1 00:00:00,480 --> 00:00:04,880 Speaker 1: Jonesy and Amanda in the morning. Remember I did that 2 00:00:05,000 --> 00:00:09,080 Speaker 1: ad with Rebel Wilson. Yeah, and we're in a car together. 3 00:00:09,160 --> 00:00:12,480 Speaker 1: So I was playing her bodyguard and I'm driving her 4 00:00:12,520 --> 00:00:15,040 Speaker 1: car and we're just sort of you know, it takes 5 00:00:15,120 --> 00:00:18,159 Speaker 1: ages to film anything. So I said to her, I said, oh, 6 00:00:18,160 --> 00:00:20,200 Speaker 1: I say, you were on Ellen recently. What was that like? 7 00:00:20,360 --> 00:00:22,720 Speaker 1: And she said, oh, man, let me tell you. And 8 00:00:22,800 --> 00:00:24,480 Speaker 1: then all of a sudden, they said, oh, we're ready 9 00:00:24,520 --> 00:00:26,200 Speaker 1: to go, and oh, you didn't get the news. She said, 10 00:00:26,200 --> 00:00:28,400 Speaker 1: I'll tell you later. And I never got the news, 11 00:00:29,240 --> 00:00:31,360 Speaker 1: and I wanted to get the goss because I'm such 12 00:00:31,360 --> 00:00:35,640 Speaker 1: an Ellen Degeneros fan. I followed her career from when 13 00:00:35,680 --> 00:00:39,040 Speaker 1: she first appeared on Late nine TV as a stand 14 00:00:39,120 --> 00:00:41,360 Speaker 1: up comedian, and then when she had her own TV chop, 15 00:00:41,400 --> 00:00:43,400 Speaker 1: which I thought was funny. They said, come near the 16 00:00:43,400 --> 00:00:45,640 Speaker 1: Ellen chair then and this I watch it every morning 17 00:00:45,640 --> 00:00:47,880 Speaker 1: when I come into the radio station, I sit there 18 00:00:47,960 --> 00:00:50,000 Speaker 1: and she's on the Telly. I just enjoy her. 19 00:00:50,120 --> 00:00:52,120 Speaker 2: Well, then, let me ask you this question. Does it 20 00:00:52,159 --> 00:00:55,120 Speaker 2: matter to you that people are saying there's two prongs here. 21 00:00:55,160 --> 00:00:57,920 Speaker 2: I think people are saying she's not as friendly in 22 00:00:57,960 --> 00:01:00,279 Speaker 2: real life as she is on Telly. They're also saying 23 00:01:00,320 --> 00:01:02,640 Speaker 2: that the workplace is toxic. We'll get to the workplace 24 00:01:02,640 --> 00:01:06,160 Speaker 2: a bit second. But does it matter to you that 25 00:01:06,240 --> 00:01:08,680 Speaker 2: if you bumped into Ellen in the street, she wouldn't 26 00:01:08,720 --> 00:01:11,200 Speaker 2: be what you wanted her to be. That's what this 27 00:01:11,319 --> 00:01:12,720 Speaker 2: is about. I think that's what it is. 28 00:01:12,760 --> 00:01:13,520 Speaker 1: People want it to be. 29 00:01:13,640 --> 00:01:16,080 Speaker 2: Say I want Ellen to be the Ellen she pretends 30 00:01:16,120 --> 00:01:18,119 Speaker 2: to be on telling She's not going to be that. 31 00:01:18,120 --> 00:01:20,720 Speaker 1: That's the thing, and we learned that a lot when 32 00:01:20,720 --> 00:01:25,119 Speaker 1: we interview someone famous, you know, name someone who's famous. 33 00:01:25,160 --> 00:01:28,840 Speaker 2: Harrison Ford, worst interview we've done ever, prickly character brought 34 00:01:28,880 --> 00:01:30,480 Speaker 2: in a book as if we were going to boil 35 00:01:30,480 --> 00:01:31,280 Speaker 2: the pants off him. 36 00:01:31,280 --> 00:01:33,280 Speaker 1: But he warmed to us in the end. But they 37 00:01:33,400 --> 00:01:36,319 Speaker 1: don't they I thought he did maybe warm to me. 38 00:01:37,240 --> 00:01:40,160 Speaker 1: But my point is they don't know you. You know them, 39 00:01:40,600 --> 00:01:42,520 Speaker 1: they don't know you. So we kind of get used 40 00:01:42,520 --> 00:01:46,199 Speaker 1: to that when we interview famous people like Will Ferrell. 41 00:01:46,280 --> 00:01:48,120 Speaker 1: When we talk to him, you want him to be 42 00:01:48,160 --> 00:01:50,480 Speaker 1: your friend. He kind of knows this now and not 43 00:01:50,640 --> 00:01:52,640 Speaker 1: knows this, like we're having a barbecue with him, but 44 00:01:52,840 --> 00:01:53,760 Speaker 1: he go, are you guys? 45 00:01:53,760 --> 00:01:56,400 Speaker 2: I know you go, but still you dream that you'll 46 00:01:56,480 --> 00:01:57,200 Speaker 2: end up as buddies. 47 00:01:57,240 --> 00:01:59,720 Speaker 1: It doesn't happen, and they can be just disinterested. I 48 00:01:59,760 --> 00:02:01,800 Speaker 1: think that's what happens with Ellen. I've just been reading 49 00:02:01,800 --> 00:02:03,760 Speaker 1: stories about Ellen. You know. She might be walking down 50 00:02:03,760 --> 00:02:05,440 Speaker 1: the street and someone will say, oh, Ellen, can I 51 00:02:05,480 --> 00:02:07,200 Speaker 1: get her selfish? She goes, yeah, sure, and they'll say 52 00:02:07,280 --> 00:02:10,120 Speaker 1: you're not dancing. She says, well, no, I don't. I 53 00:02:10,120 --> 00:02:13,000 Speaker 1: don't just dance walking down the street. You know, she 54 00:02:13,280 --> 00:02:15,960 Speaker 1: starts a show with she does that dance with everyone 55 00:02:16,120 --> 00:02:17,160 Speaker 1: that's a rod to her back. 56 00:02:17,280 --> 00:02:18,400 Speaker 2: She must think I'm sixty. 57 00:02:18,600 --> 00:02:20,840 Speaker 1: Yeah, I got to do that all the time. And 58 00:02:21,000 --> 00:02:25,040 Speaker 1: it's like, you know, sometimes to a lesser extent. Sometimes 59 00:02:25,040 --> 00:02:26,600 Speaker 1: when I'm out and someone will come up to me, 60 00:02:26,960 --> 00:02:29,960 Speaker 1: you know, I'll dance and I say, where's your motorbike? 61 00:02:30,360 --> 00:02:31,640 Speaker 1: And I'm it's not. 62 00:02:31,760 --> 00:02:32,519 Speaker 2: She's got a name. 63 00:02:33,480 --> 00:02:35,240 Speaker 1: They'll go, where's Manda, And I said, well, she'd probably 64 00:02:35,240 --> 00:02:36,680 Speaker 1: at home with a family, I would imagine. 65 00:02:36,720 --> 00:02:38,360 Speaker 2: So are you equating your experience to Ellen? 66 00:02:38,720 --> 00:02:41,840 Speaker 1: She's like ten times ten. 67 00:02:42,280 --> 00:02:44,640 Speaker 2: You are bad at Matt's interesting though, isn't it. I 68 00:02:44,680 --> 00:02:47,160 Speaker 2: know what you mean. And also the other prong to 69 00:02:47,240 --> 00:02:50,280 Speaker 2: this is people who've worked with her saying that she's 70 00:02:50,360 --> 00:02:58,079 Speaker 2: all for being nice, but her own workplace is toxic, sexist, homophobic. 71 00:02:59,200 --> 00:03:01,440 Speaker 2: She's a lesbian, that's what it's been. She's been a 72 00:03:01,480 --> 00:03:06,160 Speaker 2: cute that her workplace, but this is the workplace, not her, 73 00:03:06,560 --> 00:03:09,480 Speaker 2: And in her letter to her staff, she said, I 74 00:03:09,560 --> 00:03:11,960 Speaker 2: told everyone in our first meeting that the Ellen DeGeneres 75 00:03:12,040 --> 00:03:15,480 Speaker 2: Show would be a place of happiness. Obviously something has changed, 76 00:03:15,520 --> 00:03:17,760 Speaker 2: and I'm disappointed to learn this has not been the case. 77 00:03:17,800 --> 00:03:19,959 Speaker 2: So she's kind of distancing herself from this. The people 78 00:03:20,000 --> 00:03:23,079 Speaker 2: who are being implicated in this are her producers, and 79 00:03:23,160 --> 00:03:27,160 Speaker 2: so there is the question should she have known if 80 00:03:27,200 --> 00:03:30,160 Speaker 2: she didn't, and if she did know, why hasn't she 81 00:03:30,600 --> 00:03:34,800 Speaker 2: done anything about it. A number of celebrities, not many, 82 00:03:34,920 --> 00:03:36,520 Speaker 2: have come out in her defense. But of course she's 83 00:03:36,560 --> 00:03:38,640 Speaker 2: going to be lovely to people she likes. That's the 84 00:03:38,640 --> 00:03:42,360 Speaker 2: easiest thing in the world. So I don't know how 85 00:03:42,440 --> 00:03:44,840 Speaker 2: damaging this will be. No one has said anything about 86 00:03:44,840 --> 00:03:48,000 Speaker 2: Ellen for years, and everyone has believed that the public 87 00:03:48,080 --> 00:03:49,920 Speaker 2: has that she is who we think she is on 88 00:03:49,960 --> 00:03:52,360 Speaker 2: the Telly and that's hard for her because that can't 89 00:03:52,400 --> 00:03:53,920 Speaker 2: be that. She can't be that twenty four hours a 90 00:03:54,000 --> 00:03:56,760 Speaker 2: day but you scratch the surface and all the stories 91 00:03:56,800 --> 00:04:00,040 Speaker 2: have poured out. She got an waitress sacked because she 92 00:04:00,040 --> 00:04:02,000 Speaker 2: had chip nail polish in the local cafe. 93 00:04:02,160 --> 00:04:02,640 Speaker 1: Is that true? 94 00:04:02,680 --> 00:04:05,000 Speaker 2: She wasn't even an employee of her She complained about 95 00:04:05,000 --> 00:04:05,920 Speaker 2: the nail polish. 96 00:04:05,920 --> 00:04:06,520 Speaker 1: But is that true? 97 00:04:06,560 --> 00:04:08,040 Speaker 2: Well, the waitress tells that story. 98 00:04:08,000 --> 00:04:09,760 Speaker 1: Yeah, but she might be just making that up. 99 00:04:10,400 --> 00:04:12,360 Speaker 2: Well, I can't answer to that. I don't know, but 100 00:04:12,480 --> 00:04:15,920 Speaker 2: I'll be interested to see whether she can come back 101 00:04:15,960 --> 00:04:16,320 Speaker 2: from this. 102 00:04:16,400 --> 00:04:19,040 Speaker 1: Do you think there'll be stories about you from your staff. 103 00:04:19,480 --> 00:04:22,719 Speaker 2: You and your chip now polish? You tell me you've 104 00:04:23,200 --> 00:04:24,320 Speaker 2: quated yourself with Ellen. 105 00:04:24,880 --> 00:04:29,599 Speaker 1: No, I just said she's ten times ten times more 106 00:04:29,640 --> 00:04:32,600 Speaker 1: than me. Joined the and Amanda in the morning one 107 00:04:32,600 --> 00:04:33,599 Speaker 1: point seven. Tell you