: me a five star hotel anytime.

701
00:34:16,520 --> 00:34:18,680
Speaker 2: Yeah, three star hotels roughing it.

702
00:34:19,760 --> 00:34:24,080
Speaker 4: I'm not particularly keen in dragging my bloggings behind me.

703
00:34:24,600 --> 00:34:26,600
Speaker 4: And you know what, the thing that gets me is

704
00:34:26,640 --> 00:34:30,680
Speaker 4: the whole set up, the whole setup.

705
00:34:30,719 --> 00:34:32,720
Speaker 2: But every time you stop before you can.

706
00:34:32,719 --> 00:34:35,200
Speaker 4: You know, kick back and have a glass, was like,

707
00:34:35,239 --> 00:34:39,239
Speaker 4: oh my god, hard work exactly.

708
00:34:39,320 --> 00:34:42,560
Speaker 5: I totally get it. A lot of friends into it,

709
00:34:42,880 --> 00:34:48,279
Speaker 5: absolutely for them, it's not for me.

710
00:34:48,480 --> 00:34:51,040
Speaker 2: Get all the gear, which is very expensive.

711
00:34:50,719 --> 00:34:54,080
Speaker 9: Yes, get more insurance.

712
00:34:55,280 --> 00:34:57,280
Speaker 14: Alone, but I don't want.

713
00:34:57,120 --> 00:34:57,480
Speaker 8: To take.

714
00:34:59,600 --> 00:34:59,799
Speaker 12: Enough.

715
00:35:00,880 --> 00:35:03,960
Speaker 4: Thanks Margaret, have a good day, Angela and beach burroh

716
00:35:04,080 --> 00:35:04,560
Speaker 4: what is it?

717
00:35:05,480 --> 00:35:07,160
Speaker 7: You don't get why everybody else is into it?

718
00:35:07,239 --> 00:35:11,640
Speaker 9: Taylor Swift, Taylor Swift Swift, No, no.

719
00:35:11,440 --> 00:35:13,719
Speaker 14: No, no, I don't get this whole thing like this

720
00:35:14,080 --> 00:35:19,239
Speaker 14: causing ticketect to crash, you know, tickets for her. I

721
00:35:19,320 --> 00:35:21,640
Speaker 14: just don't see what makes her better than a lot

722
00:35:21,640 --> 00:35:23,240
Speaker 14: of these other female singers.

723
00:35:23,320 --> 00:35:24,520
Speaker 6: And yeah, I just don't get it.

724
00:35:24,760 --> 00:35:24,960
Speaker 2: Yeah.

725
00:35:25,080 --> 00:35:27,600
Speaker 3: Have you ever tapped your hand on the steering wheel

726
00:35:27,680 --> 00:35:28,759
Speaker 3: or sung along to shake it off?

727
00:35:28,800 --> 00:35:30,120
Speaker 2: Or has just never done it? For you?

728
00:35:30,640 --> 00:35:33,800
Speaker 6: I shake it off, but yeah, that's it.

729
00:35:34,280 --> 00:35:35,000
Speaker 1: One of the others.

730
00:35:35,320 --> 00:35:39,080
Speaker 4: She's okay, she writes a good song, she's a you know.

731
00:35:39,440 --> 00:35:40,400
Speaker 2: But much loved.

732
00:35:40,440 --> 00:35:46,200
Speaker 4: But the fuss is it warranty? I don't get the

733
00:35:46,440 --> 00:35:48,600
Speaker 4: girl of the moment Rachel and Luca agrees with you.

734
00:35:48,640 --> 00:35:51,480
Speaker 4: On the text, she said, what's what's all the hype about?

735
00:35:52,040 --> 00:35:52,120
Speaker 6: It?

736
00:35:52,239 --> 00:35:56,280
Speaker 2: Baffles me? On the planet you imagine right now. Thanks Angela,

737
00:35:57,000 --> 00:35:57,720
Speaker 2: thank you.

738
00:35:58,000 --> 00:36:05,440
Speaker 1: More Crazy, More Lisa, More podcasts soon, The Sure Report

739
00:36:05,640 --> 00:36:09,160
Speaker 1: on ninety six AIRFM.

740
00:36:09,320 --> 00:36:12,040
Speaker 4: Actor John Amos has passed away at the age of

741
00:36:12,080 --> 00:36:15,160
Speaker 4: eighty four. Amos was well known for his role as

742
00:36:15,200 --> 00:36:19,040
Speaker 4: the dad James Evans on the nineteen seventy sitcom Good Times.

743
00:36:19,600 --> 00:36:23,239
Speaker 9: Happy Anniversary to Me, Happy Anniversary to You.

744
00:36:23,840 --> 00:36:26,920
Speaker 2: We got some miles on us, baby, but we still

745
00:36:27,080 --> 00:36:30,400
Speaker 2: got as now, Baby Lunny, we got.

746
00:36:34,760 --> 00:36:38,920
Speaker 4: Amos portrayed Quintakinte in the original TV mini series Roots.

747
00:36:38,960 --> 00:36:42,080
Speaker 4: He played Cleo McDowell in the nineteen eighties film Coming

748
00:36:42,080 --> 00:36:44,880
Speaker 4: to America, and he had roles in Diehard, to the

749
00:36:44,920 --> 00:36:46,680
Speaker 4: West Wing and Back in the Day, the Mary Tyler

750
00:36:46,719 --> 00:36:50,520
Speaker 4: Moore Show, The Jokers sequel Folly Adoo, Who's Out Tomorrow.

751
00:36:50,640 --> 00:36:52,960
Speaker 7: Going by the early reviews.

752
00:36:52,840 --> 00:36:56,680
Speaker 4: Complex appears to be the general consensus when it comes

753
00:36:56,760 --> 00:36:59,360
Speaker 4: to decoding Joker Too Well, That's probably what Todd Phillips

754
00:36:59,400 --> 00:37:01,759
Speaker 4: was going for. Even if every pair of eyeballs that

755
00:37:01,800 --> 00:37:04,799
Speaker 4: has seen the film so far isn't absolutely mesmerized by

756
00:37:04,840 --> 00:37:07,719
Speaker 4: the product, one thing most agree on is that the

757
00:37:07,760 --> 00:37:10,960
Speaker 4: film is for sure pushing boundaries. Here's some of what

758
00:37:11,000 --> 00:37:17,160
Speaker 4: the reviewers are saying, unexpected, audacious and mesmerizing. Gaga is

759
00:37:17,239 --> 00:37:21,399
Speaker 4: absolutely phenomenal, and Phoenix brings it again. I walked out

760
00:37:21,400 --> 00:37:25,319
Speaker 4: of Joker Follier do completely flawed. Why can Phoenix deliver

761
00:37:25,360 --> 00:37:27,719
Speaker 4: it again? But lady Gargar is a movie star. She

762
00:37:27,880 --> 00:37:31,839
Speaker 4: belongs in the Oscar content conversation. I loved it. We

763
00:37:31,880 --> 00:37:35,040
Speaker 4: can see for ourselves from tomorrow and tomorrow morning ben

764
00:37:35,080 --> 00:37:38,000
Speaker 4: o'she will be reviewing it for us just after seven

765
00:37:38,000 --> 00:37:41,360
Speaker 4: point thirty. Another day, another bio, because in the works.

766
00:37:41,400 --> 00:37:43,919
Speaker 4: This time the subject is James Dean.

767
00:37:44,280 --> 00:37:47,200
Speaker 2: You know something, you read too many comic books.

768
00:37:48,800 --> 00:37:52,759
Speaker 12: Oh, he's real, austrated, He's he's different.

769
00:37:53,120 --> 00:37:56,240
Speaker 6: Right, that's right.

770
00:37:56,960 --> 00:37:58,279
Speaker 2: I'm cute too.

771
00:37:58,480 --> 00:38:02,279
Speaker 4: Well, that's the understatement of the surviving James Dean will

772
00:38:02,280 --> 00:38:05,600
Speaker 4: be based on William Bast's two thousand and six memoir

773
00:38:05,840 --> 00:38:09,279
Speaker 4: Bass book details his own relationship with Dean, who he

774
00:38:09,320 --> 00:38:11,839
Speaker 4: met while studying drama in Los Angeles in the early

775
00:38:11,920 --> 00:38:16,239
Speaker 4: nineteen fifties. The two became friends and roommates and evidently

776
00:38:16,760 --> 00:38:21,640
Speaker 4: eventually started a romantic relationship, with Buss climbing claiming that

777
00:38:21,680 --> 00:38:25,919
Speaker 4: they agreed to keep that quiet to avoid harming Dean's career. Absolutely,

778
00:38:26,320 --> 00:38:29,279
Speaker 4: and some sad news in this morning. Frank Fritz from

779
00:38:29,360 --> 00:38:31,800
Speaker 4: the TV show American Pickers has died.

780
00:38:32,080 --> 00:38:32,960
Speaker 2: He was sixty.

781
00:38:33,040 --> 00:38:35,400
Speaker 4: He died from complications from the stroke he had a

782
00:38:35,440 --> 00:38:36,200
Speaker 4: few years ago.

783
00:38:36,560 --> 00:38:37,480
Speaker 2: He must have made.

784
00:38:37,360 --> 00:38:40,680
Speaker 4: Amends with his great mate and co star Mike Wolfe

785
00:38:40,719 --> 00:38:43,640
Speaker 4: in recent times, because wolf was at his side when

786
00:38:43,640 --> 00:38:44,799
Speaker 4: he died on Monday Night.

787
00:38:45,160 --> 00:38:48,719
Speaker 7: It was a good show American Pickers. Yeah, find some stuff.

788
00:38:48,440 --> 00:38:51,520
Speaker 3: Wouldn't They Just incredible some of the stuff and where

789
00:38:51,520 --> 00:38:52,399
Speaker 3: they find them as well.

790
00:38:52,440 --> 00:38:55,319
Speaker 4: Absolutely, they were really good characters for that show.

791
00:38:55,440 --> 00:38:58,279
Speaker 2: Yeah, very cool. Thank god you're here.

792
00:38:58,920 --> 00:39:06,200
Speaker 4: It's one thirty tonight one and just building the anticipation,

793
00:39:06,480 --> 00:39:09,719
Speaker 4: mister Pete rose Thorn is coming through the door tonight.

794
00:39:09,960 --> 00:39:10,320
Speaker 2: Hello.

795
00:39:11,600 --> 00:39:14,640
Speaker 12: Well it's been a while, guys, at least and Claire,

796
00:39:14,680 --> 00:39:15,160
Speaker 12: you's been a while.

797
00:39:15,200 --> 00:39:17,160
Speaker 8: I've been on. I did a lot of the first

798
00:39:17,200 --> 00:39:18,080
Speaker 8: series of Thank God.

799
00:39:18,280 --> 00:39:22,040
Speaker 12: Yes, but even they recalled an old timer, which is

800
00:39:22,120 --> 00:39:25,880
Speaker 12: nice because you know, I'm so much older than I

801
00:39:26,000 --> 00:39:26,919
Speaker 12: look older.

802
00:39:27,080 --> 00:39:27,880
Speaker 8: Performed older.

803
00:39:27,960 --> 00:39:32,719
Speaker 4: Thank god you're still here, You're still back.

804
00:39:33,920 --> 00:39:37,360
Speaker 8: Yeah, absolutely, but it was fun. I haven't lost of mojo.

805
00:39:37,400 --> 00:39:40,920
Speaker 12: It was really good fun to do. Yeah, but and

806
00:39:41,280 --> 00:39:43,600
Speaker 12: I play some sort of renaissance artist.

807
00:39:43,640 --> 00:39:47,399
Speaker 8: If I remember, I did yeah, and I.

808
00:39:47,400 --> 00:39:49,720
Speaker 12: Brist banged on the French accent pretty quickly. But apparently

809
00:39:49,760 --> 00:39:51,279
Speaker 12: I was in Italy and it was all weird.

810
00:39:53,040 --> 00:39:53,840
Speaker 8: Leave you down the garden.

811
00:39:54,880 --> 00:40:00,160
Speaker 2: That makes it funnier. Ignore them for some reason, you

812
00:40:00,239 --> 00:40:01,560
Speaker 2: in a big frilly collar.

813
00:40:02,400 --> 00:40:06,279
Speaker 8: For some reason, I have come down like a peasant artist.

814
00:40:07,520 --> 00:40:12,920
Speaker 3: Really starving for your art. Because you're you, you get

815
00:40:12,960 --> 00:40:14,680
Speaker 3: away with going in any direction. Do you feel like

816
00:40:14,719 --> 00:40:16,680
Speaker 3: that sometimes you got the license to just go anywhere.

817
00:40:17,640 --> 00:40:19,640
Speaker 8: Oh, that's the beautiful beauty of them doing the show.

818
00:40:19,719 --> 00:40:22,960
Speaker 12: And because I'm I'm I'm an expert at having an

819
00:40:22,960 --> 00:40:24,880
Speaker 12: empty mind and clearing my head.

820
00:40:24,680 --> 00:40:25,880
Speaker 8: Of any any concussion.

821
00:40:26,120 --> 00:40:28,239
Speaker 12: Yeah, I'll just see what's in front of me, and

822
00:40:27,760 --> 00:40:30,239
Speaker 12: I see, I see, see joke, do joke.

823
00:40:30,680 --> 00:40:33,520
Speaker 8: So I kind of just run with it. But it's

824
00:40:33,520 --> 00:40:35,240
Speaker 8: just always so incredibly exciting.

825
00:40:35,239 --> 00:40:44,239
Speaker 12: I didn't win my episode, which makes me sad, but

826
00:40:37,960 --> 00:40:53,040
Speaker 12: still keeping things up, Edmonds, it's really funny and good. Yeah,

827
00:40:53,200 --> 00:40:54,360
Speaker 12: I can't remember the other people.

828
00:40:55,760 --> 00:40:55,920
Speaker 5: Chris.

829
00:40:58,400 --> 00:41:00,479
Speaker 8: Chris is the biggest, lovely big music bloke.

830
00:41:00,680 --> 00:41:04,160
Speaker 12: Yes, and and the other girls and the young Yeah,

831
00:41:05,040 --> 00:41:08,200
Speaker 12: we spoke.

832
00:41:07,960 --> 00:41:10,359
Speaker 4: To someone recently who I can't I can't remember who

833
00:41:10,360 --> 00:41:11,680
Speaker 4: it was, but they were doing it for their first

834
00:41:11,680 --> 00:41:15,200
Speaker 4: time and they said they were blown away by the

835
00:41:16,239 --> 00:41:19,279
Speaker 4: sets for it, and you know the what goes on

836
00:41:19,400 --> 00:41:20,440
Speaker 4: behind the scenes.

837
00:41:21,560 --> 00:41:24,040
Speaker 12: Yeah, yeah, So you do a lot of shuffling around

838
00:41:24,040 --> 00:41:26,120
Speaker 12: with because a lot of sea things and look at things.

839
00:41:26,160 --> 00:41:28,400
Speaker 12: So you're getting you're getting sort of chauffeed into other

840
00:41:28,440 --> 00:41:30,520
Speaker 12: little rooms and have they stay here for ten minutes.

841
00:41:30,680 --> 00:41:32,319
Speaker 12: We'll come and get you, and you get shofed around

842
00:41:32,320 --> 00:41:34,480
Speaker 12: to another room. Stand there ten minutes or come and

843
00:41:34,520 --> 00:41:36,120
Speaker 12: get you. Then you're going do you make up separately

844
00:41:36,120 --> 00:41:38,319
Speaker 12: and you quit your costume on separately then, And the

845
00:41:38,360 --> 00:41:39,360
Speaker 12: sets are really elaborate.

846
00:41:39,360 --> 00:41:41,920
Speaker 8: They're beautiful. I've got a oldie sort of you know,

847
00:41:42,239 --> 00:41:43,200
Speaker 8: Royal court set.

848
00:41:43,960 --> 00:41:46,560
Speaker 2: Okay, beauty. Yeah, but I nearly.

849
00:41:46,400 --> 00:41:48,399
Speaker 8: Set myself on fire, which is a fine I had

850
00:41:48,440 --> 00:41:48,960
Speaker 8: they left.

851
00:41:48,760 --> 00:41:51,200
Speaker 3: It in Now you're talking to me, definitely, that's it there.

852
00:41:51,200 --> 00:41:52,640
Speaker 3: I love the sender that they make time. I know

853
00:41:52,719 --> 00:41:55,200
Speaker 3: you have been busy, but you're done with Chicago being

854
00:41:55,640 --> 00:41:56,759
Speaker 3: poor old amos.

855
00:41:57,280 --> 00:41:57,879
Speaker 8: Yeah, you're bad.

856
00:41:58,160 --> 00:42:00,800
Speaker 12: We finished last Sunday here stopping camera.

857
00:42:00,920 --> 00:42:02,879
Speaker 8: So I spent a year. It was basically a year

858
00:42:02,880 --> 00:42:06,439
Speaker 8: from start to finish. Well, I will I do that again?

859
00:42:06,480 --> 00:42:13,640
Speaker 8: I would probably say no, Yeah, abssed by the family.

860
00:42:14,080 --> 00:42:17,640
Speaker 4: You know, the Joker movie comes out tomorrow, The Joker Folly,

861
00:42:17,719 --> 00:42:23,800
Speaker 4: I do the second one, and Shirley Bassie is the Joker,

862
00:42:24,200 --> 00:42:25,800
Speaker 4: and a lot of people are going to be sitting

863
00:42:25,840 --> 00:42:31,319
Speaker 4: there there and going, oh, I know this. They're not

864
00:42:31,320 --> 00:42:33,320
Speaker 4: going to know it from Shirley Bassie. They're going to

865
00:42:33,400 --> 00:42:35,680
Speaker 4: know it from the opening credits of Kath and Kim.

866
00:42:38,800 --> 00:42:41,319
Speaker 8: Yeah, she's a beautiful version though, it's great.

867
00:42:41,840 --> 00:42:43,520
Speaker 2: She can only do beautiful versions.

868
00:42:43,680 --> 00:42:45,399
Speaker 4: Was there a lot of improv because of course, thank

869
00:42:45,400 --> 00:42:47,200
Speaker 4: God you're here is all improv Was there a lot

870
00:42:47,239 --> 00:42:48,760
Speaker 4: of that in Kath and Kim?

871
00:42:49,320 --> 00:42:56,879
Speaker 12: Never never really control really all controlled every word? Yeah,

872
00:42:57,760 --> 00:43:01,120
Speaker 12: probably the fourth series in we would finish this scene

873
00:43:01,160 --> 00:43:03,719
Speaker 12: and if you just we might improvise a little bit more.

874
00:43:03,840 --> 00:43:06,200
Speaker 8: At the end of it. But generally it was very.

875
00:43:06,200 --> 00:43:08,840
Speaker 2: Rare that it was improvised, Okay, very strict.

876
00:43:09,040 --> 00:43:15,360
Speaker 3: Yeah, yeah, but I guess some of the work winning formula,

877
00:43:15,440 --> 00:43:18,960
Speaker 3: so yeah, why not stick to it. We caught up

878
00:43:18,960 --> 00:43:21,239
Speaker 3: with any Murder Monks earlier. We're talking about near the

879
00:43:21,280 --> 00:43:23,759
Speaker 3: casting director and you know if it's been a very

880
00:43:23,760 --> 00:43:25,920
Speaker 3: good acting coach over the years and talked about getting

881
00:43:25,920 --> 00:43:29,080
Speaker 3: into the industry. How a bit for people now who go,

882
00:43:29,320 --> 00:43:32,400
Speaker 3: I'd love to get into acting and or even filmmaking

883
00:43:32,600 --> 00:43:33,600
Speaker 3: on the other side of the camera.

884
00:43:33,960 --> 00:43:34,719
Speaker 2: What's it tip there?

885
00:43:35,640 --> 00:43:36,759
Speaker 8: I'm backdoored a bit.

886
00:43:36,880 --> 00:43:41,160
Speaker 12: I'm back door through cool, through comedy, through stand up comedy,

887
00:43:41,200 --> 00:43:44,440
Speaker 12: and from that went to rocky horror showing. From that

888
00:43:44,960 --> 00:43:47,640
Speaker 12: got other sort of bits of rep theater, you know,

889
00:43:47,719 --> 00:43:51,560
Speaker 12: Melbourne City Company or Black Swan over here, and then yeah,

890
00:43:51,640 --> 00:43:55,560
Speaker 12: you sort of just build up a resume of different

891
00:43:55,560 --> 00:43:58,239
Speaker 12: stuff and then you suddenly can do most things. So

892
00:43:58,560 --> 00:44:00,319
Speaker 12: but sound up comedy is a good thing to learn

893
00:44:00,320 --> 00:44:02,359
Speaker 12: because you've got to be really in it and sort

894
00:44:02,360 --> 00:44:04,040
Speaker 12: of in the moment, if you like, as an actor

895
00:44:04,040 --> 00:44:07,640
Speaker 12: would call it. But it was a great learning tool

896
00:44:07,760 --> 00:44:10,040
Speaker 12: and it was much scarier than any form of acting

897
00:44:10,719 --> 00:44:11,440
Speaker 12: or anything.

898
00:44:11,560 --> 00:44:14,120
Speaker 4: Oh absolutely, I think it would be the scariest thing

899
00:44:14,160 --> 00:44:18,279
Speaker 4: in the world. Do you a great fun We've We've

900
00:44:18,280 --> 00:44:19,439
Speaker 4: got you for one more minute.

901
00:44:19,440 --> 00:44:21,480
Speaker 7: I have to ask you this question because I always wonder.

902
00:44:21,440 --> 00:44:24,520
Speaker 4: Do you Does it amuse you that so many people

903
00:44:24,600 --> 00:44:26,640
Speaker 4: still when they hear the word their name, the name

904
00:44:26,719 --> 00:44:28,880
Speaker 4: Pete Rose Thorne. The first thing they think about is

905
00:44:28,920 --> 00:44:31,480
Speaker 4: your et in personation today.

906
00:44:31,680 --> 00:44:33,200
Speaker 8: I think I was shaking it off. I haven't heard

907
00:44:33,239 --> 00:44:33,680
Speaker 8: it for a while.

908
00:44:33,760 --> 00:44:35,719
Speaker 2: I really don't think of it.

909
00:44:37,680 --> 00:44:39,200
Speaker 8: I'm sorry that you have to do through that.

910
00:44:40,680 --> 00:44:43,640
Speaker 2: Be sorry. It's never ceased to make me.

911
00:44:43,640 --> 00:44:46,319
Speaker 12: Laugh, I know, but I can't do it anymore because

912
00:44:46,320 --> 00:44:47,480
Speaker 12: I just don't take your shirt off.

913
00:44:47,480 --> 00:44:49,759
Speaker 8: Once your past fifty, I've got to leave that. Baby.

914
00:44:49,760 --> 00:44:51,799
Speaker 12: You're going to actually look like the actual things through

915
00:44:51,840 --> 00:44:54,680
Speaker 12: for real nowies and.

916
00:44:56,239 --> 00:45:02,319
Speaker 4: Oh on that note is on seven thirty tonight or ten.

917
00:45:03,080 --> 00:45:05,360
Speaker 2: Thank god that you were here with us this morning.

918
00:45:05,400 --> 00:45:08,600
Speaker 2: Thanks Pete, Thank Crazy

919
00:45:08,840 --> 00:45:11,279
Speaker 1: And Lisa ninety six avem