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Speaker 1: Buttergate. Will Yeah, buttergate.

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Speaker 2: We received a pretty wild phone call on the radio

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Speaker 2: show today, guy called Matt, who I think made a

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Speaker 2: pretty harsh accusation at a former nanny of his.

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Speaker 3: Well, I think in the first instance, it was a

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Speaker 3: normal accusation, you know, like I thought of nanny was

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Speaker 3: stealing my butter, and then I think it was the

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Speaker 3: reasons for which she.

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Speaker 4: Was stealing them that it started to get a little

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Speaker 4: bit ubsurd.

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Speaker 1: Didn't really think through the accusation.

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Speaker 2: Did he so so effectively this nanny, well, well, effectively

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Speaker 2: every time he got home after the nanny was there,

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Speaker 2: half the butter was gone.

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Speaker 1: Yeah, half the tub he said, four hundred mil of

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Speaker 1: butter was gone, which is an extraordinary amount of butter.

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Speaker 4: It is that is that is?

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Speaker 1: Yeah, that's the block. It's a it's a full proper

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Speaker 1: tub of butter.

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Speaker 3: Well, no, it's half. It's half a block. So I

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Speaker 3: standard blocks four hundred grams.

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Speaker 1: So she's taking two hundred grads four fifty or four

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Speaker 1: depends on the buttery vibe.

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Speaker 5: And I asked the tit as of the group, what's

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Speaker 5: an appropriate amount of butter for her to to take?

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Speaker 1: If she was just skimming from the top like she was.

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Speaker 5: You know, so it's nineteen seventies mafia person, you know,

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Speaker 5: taken a bit of cash.

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Speaker 1: Well, we we were talking, I think during the show,

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Speaker 1: and I think Will's right. I think all is fair.

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Speaker 1: As long as you're at the house.

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Speaker 2: You can't take home food from the house, either babysitting

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Speaker 2: or nanny in.

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Speaker 1: But you can absolutely go to town while you're there.

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Speaker 3: So if you're not because but hang on, I think

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Speaker 3: if you're babysitting somewhere. We spoke about this before more

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Speaker 3: often than not, the parents of the children, you babies,

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Speaker 3: and they say, help yourself to the pantry.

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Speaker 2: Yeah, always bad to have that to make but they

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Speaker 2: had to. They had to, Yes, sure, because they're they're

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Speaker 2: a bit of a dick if they don't.

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Speaker 4: Say that, Yeah, that's right. I don't know why I

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Speaker 4: use the cough button.

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Speaker 1: It's the podcast top very professional.

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Speaker 4: Sure, you know radio stick of.

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Speaker 5: Butter is four dollars fifty from the supermarket, so essentially

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Speaker 5: she is stealing two dollars fifty.

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Speaker 2: Just read in here, so lourpack butter, which apparently is

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Speaker 2: the standard butter produce.

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Speaker 4: That's not sound at all. That's Danish butter.

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Speaker 1: That Still, that's two hundred and fifty grams for bucks.

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Speaker 1: That's expensive butter.

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Speaker 4: Though, if she's an exceptional.

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Speaker 5: Babysitter, but she's taking two bucks worth of butter every time,

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Speaker 5: I'm willing to sacrifice that as a parent.

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Speaker 3: But it's more that you're worried that you don't know

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Speaker 3: what she's doing with it. Well, if she's not eating it.

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Speaker 3: If she's not eating it, because that's my first question.

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Speaker 3: She's putting it in the cookies, if she's buttering some toast,

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Speaker 3: if your bread's gone as well, you're like, you know what,

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Speaker 3: she made herself a few bits of toast. The reason

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Speaker 3: you get rid of her is because you go.

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Speaker 4: What are you doing with the butter?

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Speaker 3: Okay, So in the first instance, if you're stealing it,

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Speaker 3: what else are you stealing?

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Speaker 6: Yeah?

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Speaker 4: Always a thief? Yeah, good call. That's secondly, appreciate them.

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Speaker 1: A second point.

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Speaker 3: Secondly, if she's not stealing it, and there's no evidence

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Speaker 3: of where else she's using it in the house, what

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Speaker 3: the bloody hell else is she doing with the butter?

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Speaker 3: The more I talk about it, Matt had very good

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Speaker 3: recourse to fire.

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Speaker 4: Well, I would now be rattled.

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Speaker 2: He suspects that she's putting it in her coffee or

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Speaker 2: her hair, which.

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Speaker 4: Don't we wildders. No, I wouldn't have jumped in either

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Speaker 4: of them. But you know, you get worried.

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Speaker 3: You know, maybe she's you know, maybe she's you know,

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Speaker 3: greasing herself down for a naughty photo or something.

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Speaker 1: I'd be burning the linen a naughty photo.

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Speaker 2: You think she was stealing butter so she could go

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Speaker 2: home for her only fans page and then doing the

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Speaker 2: photos in the house. Oh wow, she might be Yeah, Okay,

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Speaker 2: maybe she had a handcuff on. She always had her

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Speaker 2: hand in her pocket and she was using all that

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Speaker 2: butter to try and get the handcuffs off, and it

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Speaker 2: was a grim.

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Speaker 1: She's an escaped convict, she's an escaped felon. She's doing

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Speaker 1: it each each time she babysits, like.

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Speaker 3: So she rocks up old one arm, Old, one arm,

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Speaker 3: Judy whatever her name is, constantly the cops.

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Speaker 4: I haven't caught her. She's got a job for cash

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Speaker 4: as a babysitter.

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Speaker 3: So she's said, off the books, I like it, and

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Speaker 3: she just rocks up one hand in Pucket.

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Speaker 1: There'll be a Netflix series Penny Again.

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Speaker 5: Detectives managed to track her down he left.

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Speaker 3: Hand going on there, and then you'reating the whole babysitting

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Speaker 3: job after the kids in bed.

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Speaker 4: She just us half to stick a butter to get

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Speaker 4: her arm.

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Speaker 1: Out, try and get a bad head.

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Speaker 2: I'd check the oil supplies if I was Matte, check

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Speaker 2: all the lubricants in the house. Anyway, we do want

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Speaker 2: to chase out this nanny. We want to find her,

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Speaker 2: We want to question her. We want to interrogate her

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Speaker 2: because I don't want to. I'm not angry at.

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Speaker 1: Her because something she said, but is intrigue. What were

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Speaker 1: you doing with the butter? We know you took it.

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Speaker 3: Maybe someone like if you're listening to this and you

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Speaker 3: have a genuinely decent theory as to what someone because

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Speaker 3: there might be at the end of the day, inclusive,

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Speaker 3: it was a guy's name Matt, who called us. We

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Speaker 3: are four blokes trying to figure out what a woman

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Speaker 3: did it. There might be some There might be a

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Speaker 3: genuine beauty hack with half with half a stick of

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Speaker 3: butter that we're not aware of. You know, you might

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Speaker 3: you know who knows she might have.

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Speaker 1: You know she might have a bit of here we

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Speaker 1: go dry skin.

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Speaker 4: Yes, she might though maybe that's the thing. Maybe she

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Speaker 4: had a bit of chafe between the cheeks.

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Speaker 1: Oh cha is Yeah, okay, she should have. Maybe that's

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Speaker 1: a safe space to like just gorge and butter.

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Speaker 5: Like she just sits there, you know, puts on a

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Speaker 5: ship movie, puts half a killo, or butter in a milkshake.

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Speaker 2: She's got a butter and maybe maybe nothing else was

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Speaker 2: gone though maybe her partner. Maybe her partner bands butter

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Speaker 2: because she's so addicted to it, so she the only

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Speaker 2: reason she nannies.

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Speaker 1: Is so she can take butter and just gobble down butter.

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Speaker 3: Quite a successful business woman knows where she's a merging bagger. Yeah,

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Speaker 3: she's worth millions of dogs to the butter. But she

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Speaker 3: can't eat butter anywhere else but someone else's house. Yes,

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Speaker 3: how else does she get into someone else's house?

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Speaker 1: Babysitting? Gotta be the nanny. It's crafty, bloody hell boys

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Speaker 1: to correct it.

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Speaker 3: You reconizing to that you kill me on his own against.

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Speaker 4: Old handcuffed Helen, old butter Betty.

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Speaker 1: Yeah, I think over Butter Betty. It makes my.

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Speaker 4: Will continue with that threat tomorrow. This is the Will

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Speaker 4: and Woody Podcast.

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Speaker 3: The next guest is someone that you and I have

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Speaker 3: spoken about this guy's a weapon a lot off the airwaves.

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Speaker 3: We haven't spoken about him on the airways, but obviously

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Speaker 3: you and I big fans of The Imperfect podcast. H

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Speaker 3: is kind of like a guru for us. So for

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Speaker 3: Hugh and Ryan on The Imperfect to introduce this guy

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Speaker 3: as their guru, you know, it was intense. Yeah, it

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Speaker 3: was intense. So so so he's on our show now.

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Speaker 3: As you can tell, we're both a little bit nervous.

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Speaker 3: He's got a brand new app. It's called Mojoe Crow.

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Speaker 3: His name is Ben Crow. He's responsible for all of

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Speaker 3: the mindset training behind Ash Barty and her win at

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Speaker 3: the Aussie Open on the week at weekend. Please welcome

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Speaker 3: Ben Crow, Ben Welcome to the show.

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Speaker 7: Love the intro. Thanks we all.

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Speaker 1: Thanks for He'd love to be here and that is

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Speaker 1: genuine mate.

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Speaker 2: So the way you talk about purpose and story really

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Speaker 2: is pretty incredible. But why don't we start with a

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Speaker 2: story that people will be familiar with and it's obviously

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Speaker 2: very topical today in Ash Barty. She's the number one

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Speaker 2: player in the world. Well she's just won the Australian Open.

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Speaker 2: It's all incredible stuff. But you've been on a journey

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Speaker 2: with her for quite a while.

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Speaker 1: Can you speak to that.

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Speaker 8: A little bit.

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Speaker 7: Yeah, I Ash had a bit of a setback, I

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Speaker 7: guess at Wimbledon back in twenty eighteen, and she'd already

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Speaker 7: taken a leave of absence from the game and came

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Speaker 7: back in twenty fifteen, and she goes, I can't retire again.

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Speaker 7: I'm only twenty one. So she was aware of the

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Speaker 7: work I've done with Trent Kotchen and Dimmer and Richmond

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Speaker 7: Football Club as a man Tiger fan in twenty seventeen,

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Speaker 7: so she reached out to Trent and they're kind of

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Speaker 7: been working together every sin.

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Speaker 4: Yeah. Right.

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Speaker 3: And when you say working together, mate, I know I've

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Speaker 3: heard you talk about this before, but can we just

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Speaker 3: run through sort of like structuring an athlete's mindset, because

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Speaker 3: someone like Ash seems genuinely lighter than anyone.

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Speaker 4: Who you see on a court these days.

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Speaker 3: She seems focused, she seems lighter, and I know that

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Speaker 3: that's a lot to do with. As I said, how

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Speaker 3: you sort of restructured her thinking. Could you just talk

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Speaker 3: a little bit about that, because I think this advice

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Speaker 3: is really transformative.

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Speaker 4: Yeah.

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Speaker 7: So the journey that Ash went, I or anyone I

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Speaker 7: guess needs to go on. We're all in search of

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Speaker 7: confidence and happiness, and in order to get there, we

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Speaker 7: kind of need to go on a journey of self

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Speaker 7: reflection and introspect. You to the first part is really

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Speaker 7: kind of working out who we are fundamentally as human

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Speaker 7: then kind of own our story and find that unconditional

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Speaker 7: self worth that's not conditional and having to win a

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Speaker 7: game of tennis or what you look like, or what's

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Speaker 7: school you get on an exam and so forth, and

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Speaker 7: you go through that work and kind of really get

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Speaker 7: to own your story and separate the human being from

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Speaker 7: the human doing, or your self worth from your networth

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Speaker 7: or what we call the person from the persona. And

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Speaker 7: once you can work out who you are, then you

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Speaker 7: can work out what you want in life. So the

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Speaker 7: two questions we get people to answer, the first one

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Speaker 7: is who am I? And the second one is what

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Speaker 7: do I want? And you kind of need to answer

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Speaker 7: them in that order because you can't work out what

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Speaker 7: you want until you work out who you are. If

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Speaker 7: you feel like you have to do something or achieve

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Speaker 7: something in order to be someone, then you'll never be

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Speaker 7: fulfilled or contend or so the goal is really the

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Speaker 7: kind of answer that question who am I and find

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Speaker 7: that unconditional sense of self then put these goals and

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Speaker 7: dreams out of the universes. Ash has done so beautifully,

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Speaker 7: but without any guarantees or expectations of actually achieving those

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Speaker 7: goals or dreams. And that's okay because she's already worthy

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Speaker 7: and success for Ash. And she said this at a

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Speaker 7: press conference a few days ago, asking about you know you, finally,

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Speaker 7: how do you feel about success here and winning the

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Speaker 7: trophy and winning this run open, she said, Well, that's

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Speaker 7: your definition of success. That's not mine. My definition is

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Speaker 7: far more predicated on relationships and experiences and memories and

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Speaker 7: getting out of my comfort zone and realizing my potential

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Speaker 7: and they're very intrinsic and they're actually things she can control.

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Speaker 3: And I think, I think if I can starty that

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Speaker 3: we're going to go to a song because I really

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Speaker 3: want to drill down on this spit here, because this

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Speaker 3: is the really interesting part for me because you said

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Speaker 3: the first questions who I am? The second question is

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Speaker 3: what do I want? And I think for a lot

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Speaker 3: of people then they naturally set a goal.

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Speaker 4: We're so used to saying, well, what do I want?

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Speaker 1: I want this job open.

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Speaker 4: All those exactly.

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Speaker 3: So you set something which is which can have a

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Speaker 3: value placed on it, which in a traditional sense of value,

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Speaker 3: but you're talking about when you say what do I want,

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Speaker 3: that actually connects to your purpose. And I think this

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Speaker 3: is honestly one of the best things I've personally ever

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Speaker 3: heard anywhere, is that there is a big difference between

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Speaker 3: a purpose, a person's purpose, and a person's goal. Ash

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Speaker 3: Barty obviously fresh off winning the Aussie Open on the weekend,

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Speaker 3: and the brains behind her entire operation is a bloke

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Speaker 3: called Ben Crowe, so responsible for helping out on Drags.

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Speaker 3: He's a former executive Night. If you haven't heard him

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Speaker 3: on the Imperfose podcast, you're missing out. He's got a

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Speaker 3: brand new mindset coaching app called Mojo Crow. This guy

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Speaker 3: is a guru, he's a wizard, and he's on Will

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Speaker 3: and Woody right now and he's trying to and this

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Speaker 3: is what he's in the middle of explaining everyone, if

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Speaker 3: you're just joining us, He's talking about this question what

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Speaker 3: do I want? And traditionally what we all think from

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Speaker 3: there is goals. We've got things that we're aiming towards.

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Speaker 3: You set yourself a goal. But Ben, you think there's

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Speaker 3: a big difference between setting a goal for yourself and

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Speaker 3: having a purpose for yourself.

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Speaker 8: Yeah.

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Speaker 7: For me, a goal is far more specific. It's more

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Speaker 7: time bound, actionable and kind of measurable. And we should

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Speaker 7: all have them, by the way, we should all have

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Speaker 7: goals and dreams and dream big because it takes the

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Speaker 7: same mendemental capacity to dream big as it does to

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Speaker 7: dream small. Right, So your dream big. You set these

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Speaker 7: big goals and you put them out in the universe,

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Speaker 7: and then you go after them as hard as you can,

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Speaker 7: and that's just called living.

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Speaker 8: Yeah.

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Speaker 7: Whereas the purpose is something far more higher order. You'll

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Speaker 7: never get there. There's no finish line to it, but

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Speaker 7: it's what gets you out of bed, and it's more

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Speaker 7: focused on your why. Your goals are more your what

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Speaker 7: you how, But the why is very much connected to

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Speaker 7: that sense of purpose and meaning, and that's kind of

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Speaker 7: where we find our bliss, and you'll never actually achieve it,

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Speaker 7: Whereas goals is something a bit more specific that you

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Speaker 7: can go after.

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Speaker 3: I we work with a tangible example here, Ben, just

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Speaker 3: to try and for people that are grasping there, so good,

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Speaker 3: ash body, so her goal, let's say, is to.

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Speaker 4: Win the Australian Open.

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Speaker 3: I don't know if that is actually her goal, but

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Speaker 3: that's a you can put a label on that. What's

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Speaker 3: Ash's purpose.

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Speaker 7: Ash's purpose is far more around inspiring people to go

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Speaker 7: after have the confidence and the courage to go after

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Speaker 7: their goals and dreams.

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Speaker 3: And so she doesn't necessarily have to win the Australian

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Speaker 3: Open in order to achieve her purpose.

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Speaker 7: Correct, Ash can look at herself in the merit and

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Speaker 7: kind of say, look, I don't give a shit what

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Speaker 7: anyone thinks about me, that I care about them, and

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Speaker 7: she focuses more on what she thinks about herself, you know,

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Speaker 7: and what she says to herself. And I think we

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Speaker 7: can spend more time with that self compassion and self

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Speaker 7: acceptance that ironically gives us the confidence to put these

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Speaker 7: goals and dreams out of the universe without any expectations

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Speaker 7: or guarantees that will actually achieve them. And then from

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Speaker 7: that place, life just becomes this beautiful adventure or experiment

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Speaker 7: or work in progress where you're allowed to be imperfect,

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Speaker 7: you know, to screw it up and that's okay, and

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Speaker 7: have as much fun as you can along the way,

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Speaker 7: yeah as well, and it flows.

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Speaker 3: I think Shakespeare a long time ago got us there.

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Speaker 3: There's a quote where it's like nothing's good or bad,

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Speaker 3: that thinking makes it so. And that's exactly the thing

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Speaker 3: that's hard to wrap your head around it because we're

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Speaker 3: so used to applying a judgment or a brand or

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Speaker 3: a label to something that's happening to us, as opposed

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Speaker 3: to just appreciating it for what it is.

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Speaker 7: But that's one of the biggest distractions today is this

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Speaker 7: ridiculous interference and everyone's got these opinions and these judgments

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Speaker 7: and comparing ourselves against each other and having these it's

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Speaker 7: predicated on negativity that you know this is bad or

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Speaker 7: she's bad or he's bad, and when you think about it,

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Speaker 7: nothing is ever that good.

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Speaker 8: Or that bad.

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Speaker 6: Yeah.

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Speaker 7: Yeah, Shakespeare said thinking makes it so. So if you

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Speaker 7: can just accept it and then just continue on your path.

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Speaker 2: Then Shakespeare also said you should have a number of

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Speaker 2: beers after winning the Australian Open.

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Speaker 1: Are your nursing to hangover today?

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Speaker 8: Mate?

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Speaker 7: I didn't know.

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Speaker 4: I didn't know.

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Speaker 7: Shakespeare said that it's a little a little note, but

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Speaker 7: she was in a Hamlet as many books as he

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Speaker 7: did a yeah, we started Thursday night. Unfortunately after Dylan's Dylan,

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Speaker 7: who doesn't need any help.

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Speaker 3: He enjoys himself to catch up with Jillen.

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Speaker 7: He doesn't need any help on that front. And then

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Speaker 7: obviously Saturday night was a very very late night as

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Speaker 7: well because I had to do a whole lot of media,

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Speaker 7: So I had a brock a panant old sandwich for

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Speaker 7: breakfast this morning by the bed tonight.

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Speaker 3: Sounds good, mate, Well, look sounds like about it. You've

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Speaker 3: your buddy deserved it, mate. It's been a hell of

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Speaker 3: a tournament. I think all of Australia deserved an Aussie winner,

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Speaker 3: let alone one as gracious as Ash Barty. What a champion.

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Speaker 3: Congratulations and all your work with her. Congratulations on all

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Speaker 3: your work full stop.

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Speaker 7: Mate.

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Speaker 3: Sounds like you're doing some wonderful things, really shaking things

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Speaker 3: up in that space. If you want to get more

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Speaker 3: of Ben, he's got a mindset coaching app called Mojo

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Speaker 3: Crow Crow Crowe go and check it out. It's been

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Speaker 3: a pleasure, Ben. Thank you so much for coming on

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Speaker 3: the show, mate.

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Speaker 7: Yeah, thanks guys, Ben cro there.

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Speaker 3: If you want to get the extended chat, we'll put

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Speaker 3: the full thing on the podcast. There was a whole

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Speaker 3: bunch of stuff there that you just wouldn't have got

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Speaker 3: on the air, because, let's face it, Ben's tackling some

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Speaker 3: of the hardest questions that any of us will face

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Speaker 3: in our lives, and you can't do that in five

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Speaker 3: minutes with the big fella. So there's a full I'm

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Speaker 3: going to say, probably fifteen or twenty minute chat that

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Speaker 3: you can get on our podcast. Will and Whatdey where

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Speaker 3: you get your podcasts, and honestly, if you're struggling with yourself,

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Speaker 3: we he's struggling a little bit with where you want

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Speaker 3: to go and what you want to do at the moment.

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Speaker 3: It's a really, really good conversation ever listened to Will

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Speaker 3: themody Wherever you get your podcasts.

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Speaker 1: This is the Will and Woody podcast. It's time for

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Speaker 1: believe or not. I say facts about certain things.

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Speaker 2: Will you have to guess if they're real or if

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Speaker 2: I have just made them up?

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Speaker 1: Today?

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Speaker 2: Yes, the theme is Raphael na dull facts, right, Rafael Nadal?

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Speaker 4: Do you want to warm up?

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Speaker 1: And then it feels like we've got time?

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Speaker 4: Yeah, made sure him a warm up, but again, does

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Speaker 4: this count? We'll see last time we did this.

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Speaker 1: We need to decide of discount.

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Speaker 4: Now it doesn't count. I think I think I need

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Speaker 4: a bit of a warm up, to be honest, I've

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Speaker 4: been so cold recently.

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Speaker 1: Okay, fair enough, this is just to watch out. I

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Speaker 1: want to burn one of your good ones.

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Speaker 2: Then, okay, here we go that these are facts about

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Speaker 2: Raphael Nadal, the winner of the Australian Open last night.

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Speaker 1: Just a warm up.

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Speaker 4: This is just a warm up.

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Speaker 2: Yeah, it's just a warm up. He doesn't trust dogs.

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Speaker 2: He believes we should all doubt their intentions.

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Speaker 4: He believes we should doubt their intentions.

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Speaker 1: Yes, he doesn't trust dogs at all. He believes all

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Speaker 1: of us should doubt the intentions of dogs. Is that

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Speaker 1: a true factor of I has made it up?

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Speaker 4: I think it's true. That is true. That is true.

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Speaker 1: But dead brother, you've burned to win. We're gonna go.

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Speaker 4: To a song you've been so cold?

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Speaker 1: Inform more Raphae and.

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Speaker 4: Or was I thinking? It's believe.

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Speaker 5: He's got some weird facts and stores.

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Speaker 3: Some of them are real.

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Speaker 2: And the owner explains it. Today the theme is Raphael Nadal,

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Speaker 2: facts about Rafael Nadal. You got the warm up question right, Yeah,

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Speaker 2: it's the first question you've got right in over a month.

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Speaker 4: Yeah, and it was a warm up.

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Speaker 1: It was doesn't count bloody knees.

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Speaker 4: So I'm grats again to have for us.

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Speaker 3: Obviously, twenty one Grand Slams last night, five hours, amazing

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Speaker 3: match and one of the most interesting people on the planet.

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Speaker 4: I suppose that's why we're talking about him. Of course

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Speaker 4: I got to see him live for the first time

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Speaker 4: ever at this Aussie Open.

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Speaker 3: Yeah. Yeah, and my god, it was as entertaining him

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Speaker 3: watching him with his idiosyncrasies as it was actually.

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Speaker 4: Watching him play.

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Speaker 1: Oh, his routines are wi it was amazing. Yeah, yeah, yeah. Anyway,

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Speaker 1: these facts will also blow you away. Now I'm going

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Speaker 1: to look out to the producer that we want best

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Speaker 1: of five or best of three. How are we going

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Speaker 1: for times?

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Speaker 4: I can't survive the best of five.

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Speaker 1: I don't think we can survive the best.

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Speaker 4: We could go to a five center. I mean that's

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Speaker 4: what they said last night. Who knows. I mean, if

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Speaker 4: it's entertaining, we'll see how we go.

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Speaker 1: You're cool.

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Speaker 4: They ran over time last night.

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Speaker 1: You can get through them quickly. Yeah, best of five, well.

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Speaker 2: That that changes the dynamic dynamic of the game, though,

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Speaker 2: I need to know if this is a five center

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Speaker 2: or a three center?

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Speaker 4: Who should have this chat off? There? But three? Three

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Speaker 4: for now?

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Speaker 1: Fair enough?

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Speaker 2: Well?

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Speaker 1: You know because you during the song you say do

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Speaker 1: whatever you want? Mate? Then I get in trouble after

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Speaker 1: all right, so we're do in best of three? Here

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Speaker 1: we go. Number one.

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Speaker 2: Raphael and Nadal once appeared in one of Shakira's music

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Speaker 2: videos as her love interest.

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Speaker 1: Is that true?

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Speaker 4: What when you tell me you don't know?

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Speaker 1: I honestly don't know.

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Speaker 4: What do you? How do you not know that? Can

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Speaker 4: you look it up for me quickly and then you

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Speaker 4: can tell me?

446
00:18:34,680 --> 00:18:36,480
Speaker 2: Well, no, that that's this is This is defeating the

447
00:18:36,480 --> 00:18:38,400
Speaker 2: purpose of the game because I may have made it up.

448
00:18:40,200 --> 00:18:42,640
Speaker 1: You have to, okay, because then I have to pretend

449
00:18:42,720 --> 00:18:43,440
Speaker 1: to look at the.

450
00:18:43,440 --> 00:18:46,960
Speaker 4: Music video Gypsy? What's Gypsy?

451
00:18:47,000 --> 00:18:47,480
Speaker 1: It's a song.

452
00:18:47,520 --> 00:18:49,120
Speaker 2: It's not a well known song, but it's a song

453
00:18:49,160 --> 00:18:52,280
Speaker 2: called Gypsy, and he plays her love interest.

454
00:18:53,680 --> 00:18:53,960
Speaker 3: True.

455
00:18:54,480 --> 00:18:58,000
Speaker 4: I think it's true.

456
00:18:58,440 --> 00:19:01,119
Speaker 1: That's true. That's true.

457
00:19:01,400 --> 00:19:04,280
Speaker 6: God be back now.

458
00:19:04,320 --> 00:19:07,399
Speaker 1: I don't know about these whole questions. I don't know about.

459
00:19:07,119 --> 00:19:09,280
Speaker 4: These got me back?

460
00:19:10,720 --> 00:19:10,920
Speaker 3: One?

461
00:19:11,000 --> 00:19:11,240
Speaker 9: Two?

462
00:19:11,720 --> 00:19:12,639
Speaker 4: Wow, I don't know.

463
00:19:13,359 --> 00:19:13,720
Speaker 3: I question.

464
00:19:14,000 --> 00:19:14,280
Speaker 10: Wow.

465
00:19:14,400 --> 00:19:17,240
Speaker 3: That rattled you for a man that's put four hours

466
00:19:17,240 --> 00:19:18,040
Speaker 3: of work into this.

467
00:19:18,600 --> 00:19:20,560
Speaker 4: I don't have you to be pulled down.

468
00:19:20,720 --> 00:19:22,600
Speaker 1: I don't work harder on anything in my life than

469
00:19:22,600 --> 00:19:23,000
Speaker 1: this game.

470
00:19:23,440 --> 00:19:23,959
Speaker 4: No No.

471
00:19:24,800 --> 00:19:27,080
Speaker 3: Our producer came before and he said, can we swap

472
00:19:27,080 --> 00:19:27,800
Speaker 3: to Drew Barrymore?

473
00:19:27,800 --> 00:19:28,760
Speaker 4: And that was about half an hour.

474
00:19:28,640 --> 00:19:31,240
Speaker 3: Before the show, said Edward, it was almost like someone

475
00:19:31,280 --> 00:19:32,439
Speaker 3: asked you to give up a child.

476
00:19:32,640 --> 00:19:33,439
Speaker 1: I couldn't believe it.

477
00:19:33,440 --> 00:19:34,920
Speaker 2: He's still in the bad box with me. We'll talk

478
00:19:34,960 --> 00:19:39,680
Speaker 2: after the show. It's disrespecting my craft. All right, there's

479
00:19:39,680 --> 00:19:41,080
Speaker 2: the three riding.

480
00:19:41,680 --> 00:19:44,720
Speaker 1: If you this is my craft, man.

481
00:19:46,119 --> 00:19:47,320
Speaker 4: Was sad craft.

482
00:19:47,359 --> 00:19:48,200
Speaker 1: It's not a sad craft.

483
00:19:48,240 --> 00:19:51,439
Speaker 4: And I'll just say that is sad all right.

484
00:19:51,480 --> 00:19:55,720
Speaker 2: Here we go, quiet writing back.

485
00:19:56,960 --> 00:19:58,879
Speaker 1: One nil, best of three. If you get this, you win,

486
00:19:58,960 --> 00:20:00,520
Speaker 1: and I'll be just shattered. All right.

487
00:20:00,520 --> 00:20:03,600
Speaker 2: Here we go Raphael and Adar, Oh my god. I

488
00:20:04,320 --> 00:20:06,960
Speaker 2: didn't wear underwear until he was the age.

489
00:20:06,800 --> 00:20:09,920
Speaker 4: Of twelve, didn't wear jocks.

490
00:20:10,080 --> 00:20:13,120
Speaker 1: He didn't wear any pair of underwear until the age

491
00:20:13,119 --> 00:20:16,800
Speaker 1: of twelve. Is that true? I have ever made that up?

492
00:20:18,000 --> 00:20:19,120
Speaker 4: Can I ask why?

493
00:20:20,119 --> 00:20:20,639
Speaker 1: I don't know?

494
00:20:20,720 --> 00:20:24,479
Speaker 4: Yeah, disappointingly, but I actually don't know.

495
00:20:24,600 --> 00:20:27,439
Speaker 3: Well, mate, for somebody that spent four hours reading something,

496
00:20:27,480 --> 00:20:30,080
Speaker 3: the fact that I can't ask one follow up question.

497
00:20:30,200 --> 00:20:32,200
Speaker 2: Is actually my game and the rule is you can't

498
00:20:32,240 --> 00:20:33,160
Speaker 2: ask a follow up question.

499
00:20:33,840 --> 00:20:35,800
Speaker 3: I think most people think that's garbage, and we're gonna

500
00:20:35,800 --> 00:20:36,920
Speaker 3: have to go to the people on that we.

501
00:20:36,920 --> 00:20:37,760
Speaker 4: Put a pole up on.

502
00:20:38,240 --> 00:20:40,720
Speaker 3: It's not the people on your social will put a

503
00:20:40,720 --> 00:20:41,800
Speaker 3: pole up on the socials.

504
00:20:41,840 --> 00:20:42,720
Speaker 4: I'd like a pole up.

505
00:20:42,760 --> 00:20:43,640
Speaker 1: I don't care what they think.

506
00:20:43,640 --> 00:20:43,960
Speaker 4: It's wood.

507
00:20:43,920 --> 00:20:46,000
Speaker 1: He's believed or not Australia's believe it or not.

508
00:20:46,520 --> 00:20:48,240
Speaker 4: I don't think that's true. I think that's fake.

509
00:20:48,320 --> 00:20:48,639
Speaker 1: Damn it.

510
00:20:48,960 --> 00:20:50,679
Speaker 4: Hey one, hey buddy on.

511
00:20:54,359 --> 00:20:58,920
Speaker 3: Four hours of work a craft shot to pieces, shove

512
00:20:59,000 --> 00:21:03,840
Speaker 3: your Shelly craft your arms mate. When had this bloke

513
00:21:04,119 --> 00:21:06,800
Speaker 3: very special moment on I'm a celeb Get Me out

514
00:21:06,800 --> 00:21:07,080
Speaker 3: of Here?

515
00:21:07,160 --> 00:21:09,480
Speaker 4: Last night as Dylan Lewis.

516
00:21:09,119 --> 00:21:12,840
Speaker 11: Swan the winner I'm a Celebrity, Get Me out of Here?

517
00:21:13,640 --> 00:21:20,000
Speaker 4: Is dinner? Join us on the show right now here? Ye,

518
00:21:20,160 --> 00:21:21,760
Speaker 4: a king's amongst us.

519
00:21:22,119 --> 00:21:23,440
Speaker 7: But who is this king?

520
00:21:24,119 --> 00:21:27,240
Speaker 3: Well, he's the winner of I'm a Celebrity, Get Me out.

521
00:21:27,080 --> 00:21:28,400
Speaker 1: Of Here twenty twenty two.

522
00:21:29,160 --> 00:21:32,919
Speaker 2: Here I remember him from ABC's Recovery or when he

523
00:21:32,960 --> 00:21:35,440
Speaker 2: won Celebrity Big Brother back in two.

524
00:21:35,200 --> 00:21:36,000
Speaker 4: Thousand and two.

525
00:21:36,440 --> 00:21:39,399
Speaker 1: But I remember him as one of the extras.

526
00:21:38,880 --> 00:21:41,800
Speaker 4: In Star Wars. That's right, he's been in a Star

527
00:21:41,840 --> 00:21:45,040
Speaker 4: Wars movie. Please, welcome to the show, comedian and writer.

528
00:21:45,400 --> 00:21:46,840
Speaker 1: It's Dylan Lewis.

529
00:21:46,840 --> 00:21:47,560
Speaker 3: Buck of Dior.

530
00:21:48,760 --> 00:21:49,440
Speaker 8: Hello.

531
00:21:49,560 --> 00:21:53,960
Speaker 3: Hello, you've gone very well, mate, very well. All the

532
00:21:53,960 --> 00:21:56,320
Speaker 3: better to have you on the show. Congratulations mate. You

533
00:21:56,359 --> 00:22:00,600
Speaker 3: want one hundred thousand dollars for Lifeline. Don't know that

534
00:22:00,680 --> 00:22:03,800
Speaker 3: you lost your brother Quinny a little while ago. So

535
00:22:03,880 --> 00:22:06,199
Speaker 3: can you just through suicide? So can you talk us

536
00:22:06,200 --> 00:22:08,679
Speaker 3: through what one hundred thousand dollars means for you and

537
00:22:08,680 --> 00:22:09,920
Speaker 3: what it means for Lifeline.

538
00:22:10,680 --> 00:22:13,840
Speaker 8: It means everything. That's what we're all in there for

539
00:22:14,000 --> 00:22:17,120
Speaker 8: to get the message out there for our charities. Everyone

540
00:22:17,200 --> 00:22:21,920
Speaker 8: had an important and worthy charity. Everyone was really beautiful

541
00:22:21,920 --> 00:22:24,760
Speaker 8: and raw and vulnerable by talking about their reasons for

542
00:22:24,800 --> 00:22:28,159
Speaker 8: their charities. So you know, if anyone had won, it

543
00:22:28,640 --> 00:22:31,560
Speaker 8: would have been perfect and worthy. And I just happened

544
00:22:31,560 --> 00:22:33,040
Speaker 8: to be the one who got across the line. So

545
00:22:33,119 --> 00:22:35,879
Speaker 8: this one hundred thousand dollars a Lifeline is going to

546
00:22:35,880 --> 00:22:39,400
Speaker 8: go so far in helping so many people. Clearly it's

547
00:22:39,520 --> 00:22:42,920
Speaker 8: very close to my heart. But you know, after opening

548
00:22:43,000 --> 00:22:46,240
Speaker 8: up for the first time publicly on the show and

549
00:22:46,320 --> 00:22:48,199
Speaker 8: getting a lot of feedback through the social media, I

550
00:22:48,280 --> 00:22:52,200
Speaker 8: realized how sadly not alone I am in the situation.

551
00:22:52,760 --> 00:22:54,480
Speaker 8: So many of us have been touched by this and

552
00:22:54,520 --> 00:22:57,440
Speaker 8: so this it just means so much to me, and

553
00:22:57,880 --> 00:22:59,320
Speaker 8: it'll mean a whole lot to a whole lot of

554
00:22:59,359 --> 00:23:01,600
Speaker 8: people as well. And I'm just so I'm just really

555
00:23:01,600 --> 00:23:05,119
Speaker 8: grateful that Australia got behind it and got it across

556
00:23:05,160 --> 00:23:08,199
Speaker 8: the line, because yeah, I'm I'm on cloud nine line now.

557
00:23:08,240 --> 00:23:09,679
Speaker 8: I'm so I'm so happy with it all.

558
00:23:09,880 --> 00:23:11,480
Speaker 2: Oh good on you, mate, And can I just say

559
00:23:11,520 --> 00:23:13,760
Speaker 2: that the one hundred thousands just I mean, that's obviously

560
00:23:13,840 --> 00:23:15,360
Speaker 2: huge to go to Lifeline, but I think the way

561
00:23:15,400 --> 00:23:19,800
Speaker 2: you handled yourself on National TV was also huge as well, mate, just.

562
00:23:19,760 --> 00:23:21,040
Speaker 8: By the way you thank you.

563
00:23:21,040 --> 00:23:22,960
Speaker 1: You were raw, You're honest, You're really vulnerable.

564
00:23:23,000 --> 00:23:25,080
Speaker 2: And I know one night, Mate, after a couple of reds,

565
00:23:25,080 --> 00:23:27,480
Speaker 2: I was watching the show and I heard you talking

566
00:23:27,520 --> 00:23:30,199
Speaker 2: a little bit about your time in Breakfast Radio and

567
00:23:30,280 --> 00:23:31,040
Speaker 2: actually why.

568
00:23:30,880 --> 00:23:32,520
Speaker 1: You left, why you.

569
00:23:32,520 --> 00:23:37,199
Speaker 2: Left Breakfast Radio just because of the nasty comments and

570
00:23:37,200 --> 00:23:38,320
Speaker 2: the trolls that come through.

571
00:23:38,520 --> 00:23:40,359
Speaker 1: Can you speak to that a little bit deal.

572
00:23:41,280 --> 00:23:41,920
Speaker 6: Well, that's it.

573
00:23:41,960 --> 00:23:43,720
Speaker 8: That's I mean, it's it's part of being in the

574
00:23:43,760 --> 00:23:46,760
Speaker 8: public eye, as you guys know, but you know, it's

575
00:23:46,920 --> 00:23:48,960
Speaker 8: you just a lot. When I started back in the

576
00:23:49,000 --> 00:23:54,159
Speaker 8: olden days in the nineteen nineties, the only trolling I

577
00:23:54,200 --> 00:24:01,000
Speaker 8: got was by written mail wow, and it was it

578
00:24:01,040 --> 00:24:03,040
Speaker 8: was sort of filtered through by the producers and they

579
00:24:03,160 --> 00:24:05,040
Speaker 8: only showed me things if they're relevant. But it was

580
00:24:05,160 --> 00:24:08,600
Speaker 8: mainly old people saying, why are you taking gardening Australia

581
00:24:08,680 --> 00:24:11,200
Speaker 8: off my TV? What is this young man with metal

582
00:24:11,240 --> 00:24:13,199
Speaker 8: in his face? What's he doing it? And so that

583
00:24:13,280 --> 00:24:14,639
Speaker 8: was the kind of trolling I got, and that was,

584
00:24:14,880 --> 00:24:18,399
Speaker 8: you know, not bad. But these days, obviously it really

585
00:24:18,520 --> 00:24:21,080
Speaker 8: it gets into our home, we get into lives. You're

586
00:24:21,119 --> 00:24:22,760
Speaker 8: sitting on a you know, sitting on your couch and

587
00:24:22,760 --> 00:24:25,359
Speaker 8: you're reading this stuck, What the hell's that about? Like,

588
00:24:25,560 --> 00:24:27,560
Speaker 8: I'm just trying to trying to be an all right

589
00:24:27,640 --> 00:24:30,280
Speaker 8: time life, do my job, that's it. Yeah, So you know,

590
00:24:30,359 --> 00:24:31,840
Speaker 8: I mean, there was a lot of reasons why it

591
00:24:31,880 --> 00:24:34,760
Speaker 8: was time for me to finish up on Fricky Radio,

592
00:24:34,880 --> 00:24:37,640
Speaker 8: you know, but I'm always happy to give it another crack,

593
00:24:37,720 --> 00:24:38,560
Speaker 8: and you know, and.

594
00:24:39,920 --> 00:24:42,600
Speaker 3: You happen are you on here pitching yourself around jobs

595
00:24:42,600 --> 00:24:45,439
Speaker 3: as well. I'm perfect right, I've got really I'm a

596
00:24:45,440 --> 00:24:46,520
Speaker 3: season campaigner.

597
00:24:46,560 --> 00:24:47,960
Speaker 4: I can catch him on the hop.

598
00:24:48,880 --> 00:24:52,640
Speaker 8: Just check my LinkedIn profile kind of stuff being yes,

599
00:24:52,720 --> 00:24:55,080
Speaker 8: I've got a LinkedIn prop, a.

600
00:24:55,119 --> 00:24:59,280
Speaker 4: Job interview, job interview. We've got more with John Laws

601
00:24:59,400 --> 00:25:00,800
Speaker 4: right up next. By the way, if you want.

602
00:25:00,640 --> 00:25:03,920
Speaker 3: To call Lifeline thirteen eleven fourteen, that's the number.

603
00:25:03,960 --> 00:25:06,400
Speaker 4: Anyone can call it in this country. It's an amazing service.

604
00:25:06,600 --> 00:25:08,920
Speaker 4: We've got more. Dylan Lewis fresh off I'm a Celeb up.

605
00:25:08,880 --> 00:25:12,159
Speaker 2: Next, coming up next, were there are more Will and Woody,

606
00:25:13,320 --> 00:25:15,640
Speaker 2: The Will and Woody Podcast.

607
00:25:14,960 --> 00:25:16,800
Speaker 4: The King of the Jungle. Who joins this?

608
00:25:17,000 --> 00:25:19,879
Speaker 3: Dylan Lewis, freshof I'm a Celeb. The winner last night

609
00:25:19,920 --> 00:25:22,440
Speaker 3: one hundred thousand bucks for Lifeline. Lifeline is number thirteen

610
00:25:22,480 --> 00:25:24,199
Speaker 3: eleven fourteen, by the way, for anyone that wants to

611
00:25:24,240 --> 00:25:26,640
Speaker 3: call them at any stage you can in Australia.

612
00:25:26,640 --> 00:25:27,679
Speaker 4: They're a brilliant service.

613
00:25:28,320 --> 00:25:30,879
Speaker 3: But dyil, let's let's let's let if I can weave

614
00:25:30,960 --> 00:25:32,520
Speaker 3: this in, you know, take it from a guy who's

615
00:25:32,520 --> 00:25:37,600
Speaker 3: still in the game. Notes, take notes, So no, I

616
00:25:37,640 --> 00:25:39,720
Speaker 3: know that you said, I know that you said, when

617
00:25:39,760 --> 00:25:41,359
Speaker 3: you're on there, So like your number one fear was

618
00:25:41,440 --> 00:25:46,360
Speaker 3: snakes right then, but you still got in the.

619
00:25:46,160 --> 00:25:48,640
Speaker 4: Pit with the vipers in.

620
00:25:48,560 --> 00:25:53,200
Speaker 3: There, triggering, triggering, So you got in there with them.

621
00:25:53,320 --> 00:25:57,399
Speaker 3: So what was your logic there, like, because that's my

622
00:25:57,440 --> 00:25:59,960
Speaker 3: biggest fear, my biggest fear of spiders, and you actually

623
00:26:00,240 --> 00:26:06,160
Speaker 3: survived that. Yeah, to you, it was your link with Lifeline,

624
00:26:06,160 --> 00:26:09,159
Speaker 3: which I just think is amazing and beautiful in a

625
00:26:09,160 --> 00:26:11,040
Speaker 3: lot of ways, in like a way that a lot

626
00:26:11,040 --> 00:26:13,600
Speaker 3: of people can draw strength from something that quite tragic

627
00:26:13,640 --> 00:26:14,480
Speaker 3: that's happened to them.

628
00:26:15,520 --> 00:26:18,800
Speaker 8: Yeah, No, that's really well put. I did. I found

629
00:26:18,840 --> 00:26:22,680
Speaker 8: myself down in the and the horrible bloody pit of vipers,

630
00:26:24,280 --> 00:26:26,720
Speaker 8: just thinking I have to get through this, and the

631
00:26:26,720 --> 00:26:29,119
Speaker 8: only way I'm going to do it without aggravating the

632
00:26:29,359 --> 00:26:33,040
Speaker 8: horrible danger noodles was to be still. And I found

633
00:26:33,040 --> 00:26:37,600
Speaker 8: that stillness. I found that through through my brother, and

634
00:26:37,960 --> 00:26:40,680
Speaker 8: he had a beautiful stillness about him, and I really

635
00:26:40,680 --> 00:26:43,320
Speaker 8: felt myself drawing on that when I was there. I felt,

636
00:26:43,720 --> 00:26:47,040
Speaker 8: you know, I felt protected by that kind of that

637
00:26:47,040 --> 00:26:49,360
Speaker 8: that feeling and that stillness. I felt protected by him

638
00:26:49,400 --> 00:26:52,520
Speaker 8: and I didn't want to move. And I mean, I've

639
00:26:52,520 --> 00:26:54,520
Speaker 8: seen other seasons before, and they're down in there there

640
00:26:54,560 --> 00:26:56,440
Speaker 8: scream and then they're wiggling their head around and going,

641
00:26:56,480 --> 00:26:59,920
Speaker 8: you are idiots to right on the face like Tony

642
00:27:00,160 --> 00:27:02,639
Speaker 8: and got bitten on the face, and I didn't want

643
00:27:02,640 --> 00:27:04,240
Speaker 8: to get bitten on the face. And before I went

644
00:27:04,280 --> 00:27:08,520
Speaker 8: down there, the guy who looks after you and tells

645
00:27:08,520 --> 00:27:11,040
Speaker 8: you all the safety stuff, he said, just you know,

646
00:27:11,119 --> 00:27:13,600
Speaker 8: if they start going around your neck and strangling you,

647
00:27:13,640 --> 00:27:15,760
Speaker 8: tell us and we'll pull you out in ten seconds.

648
00:27:16,560 --> 00:27:18,439
Speaker 4: In ten seconds, they've got a.

649
00:27:18,440 --> 00:27:22,359
Speaker 8: Good second time for ten seconds, just eleven seconds before death.

650
00:27:22,480 --> 00:27:27,560
Speaker 4: That's all the things he went through.

651
00:27:27,760 --> 00:27:30,320
Speaker 3: So, I mean, like the snakes look like the hardest thing,

652
00:27:30,359 --> 00:27:34,080
Speaker 3: but I think I arguably the most torturous thing for

653
00:27:34,480 --> 00:27:38,200
Speaker 3: viewers to watch is the sloppiness of your rig next

654
00:27:38,200 --> 00:27:41,000
Speaker 3: to Nathan Buckley and doctor Chris Brown. You're you're.

655
00:27:45,440 --> 00:27:46,400
Speaker 4: There.

656
00:27:48,800 --> 00:27:51,119
Speaker 8: I was a peak fitness that.

657
00:27:53,280 --> 00:27:54,120
Speaker 6: I used all the.

658
00:27:54,119 --> 00:27:57,120
Speaker 8: Reserves I had in my in my tummy that I've

659
00:27:57,119 --> 00:27:59,560
Speaker 8: been loading up on before I went in there. They'd

660
00:27:59,600 --> 00:28:01,840
Speaker 8: all gone. That's as that's as good as a guests

661
00:28:02,119 --> 00:28:05,640
Speaker 8: now now back to what it was, just.

662
00:28:06,200 --> 00:28:08,879
Speaker 1: Putting you next to bugs can be next to dal

663
00:28:08,960 --> 00:28:10,560
Speaker 1: Kick it or something. Where was he and he go home?

664
00:28:11,720 --> 00:28:16,720
Speaker 8: Yeah he went he wasn't doing I'm so out of

665
00:28:16,720 --> 00:28:18,880
Speaker 8: my league with the name of ridiculous. So I want

666
00:28:18,920 --> 00:28:21,240
Speaker 8: to get that framed and put it up there. Motivations

667
00:28:21,240 --> 00:28:22,120
Speaker 8: to the gym.

668
00:28:22,960 --> 00:28:23,320
Speaker 4: Hey deal.

669
00:28:23,320 --> 00:28:26,560
Speaker 2: A little bit of research on you for this interview, obviously,

670
00:28:26,720 --> 00:28:29,280
Speaker 2: and I saw that you have set down.

671
00:28:29,920 --> 00:28:31,040
Speaker 1: Thank you, Thank you very much.

672
00:28:31,240 --> 00:28:32,840
Speaker 8: Take that I just found on you.

673
00:28:32,880 --> 00:28:33,080
Speaker 3: Guys.

674
00:28:33,119 --> 00:28:35,359
Speaker 8: To Steve, I discovered you while you were doing a

675
00:28:35,440 --> 00:28:40,240
Speaker 8: high school review. How do you know that because I

676
00:28:40,320 --> 00:28:41,440
Speaker 8: researched you. That's what we.

677
00:28:45,040 --> 00:28:46,640
Speaker 4: Trying to keep a foot in the door, mate, We've

678
00:28:46,680 --> 00:28:48,840
Speaker 4: been trying to get back in the game.

679
00:28:49,600 --> 00:28:51,200
Speaker 1: But back to my research.

680
00:28:51,280 --> 00:28:55,760
Speaker 2: Then, Dylan, you went one on one with Britney Spears,

681
00:28:55,760 --> 00:28:56,840
Speaker 2: the one around the Britney Spears.

682
00:28:56,840 --> 00:28:58,080
Speaker 1: I've got a bit of audio of the chat.

683
00:28:59,120 --> 00:29:01,720
Speaker 4: Your life shows are very njetic, gaps of hot dancing.

684
00:29:02,080 --> 00:29:04,040
Speaker 4: How do you dance and sing and not look crappy?

685
00:29:04,240 --> 00:29:05,000
Speaker 8: It is kind of fun.

686
00:29:05,040 --> 00:29:06,960
Speaker 1: I just have to make sure that anything that I

687
00:29:07,040 --> 00:29:09,080
Speaker 1: do every sing and I'm really prepared and I'm really

688
00:29:09,120 --> 00:29:10,120
Speaker 1: familiar with Have.

689
00:29:10,120 --> 00:29:10,800
Speaker 3: You ever burned?

690
00:29:11,200 --> 00:29:12,040
Speaker 12: Have I ever burked?

691
00:29:12,320 --> 00:29:12,520
Speaker 8: Oh?

692
00:29:12,560 --> 00:29:19,479
Speaker 3: Yeah, weird question, super weird question, right, This is an

693
00:29:19,480 --> 00:29:20,520
Speaker 3: inject mate, isn't it.

694
00:29:21,000 --> 00:29:23,080
Speaker 8: Well, when I got there, they gave me a list

695
00:29:23,120 --> 00:29:25,040
Speaker 8: of things I wasn't allowed to ask, and so I

696
00:29:25,080 --> 00:29:27,160
Speaker 8: had to cross most of it off. And I thought

697
00:29:27,160 --> 00:29:28,680
Speaker 8: I'd get a little bit cheeky with her. And she

698
00:29:28,720 --> 00:29:30,920
Speaker 8: was being sponsored by a coaler company at the time,

699
00:29:31,320 --> 00:29:33,120
Speaker 8: and so that was an opportunity for her to plug

700
00:29:33,160 --> 00:29:36,600
Speaker 8: the coler company. What respect. Yes, the second time I

701
00:29:36,640 --> 00:29:40,360
Speaker 8: interviewed her, yeah, wow, Well I went out to me

702
00:29:40,440 --> 00:29:42,120
Speaker 8: with the microphone. It was in front of a massive

703
00:29:42,160 --> 00:29:44,240
Speaker 8: crowd of people in Sydney, and I walked up to

704
00:29:44,280 --> 00:29:45,440
Speaker 8: it and I thought it'd be funny to wear a

705
00:29:45,480 --> 00:29:48,480
Speaker 8: security T shirt set security on it, and she took

706
00:29:48,480 --> 00:29:50,440
Speaker 8: the mic off me and just did her own interview

707
00:29:50,440 --> 00:29:52,400
Speaker 8: because she assumed I was a security guy.

708
00:29:56,720 --> 00:29:58,200
Speaker 1: That's a great way to get at an interviews we

709
00:29:58,240 --> 00:29:59,200
Speaker 1: don't want to do in the future.

710
00:30:00,920 --> 00:30:05,520
Speaker 3: Well, no longer can be confused for security because he

711
00:30:05,600 --> 00:30:08,000
Speaker 3: is the winner of I'm a Celebrity, Get me out

712
00:30:08,040 --> 00:30:10,520
Speaker 3: of here. A mighty crown to be holding up above

713
00:30:10,560 --> 00:30:13,040
Speaker 3: your head. Dylan Lewis, congratulations, but thank you so much

714
00:30:13,080 --> 00:30:16,200
Speaker 3: for joining his brother and again one hundred Grand for Lifeline.

715
00:30:16,200 --> 00:30:20,520
Speaker 3: It's huge, it's pleasure. Well, you hung up on us, Jesus,

716
00:30:20,640 --> 00:30:21,160
Speaker 3: It's do a lot.

717
00:30:21,120 --> 00:30:21,760
Speaker 1: Of interviews today.

718
00:30:21,760 --> 00:30:25,880
Speaker 4: Fair enough, we got that we were still live.

719
00:30:26,040 --> 00:30:28,480
Speaker 1: I had that before the song and we going like

720
00:30:28,480 --> 00:30:29,600
Speaker 1: thanks for that. That good chat.

721
00:30:29,680 --> 00:30:30,840
Speaker 4: That was a comical hang up.

722
00:30:31,280 --> 00:30:33,440
Speaker 3: I feel like he tried to ever tilted our jobs,

723
00:30:33,440 --> 00:30:35,840
Speaker 3: didn't chat the bashing.

724
00:30:35,440 --> 00:30:38,560
Speaker 4: That we gave him, and then he just got out

725
00:30:38,560 --> 00:30:43,080
Speaker 4: of there. That's great stuff, Will and Wards.

726
00:30:43,120 --> 00:30:46,200
Speaker 3: Let's talk about it. The fourth eldest player to win.

727
00:30:46,280 --> 00:30:48,720
Speaker 3: That's an awful statistic. I mean, of all the statistics,

728
00:30:49,240 --> 00:30:52,720
Speaker 3: the fourth eldest player in the open era about you

729
00:30:52,800 --> 00:30:56,080
Speaker 3: introduce analysis highlighted that how did that even make the article?

730
00:30:56,480 --> 00:31:01,040
Speaker 3: The fourth eldest winner, fourth, the third sure.

731
00:31:00,840 --> 00:31:01,720
Speaker 1: And he's taken over.

732
00:31:02,200 --> 00:31:05,720
Speaker 2: Yes, he's one of the most Grand slams ever and

733
00:31:05,760 --> 00:31:07,240
Speaker 2: you've shot with fourth oldest.

734
00:31:08,360 --> 00:31:10,320
Speaker 1: That is so much more impressive.

735
00:31:10,360 --> 00:31:13,000
Speaker 3: The point is Rafael and the Doll Windsy's twenty first

736
00:31:13,000 --> 00:31:16,480
Speaker 3: Grand Slam title, five sets, five hours of fairy tale

737
00:31:16,560 --> 00:31:18,560
Speaker 3: comeback against Medvedev.

738
00:31:18,600 --> 00:31:19,400
Speaker 4: It was huge.

739
00:31:20,160 --> 00:31:24,120
Speaker 11: It's twenty one for Rapper and he stands alone at

740
00:31:24,120 --> 00:31:29,320
Speaker 11: the summit of men's tennis. A remarkable match, a remarkable comeback,

741
00:31:29,400 --> 00:31:31,040
Speaker 11: and a remarkable champion.

742
00:31:31,680 --> 00:31:34,120
Speaker 3: It really wasn't epic. And I turned it off after

743
00:31:34,120 --> 00:31:36,479
Speaker 3: two sets because I was so upset he's getting nowhere.

744
00:31:36,520 --> 00:31:37,440
Speaker 1: I think most of us did.

745
00:31:38,320 --> 00:31:40,520
Speaker 3: It was a beautiful moment for everyone but Channel nine

746
00:31:40,560 --> 00:31:42,360
Speaker 3: because you know, the ratings would have died in the

747
00:31:42,480 --> 00:31:44,760
Speaker 3: RS after two sets because everyone was so angry that

748
00:31:44,800 --> 00:31:47,400
Speaker 3: he was going to lose. But then he goes on

749
00:31:47,480 --> 00:31:50,520
Speaker 3: to win in five of five hours.

750
00:31:50,640 --> 00:31:52,840
Speaker 2: That just goes to show how impressive the win was. Yeah,

751
00:31:52,880 --> 00:31:54,800
Speaker 2: that ninety five percent of people gave up after the

752
00:31:54,800 --> 00:31:55,280
Speaker 2: second set.

753
00:31:55,480 --> 00:31:57,840
Speaker 3: Yes, yes, And as I was saying before, there was

754
00:31:57,880 --> 00:31:59,360
Speaker 3: a double win. If you turn the TV off.

755
00:31:59,400 --> 00:32:01,480
Speaker 4: I did the logic to myself, what's the logic there?

756
00:32:01,520 --> 00:32:03,680
Speaker 3: Well, because if you carry on, then you know there's

757
00:32:03,680 --> 00:32:05,000
Speaker 3: a chance that he's going to lose and you watch

758
00:32:05,080 --> 00:32:07,480
Speaker 3: him suffer. Sure, plus you stay up late, you're tired

759
00:32:07,520 --> 00:32:09,840
Speaker 3: for work the next day. If you turn the DV off,

760
00:32:09,840 --> 00:32:11,720
Speaker 3: you get a surprise in the morning and you didn't

761
00:32:11,720 --> 00:32:12,400
Speaker 3: watch him suffer.

762
00:32:12,400 --> 00:32:13,280
Speaker 4: If he loses, it was.

763
00:32:13,200 --> 00:32:14,680
Speaker 1: A win win, the delightful surprise.

764
00:32:14,720 --> 00:32:14,880
Speaker 10: Yeah.

765
00:32:14,880 --> 00:32:16,400
Speaker 3: I think all the smart people turned it off, but

766
00:32:16,440 --> 00:32:19,560
Speaker 3: you know, good on you for catching it through for

767
00:32:19,640 --> 00:32:21,520
Speaker 3: all five hours, all the way till one o'clock in

768
00:32:21,560 --> 00:32:24,560
Speaker 3: the morning. It really was epic. But really, I think

769
00:32:24,640 --> 00:32:27,280
Speaker 3: the sub story from last night and the Aussie Open

770
00:32:27,640 --> 00:32:32,360
Speaker 3: is Djokovic because Rafa, if you're not up to up

771
00:32:32,400 --> 00:32:34,200
Speaker 3: to speed here, and I suppose like you probably are,

772
00:32:34,200 --> 00:32:35,640
Speaker 3: you know, even if you're not a tennis fan, you

773
00:32:35,680 --> 00:32:39,200
Speaker 3: now know the name Norvak Djokovic. So the Joker has

774
00:32:39,400 --> 00:32:42,240
Speaker 3: twenty titles and he was on level with Roger Federer

775
00:32:42,240 --> 00:32:44,680
Speaker 3: and Rafa on the DAR. Now Rafa goes to twenty

776
00:32:45,320 --> 00:32:49,320
Speaker 3: one titles, and that's purely because he couldn't stay in

777
00:32:49,360 --> 00:32:52,560
Speaker 3: the country to defend his Aussie Open crown. And I

778
00:32:52,760 --> 00:32:57,840
Speaker 3: bloody love these stories when something goes from bad to worse.

779
00:32:57,880 --> 00:33:00,760
Speaker 3: So Djokovic gets deported, and just when he thought that

780
00:33:00,840 --> 00:33:04,680
Speaker 3: it couldn't get any worse, he now has his record

781
00:33:05,280 --> 00:33:07,600
Speaker 3: for Grand Slam smash. Now I haven't had time to

782
00:33:07,600 --> 00:33:10,360
Speaker 3: put this together with our audio producer, Tim, but I'd

783
00:33:10,400 --> 00:33:12,200
Speaker 3: like to give this a cracking song form if I

784
00:33:12,240 --> 00:33:13,560
Speaker 3: can to illustrate my points.

785
00:33:13,560 --> 00:33:15,120
Speaker 1: Oh my goodness, a live rendition here, all right.

786
00:33:15,200 --> 00:33:20,840
Speaker 4: So just when you thought w was.

787
00:33:24,320 --> 00:33:28,400
Speaker 3: Worse, when you're Jockervich.

788
00:33:29,800 --> 00:33:30,480
Speaker 4: Thank you very much.

789
00:33:30,720 --> 00:33:32,240
Speaker 1: That was bloody good. Why don't we have a pre

790
00:33:32,240 --> 00:33:32,720
Speaker 1: record that.

791
00:33:32,680 --> 00:33:34,880
Speaker 4: I don't even know why we have an audio producer sometimes?

792
00:33:35,200 --> 00:33:36,080
Speaker 1: Is it even clean audio?

793
00:33:36,120 --> 00:33:36,239
Speaker 3: Up?

794
00:33:36,280 --> 00:33:36,400
Speaker 9: Man?

795
00:33:36,440 --> 00:33:38,280
Speaker 1: That was perfect? Man, that was bloody perfect?

796
00:33:39,440 --> 00:33:42,400
Speaker 4: Six five? Give us a call.

797
00:33:43,120 --> 00:33:46,240
Speaker 3: Just when you thought it couldn't get any worse? What

798
00:33:46,400 --> 00:33:49,560
Speaker 3: happened to you? So this needs to be a situation

799
00:33:49,680 --> 00:33:52,880
Speaker 3: when you are in a particularly bad spot and your

800
00:33:52,920 --> 00:33:55,880
Speaker 3: story has tears of awfulness. You are in a bad

801
00:33:55,920 --> 00:34:00,960
Speaker 3: spot and then out of nowhere, something completely worse happens

802
00:34:01,000 --> 00:34:01,320
Speaker 3: to you.

803
00:34:01,360 --> 00:34:03,440
Speaker 1: Okay, I have an example from your life, that time

804
00:34:03,480 --> 00:34:03,920
Speaker 1: in Japan.

805
00:34:04,480 --> 00:34:05,120
Speaker 4: Hold that thought.

806
00:34:05,120 --> 00:34:06,840
Speaker 3: We might need to vet that one over the song

807
00:34:08,280 --> 00:34:09,720
Speaker 3: are you talking about when you booked a sex hotel

808
00:34:09,760 --> 00:34:10,480
Speaker 3: for you and your partner?

809
00:34:11,280 --> 00:34:12,319
Speaker 1: I'll put my guns down if.

810
00:34:14,200 --> 00:34:17,319
Speaker 4: He is your phone number. Just when you thought things

811
00:34:17,320 --> 00:34:18,719
Speaker 4: couldn't get any worse.

812
00:34:18,560 --> 00:34:21,040
Speaker 3: Give us a call if you've got a story, Just

813
00:34:21,200 --> 00:34:24,840
Speaker 3: when you thought it couldn't get any worse, what happened

814
00:34:24,840 --> 00:34:25,040
Speaker 3: to you?

815
00:34:25,120 --> 00:34:25,239
Speaker 4: Now?

816
00:34:25,280 --> 00:34:27,960
Speaker 3: The reason we're asking this is because Novak Djokovic is

817
00:34:28,120 --> 00:34:30,759
Speaker 3: very much the subtext to Rafael Thedal winning twenty one

818
00:34:30,800 --> 00:34:33,640
Speaker 3: Grand Slams the most Grand slams of anyone ever.

819
00:34:34,719 --> 00:34:36,200
Speaker 4: He beats Jokovic.

820
00:34:36,239 --> 00:34:39,719
Speaker 3: So Djokovic, if you follow his storyline here, tries to

821
00:34:39,760 --> 00:34:44,239
Speaker 3: get into Australia, gets approved somehow, then gets disapproved and

822
00:34:44,280 --> 00:34:50,000
Speaker 3: then gets deported. And then once he is deported, Rafael Nadal,

823
00:34:50,080 --> 00:34:52,560
Speaker 3: the guy who ordinarily he probably would beat on a

824
00:34:52,600 --> 00:34:55,000
Speaker 3: hard court, then goes on to win the Grand Slam

825
00:34:55,239 --> 00:34:59,040
Speaker 3: and beat his record for most titles. So I did

826
00:34:59,080 --> 00:35:03,400
Speaker 3: this live before and offended our audio producer Tim, and

827
00:35:03,440 --> 00:35:06,479
Speaker 3: there's obviously been some words outside where I'm not allowed

828
00:35:06,520 --> 00:35:08,520
Speaker 3: to do it live again. So he's mixed up a

829
00:35:08,560 --> 00:35:16,720
Speaker 3: recorded version of just summing up this scenario. W was.

830
00:35:19,920 --> 00:35:20,560
Speaker 11: W was.

831
00:35:22,160 --> 00:35:28,359
Speaker 4: When you're Jockervich? Yeah, I preferred it life. I don't

832
00:35:28,360 --> 00:35:28,799
Speaker 4: know about you.

833
00:35:29,239 --> 00:35:31,160
Speaker 2: He knocked it up in like two minutes. That's actually

834
00:35:31,160 --> 00:35:33,080
Speaker 2: pretty extraordinary. Well he should have knocked it up before

835
00:35:33,120 --> 00:35:34,760
Speaker 2: I did the bit. I think that's where the issue

836
00:35:34,760 --> 00:35:37,560
Speaker 2: is Regim live and the first bit shame. And a

837
00:35:37,560 --> 00:35:40,040
Speaker 2: good audio producer reads his mind and they know that

838
00:35:40,080 --> 00:35:42,239
Speaker 2: in the industry. So thirty one O six five, just

839
00:35:42,239 --> 00:35:45,160
Speaker 2: when he thought things couldn't get any worse, Rhann And

840
00:35:45,200 --> 00:35:47,839
Speaker 2: you've got a story with tears of dreadfulness.

841
00:35:48,960 --> 00:35:50,120
Speaker 10: Absolutely yes.

842
00:35:50,280 --> 00:35:53,720
Speaker 12: About a few some days ago I hurt myself playing sport,

843
00:35:54,719 --> 00:35:57,279
Speaker 12: and then the next day I tested positive. So then

844
00:35:57,360 --> 00:36:00,319
Speaker 12: I was in isolation. And then the day I got

845
00:36:00,320 --> 00:36:02,360
Speaker 12: out of io and I went to the doctors just

846
00:36:02,360 --> 00:36:04,359
Speaker 12: to check on my sawny. It turns out I did

847
00:36:04,400 --> 00:36:05,000
Speaker 12: my a c l.

848
00:36:05,560 --> 00:36:07,560
Speaker 1: Oh bloody hell.

849
00:36:08,280 --> 00:36:10,759
Speaker 3: So I had to play you know, you know, ordinarily

850
00:36:10,800 --> 00:36:12,000
Speaker 3: we have a laugh, or we play a bit of

851
00:36:12,080 --> 00:36:15,759
Speaker 3: music or something, but these will all be quite flat notes. Yeah,

852
00:36:15,800 --> 00:36:18,000
Speaker 3: that's that's just Rein finished these stories on.

853
00:36:19,800 --> 00:36:24,960
Speaker 4: Oh that works, to break it up? Break it up?

854
00:36:26,000 --> 00:36:27,160
Speaker 1: A shocking run, isn't it.

855
00:36:27,200 --> 00:36:29,560
Speaker 4: I made my Tommy the story. On the weekend he

856
00:36:29,640 --> 00:36:30,040
Speaker 4: went out.

857
00:36:30,640 --> 00:36:32,400
Speaker 3: We had a brand new boss, and he went to

858
00:36:32,400 --> 00:36:34,719
Speaker 3: go out with him on the town and went out

859
00:36:34,760 --> 00:36:36,000
Speaker 3: to Sydney and a lot of Sydney.

860
00:36:36,040 --> 00:36:37,720
Speaker 4: You can stay above the pubs in Sydney.

861
00:36:37,760 --> 00:36:39,840
Speaker 3: That might be a foreign thing to people in other cities,

862
00:36:39,840 --> 00:36:41,600
Speaker 3: but because he will stay above a pub in Sydney.

863
00:36:42,320 --> 00:36:44,640
Speaker 3: And he went out and he went out trying to

864
00:36:44,640 --> 00:36:47,680
Speaker 3: impress his boss. That had a few drinks and they

865
00:36:47,719 --> 00:36:49,680
Speaker 3: went off to different bedrooms and obviously he's dunk way

866
00:36:49,680 --> 00:36:51,520
Speaker 3: too much, trying to impress his boss responsibly.

867
00:36:51,520 --> 00:36:54,200
Speaker 4: Oh you're responsible. He tried to impress his boss.

868
00:36:54,200 --> 00:36:56,200
Speaker 3: They went off to their different bedrooms above the pub,

869
00:36:57,200 --> 00:36:58,680
Speaker 3: and he woke up in the middle of the night and.

870
00:36:58,600 --> 00:37:00,640
Speaker 4: He's like, gee whiz, I need to go and take away.

871
00:37:01,600 --> 00:37:04,520
Speaker 3: So he went out, went out to go and take away.

872
00:37:04,520 --> 00:37:07,880
Speaker 3: The door closed behind him and he's standing there and

873
00:37:07,960 --> 00:37:09,040
Speaker 3: under his feet.

874
00:37:11,040 --> 00:37:13,160
Speaker 4: He's like, that's not tiles.

875
00:37:13,640 --> 00:37:16,319
Speaker 3: Oh no, and he realizes that he's walked straight out

876
00:37:16,360 --> 00:37:18,040
Speaker 3: of his hotel room door.

877
00:37:18,440 --> 00:37:19,200
Speaker 8: Oh no.

878
00:37:19,480 --> 00:37:23,600
Speaker 4: Wait. He also realized he was so cooked that he

879
00:37:23,760 --> 00:37:28,640
Speaker 4: slept in the oh no. So he was trapped above.

880
00:37:29,640 --> 00:37:33,920
Speaker 3: In the couldn't knock on his boss's door, because what

881
00:37:33,920 --> 00:37:34,279
Speaker 3: you're gonna do.

882
00:37:34,320 --> 00:37:36,160
Speaker 4: You're not gonna roll on your bosses door and naked.

883
00:37:36,560 --> 00:37:39,319
Speaker 2: Anything that you say there is like your blacklisted to

884
00:37:39,320 --> 00:37:39,799
Speaker 2: the front desk.

885
00:37:39,880 --> 00:37:42,120
Speaker 4: So he's got to go, which is through a pub.

886
00:37:42,640 --> 00:37:46,440
Speaker 1: Oh no.

887
00:37:51,400 --> 00:37:55,520
Speaker 3: By the finish that story, I'll tell the finish the story,

888
00:37:56,080 --> 00:37:57,319
Speaker 3: a man, You've got a story.

889
00:37:57,520 --> 00:37:58,800
Speaker 4: Things went from bad to worse.

890
00:37:59,719 --> 00:38:04,000
Speaker 10: Yes, So Australia Day last year, we have we were

891
00:38:04,040 --> 00:38:07,080
Speaker 10: away for the weekend and we got a call from

892
00:38:07,080 --> 00:38:10,680
Speaker 10: our real estate agent that our toilet had sprung a leak.

893
00:38:11,360 --> 00:38:12,439
Speaker 1: Yep, that's pretty bad.

894
00:38:12,600 --> 00:38:16,040
Speaker 10: And yeah, so it hadn't just sprung a leak, it

895
00:38:16,120 --> 00:38:21,120
Speaker 10: had flooded our whole upstairs area and all the way

896
00:38:21,160 --> 00:38:25,120
Speaker 10: to downstairs. And being Australia day, we couldn't get anything

897
00:38:25,160 --> 00:38:29,640
Speaker 10: done straight away. And then so we were put in

898
00:38:29,640 --> 00:38:33,279
Speaker 10: temporary accommodation. And while we were in temporary accommodation, I

899
00:38:33,280 --> 00:38:35,520
Speaker 10: fell down a step and tore a ligament in my ankle.

900
00:38:41,960 --> 00:38:45,640
Speaker 4: I love this. I love it so much. Evil man.

901
00:38:45,920 --> 00:38:47,719
Speaker 1: Now at the end of the story, you've got a

902
00:38:47,800 --> 00:38:48,560
Speaker 1: naked man.

903
00:38:48,560 --> 00:38:51,880
Speaker 4: Oh yeah, strapped above a pub. Is bosses in on

904
00:38:51,920 --> 00:38:53,600
Speaker 4: the other bedroom, can't knock in the bedroom door. What

905
00:38:53,640 --> 00:38:53,960
Speaker 4: does he do?

906
00:38:53,960 --> 00:38:54,840
Speaker 1: He look at this quickly?

907
00:38:54,920 --> 00:38:56,520
Speaker 2: What are you doing there? Just have a little of

908
00:38:56,520 --> 00:38:58,880
Speaker 2: a play here? Are you walking through the pub? Or

909
00:38:59,400 --> 00:39:01,400
Speaker 2: he has to go to the I'm sleeping in the

910
00:39:01,400 --> 00:39:01,879
Speaker 2: hallway nude.

911
00:39:01,920 --> 00:39:04,239
Speaker 3: But then your boss comes out next morning. You've lost

912
00:39:04,239 --> 00:39:06,480
Speaker 3: your job, You've ruined the relationship. He has to get

913
00:39:06,520 --> 00:39:07,279
Speaker 3: back into the room.

914
00:39:07,480 --> 00:39:09,520
Speaker 2: Is there a painting on the wall of the hotel

915
00:39:09,520 --> 00:39:12,600
Speaker 2: that you could sort of fashion into some sort of dress, right, So.

916
00:39:12,520 --> 00:39:15,680
Speaker 3: He's he's no he's not staying above a nice hotel.

917
00:39:15,719 --> 00:39:16,360
Speaker 4: It's barren.

918
00:39:16,400 --> 00:39:18,960
Speaker 3: He's looking around and needs something, yeah, to cover himself

919
00:39:18,960 --> 00:39:20,040
Speaker 3: before he walks through the pub.

920
00:39:20,760 --> 00:39:24,680
Speaker 4: He spots a bin. Yeah, Smart, right, spots a bin. Ye.

921
00:39:25,120 --> 00:39:28,160
Speaker 3: Removes the garbage bag from the bin, yep, Smart, puts

922
00:39:28,160 --> 00:39:35,560
Speaker 3: a hole in it for his head and wears no, no, no, yeah, it's.

923
00:39:35,360 --> 00:39:38,440
Speaker 1: Just like that defeats the purpose of in there for that.

924
00:39:39,840 --> 00:39:42,120
Speaker 3: He puts a hole for his head and wears it

925
00:39:42,160 --> 00:39:43,920
Speaker 3: like a like a little like an lb D like

926
00:39:43,920 --> 00:39:44,720
Speaker 3: a little black dress.

927
00:39:44,760 --> 00:39:47,920
Speaker 4: Oh yeah yeah, and holds for his arms. Yeah.

928
00:39:47,960 --> 00:39:51,959
Speaker 3: So he gets down there, goes down the doors open

929
00:39:52,160 --> 00:39:54,480
Speaker 3: the pub, and it's like a rough as guts pub,

930
00:39:54,520 --> 00:39:57,399
Speaker 3: like it's just it's just trades and warfies as far

931
00:39:57,440 --> 00:39:58,920
Speaker 3: as the I can see. And he pops out in

932
00:39:58,920 --> 00:40:01,960
Speaker 3: a little something you'd better the met gala. Yeah, pops

933
00:40:02,000 --> 00:40:03,879
Speaker 3: out as soon as he steps foot in the pub,

934
00:40:03,960 --> 00:40:05,000
Speaker 3: like the security grab him.

935
00:40:05,040 --> 00:40:07,200
Speaker 4: They're like, mate, get out, and he's like no, no,

936
00:40:07,280 --> 00:40:10,480
Speaker 4: I'm saying, I'm saying.

937
00:40:10,480 --> 00:40:12,640
Speaker 3: As they drag him out onto the street like he's gone,

938
00:40:12,719 --> 00:40:14,400
Speaker 3: They're like, well, mate, you're in it.

939
00:40:14,400 --> 00:40:15,480
Speaker 4: You're in a garbage bag in.

940
00:40:15,480 --> 00:40:17,040
Speaker 1: A pub and you've got no face, mane. He made

941
00:40:17,040 --> 00:40:17,719
Speaker 1: get the hell out of it.

942
00:40:18,880 --> 00:40:20,960
Speaker 3: So he gets dragged out in the street, and then

943
00:40:21,040 --> 00:40:22,719
Speaker 3: eventually go and check his room and then like they

944
00:40:22,800 --> 00:40:25,040
Speaker 3: find out that he's he could check all the stuff

945
00:40:25,040 --> 00:40:25,279
Speaker 3: that was.

946
00:40:25,280 --> 00:40:28,600
Speaker 4: In the room. Bloody, wasn't that an amazing story?

947
00:40:29,160 --> 00:40:36,880
Speaker 3: Bloody Stuff's Will and Woods eighteen years nearly twenty years ago.

948
00:40:37,120 --> 00:40:41,799
Speaker 3: Janet Jackson's that's the song we.

949
00:40:41,800 --> 00:40:44,319
Speaker 4: Should have played. It was right there. She's got a couple.

950
00:40:44,440 --> 00:40:47,080
Speaker 4: I mean, she was, she was good, she was good.

951
00:40:53,360 --> 00:40:59,520
Speaker 3: Oh, she's gone for a four part doco on Netflix.

952
00:41:00,040 --> 00:41:03,200
Speaker 4: I don't know how they pushed before pushed them to four.

953
00:41:03,320 --> 00:41:04,560
Speaker 1: Because we're talking about nipple gate.

954
00:41:04,640 --> 00:41:06,960
Speaker 3: Yeah, yeah, well we are about to talk about nipplea

955
00:41:07,000 --> 00:41:09,440
Speaker 3: It was obously got a huge life before her nipple

956
00:41:09,520 --> 00:41:11,919
Speaker 3: was exposed at the super Boss. It's my four part

957
00:41:11,960 --> 00:41:13,440
Speaker 3: doc on her nipple at the Bowl.

958
00:41:13,520 --> 00:41:16,279
Speaker 4: Mate, That's what I thought you were trying to You

959
00:41:16,320 --> 00:41:16,839
Speaker 4: could have thought.

960
00:41:16,840 --> 00:41:20,160
Speaker 3: You're the only person I know on this planet that

961
00:41:20,320 --> 00:41:23,840
Speaker 3: could have thought that Netflix bought a four hour deal about.

962
00:41:23,640 --> 00:41:26,440
Speaker 4: Janet Jackson's left nipple. You're the only person I know.

963
00:41:26,719 --> 00:41:29,839
Speaker 1: Okay, fair enough enough, that's a fair criticism, and I.

964
00:41:29,800 --> 00:41:32,160
Speaker 4: Was you were so bewildered. You're like, how have they

965
00:41:32,200 --> 00:41:34,080
Speaker 4: done it? How have they done it?

966
00:41:34,200 --> 00:41:40,560
Speaker 3: Chapter one Ariola, Yeah, yeah, yeah, fair at all about hers.

967
00:41:40,760 --> 00:41:42,160
Speaker 4: It's just her, just her life.

968
00:41:42,840 --> 00:41:44,520
Speaker 3: And you know, obviously one of the biggest things in

969
00:41:44,560 --> 00:41:46,680
Speaker 3: her life was twenty years ago, she's performing at the

970
00:41:46,719 --> 00:41:48,719
Speaker 3: super Bowl with Justin Tim Blake. At the end of

971
00:41:48,880 --> 00:41:51,440
Speaker 3: Rock Your Body, they're doing a bit of a duet,

972
00:41:52,200 --> 00:41:54,879
Speaker 3: and yes, he ripped off her top and exposed her.

973
00:41:54,880 --> 00:41:56,319
Speaker 4: Nipple to the crowd. We've got the audio of when

974
00:41:56,320 --> 00:41:56,919
Speaker 4: it actually happened.

975
00:41:56,920 --> 00:41:59,440
Speaker 3: You can hear the crowd cheer and then elevate the

976
00:41:59,520 --> 00:42:13,719
Speaker 3: cheer when they notice the nistenn.

977
00:42:09,680 --> 00:42:11,160
Speaker 4: Wow, totally wild, right.

978
00:42:11,080 --> 00:42:14,200
Speaker 1: Slight delay and then they really erupt and goes for it.

979
00:42:14,680 --> 00:42:16,520
Speaker 3: Lots of theories as to the fact that that was

980
00:42:16,560 --> 00:42:21,680
Speaker 3: in fact constructed, you have contrived, choreographed.

981
00:42:21,719 --> 00:42:23,640
Speaker 4: What else was he doing? God, give me another c

982
00:42:23,840 --> 00:42:25,400
Speaker 4: word to describe. That was amazing.

983
00:42:25,600 --> 00:42:26,640
Speaker 1: That was very important, Thank.

984
00:42:26,480 --> 00:42:26,960
Speaker 4: You very much.

985
00:42:27,000 --> 00:42:30,399
Speaker 3: Anyway, So so, yeah, so it rips it off as

986
00:42:30,440 --> 00:42:33,520
Speaker 3: he's saying the line, I'll have you naked by the end.

987
00:42:33,440 --> 00:42:34,000
Speaker 4: Of this song.

988
00:42:34,840 --> 00:42:36,120
Speaker 1: How could it not have been coy?

989
00:42:36,239 --> 00:42:39,120
Speaker 4: And she has a star over her nipple.

990
00:42:39,680 --> 00:42:41,560
Speaker 3: I mean unless she gets up every morning and sticks

991
00:42:41,560 --> 00:42:42,920
Speaker 3: a couple of stars over her nipples.

992
00:42:42,960 --> 00:42:47,000
Speaker 4: I mean it is Janet Jackson. That is that it

993
00:42:47,040 --> 00:42:48,799
Speaker 4: feels a bit fake. Do you know? That was the start.

994
00:42:48,800 --> 00:42:50,880
Speaker 1: They're pretty much the start of YouTube. So YouTube was

995
00:42:50,920 --> 00:42:51,239
Speaker 1: a thing.

996
00:42:51,600 --> 00:42:54,040
Speaker 2: But it became what it is today because of that,

997
00:42:54,120 --> 00:42:56,680
Speaker 2: because they put it on YouTube, because they blurred it

998
00:42:56,680 --> 00:42:57,440
Speaker 2: everywhere on YouTube.

999
00:42:57,440 --> 00:42:59,160
Speaker 1: You can go watch it, and then YouTube exploded.

1000
00:42:59,640 --> 00:43:00,880
Speaker 4: That is a great fact.

1001
00:43:01,040 --> 00:43:01,520
Speaker 1: Thank you.

1002
00:43:01,600 --> 00:43:04,399
Speaker 4: Wow, you have a remarkable ability to do that.

1003
00:43:04,600 --> 00:43:04,920
Speaker 1: Thank you.

1004
00:43:05,000 --> 00:43:08,120
Speaker 3: At one point, you're thinking that Netflix has made one

1005
00:43:08,200 --> 00:43:10,560
Speaker 3: hundred million dollars for a four part doco about a nipple.

1006
00:43:11,080 --> 00:43:13,480
Speaker 4: Dumbest thing you've ever said? Yep, And then you come home.

1007
00:43:13,640 --> 00:43:14,960
Speaker 4: You nearly redeem yourself.

1008
00:43:15,080 --> 00:43:17,360
Speaker 1: It's a roller coaster. No, I did redeem myself totally.

1009
00:43:17,520 --> 00:43:20,400
Speaker 3: Not totally, but yeah, one hundred and fifty million people

1010
00:43:20,440 --> 00:43:22,759
Speaker 3: watched that wardrobe malfunction and that will be a part

1011
00:43:23,000 --> 00:43:24,080
Speaker 3: of the doco.

1012
00:43:24,120 --> 00:43:26,840
Speaker 4: It's now called nipple Gate. Yes, obviously.

1013
00:43:26,880 --> 00:43:29,760
Speaker 3: And that's what we call these big things that happen

1014
00:43:29,800 --> 00:43:33,359
Speaker 3: in our lives that are so momentous that you're able

1015
00:43:33,400 --> 00:43:36,440
Speaker 3: to just say a word and gate and everyone knows

1016
00:43:36,480 --> 00:43:37,040
Speaker 3: what you talk about.

1017
00:43:37,080 --> 00:43:38,760
Speaker 1: So after Watergate, wasn't it which.

1018
00:43:38,680 --> 00:43:40,239
Speaker 4: Nixon famously had water Gate?

1019
00:43:40,719 --> 00:43:44,359
Speaker 2: That's right, Yes, that's where that was the original Yes, yeah,

1020
00:43:44,520 --> 00:43:45,799
Speaker 2: why we got the original gate.

1021
00:43:45,920 --> 00:43:48,520
Speaker 3: Absolutely, Yeah, that was actually Watergate. So now it's like

1022
00:43:48,960 --> 00:43:51,799
Speaker 3: nipple Gate with Janet Jackson, you name it, give me

1023
00:43:51,840 --> 00:43:52,920
Speaker 3: a warning.

1024
00:43:53,440 --> 00:43:55,680
Speaker 1: Text gate, text gate. He had a lot of gate.

1025
00:43:55,719 --> 00:43:56,480
Speaker 4: He had a few gates.

1026
00:43:56,560 --> 00:43:58,319
Speaker 3: He had a few farm with a lot of gates,

1027
00:43:58,360 --> 00:44:02,359
Speaker 3: like goddamn ranch out there. Yeah no, so yeah, but

1028
00:44:02,400 --> 00:44:05,320
Speaker 3: people have gates. People have a gate in their life.

1029
00:44:05,600 --> 00:44:07,520
Speaker 3: And you know what, I'd love to hear from people

1030
00:44:07,560 --> 00:44:10,160
Speaker 3: if you've got a gate. Oh yeah, So if you

1031
00:44:10,239 --> 00:44:12,120
Speaker 3: have a gate from your life, and often you know,

1032
00:44:12,160 --> 00:44:13,600
Speaker 3: it can be you know whatever it is.

1033
00:44:13,760 --> 00:44:17,440
Speaker 1: We have chicken Gate, Oh yes.

1034
00:44:17,200 --> 00:44:18,640
Speaker 4: When we ate flow riders chicken.

1035
00:44:18,680 --> 00:44:20,920
Speaker 2: Yes, And there was a whole this is a previous

1036
00:44:20,920 --> 00:44:23,320
Speaker 2: employer about the whole radio station was figuring trying to

1037
00:44:23,320 --> 00:44:24,760
Speaker 2: figure out who ate flow riders.

1038
00:44:25,120 --> 00:44:25,840
Speaker 4: That was his rider.

1039
00:44:25,960 --> 00:44:27,560
Speaker 3: Yeah, and you and I just rocked up to do

1040
00:44:27,600 --> 00:44:29,799
Speaker 3: our prep for the previous day's show, which was at

1041
00:44:29,800 --> 00:44:32,920
Speaker 3: three o'clock in the morning. Yeah, and yeah, we ate

1042
00:44:32,960 --> 00:44:34,880
Speaker 3: all his chicken because it was just free food in

1043
00:44:34,880 --> 00:44:35,560
Speaker 3: a radio station.

1044
00:44:35,640 --> 00:44:37,359
Speaker 4: That was definitely a gate gate.

1045
00:44:37,360 --> 00:44:38,799
Speaker 3: The way I want to do is, if you've got

1046
00:44:38,800 --> 00:44:41,000
Speaker 3: a gate, I'd like you to call it, but just

1047
00:44:41,040 --> 00:44:43,000
Speaker 3: tell us what the name of the gate is.

1048
00:44:43,160 --> 00:44:46,560
Speaker 4: So, for example, if it's Cowgate, oh yeah, and then

1049
00:44:46,600 --> 00:44:47,960
Speaker 4: we can guess what the gate is.

1050
00:44:48,280 --> 00:44:51,480
Speaker 2: That'll be hard, yeah, but I do it with me.

1051
00:44:51,800 --> 00:44:53,040
Speaker 4: Well, you've got a few gates.

1052
00:44:53,520 --> 00:44:56,520
Speaker 3: I wrote a few down, and you can choose which

1053
00:44:56,520 --> 00:44:59,919
Speaker 3: one you want to tell us up next, Yeah, Horse

1054
00:45:00,000 --> 00:45:04,080
Speaker 3: Whisperer Gate, yep.

1055
00:45:04,480 --> 00:45:05,359
Speaker 4: New locks Gate.

1056
00:45:05,680 --> 00:45:06,480
Speaker 1: We're not going there.

1057
00:45:06,719 --> 00:45:09,800
Speaker 4: Japanese hotel gate. You got three gates.

1058
00:45:09,880 --> 00:45:11,920
Speaker 2: I'll tell you about the Japanese Hotel I'll tell you

1059
00:45:11,960 --> 00:45:15,440
Speaker 2: about Japanese Hotel gate up next. But this is I mean,

1060
00:45:15,560 --> 00:45:17,600
Speaker 2: there's no way people can guess the gate based on

1061
00:45:17,640 --> 00:45:18,080
Speaker 2: that name.

1062
00:45:18,160 --> 00:45:21,040
Speaker 3: If you've got a gate, thirty one oh sixty five

1063
00:45:21,080 --> 00:45:23,440
Speaker 3: would love to hear from you. If you've had something

1064
00:45:23,480 --> 00:45:26,120
Speaker 3: so scandalous happened in your life that is now affectionately

1065
00:45:26,160 --> 00:45:28,279
Speaker 3: known as a gate, we'd love to hear from you.

1066
00:45:28,360 --> 00:45:30,880
Speaker 3: And the reason we're talking about this is because Janet

1067
00:45:30,920 --> 00:45:34,520
Speaker 3: Jackson breaks a twenty year silence in her new documentary

1068
00:45:34,560 --> 00:45:38,640
Speaker 3: four part documentary on Nipplegate, Her and Justin Timberlake Rock

1069
00:45:38,760 --> 00:45:42,640
Speaker 3: your Body performing at the super Bowl. Then started YouTube

1070
00:45:42,640 --> 00:45:44,960
Speaker 3: this woods it was so big you couldn't watch it,

1071
00:45:45,080 --> 00:45:46,480
Speaker 3: you know, on the TV. So people went to go

1072
00:45:46,480 --> 00:45:48,239
Speaker 3: and watch it on YouTube live. Amazing fact from me,

1073
00:45:48,880 --> 00:45:51,839
Speaker 3: And so yeah, go and check. She's got a four

1074
00:45:51,840 --> 00:45:52,279
Speaker 3: part doors.

1075
00:45:52,320 --> 00:45:54,560
Speaker 1: Don't that was everyone? That was my fact. He's copied

1076
00:45:54,600 --> 00:45:57,440
Speaker 1: it now that sounds Petty's.

1077
00:45:56,560 --> 00:45:58,359
Speaker 4: Tuned in, you prick.

1078
00:46:00,600 --> 00:46:03,520
Speaker 3: So anyway, here's then performing out the superb and I'll

1079
00:46:03,719 --> 00:46:05,759
Speaker 3: cue you guys. You'll hear the crowd cheer, and then

1080
00:46:05,800 --> 00:46:16,640
Speaker 3: the cheer gets elevated when they see the nipples.

1081
00:46:13,680 --> 00:46:18,840
Speaker 4: The sun nipple. Yeah, extrawdinary stuff.

1082
00:46:18,840 --> 00:46:22,560
Speaker 3: Anyway, we're finding out that most celebrities have got gates. Yeah,

1083
00:46:22,960 --> 00:46:24,200
Speaker 3: I thought we'd played a bit of a fun game.

1084
00:46:24,200 --> 00:46:26,759
Speaker 3: We've got callers who've got gates themselves. But quick one

1085
00:46:26,800 --> 00:46:28,919
Speaker 3: for you, Christina Aguilera, she got a gate.

1086
00:46:32,560 --> 00:46:34,879
Speaker 2: No, actually she's pretty clean, Chlstina aguile I don't think

1087
00:46:34,880 --> 00:46:35,760
Speaker 2: she's had any scandals.

1088
00:46:35,760 --> 00:46:37,080
Speaker 4: You don't think she's had a single gate?

1089
00:46:37,280 --> 00:46:40,319
Speaker 1: No, I actually I actually think she is. She is clean.

1090
00:46:40,400 --> 00:46:40,640
Speaker 4: Wow.

1091
00:46:40,760 --> 00:46:45,279
Speaker 2: Nice Okay, No, yeah, Shannon, No, well, yeah, but I

1092
00:46:45,360 --> 00:46:46,759
Speaker 2: know he's a good friend of mine. I don't want

1093
00:46:46,760 --> 00:46:48,279
Speaker 2: to bring up his gates. I'm not a good friend

1094
00:46:48,280 --> 00:46:49,799
Speaker 2: of mine, but we text occasionally.

1095
00:46:50,040 --> 00:46:52,319
Speaker 1: It's more one way. But yeah, I've got his name.

1096
00:46:52,440 --> 00:46:53,239
Speaker 1: That's what I'm trying to say.

1097
00:46:54,000 --> 00:46:56,080
Speaker 4: Look, he had a gazy horse. Yeah, there you go,

1098
00:46:57,520 --> 00:46:58,120
Speaker 4: Hugh Grant.

1099
00:46:59,360 --> 00:47:01,719
Speaker 1: Uh oh, the hooker gate.

1100
00:47:02,040 --> 00:47:07,360
Speaker 3: Sorry, sorry, let's get we all know, we don't know. No,

1101
00:47:07,440 --> 00:47:10,600
Speaker 3: he was caught takes you with the prostitute said, prostitute gate.

1102
00:47:11,120 --> 00:47:13,120
Speaker 3: Let's go to Joe. The way we're going to do

1103
00:47:13,160 --> 00:47:14,560
Speaker 3: this is you tell us your gate. But I just

1104
00:47:14,600 --> 00:47:16,279
Speaker 3: tell us what the name of the gate is. We'll

1105
00:47:16,320 --> 00:47:17,680
Speaker 3: have a well, we'll have a guess.

1106
00:47:17,719 --> 00:47:20,520
Speaker 4: We'll speculate. You can tell us, Joe, what's your gate?

1107
00:47:21,640 --> 00:47:22,279
Speaker 9: Carrot gate?

1108
00:47:23,040 --> 00:47:23,799
Speaker 4: Carrot gate.

1109
00:47:23,960 --> 00:47:25,600
Speaker 2: I'm going to say that you had a very special

1110
00:47:25,680 --> 00:47:28,680
Speaker 2: bag of carrots in the fridge, and then you accused

1111
00:47:28,719 --> 00:47:30,720
Speaker 2: some a whole bunch of people of eating that carrot.

1112
00:47:31,120 --> 00:47:33,360
Speaker 2: And you found out that somehow bunny broke into your

1113
00:47:33,400 --> 00:47:34,239
Speaker 2: frige and ate the carrot.

1114
00:47:35,960 --> 00:47:41,920
Speaker 4: No, yeah, what low probability you play? Joe? What is

1115
00:47:42,040 --> 00:47:42,600
Speaker 4: carrot gate?

1116
00:47:44,280 --> 00:47:47,719
Speaker 9: My little boy's first drawing, a picture of it was

1117
00:47:47,800 --> 00:47:50,640
Speaker 9: sent to me at the end of his day. And

1118
00:47:50,760 --> 00:47:54,200
Speaker 9: then he brought home his carrot from childcare and it

1119
00:47:54,360 --> 00:47:57,200
Speaker 9: was not the same picture that he had been drawing

1120
00:47:57,320 --> 00:48:00,640
Speaker 9: in the in the picture that they sent me forever

1121
00:48:00,719 --> 00:48:02,560
Speaker 9: since he's called it carrot gate, because I then went

1122
00:48:02,600 --> 00:48:04,960
Speaker 9: and kicked up the first one to his first current picture.

1123
00:48:05,840 --> 00:48:08,960
Speaker 1: What Jack, I am totally confused.

1124
00:48:09,280 --> 00:48:13,040
Speaker 4: I'm so refused. So so you you got given the

1125
00:48:13,080 --> 00:48:14,839
Speaker 4: wrong drawing. They give you a different drawing.

1126
00:48:15,040 --> 00:48:17,960
Speaker 9: What your son had drawn his first picture ever home?

1127
00:48:18,200 --> 00:48:20,360
Speaker 4: And what does that have to do with a carrot?

1128
00:48:21,120 --> 00:48:22,759
Speaker 9: It was a picture of a carrot.

1129
00:48:22,560 --> 00:48:25,120
Speaker 3: That was his first drawing, and they didn't give it

1130
00:48:25,200 --> 00:48:28,239
Speaker 3: to you. Wow, I almost prefer what he's bunny under

1131
00:48:28,280 --> 00:48:29,759
Speaker 3: the fridge. Let's go to Matt.

1132
00:48:29,920 --> 00:48:34,160
Speaker 1: I am still it is the whole bit that she

1133
00:48:34,880 --> 00:48:36,080
Speaker 1: he went home with a different picture.

1134
00:48:36,160 --> 00:48:38,120
Speaker 3: Yeah, you know, he drew a drawing of a carrot

1135
00:48:38,120 --> 00:48:39,799
Speaker 3: and they were like, that's not good enough, and they

1136
00:48:39,880 --> 00:48:42,279
Speaker 3: made him draw another drawing and he came out.

1137
00:48:42,320 --> 00:48:43,960
Speaker 4: But I don't know he came home with the carrot.

1138
00:48:44,520 --> 00:48:48,600
Speaker 4: Let's go, let's go to Matt. Let's let's let's go on,

1139
00:48:49,640 --> 00:48:53,520
Speaker 4: Maddie buttercase butter Gate.

1140
00:48:54,080 --> 00:48:55,719
Speaker 1: Okay, talk to what happened may.

1141
00:48:57,400 --> 00:48:57,640
Speaker 4: Matt?

1142
00:48:57,880 --> 00:48:58,600
Speaker 6: So what happened?

1143
00:48:58,719 --> 00:49:03,560
Speaker 4: Yeah, you guys were going to I think we learned

1144
00:49:03,600 --> 00:49:07,240
Speaker 4: our lesson in the first one. What happened in Buttergate? Maddie.

1145
00:49:07,960 --> 00:49:08,120
Speaker 8: Mate.

1146
00:49:08,160 --> 00:49:10,839
Speaker 6: We used to have a nanny that used to come

1147
00:49:10,880 --> 00:49:14,399
Speaker 6: around and look after our two daughters. And every time

1148
00:49:15,160 --> 00:49:17,759
Speaker 6: she'd leave, we'd go to the fridge and notice the

1149
00:49:17,840 --> 00:49:21,759
Speaker 6: butter was gone. And I'm not talking like gone, talking

1150
00:49:21,760 --> 00:49:26,440
Speaker 6: about half empty packet. Wow, I don't know.

1151
00:49:26,800 --> 00:49:29,440
Speaker 4: So she's eating half half a packet of butter? How

1152
00:49:29,440 --> 00:49:30,239
Speaker 4: long around there?

1153
00:49:30,280 --> 00:49:33,040
Speaker 6: Four hundred gram Wow? Incredible butter thing.

1154
00:49:33,200 --> 00:49:35,000
Speaker 1: Well, she's taking the butter home. She might be taking

1155
00:49:36,160 --> 00:49:38,640
Speaker 1: you still don't know, Mat, Hang on, Matt, you still don't.

1156
00:49:38,520 --> 00:49:40,040
Speaker 6: Know that's buttergate?

1157
00:49:40,360 --> 00:49:40,640
Speaker 4: Hang on?

1158
00:49:40,760 --> 00:49:43,000
Speaker 1: Is then does the nanny still is the nanny still employed?

1159
00:49:43,520 --> 00:49:43,640
Speaker 4: Oh?

1160
00:49:43,760 --> 00:49:44,040
Speaker 7: Hell no?

1161
00:49:44,560 --> 00:49:47,000
Speaker 1: So you fight her because you just assume that she

1162
00:49:47,160 --> 00:49:48,040
Speaker 1: was taking home your butter.

1163
00:49:48,680 --> 00:49:50,080
Speaker 6: We just don't know what happened.

1164
00:49:50,600 --> 00:49:52,200
Speaker 4: She was doing that innocent.

1165
00:49:52,600 --> 00:49:55,479
Speaker 6: It was also the time where people were putting butter

1166
00:49:55,600 --> 00:49:57,799
Speaker 6: in coffee and things and we started taking nap.

1167
00:49:57,960 --> 00:50:00,080
Speaker 1: Sorry, Matt, what time was that, miss.

1168
00:50:07,480 --> 00:50:10,279
Speaker 4: Mad even if she's putting butter in coffee, why is

1169
00:50:10,320 --> 00:50:12,400
Speaker 4: that a fireable offense? I mean she can have a

1170
00:50:12,719 --> 00:50:14,560
Speaker 4: hot cab of Joe anyway she likes it.

1171
00:50:14,719 --> 00:50:18,120
Speaker 8: Surely I've got nothing.

1172
00:50:18,760 --> 00:50:20,880
Speaker 4: No, no, no, no, no, you haven't got nothing. You've

1173
00:50:20,880 --> 00:50:23,799
Speaker 4: got one of the great mysteries of all time. Dude,

1174
00:50:23,880 --> 00:50:26,160
Speaker 4: What does the nanny do? Oh?

1175
00:50:26,680 --> 00:50:27,960
Speaker 6: What what does she do? Now?

1176
00:50:28,480 --> 00:50:29,120
Speaker 4: What does she do?

1177
00:50:29,320 --> 00:50:29,480
Speaker 1: Then?

1178
00:50:29,760 --> 00:50:31,120
Speaker 4: No? What does she do? Now? What do we think?

1179
00:50:31,160 --> 00:50:32,440
Speaker 4: Are you still in touch with her at all?

1180
00:50:32,880 --> 00:50:32,920
Speaker 3: No?

1181
00:50:33,560 --> 00:50:36,920
Speaker 6: Occasionally say it from around the traps, but in there

1182
00:50:37,239 --> 00:50:38,239
Speaker 6: the supermarket, do you?

1183
00:50:39,360 --> 00:50:39,560
Speaker 8: Yeah?

1184
00:50:40,040 --> 00:50:43,680
Speaker 6: Awkwardly, there was there were thoughts that there was going

1185
00:50:43,719 --> 00:50:45,040
Speaker 6: in the hair. There were thoughts that.

1186
00:50:45,120 --> 00:50:49,480
Speaker 3: It was I'm sorry, man, but if if my if

1187
00:50:49,560 --> 00:50:51,440
Speaker 3: my nanny was around at my house and half my

1188
00:50:51,520 --> 00:50:52,200
Speaker 3: butter was missing.

1189
00:50:52,239 --> 00:50:53,680
Speaker 4: The first thing I'm thinking to myself is not that

1190
00:50:53,719 --> 00:50:56,160
Speaker 4: she's putting it in her coffee or her hair. No, yea,

1191
00:50:57,640 --> 00:50:59,320
Speaker 4: where my mind is going.

1192
00:50:59,520 --> 00:51:01,560
Speaker 1: You shouldn't the detectivity.

1193
00:51:01,120 --> 00:51:02,600
Speaker 4: Taking cookies for your kids?

1194
00:51:03,520 --> 00:51:05,360
Speaker 6: Oh no, no, there's no that going on.

1195
00:51:06,320 --> 00:51:07,520
Speaker 1: Jess really whacking her on?

1196
00:51:07,640 --> 00:51:08,200
Speaker 4: He here, aren't you?

1197
00:51:09,520 --> 00:51:12,200
Speaker 3: What's your genuine theory, Maddie? So what's your genuine theory.

1198
00:51:12,640 --> 00:51:17,160
Speaker 6: Oh got nothing. It's it's a complete mystery, and I've

1199
00:51:17,200 --> 00:51:19,120
Speaker 6: sat around and talked about it with other people. We

1200
00:51:19,320 --> 00:51:20,320
Speaker 6: never got to the bottom of it.

1201
00:51:20,440 --> 00:51:22,239
Speaker 2: Sorry, you've talked about this a lot and the best

1202
00:51:22,280 --> 00:51:24,040
Speaker 2: you came up with was she's putting it in her coffee.

1203
00:51:25,880 --> 00:51:27,200
Speaker 1: Jesus Rise the brain's trust