1 00:00:01,080 --> 00:00:05,320 Speaker 1: Welcome to Fearlessly Failing hot Seat. In this app, I 2 00:00:05,400 --> 00:00:10,800 Speaker 1: fire rapid questions at one of our fearlessly failing guests. PS. 3 00:00:10,880 --> 00:00:12,319 Speaker 1: I'm gonna be honest with you. I'm not so good 4 00:00:12,360 --> 00:00:14,600 Speaker 1: at the rapid part. I get too intrigued by the 5 00:00:14,640 --> 00:00:17,880 Speaker 1: awesome answers. Now a new app is going to drop 6 00:00:17,920 --> 00:00:23,200 Speaker 1: every Wednesday, so enjoy this shortest style episode of Fearlessly 7 00:00:23,320 --> 00:00:29,440 Speaker 1: Failing Hot Seat. Welcome to the hot Seat. What is 8 00:00:29,440 --> 00:00:30,200 Speaker 1: your full name? 9 00:00:30,280 --> 00:00:33,680 Speaker 2: My friend, Andrea Rabin Benderwald? 10 00:00:34,320 --> 00:00:38,640 Speaker 1: Beautiful? Are you sweet or savory? As in, what do 11 00:00:38,720 --> 00:00:42,479 Speaker 1: you prefer sweet? Do you have a favor meal like 12 00:00:42,520 --> 00:00:43,440 Speaker 1: a last meal? 13 00:00:43,800 --> 00:00:47,159 Speaker 2: Ooh, a last meal? And a Mexican food? Anything Mexican food. 14 00:00:47,240 --> 00:00:49,280 Speaker 2: I could eat it every day. You're a bit of guak. 15 00:00:50,120 --> 00:00:53,760 Speaker 1: Love it? Ah, sign me up. Favorite city? I think 16 00:00:53,800 --> 00:00:58,480 Speaker 1: I know the answer, New York. Yeah, yeah, born and raised. Ah. 17 00:00:58,600 --> 00:01:00,400 Speaker 1: Do you have a favorite nature spot? 18 00:01:02,920 --> 00:01:06,559 Speaker 2: I love going to the beach, But I would say, 19 00:01:06,760 --> 00:01:10,800 Speaker 2: let me think about that for a second. So many 20 00:01:10,840 --> 00:01:13,399 Speaker 2: of us, many of us here in Los Angeles. We've 21 00:01:13,440 --> 00:01:19,800 Speaker 2: lived up in the Hollywood Hills and yeah, Laurel Canyon originally, 22 00:01:19,880 --> 00:01:22,720 Speaker 2: and then Coldwater Canyon. Ben and a Canyon, and I 23 00:01:22,760 --> 00:01:25,479 Speaker 2: have friends that live up high and there's something about 24 00:01:25,520 --> 00:01:30,479 Speaker 2: being above the city and overlooking the city. So there's 25 00:01:30,600 --> 00:01:34,200 Speaker 2: one spot that comes to mind where we're calling it 26 00:01:34,600 --> 00:01:38,440 Speaker 2: the portal, and it's off Mulhall and it's above one 27 00:01:38,480 --> 00:01:42,280 Speaker 2: of my friend's homes and it's an empty lot and 28 00:01:42,319 --> 00:01:47,039 Speaker 2: we go up there every full moon, and I do 29 00:01:47,120 --> 00:01:52,000 Speaker 2: this process where I'm opening up a portal where I'm 30 00:01:52,040 --> 00:01:56,640 Speaker 2: calling in light and angels and guides. I'm opening up 31 00:01:56,680 --> 00:01:59,800 Speaker 2: the portal so they have easier access to us and 32 00:02:00,080 --> 00:02:05,200 Speaker 2: of easier access to them. And the spot overlooks the 33 00:02:05,360 --> 00:02:08,720 Speaker 2: whole valley, So we're up high, so as the moon 34 00:02:08,919 --> 00:02:14,040 Speaker 2: is rising, we're on our spot and the lights are 35 00:02:14,080 --> 00:02:16,440 Speaker 2: coming on in the city. Some of some of the 36 00:02:16,480 --> 00:02:18,160 Speaker 2: images are on my Instagram. 37 00:02:18,600 --> 00:02:20,720 Speaker 1: I think I'm saying this so. 38 00:02:20,639 --> 00:02:23,520 Speaker 2: That right now, that's my that's my favorite nature spot. 39 00:02:24,600 --> 00:02:26,400 Speaker 1: What's one of your favorite things about yourself. 40 00:02:30,800 --> 00:02:34,760 Speaker 2: I've learned this recently from doing my human design, and 41 00:02:34,800 --> 00:02:41,240 Speaker 2: that is I am a perfect This is what was 42 00:02:41,240 --> 00:02:43,920 Speaker 2: described to me, and I agree, so I'm going to 43 00:02:44,000 --> 00:02:47,000 Speaker 2: do it. Is that I am a perfect mirror for people. 44 00:02:48,560 --> 00:02:50,560 Speaker 1: What does that mean? Your human design is so. 45 00:02:50,680 --> 00:02:56,480 Speaker 2: Human design is a is a way of understanding your 46 00:02:56,919 --> 00:02:59,000 Speaker 2: what you came into this lifetime to work on, so 47 00:02:59,080 --> 00:03:03,720 Speaker 2: your soul's journey and also then your personality. So it's 48 00:03:03,760 --> 00:03:07,359 Speaker 2: astrology plus that's right, and look it up human design. 49 00:03:07,400 --> 00:03:08,480 Speaker 2: There's a million people. 50 00:03:10,000 --> 00:03:11,160 Speaker 1: What is your offer time? 51 00:03:11,639 --> 00:03:15,960 Speaker 2: I'm a manifestor generator, Okay, So we like to facilitate 52 00:03:16,040 --> 00:03:22,440 Speaker 2: other people's passion and passion and also help. Really we 53 00:03:22,560 --> 00:03:25,720 Speaker 2: really like supporting other people to living their best lives. 54 00:03:26,560 --> 00:03:29,320 Speaker 2: So I learned that because of my human design, and 55 00:03:29,360 --> 00:03:32,840 Speaker 2: there's all these different channels in your human makeup that 56 00:03:32,919 --> 00:03:37,280 Speaker 2: are that are I'm describing it poorly because I'm doing 57 00:03:37,280 --> 00:03:41,600 Speaker 2: I'm not an expert, but there there's something about the 58 00:03:41,640 --> 00:03:44,360 Speaker 2: way I was designed that I am a really good 59 00:03:44,400 --> 00:03:47,840 Speaker 2: mirror for people, which is a blessing and can be tricky. 60 00:03:47,960 --> 00:03:50,960 Speaker 2: Is that I will mirror back to you your your 61 00:03:51,000 --> 00:03:54,200 Speaker 2: brightest light, your greatest self, and I will also mirror 62 00:03:54,280 --> 00:03:58,160 Speaker 2: back to your shadow. So if you're if you need 63 00:03:58,200 --> 00:04:01,760 Speaker 2: something to work on, and you spend enough time around me, 64 00:04:02,440 --> 00:04:06,000 Speaker 2: I will mirror whatever it is you want you want 65 00:04:06,000 --> 00:04:08,640 Speaker 2: to access. So if you want your light reflected back 66 00:04:08,640 --> 00:04:10,960 Speaker 2: to you, I'm your gal. If you want to work 67 00:04:11,000 --> 00:04:13,520 Speaker 2: on your shadow. I will bring up your shadow as well, 68 00:04:13,880 --> 00:04:19,200 Speaker 2: so people get triggered around me a lot. Really it's fascinating. 69 00:04:19,400 --> 00:04:22,080 Speaker 2: But now that I know it about myself gift, I 70 00:04:22,080 --> 00:04:27,880 Speaker 2: don't take it personally. So for instance, I, you know, 71 00:04:28,800 --> 00:04:31,120 Speaker 2: lead a lot of circles, and every once in a 72 00:04:31,120 --> 00:04:33,839 Speaker 2: while they'll be there'll be a woman in a circle 73 00:04:33,920 --> 00:04:37,479 Speaker 2: who will really want to challenge me. She'll want to 74 00:04:37,480 --> 00:04:39,680 Speaker 2: come after me, she'll want to take me down a 75 00:04:39,680 --> 00:04:45,919 Speaker 2: little bit, She'll want to question my authority. Fine, whatever, 76 00:04:46,240 --> 00:04:48,719 Speaker 2: that's what she came in to work on. I know 77 00:04:48,800 --> 00:04:51,160 Speaker 2: it about myself, and I know that I'm just I 78 00:04:51,200 --> 00:04:54,479 Speaker 2: am just reflecting something that she needs to look at. 79 00:04:54,800 --> 00:04:57,599 Speaker 2: So I let her challenge me. I let her challenge me. 80 00:04:57,680 --> 00:04:59,719 Speaker 2: I don't take it personally. And then I get to 81 00:04:59,760 --> 00:05:02,880 Speaker 2: a point where I say, okay, don't. I don't know 82 00:05:02,920 --> 00:05:05,279 Speaker 2: if we're meant to journey together much anymore because I 83 00:05:05,320 --> 00:05:08,560 Speaker 2: bring too much up for you. But that's that's what 84 00:05:08,600 --> 00:05:10,520 Speaker 2: I love about myself. I love that I'm a mirror 85 00:05:10,560 --> 00:05:11,000 Speaker 2: for people. 86 00:05:11,160 --> 00:05:13,599 Speaker 1: That is so cool. Yeah, I would love that too. 87 00:05:14,360 --> 00:05:15,560 Speaker 1: Oh do you have a pet? 88 00:05:15,600 --> 00:05:18,880 Speaker 2: Peve? Hold on? I know I do. Hold on. Let 89 00:05:18,920 --> 00:05:19,680 Speaker 2: me think of a good one. 90 00:05:20,279 --> 00:05:25,479 Speaker 1: Hold on, Literally, Dray is sitting, he looks like she's meditating. 91 00:05:25,560 --> 00:05:30,960 Speaker 2: Right, here's a pet peeve. When people lie to themselves 92 00:05:32,800 --> 00:05:35,320 Speaker 2: like they know better, they're just being full of shit, 93 00:05:35,920 --> 00:05:38,920 Speaker 2: like I can't tall, I just have no patience for it. 94 00:05:39,240 --> 00:05:44,120 Speaker 2: And when people play small yeah, or they put themselves down, yeah, 95 00:05:44,320 --> 00:05:46,640 Speaker 2: just like stop already enough, already. 96 00:05:46,960 --> 00:05:49,760 Speaker 1: Just so you know, one thing about Australians and it's 97 00:05:49,760 --> 00:05:52,080 Speaker 1: done in comedy usually like as in we do it 98 00:05:52,080 --> 00:05:55,039 Speaker 1: in jest is we self deprecate, but we usually do 99 00:05:55,120 --> 00:05:55,640 Speaker 1: it but like. 100 00:05:55,600 --> 00:05:59,800 Speaker 2: You're totally kidding because you don't believe in it. 101 00:06:00,040 --> 00:06:02,840 Speaker 1: But also when you first when a Nasi first comes 102 00:06:02,880 --> 00:06:05,000 Speaker 1: to America, they're like, oh no, no, I can't eat. 103 00:06:05,120 --> 00:06:07,800 Speaker 1: Americans can take our comedy quite literally. And so we've 104 00:06:07,839 --> 00:06:10,320 Speaker 1: got to be like, I'm making a joke. I'm making 105 00:06:10,360 --> 00:06:12,720 Speaker 1: a joke about myself, like and so it takes it 106 00:06:12,720 --> 00:06:15,160 Speaker 1: takes you a couple of weeks to like figure out 107 00:06:15,480 --> 00:06:18,640 Speaker 1: as an I love that about Australians, that's right, Yeah, 108 00:06:18,920 --> 00:06:23,400 Speaker 1: Aussies totally take the mickey out of themselves. Do you 109 00:06:23,440 --> 00:06:25,320 Speaker 1: have a non negotiable. 110 00:06:26,440 --> 00:06:28,480 Speaker 2: M hold on, I'm going to think of a good 111 00:06:28,480 --> 00:06:37,520 Speaker 2: one too. I've come up with a new non negotiable, 112 00:06:37,760 --> 00:06:43,440 Speaker 2: and that is it is giving and receiving are one 113 00:06:43,440 --> 00:06:48,359 Speaker 2: and the same, and if you want to be in 114 00:06:50,680 --> 00:06:55,640 Speaker 2: alignment with me, then we have to be in alignment 115 00:06:55,720 --> 00:06:59,400 Speaker 2: with giving and receiving. So I can't just be giving 116 00:06:59,440 --> 00:07:03,960 Speaker 2: and you receive or vice versa. That's my non negotiable, 117 00:07:04,000 --> 00:07:06,800 Speaker 2: that giving and receiving are in balance and that they're 118 00:07:06,880 --> 00:07:07,800 Speaker 2: one and the scene. 119 00:07:08,320 --> 00:07:11,480 Speaker 1: Oh, I like that. A friend of mine came over 120 00:07:11,560 --> 00:07:14,640 Speaker 1: to our apartment and she were in the car, I 121 00:07:14,680 --> 00:07:17,239 Speaker 1: was dropping her hotel and she goes, you would matters 122 00:07:17,320 --> 00:07:19,800 Speaker 1: so at such a good couple. And I go why, 123 00:07:19,840 --> 00:07:23,520 Speaker 1: and she's like, you're both She's like, you're both givers naturally, 124 00:07:23,560 --> 00:07:25,240 Speaker 1: and said when you give her and a taker end 125 00:07:25,320 --> 00:07:27,920 Speaker 1: up together, it usually is out of balance because you 126 00:07:28,000 --> 00:07:31,200 Speaker 1: both love giving and that's like part of your I 127 00:07:31,240 --> 00:07:34,240 Speaker 1: guess love language, and also as a result, receiving because 128 00:07:34,240 --> 00:07:35,120 Speaker 1: we give to one another. 129 00:07:35,600 --> 00:07:38,680 Speaker 2: Yes, and right, because if you weren't good at receiving, 130 00:07:38,800 --> 00:07:41,480 Speaker 2: then it blocks the flow, right, Yeah. 131 00:07:41,520 --> 00:07:43,800 Speaker 1: And I was like, I know, I definitely feel like 132 00:07:43,840 --> 00:07:45,920 Speaker 1: I know the answer. Part of the answer to this, 133 00:07:47,080 --> 00:07:48,840 Speaker 1: I was, someone's at your door. 134 00:07:48,920 --> 00:07:51,600 Speaker 2: Maybe no, I think it's just a It's okay, Bonnie, 135 00:07:51,920 --> 00:07:52,800 Speaker 2: they're just working. 136 00:07:52,520 --> 00:07:54,400 Speaker 1: On Bonnie has been the best guard dog ebar. 137 00:07:55,480 --> 00:08:01,720 Speaker 2: It's okay, it's okay, Gully down. You're fine, Thank you, 138 00:08:01,720 --> 00:08:02,240 Speaker 2: You're fine. 139 00:08:03,600 --> 00:08:06,840 Speaker 1: She's like, I got your back. Do you have a 140 00:08:06,880 --> 00:08:08,720 Speaker 1: favorite play? Because I know you and I are obsessed 141 00:08:08,760 --> 00:08:10,440 Speaker 1: with Tennessee Williams. 142 00:08:09,920 --> 00:08:15,920 Speaker 2: Obsessed with Tennessee Williams. Do I have a favorite play? Again? 143 00:08:16,000 --> 00:08:17,800 Speaker 2: Let me think about this, because it's been a while. 144 00:08:19,520 --> 00:08:21,360 Speaker 1: You and I were both going back and forth of 145 00:08:21,400 --> 00:08:24,280 Speaker 1: a cat on a hot tin, roof Sweet, bit of Youth, 146 00:08:24,520 --> 00:08:25,200 Speaker 1: You in Sweet, but. 147 00:08:25,480 --> 00:08:29,840 Speaker 2: I was last Menagerie in college. But a favorite play 148 00:08:31,280 --> 00:08:34,040 Speaker 2: to see? I mean that that was the favorite one 149 00:08:34,040 --> 00:08:42,080 Speaker 2: that I was in. I know, I know I have one, 150 00:08:42,080 --> 00:08:44,880 Speaker 2: but I'm feeling like it's not it's not coming to me. 151 00:08:45,240 --> 00:08:47,240 Speaker 2: So let's just pause for a second when I think. 152 00:08:47,120 --> 00:08:50,000 Speaker 1: About the next question is going to be movie, So. 153 00:08:50,320 --> 00:08:53,000 Speaker 2: Oh you've got I've got I've got my my top 154 00:08:53,360 --> 00:08:58,839 Speaker 2: my top movies for sure. But play I really have 155 00:08:58,920 --> 00:09:00,840 Speaker 2: to think about because I know, oh, I know, I mean, 156 00:09:00,880 --> 00:09:03,880 Speaker 2: I've seen so many plays, but now being in New 157 00:09:03,960 --> 00:09:06,880 Speaker 2: Yorker as well, yeah, I mean, there were ones that 158 00:09:06,920 --> 00:09:09,080 Speaker 2: I saw as a kid that were life changing. There 159 00:09:09,080 --> 00:09:10,880 Speaker 2: were ones that I was in, there were ones that 160 00:09:10,920 --> 00:09:20,360 Speaker 2: I've seen. There wasn't allan a play that Alan Alda 161 00:09:20,520 --> 00:09:24,920 Speaker 2: was in that I'm gonna have to look it up, 162 00:09:24,920 --> 00:09:28,560 Speaker 2: but I just remember like weeping uncontrollably because it was 163 00:09:28,640 --> 00:09:32,839 Speaker 2: so moving. But we'll have to look it up. Let 164 00:09:32,840 --> 00:09:34,920 Speaker 2: me let me think about that. The short answer here, 165 00:09:34,960 --> 00:09:36,360 Speaker 2: Ask me that again and I'll just give you the 166 00:09:36,400 --> 00:09:36,920 Speaker 2: short answer. 167 00:09:37,040 --> 00:09:38,920 Speaker 1: Yeah, do you have a favorite ply. 168 00:09:39,440 --> 00:09:44,000 Speaker 2: Favorite play would have to be Glass Menagerie by Tennessee Williams, 169 00:09:44,040 --> 00:09:46,360 Speaker 2: who you and I both love, We both love, and 170 00:09:46,400 --> 00:09:48,440 Speaker 2: I did the play in college, and I read the 171 00:09:48,480 --> 00:09:51,320 Speaker 2: memoir in college and to the state it's my one 172 00:09:51,320 --> 00:09:56,800 Speaker 2: of my favorite books, and named my daughter Tennessee. 173 00:09:56,960 --> 00:10:00,760 Speaker 1: Which that night is ten out of ten out of ten. 174 00:10:01,040 --> 00:10:04,600 Speaker 2: And never And maybe it's because of Tennessee Williams because 175 00:10:04,600 --> 00:10:08,240 Speaker 2: he was so bodacious and creative and brave and wild 176 00:10:08,400 --> 00:10:10,960 Speaker 2: and march to the beat of his own drum. And 177 00:10:11,040 --> 00:10:12,720 Speaker 2: he named himself Tennessee. 178 00:10:13,480 --> 00:10:14,319 Speaker 1: What was his real name? 179 00:10:14,320 --> 00:10:16,160 Speaker 2: I think it was John John Williams. 180 00:10:16,920 --> 00:10:18,439 Speaker 1: Oh I love, Okay, well, we could do a whole 181 00:10:18,480 --> 00:10:20,480 Speaker 1: pot just on Tennessee Williams, because I know how you 182 00:10:20,520 --> 00:10:24,920 Speaker 1: and I feel about that incredible human. What about movies? 183 00:10:24,960 --> 00:10:26,439 Speaker 1: Do you have a top list. 184 00:10:26,320 --> 00:10:37,400 Speaker 2: For me here? Maybe top three? Yeah, give me Shawshank, Redemption, Real, Braveheart, Rell. 185 00:10:38,400 --> 00:10:42,560 Speaker 1: On Golden Pond, Haven't sane, haven't say. 186 00:10:43,880 --> 00:10:49,840 Speaker 2: Well, Yeah, it's it's it's it's daughter father story. It's like, 187 00:10:49,880 --> 00:10:53,280 Speaker 2: there's a lot of it's there's a lot of beauty 188 00:10:53,320 --> 00:10:56,440 Speaker 2: in there, and it's a love story, and it's it's 189 00:10:56,440 --> 00:10:59,160 Speaker 2: one of the greatest I loved. And it's Jane Fonda 190 00:10:59,280 --> 00:11:01,720 Speaker 2: at Her, at Her, you know, at one of her 191 00:11:01,880 --> 00:11:05,480 Speaker 2: many heights. You know, she's been. She's a legend, such 192 00:11:05,520 --> 00:11:06,400 Speaker 2: a legend. 193 00:11:06,440 --> 00:11:11,239 Speaker 1: She got on it at the Yeah, all of your recommendations, 194 00:11:11,280 --> 00:11:14,440 Speaker 1: I take that thanks to you, the telepathy tape. 195 00:11:14,520 --> 00:11:15,160 Speaker 2: Are you upset? 196 00:11:15,400 --> 00:11:16,559 Speaker 1: Yeah, that was all thanks to you. 197 00:11:18,120 --> 00:11:21,240 Speaker 2: Till season two. I know behind this sharing behind the 198 00:11:21,280 --> 00:11:24,599 Speaker 2: scenes about season two, you're gonna freaking. 199 00:11:24,240 --> 00:11:27,840 Speaker 1: Sign me up. My final question for you is, and 200 00:11:27,880 --> 00:11:29,440 Speaker 1: I love this. This is a new addition to the 201 00:11:29,440 --> 00:11:31,520 Speaker 1: hot seats. So the first person that's going to have 202 00:11:31,679 --> 00:11:34,280 Speaker 1: this one, who's the first person you call when you 203 00:11:34,280 --> 00:11:35,239 Speaker 1: get good news? 204 00:11:35,480 --> 00:11:44,120 Speaker 2: Oh? Oh gosh, I have a very supportive circle of 205 00:11:45,360 --> 00:11:49,679 Speaker 2: women in my life, and so it's someone in that 206 00:11:50,080 --> 00:11:53,800 Speaker 2: in that circle, there's about there's a good ten of 207 00:11:53,880 --> 00:11:56,880 Speaker 2: us that are, you know, on a chain group change, 208 00:11:56,920 --> 00:12:01,160 Speaker 2: yeah and so and so it's it's really that circle 209 00:12:01,640 --> 00:12:06,439 Speaker 2: of old friends that we've journeyed through a lot together 210 00:12:06,559 --> 00:12:11,720 Speaker 2: and we have the permission to really celebrate everything together. 211 00:12:12,360 --> 00:12:13,760 Speaker 2: So I would say it's one of the women in 212 00:12:13,800 --> 00:12:14,360 Speaker 2: that circle. 213 00:12:14,920 --> 00:12:17,559 Speaker 1: And I love that that comes full circle back to 214 00:12:18,559 --> 00:12:23,920 Speaker 1: what you're so passionate about, which is these spaces and 215 00:12:24,000 --> 00:12:26,679 Speaker 1: this energy for women's circles. How cool. 216 00:12:27,520 --> 00:12:29,160 Speaker 2: And I want to add one more thing that I 217 00:12:29,160 --> 00:12:34,400 Speaker 2: didn't say earlier is that I experienced it. This women's 218 00:12:34,440 --> 00:12:39,320 Speaker 2: retreat in Mexico is one of the false narratives that 219 00:12:39,600 --> 00:12:43,240 Speaker 2: I heard in circles over and over again, not even 220 00:12:43,280 --> 00:12:45,760 Speaker 2: in circles, just in like meeting new women. It's like, 221 00:12:46,000 --> 00:12:48,720 Speaker 2: it's so hard to meet new women and make new friends. 222 00:12:48,800 --> 00:12:51,760 Speaker 2: And I'm like, no, it's not. Actually, it's not. Like 223 00:12:51,800 --> 00:12:53,960 Speaker 2: you and I are new friends, like I love you, 224 00:12:54,280 --> 00:12:58,880 Speaker 2: we're connected. It's actually easy. We just haven't been given 225 00:12:58,920 --> 00:13:01,800 Speaker 2: the tools or permission to do it. And that's one 226 00:13:01,800 --> 00:13:04,040 Speaker 2: of the things circles does. And that's one of the 227 00:13:04,080 --> 00:13:07,600 Speaker 2: things I love to do, is to allow women to 228 00:13:07,679 --> 00:13:09,880 Speaker 2: fall in love with themselves, to fall in love with 229 00:13:09,920 --> 00:13:12,960 Speaker 2: each other, to fall in love with the world around them, 230 00:13:13,240 --> 00:13:17,199 Speaker 2: to fall in love with their art, their passion. Their 231 00:13:17,280 --> 00:13:23,520 Speaker 2: purpose is just to give them permission. And I experienced 232 00:13:23,520 --> 00:13:27,480 Speaker 2: it this week in Mexico, women that had never met 233 00:13:27,520 --> 00:13:29,600 Speaker 2: each other. By the end of the retreat, we were 234 00:13:29,760 --> 00:13:31,280 Speaker 2: in love with each other. 235 00:13:33,240 --> 00:13:34,960 Speaker 1: As you say that, it feels like that's just how 236 00:13:35,000 --> 00:13:38,880 Speaker 1: it's meant to be, right, it feels like totally natural. 237 00:13:39,240 --> 00:13:44,520 Speaker 2: Yes, yes, thank you, You're welcome. Thank you. 238 00:13:45,120 --> 00:13:48,040 Speaker 1: That was such a joy, my friend, It really was. 239 00:13:48,120 --> 00:13:50,560 Speaker 1: And I cannot wait to see what's next for you 240 00:13:50,600 --> 00:13:53,400 Speaker 1: and celebrate you because you are flipping unreal. 241 00:13:54,040 --> 00:13:55,320 Speaker 2: Thanks, thanks mate. 242 00:13:55,720 --> 00:13:56,319 Speaker 1: Thanks, I pick. 243 00:13:56,720 --> 00:13:59,240 Speaker 2: I'm picking up all the Aussie terms. What was the 244 00:13:59,240 --> 00:14:01,679 Speaker 2: one I learned? Has taught me? Jog on susan? 245 00:14:01,880 --> 00:14:04,880 Speaker 1: Yeah, so many, There's so many funny ones. It is 246 00:14:04,960 --> 00:14:08,959 Speaker 1: like it is so I say to my friends, but 247 00:14:09,040 --> 00:14:10,880 Speaker 1: I'm leaving when I teach yoga here, and when I'm 248 00:14:10,920 --> 00:14:12,880 Speaker 1: leaving the studio, I'm like, all right, I'm off like 249 00:14:12,920 --> 00:14:17,840 Speaker 1: a bride's ninety And they're like, what a fun one. 250 00:14:17,920 --> 00:14:19,680 Speaker 2: I'm off like a bride's nadi. 251 00:14:19,880 --> 00:14:24,000 Speaker 1: Yeah yeah, I'm musing on fast all right. Big love 252 00:14:24,040 --> 00:14:24,440 Speaker 1: my friend. 253 00:14:24,440 --> 00:14:24,840 Speaker 2: I love