WEBVTT - FULL SHOW: Don't Get Kidnapped!

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<v Speaker 1>Jones and Amanda.

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<v Speaker 2>You're listening to the Jonesy and Amanda Podcast.

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<v Speaker 3>The Jonesy and Amanda Show. George justus Amanda.

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<v Speaker 4>Mistress Amanda is delivering discipline.

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<v Speaker 3>It hurts, but someone's got to do ad Amanda, mad

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<v Speaker 3>Amanda to see.

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<v Speaker 5>Jonesy and the Gerrile Jonesy heard them describe him as

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<v Speaker 5>a drunken idiot, stay in school.

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<v Speaker 1>And learned school.

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<v Speaker 6>Yeah okay jones and Amanda, those are names that you

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<v Speaker 6>would never forget.

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<v Speaker 7>Shot.

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<v Speaker 1>Hello Amanda, how are you today?

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<v Speaker 3>And very well? How are you going?

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<v Speaker 5>I've just been working head down, bum up on your

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<v Speaker 5>Logi's campaign.

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<v Speaker 3>You what have you been doing while your heads down

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<v Speaker 3>your bums up?

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<v Speaker 5>I mean just working, grinding, grinding away.

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<v Speaker 3>To what purpose?

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<v Speaker 1>So you win the low?

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<v Speaker 3>Grinding away?

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<v Speaker 5>How are just getting the word out there, taking the

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<v Speaker 5>word to the streets.

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<v Speaker 3>Bomb in the air.

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<v Speaker 1>Well, yeah that's an old saying.

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<v Speaker 5>I know that you've probably not for me or with

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<v Speaker 5>head down and bum up for the hard working Australians they.

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<v Speaker 3>Know exactly what work is involved.

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<v Speaker 5>Well, look behind you at the post that I've put

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<v Speaker 5>in the studio. Wo see vote for a man the

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<v Speaker 5>best Newton Award for the most popular award.

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<v Speaker 1>That's there's Bert Newton Award.

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<v Speaker 5>Head to tvwee legies dot com dot follow the prompts

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<v Speaker 5>to it.

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<v Speaker 1>How your headlines up with your head there?

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<v Speaker 3>Actually, I haven't even voted yet.

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<v Speaker 1>You haven't voted. No, I haven't even jem Rye has voted?

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<v Speaker 3>Feel have you? Ryan? It feels unseemly to vote for myself?

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<v Speaker 3>Everyone does it?

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<v Speaker 1>Sampang?

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<v Speaker 3>Have you voted for him instead of me?

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<v Speaker 1>I like Sampang. No, I'm not going to vote for Sampang,

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<v Speaker 1>but I love him.

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<v Speaker 3>Who am I up against? Let's have a look. I'm

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<v Speaker 3>up against Hamish.

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<v Speaker 1>Blake, yep, Julian Morris. So I've got.

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<v Speaker 3>Mary Emda, Lisa Miller and Robert Right.

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<v Speaker 5>These are all the things that I've learned about these people.

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<v Speaker 5>Hamish play taken by Big Lego. He's in Kurts with

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<v Speaker 5>Big Lego, Julia Morris, Big bug On, I'm a celebrity.

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<v Speaker 1>Get me out here.

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<v Speaker 3>I'm seeing a theme.

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<v Speaker 1>Larry Emda, Big Chase, Sa Milla, What you've been doing?

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<v Speaker 3>What you've had your bum in the.

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<v Speaker 1>Air, big Dog? And Robert Owen, Big Croc and what

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<v Speaker 1>am I? You're a big deal.

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<v Speaker 3>Nicely saved. Well, I'm going to start voting. How do

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<v Speaker 3>I do it?

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<v Speaker 1>We might be sometime. Have you got the Internet on

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<v Speaker 1>your phone?

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<v Speaker 3>Yes?

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<v Speaker 5>I do have TV week Ladies dot com dot you

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<v Speaker 5>type that in I have to do that while Amanda

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<v Speaker 5>works that out. You can call us and play the

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<v Speaker 5>fast five if you wish. Thirteen fifty five twenty two

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<v Speaker 5>is our number. We'd love to hear from.

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<v Speaker 1>You on Gold Jemacious Gold. Hello, there ends Jonesy Demanda

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<v Speaker 1>driving you home.

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<v Speaker 5>So in the space of a walk, the Moon's song

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<v Speaker 5>and a mental has anything done it?

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<v Speaker 3>You voted for yourself, voted for myself. I voted for

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<v Speaker 3>Andrea Lamb as best New Talent. I voted for the

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<v Speaker 3>piano the show. I voted for various other things along

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<v Speaker 3>the way that various other things. It's like it's like religion,

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<v Speaker 3>you don't talk about it, wages, you don't talk about it.

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<v Speaker 3>Some of those things are private, my medical records.

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<v Speaker 5>This is a kind a bit of a Don Burke,

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<v Speaker 5>isn't it all those years ago when he hosted Burke's Backyard,

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<v Speaker 5>But he.

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<v Speaker 3>Voted more than once. He'd get all the staff to

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<v Speaker 3>cut the coupons out allegedly from the.

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<v Speaker 1>Team they send them in.

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<v Speaker 3>I'm allowed to, You're allowed.

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<v Speaker 1>To, customer, I want you to.

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<v Speaker 3>I would be an idiot to not vote for myself.

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<v Speaker 1>Don't you think you're sure you haven't voted for Julia Morris?

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<v Speaker 6>No?

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<v Speaker 3>No, I double checked that I was in the.

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<v Speaker 1>Voted for the right person. Amanda Kelly got the spelling right.

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<v Speaker 3>Well, I didn't have to spell as a pressa button?

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<v Speaker 1>Good tvweek logis dot com dot are you? This is

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<v Speaker 1>going to happen for you? Friend?

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<v Speaker 3>Look, I don't know. And to be honest, this feels

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<v Speaker 3>so much lighter than last time I was up for

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<v Speaker 3>Star worry about this time? I'm just thrilled to be

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<v Speaker 3>in the mix at one hundred and fifty eight years old.

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<v Speaker 1>You worry your pretty little head about.

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<v Speaker 3>What about the one I've got on today.

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<v Speaker 1>Or that one you? Let's get into the fast five.

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<v Speaker 2>Jonesy and demanders five.

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<v Speaker 3>Anna is in turnstile park Hiana. Hey, how are you?

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<v Speaker 1>Anna? How's things going in your world?

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<v Speaker 8>Going well? Going well? Ready to go away for the weekend?

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<v Speaker 1>Good? And we have your support for Amanda for the lake.

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<v Speaker 3>This is under's uncomfortable.

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<v Speaker 8>Absolutely, Thank you, Anna.

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<v Speaker 1>You felt like I did let down when she didn't

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<v Speaker 1>win at that rob twice.

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<v Speaker 3>No, we don't need to do your ros.

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<v Speaker 1>You were and you were robbed by Shenanigans. And if

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<v Speaker 1>anyone's the king of Shenanigans, this.

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<v Speaker 3>Little black duck here, So what does that mean?

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<v Speaker 1>Meaning if we're going to do Shenanigans, let's.

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<v Speaker 3>Do can we not do Shenanigans?

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<v Speaker 1>Came Ada? Can you dispoke from? I?

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<v Speaker 3>Thank you? He's question one. I'm not like Ryan has

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<v Speaker 3>written this and Ryan, I'm calling you out here just

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<v Speaker 3>that I don't know if the question matches the answer.

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<v Speaker 3>The question says, what phrase is used to describe the

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<v Speaker 3>failure to have two mutually exclusive things at the same time?

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<v Speaker 3>But sometimes this phrase can also mean you can have

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<v Speaker 3>both things at the same time. Do you know what

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<v Speaker 3>I'm saying?

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<v Speaker 8>Ryan, I don't know what you're saying.

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<v Speaker 3>No, Ryan, you read Why don't you read the question?

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<v Speaker 3>To Anna? Ryan? You read the question?

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<v Speaker 9>No?

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<v Speaker 3>You read the question?

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<v Speaker 1>All right, here we go.

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<v Speaker 10>What phrase is used to describe the failure to have

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<v Speaker 10>two mutually exclusive things at the same time?

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<v Speaker 1>Okay, mate, assassinate?

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<v Speaker 3>Does that make it easy for you? Anna? No? No, No,

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<v Speaker 3>it isn't no, and why don't you just buzz her

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<v Speaker 3>out as well? Thank you, Ry.

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<v Speaker 1>I'm not writing the quiz. We still have us.

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<v Speaker 3>Yes, we're trying to get people still.

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<v Speaker 1>Laura's in Hastings. Hello, Laura, Laura. We have your support,

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<v Speaker 1>it's no doubt about that.

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<v Speaker 3>Let's just thank you. Good now, Ryan. I always like

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<v Speaker 3>your questions. I know the answer to this, but I

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<v Speaker 3>don't know if it matches the question.

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<v Speaker 1>I must say, it's good to have two other people

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<v Speaker 1>fighting here.

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<v Speaker 3>Well, what do you think? What do you think? Render?

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<v Speaker 1>I think whatever you think.

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<v Speaker 3>The question here, Laura, is what phrases you used to

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<v Speaker 3>describe the failure to have two mutually exclusive things at

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<v Speaker 3>the same time. I propose that this phrase can also

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<v Speaker 3>mean you're trying to have both things at once and

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<v Speaker 3>you can can you?

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<v Speaker 7>Yeah?

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<v Speaker 10>But the whole thing is you can't.

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<v Speaker 3>Maybe no, you can. You're trying to have this and

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<v Speaker 3>that and maybe you can do you know what the

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<v Speaker 3>phrase is, Laura, have your cake and eat it. I

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<v Speaker 3>say that some people can have their cake and eat

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<v Speaker 3>it too. It doesn't mean you can't. What does it

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<v Speaker 3>say you can't have cake and eat it?

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<v Speaker 10>I think that's the whole that's The whole point of

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<v Speaker 10>the phrase is you can't have cake and eat it

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<v Speaker 10>at the same time.

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<v Speaker 1>But I can't have two things.

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<v Speaker 3>That is that That is the point. But often people

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<v Speaker 3>are saying they're lucky they're able to have their cake

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<v Speaker 3>and eat it too.

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<v Speaker 1>I'm not writing a quiz anymore.

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<v Speaker 3>I upset you now, it's one job. Let's go to

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<v Speaker 3>cover me. This want will annoy me as well.

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<v Speaker 5>This is an old school computer cover of which song Laura, I.

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<v Speaker 3>Can't handle this.

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<v Speaker 1>My face off, Laura.

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<v Speaker 8>Throwing it all away.

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<v Speaker 1>I don't know.

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<v Speaker 3>Oh no, that means you've got to hear it again, Laura.

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<v Speaker 1>Thank you for your support.

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<v Speaker 3>Thank you.

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<v Speaker 1>A man is getting very tense? Is were a week

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<v Speaker 1>and a half?

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<v Speaker 3>Oh that's not why. That's not why I'm tense.

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<v Speaker 1>There's a lot of pressure on this thirteen fifty five

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<v Speaker 1>twenty two. But don't worry. We are your wing people.

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<v Speaker 1>The world is your wing people.

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<v Speaker 3>Once the world is your wing people.

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<v Speaker 1>The world is your wing people.

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<v Speaker 2>Gam Nation story, Jonesy and Demanders.

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<v Speaker 3>Five up the question two, which is cover me. Trevor

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<v Speaker 3>is in cabra matter. Hello Trevor, Hello, Hello Trevor. Trev

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<v Speaker 3>I'm sorry, but you're gonna have to listen to this.

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<v Speaker 3>This is an old school computer covering which song? Do

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<v Speaker 3>you know the song that was horrible?

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<v Speaker 10>But I think it's quinned by him?

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<v Speaker 5>And it is Freddie who in his grave?

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<v Speaker 3>Again?

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<v Speaker 5>What was the name given to the c I a

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<v Speaker 5>project in the nineteen sixties which in tended to use

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<v Speaker 5>cats to spy on the Kremlin and Soviet embassies?

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<v Speaker 3>This actually happened?

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<v Speaker 5>Was it a Project Acoustic Kitty, b Project Sneaky Kitty

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<v Speaker 5>or C Project Smart Kitty?

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<v Speaker 7>And I listened to the last one again.

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<v Speaker 1>Project smart Kitty.

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<v Speaker 3>So you've got project You've got a BOC Acoustic Kitty,

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<v Speaker 3>Sneaky Kitty or smart Kitty.

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<v Speaker 11>I will say eight.

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<v Speaker 3>It is Acoustic Kitty. This is actually quite fascinating. The

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<v Speaker 3>CIA spent around twenty million dollars over five years surgically

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<v Speaker 3>turning a real cat into a listening device. It implanted

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<v Speaker 3>a microphone in its ear canal, a radio transmitted at

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<v Speaker 3>the base of its skull, and apparently the first Acoustic

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<v Speaker 3>Kitty mission was to eavesdrop on two men in the

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<v Speaker 3>park outside the Soviet embassy in Washington. The cat was released,

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<v Speaker 3>but was allegedly hit by a taxi almost immediately. No,

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<v Speaker 3>maybe that explains what was going on with Pinky.

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<v Speaker 1>Good Old Pinky.

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<v Speaker 5>Jerry Seinfeld is the creator and host of a show

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<v Speaker 5>called Comedians in Cars Doing What.

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<v Speaker 7>Trevor Ah, Jerry, Oh god, I think thank.

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<v Speaker 1>You for Amanda's tilt for the best.

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<v Speaker 3>Okay, let's not I'll fill up the corralling people. Let's

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<v Speaker 3>just move through that.

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<v Speaker 1>Sarah is in Kazurina.

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<v Speaker 3>Hi, Sarah, Hi, how are you pretty well? Jerry Seinfeld

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<v Speaker 3>has a TV show. He's the host and creator of it,

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<v Speaker 3>Comedians in Cars Doing What.

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<v Speaker 12>Coffee?

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<v Speaker 3>Yeah, coffee.

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<v Speaker 1>It's a good show.

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<v Speaker 3>He picks up a guest in a car. He's a

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<v Speaker 3>big car head, got incredible cars. Goes to a cafe

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<v Speaker 3>or a restaurant and they have coffee and they talk.

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<v Speaker 1>You should do that. Maybe that's a show that.

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<v Speaker 3>You could do so you can hear all the famous

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<v Speaker 3>people just screaming in horror as I drive them around

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<v Speaker 3>the block.

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<v Speaker 1>And you pick up the wrong people. You have Daryl

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<v Speaker 1>Somers in the back. No, you were.

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<v Speaker 3>Supposed you're saying I shouldn't have picked.

0:11:06.320 --> 0:11:08.200
<v Speaker 1>Up you were supposed to pick up Eddie McGuire.

0:11:08.400 --> 0:11:12.040
<v Speaker 3>You've got Darryl, Question number five. It's been reported that

0:11:12.120 --> 0:11:15.600
<v Speaker 3>a stray piece of SpaceX rocket, this is Elon musk

0:11:15.800 --> 0:11:19.720
<v Speaker 3>Space project, A piece the size of a school bus

0:11:19.720 --> 0:11:26.960
<v Speaker 3>has officially crashed into what it's up in space? What

0:11:27.080 --> 0:11:28.080
<v Speaker 3>is it get crashed into?

0:11:33.440 --> 0:11:33.600
<v Speaker 7>There?

0:11:33.720 --> 0:11:34.959
<v Speaker 3>By the sound of it, we have.

0:11:34.960 --> 0:11:38.280
<v Speaker 1>Your support, though Amanda's lady Tilt. Margaret is in Malumba.

0:11:38.360 --> 0:11:43.440
<v Speaker 3>I'm Margaret. Margaret is a SpaceX Robert of say Sex.

0:11:43.559 --> 0:11:48.760
<v Speaker 3>Robert is my boyfriend, a SpaceX rocket owned by Elon Musk.

0:11:48.800 --> 0:11:51.000
<v Speaker 3>And at various parts of a rocket's journey, things come

0:11:51.000 --> 0:11:53.600
<v Speaker 3>off it. So a stray piece the size of a

0:11:53.640 --> 0:11:54.760
<v Speaker 3>school bus has come off.

0:11:54.920 --> 0:11:56.320
<v Speaker 1>That's a big straight piece it is.

0:11:56.360 --> 0:11:59.880
<v Speaker 3>It's all this space junk floating around, but it's it's crashed.

0:12:00.280 --> 0:12:02.120
<v Speaker 3>What did it crash into? It has bounced off, But

0:12:02.120 --> 0:12:05.960
<v Speaker 3>what did it crash into? I heard yesterday they were

0:12:05.960 --> 0:12:08.640
<v Speaker 3>trying to deliberately do it into the moon. Or was

0:12:08.679 --> 0:12:09.640
<v Speaker 3>it deliberate that they did?

0:12:10.160 --> 0:12:11.400
<v Speaker 8>I thought? I thought I heard that.

0:12:12.160 --> 0:12:14.720
<v Speaker 1>Yeah, Well there you go. Either way. I went into

0:12:14.760 --> 0:12:15.040
<v Speaker 1>the moon.

0:12:15.080 --> 0:12:17.920
<v Speaker 3>If he has to pay damages, I don't know the moon.

0:12:18.200 --> 0:12:20.640
<v Speaker 3>The moon got third party maybe who knows.

0:12:20.800 --> 0:12:22.559
<v Speaker 1>Comprehensively insured a man in the.

0:12:22.480 --> 0:12:24.280
<v Speaker 3>Moon comes out and says, what's going on?

0:12:24.440 --> 0:12:27.640
<v Speaker 1>What's happened here? Margaret, congratulations to you.

0:12:27.640 --> 0:12:29.880
<v Speaker 5>You've won the jam Pack, a two hundred and fifty

0:12:29.920 --> 0:12:32.560
<v Speaker 5>dollars Visa gift card, and no doubt we would have

0:12:32.600 --> 0:12:35.360
<v Speaker 5>your support for Amanda's tilt at the Bert Newton Award

0:12:35.400 --> 0:12:37.280
<v Speaker 5>for Most Popular TV Presenter.

0:12:38.120 --> 0:12:41.320
<v Speaker 3>Obviously, Oh, thank you Margaret and Brendan. I like how

0:12:41.480 --> 0:12:43.600
<v Speaker 3>you're pronouncing it correct me for the first time because

0:12:43.600 --> 0:12:45.440
<v Speaker 3>it's on the screen behind my head.

0:12:45.679 --> 0:12:48.000
<v Speaker 1>Well, it's good. I'm looking at your face in front

0:12:48.040 --> 0:12:49.440
<v Speaker 1>of the face of your face.

0:12:50.440 --> 0:12:52.600
<v Speaker 3>It's like a fall of mirrors.

0:12:56.400 --> 0:12:58.240
<v Speaker 5>If you'd like to play the fast five, Jonesy demanded

0:12:58.280 --> 0:13:00.880
<v Speaker 5>dot com dot a you on gold.

0:13:00.760 --> 0:13:04.079
<v Speaker 2>Take a peek behind the scenes. Follow Jonesy and Amanda

0:13:04.200 --> 0:13:05.720
<v Speaker 2>on Instagram and Facebook.

0:13:06.000 --> 0:13:09.320
<v Speaker 1>Free movie. You know my theory of the free movie?

0:13:09.679 --> 0:13:11.800
<v Speaker 3>What's your theory of the free movie? You see a

0:13:11.840 --> 0:13:14.160
<v Speaker 3>movie and it's free, even though you pay a lot

0:13:14.200 --> 0:13:17.920
<v Speaker 3>of money for your streaming services. Brendan, you would rather

0:13:18.559 --> 0:13:20.640
<v Speaker 3>even though you do pay for that and you do

0:13:20.760 --> 0:13:24.360
<v Speaker 3>have streaming services, you would rather watch a movie for free.

0:13:24.440 --> 0:13:25.719
<v Speaker 3>On what Happened in Television with.

0:13:25.640 --> 0:13:29.360
<v Speaker 5>As free movie is the universe deems that you're going

0:13:29.440 --> 0:13:32.679
<v Speaker 5>to watch this movie. The TV's on, you're walking past.

0:13:33.240 --> 0:13:37.000
<v Speaker 5>It's starting. You see like the Columbia Pictures or Universal

0:13:37.200 --> 0:13:40.520
<v Speaker 5>or Paramount, and you think, what's this movie? And you

0:13:40.559 --> 0:13:43.080
<v Speaker 5>hear the start and you go, oh, this is whatever.

0:13:43.400 --> 0:13:46.440
<v Speaker 5>So I'm working past the sps and use the sps. Okay,

0:13:46.720 --> 0:13:49.240
<v Speaker 5>you know you don't get a movie of this caliber?

0:13:49.800 --> 0:13:53.760
<v Speaker 1>What was it? The free movie? The other night was

0:13:53.800 --> 0:13:57.160
<v Speaker 1>the nineteen eighty five cinematic masterpiece?

0:13:57.720 --> 0:13:58.280
<v Speaker 3>What was it?

0:13:58.520 --> 0:14:01.040
<v Speaker 1>Commando with Schwartzenegger.

0:14:02.440 --> 0:14:03.400
<v Speaker 7>They hunted him down.

0:14:03.679 --> 0:14:05.640
<v Speaker 1>You're not gonna We went to a lot of trouble

0:14:05.720 --> 0:14:06.160
<v Speaker 1>to find you.

0:14:07.000 --> 0:14:10.320
<v Speaker 2>They murdered his friends and they took the only thing

0:14:10.679 --> 0:14:11.440
<v Speaker 2>he would kill for.

0:14:12.160 --> 0:14:14.199
<v Speaker 3>If he wants your kid back, then you've got to

0:14:14.240 --> 0:14:25.120
<v Speaker 3>cooperate right wrong, Somewhere, somehow someone's gonna pay. Yeah, I

0:14:25.160 --> 0:14:27.800
<v Speaker 3>did you said it was free to that?

0:14:28.080 --> 0:14:29.280
<v Speaker 1>Have you not seen command No?

0:14:30.520 --> 0:14:37.000
<v Speaker 5>Romantic comedies Arld Schwarzenegger, Raydor and Chong is smoking hot.

0:14:37.080 --> 0:14:39.720
<v Speaker 3>Raydor Chong said that name for a long time, right, God,

0:14:39.800 --> 0:14:41.240
<v Speaker 3>she was everywhere.

0:14:41.080 --> 0:14:45.120
<v Speaker 5>She is great in this and Ossie actor Vernon Wells

0:14:47.400 --> 0:14:49.760
<v Speaker 5>Mad Max two. He played Wez.

0:14:50.080 --> 0:14:54.200
<v Speaker 3>You know he played Wez in he plays the Baddie.

0:14:54.240 --> 0:14:57.440
<v Speaker 1>He sounds like Brian Brown actually in it, and he's

0:14:57.560 --> 0:14:58.320
<v Speaker 1>dressed a little bit.

0:14:58.600 --> 0:15:01.320
<v Speaker 3>It's an old story for the Mardi Graph. It's an

0:15:01.360 --> 0:15:04.720
<v Speaker 3>old storyline of isn't it taken? It's all those Yeah,

0:15:05.520 --> 0:15:06.120
<v Speaker 3>it's all the same.

0:15:06.400 --> 0:15:07.280
<v Speaker 1>You want the synopsis?

0:15:07.400 --> 0:15:09.960
<v Speaker 3>No, I think I think I heard it in that audio.

0:15:09.600 --> 0:15:11.080
<v Speaker 1>Before Arnie plays Matrix.

0:15:11.280 --> 0:15:14.960
<v Speaker 5>He's a Special Forces commando and he's retired because he's

0:15:14.960 --> 0:15:17.840
<v Speaker 5>got his daughter and he's living in his secluded ranch and.

0:15:17.960 --> 0:15:20.760
<v Speaker 3>Enjoy raydorn Chong No no, no, no, no, no.

0:15:21.160 --> 0:15:25.800
<v Speaker 5>Anyway, Vernon Wells plays Bennett and he was supposed to

0:15:25.920 --> 0:15:29.920
<v Speaker 5>mate of Matrix, but he's gone to these mercenaries. And

0:15:29.960 --> 0:15:33.480
<v Speaker 5>the mercenaries live in some sort of Ecuadorian country and

0:15:33.560 --> 0:15:38.000
<v Speaker 5>they want to bump off this opposition leader to the dictator.

0:15:38.520 --> 0:15:40.960
<v Speaker 5>So they want to get the crack squad back together.

0:15:41.480 --> 0:15:43.400
<v Speaker 5>So this Bennett guy says, the only way you can

0:15:43.520 --> 0:15:45.080
<v Speaker 5>do it is get Matrix on the team.

0:15:45.120 --> 0:15:47.000
<v Speaker 3>And Matrix will only join if you're still his kid.

0:15:47.120 --> 0:15:50.280
<v Speaker 1>Yeah, because he's in retirement. Have you seen this movie? Wow?

0:15:50.520 --> 0:15:52.400
<v Speaker 3>You know I can't follow these and even I could

0:15:52.480 --> 0:15:52.880
<v Speaker 3>see that.

0:15:53.080 --> 0:15:56.040
<v Speaker 5>And it's Alyssa Milano like a nine year old of

0:15:56.120 --> 0:15:57.840
<v Speaker 5>Lissa Milano as the child.

0:15:58.400 --> 0:16:00.680
<v Speaker 3>Anyway, where does raydorn Chong come into.

0:16:00.560 --> 0:16:01.760
<v Speaker 1>Well, this is what happens.

0:16:01.800 --> 0:16:05.080
<v Speaker 5>They put Arnie on the plane to fly to whatever

0:16:05.120 --> 0:16:08.840
<v Speaker 5>it's called and with a do a security guard that's

0:16:08.880 --> 0:16:12.640
<v Speaker 5>watching him, but Arnie dispatches on him before they even

0:16:12.680 --> 0:16:13.240
<v Speaker 5>take off.

0:16:13.560 --> 0:16:17.040
<v Speaker 7>That will be showing our future. And it's our Susan

0:16:17.040 --> 0:16:19.840
<v Speaker 7>and lays and we're here to make your trip as

0:16:19.880 --> 0:16:20.960
<v Speaker 7>comfortable as possible.

0:16:21.440 --> 0:16:23.400
<v Speaker 4>Thank you and have a safe and enjoyable flight.

0:16:23.800 --> 0:16:26.080
<v Speaker 1>Excuse me, how long is the flight? We land and

0:16:26.160 --> 0:16:29.080
<v Speaker 1>Velvorde in exactly eleven hours? Thank you, and do me

0:16:29.120 --> 0:16:33.200
<v Speaker 1>a favor. Don't disturb my friend. He's dead tired, so

0:16:33.280 --> 0:16:36.200
<v Speaker 1>he has eleven hours. So old mate is dead on

0:16:36.240 --> 0:16:37.680
<v Speaker 1>the plane, had.

0:16:37.560 --> 0:16:40.480
<v Speaker 5>On his to kill him because he's making sure he

0:16:40.520 --> 0:16:42.880
<v Speaker 5>doesn't get off the plane. Matrix gets off the plane

0:16:42.920 --> 0:16:47.480
<v Speaker 5>before it takes off through the nosewheel, and then that's

0:16:47.520 --> 0:16:48.880
<v Speaker 5>when he mates Raid.

0:16:49.840 --> 0:16:51.680
<v Speaker 3>Who's also hiding in the nosewheel.

0:16:53.640 --> 0:16:56.520
<v Speaker 5>Jesus, a hosty just come back from a long flight,

0:16:57.080 --> 0:17:00.520
<v Speaker 5>and he steals her car and then he goes abound

0:17:00.800 --> 0:17:03.880
<v Speaker 5>dispatching all the baddies to find out where he's ye.

0:17:04.000 --> 0:17:05.560
<v Speaker 1>But he wants to find out where his door is at.

0:17:05.600 --> 0:17:07.520
<v Speaker 3>It hasn't gone overseas.

0:17:07.000 --> 0:17:09.640
<v Speaker 5>So he's dispatching the baddies but at the same time

0:17:09.800 --> 0:17:11.919
<v Speaker 5>delivering snappy dialogue.

0:17:11.440 --> 0:17:14.520
<v Speaker 13>Like remember Sally, when I promised to kill your last

0:17:14.840 --> 0:17:15.119
<v Speaker 13>that's what.

0:17:16.880 --> 0:17:18.520
<v Speaker 6>I lie.

0:17:19.720 --> 0:17:23.960
<v Speaker 5>And drops him off a cliff and then and finally

0:17:24.080 --> 0:17:27.760
<v Speaker 5>ends with Bennett Vernon Wells as the baddie and Matrix

0:17:27.920 --> 0:17:30.640
<v Speaker 5>throws his pipe and it goes through his guts into

0:17:30.680 --> 0:17:36.320
<v Speaker 5>a big steam pot and he says.

0:17:36.800 --> 0:17:36.879
<v Speaker 4>A.

0:17:39.480 --> 0:17:41.600
<v Speaker 13>Let off some steam, Bannet.

0:17:41.640 --> 0:17:45.080
<v Speaker 5>And there's a Lolissa Milano up in the wings, Dad,

0:17:45.359 --> 0:17:47.919
<v Speaker 5>and then you go. And then he gets onto the

0:17:47.960 --> 0:17:50.760
<v Speaker 5>plane with Raydor and John who goes from a stewardess

0:17:50.920 --> 0:17:53.440
<v Speaker 5>to a pilot and flies a flying boat out.

0:17:53.280 --> 0:17:54.960
<v Speaker 3>Of there, and they romantically linked.

0:17:55.000 --> 0:17:56.399
<v Speaker 5>You don't see it, but you see only in some

0:17:56.440 --> 0:18:01.200
<v Speaker 5>budgety spugglers, like he's quite impressive. It's a good rig.

0:18:01.600 --> 0:18:04.520
<v Speaker 5>So that's on SBS and this is what Pauline wants

0:18:04.520 --> 0:18:05.160
<v Speaker 5>to defund.

0:18:05.320 --> 0:18:07.600
<v Speaker 3>I know, imagine Brendan if you had to, if you'd

0:18:07.600 --> 0:18:12.440
<v Speaker 3>had to pay subscription services to see that imagine to

0:18:12.600 --> 0:18:16.680
<v Speaker 3>yourself a favor, please, jam We spoke on the show

0:18:16.760 --> 0:18:22.040
<v Speaker 3>yesterday about fabulous supermodel Miranda Curve. She still looks absolutely incredible,

0:18:22.080 --> 0:18:25.240
<v Speaker 3>although she's no longer modeling, but that doesn't come easy.

0:18:25.320 --> 0:18:27.280
<v Speaker 3>She's really She said she'd had some health issues, but

0:18:27.320 --> 0:18:29.679
<v Speaker 3>she's very strict about what she eats. This is how

0:18:29.720 --> 0:18:33.040
<v Speaker 3>she spoke about breakfast on a podcast recently. Oh I

0:18:33.080 --> 0:18:35.080
<v Speaker 3>don't do eggs, okay, so what's a breakfast for you?

0:18:35.280 --> 0:18:42.040
<v Speaker 11>I do protein, So I eat meats like venison, Oh yeah, bison, yeah, lamb.

0:18:42.320 --> 0:18:44.919
<v Speaker 11>I eat all the meats that aren't mass produced. So

0:18:44.960 --> 0:18:45.920
<v Speaker 11>you're not doing sushi?

0:18:46.119 --> 0:18:51.879
<v Speaker 3>Oh never, never, parasite, parasite, I know, tonate or the

0:18:51.960 --> 0:18:54.960
<v Speaker 3>meats that aren't mass produced, like giraffe. I mean, where

0:18:55.000 --> 0:18:59.439
<v Speaker 3>do you draw the line? I don't know. I went

0:18:59.480 --> 0:19:02.920
<v Speaker 3>to a place, a restaurant in Nairobi called Carnivore and

0:19:03.560 --> 0:19:05.080
<v Speaker 3>there they farm them to eat them.

0:19:05.320 --> 0:19:05.520
<v Speaker 8>Right.

0:19:05.600 --> 0:19:06.680
<v Speaker 1>What did you ask for the neck?

0:19:08.760 --> 0:19:09.760
<v Speaker 3>Why the long neck?

0:19:10.640 --> 0:19:11.320
<v Speaker 1>What it taste like?

0:19:11.800 --> 0:19:14.719
<v Speaker 3>I don't just taste like gamy kind of food. But

0:19:14.720 --> 0:19:17.359
<v Speaker 3>the restaurant, if you're a vegetarian, as our sound recorders was,

0:19:17.400 --> 0:19:19.840
<v Speaker 3>someone took us a long beyond two thousands. He wasn't

0:19:19.840 --> 0:19:22.560
<v Speaker 3>thrilled because everyway look there was something on a on

0:19:22.640 --> 0:19:25.080
<v Speaker 3>a rotisserie. Even at one point there's a tiny like

0:19:25.119 --> 0:19:27.480
<v Speaker 3>looked like a tiny squirrel. Everywhere you look, the space

0:19:27.560 --> 0:19:30.080
<v Speaker 3>was taking up with something spinning over some hot coals.

0:19:31.280 --> 0:19:33.720
<v Speaker 3>But the reason I'm bringing this up again is I've

0:19:33.720 --> 0:19:36.200
<v Speaker 3>come across some of the stuff that Bear Grills likes

0:19:36.200 --> 0:19:39.040
<v Speaker 3>to chow down on. He seems to like putting himself

0:19:39.040 --> 0:19:42.720
<v Speaker 3>in really dangerous situations. You see recently some footage of

0:19:42.800 --> 0:19:48.240
<v Speaker 3>him being weed on by mel b because an emergency,

0:19:49.320 --> 0:19:51.359
<v Speaker 3>someone's urine has to steal on my leg.

0:19:52.280 --> 0:19:54.040
<v Speaker 5>I'm not the biggest outdoors you go in the world,

0:19:54.080 --> 0:19:55.920
<v Speaker 5>but I have spent a bit of time in the outdoors.

0:19:56.520 --> 0:19:59.960
<v Speaker 5>I've never had the need to wee or be weed

0:20:00.160 --> 0:20:01.840
<v Speaker 5>pond because of a situation.

0:20:02.040 --> 0:20:04.080
<v Speaker 3>He seems to like doing this. Here's some of the

0:20:04.119 --> 0:20:05.040
<v Speaker 3>stuff that he's eaten.

0:20:05.800 --> 0:20:07.960
<v Speaker 4>I've eaten loads of school things before, but they've always

0:20:07.960 --> 0:20:09.640
<v Speaker 4>been raw and discussing.

0:20:09.920 --> 0:20:12.560
<v Speaker 1>But when you cook them, they're actually quite nice.

0:20:12.760 --> 0:20:20.240
<v Speaker 4>I say, I've never eaten raw goats, testicles before, beetles,

0:20:21.000 --> 0:20:23.000
<v Speaker 4>a couple of moths as well.

0:20:23.480 --> 0:20:25.560
<v Speaker 9>He'm gonna praying mantis.

0:20:25.960 --> 0:20:29.680
<v Speaker 4>It probably easiest way of eating this is to make

0:20:29.720 --> 0:20:31.800
<v Speaker 4>a bug patty out of all.

0:20:31.720 --> 0:20:33.280
<v Speaker 6>Of these things. See what we've gone here?

0:20:35.640 --> 0:20:41.760
<v Speaker 14>Oh god, he's eaten raw rat brain, but he had

0:20:41.760 --> 0:20:44.240
<v Speaker 14>to eat it for calories in a survival scenario because

0:20:44.240 --> 0:20:47.119
<v Speaker 14>he hadn't had a protein shake for two hours.

0:20:47.359 --> 0:20:51.760
<v Speaker 3>He's eaten tarantula's cooked all raw, depending on the situation. Okay, yeah,

0:20:51.840 --> 0:20:55.199
<v Speaker 3>that makes a nice difference. He's had water squeezed from

0:20:55.240 --> 0:20:59.320
<v Speaker 3>elephant dunge. He filtered that from fresh elephant droppings in

0:20:59.400 --> 0:21:03.240
<v Speaker 3>case there was some emergency hydration issues, and his own

0:21:03.440 --> 0:21:09.080
<v Speaker 3>urine once again in an emergency situation. But the latest

0:21:09.080 --> 0:21:11.640
<v Speaker 3>thing he's eaten is this.

0:21:12.200 --> 0:21:13.119
<v Speaker 11>So what are we gonna do?

0:21:13.560 --> 0:21:15.480
<v Speaker 9>Am I going to pick all the little bits of

0:21:15.880 --> 0:21:18.760
<v Speaker 9>nuts out of this bear poo, wash him off and

0:21:18.800 --> 0:21:19.240
<v Speaker 9>eat them?

0:21:19.760 --> 0:21:21.480
<v Speaker 1>Okay, let's do this.

0:21:22.400 --> 0:21:25.679
<v Speaker 9>Remember you only try this if you're desperate for food

0:21:26.119 --> 0:21:27.000
<v Speaker 9>or you're going.

0:21:26.960 --> 0:21:27.960
<v Speaker 1>To wash this off.

0:21:28.400 --> 0:21:31.720
<v Speaker 9>The brown stuff is what I want to get off,

0:21:32.560 --> 0:21:35.200
<v Speaker 9>so then you're left with those little bits like that.

0:21:36.000 --> 0:21:38.479
<v Speaker 9>It's really as clean as I can get it, and

0:21:38.520 --> 0:21:43.600
<v Speaker 9>it's only half digested by the bear. Another bit there,

0:21:46.640 --> 0:21:48.240
<v Speaker 9>Just give me a second of rinse my mouth.

0:21:49.040 --> 0:21:56.040
<v Speaker 3>And now let's place in the bottle Nature's gakido. I'm

0:21:56.119 --> 0:21:58.800
<v Speaker 3>thinking that Bison is looking pretty good right about now.

0:22:00.320 --> 0:22:05.719
<v Speaker 2>You're listening to the Jonesy and Demanda podcast.

0:22:05.720 --> 0:22:07.480
<v Speaker 1>Now a by the miracle of recording and.

0:22:07.480 --> 0:22:10.560
<v Speaker 3>Amanda, don't be an Amanda. Those are two great names.

0:22:11.400 --> 0:22:13.840
<v Speaker 1>I'm not a scam. That's the chemistry between them.

0:22:13.880 --> 0:22:15.760
<v Speaker 3>But how much of that realigned your own business? And

0:22:15.840 --> 0:22:16.480
<v Speaker 3>shut your pie?

0:22:16.800 --> 0:22:18.040
<v Speaker 5>I wish you were with your show.

0:22:18.720 --> 0:22:21.919
<v Speaker 1>I'm not happy with my shaving situations. For years, I

0:22:22.080 --> 0:22:25.080
<v Speaker 1>use the electric razor. I like the electric razor was good.

0:22:25.119 --> 0:22:28.040
<v Speaker 5>Then one day it broke and I had to use

0:22:28.040 --> 0:22:32.000
<v Speaker 5>my wife's just razor, leg razor, yeah.

0:22:31.920 --> 0:22:35.440
<v Speaker 3>Whatever she shaves, I don't know, and I peeling paint.

0:22:35.640 --> 0:22:38.080
<v Speaker 1>I was using it. I thought, actually, this is a

0:22:38.119 --> 0:22:38.879
<v Speaker 1>close shave.

0:22:38.960 --> 0:22:42.159
<v Speaker 5>It's not too bad. And then I was talking to

0:22:42.280 --> 0:22:44.840
<v Speaker 5>jim Y and Rye about this and he says every

0:22:44.920 --> 0:22:47.520
<v Speaker 5>day he shaves in the shower, and this was some

0:22:47.680 --> 0:22:48.200
<v Speaker 5>time ago.

0:22:48.680 --> 0:22:50.840
<v Speaker 10>Yeah, well, I think you're in the shower already.

0:22:50.960 --> 0:22:51.600
<v Speaker 1>Yeah yeah, yeah.

0:22:51.720 --> 0:22:54.440
<v Speaker 10>You know the water is like a natural lubricant. Yep,

0:22:54.720 --> 0:22:56.240
<v Speaker 10>you can kind of use you just go through it.

0:22:56.280 --> 0:22:58.560
<v Speaker 3>And you still use shaving cream, don't you.

0:22:58.640 --> 0:23:00.800
<v Speaker 10>Well, if you're in the shower, you you kind of yah,

0:23:01.280 --> 0:23:01.679
<v Speaker 10>I have to.

0:23:02.000 --> 0:23:03.800
<v Speaker 1>I don't know. I don't know how hardcore you are,

0:23:03.840 --> 0:23:05.000
<v Speaker 1>but yeah, I do get there.

0:23:05.080 --> 0:23:07.359
<v Speaker 3>So you're taking shaving advice from Ryan who's only been

0:23:07.359 --> 0:23:08.480
<v Speaker 3>shaving for about two years.

0:23:09.040 --> 0:23:10.920
<v Speaker 5>Well, I've been in the electric razor for so long,

0:23:11.080 --> 0:23:12.480
<v Speaker 5>but lately I don't know what's happened.

0:23:12.480 --> 0:23:13.199
<v Speaker 1>I keep getting this.

0:23:13.720 --> 0:23:16.280
<v Speaker 3>See around here, I've been watching you play with the

0:23:16.359 --> 0:23:17.680
<v Speaker 3>side of your mouth. What's it doing?

0:23:17.720 --> 0:23:23.200
<v Speaker 1>I just can't get that that part explain my mouth?

0:23:23.200 --> 0:23:23.879
<v Speaker 3>This is radio.

0:23:24.160 --> 0:23:26.320
<v Speaker 1>Yes, what's this part of my mouth called.

0:23:26.080 --> 0:23:28.960
<v Speaker 3>The side of your mouth? Their hair on it?

0:23:29.040 --> 0:23:31.360
<v Speaker 1>Yeah, it's like it's a stiff bristle.

0:23:31.840 --> 0:23:34.480
<v Speaker 5>And then I've heard as you get older that's why

0:23:34.560 --> 0:23:37.840
<v Speaker 5>old blakes grow beards. Why because they're too hard to

0:23:37.840 --> 0:23:40.680
<v Speaker 5>shave and they're just done with it. That's what happens.

0:23:40.680 --> 0:23:42.360
<v Speaker 3>Why won't you can't get it close?

0:23:42.800 --> 0:23:45.520
<v Speaker 1>I'm in there, I'm like, you know, I just can't.

0:23:45.920 --> 0:23:48.399
<v Speaker 1>I can't get it and all those ads you see,

0:23:48.680 --> 0:23:50.440
<v Speaker 1>you know this blade takes the.

0:23:50.840 --> 0:23:53.400
<v Speaker 3>But you see you're five doing those.

0:23:53.440 --> 0:23:55.880
<v Speaker 1>Bristle and all that sort of stuff. But you see

0:23:55.920 --> 0:23:57.080
<v Speaker 1>look at Ryan's face.

0:23:57.160 --> 0:23:57.960
<v Speaker 3>It's clean face.

0:23:58.040 --> 0:24:00.119
<v Speaker 10>Now, I can't really grow much of a beard, to

0:24:00.200 --> 0:24:00.560
<v Speaker 10>be honest.

0:24:00.640 --> 0:24:03.520
<v Speaker 1>No, that's true. I was saying that, what have.

0:24:03.480 --> 0:24:06.080
<v Speaker 3>You ever had a cut throat situation? Is that what

0:24:06.080 --> 0:24:09.560
<v Speaker 3>it's called? They use the strap and then they.

0:24:11.119 --> 0:24:11.159
<v Speaker 6>No.

0:24:11.280 --> 0:24:13.280
<v Speaker 3>But it's a very nice experience. You can go into

0:24:13.320 --> 0:24:15.000
<v Speaker 3>the city and have that. That's issue.

0:24:17.359 --> 0:24:27.920
<v Speaker 5>And my knuckles jam right on, Goldie, Goldie, are.

0:24:27.800 --> 0:24:33.200
<v Speaker 3>You having an out of body Goldie gold We're called

0:24:33.280 --> 0:24:37.720
<v Speaker 3>gold Hello, it's Jonesy and Demanda driving you home.

0:24:38.200 --> 0:24:39.200
<v Speaker 1>You know what's Goldie?

0:24:39.280 --> 0:24:40.280
<v Speaker 3>Jones and Goldie.

0:24:40.440 --> 0:24:42.800
<v Speaker 1>You know what's Goldie? Double a chattery?

0:24:43.000 --> 0:24:47.359
<v Speaker 5>Dack drops Today Amanda's Side Hustle podcast with forensic psychologists

0:24:47.560 --> 0:24:49.640
<v Speaker 5>slash friend Anita McGregor.

0:24:49.920 --> 0:24:53.199
<v Speaker 3>Interesting doing a podcast with Anita who is a forensic

0:24:53.200 --> 0:24:55.000
<v Speaker 3>psychologist and forensics.

0:24:54.440 --> 0:24:57.800
<v Speaker 1>Is a friend first, or forensic psychologists.

0:24:57.119 --> 0:25:01.360
<v Speaker 3>Second friend first, forensics I coologist or anyone that works

0:25:01.400 --> 0:25:04.320
<v Speaker 3>in the forensic field. You can have forensic accountants. These

0:25:04.359 --> 0:25:08.200
<v Speaker 3>are for forensic psychiatrists. These are people who work within

0:25:08.240 --> 0:25:12.159
<v Speaker 3>the police system or the justice system. So for example,

0:25:12.160 --> 0:25:14.960
<v Speaker 3>an Edose's clients who are up on charges may might

0:25:15.040 --> 0:25:17.760
<v Speaker 3>be on parole. She does assessments of whether people should

0:25:17.760 --> 0:25:19.159
<v Speaker 3>be released, all that kind of stuff.

0:25:19.320 --> 0:25:20.160
<v Speaker 1>I call clients.

0:25:20.320 --> 0:25:25.879
<v Speaker 3>There's's criminals, they're clients. And that's what's interesting. It's interesting

0:25:25.920 --> 0:25:27.760
<v Speaker 3>you say that because in a way, that's what this

0:25:27.880 --> 0:25:31.680
<v Speaker 3>episode is about. This is the truth of the story,

0:25:31.840 --> 0:25:34.440
<v Speaker 3>is that we are as a society, we are better

0:25:34.480 --> 0:25:38.560
<v Speaker 3>off if people go through the justice system, are rehabilitated,

0:25:38.800 --> 0:25:42.040
<v Speaker 3>come out the other side, and rejoin society. And there

0:25:42.080 --> 0:25:44.280
<v Speaker 3>are many ways in which the system is trying to

0:25:44.320 --> 0:25:46.800
<v Speaker 3>help people do that because I know, looking at many

0:25:46.840 --> 0:25:48.959
<v Speaker 3>parts of the media, it's easy to think about as

0:25:49.000 --> 0:25:51.600
<v Speaker 3>a baddie and they don't stay in prison long enough.

0:25:52.119 --> 0:25:56.360
<v Speaker 3>We are better off if people are rehabilitated, certainly, and

0:25:56.400 --> 0:25:59.320
<v Speaker 3>a huge number of people who are in this forensic

0:25:59.359 --> 0:26:02.080
<v Speaker 3>and Justice City situation of mental health issues, that's not

0:26:02.119 --> 0:26:05.359
<v Speaker 3>a surprise. So Anita brought in a colleague that she

0:26:05.560 --> 0:26:09.000
<v Speaker 3>has who she works with through the university, and he

0:26:09.359 --> 0:26:14.440
<v Speaker 3>is a lived Experience contributor. And what that means is

0:26:14.480 --> 0:26:19.359
<v Speaker 3>his name is Andrew Pattiaci and he himself has had

0:26:19.400 --> 0:26:21.919
<v Speaker 3>mental health issues, he has been in prison, and he

0:26:22.040 --> 0:26:24.639
<v Speaker 3>has come through the system. What do you do, I

0:26:24.680 --> 0:26:27.720
<v Speaker 3>don't know, but he has come through the system out

0:26:27.720 --> 0:26:30.840
<v Speaker 3>the other side, and he now works in what they

0:26:30.880 --> 0:26:35.720
<v Speaker 3>call lived experience. So when a client comes in or

0:26:35.760 --> 0:26:38.639
<v Speaker 3>someone is before the justice system and they are in

0:26:38.680 --> 0:26:41.919
<v Speaker 3>the drop zone of their horror, he steps in and

0:26:41.960 --> 0:26:44.960
<v Speaker 3>there are They have access to psychologists, psychiatrists, all the

0:26:44.960 --> 0:26:47.359
<v Speaker 3>rest of it, but sometimes you need someone who can

0:26:47.400 --> 0:26:49.000
<v Speaker 3>say I've been there.

0:26:49.440 --> 0:26:52.800
<v Speaker 13>I would say that I meet them at their admission

0:26:52.800 --> 0:26:55.560
<v Speaker 13>when they're acutely unwell, So I get to see them

0:26:56.600 --> 0:26:59.800
<v Speaker 13>essentially what I consider their lowest point of their mental

0:26:59.840 --> 0:27:04.040
<v Speaker 13>health health, and I get to work alongside them and

0:27:04.960 --> 0:27:09.000
<v Speaker 13>show that role modeling, that positive role modeling in a

0:27:09.040 --> 0:27:11.439
<v Speaker 13>way that by the end of three or four years

0:27:11.960 --> 0:27:16.560
<v Speaker 13>a transition from acutely unwell to rehabilitated.

0:27:17.040 --> 0:27:19.400
<v Speaker 3>You're on that journey with them for that long.

0:27:19.400 --> 0:27:24.200
<v Speaker 13>Start to finish. Mostly yes, wow. So with the length

0:27:24.240 --> 0:27:25.960
<v Speaker 13>of time that I get to spend them, I get

0:27:26.000 --> 0:27:28.960
<v Speaker 13>to know them quite well. They're just people like you

0:27:29.000 --> 0:27:34.880
<v Speaker 13>and I that have been found unwell, mentally unwell, and

0:27:35.400 --> 0:27:39.280
<v Speaker 13>have landed themselves in a forensic psychiatric facility.

0:27:40.080 --> 0:27:42.439
<v Speaker 3>So he works with them, and that's how long this

0:27:42.520 --> 0:27:46.320
<v Speaker 3>stuff takes. This is how long rehability. Rehabilitation takes and

0:27:46.359 --> 0:27:49.480
<v Speaker 3>we are very lucky in our country to have these resources.

0:27:49.800 --> 0:27:52.400
<v Speaker 3>That's what really struck me is that they have access

0:27:52.440 --> 0:27:55.920
<v Speaker 3>to someone like Andrew, access to someone like Anita all

0:27:55.960 --> 0:28:00.800
<v Speaker 3>the way along there, and as he says, to to

0:28:00.920 --> 0:28:02.879
<v Speaker 3>open up to someone who's trying to assess you and

0:28:02.960 --> 0:28:05.239
<v Speaker 3>help you, you have to be really vulnerable. And if

0:28:05.280 --> 0:28:08.560
<v Speaker 3>you have mental health issues, if you've been if you've

0:28:08.560 --> 0:28:11.520
<v Speaker 3>committed a crime, you're incarcerated. Who wants to do that.

0:28:11.880 --> 0:28:14.679
<v Speaker 3>But to have someone who says, who understands where you've

0:28:14.720 --> 0:28:18.000
<v Speaker 3>been and says, come on, I can hold your hand

0:28:18.040 --> 0:28:19.480
<v Speaker 3>and I can help you here because I know what

0:28:19.520 --> 0:28:21.879
<v Speaker 3>you're going through, I know what this is like, makes

0:28:21.920 --> 0:28:24.800
<v Speaker 3>such a difference. And Anita said, having someone like Andrew

0:28:24.920 --> 0:28:28.679
<v Speaker 3>or these lived experienced contributors, whether they might be a

0:28:28.720 --> 0:28:33.200
<v Speaker 3>lived experience in various different ways. She has Aboriginal advisors

0:28:33.240 --> 0:28:35.240
<v Speaker 3>who help out to deal with those sorts of clients.

0:28:35.359 --> 0:28:38.520
<v Speaker 3>All these different people who work in advisory capacities help

0:28:38.800 --> 0:28:42.960
<v Speaker 3>these therapists as well learn how to deal with clients.

0:28:43.240 --> 0:28:46.040
<v Speaker 3>So all the way through, I just find it fascinating

0:28:46.200 --> 0:28:49.360
<v Speaker 3>sure that these people are working within the system and.

0:28:49.320 --> 0:28:51.480
<v Speaker 5>It takes away the stigma, as you say, because I

0:28:51.800 --> 0:28:54.360
<v Speaker 5>guess when you're a criminal, if you're a murderer, then

0:28:54.480 --> 0:28:56.720
<v Speaker 5>largely there's going to be something mentally.

0:28:56.360 --> 0:28:56.880
<v Speaker 1>Wrong with you.

0:28:57.400 --> 0:29:00.000
<v Speaker 3>Well, there's a million crimes that people are in prison

0:29:00.160 --> 0:29:03.719
<v Speaker 3>for that aren't murdering. But yes, that may be, or

0:29:03.760 --> 0:29:08.840
<v Speaker 3>maybe maybe there were circumstances. I'm not condoning murdered duh,

0:29:09.680 --> 0:29:10.960
<v Speaker 3>But who knows.

0:29:10.760 --> 0:29:12.320
<v Speaker 1>What How did they get to there?

0:29:12.480 --> 0:29:15.240
<v Speaker 3>How did they how do they get to there? What

0:29:15.280 --> 0:29:18.160
<v Speaker 3>do we learn from that to nip the bud way

0:29:18.240 --> 0:29:21.240
<v Speaker 3>back here when the oil lights blinking saying something's not

0:29:21.480 --> 0:29:23.760
<v Speaker 3>right going on back here, look at what's going on

0:29:23.920 --> 0:29:27.440
<v Speaker 3>back there. It's a learning experience for everybody. And as

0:29:27.440 --> 0:29:30.240
<v Speaker 3>a society, as I said, we are all better off

0:29:30.520 --> 0:29:32.960
<v Speaker 3>when these people when this system works.

0:29:33.080 --> 0:29:35.080
<v Speaker 5>And we see that a lot in grooming cases, which

0:29:35.080 --> 0:29:38.040
<v Speaker 5>we're seeing quite at the moment with the Alan Jones

0:29:38.080 --> 0:29:42.760
<v Speaker 5>case about grooming of young people, and that's sort of

0:29:42.760 --> 0:29:45.520
<v Speaker 5>stuff where that person feels it everything they've got is

0:29:45.520 --> 0:29:47.360
<v Speaker 5>going to be taken away from them and then it

0:29:47.400 --> 0:29:48.000
<v Speaker 5>comes back.

0:29:47.880 --> 0:29:51.760
<v Speaker 1>To them later in life. Yeah, and that's that's There's

0:29:51.760 --> 0:29:53.080
<v Speaker 1>a million stories.

0:29:52.720 --> 0:29:55.040
<v Speaker 3>Like that, a million stories like all of it.

0:29:55.040 --> 0:29:55.720
<v Speaker 1>It's fascinating.

0:29:55.720 --> 0:29:58.440
<v Speaker 3>It is fascinating, but I'm just very grateful that we

0:29:58.560 --> 0:30:00.600
<v Speaker 3>have people who are working in the city system to

0:30:00.640 --> 0:30:04.960
<v Speaker 3>help us all stay safer and help all our citizens

0:30:05.120 --> 0:30:05.680
<v Speaker 3>be better.

0:30:06.080 --> 0:30:08.640
<v Speaker 5>Hey, do double a chattery dot com or check out

0:30:08.640 --> 0:30:10.959
<v Speaker 5>iHeartRadio podcast Cheritation.

0:30:11.320 --> 0:30:15.680
<v Speaker 3>This is something that's I'd like to know your opinion on.

0:30:15.800 --> 0:30:19.000
<v Speaker 3>I mentioned this casually before that. I heard a podcast,

0:30:19.120 --> 0:30:20.760
<v Speaker 3>or I heard a snippet of a podcast. It's called

0:30:20.800 --> 0:30:25.120
<v Speaker 3>Staying Relevant podcast with two men's Sam Thompson and Pete Wicks,

0:30:25.240 --> 0:30:30.320
<v Speaker 3>and they were discussing wearing jeans at home or being

0:30:30.400 --> 0:30:34.560
<v Speaker 3>comfortable in jeans at home. This is part of the conversation.

0:30:34.880 --> 0:30:37.040
<v Speaker 1>Also, relaxing in jeans. That is a weird one.

0:30:37.080 --> 0:30:38.640
<v Speaker 15>Do you know this? Everyone knows I do.

0:30:38.880 --> 0:30:40.560
<v Speaker 5>This is the thing because it's so I'm so used

0:30:40.600 --> 0:30:42.640
<v Speaker 5>to it that it doesn't seem weird. But then when

0:30:42.640 --> 0:30:45.400
<v Speaker 5>I think about it, I don't actually know people who

0:30:45.440 --> 0:30:48.120
<v Speaker 5>do like chill out in a pair of gene.

0:30:47.920 --> 0:30:50.320
<v Speaker 15>Right, So this is what I'm wearing today. We've got

0:30:50.320 --> 0:30:53.640
<v Speaker 15>a long day in the office. I'll go home and

0:30:53.680 --> 0:30:55.280
<v Speaker 15>this is what I'll wear till I go to bed.

0:30:55.640 --> 0:30:59.280
<v Speaker 15>I sleep no, no, I a fresh bear of jeans.

0:30:59.400 --> 0:31:01.040
<v Speaker 15>To be honest with you, I probably want even take

0:31:01.040 --> 0:31:01.600
<v Speaker 15>the boots off.

0:31:02.200 --> 0:31:02.600
<v Speaker 7>I'll sit.

0:31:03.000 --> 0:31:05.200
<v Speaker 15>This is what I will wear until I go to bed.

0:31:05.360 --> 0:31:07.720
<v Speaker 3>And when I mentioned this earlier, just as a chat

0:31:07.800 --> 0:31:09.800
<v Speaker 3>around the office, Jenna, who works with us, said she

0:31:10.320 --> 0:31:12.440
<v Speaker 3>looked at me like I'd suggested I was going to

0:31:12.520 --> 0:31:16.040
<v Speaker 3>murder people. She was going that makes her feel sick.

0:31:16.120 --> 0:31:16.880
<v Speaker 1>What is Jenny Doe?

0:31:17.000 --> 0:31:18.960
<v Speaker 3>She said, the minute she gets home she has to

0:31:19.000 --> 0:31:22.640
<v Speaker 3>take off her outdoor clothes because she doesn't want that

0:31:22.680 --> 0:31:25.840
<v Speaker 3>on her on a furniture. It's not just for comfort.

0:31:25.880 --> 0:31:28.719
<v Speaker 3>She does not want outdoor clothes like that.

0:31:28.840 --> 0:31:29.680
<v Speaker 1>So what does she put on?

0:31:29.800 --> 0:31:32.680
<v Speaker 3>Pajamas or other clothes comfort? You get home clothes, And

0:31:32.720 --> 0:31:34.480
<v Speaker 3>so that's what the debate has been. I've seen some

0:31:34.560 --> 0:31:37.400
<v Speaker 3>of the comments online. Someone said, here, my husband chills

0:31:37.400 --> 0:31:40.760
<v Speaker 3>out in jeans after his bath. It's very English, isn't it.

0:31:41.720 --> 0:31:44.120
<v Speaker 3>But many people have said the minute and I'm the same,

0:31:44.240 --> 0:31:49.520
<v Speaker 3>The minute I get home, I will put on jarmis do.

0:31:49.520 --> 0:31:50.480
<v Speaker 1>You put on the robe?

0:31:51.040 --> 0:31:56.840
<v Speaker 3>I put on job because I can't relax wearing a

0:31:56.880 --> 0:32:00.360
<v Speaker 3>pair of jeans. How about you, Brendan, you wear kevlarje jans,

0:32:00.600 --> 0:32:02.880
<v Speaker 3>which are even weirder to be relaxing in. Well, they're

0:32:02.960 --> 0:32:05.080
<v Speaker 3>very comfortable, are they, But they're still jeans.

0:32:05.560 --> 0:32:07.840
<v Speaker 5>Jeans aware, you know, since we started doing these new

0:32:07.840 --> 0:32:10.239
<v Speaker 5>hours and I get home a bit later. Now I

0:32:10.320 --> 0:32:13.040
<v Speaker 5>come home and my wife has got dinner on the table.

0:32:13.080 --> 0:32:16.240
<v Speaker 5>It's like I'm living some fifties lifestyle, Martini. And in

0:32:16.280 --> 0:32:17.959
<v Speaker 5>the old days, I used to cook dinner every night.

0:32:18.040 --> 0:32:19.960
<v Speaker 5>So now I get home, dinner's on the table. So

0:32:20.000 --> 0:32:21.240
<v Speaker 5>there's no time to get changed.

0:32:21.400 --> 0:32:23.360
<v Speaker 3>So I sit down and you watch TV for the

0:32:23.440 --> 0:32:24.360
<v Speaker 3>night in your geene YEA.

0:32:24.360 --> 0:32:26.200
<v Speaker 5>I'll take my mate by boots off and I'll sit

0:32:26.280 --> 0:32:28.760
<v Speaker 5>there in these jeans and my work shirt.

0:32:29.120 --> 0:32:30.280
<v Speaker 1>It's not like I'm working in a.

0:32:30.240 --> 0:32:32.760
<v Speaker 3>Coal mine, no, but just for comfort level, it does

0:32:32.800 --> 0:32:34.480
<v Speaker 3>seem unusual, how about you, Ryan.

0:32:34.920 --> 0:32:37.560
<v Speaker 10>Yeah, I keep my jeans on because like the jeans

0:32:37.680 --> 0:32:39.200
<v Speaker 10>kind of walk to your body a bit.

0:32:39.320 --> 0:32:42.400
<v Speaker 1>Yeah, exactly. And he's in a sharehouse as well.

0:32:42.720 --> 0:32:44.280
<v Speaker 3>So you're not going to put pajamas on, is what

0:32:44.320 --> 0:32:46.320
<v Speaker 3>you're saying. Yeah, yeah, no, no.

0:32:46.400 --> 0:32:50.400
<v Speaker 5>Yeah, Because my neighbor a few years ago there was

0:32:50.440 --> 0:32:52.719
<v Speaker 5>a car accident at the front of the house at

0:32:52.760 --> 0:32:53.960
<v Speaker 5>about eight thirty at night.

0:32:54.400 --> 0:32:57.240
<v Speaker 1>Anyway, he hit his Chumi's on and he came.

0:32:57.720 --> 0:33:00.120
<v Speaker 3>And you've mocked him ever since. By the sound of it.

0:33:00.240 --> 0:33:03.480
<v Speaker 1>He's jarmy. And I said, we're talking about this terrible

0:33:03.520 --> 0:33:05.800
<v Speaker 1>car Ecais. It was about five cars have been smashed.

0:33:06.120 --> 0:33:09.800
<v Speaker 5>Are you wearing charmis greg It was wearing like fallen

0:33:09.920 --> 0:33:12.160
<v Speaker 5>fla pajamas.

0:33:12.240 --> 0:33:15.280
<v Speaker 1>Thirty What are you up to plow a field tomorrow?

0:33:15.480 --> 0:33:17.360
<v Speaker 3>That's what's interesting is there's a whole lot of people

0:33:17.360 --> 0:33:21.600
<v Speaker 3>who won't stay in their work clothes until they go

0:33:21.680 --> 0:33:25.200
<v Speaker 3>on a building, not just that comfort and psychologically I'm

0:33:25.280 --> 0:33:29.240
<v Speaker 3>home now, I'm relaxing. I think it's a psychological cutoff.

0:33:29.760 --> 0:33:30.720
<v Speaker 1>I think it's a whippole.

0:33:31.240 --> 0:33:33.800
<v Speaker 3>Let's call it this so whippole. You think staying in

0:33:33.800 --> 0:33:38.600
<v Speaker 3>your jeans at home, not staying staying in your jeans

0:33:38.720 --> 0:33:42.200
<v Speaker 3>at home, relaxing in your jeans at home? Does it

0:33:42.280 --> 0:33:43.800
<v Speaker 3>pass the part oh no, whip.

0:33:43.560 --> 0:33:45.080
<v Speaker 1>Whip pole who come home?

0:33:45.920 --> 0:33:48.880
<v Speaker 3>Say yes or no? Wearing your jeans all day at home,

0:33:50.080 --> 0:33:52.680
<v Speaker 3>all day, jeans, all the jeans into the.

0:33:52.640 --> 0:33:55.640
<v Speaker 1>Evening, twenty four hours.

0:33:55.800 --> 0:34:00.200
<v Speaker 3>You relaxing in jeans at home? Yes or no? You

0:34:00.320 --> 0:34:03.200
<v Speaker 3>formulated good Jonesy and Amanda.

0:34:02.840 --> 0:34:05.360
<v Speaker 2>Can't shut Up on the Jonesy and Demanda podcast. Download

0:34:05.360 --> 0:34:06.720
<v Speaker 2>the free iHeart apt.

0:34:06.680 --> 0:34:08.960
<v Speaker 5>When there are big issues to discuss, we could go

0:34:09.000 --> 0:34:11.640
<v Speaker 5>down to the Jonesy Demander Arms, but no, this is.

0:34:11.600 --> 0:34:12.520
<v Speaker 1>More of a whippole.

0:34:12.520 --> 0:34:16.160
<v Speaker 5>A whippole is a snapshot of what Australia thinks about

0:34:16.160 --> 0:34:17.439
<v Speaker 5>any given subject.

0:34:17.120 --> 0:34:20.440
<v Speaker 3>And the subject we're talking about today is wearing your

0:34:20.520 --> 0:34:23.160
<v Speaker 3>jeens when you're relaxing at home. A lot of people

0:34:23.200 --> 0:34:25.680
<v Speaker 3>come in from work or if they've been out, have

0:34:25.760 --> 0:34:27.640
<v Speaker 3>to take their genes off and put on their leisure

0:34:27.719 --> 0:34:30.439
<v Speaker 3>where some in more comfy, others staying in that all

0:34:30.520 --> 0:34:33.000
<v Speaker 3>day long. With the people who put on their comfies,

0:34:33.040 --> 0:34:34.000
<v Speaker 3>go what the hell?

0:34:34.160 --> 0:34:36.800
<v Speaker 5>Yeah, when you put your comfies on, I do think

0:34:36.840 --> 0:34:39.160
<v Speaker 5>if you had a shower or a bath or something

0:34:39.200 --> 0:34:41.600
<v Speaker 5>like that, I wouldn't be putting jeans on after that.

0:34:41.920 --> 0:34:44.000
<v Speaker 5>But I will go from here to my modest home

0:34:44.120 --> 0:34:46.080
<v Speaker 5>when my wife has got dinner waiting for me on

0:34:46.120 --> 0:34:50.480
<v Speaker 5>the table, and I won't take my pants on until later.

0:34:51.960 --> 0:34:54.400
<v Speaker 3>Well, let's see what you think. Staying in your jeans

0:34:54.440 --> 0:34:56.160
<v Speaker 3>at home, that's what the whippole is.

0:34:56.320 --> 0:34:58.320
<v Speaker 1>Helen's in Connell's points over to you, Helen.

0:34:58.360 --> 0:34:58.919
<v Speaker 3>What do you think.

0:35:00.120 --> 0:35:02.080
<v Speaker 11>I think you have to get into something comfy.

0:35:02.160 --> 0:35:04.600
<v Speaker 8>So that's something that's got some stretch on the waist.

0:35:04.960 --> 0:35:07.120
<v Speaker 8>He's loose and we'll move with you.

0:35:08.000 --> 0:35:10.520
<v Speaker 3>Good stretch around the waist and the crutchy bits. That's

0:35:10.520 --> 0:35:12.359
<v Speaker 3>what's required. When you get home, I.

0:35:12.320 --> 0:35:14.000
<v Speaker 1>Think guy is in Deva Hill.

0:35:14.080 --> 0:35:15.680
<v Speaker 3>What do you think, guy? Are you going to keep

0:35:15.719 --> 0:35:17.319
<v Speaker 3>your pat your jeans on at home?

0:35:19.239 --> 0:35:19.439
<v Speaker 4>No?

0:35:19.680 --> 0:35:22.720
<v Speaker 8>When I get home, I automatically change into my comfy clothes.

0:35:23.080 --> 0:35:24.720
<v Speaker 1>Yes, And what are you comfy clothes?

0:35:24.760 --> 0:35:24.960
<v Speaker 4>Guy?

0:35:26.239 --> 0:35:29.640
<v Speaker 8>Just some tracksuit pants, hoodie and all that.

0:35:30.880 --> 0:35:34.640
<v Speaker 5>I put on tracksuit pants the other night, and my

0:35:34.680 --> 0:35:36.720
<v Speaker 5>wife said, it looks like you're going into a home.

0:35:38.680 --> 0:35:40.080
<v Speaker 3>So is that why you don't do it more often?

0:35:40.200 --> 0:35:40.319
<v Speaker 6>No?

0:35:40.640 --> 0:35:43.600
<v Speaker 1>I was wearing my business shirt with trash.

0:35:43.600 --> 0:35:45.520
<v Speaker 3>That would look like you were going into a home.

0:35:45.920 --> 0:35:47.600
<v Speaker 1>Thank you. Guy dead is in the ship?

0:35:47.760 --> 0:35:49.680
<v Speaker 3>Hi, dare? What about you jeans at home?

0:35:50.960 --> 0:35:51.560
<v Speaker 12>Definitely?

0:35:51.600 --> 0:35:53.520
<v Speaker 7>Not straight home and into the army.

0:35:54.000 --> 0:35:56.560
<v Speaker 3>Yes, even when we did breakfast radio. When I go

0:35:56.640 --> 0:35:58.680
<v Speaker 3>home in the middle of the day, I was tempted,

0:35:58.719 --> 0:36:00.560
<v Speaker 3>and often I did. I put on pajamas in the

0:36:00.600 --> 0:36:02.680
<v Speaker 3>middle of the day and Therefore, if someone came to

0:36:02.719 --> 0:36:04.640
<v Speaker 3>the door, they just thought I was an old alcoholic.

0:36:06.200 --> 0:36:06.640
<v Speaker 1>Thank you.

0:36:06.760 --> 0:36:08.680
<v Speaker 3>Holding the bottle was also a give thank you.

0:36:09.400 --> 0:36:10.040
<v Speaker 1>Carry's with us.

0:36:10.040 --> 0:36:12.160
<v Speaker 3>Hello, Kerry, what do you think about wearing jeans at home?

0:36:13.320 --> 0:36:13.520
<v Speaker 2>Oh?

0:36:13.680 --> 0:36:14.600
<v Speaker 3>Never?

0:36:14.080 --> 0:36:16.520
<v Speaker 7>If you get home, the pajamas go on.

0:36:16.880 --> 0:36:18.080
<v Speaker 12>Even on the weekend.

0:36:18.200 --> 0:36:20.719
<v Speaker 11>I'll have a shower and change back into my pajamas

0:36:20.800 --> 0:36:23.400
<v Speaker 11>and if I'm not going out, that's what I'll stay in.

0:36:24.000 --> 0:36:25.680
<v Speaker 3>I like that idea. You get up in the morning

0:36:26.520 --> 0:36:28.560
<v Speaker 3>to take your pajamas off, have a shower, get back

0:36:28.560 --> 0:36:29.480
<v Speaker 3>into some pajamas.

0:36:29.680 --> 0:36:31.400
<v Speaker 1>Are they flat? And let pajamas carry?

0:36:32.239 --> 0:36:32.680
<v Speaker 3>They are?

0:36:33.360 --> 0:36:34.400
<v Speaker 12>They're so comfortable?

0:36:34.440 --> 0:36:36.960
<v Speaker 8>Yeah, yeah, that's what you need.

0:36:37.239 --> 0:36:38.160
<v Speaker 1>Yeah, that's what you need.

0:36:38.200 --> 0:36:38.839
<v Speaker 3>Thank you, Kerry.

0:36:39.040 --> 0:36:41.080
<v Speaker 1>Louise is in North Paramatta, Louisa.

0:36:40.800 --> 0:36:41.719
<v Speaker 3>Jeans at home or not?

0:36:42.960 --> 0:36:45.440
<v Speaker 11>No, go home, get into your comfies.

0:36:45.480 --> 0:36:47.359
<v Speaker 7>And if you're a fat boomba ladder.

0:36:47.040 --> 0:36:48.080
<v Speaker 3>Like me, you need to.

0:36:48.320 --> 0:36:49.720
<v Speaker 8>You couldn't sit in jeans forever.

0:36:50.000 --> 0:36:52.120
<v Speaker 3>No, It's like when you see people on international flights

0:36:52.120 --> 0:36:53.520
<v Speaker 3>wearing jeans, you go, how does that happen?

0:36:53.560 --> 0:36:55.279
<v Speaker 1>There's a lot of seams in jeans, A lot of.

0:36:55.239 --> 0:36:57.480
<v Speaker 3>Seams around the waist, around the crotchy bits around the lake.

0:36:57.600 --> 0:36:59.520
<v Speaker 5>Those people that you see get it straight into the

0:36:59.640 --> 0:37:00.880
<v Speaker 5>quantus pajamas.

0:37:01.000 --> 0:37:03.680
<v Speaker 3>I don't know about or even to they get off.

0:37:03.800 --> 0:37:06.120
<v Speaker 3>They change the second the planet takes.

0:37:05.880 --> 0:37:07.279
<v Speaker 1>Off, like I saw the pilot do it.

0:37:08.800 --> 0:37:09.759
<v Speaker 3>This pillow.

0:37:11.520 --> 0:37:13.400
<v Speaker 1>Teddy bear, John will wrap this up?

0:37:13.400 --> 0:37:16.480
<v Speaker 3>Hallo, John jeans during the when you get home or not?

0:37:17.880 --> 0:37:21.080
<v Speaker 8>No, definitely not straighten the crag sending the planning.

0:37:21.760 --> 0:37:23.240
<v Speaker 1>Yeah, Craggy's and Flanny.

0:37:23.320 --> 0:37:24.680
<v Speaker 3>What happens in summer.

0:37:26.160 --> 0:37:29.400
<v Speaker 8>Shorts and a T shirt. Yeah, but it's like a

0:37:29.440 --> 0:37:32.800
<v Speaker 8>switch off. You get home, you take your work stuff off,

0:37:33.000 --> 0:37:36.000
<v Speaker 8>and you don't think about word until the next day.

0:37:36.160 --> 0:37:39.000
<v Speaker 3>I agree, it's psychological. It's that that part of the

0:37:39.080 --> 0:37:39.960
<v Speaker 3>day has finished.

0:37:40.000 --> 0:37:40.160
<v Speaker 7>Well.

0:37:40.280 --> 0:37:43.879
<v Speaker 5>Ninety nine point nine percent of respondents have said they

0:37:44.080 --> 0:37:46.080
<v Speaker 5>change it to something more comfortable. I'm the only one

0:37:46.080 --> 0:37:49.160
<v Speaker 5>that does. And Ryan and Ryan okay, so we're a

0:37:49.239 --> 0:37:50.560
<v Speaker 5>point one of a percent.

0:37:51.560 --> 0:37:52.399
<v Speaker 1>Between the two.

0:37:53.800 --> 0:37:57.880
<v Speaker 3>This is almost like a public service announcement to women.

0:37:58.000 --> 0:38:00.080
<v Speaker 3>As you know, when you go overseas and there's a

0:38:00.080 --> 0:38:03.280
<v Speaker 3>scam or those sorts of things taken to get robbed, kidnapped,

0:38:03.320 --> 0:38:03.799
<v Speaker 3>whatever it is.

0:38:03.920 --> 0:38:06.120
<v Speaker 1>I've seen taken, you've seen taken.

0:38:06.280 --> 0:38:07.040
<v Speaker 3>How did that happen.

0:38:07.520 --> 0:38:10.839
<v Speaker 5>It's the same sort of thing. Got to abducted over

0:38:10.880 --> 0:38:12.799
<v Speaker 5>there and the overseas well.

0:38:12.840 --> 0:38:15.560
<v Speaker 3>The thing is, we've always been told about the van,

0:38:15.800 --> 0:38:18.239
<v Speaker 3>the mask, dark alley, but.

0:38:18.320 --> 0:38:20.040
<v Speaker 1>These are the people away from those things.

0:38:20.120 --> 0:38:22.919
<v Speaker 3>These are the some of the new scams that might

0:38:23.000 --> 0:38:26.160
<v Speaker 3>bring you unstuck. Got pen and paper, Brendan, Yes, ma'm

0:38:26.440 --> 0:38:31.239
<v Speaker 3>Number one is the sample. Someone says, try this perfume,

0:38:31.840 --> 0:38:34.919
<v Speaker 3>smell this cologne. A stranger at a mall parking lot

0:38:35.120 --> 0:38:37.839
<v Speaker 3>a shop approaches you with a bottle one spray near

0:38:37.880 --> 0:38:42.040
<v Speaker 3>your face. This is dramatic, but it may not be perfume.

0:38:42.120 --> 0:38:44.760
<v Speaker 3>It can can contain chemicals at disrange you. Within seconds,

0:38:44.760 --> 0:38:48.200
<v Speaker 3>they follow you out to your car spam wow, and

0:38:48.239 --> 0:38:53.280
<v Speaker 3>it says here, never smell anything of stranger hands you ever? Interesting?

0:38:53.400 --> 0:38:55.640
<v Speaker 3>How about this one? Scheme number two? The fly would

0:38:55.719 --> 0:38:59.120
<v Speaker 3>do that? Well? Well, who would Who would kidnap? Someone?

0:38:59.120 --> 0:39:01.359
<v Speaker 3>Who would try and put something in someone's drink? Who

0:39:01.360 --> 0:39:05.560
<v Speaker 3>would try? Who are these people, Brendan? They exist? Scheme

0:39:05.640 --> 0:39:09.759
<v Speaker 3>number two? Okay, the flyer. There's a flyer on your

0:39:09.760 --> 0:39:13.439
<v Speaker 3>windscreen of flower yep. You reach for it and while

0:39:13.480 --> 0:39:16.040
<v Speaker 3>you're reading, your hands are down. Your hands are full,

0:39:16.120 --> 0:39:18.759
<v Speaker 3>your eyes are down. You're standing at your driver door.

0:39:18.840 --> 0:39:21.880
<v Speaker 3>Someone approaches from behind. It says, here, the flyer was

0:39:21.920 --> 0:39:24.080
<v Speaker 3>placed there ten minutes ago, and they've been watching you

0:39:24.120 --> 0:39:24.960
<v Speaker 3>come back to your car.

0:39:25.920 --> 0:39:27.600
<v Speaker 1>It's all when it says it's on the flyer.

0:39:29.000 --> 0:39:33.319
<v Speaker 3>Are you listening? No, what do you mean? There's a

0:39:33.360 --> 0:39:35.879
<v Speaker 3>flyer that someone's going So you come back to your car.

0:39:36.040 --> 0:39:39.840
<v Speaker 3>It's flipping around. You reach for it. You're not concentrating

0:39:39.880 --> 0:39:42.640
<v Speaker 3>on where your stuff is. You're looking down. Someone suddenly

0:39:42.640 --> 0:39:44.560
<v Speaker 3>at your car, bundles you in or bundles you out,

0:39:44.560 --> 0:39:49.359
<v Speaker 3>takes you. I'm not saying these are everyday scenario. These

0:39:49.400 --> 0:39:51.399
<v Speaker 3>are the new ways that things could happen. If you're

0:39:51.440 --> 0:39:52.000
<v Speaker 3>going to take.

0:39:51.880 --> 0:39:53.720
<v Speaker 1>This seriously, I'm taking very seriously.

0:39:53.880 --> 0:39:57.680
<v Speaker 3>Scheme number three, This one is interesting. The baby sound

0:39:58.239 --> 0:40:00.640
<v Speaker 3>a recording of a baby crying pla from a phone

0:40:00.719 --> 0:40:04.319
<v Speaker 3>or a speaker near your front door at night. You

0:40:04.400 --> 0:40:07.120
<v Speaker 3>hear a baby outside alone, of course, your instinct is

0:40:07.120 --> 0:40:09.560
<v Speaker 3>to open the door. There's no baby, someone's waiting for

0:40:09.600 --> 0:40:13.080
<v Speaker 3>you to open when you open the door. These are

0:40:13.200 --> 0:40:16.359
<v Speaker 3>terrifying scenarios. But this is what's hard is that you're

0:40:16.640 --> 0:40:18.759
<v Speaker 3>it goes against your instinct to say, don't do this.

0:40:18.760 --> 0:40:20.160
<v Speaker 3>I'm going to read through them all and we'll discuss

0:40:20.160 --> 0:40:21.279
<v Speaker 3>how we feel at the end. There's more.

0:40:21.360 --> 0:40:23.360
<v Speaker 5>I got one of those frog for things than you

0:40:23.480 --> 0:40:26.439
<v Speaker 5>put from online. You know it's a frog when someone

0:40:26.440 --> 0:40:29.239
<v Speaker 5>comes to your doors and goes ribbit. Yeah, what if

0:40:29.239 --> 0:40:31.880
<v Speaker 5>they put that with the baby's out? A baby and

0:40:31.880 --> 0:40:32.640
<v Speaker 5>a frog together.

0:40:33.040 --> 0:40:34.799
<v Speaker 3>I'm trying to save women, Brendan. Do you do what

0:40:34.840 --> 0:40:36.080
<v Speaker 3>you like? You do what you like?

0:40:36.800 --> 0:40:38.959
<v Speaker 1>Well, men can be dupes too, you know, of God.

0:40:39.239 --> 0:40:42.359
<v Speaker 3>Well, I think you're demonstrating that very well. Scheme number four,

0:40:42.400 --> 0:40:45.680
<v Speaker 3>the charity clipboard? Am I boring you? I saw you

0:40:45.680 --> 0:40:46.239
<v Speaker 3>look at the clock.

0:40:46.360 --> 0:40:47.680
<v Speaker 1>Not at all. I'm not looking at the clock.

0:40:47.719 --> 0:40:49.680
<v Speaker 3>I hope if someone is going to be attacked in

0:40:49.680 --> 0:40:50.279
<v Speaker 3>this room at.

0:40:50.239 --> 0:40:52.200
<v Speaker 1>You go on charity clipboard?

0:40:52.280 --> 0:40:54.320
<v Speaker 3>Can you sign this petition? A clipboard?

0:40:54.320 --> 0:40:54.560
<v Speaker 6>A pen?

0:40:54.600 --> 0:40:56.400
<v Speaker 3>While you're writing your name, you're giving them your full name.

0:40:56.440 --> 0:40:57.120
<v Speaker 3>You're handwriting.

0:40:57.280 --> 0:40:58.160
<v Speaker 1>But who does this?

0:40:58.719 --> 0:40:59.279
<v Speaker 7>I don't know.

0:41:00.239 --> 0:41:04.040
<v Speaker 3>Oh it's mister Philip the Thorpes and his address is

0:41:04.120 --> 0:41:06.560
<v Speaker 3>If I knew that, I'd go and stop him. There's

0:41:06.560 --> 0:41:08.880
<v Speaker 3>another one, the photo requests. Can you take a photo

0:41:08.920 --> 0:41:10.759
<v Speaker 3>of us? A phone is hand both your hands and

0:41:10.840 --> 0:41:13.160
<v Speaker 3>now holding their device. Your hands are free, your phone

0:41:13.239 --> 0:41:15.439
<v Speaker 3>is in your bag, They take your bag. Who's doing

0:41:18.239 --> 0:41:20.040
<v Speaker 3>this is what's Let me get to the point of this.

0:41:20.120 --> 0:41:22.360
<v Speaker 3>And I know, I hope you're pretending to be dumb.

0:41:23.640 --> 0:41:27.080
<v Speaker 1>No, I'm not a dumb No, I just don't let

0:41:27.160 --> 0:41:29.400
<v Speaker 1>me get to That sounds reasonable.

0:41:29.000 --> 0:41:34.000
<v Speaker 3>Of course, and people, it's all sounding reasonable until someone

0:41:34.000 --> 0:41:35.560
<v Speaker 3>puts something in your drink. You think, you know this

0:41:35.600 --> 0:41:36.680
<v Speaker 3>is the thing, You go out for a drink. Who

0:41:36.719 --> 0:41:40.120
<v Speaker 3>would do that? People do? This is what the stuff

0:41:40.160 --> 0:41:44.200
<v Speaker 3>I find interesting. Kindness is not compliance. Someone offers you

0:41:44.280 --> 0:41:47.719
<v Speaker 3>something to smell, walk away. Someone hands you something and

0:41:47.719 --> 0:41:51.520
<v Speaker 3>walk away. And no, it's hard to say for babies crying.

0:41:51.560 --> 0:41:53.440
<v Speaker 3>Can you help me? We all want to be people pleases.

0:41:53.600 --> 0:41:57.360
<v Speaker 3>This was the interesting point. No to a stranger costs

0:41:57.360 --> 0:42:00.960
<v Speaker 3>you nothing. You don't oh us stranger anything. But if

0:42:00.960 --> 0:42:03.279
<v Speaker 3>we all live like that, what a cold place it

0:42:03.280 --> 0:42:04.960
<v Speaker 3>would be. But that this is what the pattern is

0:42:05.280 --> 0:42:07.480
<v Speaker 3>they want. It's all the same design. They want to

0:42:07.480 --> 0:42:12.160
<v Speaker 3>occupy your hands, lower your eyes, consume your attention four seconds.

0:42:12.160 --> 0:42:15.600
<v Speaker 3>You're blind, you're busy, you're positioned. That's the window they're

0:42:15.600 --> 0:42:17.879
<v Speaker 3>looking for. And I don't know who they are. All

0:42:17.880 --> 0:42:19.840
<v Speaker 3>they're saying here is trust your gut. If you're in

0:42:19.840 --> 0:42:24.080
<v Speaker 3>any of these circumstances, you do not owe a stranger anything.

0:42:24.440 --> 0:42:27.960
<v Speaker 3>Trust your gut instinct. Have you understood, Brenda? All I

0:42:27.960 --> 0:42:29.080
<v Speaker 3>heard was you talk about your frog.

0:42:29.120 --> 0:42:31.320
<v Speaker 1>I'm going to punch one of those wildlife koalas in

0:42:31.360 --> 0:42:31.680
<v Speaker 1>the head.

0:42:32.400 --> 0:42:34.040
<v Speaker 3>You have to go back into the eighties and try

0:42:34.040 --> 0:42:37.600
<v Speaker 3>and do it. Then they're still there. The last time

0:42:37.640 --> 0:42:41.480
<v Speaker 3>you saw a person in a koala suit collecting money,

0:42:41.560 --> 0:42:46.840
<v Speaker 3>they're still there. I'm trying to be earnest and help people.

0:42:47.680 --> 0:42:49.359
<v Speaker 1>I don't trust you. Good.

0:42:50.640 --> 0:42:57.920
<v Speaker 2>You're listening to the Jonesy and Demanda podcast.

0:42:56.000 --> 0:42:57.680
<v Speaker 11>Still going to request for them to do it again.

0:43:00.280 --> 0:43:03.520
<v Speaker 3>They should lay off the Moonshine is knocking a man.

0:43:03.600 --> 0:43:11.160
<v Speaker 5>It's so weak. We're just talking about you don't get kidnapped.

0:43:11.200 --> 0:43:13.799
<v Speaker 5>Lists that you were talking about before.

0:43:13.719 --> 0:43:17.279
<v Speaker 3>Don't have your stuff stolen. The new new dupe, the

0:43:16.760 --> 0:43:21.680
<v Speaker 3>new the new tropes aren't what we're used to. It's

0:43:21.680 --> 0:43:24.880
<v Speaker 3>about occupy. Things will happen that they should occupy your hands,

0:43:25.080 --> 0:43:28.239
<v Speaker 3>to deflect your attention, to feel to be left exposed.

0:43:28.239 --> 0:43:30.920
<v Speaker 5>Another one for you, You're going to your car. You

0:43:31.000 --> 0:43:33.880
<v Speaker 5>get in it and you notice your windscreen wipers are up,

0:43:34.640 --> 0:43:37.680
<v Speaker 5>and you instantly, oh, my windscreen wipers are up. Someone's

0:43:37.719 --> 0:43:39.920
<v Speaker 5>having a laugh. You get out of your car to

0:43:39.920 --> 0:43:43.000
<v Speaker 5>put them back. In the meantime, Johnny Carthy jumps in

0:43:43.360 --> 0:43:44.960
<v Speaker 5>drives off with you on the bonnet.

0:43:45.239 --> 0:43:48.759
<v Speaker 3>You think the name would be a giveaway.

0:43:47.360 --> 0:43:50.440
<v Speaker 1>John Carthy, I'm just saying, beware of this stuff.

0:43:52.200 --> 0:43:53.920
<v Speaker 3>This is what I was trying to say before. And

0:43:53.960 --> 0:43:56.360
<v Speaker 3>you said, as if who were those people? As if, as.

0:43:56.239 --> 0:43:58.800
<v Speaker 1>If don't blame as if.

0:44:01.440 --> 0:44:04.640
<v Speaker 5>You drive home with your windscreen wipers up anyway, you

0:44:04.640 --> 0:44:05.160
<v Speaker 5>wouldn't even know.

0:44:05.160 --> 0:44:08.080
<v Speaker 3>It's inside my own garage. You think who did that?

0:44:09.239 --> 0:44:10.919
<v Speaker 5>A lot of people are talking about those came out

0:44:10.960 --> 0:44:13.680
<v Speaker 5>camera glasses, the new camera glasses.

0:44:14.680 --> 0:44:15.919
<v Speaker 1>Now they're under one hundred bucks.

0:44:15.960 --> 0:44:17.600
<v Speaker 3>We're going to put them to the pubs they had

0:44:17.640 --> 0:44:19.560
<v Speaker 3>sold out. But what does it mean in the world

0:44:19.560 --> 0:44:20.440
<v Speaker 3>of consent?

0:44:20.840 --> 0:44:23.319
<v Speaker 5>And also trouble at the Tour de fronts for the

0:44:23.440 --> 0:44:28.080
<v Speaker 5>ladies in the aerodynamics party department. We'll talk about that

0:44:28.719 --> 0:44:34.480
<v Speaker 5>on Gold. The padded bra cheating claim rocks Tour de

0:44:34.560 --> 0:44:39.520
<v Speaker 5>France femmes as bizarre theory swirls around cycling what is

0:44:39.560 --> 0:44:40.120
<v Speaker 5>the broad.

0:44:39.960 --> 0:44:43.200
<v Speaker 16>Gate controversy in cycling? Some teams at the Tour de

0:44:43.320 --> 0:44:46.239
<v Speaker 16>France farm are concerned that riders are putting padding in

0:44:46.320 --> 0:44:48.919
<v Speaker 16>their suits to improve their times, which you might think

0:44:49.040 --> 0:44:51.680
<v Speaker 16>doesn't make sense, But adding extra padding in the chest

0:44:51.719 --> 0:44:55.239
<v Speaker 16>area actually smooth the airflow around the body and reduces

0:44:55.320 --> 0:44:58.080
<v Speaker 16>drag and so riders can move faster. Adding padding to

0:44:58.120 --> 0:45:01.680
<v Speaker 16>improve aerodynamics isn't allowed under international cycling rules.

0:45:02.040 --> 0:45:04.840
<v Speaker 3>Is now why Lance Armstrong had one testicle?

0:45:06.560 --> 0:45:07.760
<v Speaker 1>I can't answer that question.

0:45:08.080 --> 0:45:11.640
<v Speaker 3>I would have thought that having a flattered chest would

0:45:11.840 --> 0:45:13.000
<v Speaker 3>be more aerodynamic.

0:45:13.080 --> 0:45:16.640
<v Speaker 5>Well you would think so, You would think so. And

0:45:16.640 --> 0:45:19.040
<v Speaker 5>what they've said as that lady has said that the

0:45:19.520 --> 0:45:24.640
<v Speaker 5>wind swirls round, so there's like a an aerodynamic effect

0:45:25.280 --> 0:45:28.359
<v Speaker 5>that takes place. So and they do this for ski

0:45:28.440 --> 0:45:29.200
<v Speaker 5>jumpers as well.

0:45:29.360 --> 0:45:30.400
<v Speaker 3>Do they pad their bras?

0:45:30.520 --> 0:45:31.640
<v Speaker 1>They pad their bras?

0:45:31.680 --> 0:45:32.360
<v Speaker 3>Really so.

0:45:32.920 --> 0:45:36.480
<v Speaker 5>There have been several complaints from cycling's World team to

0:45:36.560 --> 0:45:40.160
<v Speaker 5>a teams alleging that padded sports bras are being.

0:45:40.040 --> 0:45:44.040
<v Speaker 1>Used for aerodynamic advantage. They claim riders.

0:45:43.760 --> 0:45:47.040
<v Speaker 5>Are faking a larger cup size to reduce their drag

0:45:47.120 --> 0:45:47.840
<v Speaker 5>through the air.

0:45:48.440 --> 0:45:51.440
<v Speaker 3>To make Brendan Jones pay attention, not at all not

0:45:51.560 --> 0:45:52.040
<v Speaker 3>at all.

0:45:52.239 --> 0:45:56.000
<v Speaker 5>Teams reportedly called for inspectors to be introduced to check

0:45:56.120 --> 0:46:00.560
<v Speaker 5>riders in a closed tent just to make for everything's

0:46:00.560 --> 0:46:04.800
<v Speaker 5>tiggitty boo. There's a professor, a professor of aerodynamics.

0:46:04.960 --> 0:46:09.960
<v Speaker 1>His name is Bert Blocken, seriously Professor.

0:46:09.480 --> 0:46:11.920
<v Speaker 3>Blockenlock him on social He's.

0:46:11.800 --> 0:46:16.359
<v Speaker 5>Published the theory that around a chess is advantageous when

0:46:16.360 --> 0:46:20.080
<v Speaker 5>it comes to aerodynamics. He labeled the concept of placing

0:46:20.120 --> 0:46:23.520
<v Speaker 5>an object inside a jersey or skin suit to reduce

0:46:23.600 --> 0:46:28.320
<v Speaker 5>aerodynamic drag and improve airflow around the body chest faring

0:46:28.440 --> 0:46:31.440
<v Speaker 5>as it were, and said it can reduce drag by

0:46:31.600 --> 0:46:35.600
<v Speaker 5>three point six percent. Professor block And said, we are

0:46:35.640 --> 0:46:40.160
<v Speaker 5>talking about a chess fairing which orders the airflow around

0:46:40.160 --> 0:46:46.200
<v Speaker 5>the body, therefore reducing over pressure on the thighs. As

0:46:46.200 --> 0:46:48.759
<v Speaker 5>a result, the writer experience is less air. I've taken

0:46:48.760 --> 0:46:51.840
<v Speaker 5>the liberty of just doing a quick drawing. So there

0:46:52.520 --> 0:46:53.480
<v Speaker 5>that's my drawing.

0:46:53.600 --> 0:46:54.680
<v Speaker 3>Oh, that's a good drawing.

0:46:55.040 --> 0:46:55.319
<v Speaker 1>Thank you.

0:46:55.320 --> 0:46:56.439
<v Speaker 3>Who's that what's his name?

0:46:56.520 --> 0:46:58.879
<v Speaker 5>No, that's a that's a lady, right, So that's her

0:46:59.200 --> 0:47:04.560
<v Speaker 5>with her bosoms packed down. Okay, So if I augment

0:47:04.680 --> 0:47:09.920
<v Speaker 5>this picture and put bigger situation.

0:47:09.760 --> 0:47:11.640
<v Speaker 3>Understand and then the wind flow.

0:47:11.760 --> 0:47:13.640
<v Speaker 1>As you can see, the wind flow is coming through here.

0:47:14.120 --> 0:47:16.880
<v Speaker 1>Show me so now instead.

0:47:16.520 --> 0:47:21.440
<v Speaker 5>Of foiling into that area, it blocks around here and

0:47:21.520 --> 0:47:23.560
<v Speaker 5>goes around the wider.

0:47:23.200 --> 0:47:24.320
<v Speaker 1>Part of the body.

0:47:24.360 --> 0:47:25.080
<v Speaker 3>Is that what you want?

0:47:25.520 --> 0:47:26.279
<v Speaker 1>That's what you want?

0:47:26.600 --> 0:47:27.960
<v Speaker 3>So is that why? Next year we'll see a whole

0:47:27.960 --> 0:47:31.439
<v Speaker 3>lot of Dolly Partner impersonators taking part in the Tour

0:47:31.480 --> 0:47:32.560
<v Speaker 3>de Front's femme.

0:47:33.440 --> 0:47:34.959
<v Speaker 1>Talk to Professor Blockin.

0:47:36.160 --> 0:47:36.759
<v Speaker 3>Into the tent.

0:47:37.160 --> 0:47:42.120
<v Speaker 1>His wife comes comes home. How is your day? It worked?

0:47:42.120 --> 0:47:42.799
<v Speaker 1>Do you what do?

0:47:42.880 --> 0:47:45.120
<v Speaker 3>Your wife will say, You've just drawn pictures of bosoms.

0:47:46.560 --> 0:47:52.600
<v Speaker 1>I've done better and there's big it'sues to discuss. Where

0:47:52.600 --> 0:47:52.960
<v Speaker 1>do we go.

0:47:53.120 --> 0:47:54.840
<v Speaker 3>We go down to the Jonesy and Amanda Arms for

0:47:54.880 --> 0:47:55.719
<v Speaker 3>the pub test.

0:47:55.800 --> 0:47:58.080
<v Speaker 1>The good old fashioned hub test.

0:47:58.480 --> 0:48:01.600
<v Speaker 5>True, thank you, Sam. Kmart glasses do they pass the

0:48:01.600 --> 0:48:02.040
<v Speaker 5>pub tech?

0:48:02.160 --> 0:48:04.800
<v Speaker 3>Not just Kmart glasses, Kmart camera glasses?

0:48:04.840 --> 0:48:10.680
<v Speaker 1>Yes, I should should. This is actually they sell a

0:48:10.719 --> 0:48:11.320
<v Speaker 1>great range.

0:48:11.400 --> 0:48:13.480
<v Speaker 3>This is actually a big issue because we've seen the

0:48:15.080 --> 0:48:18.919
<v Speaker 3>meta smart glasses. They're around four are they're four hundred

0:48:18.920 --> 0:48:23.560
<v Speaker 3>and fifty dollars in Australia. They have a camera recording device.

0:48:24.160 --> 0:48:27.200
<v Speaker 3>They can record you and apparently read light goes on,

0:48:27.280 --> 0:48:29.600
<v Speaker 3>but people already have problems with those, but those have

0:48:29.680 --> 0:48:35.080
<v Speaker 3>other technological advantages that people use for AI, auditory assistance,

0:48:35.120 --> 0:48:37.360
<v Speaker 3>a whole lot of other things. The ones that kmart

0:48:37.440 --> 0:48:40.680
<v Speaker 3>is selling that have just sold out sell for about

0:48:40.719 --> 0:48:44.239
<v Speaker 3>eighty nine bucks and all they have is a camera facility.

0:48:44.640 --> 0:48:47.600
<v Speaker 3>So it looks like a pair of dark rimmed glasses

0:48:48.239 --> 0:48:53.440
<v Speaker 3>and people are buying them for what purpose? To film unobtrusively?

0:48:54.160 --> 0:48:57.239
<v Speaker 3>But what does this mean? I've seen some people some

0:48:57.480 --> 0:49:01.239
<v Speaker 3>usually it's men going up and just saying to women, hey,

0:49:01.280 --> 0:49:03.360
<v Speaker 3>can I have your phone number, and watching their response

0:49:03.520 --> 0:49:06.759
<v Speaker 3>and uploading that as content to whatever response. So people

0:49:06.800 --> 0:49:10.000
<v Speaker 3>don't have consent in how their image is being used anymore.

0:49:10.280 --> 0:49:13.399
<v Speaker 3>On socials, you don't know you're being filmed. As I said,

0:49:13.440 --> 0:49:16.840
<v Speaker 3>there are provocative questions being asked, not just in sexual context,

0:49:16.880 --> 0:49:18.840
<v Speaker 3>but just out in the public blah blah blah, and

0:49:18.880 --> 0:49:21.440
<v Speaker 3>then suddenly your image and your response to that is

0:49:21.480 --> 0:49:22.520
<v Speaker 3>on someone's socials.

0:49:22.719 --> 0:49:25.719
<v Speaker 1>Yeah. Yeah, I remember the early days of radio. We

0:49:25.960 --> 0:49:26.719
<v Speaker 1>used to take our.

0:49:26.600 --> 0:49:29.640
<v Speaker 5>Little mini disc recorder and go out and get there

0:49:29.760 --> 0:49:32.680
<v Speaker 5>Johnny on the street opinion. But you had the radio

0:49:32.719 --> 0:49:35.920
<v Speaker 5>station logo on, you had a microphone, and we also.

0:49:35.760 --> 0:49:38.040
<v Speaker 3>Used to have to ask are you happy to be

0:49:38.160 --> 0:49:40.760
<v Speaker 3>recorded and used on radio? We had to ask people's

0:49:41.840 --> 0:49:42.640
<v Speaker 3>approval for that.

0:49:42.840 --> 0:49:44.600
<v Speaker 5>But also that used to have a bit of gravitas

0:49:44.640 --> 0:49:46.680
<v Speaker 5>as well, because people like go, oh, hang on, you're

0:49:46.719 --> 0:49:50.160
<v Speaker 5>a professional. My point is, now these guys are just

0:49:50.239 --> 0:49:53.440
<v Speaker 5>doing that and they're using whatever.

0:49:53.080 --> 0:49:55.360
<v Speaker 1>Reaction they get its content.

0:49:55.520 --> 0:49:57.600
<v Speaker 5>Yeah, so we wanted an opinion about I don't know

0:49:58.160 --> 0:50:02.320
<v Speaker 5>what you think of what a football team, and then

0:50:02.520 --> 0:50:04.160
<v Speaker 5>they went into that we were.

0:50:04.080 --> 0:50:07.319
<v Speaker 3>Just provoking people for the sake of getting clickbait. I

0:50:07.360 --> 0:50:09.400
<v Speaker 3>saw an interesting thing that said women are being advised

0:50:09.440 --> 0:50:11.840
<v Speaker 3>to play Disney songs when they notice a man is

0:50:11.840 --> 0:50:15.880
<v Speaker 3>recording them with these kinds of glasses, because apparently music

0:50:15.920 --> 0:50:19.040
<v Speaker 3>is more protected than women in twenty twenty six. Interesting,

0:50:19.080 --> 0:50:19.440
<v Speaker 3>isn't it?

0:50:20.160 --> 0:50:21.120
<v Speaker 1>Is that a joke or is that real?

0:50:21.360 --> 0:50:23.400
<v Speaker 3>That's real? And I've seen the petition. There's already a

0:50:23.400 --> 0:50:26.080
<v Speaker 3>petition that's up trying to ban the sale of these

0:50:26.200 --> 0:50:29.759
<v Speaker 3>cheap AI glasses. I don't they're not AI, they are

0:50:30.080 --> 0:50:30.800
<v Speaker 3>just cameras.

0:50:31.280 --> 0:50:33.759
<v Speaker 5>I don't like banning technology, you know. It sure is

0:50:33.800 --> 0:50:35.520
<v Speaker 5>like the Luddites or the people that wanted to ban

0:50:35.640 --> 0:50:38.680
<v Speaker 5>the car. It's progress but how costs.

0:50:38.440 --> 0:50:41.080
<v Speaker 3>At what costs? The cost is consent. The cost is

0:50:41.120 --> 0:50:44.600
<v Speaker 3>control over how your image is used. The cost is

0:50:45.040 --> 0:50:48.120
<v Speaker 3>you're not even aware, let alone give permission sometimes that

0:50:48.200 --> 0:50:48.960
<v Speaker 3>you're being filmed.

0:50:48.960 --> 0:50:49.600
<v Speaker 1>What do you think?

0:50:49.680 --> 0:50:53.440
<v Speaker 3>But as you say, Brendan, maybe that maybe women are

0:50:53.480 --> 0:50:55.359
<v Speaker 3>using them too for a holida of reasons. And it's

0:50:55.440 --> 0:51:00.200
<v Speaker 3>not all manky kmart camera glasses. These cheap versions of

0:51:00.200 --> 0:51:03.440
<v Speaker 3>the meadaglasses only record. They're not there's no other.

0:51:03.640 --> 0:51:06.360
<v Speaker 1>You know to them video ref in your life.

0:51:06.480 --> 0:51:08.759
<v Speaker 3>It'd be like a dash It'd be like a dash.

0:51:08.520 --> 0:51:11.399
<v Speaker 5>Can for your whole life, and you just run if

0:51:11.440 --> 0:51:14.600
<v Speaker 5>and you go to a bunker and they play it back, well,

0:51:14.640 --> 0:51:15.919
<v Speaker 5>clearly you were in the right.

0:51:16.200 --> 0:51:18.359
<v Speaker 3>Well what do you think does it pass the pub test?

0:51:18.400 --> 0:51:20.520
<v Speaker 1>Thirteen fifty five twenty two. We'd love to hear from

0:51:20.600 --> 0:51:21.280
<v Speaker 1>you on gold.

0:51:21.520 --> 0:51:23.560
<v Speaker 2>You can see a whole lot more of Jonesy and

0:51:23.560 --> 0:51:26.800
<v Speaker 2>Amanda on our socials. Follow us on Instagram and Facebook.

0:51:27.800 --> 0:51:31.880
<v Speaker 2>Everybody That's Money Extra Character eight Jonesy and Amanda's.

0:51:32.480 --> 0:51:35.200
<v Speaker 5>Hire and Hire ten questions sixty seconds on the clock.

0:51:35.200 --> 0:51:37.080
<v Speaker 5>You can pass if you don't know an answer. We'll

0:51:37.080 --> 0:51:39.279
<v Speaker 5>come back to that question of time permits. You get

0:51:39.320 --> 0:51:41.399
<v Speaker 5>all the questions right, one thousand dollars.

0:51:41.440 --> 0:51:43.360
<v Speaker 3>You could make it two thousand dollars by answering a

0:51:43.400 --> 0:51:45.440
<v Speaker 3>bonus question, but it is double or nothing.

0:51:45.440 --> 0:51:48.040
<v Speaker 1>Lookie, here, it's Kylie and Caroline Springs.

0:51:48.480 --> 0:51:53.239
<v Speaker 3>Kylie, Hello, very well, you sound stunned that it's you.

0:51:54.080 --> 0:51:57.480
<v Speaker 11>Oh my god, I am actually a bite.

0:51:57.800 --> 0:51:58.719
<v Speaker 8>I'm very excited.

0:51:58.800 --> 0:51:59.960
<v Speaker 1>Well it's you, Pikachuu.

0:52:00.200 --> 0:52:02.640
<v Speaker 3>It is you, and let's hope that the gods are

0:52:02.640 --> 0:52:04.960
<v Speaker 3>on your side today. We've got ten questions. We've got

0:52:04.960 --> 0:52:08.120
<v Speaker 3>sixty seconds. Say past if you're not sure, because we

0:52:08.200 --> 0:52:11.839
<v Speaker 3>might have time to come back. Okay, Kylie, good luck,

0:52:11.960 --> 0:52:14.719
<v Speaker 3>Here we go. Question number one, how many corners are

0:52:14.719 --> 0:52:15.560
<v Speaker 3>on a triangle?

0:52:16.600 --> 0:52:16.920
<v Speaker 8>Great?

0:52:17.200 --> 0:52:19.440
<v Speaker 3>Question two? Green and gold are the sporting colors of

0:52:19.480 --> 0:52:23.319
<v Speaker 3>which country? A Question three? In which sport would you

0:52:23.320 --> 0:52:24.440
<v Speaker 3>perform a slam dunk?

0:52:25.960 --> 0:52:26.520
<v Speaker 8>Basketball?

0:52:26.680 --> 0:52:29.640
<v Speaker 3>Question four? What fruit has varieties called? Pink? Lady and

0:52:29.680 --> 0:52:34.239
<v Speaker 3>Grannie Smith apples? Question five? Which vitamin is produced when

0:52:34.280 --> 0:52:35.880
<v Speaker 3>skin is exposed to sunlight?

0:52:38.160 --> 0:52:38.680
<v Speaker 11>See?

0:52:39.000 --> 0:52:43.080
<v Speaker 3>Oh, vitamin D. I thought you were going to do it.

0:52:43.719 --> 0:52:44.920
<v Speaker 3>Oh it's D.

0:52:46.200 --> 0:52:48.799
<v Speaker 7>It is too I since I said I knew it

0:52:48.880 --> 0:52:50.759
<v Speaker 7>was D damps.

0:52:51.719 --> 0:52:55.840
<v Speaker 3>Kylie, you are powering through there. Oh my goodness, Kylie,

0:52:55.880 --> 0:52:56.760
<v Speaker 3>thank you for playing.

0:52:57.400 --> 0:52:58.680
<v Speaker 11>Ah, thank you so much.

0:52:58.920 --> 0:52:59.960
<v Speaker 1>Good on you, Kylie. Thank you.

0:53:00.239 --> 0:53:01.160
<v Speaker 3>We'll play again tomorrow.

0:53:01.280 --> 0:53:03.880
<v Speaker 5>Jonesydemanda dot com dot you if you would like to

0:53:03.920 --> 0:53:06.920
<v Speaker 5>register cheritation, let's get on down to the Jonesy no

0:53:06.960 --> 0:53:07.439
<v Speaker 5>matter of arms.

0:53:07.440 --> 0:53:09.960
<v Speaker 1>For the pub test. The pub test, pup test passed.

0:53:09.960 --> 0:53:12.480
<v Speaker 2>The pub test is from something sounds unlikely, then it

0:53:12.520 --> 0:53:14.000
<v Speaker 2>should fail of the pub test.

0:53:14.120 --> 0:53:16.920
<v Speaker 1>Yeah, the pub test doesn't pass the sniff test.

0:53:16.200 --> 0:53:17.120
<v Speaker 13>And stop it.

0:53:17.120 --> 0:53:17.960
<v Speaker 1>It's not helpful.

0:53:18.040 --> 0:53:21.239
<v Speaker 5>Kmart camera glasses do they pass the pub test.

0:53:21.280 --> 0:53:25.200
<v Speaker 3>They've sold out at around eighty dollars. We've had the metaglasses,

0:53:25.680 --> 0:53:28.120
<v Speaker 3>which have a far more sophisticated use of.

0:53:28.480 --> 0:53:29.480
<v Speaker 1>And they're more expensive.

0:53:29.680 --> 0:53:32.200
<v Speaker 3>Well, that's the thing, and they have a variety of uses.

0:53:32.680 --> 0:53:35.200
<v Speaker 3>To my knowledge, all these ones are is a camera.

0:53:35.760 --> 0:53:40.160
<v Speaker 3>But the bigger picture here is where if you're outside,

0:53:40.480 --> 0:53:43.600
<v Speaker 3>it's deemed that you're offering consent. That's what's so hard.

0:53:43.640 --> 0:53:46.040
<v Speaker 3>We've lost the power of consent. There's a number of

0:53:46.120 --> 0:53:49.440
<v Speaker 3>sites where girls have just been pinged with guys saying, oh,

0:53:49.480 --> 0:53:50.839
<v Speaker 3>do you want to go out with me, and then

0:53:50.920 --> 0:53:53.200
<v Speaker 3>just filming their response, and that's all being used as content.

0:53:53.520 --> 0:53:56.160
<v Speaker 3>You don't know when you're being used as content. I

0:53:56.320 --> 0:53:58.040
<v Speaker 3>just took to the girls here work with us, and

0:53:58.040 --> 0:54:01.000
<v Speaker 3>they were saying that if you saw some one needing help,

0:54:02.440 --> 0:54:05.440
<v Speaker 3>you think am I being filmed for for content that

0:54:05.520 --> 0:54:08.840
<v Speaker 3>I'm not helping? What you Suddenly you see the world

0:54:09.320 --> 0:54:14.200
<v Speaker 3>around you as an Instagram reel? What's where do you

0:54:14.239 --> 0:54:15.920
<v Speaker 3>fit in? You just can't go about living your life

0:54:15.960 --> 0:54:19.200
<v Speaker 3>without feeling you being observed. Situations in our singers maybe

0:54:19.200 --> 0:54:21.279
<v Speaker 3>they're set up because people are going to be filming you.

0:54:22.200 --> 0:54:24.200
<v Speaker 3>It's stop young people going out for the fear of

0:54:24.200 --> 0:54:28.319
<v Speaker 3>being filmed getting drunk, having There's statistics that show people

0:54:28.320 --> 0:54:30.160
<v Speaker 3>aren't drinking as much when they're outing clubs, all that

0:54:30.200 --> 0:54:31.240
<v Speaker 3>kind of stuff.

0:54:31.040 --> 0:54:33.200
<v Speaker 1>But not because of being filmed.

0:54:33.520 --> 0:54:38.800
<v Speaker 3>Film. It's surveillance. If it's your own friends filming it

0:54:38.800 --> 0:54:42.360
<v Speaker 3>and putting it on socials, there's not a private moment anymore.

0:54:42.480 --> 0:54:44.280
<v Speaker 1>George Orwell wrote Big Brother.

0:54:44.400 --> 0:54:46.840
<v Speaker 5>He was saying that Big Brother would be filming us,

0:54:47.320 --> 0:54:49.040
<v Speaker 5>it's more of us filming each other.

0:54:49.160 --> 0:54:50.879
<v Speaker 3>Well, we thought that would be a horror and now

0:54:50.920 --> 0:54:53.520
<v Speaker 3>that's an aspect our reality. So how do you feel

0:54:53.520 --> 0:54:56.080
<v Speaker 3>these kmart camera glasses? Do they pass the pub test.

0:54:56.640 --> 0:55:01.800
<v Speaker 12>No, they do not. I think it's anyone's privacy is protected,

0:55:01.840 --> 0:55:02.800
<v Speaker 12>and it's inshite.

0:55:02.920 --> 0:55:03.399
<v Speaker 11>It's mad.

0:55:03.480 --> 0:55:07.240
<v Speaker 12>It makes people can see to be filmed seven almost

0:55:07.280 --> 0:55:08.160
<v Speaker 12>without being consent.

0:55:08.320 --> 0:55:08.960
<v Speaker 11>I don't like it.

0:55:09.080 --> 0:55:11.520
<v Speaker 7>Well, we're walk is your arm around my neck and

0:55:11.520 --> 0:55:12.799
<v Speaker 7>what you do is you pull up in the one

0:55:12.840 --> 0:55:14.920
<v Speaker 7>hundred and twenty Decibel's not going to torch around my

0:55:15.000 --> 0:55:17.200
<v Speaker 7>neck as well. They are shine it in their eyes

0:55:17.400 --> 0:55:19.680
<v Speaker 7>and wearing a mask that covers some of my face

0:55:19.760 --> 0:55:22.520
<v Speaker 7>and glasses and already for fid or fight all the time.

0:55:22.719 --> 0:55:25.520
<v Speaker 11>When you're in public and people are just you know,

0:55:25.600 --> 0:55:29.160
<v Speaker 11>going around with these glasses, they should have some type

0:55:29.200 --> 0:55:32.759
<v Speaker 11>of warning that you can see, like something on it,

0:55:32.800 --> 0:55:35.839
<v Speaker 11>to just warn you that people are filming you. It's

0:55:35.960 --> 0:55:36.600
<v Speaker 11>just so wrong.

0:55:36.960 --> 0:55:39.080
<v Speaker 12>I'm a bit on the fence about them. I was

0:55:39.120 --> 0:55:41.920
<v Speaker 12>looking at these last night. They were still available for

0:55:42.040 --> 0:55:45.520
<v Speaker 12>sale in store last night, but they're all sold out now.

0:55:45.800 --> 0:55:48.239
<v Speaker 12>But I just wanted to as a correct Amanda. They're

0:55:48.280 --> 0:55:52.040
<v Speaker 12>not just the camera. They have Blue Cheet connectivity for

0:55:52.160 --> 0:55:56.440
<v Speaker 12>music and taking calls. They do have image recognition and

0:55:56.520 --> 0:55:59.359
<v Speaker 12>chat features with the Companion apps, so they dare kind

0:55:59.360 --> 0:56:03.000
<v Speaker 12>of steel fun can has a bit like AI. But yeah,

0:56:03.160 --> 0:56:05.160
<v Speaker 12>I think it's dodgy. I don't know if they've got

0:56:05.160 --> 0:56:08.120
<v Speaker 12>the red light the way the medaglasses are. But yeah,

0:56:08.200 --> 0:56:09.600
<v Speaker 12>it's pretty scary for women.

0:56:09.880 --> 0:56:12.040
<v Speaker 6>I'm sort of all for it. I actually had some

0:56:12.080 --> 0:56:14.799
<v Speaker 6>meta glasses, but I bought them so that I could

0:56:14.840 --> 0:56:17.760
<v Speaker 6>piss the button if only Evan needed them for safety

0:56:18.400 --> 0:56:21.799
<v Speaker 6>and someone attacks you or you see something illegal. I

0:56:21.800 --> 0:56:25.000
<v Speaker 6>saw a guy that rammed into another carry them to

0:56:25.200 --> 0:56:28.000
<v Speaker 6>drive off, you know. And it's a one click press,

0:56:28.080 --> 0:56:29.520
<v Speaker 6>so you can actually get the evidence.

0:56:30.440 --> 0:56:32.960
<v Speaker 3>Well, that's interesting that they are more than just make.

0:56:32.880 --> 0:56:37.960
<v Speaker 5>Them more obvious, like those big novelty Dame Ignau.

0:56:38.360 --> 0:56:40.640
<v Speaker 3>But having said that, even if they are more obvious,

0:56:40.680 --> 0:56:43.520
<v Speaker 3>if someone comes up to you and they are filming, yeah,

0:56:43.719 --> 0:56:46.160
<v Speaker 3>you're already pinged. You're already filmed.

0:56:47.400 --> 0:56:48.960
<v Speaker 1>You know what I mean, I know exactly.

0:56:49.000 --> 0:56:51.680
<v Speaker 3>Suddenly being in public means well, you asked for it.

0:56:51.719 --> 0:56:52.440
<v Speaker 3>You're in public.

0:56:52.560 --> 0:56:55.319
<v Speaker 1>Maybe you should just run around the street swearing at

0:56:55.360 --> 0:56:56.120
<v Speaker 1>the top of your lung.

0:56:56.239 --> 0:56:58.279
<v Speaker 3>Yeah, or as they say, women have been told to

0:56:58.320 --> 0:57:01.359
<v Speaker 3>sing Disney tunes because nothing can be played if you're

0:57:01.400 --> 0:57:04.479
<v Speaker 3>singing a Disney tune. Disney has more rights of women.

0:57:04.680 --> 0:57:06.520
<v Speaker 1>Unfortunately, Amanda's not joking now.

0:57:06.640 --> 0:57:08.840
<v Speaker 3>And I'd be singing so of keno and we'll recognize

0:57:08.880 --> 0:57:10.960
<v Speaker 3>it as a Disney tune. Let it go Friday.

0:57:11.880 --> 0:57:12.759
<v Speaker 12>That's enough.

0:57:12.920 --> 0:57:16.080
<v Speaker 1>Well Friday tomorrow. You know what that means?

0:57:16.120 --> 0:57:17.280
<v Speaker 3>Friday Field Sessions.

0:57:18.120 --> 0:57:19.080
<v Speaker 1>Should we say who it is?

0:57:19.160 --> 0:57:19.280
<v Speaker 14>Here?

0:57:19.360 --> 0:57:19.600
<v Speaker 3>Go on?

0:57:20.200 --> 0:57:23.840
<v Speaker 1>I feel like, have we announced who we've got tomorrow?

0:57:23.920 --> 0:57:24.080
<v Speaker 6>Right?

0:57:25.000 --> 0:57:29.120
<v Speaker 1>We have? People are not it's bachelor Girl. Okay, I

0:57:29.160 --> 0:57:31.360
<v Speaker 1>was going to do a big you do it? What's

0:57:31.400 --> 0:57:32.000
<v Speaker 1>that point now?

0:57:32.280 --> 0:57:33.959
<v Speaker 3>Bachelor girl, it's so through.

0:57:34.120 --> 0:57:37.360
<v Speaker 1>Bachelor Girl are coming into the studio. Friday Field Session.

0:57:37.400 --> 0:57:38.120
<v Speaker 3>Please join us.

0:57:38.120 --> 0:57:41.640
<v Speaker 5>Instagram will be back and vote for Amanda for the best.

0:57:42.240 --> 0:57:46.080
<v Speaker 1>But you present TV week logis dot com toda are you?

0:57:46.160 --> 0:57:47.560
<v Speaker 3>If you'd like to hear any more of the show,

0:57:47.600 --> 0:57:49.400
<v Speaker 3>go to Jones and Amanda dot com tod are you

0:57:49.600 --> 0:57:50.480
<v Speaker 3>indeed see tomorrow?

0:57:50.600 --> 0:57:50.960
<v Speaker 7>Good dad?

0:57:51.040 --> 0:57:53.439
<v Speaker 1>You well? Thank god that's over.

0:57:54.160 --> 0:57:57.240
<v Speaker 2>Catching up on the Jonesy and Amanda podcast. Download the

0:57:57.280 --> 0:58:01.080
<v Speaker 2>free iHeart aut Now time, let's skip the hell.

0:58:01.000 --> 0:58:01.600
<v Speaker 1>Out of here.

0:58:03.760 --> 0:58:07.880
<v Speaker 2>Here Every second of Jonesy and Demander on demand. Search

0:58:07.920 --> 0:58:09.479
<v Speaker 2>for us now on the iHeart app