1 00:00:00,800 --> 00:00:02,840 Speaker 1: It's a woman Woody podcast meanings. 2 00:00:03,080 --> 00:00:04,760 Speaker 2: But when you're in a rush or just can't be 3 00:00:04,840 --> 00:00:07,160 Speaker 2: bothered listening to them blather on for half an hour, 4 00:00:07,440 --> 00:00:10,879 Speaker 2: we're getting straighted to lost the plot Bueler Will and 5 00:00:10,960 --> 00:00:21,680 Speaker 2: Woody lost plots. Oh, what's so? We love our movies here, 6 00:00:21,680 --> 00:00:25,520 Speaker 2: which don't love controversial topics, and so we don't crack 7 00:00:25,600 --> 00:00:28,240 Speaker 2: straight in the way this works is we describe a 8 00:00:28,280 --> 00:00:29,880 Speaker 2: movie plot really really bad that you guys have to 9 00:00:29,880 --> 00:00:34,080 Speaker 2: guess what the movie is based on that poor plot description. 10 00:00:35,159 --> 00:00:37,320 Speaker 2: You like to get involved here a little bit too much, 11 00:00:37,360 --> 00:00:39,519 Speaker 2: some would say, But that's all right, that's all right. 12 00:00:39,560 --> 00:00:40,400 Speaker 2: You're a competitive man. 13 00:00:40,479 --> 00:00:42,040 Speaker 1: I'm a hurdle for the people listening, you know, and 14 00:00:42,040 --> 00:00:44,239 Speaker 1: they should be good enough to beat me. And they 15 00:00:44,280 --> 00:00:45,200 Speaker 1: have been consistently. 16 00:00:45,280 --> 00:00:47,800 Speaker 2: Yeah, no, they have because you're not much of a hurdle. 17 00:00:47,800 --> 00:00:50,040 Speaker 2: You're more just like a like a curb, you know, 18 00:00:50,120 --> 00:00:51,639 Speaker 2: like it's not much of a step. Yeah. 19 00:00:51,640 --> 00:00:53,280 Speaker 1: Some weeks, I'm good. I'm actually feeling pretty good. I 20 00:00:53,280 --> 00:00:56,360 Speaker 1: watched a movie recently, so I'm in that you know space, 21 00:00:57,400 --> 00:00:58,400 Speaker 1: because you watched the. 22 00:00:58,360 --> 00:00:59,960 Speaker 2: Film what you you mentioned? 23 00:01:00,080 --> 00:01:02,520 Speaker 1: Mind, you want to watch the ninety five filmed you Monday. 24 00:01:02,560 --> 00:01:04,200 Speaker 2: All right, here we go. So this is the plot. 25 00:01:04,240 --> 00:01:09,399 Speaker 2: This is the movie plot. Tuna enthusiast falls out with 26 00:01:09,560 --> 00:01:17,560 Speaker 2: friend over DVD players. Tuna Tuna enthusiast falls out with 27 00:01:17,680 --> 00:01:21,160 Speaker 2: friend over DVD players free Willy. 28 00:01:21,040 --> 00:01:24,560 Speaker 1: Is it to go to a guest for mint? 29 00:01:24,920 --> 00:01:27,400 Speaker 2: No, it's not, it's not. That's a mammal. It's certainly 30 00:01:27,440 --> 00:01:30,039 Speaker 2: not a fish. Six five? You think you know what 31 00:01:30,120 --> 00:01:33,600 Speaker 2: the film is? DVD player, We're gonna lost the plot 32 00:01:33,640 --> 00:01:35,440 Speaker 2: right at next give us call for one. Six five 33 00:01:35,840 --> 00:01:40,080 Speaker 2: enthusiasts falls out with friend of a DVD player from 34 00:01:40,600 --> 00:01:45,760 Speaker 2: willand Woodies. I just felt like running lost plots. What 35 00:01:46,080 --> 00:01:50,200 Speaker 2: we've got here is milky. 36 00:01:50,880 --> 00:01:54,520 Speaker 1: Okay, So I explained a movie plot really poorly, you guys, 37 00:01:54,560 --> 00:01:57,160 Speaker 1: and would he try and guess what the what the 38 00:01:57,200 --> 00:01:57,640 Speaker 1: movie is? 39 00:01:57,640 --> 00:02:03,280 Speaker 2: Based on that plot? Current lot we're working with. Tuna 40 00:02:03,440 --> 00:02:09,000 Speaker 2: enthusiast falls out with friend over DVD players players. 41 00:02:10,480 --> 00:02:12,680 Speaker 1: Now, I don't mean to call you out here, but 42 00:02:12,720 --> 00:02:14,799 Speaker 1: it was player before the song. 43 00:02:14,840 --> 00:02:16,399 Speaker 2: But I won't phone lines. 44 00:02:17,400 --> 00:02:20,240 Speaker 1: I have that phone lines of do you mind if 45 00:02:20,280 --> 00:02:22,240 Speaker 1: I have a crack just before we go to the phones. 46 00:02:23,800 --> 00:02:27,079 Speaker 1: Don't have a choice to No, you don't. George Clooney, 47 00:02:27,120 --> 00:02:30,280 Speaker 1: Mike Wahlburg, Perfect Storm. They're out there fishing for tuna. 48 00:02:30,400 --> 00:02:35,040 Speaker 1: Little known sides plot having a fight over a DVA back. 49 00:02:34,919 --> 00:02:35,880 Speaker 2: On the mainland. 50 00:02:36,120 --> 00:02:39,360 Speaker 1: Okay, very good, Okay, we'll go to Georgia. 51 00:02:39,480 --> 00:02:42,800 Speaker 2: Georgia, sad movie, Perfect Storm. It's nice to touch on 52 00:02:42,840 --> 00:02:44,480 Speaker 2: these things as we moved through. Loss of the plot. 53 00:02:44,480 --> 00:02:47,720 Speaker 2: I mean, but Wallburg floating in the ocean love Forever Baby, 54 00:02:47,760 --> 00:02:48,840 Speaker 2: I mean that that was sad. 55 00:02:48,960 --> 00:02:51,200 Speaker 1: No Wahlburg, Sorry, what Yeah? He does to cloning, goes 56 00:02:51,200 --> 00:02:51,960 Speaker 1: down with the ship. 57 00:02:51,800 --> 00:02:53,239 Speaker 2: Doesn't he pull me up on a plot point on 58 00:02:53,280 --> 00:02:54,840 Speaker 2: a Perfect Storm? Fair enough? 59 00:02:55,160 --> 00:02:58,760 Speaker 1: We've got Georgia here, now Georgia. What movie do you 60 00:02:58,840 --> 00:03:02,760 Speaker 1: think Will's talking about? Click with Adam Sandler in it? 61 00:03:02,880 --> 00:03:05,080 Speaker 2: Oh, not bad? Where's the tuna? Where's the tune of 62 00:03:05,120 --> 00:03:07,359 Speaker 2: Georgia running through it DVD player? We've got the remote. 63 00:03:07,360 --> 00:03:11,720 Speaker 2: Where's the tuna? Isn't there someone that works at the 64 00:03:11,760 --> 00:03:12,840 Speaker 2: aquarium or something? 65 00:03:13,440 --> 00:03:14,400 Speaker 1: Or is that a different Adam? 66 00:03:14,520 --> 00:03:17,520 Speaker 2: That's a different names that's bought. That's fifty first dates 67 00:03:17,520 --> 00:03:20,200 Speaker 2: with the Walrus. He works at the aquarium in that one. Yeah, 68 00:03:20,240 --> 00:03:22,680 Speaker 2: he's got his Walrus friend and you learn that fact 69 00:03:22,720 --> 00:03:27,120 Speaker 2: that Walrus's penis is the largest in proportion to any 70 00:03:27,160 --> 00:03:28,160 Speaker 2: other animal on the planet. 71 00:03:28,240 --> 00:03:31,480 Speaker 1: So right, that's right there you go, Joey, No might Okay, 72 00:03:31,480 --> 00:03:32,919 Speaker 1: we've got to joke. Sure, what else do you want 73 00:03:32,919 --> 00:03:34,320 Speaker 1: to know about Walrus? 74 00:03:34,360 --> 00:03:35,640 Speaker 2: Is about Walros's penises? 75 00:03:35,800 --> 00:03:38,520 Speaker 1: Or no? Nothing? No, Joey, do you want to have 76 00:03:38,520 --> 00:03:41,520 Speaker 1: a guess that's what movie Will is describing? 77 00:03:43,200 --> 00:03:46,360 Speaker 2: Yes, it's just nineteen ninety eight film called Happiness. I 78 00:03:46,360 --> 00:03:48,440 Speaker 2: haven't seen it, Joey, So chances are no. 79 00:03:50,240 --> 00:03:52,000 Speaker 1: I love those writers rooms, so they come with some 80 00:03:52,040 --> 00:03:53,800 Speaker 1: strong names back in those days. 81 00:03:53,840 --> 00:03:56,880 Speaker 2: Just really threw it at everybody. People want to see that. 82 00:03:57,320 --> 00:04:00,680 Speaker 1: I wouldn't mind have another crack brother way Tom Hanks 83 00:04:00,760 --> 00:04:03,160 Speaker 1: cast away, he loved tuna, he was fishing for tuna. 84 00:04:03,240 --> 00:04:07,000 Speaker 1: You talk about a lot in the director's cut and 85 00:04:07,120 --> 00:04:11,720 Speaker 1: throw directorix corect incorrect. 86 00:04:12,440 --> 00:04:13,880 Speaker 2: I'm going to go to Matt, though, because I'm happy 87 00:04:13,880 --> 00:04:19,719 Speaker 2: to say it looks like Maddie's got the answer. Matt 88 00:04:19,800 --> 00:04:23,000 Speaker 2: Tunor enthusiasts falls out with friend over DVD players. What's 89 00:04:23,000 --> 00:04:23,600 Speaker 2: the film. 90 00:04:26,839 --> 00:04:27,119 Speaker 1: About? 91 00:04:29,920 --> 00:04:30,440 Speaker 2: Episode? 92 00:04:32,400 --> 00:04:34,360 Speaker 1: What's the what's the DVD player? 93 00:04:34,400 --> 00:04:37,200 Speaker 2: There? So funnily enough, and this is actually just starting 94 00:04:37,200 --> 00:04:39,880 Speaker 2: to show how dated Fast and Furious is as a 95 00:04:39,880 --> 00:04:44,159 Speaker 2: as a film, and that's what they were stealing from 96 00:04:44,200 --> 00:04:48,960 Speaker 2: the truck was DVD players from the trucks back when 97 00:04:49,040 --> 00:04:52,800 Speaker 2: DVND players were not just junk like they were actually 98 00:04:52,880 --> 00:04:55,440 Speaker 2: really expensive bits of equipment. And Paul Walker at the 99 00:04:55,440 --> 00:04:57,680 Speaker 2: start of the movie, the reason that he actually you know, 100 00:04:57,800 --> 00:05:01,000 Speaker 2: or his screen is because he's into Vin Diesel Sisto, 101 00:05:01,000 --> 00:05:02,600 Speaker 2: who serves the tuna sandwiches at the bar. 102 00:05:02,640 --> 00:05:04,440 Speaker 1: At the first start, right Mattie I made his gun. 103 00:05:04,520 --> 00:05:08,240 Speaker 1: He's just all the movie smoke bombed. He always ordered 104 00:05:08,240 --> 00:05:10,320 Speaker 1: the Turner sandwich, and no one believes that he's there 105 00:05:10,360 --> 00:05:11,520 Speaker 1: for the Turner sandwich. 106 00:05:11,160 --> 00:05:11,800 Speaker 2: Which he wasn't. 107 00:05:12,800 --> 00:05:16,560 Speaker 1: He wanted Vinn's sister and he got it wild romance 108 00:05:16,560 --> 00:05:19,279 Speaker 1: that actually it was a wild romance of a wild romance, 109 00:05:19,279 --> 00:05:20,960 Speaker 1: and himself wasn't it into the Torreto family. 110 00:05:21,000 --> 00:05:23,160 Speaker 2: But it was hard for him, I argue, was out 111 00:05:23,160 --> 00:05:25,120 Speaker 2: of that. Actually, Paul Walker like it was like, you know, 112 00:05:25,320 --> 00:05:27,039 Speaker 2: you're there for the sister, you're there for the cars, 113 00:05:27,200 --> 00:05:28,280 Speaker 2: and then you know what are you there for? 114 00:05:28,279 --> 00:05:28,359 Speaker 1: What? 115 00:05:28,600 --> 00:05:29,560 Speaker 2: He might be there for the whole thing. 116 00:05:29,600 --> 00:05:31,559 Speaker 1: And that's why the movie's went on for nine because 117 00:05:31,560 --> 00:05:33,240 Speaker 1: you have to explain that you know that hole is 118 00:05:33,320 --> 00:05:35,520 Speaker 1: kept being deeper and deeper. Anyway, what's the next plot? 119 00:05:35,600 --> 00:05:36,239 Speaker 2: Right up? Next? 120 00:05:37,120 --> 00:05:39,080 Speaker 1: One of six five? You know the plot? Please, if 121 00:05:39,080 --> 00:05:41,240 Speaker 1: you know the movie, please give us a call. This 122 00:05:41,320 --> 00:05:44,719 Speaker 1: is the plot. Woman is torn between sugar Daddy and 123 00:05:44,800 --> 00:05:48,359 Speaker 1: a dog. Sugar Daddy and dog. 124 00:05:48,720 --> 00:05:50,279 Speaker 2: You might get this woods. I'm gonna give you twenty 125 00:05:50,279 --> 00:05:51,800 Speaker 2: seconds to get sugar. 126 00:05:51,600 --> 00:05:54,760 Speaker 1: Daddy and dog. Uh, not good with my dog movies? 127 00:05:54,800 --> 00:05:59,279 Speaker 1: You know that. You know it's my achilles heel. Yeah, 128 00:05:59,279 --> 00:06:00,840 Speaker 1: fair enough that all. 129 00:06:00,800 --> 00:06:09,600 Speaker 2: Right, we'll go to everybody else, ll handled it? 130 00:06:09,720 --> 00:06:12,719 Speaker 1: True lost plots? 131 00:06:13,680 --> 00:06:19,320 Speaker 2: All right? So I explained a movie plot really badly. 132 00:06:20,120 --> 00:06:22,520 Speaker 2: Based on that plot, you have to guess what the 133 00:06:22,560 --> 00:06:24,560 Speaker 2: film is. Thirty one and six five. If you know 134 00:06:24,600 --> 00:06:27,240 Speaker 2: the movie, give us call it any stage? What is 135 00:06:27,320 --> 00:06:30,360 Speaker 2: merciless here like he'll he'll happily ruin the bit if 136 00:06:30,360 --> 00:06:31,400 Speaker 2: it means he gets it right? 137 00:06:31,480 --> 00:06:32,480 Speaker 1: Seven psychopaths. 138 00:06:33,360 --> 00:06:35,159 Speaker 2: I haven't even said it. I haven't even said the plot. 139 00:06:35,800 --> 00:06:36,960 Speaker 2: Can I say the plot? Yeah? 140 00:06:37,040 --> 00:06:37,640 Speaker 1: Go for it. 141 00:06:38,480 --> 00:06:42,960 Speaker 2: Woman is torn between sugar daddy and a dog. 142 00:06:43,320 --> 00:06:47,200 Speaker 1: Oh woman, oops, you might have. 143 00:06:47,240 --> 00:06:49,279 Speaker 2: To go to Stephanie. Let's go to Stephanie on thirty 144 00:06:49,279 --> 00:06:51,040 Speaker 2: one Stephanie, what's a movie? 145 00:06:51,960 --> 00:06:52,680 Speaker 1: Is it? Annie? 146 00:06:53,600 --> 00:06:58,359 Speaker 2: Any? Is it like the musical? Yeah, it's a little 147 00:06:58,400 --> 00:07:00,679 Speaker 2: girl and her dad's rich. 148 00:07:03,320 --> 00:07:06,920 Speaker 1: Sir, and he doesn't like the dog's torn. 149 00:07:07,880 --> 00:07:10,080 Speaker 2: It's got all the got all the building blocks there. 150 00:07:11,240 --> 00:07:13,760 Speaker 2: It's incorrect, though, Anie, that's definitely. I'm sorry I called 151 00:07:13,800 --> 00:07:17,920 Speaker 2: you Annie as well. Red Dog, Red Dog, red Dog. 152 00:07:18,560 --> 00:07:20,400 Speaker 2: Have you seen that? It's just because he's got a 153 00:07:20,400 --> 00:07:22,840 Speaker 2: dog in it? Yeah? Yeah. Dog movies are your Achilles 154 00:07:22,880 --> 00:07:25,200 Speaker 2: Hill and I thought you were joking before, but they are. 155 00:07:25,480 --> 00:07:27,920 Speaker 1: I don't like them. You don't like dogs, these dogs 156 00:07:27,920 --> 00:07:28,760 Speaker 1: that talk And it's just like. 157 00:07:28,880 --> 00:07:30,000 Speaker 2: Had do you feel about Napoleon? 158 00:07:31,080 --> 00:07:33,640 Speaker 1: Very average film. Pretty cute dog, though very unrealistic. Does 159 00:07:33,680 --> 00:07:36,520 Speaker 1: the cuteness of the dog salvage the plot? Absolutely not. 160 00:07:36,560 --> 00:07:38,520 Speaker 1: If I want a cute dog, I'll look up cute 161 00:07:38,520 --> 00:07:39,240 Speaker 1: dogs on Google. 162 00:07:40,360 --> 00:07:41,320 Speaker 2: We're a big Lassie guy. 163 00:07:41,360 --> 00:07:44,040 Speaker 1: Then I didn't mind Lassie. Now Lassie was all right. 164 00:07:45,200 --> 00:07:47,920 Speaker 1: That's got to Janell and thirty one six, Janell, you 165 00:07:47,960 --> 00:07:50,040 Speaker 1: want to have a go at? Woman is choosing between 166 00:07:50,040 --> 00:07:51,200 Speaker 1: sugar Daddy and dog. 167 00:07:51,280 --> 00:07:53,920 Speaker 2: What's a movie? I'm going to go? I'm going to 168 00:07:53,960 --> 00:07:57,640 Speaker 2: go with Beverly Hills. Duaha, Beverly heels to right now? Janelle? 169 00:07:58,160 --> 00:08:01,240 Speaker 2: How often do you listen to the show every now 170 00:08:01,280 --> 00:08:04,400 Speaker 2: and then? Okay, that's that's that's nice. What do you 171 00:08:04,440 --> 00:08:07,600 Speaker 2: think the chances are that we've seen Beverly Hills Chihuahua. 172 00:08:08,320 --> 00:08:11,120 Speaker 1: Probably slim to none. You're thinking Beverly Hills, there's rich 173 00:08:11,240 --> 00:08:13,800 Speaker 1: sugar daddies and as a dog, that's the best I 174 00:08:13,800 --> 00:08:20,280 Speaker 1: can come up with, going yes, never ending story as 175 00:08:20,280 --> 00:08:22,720 Speaker 1: in foul cause the dog? Yes, who's she? 176 00:08:24,120 --> 00:08:26,680 Speaker 2: Because woman chooses between sugar daddy and a dog? And 177 00:08:26,680 --> 00:08:28,640 Speaker 2: who's the sugar daddy? Have you just gone for another 178 00:08:28,680 --> 00:08:34,040 Speaker 2: dog film? It's not even a dog man? These are there? 179 00:08:36,200 --> 00:08:36,920 Speaker 2: Your achilles? 180 00:08:37,200 --> 00:08:40,160 Speaker 1: It's a great theme song, though you're you're deliberately obscure, though, 181 00:08:40,160 --> 00:08:41,720 Speaker 1: so I'm trying to think outside the box. You know 182 00:08:42,080 --> 00:08:46,040 Speaker 1: one hundred and mon Dalmatians. Mate, you continue, I know that, 183 00:08:46,360 --> 00:08:48,880 Speaker 1: I know that you're going for dog flicks. I know 184 00:08:49,000 --> 00:08:51,840 Speaker 1: you are. You're coming off as week. 185 00:08:52,679 --> 00:08:54,280 Speaker 2: Oh, I don't want that now? Is your friend that 186 00:08:54,280 --> 00:08:56,559 Speaker 2: I need to because there is an obvious answer here, 187 00:08:56,640 --> 00:08:58,840 Speaker 2: Lion King, that's a cat. 188 00:08:59,080 --> 00:09:05,880 Speaker 1: Yeah, let's go oh oh no, come on the movie 189 00:09:05,920 --> 00:09:08,440 Speaker 1: with oh mate, you know, you know he's in all 190 00:09:08,440 --> 00:09:09,720 Speaker 1: the action movies. What's he called. 191 00:09:11,880 --> 00:09:15,400 Speaker 2: Wolf? Or like it's called the Gray? The Gray again? 192 00:09:16,160 --> 00:09:18,760 Speaker 2: Just another dog film. I'm actually starting to get annoyed. 193 00:09:19,160 --> 00:09:23,240 Speaker 2: Let's go to Tilly, Tilly, Tilly A case of the 194 00:09:23,240 --> 00:09:25,720 Speaker 2: plot is woman is torn between sugar daddy and a dog. 195 00:09:25,800 --> 00:09:28,600 Speaker 2: What's the film Twilight? It is? 196 00:09:33,120 --> 00:09:35,760 Speaker 1: Don't don't you look at me smuggling while sipping your tea? 197 00:09:36,120 --> 00:09:39,800 Speaker 2: Who's the sugar Daddy? I will tea? There is nothing 198 00:09:39,840 --> 00:09:43,560 Speaker 2: more satisfactory than you having guessed fifteen films and me 199 00:09:43,800 --> 00:09:46,160 Speaker 2: and then someone coming on and pinning it in one. 200 00:09:46,240 --> 00:09:49,200 Speaker 1: Why is will take another sip for that? You sip 201 00:09:49,200 --> 00:09:51,120 Speaker 1: your I'll talk to Tilly. Tilly talked to me. Why 202 00:09:51,200 --> 00:09:52,400 Speaker 1: is Edward of sugar Daddy? 203 00:09:53,320 --> 00:09:57,800 Speaker 2: Because he's old and he's got like accumulated money. He's wealthy? 204 00:09:58,080 --> 00:09:58,760 Speaker 2: Is he rich? Is he? 205 00:09:58,880 --> 00:09:59,800 Speaker 1: I actually haven't seen the film. 206 00:10:00,000 --> 00:10:03,000 Speaker 2: I think you've been he's so wealthy? Is he really so? 207 00:10:03,160 --> 00:10:03,240 Speaker 1: Like? 208 00:10:03,520 --> 00:10:05,079 Speaker 2: There are vampires that How did he make his cash? 209 00:10:05,120 --> 00:10:06,600 Speaker 1: What was he doing? What was his vocation? He's just 210 00:10:06,600 --> 00:10:08,840 Speaker 1: been alive for thousands of years? Pretty sure he went 211 00:10:08,840 --> 00:10:11,520 Speaker 1: back to school. Last time I did cover it's a cover. 212 00:10:11,640 --> 00:10:12,760 Speaker 1: That's what you did on the side. It was that 213 00:10:12,880 --> 00:10:14,800 Speaker 1: men of the Night making all his catch at night. 214 00:10:15,880 --> 00:10:18,720 Speaker 2: He drives like a mint volvo. When he's there, you go. 215 00:10:18,760 --> 00:10:21,240 Speaker 1: He drives a volvo, clearly not that rich. How many 216 00:10:21,320 --> 00:10:22,119 Speaker 1: rich people. 217 00:10:22,240 --> 00:10:24,960 Speaker 2: He's around, he's sixteen or seventy. 218 00:10:25,360 --> 00:10:27,800 Speaker 1: Was packet rolling around with a volvo? Don't think so? 219 00:10:28,640 --> 00:10:29,240 Speaker 2: Get your plot. 220 00:10:29,320 --> 00:10:29,480 Speaker 1: Drive. 221 00:10:29,720 --> 00:10:32,520 Speaker 2: Hear more of the boys on the Full Show podcast. 222 00:10:33,000 --> 00:10:33,880 Speaker 1: You know you want to