1 00:00:01,000 --> 00:00:05,680 Speaker 1: Great the flick with Beno, Well, good morning, ben O'Shea 2 00:00:05,920 --> 00:00:08,119 Speaker 1: who actually dressed as Bruce and did a dancing in 3 00:00:08,160 --> 00:00:08,440 Speaker 1: the dark. 4 00:00:08,440 --> 00:00:10,440 Speaker 2: Look you think a telephon on the weakend? 5 00:00:10,880 --> 00:00:15,520 Speaker 1: How ominous? Yeah, exactly. I'm not sure if I pulled 6 00:00:15,520 --> 00:00:18,959 Speaker 1: it off quite as well as Jeremy Allen. I've got 7 00:00:19,720 --> 00:00:23,960 Speaker 1: in Springsteen delivered me from nowhere. I heard you play 8 00:00:24,520 --> 00:00:28,280 Speaker 1: some of Jeremy's singing yesterday on the show, and doesn't 9 00:00:28,320 --> 00:00:33,400 Speaker 1: he sound like the Boss? Well, it's uncanny, it's incredible, 10 00:00:33,520 --> 00:00:36,120 Speaker 1: and that's why he's on the soundtrack doing you know, 11 00:00:36,159 --> 00:00:38,519 Speaker 1: all the Nebraska songs as well as a little bit 12 00:00:38,560 --> 00:00:39,519 Speaker 1: of that one and a little bit. 13 00:00:39,479 --> 00:00:40,560 Speaker 2: Of a mumpire. 14 00:00:40,960 --> 00:00:43,560 Speaker 1: And if anybody didn't hear it yesterday, let's just let's 15 00:00:43,600 --> 00:00:45,840 Speaker 1: just have a listen to just how close he does 16 00:00:45,920 --> 00:00:49,440 Speaker 1: he does it. 17 00:00:50,640 --> 00:00:53,560 Speaker 2: That is amazingly convinced. 18 00:00:54,200 --> 00:00:56,440 Speaker 1: I don't know, but anyway, he does do a very 19 00:00:56,680 --> 00:00:57,560 Speaker 1: very good job. 20 00:00:57,960 --> 00:00:59,440 Speaker 2: Please tell me the movie is good. 21 00:01:00,440 --> 00:01:05,080 Speaker 1: The movie is good, but it's not what you might expect. 22 00:01:04,720 --> 00:01:06,880 Speaker 1: You know what to expect, so you know, I mean 23 00:01:07,200 --> 00:01:10,520 Speaker 1: it's not a bio pick of his whole life. Yeah, 24 00:01:10,640 --> 00:01:12,720 Speaker 1: that's right. Oh, when I say, when I say you. 25 00:01:12,800 --> 00:01:15,199 Speaker 1: I don't mean you, Lisa, I know you've done your research. 26 00:01:15,319 --> 00:01:19,160 Speaker 1: I'm talking about me average, the average Joe blowout there 27 00:01:20,080 --> 00:01:22,440 Speaker 1: who maybe has you know, seen a lot of the 28 00:01:22,520 --> 00:01:26,840 Speaker 1: recent musical biopicks like we're talking, you know, the Whitney Houston, 29 00:01:26,920 --> 00:01:30,720 Speaker 1: the Bob Marley, the Freddie Mercury, the Amy Winehouse, and 30 00:01:30,720 --> 00:01:33,679 Speaker 1: they're all kind of similar, very generic. It's basically just 31 00:01:33,800 --> 00:01:36,959 Speaker 1: all the hits you can cram in two hours and 32 00:01:37,040 --> 00:01:41,000 Speaker 1: a pretty a pretty formulaic kind of They go from nowhere, 33 00:01:41,120 --> 00:01:45,240 Speaker 1: find fame, struggle with fame, and then have some kind 34 00:01:45,240 --> 00:01:48,520 Speaker 1: of comeback. That's basically the formula. This is. This is 35 00:01:48,680 --> 00:01:51,600 Speaker 1: not like that at all. It's a very slow burned 36 00:01:51,600 --> 00:01:55,040 Speaker 1: film about one of the darkest periods in Bruce Springsteen's life, 37 00:01:55,040 --> 00:01:59,360 Speaker 1: when he'd already been successful. He had already released five albums. 38 00:01:59,400 --> 00:02:02,720 Speaker 1: His last one, The River, was a big hit. He 39 00:02:02,800 --> 00:02:06,720 Speaker 1: had this very successful tour. His record label said, Bruce, 40 00:02:06,840 --> 00:02:08,600 Speaker 1: you are at the top of the game. All you 41 00:02:08,639 --> 00:02:10,760 Speaker 1: need is one more big album and you will be 42 00:02:10,800 --> 00:02:15,120 Speaker 1: an absolute superstar. But instead he's like, no, I can't 43 00:02:15,160 --> 00:02:17,639 Speaker 1: deal with all of this stuff. He has gone back 44 00:02:17,639 --> 00:02:24,080 Speaker 1: to his hometown in New Jersey and recorded this introspective album, Nebraska, 45 00:02:24,320 --> 00:02:27,119 Speaker 1: which he released in nineteen eighty two in his bedroom 46 00:02:27,200 --> 00:02:30,760 Speaker 1: on a four track tape recorder, and it was completely 47 00:02:30,840 --> 00:02:34,680 Speaker 1: unlike anything he'd done. The record company hated it. He 48 00:02:34,720 --> 00:02:36,680 Speaker 1: didn't want to tour it, he didn't want to release 49 00:02:36,720 --> 00:02:39,680 Speaker 1: any singles, and he didn't want to do any press 50 00:02:39,919 --> 00:02:43,000 Speaker 1: to promote the album. So it was like a really 51 00:02:43,240 --> 00:02:46,600 Speaker 1: huge departure from what everybody expected from Bruce Springsteen, and 52 00:02:46,639 --> 00:02:49,560 Speaker 1: this film kind of unpacks why that happened and what 53 00:02:49,800 --> 00:02:51,680 Speaker 1: was going on in his life at the time and 54 00:02:51,720 --> 00:02:55,600 Speaker 1: some of his childhood trauma that influenced that album. But 55 00:02:55,639 --> 00:02:58,360 Speaker 1: at the same time, while he was recording Nebraska, he 56 00:02:58,480 --> 00:03:04,800 Speaker 1: also came up with Born in the USA Glory Days, uh, 57 00:03:04,840 --> 00:03:08,480 Speaker 1: and so he was doing these incredible songs and the 58 00:03:08,520 --> 00:03:12,480 Speaker 1: studio bosses said, Bruce, why don't we just release Born 59 00:03:12,520 --> 00:03:15,080 Speaker 1: in the USA and these other hits, and he was like, no, 60 00:03:15,320 --> 00:03:18,040 Speaker 1: I refuse to let you release those songs. I want 61 00:03:18,080 --> 00:03:23,360 Speaker 1: you to do these these really introspective, dark acoustic, like 62 00:03:23,520 --> 00:03:26,800 Speaker 1: home brand recordings that didn't sound good at all at 63 00:03:26,840 --> 00:03:29,440 Speaker 1: the time, and then it turned out to be, you know, 64 00:03:29,840 --> 00:03:32,560 Speaker 1: an album that people look back at now as incredibly 65 00:03:32,600 --> 00:03:36,280 Speaker 1: influential Artists like The Killers, Rage Against the Machine, Kelly 66 00:03:36,360 --> 00:03:37,280 Speaker 1: Clarks and. 67 00:03:37,160 --> 00:03:42,880 Speaker 2: Steve Not like the Kelly look look look, you can 68 00:03:42,920 --> 00:03:47,720 Speaker 2: hear it in classon Kelly, I think, yeah, look it. 69 00:03:47,720 --> 00:03:50,080 Speaker 1: Maybe Kelly Clarson isn't quite on the same level. Also 70 00:03:50,120 --> 00:03:53,960 Speaker 1: the National the Nationals, Iron and Wine, lots of bands 71 00:03:54,360 --> 00:03:58,840 Speaker 1: really look at Nebraska as hugely influential. Kelly Clarsson, did 72 00:03:59,120 --> 00:04:07,200 Speaker 1: I put it out to you and so now it's amazing? 73 00:04:07,240 --> 00:04:09,400 Speaker 1: Of course, no one, no one really thinks about it 74 00:04:09,440 --> 00:04:12,720 Speaker 1: as an iconic Bruce brings In album because his next 75 00:04:12,760 --> 00:04:15,240 Speaker 1: album two years later was Born in the USA with 76 00:04:16,000 --> 00:04:18,440 Speaker 1: Dancing in the Dark and I'm on Fire and you know, 77 00:04:18,520 --> 00:04:22,880 Speaker 1: all of those iconic hits. So but probably the best 78 00:04:22,920 --> 00:04:25,680 Speaker 1: scene in this film, somewhat ironically, is not any of 79 00:04:25,720 --> 00:04:28,240 Speaker 1: the scenes where he's recording Nebraska. It's when he's in 80 00:04:28,320 --> 00:04:33,040 Speaker 1: the studio laying down Born in the USA. So if 81 00:04:33,080 --> 00:04:35,360 Speaker 1: you have to excuse the irony, and I think that's 82 00:04:35,400 --> 00:04:38,360 Speaker 1: probably the one drawback of the film that, you know, 83 00:04:38,600 --> 00:04:41,560 Speaker 1: in making the point that Nebraska is such an important 84 00:04:41,680 --> 00:04:44,480 Speaker 1: moment in time, they also acknowledge that no one will 85 00:04:44,480 --> 00:04:47,040 Speaker 1: watch this movie unless they have born in the USA, 86 00:04:47,520 --> 00:04:49,960 Speaker 1: I'm on Fire, and they find excuses to have those 87 00:04:49,960 --> 00:04:53,400 Speaker 1: songs in there as well. But Jeremy Allen White is 88 00:04:54,240 --> 00:04:59,159 Speaker 1: fantastic as Bruce Wrong. Jeremy Strong from succession as his 89 00:04:59,320 --> 00:05:03,160 Speaker 1: manager John Landau is fantastic. Could really do with some 90 00:05:03,240 --> 00:05:06,839 Speaker 1: more Jeremy Strong in this movie and explore the relationship there. 91 00:05:08,279 --> 00:05:10,880 Speaker 1: It's overall probably all we're getting. We're getting played off. 92 00:05:10,960 --> 00:05:11,920 Speaker 1: We're getting played off. 93 00:05:12,279 --> 00:05:12,599 Speaker 2: It is. 94 00:05:12,640 --> 00:05:14,000 Speaker 1: It is full of great Jeremies. 95 00:05:14,240 --> 00:05:17,200 Speaker 2: Now then, how many Courtney Cox. 96 00:05:17,040 --> 00:05:17,440 Speaker 1: Is an minutes? 97 00:05:17,720 --> 00:05:18,839 Speaker 2: Are you giving? 98 00:05:19,520 --> 00:05:22,920 Speaker 1: Are you giving it? Oh? Courtney Cox was also hugely 99 00:05:22,960 --> 00:05:25,280 Speaker 1: influenced by Nebraska. I'm going to give it three and 100 00:05:25,320 --> 00:05:27,360 Speaker 1: a half, three and a half and a half, or 101 00:05:27,400 --> 00:05:28,320 Speaker 1: you could say three and a half. 102 00:05:28,400 --> 00:05:31,520 Speaker 2: Kelly Clarkson's out of five years. How's your ankle after 103 00:05:31,520 --> 00:05:32,479 Speaker 2: your fat cat tattoo? 104 00:05:33,960 --> 00:05:35,600 Speaker 1: It's healed up, beautifully, beautiful. 105 00:05:37,400 --> 00:05:40,440 Speaker 2: Took one for the team there, didn't you tattoos? 106 00:05:40,480 --> 00:05:41,359 Speaker 1: The forever kids. 107 00:05:43,600 --> 00:05:44,320 Speaker 2: Think wisely? 108 00:05:44,640 --> 00:05:47,080 Speaker 1: All right, thanks, thanks guys,