1 00:00:00,520 --> 00:00:04,000 Speaker 1: Already, and this is the daily This is the Daily 2 00:00:04,120 --> 00:00:15,800 Speaker 1: os Oh, now it makes sense. Good morning and welcome 3 00:00:15,840 --> 00:00:19,000 Speaker 1: to the Daily Odds. It's Tuesday, the first July. Happy 4 00:00:19,040 --> 00:00:21,120 Speaker 1: new financial Year. I'm Lucy Tassel. 5 00:00:21,200 --> 00:00:22,160 Speaker 2: I'm Sam Cauzluski. 6 00:00:22,440 --> 00:00:26,479 Speaker 1: Over the weekend, Britain's biggest music festival, Glastonbury, was held 7 00:00:26,520 --> 00:00:30,280 Speaker 1: on a farm in southwest England. This year's edition made 8 00:00:30,360 --> 00:00:33,280 Speaker 1: more headlines than usual due to a pair of acts 9 00:00:33,640 --> 00:00:37,800 Speaker 1: Irish rap group Kneecap and English punk pair Bob Villain. 10 00:00:38,159 --> 00:00:41,680 Speaker 1: Kneecap's inclusion on the lineup was already newsworthy due to 11 00:00:41,840 --> 00:00:45,440 Speaker 1: one of its members facing a terrorism related charge, while 12 00:00:45,479 --> 00:00:48,720 Speaker 1: Bob Villain sparked a discussion by calling for quote death 13 00:00:48,800 --> 00:00:52,960 Speaker 1: to the IDF the Israeli Defense Forces. Mid set in 14 00:00:53,000 --> 00:00:56,720 Speaker 1: today's show, we'll break down the conversation around the two performances, 15 00:00:56,920 --> 00:00:59,880 Speaker 1: the government's reaction, and a woman named Helen from. 16 00:01:03,720 --> 00:01:05,440 Speaker 2: And Lucy. The first thing to say before we get 17 00:01:05,440 --> 00:01:08,560 Speaker 2: into this, as I'm sure listeners could already identify, is 18 00:01:08,560 --> 00:01:11,440 Speaker 2: that there's some pretty strong language in this episode. So 19 00:01:11,560 --> 00:01:13,480 Speaker 2: that's what it's saying upfront. The other thing, w what 20 00:01:13,560 --> 00:01:15,759 Speaker 2: it's saying upfront is that as much as we wanted 21 00:01:15,800 --> 00:01:18,440 Speaker 2: to be, you and I weren't there. We were still 22 00:01:18,480 --> 00:01:21,080 Speaker 2: here in Sydney, but over the weekend it felt like 23 00:01:21,360 --> 00:01:23,440 Speaker 2: I was there if I went on my phone. The 24 00:01:23,480 --> 00:01:26,600 Speaker 2: amount of content that was being uploaded from the festival. 25 00:01:26,640 --> 00:01:30,000 Speaker 2: Some heartwarming moments Lewis Capaldi returning to stage two years 26 00:01:30,000 --> 00:01:32,520 Speaker 2: after his last performance. Yeah, but there was also a 27 00:01:32,520 --> 00:01:35,959 Speaker 2: lot of footage of the performance by punk duo Bob Villain. 28 00:01:36,120 --> 00:01:36,280 Speaker 1: Yeah. 29 00:01:36,480 --> 00:01:38,240 Speaker 2: Talk me through what happened to that set. 30 00:01:38,360 --> 00:01:40,760 Speaker 1: Well, I'll start by saying that the reason we saw 31 00:01:40,800 --> 00:01:44,160 Speaker 1: so many clips is because of the BBC, the UK's 32 00:01:44,160 --> 00:01:48,480 Speaker 1: public broadcaster. That's what our ABC is modeled on. In Australia. 33 00:01:48,520 --> 00:01:51,160 Speaker 1: We pay for the ABC through our taxes. In the UK, 34 00:01:51,360 --> 00:01:53,960 Speaker 1: they make a direct payment every year called the TV 35 00:01:54,160 --> 00:01:57,720 Speaker 1: license and it costs around three hundred and seventy Australian dollars. 36 00:01:58,200 --> 00:02:01,320 Speaker 1: And I mention all of this because the DBC broadcasts 37 00:02:01,480 --> 00:02:04,800 Speaker 1: glastow sets live and they also make them available on 38 00:02:04,840 --> 00:02:08,440 Speaker 1: their iPlayer later on, which is like the equivalent of iView. 39 00:02:08,600 --> 00:02:10,840 Speaker 2: And they're also on YouTube, which is where they're viewed 40 00:02:10,840 --> 00:02:13,560 Speaker 2: by people all over the world. Yeah, but it's a 41 00:02:13,639 --> 00:02:16,800 Speaker 2: relatively unique situation to have a lot of a festival 42 00:02:16,840 --> 00:02:20,120 Speaker 2: being filmed and broadcast live. What is the relationship between 43 00:02:20,400 --> 00:02:22,040 Speaker 2: the BBC and Glastonbury. 44 00:02:22,320 --> 00:02:25,240 Speaker 1: Yeah, it's They're not like an official sponsor or anything, 45 00:02:25,320 --> 00:02:29,040 Speaker 1: but they have broadcast glasson bresets for decades, originally on 46 00:02:29,080 --> 00:02:31,440 Speaker 1: the radio. You said it was relatively unique. I think 47 00:02:31,440 --> 00:02:35,000 Speaker 1: it's almost unique, But it's sort of like the ABC's 48 00:02:35,040 --> 00:02:37,399 Speaker 1: relationship with Splendor in the Graphs or what that used 49 00:02:37,440 --> 00:02:40,840 Speaker 1: to be, where the arm of the public broadcaster is 50 00:02:40,919 --> 00:02:43,120 Speaker 1: kind of bringing the show to people who can't attend 51 00:02:43,160 --> 00:02:47,519 Speaker 1: because it's culturally important and significant, and ahead of the festival, 52 00:02:47,600 --> 00:02:50,440 Speaker 1: we knew which sets the BBC would be broadcasting live 53 00:02:50,600 --> 00:02:53,880 Speaker 1: and which would be available later. And that meant that 54 00:02:54,000 --> 00:02:56,840 Speaker 1: when Bob Villain took the stage this duo, I should 55 00:02:56,840 --> 00:02:59,320 Speaker 1: say both of their members have the stage name Bobby Villain, 56 00:02:59,480 --> 00:03:01,600 Speaker 1: so just going to say Bob Villain for each. 57 00:03:02,240 --> 00:03:02,560 Speaker 3: Uh. 58 00:03:02,840 --> 00:03:04,920 Speaker 1: That meant that when they took the stage to perform 59 00:03:05,000 --> 00:03:07,840 Speaker 1: on Saturday afternoon local time, they knew that what they 60 00:03:07,880 --> 00:03:11,720 Speaker 1: said was going to be broadcast live on the public broadcaster. 61 00:03:13,040 --> 00:03:19,960 Speaker 4: We're seeing the UK and the US be complicit complicit 62 00:03:20,720 --> 00:03:26,000 Speaker 4: in war crimes and genocide happening over there to the 63 00:03:26,040 --> 00:03:29,079 Speaker 4: Palaestinian people. And uh, you know, I know we're on 64 00:03:29,160 --> 00:03:31,720 Speaker 4: the BBC. We're not going to say anything crazy. You're right, 65 00:03:32,400 --> 00:03:35,040 Speaker 4: believe that for them lads. But have you heard this 66 00:03:35,120 --> 00:03:38,640 Speaker 4: one though? Death theft to the I d F, def 67 00:03:38,680 --> 00:03:39,360 Speaker 4: to the id. 68 00:03:39,440 --> 00:03:44,240 Speaker 1: F, deaf to the I d F. So that's lead 69 00:03:44,320 --> 00:03:47,360 Speaker 1: vocalist Bobby Villain when he says them lads, and that 70 00:03:47,400 --> 00:03:50,240 Speaker 1: clip he's talking about Kneecap, the Irish group I mentioned 71 00:03:50,480 --> 00:03:53,480 Speaker 1: whose performance the BBC was not broadcasting. 72 00:03:53,640 --> 00:03:56,240 Speaker 2: Okay, so there's a couple of moving parts here before 73 00:03:56,280 --> 00:03:59,880 Speaker 2: we get into the reaction to the Bob Villain performance 74 00:04:00,360 --> 00:04:04,360 Speaker 2: and why Kneecap's performance wasn't being broadcast, give me some 75 00:04:04,360 --> 00:04:07,119 Speaker 2: context on Kneecap. This second group we're talking. 76 00:04:06,920 --> 00:04:10,480 Speaker 1: About, Yeah, Soneecap are an Irish rap trio. They're from 77 00:04:10,640 --> 00:04:12,880 Speaker 1: Northern Ireland, which is one of the four parts of 78 00:04:13,080 --> 00:04:16,360 Speaker 1: the United Kingdom. It has been since the nineteen twenties. 79 00:04:16,480 --> 00:04:19,839 Speaker 1: It's separated from the Republic of Ireland. We don't have 80 00:04:19,960 --> 00:04:22,920 Speaker 1: all week for me to sit here and explain hundreds 81 00:04:22,920 --> 00:04:26,080 Speaker 1: of years of Irish politics and unrest, but Suffice it 82 00:04:26,160 --> 00:04:28,640 Speaker 1: to say. The members of NCAP may have been born 83 00:04:28,760 --> 00:04:31,880 Speaker 1: over the border in the UK, but they are staunchly 84 00:04:32,000 --> 00:04:37,480 Speaker 1: pro up United Ireland outside of British control, so reintegrating 85 00:04:37,480 --> 00:04:40,680 Speaker 1: Northern Ireland into the Republic of Ireland. For example. You 86 00:04:40,680 --> 00:04:43,799 Speaker 1: can see their twenty nineteen track get your Brits Out, 87 00:04:44,040 --> 00:04:46,080 Speaker 1: which is sort of a punny way of saying, get 88 00:04:46,080 --> 00:04:46,880 Speaker 1: them out of Ireland. 89 00:04:47,680 --> 00:04:52,159 Speaker 3: You get your brands, your brands, We're get your brands, 90 00:04:52,400 --> 00:04:54,880 Speaker 3: and get your brands, your brands, We're. 91 00:04:56,600 --> 00:05:01,360 Speaker 1: Get your NIECAP are all so strong advocates for the 92 00:05:01,360 --> 00:05:04,120 Speaker 1: protection of the Irish language, which the English government has 93 00:05:04,120 --> 00:05:07,760 Speaker 1: a long history of suppressing. I mean literally nearly seven 94 00:05:07,839 --> 00:05:11,080 Speaker 1: hundred years since the English Parliament passed a law banning 95 00:05:11,120 --> 00:05:14,200 Speaker 1: anyone who lived in an English colony in Ireland from 96 00:05:14,400 --> 00:05:19,960 Speaker 1: speaking the Irish language, among many other cultural suppressions. They 97 00:05:20,080 --> 00:05:24,200 Speaker 1: have a semi autobiographical film that was released last year. 98 00:05:24,320 --> 00:05:26,360 Speaker 1: It's on Stan will pop the link in the show 99 00:05:26,400 --> 00:05:28,200 Speaker 1: notes if you want to know more about them. But 100 00:05:28,279 --> 00:05:30,040 Speaker 1: these are the kind of the key things to know 101 00:05:30,080 --> 00:05:33,039 Speaker 1: about them. They're a pro Irish Republic group, they care 102 00:05:33,120 --> 00:05:35,920 Speaker 1: very much about the Irish language, and they're a rap group. 103 00:05:36,160 --> 00:05:39,160 Speaker 2: And so what was the reason their performance wasn't being broadcast. 104 00:05:39,360 --> 00:05:42,520 Speaker 1: Yeah, so one of their three members, mo Tara, has 105 00:05:42,760 --> 00:05:47,160 Speaker 1: recently been charged with a terrorism related offense for allegedly 106 00:05:47,240 --> 00:05:51,520 Speaker 1: displaying a hes Bola flag on stage in twenty twenty three. Now, 107 00:05:51,720 --> 00:05:54,280 Speaker 1: for those who don't know or might need a refresher, 108 00:05:54,560 --> 00:05:59,120 Speaker 1: Hezbollah is a Lebanese militia. It's backed by Iran, Australia 109 00:05:59,160 --> 00:06:02,720 Speaker 1: and the UK BO listed as a terrorist organization and 110 00:06:02,839 --> 00:06:05,880 Speaker 1: it's illegal in the UK to show support for it, 111 00:06:05,960 --> 00:06:10,560 Speaker 1: including displaying its flag. Now, Mocha is a waiting further 112 00:06:10,640 --> 00:06:13,920 Speaker 1: proceedings relating to the twenty twenty three charge, and both 113 00:06:13,920 --> 00:06:17,560 Speaker 1: he and Neecap have not denied the incident, but they 114 00:06:17,680 --> 00:06:21,200 Speaker 1: argue their work is rooted in political commentary, satire and 115 00:06:21,520 --> 00:06:25,479 Speaker 1: artistic expression. In light of the ongoing proceedings, the BBC 116 00:06:25,640 --> 00:06:28,440 Speaker 1: chose not to broadcast They're set live, though it was 117 00:06:28,560 --> 00:06:31,720 Speaker 1: later made available to watch on My Player again like. 118 00:06:31,720 --> 00:06:34,159 Speaker 2: iView and the main way that we're engaging with clips 119 00:06:34,200 --> 00:06:37,839 Speaker 2: from that performance is from crowdsourced. Yes right, yes. 120 00:06:38,000 --> 00:06:41,520 Speaker 1: So there's a woman called Helen Wilson. She's from Wales 121 00:06:41,720 --> 00:06:44,000 Speaker 1: and she knew that it wasn't going to be broadcast live, 122 00:06:44,400 --> 00:06:47,160 Speaker 1: so she live streamed their set from her phone to 123 00:06:47,440 --> 00:06:49,880 Speaker 1: thousands of people at a time, including at one point 124 00:06:50,000 --> 00:06:51,880 Speaker 1: I think she said she burnt her finger because her 125 00:06:51,920 --> 00:06:54,920 Speaker 1: phone was getting so hot. And Kneecap were on after 126 00:06:55,000 --> 00:06:59,039 Speaker 1: Bob Villain. So we've had this broadcast live set, including 127 00:06:59,120 --> 00:07:02,160 Speaker 1: this very strong language, and then we've had Kneecap set 128 00:07:02,400 --> 00:07:05,240 Speaker 1: which is not being broadcast live except by Helen from Wales. 129 00:07:05,680 --> 00:07:11,800 Speaker 1: During this set they led a chant of free, Free Palestine. 130 00:07:13,640 --> 00:07:16,640 Speaker 1: They also led a chant of fuck kir Starmer. So 131 00:07:16,800 --> 00:07:18,680 Speaker 1: again that's that strong language we were talking about. 132 00:07:18,840 --> 00:07:19,600 Speaker 2: We did give a warning. 133 00:07:19,640 --> 00:07:22,760 Speaker 1: We gave a warning the UK Prime Minister. He said 134 00:07:22,840 --> 00:07:25,840 Speaker 1: they shouldn't be allowed to play the festival. And we 135 00:07:25,920 --> 00:07:29,320 Speaker 1: know that they are very outspoken about Israel's actions in Gaza. 136 00:07:29,800 --> 00:07:32,760 Speaker 2: Give me a sense of why that is the case 137 00:07:32,800 --> 00:07:36,720 Speaker 2: that we have this group, very rooted in Irish politics, 138 00:07:36,800 --> 00:07:41,280 Speaker 2: culture and identity, being so outspoken about the Israel situation 139 00:07:41,400 --> 00:07:41,880 Speaker 2: in Gaza. 140 00:07:42,040 --> 00:07:44,720 Speaker 1: Yeah, so they have said they want innocent people to 141 00:07:44,720 --> 00:07:47,239 Speaker 1: stop being killed. I also think a lot of people 142 00:07:47,280 --> 00:07:51,880 Speaker 1: have become more outspoken in various directions following Hamas's attack 143 00:07:51,920 --> 00:07:55,320 Speaker 1: on Israel on October seven, twenty twenty three, and then 144 00:07:55,720 --> 00:07:59,720 Speaker 1: during Israel's ensuing war with Hamas in Gaza that has 145 00:07:59,760 --> 00:08:04,040 Speaker 1: dis placed most of the population and caused a humanitarian crisis. 146 00:08:04,640 --> 00:08:07,040 Speaker 1: One of the most recent updates from the region was 147 00:08:07,240 --> 00:08:11,960 Speaker 1: from before the festival. That was Israeli media reporting IDF 148 00:08:12,040 --> 00:08:15,560 Speaker 1: soldiers had been ordered to shoot Palestinian civilians waiting to 149 00:08:15,960 --> 00:08:19,800 Speaker 1: collect food at the US Israeli run aid distribution sites. 150 00:08:20,080 --> 00:08:23,200 Speaker 1: I'll be clear that Prime Minister Benjamin Nettnyal who has 151 00:08:23,280 --> 00:08:26,800 Speaker 1: denied this report, it's against that backdrop that we hear 152 00:08:27,120 --> 00:08:31,160 Speaker 1: those comments from Bob Villain saying death death to the IDF, 153 00:08:31,400 --> 00:08:34,280 Speaker 1: which was obviously kind of the biggest story out of 154 00:08:34,280 --> 00:08:37,000 Speaker 1: the festival. And I'm talking Aboutneecap right now, But just 155 00:08:37,000 --> 00:08:41,720 Speaker 1: to recap, like why Bob Villain was particularly making those comments, 156 00:08:41,760 --> 00:08:44,160 Speaker 1: perhaps and also knowing that he was going to be 157 00:08:44,200 --> 00:08:46,640 Speaker 1: live streamed and that Kneecap, as I said, weren't going 158 00:08:46,679 --> 00:08:50,480 Speaker 1: to be live streamed, might have contributed to the strength 159 00:08:50,520 --> 00:08:54,280 Speaker 1: of those comments or the intensity of those comments. Then, 160 00:08:54,440 --> 00:08:56,600 Speaker 1: just to return tonecap I would also point to the 161 00:08:56,600 --> 00:08:59,280 Speaker 1: fact that the UK government was part of the move 162 00:08:59,360 --> 00:09:02,000 Speaker 1: to split all then Island off from the rest of Ireland, 163 00:09:02,400 --> 00:09:06,000 Speaker 1: becoming part of the UK that was part of treaty negotiations, 164 00:09:06,160 --> 00:09:09,320 Speaker 1: ending a wave of violence. A kneecap who seek for 165 00:09:09,360 --> 00:09:12,440 Speaker 1: Ireland to be united might draw comparisons with the way 166 00:09:12,520 --> 00:09:16,000 Speaker 1: the United Nations contributed to the creation of the state 167 00:09:16,040 --> 00:09:19,600 Speaker 1: of Israel in the nineteen forties, partitioning it from the 168 00:09:19,720 --> 00:09:23,880 Speaker 1: UK controlled Palestinian territory. And it's that same word used 169 00:09:23,920 --> 00:09:28,079 Speaker 1: in both processes, partition, separation. So I think that could 170 00:09:28,080 --> 00:09:31,440 Speaker 1: be this is just analysis. I think it could be related. 171 00:09:32,040 --> 00:09:34,719 Speaker 2: And so you have two groups of performers hitting the 172 00:09:34,760 --> 00:09:36,520 Speaker 2: stage at one of the biggest festivals in the world 173 00:09:36,679 --> 00:09:39,320 Speaker 2: using language that are particularly in that example of death 174 00:09:39,400 --> 00:09:41,480 Speaker 2: to the IDF is an incitement of violence. 175 00:09:41,679 --> 00:09:41,839 Speaker 1: Yea. 176 00:09:42,280 --> 00:09:45,360 Speaker 2: What has the reaction been on the ground to those 177 00:09:45,400 --> 00:09:45,920 Speaker 2: two sets? 178 00:09:46,120 --> 00:09:48,959 Speaker 1: Yeah, So on the ground at the festival, you can 179 00:09:49,000 --> 00:09:51,800 Speaker 1: hear in the clips that I've played, the crowds join 180 00:09:51,880 --> 00:09:55,080 Speaker 1: in the chants, they cheer for the acts. Outside the 181 00:09:55,120 --> 00:09:58,200 Speaker 1: festival things have been more mixed. The BBC has not 182 00:09:58,280 --> 00:10:01,839 Speaker 1: uploaded Bob Villains set to iPlayer. In a statement it 183 00:10:01,920 --> 00:10:05,960 Speaker 1: called the comments quote deeply offensive. Nieecaps is available, though 184 00:10:05,960 --> 00:10:09,720 Speaker 1: the BBC said it had been edited from the festival organizers. 185 00:10:09,720 --> 00:10:12,680 Speaker 1: We have this statement. We are appalled by the statements 186 00:10:12,720 --> 00:10:15,960 Speaker 1: made by Bob Villain yesterday. Their chance very much crossed 187 00:10:15,960 --> 00:10:18,680 Speaker 1: the line and we are urgently reminding everyone involved in 188 00:10:18,720 --> 00:10:21,040 Speaker 1: the production of the festival that there is no place 189 00:10:21,080 --> 00:10:25,480 Speaker 1: at Glastonbury for anti Semitism, hate speech or incitement to violence, 190 00:10:26,240 --> 00:10:29,000 Speaker 1: and local police are investigating to find out if any 191 00:10:29,360 --> 00:10:32,800 Speaker 1: offenses were carried out. The Israeli Embassy in the UK 192 00:10:33,000 --> 00:10:36,160 Speaker 1: put out a statement. They said when such messages are 193 00:10:36,160 --> 00:10:39,200 Speaker 1: delivered before tens of thousands of festival goers and met 194 00:10:39,200 --> 00:10:43,200 Speaker 1: with applause, it raises serious concerns about the normalization of 195 00:10:43,240 --> 00:10:46,440 Speaker 1: extremist language and the glorification of violence. 196 00:10:46,720 --> 00:10:49,719 Speaker 2: I'm interested to see if there was any reaction from Kistama, 197 00:10:49,760 --> 00:10:52,360 Speaker 2: the UK Prime Minister and the government. Neecap led a 198 00:10:52,440 --> 00:10:54,960 Speaker 2: chant against him. Have we heard from the government. 199 00:10:55,120 --> 00:10:57,640 Speaker 1: So he called it appalling hate speech. I should say 200 00:10:57,640 --> 00:11:01,160 Speaker 1: he was talking about Bob Villain's comments, not Neecaps, but 201 00:11:01,400 --> 00:11:04,840 Speaker 1: he did say that he had said that Neecaps shouldn't perform. 202 00:11:05,240 --> 00:11:08,920 Speaker 1: To me, the most interesting comments came from Wes Streeting, 203 00:11:09,280 --> 00:11:12,360 Speaker 1: so he's in charge of Health. He's effectively the health minister, 204 00:11:12,920 --> 00:11:15,760 Speaker 1: and he not only responded to Bob Villan's comments, he 205 00:11:15,800 --> 00:11:19,839 Speaker 1: also responded to the Israeli Embassy's comments. Here's what he said. 206 00:11:20,280 --> 00:11:23,640 Speaker 3: If I take the equivalent of the war in Ukraine, 207 00:11:24,080 --> 00:11:26,280 Speaker 3: I'm unequivocal about which side of that war I'm on. 208 00:11:26,400 --> 00:11:29,920 Speaker 3: I want Ukraine to win. Would I be celebrating or 209 00:11:30,000 --> 00:11:32,199 Speaker 3: chanting for the death of Russian soldiers. 210 00:11:32,600 --> 00:11:32,680 Speaker 2: No. 211 00:11:32,960 --> 00:11:34,560 Speaker 3: I want see an end to the war, and I 212 00:11:34,600 --> 00:11:38,199 Speaker 3: want to see an end to the conflict. I'd also 213 00:11:38,280 --> 00:11:42,080 Speaker 3: say to the Israeli embassy, get your own house in order. 214 00:11:42,120 --> 00:11:44,800 Speaker 3: In terms of the conduct of your own citizens and 215 00:11:44,840 --> 00:11:47,120 Speaker 3: the settlers in the West Bank, I think there's a 216 00:11:47,160 --> 00:11:49,920 Speaker 3: serious point there by the Israeli embassy I take seriously. 217 00:11:50,320 --> 00:11:52,600 Speaker 3: I wish they'd take the violence of their own citizens 218 00:11:52,600 --> 00:11:54,560 Speaker 3: towards Palestinians more seriously. 219 00:11:54,920 --> 00:11:55,040 Speaker 2: So. 220 00:11:55,120 --> 00:11:58,680 Speaker 1: Streeting was referring there to Israeli settlers in the West 221 00:11:58,760 --> 00:12:03,800 Speaker 1: Bank attacking Palestinians aided by IDF soldiers last week. That's 222 00:12:03,800 --> 00:12:08,160 Speaker 1: according to Palestinian health authorities. Israeli settlements in the West 223 00:12:08,240 --> 00:12:11,840 Speaker 1: Bank are considered illegal by the UN under international law. 224 00:12:12,080 --> 00:12:14,800 Speaker 2: I think what's interesting about this story is that the 225 00:12:14,920 --> 00:12:17,880 Speaker 2: story is grounded in a music festival, a very popular 226 00:12:17,960 --> 00:12:22,680 Speaker 2: music festival, but it's quickly become a story about international politics, 227 00:12:22,679 --> 00:12:28,319 Speaker 2: international war, international law, and this link between the arts 228 00:12:28,360 --> 00:12:33,440 Speaker 2: and politics, and they seem almost inseparable, and that they, 229 00:12:33,920 --> 00:12:36,640 Speaker 2: over history seem to find ways to intersect with each other, 230 00:12:36,920 --> 00:12:39,640 Speaker 2: even on some of the biggest stages in the world. So, 231 00:12:39,720 --> 00:12:41,920 Speaker 2: just to reiterate, at the moment, there hasn't been official 232 00:12:42,000 --> 00:12:45,320 Speaker 2: charges laid the time of recording. No, okay, thank you 233 00:12:45,400 --> 00:12:48,360 Speaker 2: Lucy for taking us through that. A complicated incident, but 234 00:12:48,520 --> 00:12:51,000 Speaker 2: one worth talking about. And that's how we've got from 235 00:12:51,040 --> 00:12:52,800 Speaker 2: the Daily os newsroom. We're going to be back in 236 00:12:52,800 --> 00:12:59,040 Speaker 2: the afternoon with your headlines. Until then, have a great day. 237 00:13:00,000 --> 00:13:02,240 Speaker 2: My name is Lily Maddon and I'm a proud Arunda 238 00:13:02,440 --> 00:13:07,239 Speaker 2: Bunjelung Calkatin woman from Gadighl Country. The Daily oz acknowledges 239 00:13:07,320 --> 00:13:09,480 Speaker 2: that this podcast is recorded on the lands of the 240 00:13:09,520 --> 00:13:13,120 Speaker 2: Gadighl people and pays respect to all Aboriginal and torrest 241 00:13:13,160 --> 00:13:16,000 Speaker 2: Rate island and nations. We pay our respects to the 242 00:13:16,000 --> 00:13:18,800 Speaker 2: first peoples of these countries, both past and present,