1 00:00:00,480 --> 00:00:03,320 Speaker 1: This is the Will and Woody Podcast. 2 00:00:07,120 --> 00:00:10,119 Speaker 2: Brooke Bony Channel Nine's Brook Bony on the Today Show 3 00:00:10,119 --> 00:00:14,360 Speaker 2: every morning, has a genuine obsession with fried chicken and 4 00:00:15,280 --> 00:00:18,200 Speaker 2: we I mean this first came to our attention when 5 00:00:18,280 --> 00:00:21,919 Speaker 2: we were interviewing her probably three or four years ago now, 6 00:00:22,239 --> 00:00:27,080 Speaker 2: and she got a delivery of fried chicken during the interview. 7 00:00:27,680 --> 00:00:31,680 Speaker 3: I'm to take I'm already distructed because my KFC just arrived. 8 00:00:34,080 --> 00:00:35,720 Speaker 2: If you're just joining us, both Brooke and what he 9 00:00:35,760 --> 00:00:37,879 Speaker 2: didn't get the first question, so we're going to move 10 00:00:37,880 --> 00:00:39,800 Speaker 2: on to question two here names. 11 00:00:39,520 --> 00:00:42,519 Speaker 4: Is KFC Quietly Bones Radio. 12 00:00:44,440 --> 00:00:47,280 Speaker 2: So she proceeded to just to eat KFC all the 13 00:00:47,320 --> 00:00:52,040 Speaker 2: way through the interview. Now, recently we had her on 14 00:00:52,280 --> 00:00:53,640 Speaker 2: when I was doing the show with her and you 15 00:00:53,680 --> 00:00:55,840 Speaker 2: were in the Jungle. We had Tony Armstrong on the 16 00:00:55,880 --> 00:01:00,360 Speaker 2: show and she and Tony just got straight into KFC 17 00:01:00,440 --> 00:01:03,040 Speaker 2: chat very quickly. Both foundut they had a passion for it, 18 00:01:03,120 --> 00:01:05,319 Speaker 2: and I mean it just it just exploded. 19 00:01:06,080 --> 00:01:08,200 Speaker 1: What I really want to get across is that we 20 00:01:08,280 --> 00:01:09,440 Speaker 1: love fried chicken. 21 00:01:09,520 --> 00:01:12,399 Speaker 2: Please give me you can just get back to the 22 00:01:12,440 --> 00:01:13,480 Speaker 2: facts of the matter. 23 00:01:15,280 --> 00:01:16,160 Speaker 5: Back to Red Rooster. 24 00:01:18,600 --> 00:01:20,840 Speaker 2: So they kept going and going and going, to the 25 00:01:20,840 --> 00:01:24,280 Speaker 2: point when the next day we Red Rooster heard this 26 00:01:24,640 --> 00:01:26,479 Speaker 2: and they surprised her with a whole bunch of Red 27 00:01:26,520 --> 00:01:30,600 Speaker 2: Rooster merch in the studio. And you have never heard 28 00:01:30,640 --> 00:01:34,920 Speaker 2: a happier person in your life. Have a listen to 29 00:01:35,040 --> 00:01:38,800 Speaker 2: this the people at Red Rooster, you sis have sent 30 00:01:38,880 --> 00:01:51,600 Speaker 2: you too bad. You look like a seven year old 31 00:01:51,680 --> 00:01:53,880 Speaker 2: is come home from the Easter Show. Look at you. 32 00:01:57,280 --> 00:02:00,520 Speaker 4: The bit that gets me she could order to bags 33 00:02:00,640 --> 00:02:05,240 Speaker 4: of chicken. I just yeah, that's totally wild for that reason. Yeah, yeah, 34 00:02:05,280 --> 00:02:09,520 Speaker 4: but shows that she's blindly obsessed with fried chicken, completely. 35 00:02:08,960 --> 00:02:13,160 Speaker 2: Obsessed for that. And I noticed yesterday morning she was 36 00:02:13,200 --> 00:02:15,560 Speaker 2: on the Day Show, which does every morning. She was 37 00:02:15,560 --> 00:02:18,560 Speaker 2: she was reading a news story and she mentioned that 38 00:02:18,680 --> 00:02:22,519 Speaker 2: KFC have got these new mashes or something og Mashies, 39 00:02:22,560 --> 00:02:25,840 Speaker 2: the og mashes anyway, this is her reading out the story. 40 00:02:25,880 --> 00:02:29,000 Speaker 1: Have we They say the Cuisinas Italy cannot be rivled. 41 00:02:29,000 --> 00:02:32,800 Speaker 1: Well risen to the challenge. KFC have this morning confirmed 42 00:02:32,800 --> 00:02:35,639 Speaker 1: they are going back to the future, announcing the return 43 00:02:35,760 --> 00:02:37,400 Speaker 1: of a customerffir. 44 00:02:36,919 --> 00:02:39,440 Speaker 4: Smashies Carl's Pumped, as well as. 45 00:02:43,000 --> 00:02:45,600 Speaker 2: Showing their cards on the Today Show. But look, here's 46 00:02:45,600 --> 00:02:48,400 Speaker 2: what we're going to do because Bones is right for 47 00:02:48,440 --> 00:02:51,320 Speaker 2: the picking and I just think, as you said before 48 00:02:51,320 --> 00:02:53,520 Speaker 2: that I don't think the words were spot onwards her 49 00:02:53,720 --> 00:02:57,880 Speaker 2: blind love of fried chicken. She's just not going to 50 00:02:57,919 --> 00:03:00,720 Speaker 2: smell a rat here. So we've been in touch with 51 00:03:00,760 --> 00:03:04,120 Speaker 2: our agent. We're going to get our agent to call 52 00:03:04,160 --> 00:03:08,919 Speaker 2: her up next and basically say that KFC want her 53 00:03:09,160 --> 00:03:12,400 Speaker 2: to be the face of KFC. You and I are 54 00:03:12,440 --> 00:03:15,480 Speaker 2: going to come up with some slogans that might work. 55 00:03:15,560 --> 00:03:19,120 Speaker 2: We know Brook's name lends itself to a lot of puns. 56 00:03:19,200 --> 00:03:21,880 Speaker 2: Get a chuck with Brooke and I like it already, 57 00:03:22,160 --> 00:03:23,240 Speaker 2: and we're going to see we can get her. 58 00:03:23,280 --> 00:03:23,480 Speaker 6: Guys. 59 00:03:23,520 --> 00:03:26,320 Speaker 2: I think we will have her done and dusted. 60 00:03:27,000 --> 00:03:28,919 Speaker 4: I love that We've got a manager on the phone 61 00:03:29,000 --> 00:03:34,080 Speaker 4: right now. Joanna, Hello, Joanna Hello. Okay, so we've spoken 62 00:03:34,120 --> 00:03:36,160 Speaker 4: to you off air. You know the drill here. This 63 00:03:36,320 --> 00:03:39,520 Speaker 4: is just you calling Brook and effectively pitching this huge 64 00:03:39,600 --> 00:03:42,080 Speaker 4: KFC campaign to her exactly. 65 00:03:42,200 --> 00:03:43,240 Speaker 7: We'll see what she says. 66 00:03:43,760 --> 00:03:45,960 Speaker 2: So, Joanna, you're going to add into the call. We're 67 00:03:45,960 --> 00:03:48,440 Speaker 2: going to sit here. We'll spring the trap and reveal 68 00:03:48,520 --> 00:03:50,120 Speaker 2: that it is a stitch up when we feel she's 69 00:03:50,120 --> 00:03:52,800 Speaker 2: sufficiently sucked in. But the big one here, and I 70 00:03:52,840 --> 00:03:54,880 Speaker 2: think this is what's going to make this call really funny, 71 00:03:55,040 --> 00:03:58,800 Speaker 2: is if you can convince her that KFC have invented 72 00:03:58,880 --> 00:04:02,880 Speaker 2: a name or a slogan which is a pun on 73 00:04:02,920 --> 00:04:06,480 Speaker 2: her name. So yeah, we've shot through a few ideas 74 00:04:06,480 --> 00:04:07,960 Speaker 2: to you. We're not going to tell the audience what 75 00:04:07,960 --> 00:04:10,160 Speaker 2: they are yet. You'll hear them in the core, but 76 00:04:10,360 --> 00:04:12,040 Speaker 2: if you feel up to it, that would be the 77 00:04:12,160 --> 00:04:14,920 Speaker 2: cherry on the cake here sounds good, Okay, if you 78 00:04:14,960 --> 00:04:16,400 Speaker 2: go make good luck, we'll be listening. 79 00:04:21,080 --> 00:04:25,760 Speaker 3: Hello, Hi, Hi, I'm good. I'm just trying to like 80 00:04:25,800 --> 00:04:28,240 Speaker 3: stay awake and not fall asleep. 81 00:04:28,760 --> 00:04:29,360 Speaker 8: Oh my god. 82 00:04:29,400 --> 00:04:34,039 Speaker 7: Basically, it's just a whole ho different animal. 83 00:04:34,520 --> 00:04:36,000 Speaker 3: It was such a great trip. 84 00:04:36,120 --> 00:04:37,000 Speaker 7: That wasn't the bear? 85 00:04:37,360 --> 00:04:37,560 Speaker 9: Oh? 86 00:04:37,600 --> 00:04:40,800 Speaker 3: I have the best time. I just love the past 87 00:04:40,839 --> 00:04:43,920 Speaker 3: and the Furious team as well, Like they're so they're 88 00:04:43,960 --> 00:04:44,920 Speaker 3: so generous. 89 00:04:45,200 --> 00:04:47,960 Speaker 7: Oh cool. So I've got a couple of things to 90 00:04:48,040 --> 00:04:53,960 Speaker 7: run through, kind of a big campaign, my mark and everything. 91 00:04:54,040 --> 00:04:57,440 Speaker 7: But k so you came to us, Oh my god, 92 00:04:58,200 --> 00:05:01,960 Speaker 7: what a dream. They they mentioned that they saw you 93 00:05:02,000 --> 00:05:04,560 Speaker 7: like yesterday, and John and I are talking about the 94 00:05:04,720 --> 00:05:10,080 Speaker 7: Mashie and they're kind of put together this whole campaign, 95 00:05:10,240 --> 00:05:12,640 Speaker 7: like they want you to be the face of it. 96 00:05:14,360 --> 00:05:15,919 Speaker 7: What'll be interested in is that? 97 00:05:16,520 --> 00:05:19,239 Speaker 3: Yes, I would be a love that so much? 98 00:05:19,480 --> 00:05:21,800 Speaker 7: Really okay, yeah, I didn't know. I didn't know to 99 00:05:21,920 --> 00:05:26,400 Speaker 7: be keen. So they want like TV ads, billboards like 100 00:05:26,440 --> 00:05:33,920 Speaker 7: it's pretty pretty big, it's funny, so okay, cool this 101 00:05:34,040 --> 00:05:37,240 Speaker 7: want to engauge like general interest first. So that's good 102 00:05:37,240 --> 00:05:39,800 Speaker 7: to know. I talk about all. 103 00:05:39,680 --> 00:05:43,520 Speaker 3: The time, really okay, And I love it so like 104 00:05:44,040 --> 00:05:47,880 Speaker 3: Will and Woody like I love it all the time. 105 00:05:48,000 --> 00:05:50,320 Speaker 3: I have for like years, So I'm surprised that's taking 106 00:05:50,360 --> 00:05:53,960 Speaker 3: them this long to get me to the sound on the. 107 00:05:54,120 --> 00:05:55,479 Speaker 7: Thing was just the last story. 108 00:05:55,600 --> 00:05:57,800 Speaker 3: They must have been listening. Yeah, I must come up 109 00:05:57,839 --> 00:05:59,440 Speaker 3: in their media alerts or something like that. 110 00:06:01,000 --> 00:06:04,919 Speaker 7: Hey, they sent the a few like potential slogans like 111 00:06:04,960 --> 00:06:06,560 Speaker 7: it was this big pitch. They wanted to see what 112 00:06:06,560 --> 00:06:11,120 Speaker 7: we thought. So it was like have a chilkoot brook 113 00:06:13,160 --> 00:06:16,880 Speaker 7: finger brooking good with like your head on like a 114 00:06:17,000 --> 00:06:19,680 Speaker 7: chicken wing or like a drumstick or something. 115 00:06:20,279 --> 00:06:23,000 Speaker 3: Okay, I don't love that one as must Okay, that's 116 00:06:23,000 --> 00:06:23,400 Speaker 3: all right. 117 00:06:23,320 --> 00:06:27,360 Speaker 7: We can workshop it cho break. I know it's better, 118 00:06:27,360 --> 00:06:30,799 Speaker 7: isn't it? Or like, eat it down to the brook Bony. 119 00:06:33,560 --> 00:06:38,040 Speaker 7: Oh my god, it feels like a Frank. 120 00:06:37,680 --> 00:06:39,919 Speaker 3: I think the first one is definitely my favorite. 121 00:06:40,320 --> 00:06:42,359 Speaker 7: Have a chick wood Brook Yeah, same. 122 00:06:44,000 --> 00:06:45,120 Speaker 2: We also love to have. 123 00:06:47,560 --> 00:06:50,640 Speaker 3: You guys. 124 00:06:51,120 --> 00:06:51,559 Speaker 4: I can't. 125 00:06:54,040 --> 00:06:54,560 Speaker 2: I love it. 126 00:06:54,680 --> 00:06:56,960 Speaker 4: This is a dream come true. Of all the phone 127 00:06:57,000 --> 00:06:59,720 Speaker 4: calls you could have received from your manager, this is 128 00:06:59,760 --> 00:07:00,880 Speaker 4: a dream come true. 129 00:07:02,360 --> 00:07:04,720 Speaker 7: God, that was so cruel. 130 00:07:07,640 --> 00:07:11,840 Speaker 2: Me. That's my favorite line because we. 131 00:07:11,720 --> 00:07:12,920 Speaker 10: Were talking about it. 132 00:07:13,040 --> 00:07:19,360 Speaker 4: I'd myself, You've just flown to Italy to interview like 133 00:07:19,400 --> 00:07:21,760 Speaker 4: all these incredible people in Fast and the Furious ten. 134 00:07:22,160 --> 00:07:25,160 Speaker 4: But this is a dream come true being the face 135 00:07:25,200 --> 00:07:25,800 Speaker 4: of KMC. 136 00:07:28,480 --> 00:07:31,800 Speaker 2: My god, God, Joanna, I hate you. 137 00:07:31,760 --> 00:07:36,560 Speaker 7: Guys, I hate you. I hate you once in my life. 138 00:07:36,640 --> 00:07:39,360 Speaker 3: I was like, oh my god, this works. I've been 139 00:07:39,360 --> 00:07:41,640 Speaker 3: talking about KFI years finally. 140 00:07:42,440 --> 00:07:44,760 Speaker 4: And you instantly love the first one. Have a chalk 141 00:07:44,840 --> 00:07:45,320 Speaker 4: with Brook. 142 00:07:45,400 --> 00:07:48,880 Speaker 3: You're like, these were joking broken good. I was like, 143 00:07:48,880 --> 00:07:50,440 Speaker 3: that's the sexual. 144 00:07:52,200 --> 00:07:53,880 Speaker 4: Because there was a line there to know there was 145 00:07:53,920 --> 00:07:56,920 Speaker 4: a line there, broke for you selling yourself to KFC. 146 00:07:58,600 --> 00:08:01,760 Speaker 2: Oh my god, Joanna, come round of a pause for Joanna. 147 00:08:01,880 --> 00:08:09,240 Speaker 2: That was absolutely that was amazing, Joanna. That was unbelievable. 148 00:08:10,120 --> 00:08:11,960 Speaker 7: I was so nervous, you're going to smell a rat. 149 00:08:12,080 --> 00:08:14,000 Speaker 2: We'll let you get some rest or whatever. I have 150 00:08:14,000 --> 00:08:18,080 Speaker 2: a lovely I love it here voice Brooke, Thanks, Joey Bye. 151 00:08:18,920 --> 00:08:19,960 Speaker 11: It's Will and Woody. 152 00:08:20,520 --> 00:08:30,040 Speaker 2: Did you have an awful first kiss? Best? Nice? We're 153 00:08:30,080 --> 00:08:33,480 Speaker 2: talking best worst first kisses? And if you can beat 154 00:08:33,520 --> 00:08:35,760 Speaker 2: my story yesterday? My story yesday. You only hear the 155 00:08:35,800 --> 00:08:37,520 Speaker 2: full thing in on the podcast, but it was my 156 00:08:37,600 --> 00:08:40,560 Speaker 2: first kiss with my partner Sam, and it was obviously 157 00:08:40,840 --> 00:08:43,360 Speaker 2: so bad that she didn't remember it. And then I 158 00:08:43,360 --> 00:08:46,720 Speaker 2: spent the whole next day thinking that she hated me. 159 00:08:46,760 --> 00:08:48,160 Speaker 2: But she turns she just didn't remember it. 160 00:08:48,200 --> 00:08:50,320 Speaker 4: So I ask you this. So, yeah, you're the only 161 00:08:50,360 --> 00:08:52,200 Speaker 4: one out of the two of you who can remember it. Obviously, 162 00:08:52,400 --> 00:08:54,240 Speaker 4: so was it a bad It wasn't thomaculate. 163 00:08:54,280 --> 00:08:57,080 Speaker 2: It was unbelievable, clearly a good kiss. You've kissed been beful. 164 00:08:57,280 --> 00:08:58,000 Speaker 4: You are a good kiss. 165 00:08:58,040 --> 00:09:01,800 Speaker 2: Thank you? So I dare you? 166 00:09:02,480 --> 00:09:04,880 Speaker 4: Event second, I thought maybe you got nervous or something. 167 00:09:04,920 --> 00:09:07,959 Speaker 4: I don't know, but we might get junior producer Ab 168 00:09:08,120 --> 00:09:10,680 Speaker 4: to share a story. Maybe not no pressure, but let's 169 00:09:10,679 --> 00:09:14,120 Speaker 4: go to Glenn first. On thirteen six, Felt. 170 00:09:13,600 --> 00:09:15,880 Speaker 2: The Heat Today ab I tell you what is felt. 171 00:09:15,880 --> 00:09:16,160 Speaker 2: The heat. 172 00:09:16,200 --> 00:09:17,800 Speaker 4: There's no pressure, absolutely not. 173 00:09:18,559 --> 00:09:19,079 Speaker 2: Glenn. 174 00:09:19,559 --> 00:09:22,400 Speaker 4: What was your terrible first kiss story? 175 00:09:23,240 --> 00:09:23,680 Speaker 5: How are you? 176 00:09:23,720 --> 00:09:26,600 Speaker 12: Boys? I was at a football presentation. I was about fourteen. 177 00:09:26,720 --> 00:09:30,040 Speaker 12: I had maybe one dame and I'm looking up with 178 00:09:30,120 --> 00:09:32,520 Speaker 12: this young girl and I was giving her a big 179 00:09:32,600 --> 00:09:35,520 Speaker 12: kiss outside the presentation and I was up there four 180 00:09:35,559 --> 00:09:38,599 Speaker 12: steps and I end up falling off the steps and 181 00:09:38,720 --> 00:09:42,679 Speaker 12: ended up in hospital. I'm looking to kill out. I 182 00:09:42,679 --> 00:09:43,840 Speaker 12: don't know if that's worse. 183 00:09:45,040 --> 00:09:51,040 Speaker 2: Glenn, because you because when you're in the lockjaw, when 184 00:09:51,040 --> 00:09:53,520 Speaker 2: you're in the locked jaw, like yeah, you are very 185 00:09:53,559 --> 00:09:55,640 Speaker 2: unaware of what's going on around you because your eyes 186 00:09:55,679 --> 00:09:58,240 Speaker 2: are closed, ruying, Yes, your eyes are closed. 187 00:09:58,600 --> 00:10:01,000 Speaker 4: Yeah, I've heard some people will keep the eyes open. 188 00:10:01,480 --> 00:10:03,240 Speaker 2: Yeah. I used to be an eye open guy. 189 00:10:03,400 --> 00:10:06,000 Speaker 4: You are kidding, Yeah, that's that for me? Is like 190 00:10:06,160 --> 00:10:06,560 Speaker 4: right off. 191 00:10:06,559 --> 00:10:08,520 Speaker 2: I think like I need someone needed to tell me 192 00:10:08,600 --> 00:10:11,320 Speaker 2: that when I was much younger, but they were like 193 00:10:11,559 --> 00:10:12,120 Speaker 2: close your eyes. 194 00:10:12,320 --> 00:10:14,400 Speaker 4: Come, let's let's put that down. But okay, I feel 195 00:10:14,440 --> 00:10:15,640 Speaker 4: like I need to talk to you more about this 196 00:10:15,640 --> 00:10:18,160 Speaker 4: tomorrow or saying, because I just find that so off 197 00:10:18,200 --> 00:10:21,000 Speaker 4: and there's still people out there that do it. Right off, 198 00:10:21,440 --> 00:10:22,200 Speaker 4: let's go to Charlie. 199 00:10:22,280 --> 00:10:24,679 Speaker 2: It is kind of nice to see somebody else's eyes 200 00:10:24,679 --> 00:10:27,400 Speaker 2: closed enjoying it so much, though, selfish. Have you ever 201 00:10:27,440 --> 00:10:29,720 Speaker 2: had a peak? Peak? 202 00:10:29,800 --> 00:10:32,480 Speaker 4: Obviously people who glass. 203 00:10:32,280 --> 00:10:34,439 Speaker 2: Houses come through cause your peaks a great thing. Is 204 00:10:34,520 --> 00:10:38,080 Speaker 2: he somebody enjoying a kiss? It's lovely you're giving that. 205 00:10:38,280 --> 00:10:40,160 Speaker 4: Lose yourself to it, you know, close your eyes. Let's 206 00:10:40,160 --> 00:10:46,280 Speaker 4: go to Charlie here, Charlie, mate, Yeah, you kissed your 207 00:10:46,440 --> 00:10:48,560 Speaker 4: your crash at school and it didn't go too well. 208 00:10:48,320 --> 00:10:53,440 Speaker 13: Mate, which is it was a truth there and it 209 00:10:53,520 --> 00:10:56,079 Speaker 13: was under pressure and we went in for a kiss 210 00:10:56,080 --> 00:10:57,440 Speaker 13: and he bunked heads. 211 00:11:00,200 --> 00:11:04,000 Speaker 2: Ever know how many kids were watching, Charlie. 212 00:11:04,840 --> 00:11:07,960 Speaker 7: My whole group of friends and was about five people. 213 00:11:08,720 --> 00:11:09,959 Speaker 2: Where'd you hit him? Did you hit him on the 214 00:11:10,000 --> 00:11:12,920 Speaker 2: schnods or was it like just a reciprocal forward number. 215 00:11:13,559 --> 00:11:18,600 Speaker 4: Just on the Did you get a second kiss though, Charlie? 216 00:11:19,440 --> 00:11:21,200 Speaker 7: Yeah, we did. 217 00:11:22,920 --> 00:11:24,080 Speaker 4: Learned from your misstakes. 218 00:11:24,120 --> 00:11:27,360 Speaker 2: That's the key, that great work. All right, final one 219 00:11:27,440 --> 00:11:31,720 Speaker 2: here we're talking worst best worst first kisses. Rob's happened 220 00:11:31,760 --> 00:11:32,439 Speaker 2: in primary school. 221 00:11:32,760 --> 00:11:36,600 Speaker 14: Yeah, so my best worst kiss would have been buck. 222 00:11:36,600 --> 00:11:40,920 Speaker 14: In primary school there was a girl named Kylie. Yeah, 223 00:11:41,640 --> 00:11:43,640 Speaker 14: and we're sitting there and we're riding the moment, just 224 00:11:43,720 --> 00:11:48,200 Speaker 14: about just about to start smirching away. Next thing I know, 225 00:11:48,240 --> 00:11:50,839 Speaker 14: I'll get a massive tickle in my nose and I've 226 00:11:51,360 --> 00:11:54,200 Speaker 14: lunched forward at her. I go straight the nose and 227 00:11:54,240 --> 00:11:55,840 Speaker 14: her noses exploded with blood. 228 00:11:56,160 --> 00:12:01,480 Speaker 4: Oh feed income hit But is. 229 00:12:00,480 --> 00:12:02,319 Speaker 14: Is that usually what break with my forehead? 230 00:12:02,880 --> 00:12:05,080 Speaker 4: Like? And you had a tickle in your nose, just 231 00:12:05,280 --> 00:12:07,199 Speaker 4: sneeze like a human being, man. 232 00:12:08,880 --> 00:12:11,120 Speaker 14: Yeah, out of nowhere, the tickle just started climbing in 233 00:12:11,160 --> 00:12:14,480 Speaker 14: my nose and form it all went wrong from there? 234 00:12:14,520 --> 00:12:15,360 Speaker 2: Do you break your nose? 235 00:12:15,440 --> 00:12:15,520 Speaker 9: Like? 236 00:12:15,520 --> 00:12:16,160 Speaker 2: We're sure all right? 237 00:12:17,920 --> 00:12:20,280 Speaker 14: I don't think it broke. It just sort of came 238 00:12:20,280 --> 00:12:21,600 Speaker 14: into a sudden nosebleeds. 239 00:12:21,880 --> 00:12:27,200 Speaker 2: Oh we're two head not onto the schnoz stories in 240 00:12:27,200 --> 00:12:27,880 Speaker 2: a row there. 241 00:12:27,840 --> 00:12:30,160 Speaker 4: And I people do get too excited, I reckon. My 242 00:12:30,240 --> 00:12:32,680 Speaker 4: worst kisses have been when you go you go too hard, 243 00:12:32,679 --> 00:12:33,319 Speaker 4: you get too excited. 244 00:12:33,320 --> 00:12:35,559 Speaker 2: You need the head butted somebody into a nosebleed. You're 245 00:12:35,559 --> 00:12:36,400 Speaker 2: going for their lips. 246 00:12:36,400 --> 00:12:38,880 Speaker 4: No, that's far too aggressive. But I've often had that 247 00:12:38,880 --> 00:12:41,000 Speaker 4: that nose crushed, you know, and your nose goes and 248 00:12:41,040 --> 00:12:41,640 Speaker 4: it gets. 249 00:12:41,400 --> 00:12:43,200 Speaker 2: All yeah, yeah, yeah, one hundred percent. 250 00:12:43,240 --> 00:12:44,920 Speaker 4: I've got a pretty big snows Yeah you do. 251 00:12:44,960 --> 00:12:45,800 Speaker 2: It's how to get out of the way. 252 00:12:45,840 --> 00:12:51,240 Speaker 4: That absolutely? Yeah. And now ab junior producer, are you 253 00:12:51,280 --> 00:12:56,199 Speaker 4: did you want to share your first nat? Absolutely? 254 00:12:57,080 --> 00:12:59,440 Speaker 2: This is the one of the family wedding. 255 00:12:59,760 --> 00:13:00,480 Speaker 4: Yeah. 256 00:13:00,600 --> 00:13:02,600 Speaker 15: Yeah, so I was a family fifty years. 257 00:13:03,640 --> 00:13:05,360 Speaker 2: She's joined she's joined them. 258 00:13:05,360 --> 00:13:09,280 Speaker 15: Was there? Yeah? And so I had had a few 259 00:13:09,360 --> 00:13:11,400 Speaker 15: lemonades and we were on the dance floor and it 260 00:13:11,440 --> 00:13:15,959 Speaker 15: had been very wet rain all day. 261 00:13:16,480 --> 00:13:19,800 Speaker 4: Anyway, we decided that we'd. 262 00:13:19,559 --> 00:13:23,480 Speaker 15: Have a little smooch and as we were kissing, my 263 00:13:23,679 --> 00:13:26,640 Speaker 15: feet got really slippery on the dance floor and I 264 00:13:26,679 --> 00:13:27,880 Speaker 15: absolutely stacked it. 265 00:13:28,000 --> 00:13:29,199 Speaker 4: Hence the mac and Stack. 266 00:13:32,960 --> 00:13:36,520 Speaker 2: Now, there is great footage of the mac and Stack. 267 00:13:37,520 --> 00:13:41,520 Speaker 2: There is great footage and I can't make that that's 268 00:13:41,559 --> 00:13:42,000 Speaker 2: totally fair. 269 00:13:43,280 --> 00:13:44,720 Speaker 4: We pushed that baron. 270 00:13:47,679 --> 00:13:52,199 Speaker 2: More. After this, it's Will and Woody. It's a new 271 00:13:52,360 --> 00:13:55,400 Speaker 2: edition a show that's coming to this network where its Joy. 272 00:14:01,520 --> 00:14:04,240 Speaker 2: Dave Wenham joins us to celebrate something new coming to 273 00:14:04,240 --> 00:14:07,520 Speaker 2: the ABC. How are you mate? 274 00:14:07,920 --> 00:14:08,319 Speaker 3: Good? 275 00:14:08,520 --> 00:14:11,440 Speaker 4: I hope you're okay with the commercial radio spin we've 276 00:14:11,480 --> 00:14:13,760 Speaker 4: put on the ABC theme there, David. 277 00:14:13,720 --> 00:14:16,040 Speaker 5: Well, it sounded magnificent work from what I could hear, 278 00:14:16,080 --> 00:14:19,520 Speaker 5: I heard about one second every two seconds. It was 279 00:14:19,560 --> 00:14:21,880 Speaker 5: in and out, So hopefully it'll be in for the 280 00:14:21,920 --> 00:14:22,960 Speaker 5: rest of our little chats. 281 00:14:23,320 --> 00:14:23,720 Speaker 2: Hopefully. 282 00:14:23,880 --> 00:14:26,680 Speaker 4: Yeah, I just know if we're dropping out more? Are 283 00:14:26,720 --> 00:14:28,520 Speaker 4: you picking up on every word we're saying. 284 00:14:28,280 --> 00:14:30,520 Speaker 5: Now every third word and I'm putting it together? Oh, 285 00:14:30,560 --> 00:14:32,880 Speaker 5: I've got every word, so I'll let you know otherwise. 286 00:14:33,080 --> 00:14:34,000 Speaker 4: Okay, perfect. 287 00:14:35,280 --> 00:14:39,320 Speaker 2: So the second season of the ABC of As tonight 288 00:14:39,600 --> 00:14:42,560 Speaker 2: eight o'clock on ABC TV and ABC I view as well. 289 00:14:42,560 --> 00:14:44,600 Speaker 2: People can catch up on it so people aren't cross this. 290 00:14:44,720 --> 00:14:48,760 Speaker 2: The concept is that you bring back prominent ausies and 291 00:14:48,800 --> 00:14:51,240 Speaker 2: then make them sort of like relive parts of their 292 00:14:51,240 --> 00:14:54,200 Speaker 2: life with footage from the ABC archives. 293 00:14:54,600 --> 00:14:57,720 Speaker 4: I saw some amazing footage you dug up of Julia Gillard. 294 00:14:58,320 --> 00:15:02,640 Speaker 4: It was her nine teen years old at UNI. There 295 00:15:02,720 --> 00:15:04,800 Speaker 4: was just like a vox pop thing going on, and 296 00:15:05,400 --> 00:15:07,560 Speaker 4: it really was extraordinary. We have and see the look 297 00:15:07,600 --> 00:15:10,720 Speaker 4: that she was going with when she was nineteen years old. 298 00:15:10,720 --> 00:15:14,880 Speaker 4: But within your illustrious career, is there a particular piece 299 00:15:14,920 --> 00:15:18,400 Speaker 4: of footage that you're concerned will be one day dug up? 300 00:15:18,760 --> 00:15:21,440 Speaker 5: Yes, there's more. There's more than one. There's quite a 301 00:15:21,440 --> 00:15:23,480 Speaker 5: few do you want Do you want to share one? 302 00:15:23,520 --> 00:15:24,680 Speaker 4: Do you want to share one with me? 303 00:15:24,760 --> 00:15:27,560 Speaker 5: David, I've got to be honest. I don't. 304 00:15:29,040 --> 00:15:29,400 Speaker 3: Up on that. 305 00:15:29,920 --> 00:15:32,320 Speaker 5: It pops up on YouTube and I'm just thinking you 306 00:15:32,560 --> 00:15:36,880 Speaker 5: for you're serious? Yeah, No, there's some. There's a bit 307 00:15:37,000 --> 00:15:39,680 Speaker 5: south there. I think every every actor has a few 308 00:15:39,720 --> 00:15:40,040 Speaker 5: of those. 309 00:15:40,320 --> 00:15:42,400 Speaker 2: Yeah, particularly because you were in Lord of the Rings 310 00:15:42,400 --> 00:15:45,920 Speaker 2: as well, like you feature. Like I send a lot 311 00:15:45,920 --> 00:15:47,760 Speaker 2: of Lord of the Rings memes to my brothers and 312 00:15:47,840 --> 00:15:49,480 Speaker 2: you would be in a number of them. 313 00:15:49,680 --> 00:15:51,920 Speaker 5: Oh okay, what am I doing in those memes? 314 00:15:52,360 --> 00:15:56,040 Speaker 2: Well, it's largely the bit where you're the steward of 315 00:15:56,080 --> 00:16:02,239 Speaker 2: gondor your dad Jennifer trying to burn me alive, Yes, exactly, 316 00:16:02,520 --> 00:16:04,680 Speaker 2: and he's dragging you out and covering you in oil. 317 00:16:05,040 --> 00:16:09,240 Speaker 5: Yeah, that's right, that's right. And I remember that scene 318 00:16:09,320 --> 00:16:11,800 Speaker 5: very well actually when he put me on a funeral 319 00:16:11,880 --> 00:16:15,000 Speaker 5: pile of sticks and then put that's right, and then 320 00:16:15,040 --> 00:16:17,160 Speaker 5: you know it was over. Many poured a jug of 321 00:16:17,160 --> 00:16:20,400 Speaker 5: oil on me before he ignited me, and yes, he 322 00:16:20,520 --> 00:16:23,320 Speaker 5: put and it was real oil. It was an oil 323 00:16:23,640 --> 00:16:26,160 Speaker 5: uncomfortable days I've ever had, and it was going into 324 00:16:26,160 --> 00:16:27,800 Speaker 5: my eyes and I remember. 325 00:16:27,640 --> 00:16:30,880 Speaker 2: You're coughing and spluttering, and but then you're saying that's real. 326 00:16:32,160 --> 00:16:32,320 Speaker 15: Ah. 327 00:16:32,440 --> 00:16:34,400 Speaker 5: Yeah, I had red eye for about two weeks after 328 00:16:34,440 --> 00:16:34,960 Speaker 5: that scene. 329 00:16:36,320 --> 00:16:38,640 Speaker 4: Was that? Sorry, David? That was that a choice? 330 00:16:39,840 --> 00:16:39,880 Speaker 2: Was? 331 00:16:40,720 --> 00:16:43,200 Speaker 5: It wasn't my choice? No, that wasn't my choice. 332 00:16:43,320 --> 00:16:44,440 Speaker 4: Sow was it the. 333 00:16:44,400 --> 00:16:46,760 Speaker 5: Same as being dragged dragged by a horse on that 334 00:16:46,840 --> 00:16:49,560 Speaker 5: film as well? And they literally strapped one of my 335 00:16:49,600 --> 00:16:54,200 Speaker 5: feet to the stirrup of my horse and entrusted the 336 00:16:54,240 --> 00:16:58,680 Speaker 5: horse to just walk back into the into Gondor without 337 00:17:00,120 --> 00:17:00,560 Speaker 5: being you. 338 00:17:00,480 --> 00:17:06,200 Speaker 2: Know, after after you Attackles Gilliath, you get absolutely to 339 00:17:06,200 --> 00:17:06,840 Speaker 2: get a stun. 340 00:17:06,680 --> 00:17:10,960 Speaker 5: Person to do that, just in keep the horse spooks. No, No, 341 00:17:11,040 --> 00:17:13,480 Speaker 5: that that was me very brave. 342 00:17:13,600 --> 00:17:15,520 Speaker 4: When did they tell you about that, David? Did they 343 00:17:15,560 --> 00:17:16,960 Speaker 4: tell you that like on the day of filming, like 344 00:17:17,040 --> 00:17:19,320 Speaker 4: someone knocks at your door in the here and goes 345 00:17:19,560 --> 00:17:20,840 Speaker 4: you know, David, you know much that? 346 00:17:21,400 --> 00:17:22,880 Speaker 5: No, not even then. It was when I was lying 347 00:17:22,920 --> 00:17:24,480 Speaker 5: on the ground and my foot was being strapped to 348 00:17:24,520 --> 00:17:27,159 Speaker 5: the step, so that that's when I knew what I 349 00:17:27,200 --> 00:17:33,760 Speaker 5: was doing. Yet dispensable any Way, we digress, we. 350 00:17:33,320 --> 00:17:34,119 Speaker 8: We do, we do. 351 00:17:34,480 --> 00:17:38,160 Speaker 2: Sorry, we are talking about the I've got so many 352 00:17:38,240 --> 00:17:40,439 Speaker 2: questions about that, but we will go we will go 353 00:17:40,640 --> 00:17:43,480 Speaker 2: back to the A, B C of new episodes every Tuesday. 354 00:17:43,960 --> 00:17:46,280 Speaker 2: Very very excited, mate. So one of the questions I 355 00:17:46,280 --> 00:17:48,960 Speaker 2: wanted to ask you was probably the most shocking or 356 00:17:49,800 --> 00:17:52,320 Speaker 2: unearthing footage that you managed to show one of the guests. 357 00:17:52,359 --> 00:17:55,720 Speaker 5: Okay, one of my favorite bitch is in Ian Chapel episode, 358 00:17:55,760 --> 00:17:57,760 Speaker 5: and he was a hero to me when I was 359 00:17:57,760 --> 00:17:59,880 Speaker 5: growing up. He was like in Prickening God. But there's 360 00:17:59,880 --> 00:18:03,800 Speaker 5: a there's amazing footage in his episode from the seventies 361 00:18:04,440 --> 00:18:06,720 Speaker 5: and what people could get away with back then. The 362 00:18:06,920 --> 00:18:10,000 Speaker 5: footage of the crowd's going to the mcg all the 363 00:18:10,000 --> 00:18:13,720 Speaker 5: guys and their stubbies, bongs, T shirt and over their 364 00:18:13,720 --> 00:18:17,560 Speaker 5: shoulders the foam eski and there's the voiceover that accompanies 365 00:18:17,600 --> 00:18:20,720 Speaker 5: it and this is a cracker and it's real, And 366 00:18:20,760 --> 00:18:23,399 Speaker 5: the voiceover goes something along the lines of and today 367 00:18:23,520 --> 00:18:26,000 Speaker 5: is the first day where patrons can only take twenty 368 00:18:26,080 --> 00:18:33,359 Speaker 5: four cans of fear into the oval. Well, it's outrageous, 369 00:18:33,359 --> 00:18:35,280 Speaker 5: only twenty four cans of beer. 370 00:18:35,640 --> 00:18:36,440 Speaker 2: Yeah, I love that. 371 00:18:36,520 --> 00:18:36,920 Speaker 4: Goodness. 372 00:18:36,960 --> 00:18:41,360 Speaker 2: The ABC OS is tonight eight o'clock on ABC TV, 373 00:18:41,640 --> 00:18:45,480 Speaker 2: and I view great stuff. Mate, Thank you so much 374 00:18:45,520 --> 00:18:48,679 Speaker 2: for the chat. Really really appreciate it, and all the 375 00:18:48,680 --> 00:18:50,080 Speaker 2: best with the show tonight on the ABC. 376 00:18:50,480 --> 00:18:52,800 Speaker 5: Good on you. Thanks Will, Thanks Woody, cheers going. 377 00:18:52,720 --> 00:18:56,560 Speaker 2: Thanks us, David. It's Will and Woody. Hey Woods. I 378 00:18:56,600 --> 00:19:00,639 Speaker 2: want to talk about as really unfortunately some pranks of 379 00:19:00,640 --> 00:19:03,000 Speaker 2: ours recently. I want to get behind the curtain there 380 00:19:03,000 --> 00:19:05,720 Speaker 2: because we have got a bank catalog, guys, and you've 381 00:19:05,720 --> 00:19:08,359 Speaker 2: got to remember that in order for us to play 382 00:19:08,359 --> 00:19:11,000 Speaker 2: any audio on the airways, after we speak to somebody, 383 00:19:11,000 --> 00:19:13,240 Speaker 2: we do need their permission, which. 384 00:19:13,080 --> 00:19:16,600 Speaker 4: Is a tough question. Sometimes after branking someone. 385 00:19:16,320 --> 00:19:18,919 Speaker 2: After you've completely pants someone and. 386 00:19:19,040 --> 00:19:20,800 Speaker 4: Potentially a little bit angry, maybe their ego is a 387 00:19:20,840 --> 00:19:22,240 Speaker 4: bit bruised, and then all of a sudden we have 388 00:19:22,280 --> 00:19:22,760 Speaker 4: to say. 389 00:19:22,560 --> 00:19:25,280 Speaker 2: Hey, yeah, do you mind if we play that one 390 00:19:25,280 --> 00:19:28,120 Speaker 2: on the radio to a national audience. Yeah, it's often tough. 391 00:19:28,160 --> 00:19:29,800 Speaker 2: It's often hard to get over the line, and it 392 00:19:29,840 --> 00:19:31,800 Speaker 2: means that a lot of the good stuff, let's you know, 393 00:19:31,920 --> 00:19:34,159 Speaker 2: is left on the cutting room floor. Now, look, the 394 00:19:34,160 --> 00:19:36,720 Speaker 2: reason we are talking about this is because of a 395 00:19:36,760 --> 00:19:39,320 Speaker 2: prank that went horribly wrong, which has left a YouTuber 396 00:19:41,480 --> 00:19:46,000 Speaker 2: facing twenty years in prison. True, yeah, shocking stuff. This 397 00:19:46,080 --> 00:19:49,280 Speaker 2: dude interesting cat Actually he was at twenty fourteen Winter Olympics. 398 00:19:49,320 --> 00:19:51,119 Speaker 2: Came ninth that the men's snowboard cross. 399 00:19:51,240 --> 00:19:53,120 Speaker 4: Just so you know, it's pretty impressive. 400 00:19:53,600 --> 00:19:57,119 Speaker 2: You've got one hundred and forty thousand subscribers on YouTube. 401 00:19:57,840 --> 00:20:03,000 Speaker 2: And in twenty twenty one, he staged a plane crashing, 402 00:20:07,560 --> 00:20:09,040 Speaker 2: staged a plane. 403 00:20:08,680 --> 00:20:13,520 Speaker 4: Crashing as and he lied about a plane crashing. Yes, 404 00:20:14,560 --> 00:20:16,080 Speaker 4: should we explain that song that says. 405 00:20:15,960 --> 00:20:18,240 Speaker 2: Drop the dropped the pilot? I mean, if you not 406 00:20:18,280 --> 00:20:20,960 Speaker 2: into Joan Armitrading, I don't know what you're into. Joan 407 00:20:21,080 --> 00:20:27,160 Speaker 2: Armitrading singer played again, did this guy banger? 408 00:20:27,400 --> 00:20:28,040 Speaker 4: Did he lie? 409 00:20:28,480 --> 00:20:29,639 Speaker 2: I'm not sure what she says that. I think she 410 00:20:29,680 --> 00:20:32,520 Speaker 2: says chopped the monkey, but her knows anyway, did he 411 00:20:32,600 --> 00:20:34,119 Speaker 2: dropped the pilot? Chopped the monkey? And he looks like 412 00:20:34,160 --> 00:20:36,280 Speaker 2: twenty years in jail. I'm moving onwards. Let's get into 413 00:20:36,280 --> 00:20:38,240 Speaker 2: our breaks. Many questions, Oh, okay, what do you want 414 00:20:38,240 --> 00:20:38,480 Speaker 2: to ask? 415 00:20:38,480 --> 00:20:39,200 Speaker 4: Okay? Did he okay? 416 00:20:39,200 --> 00:20:39,359 Speaker 9: Did he? 417 00:20:39,440 --> 00:20:40,919 Speaker 4: Did he lie about a plane going in or did 418 00:20:40,960 --> 00:20:43,680 Speaker 4: he actually he actually crashed the plane? He actually flew 419 00:20:43,720 --> 00:20:46,120 Speaker 4: a plane into the ground as a joke to make 420 00:20:46,119 --> 00:20:48,880 Speaker 4: a video go viral. Yes, can't question his commitment. 421 00:20:48,920 --> 00:20:49,159 Speaker 16: Can you. 422 00:20:49,240 --> 00:20:51,560 Speaker 4: No, absolutely not that, I mean, did it go viral? 423 00:20:52,000 --> 00:20:52,240 Speaker 16: Yes? 424 00:20:52,640 --> 00:20:54,520 Speaker 2: Absolutely, so let me just get the numbers. I mean there, 425 00:20:54,520 --> 00:20:57,040 Speaker 2: it is an interesting story. I've got to admit. Oh no, not, 426 00:20:57,119 --> 00:20:59,239 Speaker 2: I mean like one point five million views. I mean 427 00:21:00,600 --> 00:21:01,320 Speaker 2: not that many. 428 00:21:01,720 --> 00:21:03,960 Speaker 4: Pretty good, five millions. That's good numbers, mate. 429 00:21:04,000 --> 00:21:07,080 Speaker 2: A B got our junny Breuers, I got five five 430 00:21:07,080 --> 00:21:09,040 Speaker 2: million views for posting a photo of herself in the 431 00:21:09,080 --> 00:21:10,920 Speaker 2: gym the other day. And like, I mean at the 432 00:21:11,000 --> 00:21:13,320 Speaker 2: end of the day. But she did, she did. She 433 00:21:13,359 --> 00:21:14,359 Speaker 2: went viral on the weekend. 434 00:21:14,400 --> 00:21:14,560 Speaker 9: A B. 435 00:21:14,720 --> 00:21:16,560 Speaker 2: Didn't you viral on the weekend? 436 00:21:16,640 --> 00:21:16,720 Speaker 1: You? 437 00:21:16,760 --> 00:21:17,840 Speaker 2: Come on, what'd you go viral for? 438 00:21:18,040 --> 00:21:20,560 Speaker 4: Come on, AB, tell us what your TikTok handle is? 439 00:21:20,560 --> 00:21:21,399 Speaker 2: What'd you go viral for? 440 00:21:21,600 --> 00:21:23,240 Speaker 15: Look, it wasn't that much, but I will take it. 441 00:21:23,320 --> 00:21:24,720 Speaker 2: Yeah, yeah, yeah, what do you go was? What was 442 00:21:24,720 --> 00:21:25,440 Speaker 2: the vidio for? Though? 443 00:21:25,680 --> 00:21:27,080 Speaker 15: Just a TikTok about the gym? 444 00:21:27,640 --> 00:21:28,440 Speaker 2: Yeah? 445 00:21:28,520 --> 00:21:32,560 Speaker 4: What's your handle? You don't want to keep going? Tell 446 00:21:32,560 --> 00:21:34,359 Speaker 4: the story that good? 447 00:21:34,600 --> 00:21:36,159 Speaker 2: She's getting wrapped up, He's getting wrapped up. 448 00:21:37,200 --> 00:21:39,240 Speaker 4: The ap poo pants was just. 449 00:21:41,600 --> 00:21:44,000 Speaker 2: If you ask her one more question about her TikTok 450 00:21:44,880 --> 00:21:48,840 Speaker 2: during our show, don't engage with the boys. Analysts don't engage, 451 00:21:49,920 --> 00:21:53,040 Speaker 2: all right, So the point is I want to talk 452 00:21:53,040 --> 00:21:54,960 Speaker 2: about pranks that have gone wrong, you and I have done. 453 00:21:55,040 --> 00:21:56,520 Speaker 2: And I know this is a little bit of behind 454 00:21:56,520 --> 00:21:58,240 Speaker 2: the scenes for you guys, because there's a lot of 455 00:21:58,280 --> 00:22:01,359 Speaker 2: stuff here that does you know, you don't hear about. 456 00:22:01,440 --> 00:22:02,960 Speaker 2: And there's a lot of stuff that we can't put 457 00:22:02,960 --> 00:22:04,919 Speaker 2: on the air because we don't get permissioned. So I'm 458 00:22:04,960 --> 00:22:06,439 Speaker 2: going to I've got a whole bunch of audio out 459 00:22:06,520 --> 00:22:09,520 Speaker 2: next of pranks that didn't quite get there because people 460 00:22:09,600 --> 00:22:11,520 Speaker 2: got really angry at us, and I'm looking forward to 461 00:22:11,520 --> 00:22:15,000 Speaker 2: playing there. But there is a story. Do you want 462 00:22:15,000 --> 00:22:16,640 Speaker 2: to tell the story out next as well? You're worried 463 00:22:16,680 --> 00:22:17,400 Speaker 2: about the time here? 464 00:22:17,760 --> 00:22:19,480 Speaker 4: Should I just tell it now and then we'll go 465 00:22:19,560 --> 00:22:23,080 Speaker 4: to Okay, so everyone knows it's Australia's favorite doctor, doctor 466 00:22:23,119 --> 00:22:26,800 Speaker 4: Carl Kennedy of Neighbors. So he this is when we 467 00:22:26,800 --> 00:22:28,920 Speaker 4: were doing radio in perths Is a long time ago, 468 00:22:29,040 --> 00:22:31,280 Speaker 4: and we said it was a segment called Hey Neighborino, 469 00:22:31,720 --> 00:22:34,119 Speaker 4: really good segment. Actually we basically call a random number, 470 00:22:34,359 --> 00:22:36,720 Speaker 4: pretend to be the next door neighbor, convince them we 471 00:22:36,720 --> 00:22:38,560 Speaker 4: were the next our neighbor, and then ask for a favor. 472 00:22:38,640 --> 00:22:39,320 Speaker 2: Yeah, it was not a bit. 473 00:22:39,440 --> 00:22:42,320 Speaker 4: We said it every day. Anyway, I hide the genius idea. 474 00:22:42,320 --> 00:22:44,639 Speaker 4: I'm like, oh my god, Carl Kennedy from Neighbors is 475 00:22:44,640 --> 00:22:47,600 Speaker 4: coming in for a chat. Neighbors. Hey, neighborino. Oh, let's 476 00:22:47,600 --> 00:22:52,240 Speaker 4: get Carl, doctor Carl to do a hay neighborino. Anyway, Now, 477 00:22:52,359 --> 00:22:54,600 Speaker 4: usually during these times, you go, okay, we're getting a 478 00:22:54,640 --> 00:22:56,600 Speaker 4: guest to make a phone call here, Surely you call 479 00:22:56,640 --> 00:22:59,120 Speaker 4: ahead and figure out the details of the person you're calling. 480 00:22:59,200 --> 00:23:01,920 Speaker 2: Make sure you're not ending anyone or you know, you're 481 00:23:01,920 --> 00:23:04,359 Speaker 2: not calling anyone who's you know, got dire circumstances. 482 00:23:04,680 --> 00:23:06,840 Speaker 4: Well, we didn't do that, so he just calls a 483 00:23:06,920 --> 00:23:09,000 Speaker 4: random number. And I'm pretty sure the task we gave 484 00:23:09,040 --> 00:23:12,000 Speaker 4: him were like, okay, just call up, convincing you the neighbor, 485 00:23:12,040 --> 00:23:13,800 Speaker 4: and then say something like you're stuck on the roof 486 00:23:13,800 --> 00:23:15,159 Speaker 4: and you needn't to throw a sandwich on the roof 487 00:23:15,200 --> 00:23:17,560 Speaker 4: because you're hungry or something. Yeah, saying stupid like that. Anyway, 488 00:23:17,720 --> 00:23:22,119 Speaker 4: Carl's got hear that. By the way, it was hot idea. 489 00:23:22,440 --> 00:23:24,919 Speaker 4: I probably thought of it five minutes before Carl came in. Anyway, 490 00:23:25,040 --> 00:23:27,080 Speaker 4: He's there, he's going forward, trying to convince his guy, 491 00:23:27,080 --> 00:23:28,480 Speaker 4: and I could tell the guy he's trying to convince 492 00:23:28,520 --> 00:23:30,359 Speaker 4: it was a little bit annoyed, a little bit impatient. 493 00:23:30,680 --> 00:23:32,639 Speaker 4: And then finally, you know, Carlo's a final just come 494 00:23:32,680 --> 00:23:34,520 Speaker 4: on making you just come outside and throw the sandwich 495 00:23:34,560 --> 00:23:36,560 Speaker 4: on the roof. And the guy goes, oh, well, you 496 00:23:36,720 --> 00:23:39,320 Speaker 4: know what, I'm off this call, and I don't have 497 00:23:39,400 --> 00:23:42,560 Speaker 4: time for it because my wife is in a coma 498 00:23:42,800 --> 00:23:46,080 Speaker 4: right now and he's trying to recover. And doctor Carl 499 00:23:46,119 --> 00:23:49,040 Speaker 4: Kennedy is looking at us like, please tell me this 500 00:23:49,119 --> 00:23:52,359 Speaker 4: is some sort of joke. At that point, I'm going, no, mate, 501 00:23:52,600 --> 00:23:54,760 Speaker 4: not a joke. This is for real, and I'm. 502 00:23:54,560 --> 00:23:58,240 Speaker 2: Just signaling. 503 00:23:58,359 --> 00:24:03,760 Speaker 4: Here, whispers in. And it is fair to say that 504 00:24:03,840 --> 00:24:06,080 Speaker 4: doctor Carl has never done an interview with us. 505 00:24:07,320 --> 00:24:20,680 Speaker 2: Again, Hey, I've got it's more. It's more because it's 506 00:24:20,760 --> 00:24:24,720 Speaker 2: more because we need permission to put the prank call 507 00:24:24,760 --> 00:24:26,680 Speaker 2: on air. So you know, not once you prank someone, 508 00:24:26,760 --> 00:24:28,040 Speaker 2: you need their permission to the coll on air. And 509 00:24:28,080 --> 00:24:30,399 Speaker 2: as you said beforewards, after you prank someone, they're not 510 00:24:30,680 --> 00:24:33,160 Speaker 2: normally in the best space to forgive you and then 511 00:24:33,320 --> 00:24:37,000 Speaker 2: let you embarrass them on a national platform and. 512 00:24:36,920 --> 00:24:39,240 Speaker 4: They've got you over a barrel as well. You know, 513 00:24:39,480 --> 00:24:42,440 Speaker 4: it's like a it's instant revenge. It is not giving 514 00:24:42,480 --> 00:24:43,440 Speaker 4: you a permission. 515 00:24:43,000 --> 00:24:46,399 Speaker 2: And it depends why they might. You know, the reason 516 00:24:46,440 --> 00:24:48,040 Speaker 2: why they might not want you to do that is 517 00:24:48,080 --> 00:24:51,680 Speaker 2: because you're making them look silly. And you know often 518 00:24:51,720 --> 00:24:54,280 Speaker 2: you know, like for example, I called a public pool once. 519 00:24:54,280 --> 00:24:56,399 Speaker 2: It's a very old disgruntled woman about the fact that 520 00:24:56,440 --> 00:24:58,080 Speaker 2: she couldn't get her boobs out next to the pool. 521 00:24:58,840 --> 00:25:00,920 Speaker 11: I was just wondering what the policy is on me 522 00:25:01,119 --> 00:25:04,520 Speaker 11: getting my warlocks out by the by the water, said, okay, 523 00:25:04,560 --> 00:25:07,399 Speaker 11: if I get if I get my knockers out to 524 00:25:07,480 --> 00:25:09,560 Speaker 11: put myself in a position where the milk sacks are 525 00:25:09,560 --> 00:25:10,440 Speaker 11: flowing free. 526 00:25:10,600 --> 00:25:13,080 Speaker 2: So ultimately that person was offended because they didn't like 527 00:25:13,119 --> 00:25:15,560 Speaker 2: the language that I was using. So that's just one 528 00:25:15,600 --> 00:25:16,360 Speaker 2: example of this. 529 00:25:16,600 --> 00:25:19,000 Speaker 4: You also spoke about for like fifteen minutes about your baps, 530 00:25:19,040 --> 00:25:21,719 Speaker 4: and I think she was just you know, busy, you know, 531 00:25:21,800 --> 00:25:22,720 Speaker 4: people are busy there. 532 00:25:22,840 --> 00:25:25,080 Speaker 2: Well that's another part about this actually, because one of 533 00:25:25,080 --> 00:25:27,520 Speaker 2: the guys I like pranking people as is Kevin Walters. 534 00:25:27,600 --> 00:25:30,760 Speaker 2: And we had this one prank where Kevin Walters, you'd 535 00:25:30,760 --> 00:25:33,960 Speaker 2: written down a whole bunch of cats names missing cats, 536 00:25:34,320 --> 00:25:37,200 Speaker 2: and I had to call a vet as Kevin Walters, 537 00:25:37,760 --> 00:25:40,679 Speaker 2: claiming that I needed all these cats vaccinated. And I 538 00:25:40,760 --> 00:25:42,399 Speaker 2: was a wild cat man, so I needed to take 539 00:25:42,440 --> 00:25:44,159 Speaker 2: all the cat There was like fifteen cats, and you 540 00:25:44,240 --> 00:25:45,720 Speaker 2: had these pieces of paper you were showing me, and 541 00:25:45,760 --> 00:25:47,399 Speaker 2: I needed to read out the cat name. And they 542 00:25:47,440 --> 00:25:49,320 Speaker 2: got more and more, they got more and more outranged, 543 00:25:49,400 --> 00:25:51,880 Speaker 2: and there was some success. So this is the call 544 00:25:51,960 --> 00:25:55,679 Speaker 2: that you guys might have heard. There was actually ultimately successful. 545 00:25:56,160 --> 00:25:57,880 Speaker 7: Tell everything for me so I have it all right. 546 00:25:58,040 --> 00:26:02,160 Speaker 2: Next one's definitely a girl. Name is pussy Wagon. Yeah, 547 00:26:02,359 --> 00:26:06,520 Speaker 2: so pussy as you'd spell it. And my third leg, 548 00:26:07,680 --> 00:26:08,120 Speaker 2: all right. 549 00:26:08,040 --> 00:26:09,000 Speaker 8: We'll go to my third leg? 550 00:26:09,720 --> 00:26:11,440 Speaker 3: Oh sorry, hell, what's my third leg? 551 00:26:13,400 --> 00:26:13,880 Speaker 4: Good call? 552 00:26:14,080 --> 00:26:15,440 Speaker 2: That was a good call. That was a good call. 553 00:26:15,560 --> 00:26:16,680 Speaker 2: But and I hate took it well. 554 00:26:16,720 --> 00:26:18,240 Speaker 4: That guy, that guy that he had to laugh about it. 555 00:26:18,320 --> 00:26:20,040 Speaker 4: He was like I sort of thought maybe something was 556 00:26:20,080 --> 00:26:21,560 Speaker 4: a right yeah, but he had a good laugh. 557 00:26:21,640 --> 00:26:25,520 Speaker 2: He had a good laugh. We you know, vets are 558 00:26:25,640 --> 00:26:28,080 Speaker 2: very busy places and they're you know, obviously you know, 559 00:26:28,160 --> 00:26:30,680 Speaker 2: got emergencies and stuff going on there, and they're filled 560 00:26:30,680 --> 00:26:32,840 Speaker 2: with wonderful people who are very accommodating with their time. 561 00:26:33,400 --> 00:26:37,320 Speaker 2: You know, my my dog's vet is awesome, which is 562 00:26:37,320 --> 00:26:43,080 Speaker 2: why we you know, when government bases there, because we 563 00:26:43,160 --> 00:26:45,880 Speaker 2: did call a vet. Because this call could it had 564 00:26:45,880 --> 00:26:47,439 Speaker 2: the potential to go on for a long time. And 565 00:26:47,480 --> 00:26:48,720 Speaker 2: we had a woman on the phone. And again we 566 00:26:48,720 --> 00:26:51,040 Speaker 2: can't play this audio because she cracked it, but we've 567 00:26:51,040 --> 00:26:55,080 Speaker 2: got the aftermath after I had her on the phone 568 00:26:55,200 --> 00:26:58,280 Speaker 2: as Kevin Walters with all those silly names, because. 569 00:26:58,119 --> 00:27:01,119 Speaker 4: From memory, she she logged all all of them. She 570 00:27:01,680 --> 00:27:03,400 Speaker 4: changed the system as you would. 571 00:27:03,200 --> 00:27:04,840 Speaker 2: Do, and she didn't realize that it was a prank. 572 00:27:04,920 --> 00:27:07,080 Speaker 2: She was very sincere about it, and she, you know, 573 00:27:07,119 --> 00:27:11,320 Speaker 2: she logged pussy Wagon my third leg. There was there 574 00:27:11,320 --> 00:27:14,000 Speaker 2: were some others in there which were also yeah, you know, 575 00:27:14,240 --> 00:27:18,360 Speaker 2: just like quite lude euphemisms. Anyway, this is the audio 576 00:27:18,440 --> 00:27:21,840 Speaker 2: after she hang up on us and she realized that 577 00:27:21,880 --> 00:27:26,680 Speaker 2: it was a prank, and Jesus Christ, get out. She 578 00:27:26,800 --> 00:27:32,000 Speaker 2: is going to absolutely explode, Harry. 579 00:27:31,760 --> 00:27:36,359 Speaker 17: Pussy, Oh my god, she's ridden all the details down. 580 00:27:37,520 --> 00:27:38,520 Speaker 4: Who's number did you put? 581 00:27:38,680 --> 00:27:39,280 Speaker 2: Random? 582 00:27:39,520 --> 00:27:39,960 Speaker 4: Well done? 583 00:27:40,200 --> 00:27:44,000 Speaker 2: Well done. She's going to a erup so pissed off. 584 00:27:44,520 --> 00:27:47,480 Speaker 4: Spara Spara thought for the random number had probably got 585 00:27:47,480 --> 00:27:48,880 Speaker 4: on a very abusive. 586 00:27:49,400 --> 00:27:57,520 Speaker 17: Straight half time, she said enough, just gave the poor 587 00:27:57,560 --> 00:27:59,680 Speaker 17: person someone and be like. 588 00:27:59,720 --> 00:28:00,040 Speaker 5: How. 589 00:28:06,960 --> 00:28:10,760 Speaker 2: Oh we're childish. Okay, So final one here, just for 590 00:28:10,760 --> 00:28:12,520 Speaker 2: you guys. BET's so wonderful by the way she's stressed 591 00:28:12,520 --> 00:28:15,000 Speaker 2: that you stressed that a lot actually final one, because 592 00:28:15,040 --> 00:28:18,960 Speaker 2: they are final one here, this one. I think we 593 00:28:19,040 --> 00:28:21,960 Speaker 2: tried about three three hotels here, four hotels here. It 594 00:28:22,040 --> 00:28:23,879 Speaker 2: was right after you'd come back from obviously get me 595 00:28:23,880 --> 00:28:25,960 Speaker 2: out of here, Woods, and I pretended to be you 596 00:28:27,080 --> 00:28:30,119 Speaker 2: because under the guys that your fame had got to 597 00:28:30,160 --> 00:28:32,840 Speaker 2: your head. What if you call the hotel and you 598 00:28:32,920 --> 00:28:36,240 Speaker 2: detected like an absolute tool. I probably took this too far. 599 00:28:36,359 --> 00:28:37,520 Speaker 4: You definitely took this too far. 600 00:28:38,400 --> 00:28:40,680 Speaker 2: Hi, my name's Woody. I've had to call through like 601 00:28:40,720 --> 00:28:43,760 Speaker 2: a standard number here. You guys don't have a number 602 00:28:43,840 --> 00:28:47,240 Speaker 2: for high rollers or high profile guests too. First of all, 603 00:28:47,440 --> 00:28:50,360 Speaker 2: what's your best room? And there's their helicopter access or 604 00:28:50,400 --> 00:28:53,080 Speaker 2: is it just pleb stairs. We'll get to the details 605 00:28:53,080 --> 00:28:54,480 Speaker 2: about it shortly. I just kind of need to know 606 00:28:54,480 --> 00:28:55,920 Speaker 2: whether or not it's worth my while. 607 00:28:57,560 --> 00:28:59,880 Speaker 4: And the really disappointing thing here is like sure that 608 00:29:00,040 --> 00:29:01,600 Speaker 4: and allowed the prank to happen so we couldn't play it. 609 00:29:01,640 --> 00:29:03,920 Speaker 4: But also they all think I'm a massive knob now, 610 00:29:04,320 --> 00:29:07,200 Speaker 4: like that's that word remains. 611 00:29:07,800 --> 00:29:11,960 Speaker 2: You can't it's perfect. You aren't rarely gone down and 612 00:29:12,000 --> 00:29:13,600 Speaker 2: projected with moving water. 613 00:29:13,400 --> 00:29:21,120 Speaker 4: On it, and they think that was true. 614 00:29:21,360 --> 00:29:23,120 Speaker 11: Right now, it's Will and Woody. 615 00:29:23,400 --> 00:29:26,360 Speaker 4: What is the thing about Kim Kardashian that she doesn't 616 00:29:26,360 --> 00:29:28,040 Speaker 4: want anyone to know about her? 617 00:29:29,440 --> 00:29:33,160 Speaker 2: And the answer you intrigued me was good? Got you again? 618 00:29:33,160 --> 00:29:33,560 Speaker 4: I don't know. 619 00:29:33,920 --> 00:29:35,960 Speaker 2: That's the bit, isn't it. You know, she's she reveals 620 00:29:36,000 --> 00:29:38,600 Speaker 2: everything because she's you know, does the reality show not this? 621 00:29:39,600 --> 00:29:39,680 Speaker 16: Not? 622 00:29:40,040 --> 00:29:42,760 Speaker 4: Yeah, the sex tape? Fine? This doesn't want it, didn't 623 00:29:42,800 --> 00:29:44,800 Speaker 4: want anyone? So no, my friend And it came out 624 00:29:44,840 --> 00:29:48,640 Speaker 4: through her daughter, Chicago West. So Chicago was doing a 625 00:29:48,960 --> 00:29:51,760 Speaker 4: Mother's day activity at school and it was like all 626 00:29:51,800 --> 00:29:54,720 Speaker 4: about mum and answering questions about mum. Ye, and it 627 00:29:54,720 --> 00:29:57,120 Speaker 4: got to the question of the best thing she cooks 628 00:29:57,240 --> 00:30:01,600 Speaker 4: is and Chicago wrote, mom doesn't cook, she has a chef. 629 00:30:04,560 --> 00:30:07,280 Speaker 4: She's mortified, absolutely more. 630 00:30:08,120 --> 00:30:13,160 Speaker 2: Eyes don't tell him that. 631 00:30:16,600 --> 00:30:19,440 Speaker 4: I'm not human anymore. I'm not relatable. 632 00:30:19,760 --> 00:30:20,600 Speaker 2: I've got a chef. 633 00:30:21,120 --> 00:30:26,520 Speaker 4: Anyway, pretty crap example. Pretty crap example, obviously, But I 634 00:30:26,560 --> 00:30:30,280 Speaker 4: do think there's something really funny when your kids are 635 00:30:30,360 --> 00:30:34,440 Speaker 4: at school and they're just far too honest about something 636 00:30:34,560 --> 00:30:38,520 Speaker 4: you do or something you have said, and they don't 637 00:30:38,560 --> 00:30:40,640 Speaker 4: mean for it to be scandalous. They don't mean to 638 00:30:40,720 --> 00:30:43,760 Speaker 4: embarrass you. They're just very honest people. 639 00:30:43,840 --> 00:30:45,960 Speaker 2: Yep, little children that't. 640 00:30:45,480 --> 00:30:47,960 Speaker 4: So thirteen one oh six five is our number? What 641 00:30:48,080 --> 00:30:53,000 Speaker 4: is the truth that your kid blurted out? I remember 642 00:30:53,920 --> 00:30:55,840 Speaker 4: this was an example of me, but it was my 643 00:30:55,920 --> 00:30:59,480 Speaker 4: sister and she went to an art class which was 644 00:30:59,520 --> 00:31:02,640 Speaker 4: at school, was like an after school activity, and the 645 00:31:02,760 --> 00:31:06,480 Speaker 4: art teacher was wearing those boots that are above the knee, 646 00:31:06,560 --> 00:31:10,240 Speaker 4: so like a long boot those boots you mean for 647 00:31:10,400 --> 00:31:15,720 Speaker 4: like fly fishing, No, like like for fashion, like the 648 00:31:15,800 --> 00:31:16,680 Speaker 4: art teachers very like. 649 00:31:16,960 --> 00:31:17,680 Speaker 2: So it's a woman. 650 00:31:17,840 --> 00:31:20,120 Speaker 4: It's a woman. It's a female art teacher who was 651 00:31:20,120 --> 00:31:22,800 Speaker 4: wearing a skirt and a long boot. 652 00:31:22,640 --> 00:31:25,400 Speaker 2: Like a Julia Roberts boots. Started pretty woman sort of art. 653 00:31:25,400 --> 00:31:28,640 Speaker 4: Okay, so amazing you've brought up started pretty Woman because 654 00:31:29,080 --> 00:31:31,920 Speaker 4: obviously at some stage my mum had a conversation about 655 00:31:31,960 --> 00:31:34,959 Speaker 4: long boots, and my sister walked into the art class, 656 00:31:35,440 --> 00:31:38,320 Speaker 4: pointed at the boots and said, ha hey, miss my 657 00:31:38,520 --> 00:31:46,360 Speaker 4: mom calls them hooker boots. Bar to honest. Third eighty one, 658 00:31:46,400 --> 00:31:49,320 Speaker 4: O six five. Let's hear some more examples of this. 659 00:31:49,480 --> 00:31:53,880 Speaker 4: What was the truth your kid blurted out about you? 660 00:31:55,160 --> 00:31:58,280 Speaker 2: Oh my god, I can just imagine your mom the 661 00:31:58,400 --> 00:31:59,920 Speaker 2: art teacher's got hooker boots. 662 00:32:00,600 --> 00:32:02,920 Speaker 4: Imagine the chat between my aunt teacher and mum after 663 00:32:02,960 --> 00:32:05,200 Speaker 4: that as well? You like those boats? 664 00:32:05,280 --> 00:32:05,560 Speaker 11: Huh? 665 00:32:06,280 --> 00:32:11,120 Speaker 4: Anyway? Take the next money more Woman Woody Goodness after this, 666 00:32:12,040 --> 00:32:17,600 Speaker 4: it's the Women Woody podcast. When was your kid too honest? 667 00:32:17,840 --> 00:32:19,479 Speaker 2: You can't handle the truth? 668 00:32:19,720 --> 00:32:25,720 Speaker 4: Because Kim Kardashian's daughter Chicago, that's her daughter's. 669 00:32:25,440 --> 00:32:31,320 Speaker 2: Names and has been your reference. You get that one. 670 00:32:32,800 --> 00:32:35,560 Speaker 4: Chicago has revealed in like a questionnaire, a Mother's Day 671 00:32:35,640 --> 00:32:38,480 Speaker 4: questionnaire that mom doesn't cook, she has a chef, and 672 00:32:38,600 --> 00:32:43,000 Speaker 4: Kim was mort of no, Yeah, that's. 673 00:32:42,800 --> 00:32:43,440 Speaker 2: Tough for Kim. 674 00:32:43,640 --> 00:32:47,720 Speaker 4: Absolutely. So before we go to our calls Hereim, I 675 00:32:47,760 --> 00:32:49,360 Speaker 4: did want to play a bit of audio from a 676 00:32:49,520 --> 00:32:51,960 Speaker 4: UK TV show. This was a little boy being far 677 00:32:52,000 --> 00:32:54,880 Speaker 4: too honest about well, something he saw at home. 678 00:32:55,480 --> 00:32:58,160 Speaker 14: My MoMA's an office and my dad always goes up. 679 00:32:58,320 --> 00:32:59,920 Speaker 9: I don't give my mother kiss. 680 00:33:00,040 --> 00:33:01,840 Speaker 2: Do they lock the door of this office? 681 00:33:02,120 --> 00:33:02,320 Speaker 16: Yeah? 682 00:33:02,480 --> 00:33:03,080 Speaker 11: Got the door? 683 00:33:03,120 --> 00:33:05,360 Speaker 4: And I try and breaking down with this screen, and 684 00:33:05,440 --> 00:33:08,160 Speaker 4: I keep on kicking it until it breaks down. 685 00:33:08,160 --> 00:33:09,080 Speaker 9: When it don't break. 686 00:33:08,960 --> 00:33:10,680 Speaker 2: Down, how long do you have to kick it? 687 00:33:10,720 --> 00:33:10,760 Speaker 1: For? 688 00:33:11,400 --> 00:33:13,920 Speaker 14: About three hours? 689 00:33:14,600 --> 00:33:19,160 Speaker 2: What can you hear from the inside? Oh, here's mom 690 00:33:19,240 --> 00:33:20,520 Speaker 2: screaming the loud vas. 691 00:33:24,960 --> 00:33:29,000 Speaker 4: Let's go to Scarlet on Thursday one sixty five. Scarlet, 692 00:33:29,000 --> 00:33:31,120 Speaker 4: what did your daughter say when she was two? 693 00:33:31,840 --> 00:33:35,040 Speaker 13: She was two? And we've always been quite truthful with 694 00:33:35,080 --> 00:33:37,960 Speaker 13: the names of the body parts for both males and female. 695 00:33:39,120 --> 00:33:39,479 Speaker 4: Sclet. 696 00:33:40,080 --> 00:33:43,760 Speaker 13: We were we were at a restaurant, are just getting takeaway, 697 00:33:43,800 --> 00:33:45,640 Speaker 13: and so there's people there are about twenty different people. 698 00:33:45,640 --> 00:33:48,360 Speaker 13: They're either getting takeaway or sitting and eating. And she 699 00:33:48,520 --> 00:33:50,760 Speaker 13: just randomly turns around and says to me quite loud, 700 00:33:50,920 --> 00:33:52,800 Speaker 13: I canna hear us. And she's very well developed as 701 00:33:52,800 --> 00:33:55,760 Speaker 13: a two year old with her vocabulary. And she said, Mummy, 702 00:33:56,280 --> 00:33:59,040 Speaker 13: I have a Volver and you have a Volver and 703 00:33:59,120 --> 00:34:03,160 Speaker 13: daddy has a little vol And I'm like, no, sweetheart, 704 00:34:03,240 --> 00:34:05,000 Speaker 13: she doesn't have a Vulver. And she's like, what is 705 00:34:05,040 --> 00:34:07,200 Speaker 13: your home? And I'm like, oh, we'll talk about it later. 706 00:34:09,440 --> 00:34:14,120 Speaker 4: Have a wag to dead there that does have a vulver. 707 00:34:14,239 --> 00:34:15,399 Speaker 4: Daddy has a little vulver. 708 00:34:15,760 --> 00:34:19,440 Speaker 2: Yeah, let's go to Lauren. 709 00:34:21,480 --> 00:34:25,040 Speaker 4: Lauren here on Thursday one sixty five. Lauren, this happened 710 00:34:25,080 --> 00:34:26,359 Speaker 4: recently with your son? 711 00:34:27,160 --> 00:34:29,600 Speaker 6: Yes, so my son, it wasn't recently. It was actually 712 00:34:29,600 --> 00:34:33,040 Speaker 6: when he was in kindergarten. My sister in Laura and 713 00:34:33,040 --> 00:34:35,680 Speaker 6: I we were given a free voucher for some exercise 714 00:34:35,719 --> 00:34:38,520 Speaker 6: classes and they're a bit of a different form of exercise, 715 00:34:38,640 --> 00:34:42,600 Speaker 6: something out of the ordinary. And so I'd gone to 716 00:34:42,760 --> 00:34:45,880 Speaker 6: his parents teacher night, and as I've walked into the 717 00:34:45,880 --> 00:34:50,080 Speaker 6: classroom with his really beautiful kindergarten teacher, she proceeds to 718 00:34:50,120 --> 00:34:51,840 Speaker 6: tell me, so I hear that you and your sister 719 00:34:51,880 --> 00:34:58,640 Speaker 6: in law are pole dancers. Oh my god, absolutely mortified. Wow, 720 00:34:59,280 --> 00:35:02,160 Speaker 6: he he's sort of put two and two together that 721 00:35:02,200 --> 00:35:04,680 Speaker 6: we're not just you know, pole dancing classes, but. 722 00:35:04,920 --> 00:35:08,840 Speaker 4: We're cool dancers, dancers, your pole dancers by night. Of course, Lauren, 723 00:35:09,400 --> 00:35:11,520 Speaker 4: nothing against pole dancing, can I as well? 724 00:35:12,080 --> 00:35:13,000 Speaker 2: What was that? 725 00:35:13,120 --> 00:35:13,440 Speaker 4: What's that? 726 00:35:13,560 --> 00:35:15,080 Speaker 2: What do you mean she was a. 727 00:35:15,040 --> 00:35:17,120 Speaker 4: Pole dancing doesn't be a pole dancer by night, wouldn't you? 728 00:35:17,160 --> 00:35:19,880 Speaker 4: That's when they frequent the poll. Anyway, let's go to 729 00:35:19,960 --> 00:35:23,880 Speaker 4: Charlotte here on thirteen, one of six five. You know 730 00:35:24,000 --> 00:35:25,040 Speaker 4: pole dancer by night. 731 00:35:25,200 --> 00:35:25,759 Speaker 16: I get it. 732 00:35:26,640 --> 00:35:27,480 Speaker 2: We all got it. 733 00:35:28,200 --> 00:35:29,160 Speaker 4: Pass let us. 734 00:35:30,000 --> 00:35:31,560 Speaker 2: That is not my job. Let us. 735 00:35:33,200 --> 00:35:34,560 Speaker 4: Let's go to Charlotte here. 736 00:35:34,400 --> 00:35:37,520 Speaker 2: On thirty because you work at a strip club. 737 00:35:38,920 --> 00:35:43,239 Speaker 4: God, don't be embarrassed. Hold end, it's fine. Charlotte's. Now 738 00:35:43,280 --> 00:35:45,719 Speaker 4: you're the teacher here, so you're on the receiving end 739 00:35:46,280 --> 00:35:47,200 Speaker 4: of a child. 740 00:35:46,960 --> 00:35:50,200 Speaker 9: Being too ndergarten teacher. So I have four year olds 741 00:35:50,400 --> 00:35:53,000 Speaker 9: and we filled out a questionnaire the other day all 742 00:35:53,080 --> 00:35:55,640 Speaker 9: about mummy, and I had a four year old in 743 00:35:56,400 --> 00:35:58,239 Speaker 9: looked at me dead in the eyes and said, what's 744 00:35:58,280 --> 00:35:59,359 Speaker 9: your mummy's favorite thing? 745 00:36:00,120 --> 00:36:01,080 Speaker 13: I got He's peanuts. 746 00:36:04,040 --> 00:36:08,080 Speaker 2: Right now, it's woman, Woody, there is something that all 747 00:36:08,239 --> 00:36:11,279 Speaker 2: women do when they have a photo with a baby. 748 00:36:11,840 --> 00:36:14,640 Speaker 4: WHOA, that's a sweeping statement. 749 00:36:14,719 --> 00:36:17,000 Speaker 2: It is I generalize. 750 00:36:17,280 --> 00:36:17,840 Speaker 13: You have. 751 00:36:19,200 --> 00:36:25,160 Speaker 2: Of stereotyped. This is ble sexist. Oh well, I've said 752 00:36:25,160 --> 00:36:27,160 Speaker 2: all women do it. I haven't said all men do it. 753 00:36:27,200 --> 00:36:31,120 Speaker 2: Have I just some men do it, not that I've seen. 754 00:36:31,239 --> 00:36:34,360 Speaker 2: Actually no, I've seen one photo and it makes it 755 00:36:35,080 --> 00:36:40,120 Speaker 2: does make sense. But he was gay, so you know again, 756 00:36:40,239 --> 00:36:44,279 Speaker 2: stereotype generalization button push of Tom's will get me disgusted. Yeah, 757 00:36:44,360 --> 00:36:47,239 Speaker 2: but I just think this is something that you are. 758 00:36:47,160 --> 00:36:48,399 Speaker 4: Walking to tightrope, my friend. 759 00:36:48,480 --> 00:36:50,080 Speaker 2: I'm not walking the tight rope, man. I fell off 760 00:36:50,120 --> 00:36:52,600 Speaker 2: the tightrope a long time ago. But the point is 761 00:36:55,719 --> 00:36:58,000 Speaker 2: I've asked people to call it if their mate recently 762 00:36:58,000 --> 00:37:00,000 Speaker 2: had a baby, and I will focus on the femae 763 00:37:00,040 --> 00:37:03,279 Speaker 2: our callers if I can, because I think I have 764 00:37:03,360 --> 00:37:06,680 Speaker 2: not taken a single photo of a woman with Max, 765 00:37:07,320 --> 00:37:10,640 Speaker 2: my daughter, without her doing this thing. And I want 766 00:37:10,680 --> 00:37:15,440 Speaker 2: to know whether it's a conscious move to look hot, 767 00:37:15,680 --> 00:37:18,920 Speaker 2: like do you? Because because I want to stress, they 768 00:37:18,960 --> 00:37:21,160 Speaker 2: look good when they do it, So I just want 769 00:37:21,200 --> 00:37:24,239 Speaker 2: to know whether it's something that you consciously know that 770 00:37:24,280 --> 00:37:24,719 Speaker 2: you're doing. 771 00:37:25,320 --> 00:37:28,200 Speaker 4: In every photo that a woman has had with your baby. 772 00:37:27,960 --> 00:37:31,640 Speaker 2: Max, pretty much every single one of them's done the 773 00:37:31,680 --> 00:37:35,399 Speaker 2: same thing. So I'm thinking, are they doing it because 774 00:37:35,440 --> 00:37:37,600 Speaker 2: they know they look good? It can't just be a coincidence. 775 00:37:37,680 --> 00:37:39,279 Speaker 4: Are you going to tell me? I'm trying to tell Kathy, Well, 776 00:37:39,320 --> 00:37:40,080 Speaker 4: let's go to Kathy. 777 00:37:40,160 --> 00:37:43,120 Speaker 2: Kathy. Do you know what I'm talking about? 778 00:37:44,280 --> 00:37:45,800 Speaker 13: Is it looking at the baby? 779 00:37:47,760 --> 00:37:52,320 Speaker 4: So do you? So you do that every time, Kathy, 780 00:37:52,360 --> 00:37:54,040 Speaker 4: you look at the baby when you're geting. 781 00:37:53,800 --> 00:37:56,000 Speaker 2: A phototaken, Yes, every time. 782 00:37:56,480 --> 00:38:00,600 Speaker 4: And so why Kathy, buddy bang, I'm. 783 00:38:00,440 --> 00:38:01,000 Speaker 5: Not really sure. 784 00:38:01,040 --> 00:38:04,360 Speaker 13: I think it's maybe in I don't know, just looking 785 00:38:04,400 --> 00:38:06,800 Speaker 13: at a beautiful yeah, admiration of the baby. 786 00:38:06,880 --> 00:38:09,800 Speaker 4: Maybe this is this is where we have a separation. 787 00:38:10,000 --> 00:38:12,000 Speaker 2: But kats so, Kath, you don't. You're not thinking about 788 00:38:12,000 --> 00:38:14,120 Speaker 2: the fact that you'll look good by looking at the 789 00:38:14,160 --> 00:38:20,600 Speaker 2: baby when the photo is taken. Kathy're there, Kathy, you're there. 790 00:38:21,480 --> 00:38:23,000 Speaker 2: We lost you. We lost you for a second there. 791 00:38:23,400 --> 00:38:25,680 Speaker 2: When you're looking at the baby. You're only thinking about 792 00:38:25,719 --> 00:38:27,200 Speaker 2: just the baby. You're not thinking about the faith that 793 00:38:27,239 --> 00:38:28,160 Speaker 2: you look good in the photo. 794 00:38:29,480 --> 00:38:31,240 Speaker 3: No, I think about the baby. 795 00:38:31,360 --> 00:38:31,520 Speaker 9: Ah. 796 00:38:31,920 --> 00:38:35,439 Speaker 2: And you're a beautiful, beautifully modest, modest person, Kathy. Let's 797 00:38:35,480 --> 00:38:37,400 Speaker 2: go to Kara. Kara, you're a midwife. 798 00:38:38,120 --> 00:38:39,480 Speaker 8: Yeah, well, my name's Tara Bet. 799 00:38:39,520 --> 00:38:42,239 Speaker 2: That's fine, that's what I called you. Mate. Now have 800 00:38:42,400 --> 00:38:44,200 Speaker 2: you noticed have you noticed that? 801 00:38:45,560 --> 00:38:48,239 Speaker 8: I mean like yes or no? I mean like when 802 00:38:48,239 --> 00:38:50,719 Speaker 8: I did it when I had a baby, I kind of. 803 00:38:50,760 --> 00:38:52,520 Speaker 8: I mean, look, sometimes I guess I would do it 804 00:38:52,560 --> 00:38:54,959 Speaker 8: for the photo, but at the same time I'm also 805 00:38:55,000 --> 00:38:56,640 Speaker 8: doing it because I'm looking at my baby because I 806 00:38:56,680 --> 00:38:58,799 Speaker 8: think it's cute and I love it, and I guess 807 00:38:58,800 --> 00:39:00,080 Speaker 8: that's why I'd be looking at it. 808 00:39:00,200 --> 00:39:03,160 Speaker 4: Okay, in hindsight, though, like after a photo has been taken, 809 00:39:03,200 --> 00:39:05,719 Speaker 4: have you looked back at a photo and gone, even 810 00:39:05,719 --> 00:39:07,520 Speaker 4: if your motivation was just look at the baby and go, 811 00:39:07,680 --> 00:39:09,480 Speaker 4: how do I works? I feel like I've taken a 812 00:39:09,480 --> 00:39:11,600 Speaker 4: photographic to the baby, But in hindsight, have you looked 813 00:39:11,600 --> 00:39:14,600 Speaker 4: at that photo and gone, hmmm, it's true, looks good. 814 00:39:14,600 --> 00:39:15,919 Speaker 2: I'm looking good, looks good? 815 00:39:16,080 --> 00:39:17,239 Speaker 1: I don't know. 816 00:39:17,400 --> 00:39:19,480 Speaker 8: I don't think that I would do that thinking that 817 00:39:19,560 --> 00:39:22,600 Speaker 8: I look hot. I mean, like I do. I mean, 818 00:39:22,640 --> 00:39:24,160 Speaker 8: I had one of my photos in my frame and 819 00:39:24,239 --> 00:39:26,480 Speaker 8: my room is of my daughter, me kind of looking 820 00:39:26,520 --> 00:39:30,080 Speaker 8: down at it but looking at her, not thinking that 821 00:39:30,160 --> 00:39:32,080 Speaker 8: I look good. I'm thinking I think it just looks 822 00:39:32,160 --> 00:39:33,920 Speaker 8: nice and it's heartwarming that I'm looking at my. 823 00:39:34,040 --> 00:39:36,200 Speaker 2: You've got a photo framed in your bedroom and you 824 00:39:36,200 --> 00:39:40,080 Speaker 2: don't think you look good in it? Were two very 825 00:39:40,160 --> 00:39:42,200 Speaker 2: modest people that have got make. 826 00:39:42,080 --> 00:39:44,600 Speaker 8: Up, and I labored all night. I had no sleep. 827 00:39:44,640 --> 00:39:45,879 Speaker 8: I looked like absolute shit. 828 00:39:46,760 --> 00:39:50,640 Speaker 4: I thought, all right, well played, that's a great rebuttal 829 00:39:50,719 --> 00:39:54,440 Speaker 4: to will's good. 830 00:39:52,920 --> 00:39:57,640 Speaker 2: After giving birth, though some people that it's beautiful I 831 00:39:57,640 --> 00:39:58,960 Speaker 2: have giving birth. I mean, what are you saying, would 832 00:39:59,040 --> 00:40:02,080 Speaker 2: you pigive a man? Now, let's look that incredibly well. 833 00:40:02,160 --> 00:40:03,440 Speaker 4: But I'm saying she was trying to put a hot 834 00:40:03,440 --> 00:40:05,719 Speaker 4: photo there. She wouldn't choose that one. You wouldn't think 835 00:40:06,160 --> 00:40:07,040 Speaker 4: to go beside the bed. 836 00:40:07,080 --> 00:40:09,120 Speaker 2: I'm telling you that. And I'm not saying it's a 837 00:40:09,120 --> 00:40:11,200 Speaker 2: bad thing. I just think we need to be honest 838 00:40:11,200 --> 00:40:13,960 Speaker 2: about the fact that they I think that women know 839 00:40:14,000 --> 00:40:15,360 Speaker 2: they look good when they look at the baby in 840 00:40:15,400 --> 00:40:18,680 Speaker 2: a photo, but you don't. You haven't got this in 841 00:40:18,719 --> 00:40:21,000 Speaker 2: front of You're probably driving your car. It's this. They 842 00:40:21,000 --> 00:40:24,839 Speaker 2: get this lovely fall of the hair down, and they 843 00:40:24,840 --> 00:40:28,160 Speaker 2: get the eyelashes down as well. The eyelashes, Yeah, because 844 00:40:28,160 --> 00:40:31,880 Speaker 2: they get to show their eyelashes. Hair falls down their face. 845 00:40:31,960 --> 00:40:34,319 Speaker 2: Yeah yeah, yeah. I'm telling you it's a good look. 846 00:40:34,360 --> 00:40:36,320 Speaker 2: And I just think it's a it's a thing. I 847 00:40:36,360 --> 00:40:39,600 Speaker 2: think it's a I think it's a hack, and I don't. 848 00:40:39,640 --> 00:40:41,640 Speaker 4: It sounds like a bald man being angry that he 849 00:40:41,760 --> 00:40:44,239 Speaker 4: can't pull off the head and going down. 850 00:40:44,520 --> 00:40:49,040 Speaker 7: Katherine, Katherine, you do this, I do look, those women 851 00:40:49,160 --> 00:40:52,680 Speaker 7: are super lovely and very modest, and they are right. 852 00:40:52,760 --> 00:40:55,720 Speaker 10: I definitely do look at the child that I'm holding, 853 00:40:56,800 --> 00:40:58,640 Speaker 10: but I'm not going to sit here and lie that. 854 00:40:59,000 --> 00:41:01,600 Speaker 10: I don't use that to make sure that I look, 855 00:41:01,960 --> 00:41:04,120 Speaker 10: you know, a bit more attractive in the photo, and 856 00:41:04,160 --> 00:41:10,040 Speaker 10: that I have that nurturing vibe. Especially I don't have 857 00:41:10,200 --> 00:41:13,600 Speaker 10: my own child, we'll not, hopefully one day. I like 858 00:41:13,640 --> 00:41:17,000 Speaker 10: to part that photo along to my mom other than go, 859 00:41:17,520 --> 00:41:21,640 Speaker 10: look how wonderful I look as a mother. So I 860 00:41:21,800 --> 00:41:26,120 Speaker 10: know that there's an element. Well, you know, I thought 861 00:41:26,120 --> 00:41:29,000 Speaker 10: about looking hot. It's not about being vain. It's just 862 00:41:29,080 --> 00:41:32,080 Speaker 10: you also don't want to look ugly or you know, 863 00:41:32,200 --> 00:41:34,680 Speaker 10: unattractive in a photo with a beautiful. 864 00:41:34,239 --> 00:41:36,640 Speaker 2: New It's a safe pose. 865 00:41:37,960 --> 00:41:41,520 Speaker 10: It's completely safe because if you're facing forward, even in 866 00:41:41,680 --> 00:41:44,320 Speaker 10: any photo, if it's with your partner, if you're facing forward, 867 00:41:44,360 --> 00:41:45,760 Speaker 10: you know, how do you know if. 868 00:41:45,600 --> 00:41:48,040 Speaker 6: Your teeth looks good or your smile is good? 869 00:41:48,080 --> 00:41:48,640 Speaker 10: On your hair? 870 00:41:48,800 --> 00:41:51,600 Speaker 2: Face? So gathering you just never look at the camera, 871 00:41:52,480 --> 00:41:53,200 Speaker 2: Never look at the. 872 00:41:53,160 --> 00:41:57,440 Speaker 7: Camera from behind, from behind, from behind? 873 00:41:57,960 --> 00:41:59,600 Speaker 4: How many photos are you taking from behind? 874 00:42:00,080 --> 00:42:00,319 Speaker 7: Here? 875 00:42:00,400 --> 00:42:04,640 Speaker 4: I am in Prague, Yes, that is from behind. I 876 00:42:04,680 --> 00:42:05,840 Speaker 4: was worried about my smile. 877 00:42:09,680 --> 00:42:12,480 Speaker 2: Catherine Gatherin, you're gonna have one hundred dollars has been 878 00:42:12,520 --> 00:42:13,880 Speaker 2: a red rooster that's on us. 879 00:42:13,960 --> 00:42:15,640 Speaker 11: Mate, it's Will and Woody. 880 00:42:17,040 --> 00:42:25,000 Speaker 18: Oh hello, potties, potty people, partty people in the house, Jess, 881 00:42:25,000 --> 00:42:27,799 Speaker 18: I hope that's edited that we did a bit. 882 00:42:27,960 --> 00:42:37,480 Speaker 4: It's not, it's not. It's oldest Australian bloody. We here's 883 00:42:37,480 --> 00:42:39,200 Speaker 4: one thing we talked about. So we played that song 884 00:42:39,280 --> 00:42:42,439 Speaker 4: during the show and then we pondered, will we quit read? 885 00:42:43,440 --> 00:42:46,600 Speaker 4: What was that woman singing about when she's saying drop 886 00:42:46,680 --> 00:42:56,080 Speaker 4: the pileing jonaharm Trader? What was what was she? What 887 00:42:56,200 --> 00:42:58,480 Speaker 4: was she singing about when she was saying drop the pilot? 888 00:42:58,520 --> 00:42:58,960 Speaker 11: I don't know. 889 00:42:59,160 --> 00:43:04,200 Speaker 2: She says, drop the pilot, and then look, I'll help 890 00:43:04,239 --> 00:43:07,120 Speaker 2: the pilot. Try my balloon, try and drop the monkey. 891 00:43:08,000 --> 00:43:11,840 Speaker 2: Smell my perfume. Okay, let's have it, drop the pilot 892 00:43:12,000 --> 00:43:14,360 Speaker 2: meaning let's tell well, yeah, if anyone's. 893 00:43:13,960 --> 00:43:26,880 Speaker 19: Wanted to commit in someone, okay, okay. 894 00:43:26,680 --> 00:43:28,759 Speaker 2: What do you think it's about? Let's start with that. 895 00:43:28,920 --> 00:43:29,840 Speaker 2: What do you think it's about? 896 00:43:31,080 --> 00:43:34,120 Speaker 4: I feel like it's you've been living your life a 897 00:43:34,120 --> 00:43:37,960 Speaker 4: certain way, change your ways. I think they drop the pilot, 898 00:43:38,000 --> 00:43:41,560 Speaker 4: just catch it, hot air balloon, drop the monkey because 899 00:43:41,560 --> 00:43:44,160 Speaker 4: you're using that as a perfume, and try my perfume. 900 00:43:44,640 --> 00:43:46,720 Speaker 4: I think that that's the bit. It's like, change your life. 901 00:43:47,239 --> 00:43:53,600 Speaker 2: Yeah, not bad. In an interview with song Facts, Armor 902 00:43:53,640 --> 00:43:58,000 Speaker 2: Trading said, drop the pilot just means she's imploring somebody 903 00:43:58,080 --> 00:44:02,640 Speaker 2: to stop going out with somebody else, saying, drop the pilot. 904 00:44:02,760 --> 00:44:04,640 Speaker 2: I'm not sure what the line is after that, Try 905 00:44:04,760 --> 00:44:07,399 Speaker 2: my balloon, Try my balloon. And then she says, yeah, 906 00:44:07,400 --> 00:44:09,239 Speaker 2: because in like, get off the pilot and come on 907 00:44:09,280 --> 00:44:11,960 Speaker 2: the hot air balloon with me. Drop that monkey that 908 00:44:12,000 --> 00:44:14,960 Speaker 2: you're seeing in she said, hook up with me. 909 00:44:15,640 --> 00:44:18,080 Speaker 4: She was keen on someone who was in a relationship. 910 00:44:17,719 --> 00:44:19,920 Speaker 2: Said I could have said, don't go out with that person, 911 00:44:20,000 --> 00:44:22,040 Speaker 2: come out with me. But it's just not as intriguing, 912 00:44:22,160 --> 00:44:26,000 Speaker 2: is it is? It lyrics to be fun and mysterious, 913 00:44:26,000 --> 00:44:27,720 Speaker 2: and it's always had people guessing, so. 914 00:44:28,160 --> 00:44:29,480 Speaker 4: This this is been great? 915 00:44:29,920 --> 00:44:30,680 Speaker 2: Isn't that awesome? 916 00:44:30,760 --> 00:44:30,960 Speaker 8: Yeah? 917 00:44:31,560 --> 00:44:34,359 Speaker 2: Yeah, she's she's she's awesome. I love I love her. 918 00:44:34,920 --> 00:44:35,919 Speaker 4: What else has she done? 919 00:44:37,080 --> 00:44:39,360 Speaker 2: Off the top of my head, she had an absolute 920 00:44:39,440 --> 00:44:44,399 Speaker 2: hit with I've Got a Few, You got more on there? 921 00:44:44,560 --> 00:44:46,759 Speaker 2: I was going to say, probably more going to be 922 00:44:46,800 --> 00:44:50,000 Speaker 2: are Love and Affection was a big song. 923 00:44:50,280 --> 00:44:53,799 Speaker 4: Here we Go, I Am Not in Lone. 924 00:44:55,920 --> 00:44:58,760 Speaker 2: Not as familiar, Show me some emotion, Show some emotion 925 00:44:59,200 --> 00:45:00,440 Speaker 2: was a big song from memory. 926 00:45:00,840 --> 00:45:01,040 Speaker 12: Is this? 927 00:45:01,320 --> 00:45:03,400 Speaker 4: Does this show some emotions? 928 00:45:04,239 --> 00:45:06,280 Speaker 2: M this is a good trin. 929 00:45:08,040 --> 00:45:09,440 Speaker 16: Show some emotion. 930 00:45:10,960 --> 00:45:14,680 Speaker 4: I haven't heard of that. Yeah, got expression the I 931 00:45:14,719 --> 00:45:16,080 Speaker 4: think arm Trader might be. 932 00:45:16,960 --> 00:45:19,680 Speaker 2: It's armor trade. It's armor trading, armor trading. 933 00:45:23,200 --> 00:45:30,160 Speaker 4: I seen myself and you love she might be in 934 00:45:30,160 --> 00:45:33,719 Speaker 4: one hit Wonder areas there, No, I'm sorry, No, jonahm 935 00:45:33,800 --> 00:45:35,880 Speaker 4: Trading is not in one hit Wonder area. 936 00:45:36,840 --> 00:45:38,759 Speaker 2: Okay, well, okay, so who else is in one hit 937 00:45:38,840 --> 00:45:43,040 Speaker 2: wonder areas? Right? 938 00:45:43,120 --> 00:45:47,680 Speaker 4: So one hit wonder Madison? Who had the song? 939 00:45:48,320 --> 00:45:49,240 Speaker 2: They had two songs? 940 00:45:49,320 --> 00:45:50,120 Speaker 4: Did they have to do that? 941 00:45:50,200 --> 00:45:52,279 Speaker 2: Yeah, they've got They've got a number. Actually, okay, they're 942 00:45:52,280 --> 00:45:56,880 Speaker 2: a great heat band. Andre yep, definitely. 943 00:45:56,760 --> 00:46:02,160 Speaker 4: Who had definitely? Oh the Presidents who had Coco Mumbo 944 00:46:02,239 --> 00:46:04,240 Speaker 4: Jumbo Yah yeah. 945 00:46:03,960 --> 00:46:07,400 Speaker 2: Yeah cock Jumbo yeah yeah yeah yeah. And Peter Andre 946 00:46:07,520 --> 00:46:13,399 Speaker 2: Mysterious Girl Hanson. 947 00:46:11,680 --> 00:46:14,040 Speaker 4: Follow up, Hey, Peter Andre has got two songs in 948 00:46:14,080 --> 00:46:15,960 Speaker 4: the hooks system. 949 00:46:16,080 --> 00:46:20,879 Speaker 2: Yeah yeah, Mysterious Girl and he gimme little sign. 950 00:46:21,480 --> 00:46:33,800 Speaker 16: Yeah, Wonder is recon what's your hands in double down? 951 00:46:33,920 --> 00:46:35,719 Speaker 2: We're gonna call Hanson a one hit Wonder bands. 952 00:46:35,760 --> 00:46:37,920 Speaker 4: I had clearly the biggest song, but I reckon they 953 00:46:37,920 --> 00:46:39,960 Speaker 4: had some follow ups which will be very well known. 954 00:46:40,040 --> 00:46:41,520 Speaker 4: So if you if we if we hit it the 955 00:46:41,560 --> 00:46:42,319 Speaker 4: second and. 956 00:46:42,280 --> 00:46:45,879 Speaker 2: I need to verify this as not a one hit Wonder. Yeah, okay, 957 00:46:45,960 --> 00:46:47,160 Speaker 2: here we go. This could be a good game for 958 00:46:47,200 --> 00:46:49,280 Speaker 2: on air. Actually, who didn't get a one hit Wonder 959 00:46:49,320 --> 00:46:50,120 Speaker 2: having another song? 960 00:46:50,239 --> 00:46:52,640 Speaker 4: Oh yeah, this is a big song. Okay, do you 961 00:46:52,680 --> 00:46:57,560 Speaker 4: know I will come to you from Hanson could be 962 00:46:57,600 --> 00:47:09,680 Speaker 4: a one hit Wonder handsOn, I'll skipped through mine. 963 00:47:06,680 --> 00:47:08,719 Speaker 2: Such a big Hans, I. 964 00:47:08,800 --> 00:47:10,520 Speaker 4: Have flipped to one hit Where's the Love? 965 00:47:11,120 --> 00:47:12,120 Speaker 2: Where is the love? 966 00:47:12,920 --> 00:47:15,040 Speaker 4: It's not no, that's good. 967 00:47:15,080 --> 00:47:18,480 Speaker 2: Songs you play would be proving that they're a one 968 00:47:18,560 --> 00:47:19,080 Speaker 2: hit one. 969 00:47:19,000 --> 00:47:20,719 Speaker 4: Yeah, this is this could be a travesty. This is 970 00:47:20,840 --> 00:47:21,359 Speaker 4: because I. 971 00:47:21,280 --> 00:47:23,480 Speaker 2: Was heading there. Unless someone wants to say that everyone 972 00:47:23,880 --> 00:47:29,160 Speaker 2: Where's the worry? People have to universally know the second 973 00:47:29,200 --> 00:47:30,680 Speaker 2: song in order for them not to be a one 974 00:47:30,760 --> 00:47:32,200 Speaker 2: hit one day Hanson or one hit Wonder. 975 00:47:32,280 --> 00:47:32,680 Speaker 9: I think. 976 00:47:34,280 --> 00:47:38,400 Speaker 4: With Barbie Girl, Dr Jones Well said. 977 00:47:40,400 --> 00:47:42,919 Speaker 8: Can you name their song Babylon Zoo? 978 00:47:43,120 --> 00:47:44,920 Speaker 6: What was their song Babilonzo? 979 00:47:46,320 --> 00:47:49,439 Speaker 4: You would know the song? There are one hit Wonder, Yeah, 980 00:47:49,480 --> 00:47:52,719 Speaker 4: that's the band. What's the song? No idea? I've got 981 00:47:52,719 --> 00:47:58,520 Speaker 4: a good one hit wonder? Yeah, hang on. I've got 982 00:47:58,560 --> 00:48:01,200 Speaker 4: a personal relationship with who was part of the Baha 983 00:48:01,280 --> 00:48:04,120 Speaker 4: Man and they had a great follow up, which was 984 00:48:04,160 --> 00:48:05,400 Speaker 4: a remix of who. 985 00:48:12,040 --> 00:48:12,840 Speaker 2: Are you still talking to? 986 00:48:14,239 --> 00:48:16,560 Speaker 4: Email every now and then. We're still trying to get 987 00:48:16,600 --> 00:48:18,359 Speaker 4: something off the ground in Australa. But I mean he's 988 00:48:18,360 --> 00:48:20,920 Speaker 4: asking for a lot of money and I'm like, it's 989 00:48:21,000 --> 00:48:22,759 Speaker 4: kind of a good promo for you, mate, I'll cover 990 00:48:22,840 --> 00:48:25,080 Speaker 4: half your fly, don't bring the other boys. 991 00:48:25,200 --> 00:48:27,200 Speaker 2: Were you remember you were talking to him over in Perth? 992 00:48:27,680 --> 00:48:31,120 Speaker 4: Yeah, a lot. He was emailing here at two in 993 00:48:31,160 --> 00:48:33,680 Speaker 4: the morning and he's keeps sending me. He keep sending 994 00:48:33,680 --> 00:48:35,320 Speaker 4: me there's like half produced tracks that this is what 995 00:48:35,360 --> 00:48:37,080 Speaker 4: we're working on right now. And I'd be like, mate, 996 00:48:37,560 --> 00:48:38,680 Speaker 4: I want you to come. 997 00:48:39,480 --> 00:48:42,720 Speaker 2: One third of the lowest rating breakfast show in Perth. 998 00:48:42,880 --> 00:48:46,000 Speaker 2: What do you think I'm going to do with it? 999 00:48:46,040 --> 00:48:48,200 Speaker 4: And send me to be like, oh, we performed at 1000 00:48:48,719 --> 00:48:51,920 Speaker 4: a college game on the weekend and sending me footage 1001 00:48:51,920 --> 00:48:54,719 Speaker 4: of it. Wow, lovely lovely guy. 1002 00:48:54,840 --> 00:48:58,040 Speaker 2: Now to close here? Can I hear the dirt or 1003 00:48:58,040 --> 00:48:58,560 Speaker 2: whatever it is? 1004 00:48:59,800 --> 00:49:07,560 Speaker 4: What's the song? Babylon zoo Hey, let's say Tomkin Spaceman, 1005 00:49:12,480 --> 00:49:15,879 Speaker 4: this is song? This is not quite one hit? Wonder 1006 00:49:16,239 --> 00:49:17,359 Speaker 4: skip through through? 1007 00:49:23,880 --> 00:49:29,759 Speaker 2: Okay, honestly, could you have the worst taste in music 1008 00:49:29,800 --> 00:49:30,919 Speaker 2: of anyone I've ever met? 1009 00:49:31,560 --> 00:49:32,120 Speaker 13: My day? 1010 00:49:34,360 --> 00:49:36,200 Speaker 2: We all know when you listen to that trash rap 1011 00:49:36,200 --> 00:49:37,560 Speaker 2: when you get in the car on the A R 1012 00:49:38,280 --> 00:49:41,239 Speaker 2: when you drive your orange Ford Ranger out the boomgate 1013 00:49:42,239 --> 00:49:49,919 Speaker 2: and notorious b I G's on for you are truly unbelievable. 1014 00:49:50,000 --> 00:49:53,240 Speaker 4: Joel Turner. 1015 00:49:55,320 --> 00:49:57,200 Speaker 2: Believing this is not in a hit. 1016 00:49:57,320 --> 00:49:59,400 Speaker 4: No, this is a hit. It was a huge hit, 1017 00:50:00,000 --> 00:50:01,480 Speaker 4: because how do we not how do we know the 1018 00:50:01,520 --> 00:50:03,640 Speaker 4: words to this song if it's not a huge hit? 1019 00:50:03,880 --> 00:50:05,800 Speaker 4: And kids trapped in. 1020 00:50:08,840 --> 00:50:12,919 Speaker 2: He's the beach boxing kids, the Australian idol you know. 1021 00:50:13,400 --> 00:50:18,520 Speaker 2: Then gone through and you wouldn't believe he's doing his mouth, 1022 00:50:18,560 --> 00:50:20,840 Speaker 2: He's doing his mouth trapped in struggles. 1023 00:50:23,280 --> 00:50:26,200 Speaker 4: Yeah, it does what his mouth? It's gonna heard at 1024 00:50:26,200 --> 00:50:26,600 Speaker 4: the piano with 1025 00:50:26,680 --> 00:50:32,120 Speaker 11: His and they can't You wouldn't believe I'm if that 1026 00:50:32,360 --> 00:50:33,040 Speaker 11: told you