1
00:00:00,080 --> 00:00:00,880
Speaker 1: Here's the podcast.

2
00:00:01,000 --> 00:00:03,480
Speaker 2: Here's the podcast, lots of stuff in it. Today, Married

3
00:00:03,520 --> 00:00:05,360
Speaker 2: at First Sight, they did that terrible thing I don't

4
00:00:05,360 --> 00:00:07,440
Speaker 2: even watch. I didn't even know this through you where

5
00:00:07,480 --> 00:00:11,040
Speaker 2: I ask the men and the women to rate their

6
00:00:11,200 --> 00:00:15,640
Speaker 2: brand new partner, yep, against all the other partners. How

7
00:00:15,760 --> 00:00:18,200
Speaker 2: is anyone ever going to be comfortable with that? That is,

8
00:00:18,520 --> 00:00:20,520
Speaker 2: even if they put you first. Oh, look, you put

9
00:00:20,520 --> 00:00:22,560
Speaker 2: her second. I saw you talking her at the dinner party,

10
00:00:22,720 --> 00:00:24,520
Speaker 2: at her big fake boobs. You're going to go after her.

11
00:00:24,880 --> 00:00:27,760
Speaker 1: I would always put the woman in my life. So

12
00:00:27,800 --> 00:00:28,560
Speaker 1: I was you say?

13
00:00:28,560 --> 00:00:30,840
Speaker 3: I had to rate you out of all the other

14
00:00:31,160 --> 00:00:33,040
Speaker 3: out of all the other radio hosts in them.

15
00:00:33,120 --> 00:00:35,600
Speaker 2: Oh, let's not play this game. It just makes me distressed.

16
00:00:35,680 --> 00:00:39,239
Speaker 3: You are the only way E work.

17
00:00:39,280 --> 00:00:40,640
Speaker 2: The only way to get ever work is if you

18
00:00:40,640 --> 00:00:43,239
Speaker 2: said I was one, two, three, four, five, sixty seven eight.

19
00:00:43,479 --> 00:00:45,280
Speaker 2: Because if you put someone else second, I go, oh

20
00:00:45,400 --> 00:00:47,760
Speaker 2: you like them, dear. This is the thing you cannot win.

21
00:00:47,840 --> 00:00:49,280
Speaker 2: That's why this show is so awful.

22
00:00:49,760 --> 00:00:54,040
Speaker 3: The pub test Paddington's New toilet does it pass the

23
00:00:54,040 --> 00:00:54,560
Speaker 3: pub test?

24
00:00:54,680 --> 00:00:58,760
Speaker 2: I look at some unusual inventions from the International Spy Museum.

25
00:00:59,360 --> 00:01:02,120
Speaker 2: They have gone to great length. There's one particular invention

26
00:01:02,200 --> 00:01:04,959
Speaker 2: that didn't take on, but they made a prototype for

27
00:01:05,000 --> 00:01:07,840
Speaker 2: an interesting way to smuggle a radio. So if you're

28
00:01:07,880 --> 00:01:10,120
Speaker 2: still strip searched, and even if they look in your bottom,

29
00:01:10,400 --> 00:01:11,360
Speaker 2: they're not going to find it.

30
00:01:11,520 --> 00:01:14,360
Speaker 3: Even if they look in your bottom, if only they

31
00:01:14,400 --> 00:01:16,280
Speaker 3: look in your petrol tank, and what would they find?

32
00:01:17,160 --> 00:01:17,840
Speaker 1: Nothing in there?

33
00:01:17,920 --> 00:01:18,200
Speaker 4: All right?

34
00:01:18,240 --> 00:01:20,920
Speaker 2: Well, the travel drum is beating for why now the

35
00:01:20,920 --> 00:01:21,640
Speaker 2: petrol edition.

36
00:01:22,200 --> 00:01:24,119
Speaker 1: I went to that new movie, the Bob Dylan One.

37
00:01:24,240 --> 00:01:25,560
Speaker 3: It was great. I've got a little bit of a

38
00:01:25,600 --> 00:01:28,360
Speaker 3: mini review. I'll put the I'll put the Bill Collins

39
00:01:28,360 --> 00:01:29,160
Speaker 3: big jacket on?

40
00:01:29,360 --> 00:01:29,640
Speaker 5: Do it?

41
00:01:29,640 --> 00:01:31,480
Speaker 2: And what about the woe Ie documentary?

42
00:01:32,200 --> 00:01:33,200
Speaker 1: What will I put on for that?

43
00:01:33,280 --> 00:01:34,679
Speaker 2: I want a replacement?

44
00:01:35,080 --> 00:01:35,760
Speaker 1: Okay?

45
00:01:36,360 --> 00:01:58,120
Speaker 3: And gets Michael's enjoy the podcast.

46
00:01:47,960 --> 00:01:48,960
Speaker 1: A miracle of recording.

47
00:01:49,200 --> 00:01:51,360
Speaker 6: We have so many requests for them to do it again.

48
00:01:51,480 --> 00:01:55,320
Speaker 7: Mistress Amanda's mis Amanda doesn't work alone.

49
00:01:57,160 --> 00:01:59,840
Speaker 2: Friends in a back room making the tools of the tray.

50
00:02:00,000 --> 00:02:02,680
Speaker 3: I've heard them describe him as a drunken idiot.

51
00:02:03,240 --> 00:02:08,120
Speaker 8: I've been a legendary part Jonesy, Amanda the actress.

52
00:02:08,120 --> 00:02:10,160
Speaker 4: Congratulations, we're there any right now?

53
00:02:11,040 --> 00:02:12,919
Speaker 1: Josey and Amanda you're doing a great job.

54
00:02:16,160 --> 00:02:18,079
Speaker 5: Now, good radio.

55
00:02:18,360 --> 00:02:21,360
Speaker 1: Sorry, but of a twist, said.

56
00:02:22,320 --> 00:02:26,400
Speaker 5: And Amanda's shoot, timy, we're on there.

57
00:02:27,720 --> 00:02:29,519
Speaker 1: Hello Amanda. How are you today?

58
00:02:29,919 --> 00:02:32,040
Speaker 2: Well? Better than this time yesterday?

59
00:02:32,160 --> 00:02:32,600
Speaker 1: You're here?

60
00:02:32,760 --> 00:02:36,080
Speaker 2: Yeah, this time yesterday, I came into work. I pulled

61
00:02:36,080 --> 00:02:39,400
Speaker 2: into the Garrett driveway here into the car park with

62
00:02:39,600 --> 00:02:43,320
Speaker 2: six caves of petrol left. I got to a service

63
00:02:43,400 --> 00:02:50,480
Speaker 2: station yesterday with one oka left, so so stressful, and

64
00:02:50,520 --> 00:02:52,840
Speaker 2: I asked my sat nav to direct me to the

65
00:02:52,880 --> 00:02:56,640
Speaker 2: nearest service station and it said, turn left and pull

66
00:02:56,680 --> 00:02:57,840
Speaker 2: into the driveway.

67
00:02:58,160 --> 00:02:58,440
Speaker 1: Great.

68
00:02:58,840 --> 00:03:01,480
Speaker 2: I turned left. No service station?

69
00:03:01,840 --> 00:03:02,160
Speaker 1: Was it?

70
00:03:02,440 --> 00:03:02,680
Speaker 6: Well?

71
00:03:02,720 --> 00:03:05,120
Speaker 2: I thought, what's going on? Does it no longer exist?

72
00:03:05,320 --> 00:03:08,160
Speaker 2: It was about three blocks up so until I could

73
00:03:08,240 --> 00:03:12,920
Speaker 2: see it. Imagine how tight my sphincter was, which is

74
00:03:12,960 --> 00:03:13,840
Speaker 2: my new game show.

75
00:03:13,960 --> 00:03:17,040
Speaker 3: I blame myself. I should have taken your car yesterday

76
00:03:17,080 --> 00:03:18,320
Speaker 3: after the shower and put fuel in it.

77
00:03:19,040 --> 00:03:19,679
Speaker 1: I felt bad.

78
00:03:19,760 --> 00:03:22,800
Speaker 3: I thought, you don't need to, she's not going to

79
00:03:22,800 --> 00:03:24,520
Speaker 3: be and then I thought, you can do this, and

80
00:03:24,560 --> 00:03:24,919
Speaker 3: I did it.

81
00:03:25,080 --> 00:03:26,160
Speaker 2: I'm not winging that I had.

82
00:03:26,160 --> 00:03:29,080
Speaker 1: That you didn't. I was worried. I was worried.

83
00:03:29,160 --> 00:03:31,840
Speaker 2: You know what, Though you always say I want to help,

84
00:03:31,880 --> 00:03:33,880
Speaker 2: I want to help, but this wasn't as interesting to

85
00:03:33,919 --> 00:03:36,640
Speaker 2: you as the zip line. We spoke about the zip

86
00:03:36,640 --> 00:03:38,800
Speaker 2: line when we went for a weekend away with all

87
00:03:38,800 --> 00:03:40,760
Speaker 2: the team, and you spent the entire weekend because you

88
00:03:40,800 --> 00:03:43,760
Speaker 2: were A key had broken off into the door and

89
00:03:43,840 --> 00:03:46,480
Speaker 2: you were determined to crack that car.

90
00:03:46,560 --> 00:03:47,920
Speaker 1: I wanted to fix it for you. I know you

91
00:03:47,960 --> 00:03:49,320
Speaker 1: got a lot going on in your life, and I

92
00:03:49,360 --> 00:03:50,880
Speaker 1: wanted to that's the.

93
00:03:50,920 --> 00:03:54,480
Speaker 2: Thing, and fair enough that stuff interested you. You getting petrol,

94
00:03:54,560 --> 00:03:56,400
Speaker 2: and that's fair enough. I didn't ask you to things.

95
00:03:56,400 --> 00:03:58,800
Speaker 1: Putting petrol in the car, it's not that big a deal.

96
00:03:58,920 --> 00:03:59,720
Speaker 2: I didn't ask you to it.

97
00:03:59,760 --> 00:04:00,880
Speaker 1: You could you with that, and I did.

98
00:04:00,920 --> 00:04:02,720
Speaker 2: I didn't ask you to, but i'd.

99
00:04:02,440 --> 00:04:04,120
Speaker 1: Not exper anxious that you almost ran.

100
00:04:04,280 --> 00:04:05,880
Speaker 2: And now here you are saying I should have done it.

101
00:04:05,960 --> 00:04:07,920
Speaker 2: I didn't ask you to do it, and I didn't

102
00:04:07,960 --> 00:04:10,480
Speaker 2: need you to do it. But when someone suggested, hey,

103
00:04:10,480 --> 00:04:12,120
Speaker 2: why don't you go and do that? You went. I

104
00:04:12,160 --> 00:04:14,200
Speaker 2: saw your face. You don't need to do it, and

105
00:04:14,240 --> 00:04:15,960
Speaker 2: it's okay, But don't say I was going to do

106
00:04:16,000 --> 00:04:17,599
Speaker 2: it because you weren't. And that's okay.

107
00:04:17,760 --> 00:04:18,880
Speaker 1: I've got a lot of.

108
00:04:19,400 --> 00:04:21,360
Speaker 2: And then you said because I do some recording after

109
00:04:21,400 --> 00:04:23,000
Speaker 2: the show, and you said, can you give me a

110
00:04:23,200 --> 00:04:25,520
Speaker 2: credit card? Because what I've got to pay for your petrol? Now,

111
00:04:25,680 --> 00:04:28,720
Speaker 2: all the things I paid for you over the year,

112
00:04:29,240 --> 00:04:32,640
Speaker 2: petrol in my car twenty bucks.

113
00:04:32,680 --> 00:04:34,600
Speaker 1: You wouldn't put twenty bucks. Okay, you'd have to put

114
00:04:34,600 --> 00:04:35,480
Speaker 1: a hundred bucks, but.

115
00:04:35,440 --> 00:04:36,880
Speaker 2: You didn't have to fill it up just enough to

116
00:04:36,880 --> 00:04:38,919
Speaker 2: get I always filled it up. You didn't have to

117
00:04:39,120 --> 00:04:40,320
Speaker 2: just enough to get me to.

118
00:04:40,240 --> 00:04:42,440
Speaker 3: That if i'd put twenty bucks in, you know, you

119
00:04:42,440 --> 00:04:44,440
Speaker 3: only put twenty bucks in you and then we'd have

120
00:04:44,440 --> 00:04:45,040
Speaker 3: the same.

121
00:04:44,839 --> 00:04:46,120
Speaker 1: Situation next week.

122
00:04:47,400 --> 00:04:49,240
Speaker 2: I didn't need you for it was other people saying,

123
00:04:49,279 --> 00:04:50,160
Speaker 2: what is this the thing?

124
00:04:50,279 --> 00:04:52,279
Speaker 1: You didn't know? It's not a thing, because I feel terrible.

125
00:04:52,320 --> 00:04:55,680
Speaker 3: You are very generous, but you know I just from

126
00:04:55,680 --> 00:04:59,359
Speaker 3: my perspective, all I do is sort people's other people's

127
00:04:59,400 --> 00:05:01,400
Speaker 3: problems out you and I don't like to burn you

128
00:05:01,440 --> 00:05:03,560
Speaker 3: with stuff because you know you've got to go.

129
00:05:03,760 --> 00:05:04,280
Speaker 1: You don't need to.

130
00:05:05,440 --> 00:05:07,280
Speaker 2: And then I think, I hang on, I didn't ask

131
00:05:07,320 --> 00:05:08,560
Speaker 2: you to do it, and you don't need to do

132
00:05:08,600 --> 00:05:10,880
Speaker 2: And my point is that you wanted to fix the door,

133
00:05:10,960 --> 00:05:11,360
Speaker 2: so you talk.

134
00:05:11,600 --> 00:05:12,360
Speaker 1: I won't fix the.

135
00:05:12,279 --> 00:05:15,800
Speaker 3: Door because at your house to get a locksmith on

136
00:05:16,000 --> 00:05:17,159
Speaker 3: a straight, a long weekend.

137
00:05:17,279 --> 00:05:18,720
Speaker 1: You realize what that would have cost you, But you

138
00:05:18,920 --> 00:05:19,880
Speaker 1: like gender backs.

139
00:05:19,880 --> 00:05:21,159
Speaker 2: So this is the thing that men do.

140
00:05:21,279 --> 00:05:23,880
Speaker 3: They do that I know, but like that's a hard job.

141
00:05:24,080 --> 00:05:26,400
Speaker 3: Getting fueled in the car is a job that people

142
00:05:27,279 --> 00:05:28,000
Speaker 3: an electric car.

143
00:05:28,040 --> 00:05:28,840
Speaker 1: It blows my mind.

144
00:05:28,839 --> 00:05:29,960
Speaker 3: You would do You know how long you have to

145
00:05:30,000 --> 00:05:31,680
Speaker 3: sit around charging up a stupid electric car.

146
00:05:31,680 --> 00:05:34,080
Speaker 2: You know i'd have to put on a slow cart.

147
00:05:34,760 --> 00:05:36,120
Speaker 2: But I didn't ask you to do it. But you

148
00:05:36,160 --> 00:05:38,280
Speaker 2: have texted me a few times last night saying I'm sorry.

149
00:05:38,360 --> 00:05:39,800
Speaker 2: I should have I should have done it. Let it

150
00:05:39,800 --> 00:05:41,240
Speaker 2: go because I didn't ask you to do it.

151
00:05:41,839 --> 00:05:43,919
Speaker 3: I think I'm going to get Joe van Halen's driver

152
00:05:44,480 --> 00:05:48,080
Speaker 3: the Happy Transport work with Cold and Jackie, who both

153
00:05:48,080 --> 00:05:51,200
Speaker 3: lost their lives again.

154
00:05:51,279 --> 00:05:53,760
Speaker 2: I wonder whether there no cars in the car, I

155
00:05:53,760 --> 00:05:55,560
Speaker 2: could park sideways and no one would know.

156
00:05:55,560 --> 00:05:56,880
Speaker 1: If you do anyway.

157
00:05:57,560 --> 00:06:01,279
Speaker 3: Anyway, everything's okay, everything's okay, not harboring any feeling.

158
00:06:01,400 --> 00:06:04,680
Speaker 1: No, I was worried. You're in the harbor. But where

159
00:06:04,680 --> 00:06:07,440
Speaker 1: where We're good? We're all good, okay, excellent. We have

160
00:06:07,440 --> 00:06:09,000
Speaker 1: an action packed show today.

161
00:06:09,800 --> 00:06:12,080
Speaker 2: That's also an interesting point you say you never you

162
00:06:12,160 --> 00:06:16,800
Speaker 2: always feel up. You never get half a tank? People

163
00:06:16,839 --> 00:06:17,520
Speaker 2: ever get a half a tank?

164
00:06:17,560 --> 00:06:17,720
Speaker 1: Tom?

165
00:06:17,760 --> 00:06:20,400
Speaker 2: Do you ever get a half tank? A? Do you

166
00:06:20,440 --> 00:06:21,800
Speaker 2: go all the way down before you go all the

167
00:06:21,839 --> 00:06:22,120
Speaker 2: way up?

168
00:06:22,200 --> 00:06:22,360
Speaker 1: Yes?

169
00:06:23,320 --> 00:06:23,520
Speaker 3: Yeah?

170
00:06:23,600 --> 00:06:27,360
Speaker 2: Does anyone actually get fuel because it's convenient even though

171
00:06:27,360 --> 00:06:28,560
Speaker 2: you've already got half a tank?

172
00:06:28,720 --> 00:06:30,360
Speaker 1: I got this old to idle land cruise. I've got

173
00:06:30,360 --> 00:06:31,880
Speaker 1: to men. I don't fill the whole thing up because

174
00:06:31,880 --> 00:06:32,760
Speaker 1: I don't drive it often.

175
00:06:33,440 --> 00:06:35,039
Speaker 2: I put like half a tank and do you wait

176
00:06:35,080 --> 00:06:37,080
Speaker 2: till there's no petrol before you put any more in?

177
00:06:37,839 --> 00:06:38,000
Speaker 1: No?

178
00:06:38,080 --> 00:06:39,960
Speaker 3: I don't like to leave it too low because it's

179
00:06:40,000 --> 00:06:43,000
Speaker 3: not good for the injectors and stuff like that, because

180
00:06:43,080 --> 00:06:44,080
Speaker 3: I don't drive it often.

181
00:06:44,760 --> 00:06:48,320
Speaker 2: Well, my son last night said this is Jack. He said, oh, look,

182
00:06:48,360 --> 00:06:50,880
Speaker 2: you've got probably forty k's in your tank and spared.

183
00:06:51,040 --> 00:06:52,920
Speaker 2: I drive on empty all the time. I said, don't

184
00:06:52,920 --> 00:06:53,359
Speaker 2: stress me.

185
00:06:53,560 --> 00:06:56,279
Speaker 3: I would not have stress. I would take no advice

186
00:06:56,279 --> 00:06:58,680
Speaker 3: from now. He's the one that broke the key off

187
00:06:58,680 --> 00:06:59,200
Speaker 3: in the lawe.

188
00:06:59,240 --> 00:07:00,919
Speaker 2: I know, I know.

189
00:07:01,360 --> 00:07:08,080
Speaker 3: Action pack show today Instagram makes us return. We also

190
00:07:08,520 --> 00:07:10,480
Speaker 3: married at first sight? Did you watch that last time?

191
00:07:12,400 --> 00:07:13,000
Speaker 2: What happened?

192
00:07:13,080 --> 00:07:14,760
Speaker 1: They had that thing where they had to rate each

193
00:07:14,760 --> 00:07:15,760
Speaker 1: other the other.

194
00:07:15,760 --> 00:07:18,760
Speaker 2: Contenders, and they pretend it's like real life. What couple

195
00:07:18,800 --> 00:07:20,800
Speaker 2: in the first few weeks of relationships? He is all

196
00:07:20,800 --> 00:07:22,400
Speaker 2: my friends, where do you.

197
00:07:22,360 --> 00:07:25,280
Speaker 1: Think you bdest where or where do I fit in all?

198
00:07:25,360 --> 00:07:29,080
Speaker 3: Yeah, we've got that for you and the magnificent seven.

199
00:07:29,080 --> 00:07:30,200
Speaker 1: We can't do anything until we.

200
00:07:30,160 --> 00:07:32,360
Speaker 2: Do that question one, which is straight in Ireland is

201
00:07:32,400 --> 00:07:34,560
Speaker 2: famous for its Tasmanian devils.

202
00:07:34,720 --> 00:07:38,120
Speaker 3: Yeah, nation, we have the magnificsm Sevenfore there are seven questions?

203
00:07:38,120 --> 00:07:39,480
Speaker 1: Can you go all the way and answer all seven

204
00:07:39,560 --> 00:07:41,600
Speaker 1: questions correctly? If you do that, Amanda will say you

205
00:07:41,720 --> 00:07:42,280
Speaker 1: were just saying.

206
00:07:42,440 --> 00:07:45,360
Speaker 2: Imagine as they're doing on maths, having to rate all

207
00:07:45,400 --> 00:07:50,040
Speaker 2: the others. Imagine if you asked anyone to rate all

208
00:07:50,120 --> 00:07:54,280
Speaker 2: your friends in terms of attractives. It's the least relaxing

209
00:07:54,400 --> 00:07:55,400
Speaker 2: and realistic.

210
00:07:55,720 --> 00:07:57,760
Speaker 1: I know you play at your book club posse.

211
00:07:58,360 --> 00:08:00,880
Speaker 3: So if you've got all the and you had to

212
00:08:00,960 --> 00:08:03,440
Speaker 3: rank them, and you put them all together and you

213
00:08:03,520 --> 00:08:05,120
Speaker 3: had to rank them, and where would you fit it all?

214
00:08:05,960 --> 00:08:07,960
Speaker 2: See, women don't think about that. Do you look at

215
00:08:08,000 --> 00:08:11,880
Speaker 2: every woman and evaluate her in relation to others in

216
00:08:11,920 --> 00:08:14,640
Speaker 2: your circle of friends? Helen and her circle of friends.

217
00:08:14,840 --> 00:08:18,280
Speaker 2: Imagine if you had to sit down and evaluate them

218
00:08:18,280 --> 00:08:21,960
Speaker 2: and the other guys looking, who would survive? And do

219
00:08:22,080 --> 00:08:23,280
Speaker 2: the girls do it to the guys?

220
00:08:23,440 --> 00:08:24,840
Speaker 1: Yeah, they do. They both do it.

221
00:08:24,920 --> 00:08:27,080
Speaker 2: But is it more hurtful for the women somehow? Because

222
00:08:27,120 --> 00:08:30,920
Speaker 2: it just it feeds into that it's a different feeling somehow.

223
00:08:31,000 --> 00:08:32,040
Speaker 2: Or would you hate it too?

224
00:08:32,920 --> 00:08:35,480
Speaker 1: Of course you think about it, you'd hate it, of

225
00:08:35,480 --> 00:08:36,080
Speaker 1: course you would.

226
00:08:36,160 --> 00:08:39,679
Speaker 2: If your wife said scamps more attractive.

227
00:08:39,200 --> 00:08:42,160
Speaker 1: Yeah, I think she says that already. She loves a scamp.

228
00:08:42,160 --> 00:08:46,959
Speaker 1: He's a silver fox, goady, bead, thick wrists.

229
00:08:47,080 --> 00:08:49,080
Speaker 2: Sounds like you like him, and I'm too much as well.

230
00:08:49,240 --> 00:08:56,120
Speaker 1: I'm taken, Nick, he's in canly Nick.

231
00:08:57,880 --> 00:09:00,680
Speaker 2: Question number one for you? Which Australian Ireland's famous for

232
00:09:01,040 --> 00:09:06,680
Speaker 2: Tasmanian devils? That's Tasmania, that's right.

233
00:09:09,000 --> 00:09:10,400
Speaker 1: Which animal you're right?

234
00:09:10,440 --> 00:09:10,560
Speaker 5: Then?

235
00:09:10,679 --> 00:09:17,240
Speaker 1: Nick? Oh good? Which animal? Which animal features on the

236
00:09:17,240 --> 00:09:24,040
Speaker 1: twenty cent piece lapus?

237
00:09:24,400 --> 00:09:26,640
Speaker 2: Which brings us Nick to what's on the box?

238
00:09:29,559 --> 00:09:30,240
Speaker 4: The box on?

239
00:09:30,760 --> 00:09:30,960
Speaker 9: Nick?

240
00:09:31,120 --> 00:09:32,560
Speaker 2: What TV show has this theme?

241
00:09:34,280 --> 00:09:36,720
Speaker 1: Wow? Child?

242
00:09:38,800 --> 00:09:41,960
Speaker 3: Your silk, silk silk?

243
00:09:47,120 --> 00:09:48,640
Speaker 2: Do you have any idea what that might be?

244
00:09:50,200 --> 00:09:50,840
Speaker 5: Rage?

245
00:09:52,160 --> 00:09:54,440
Speaker 2: Trying to talk over the ending where it rage?

246
00:09:55,360 --> 00:09:58,040
Speaker 3: We're talking you boy, Tom, You're not supposed to put

247
00:09:58,080 --> 00:10:01,000
Speaker 3: the answer of the show in the question what was

248
00:10:01,000 --> 00:10:02,600
Speaker 3: the original purpose of bubble wrap?

249
00:10:02,679 --> 00:10:02,920
Speaker 1: Nick?

250
00:10:03,040 --> 00:10:06,319
Speaker 3: Was an a wallpaper, B, A shower curtain or C

251
00:10:06,920 --> 00:10:08,400
Speaker 3: disco floor paneling?

252
00:10:09,480 --> 00:10:15,280
Speaker 5: Ah oh, I think it was warpaper.

253
00:10:16,280 --> 00:10:19,160
Speaker 2: Wabble rap was invented as a textured wallpaper in nineteen

254
00:10:19,200 --> 00:10:21,840
Speaker 2: fifty seven, but it didn't catch on, and so what they.

255
00:10:21,760 --> 00:10:24,520
Speaker 3: Said on we got all these rolls of bubble wrap, Well,

256
00:10:24,760 --> 00:10:25,840
Speaker 3: what the hell are we going to do with this?

257
00:10:25,920 --> 00:10:27,960
Speaker 2: Well, we consider around and pop it all day, or

258
00:10:28,000 --> 00:10:31,720
Speaker 2: we could use it as an item to protect fragile

259
00:10:31,800 --> 00:10:33,000
Speaker 2: things fascinating.

260
00:10:33,400 --> 00:10:38,360
Speaker 1: True or false? Nick, The croissant originated from Austria? True

261
00:10:38,840 --> 00:10:39,480
Speaker 1: or false?

262
00:10:44,120 --> 00:10:46,480
Speaker 5: I think it was France, so I'm lett say false

263
00:10:46,720 --> 00:10:48,960
Speaker 5: was probably Nick.

264
00:10:49,000 --> 00:10:49,360
Speaker 1: You're right.

265
00:10:49,480 --> 00:10:51,080
Speaker 2: That's the longest Nick's ever gone.

266
00:10:51,200 --> 00:10:56,079
Speaker 3: Next time, very well, congratulations you Nick podcast.

267
00:10:56,280 --> 00:10:59,320
Speaker 1: We are into the Magnificent seven. We're up to question

268
00:10:59,400 --> 00:10:59,880
Speaker 1: number five.

269
00:11:00,000 --> 00:11:02,880
Speaker 2: It's going to Dale in Waterloo. Hello Dale, morning, guys,

270
00:11:03,080 --> 00:11:06,400
Speaker 2: are very well. False the croissant originated from Austria.

271
00:11:07,400 --> 00:11:10,480
Speaker 1: True it's true, yep, no background information.

272
00:11:10,600 --> 00:11:15,080
Speaker 2: Well, it was known as apecip in Austria. The croissant

273
00:11:15,120 --> 00:11:19,959
Speaker 2: became popular in France after the Austrian entrepreneur Auguste Zang

274
00:11:20,280 --> 00:11:23,120
Speaker 2: opened a Viennese bakery. So the locals loved it, and

275
00:11:23,160 --> 00:11:25,160
Speaker 2: so people think it's French, but it came from Austria.

276
00:11:25,480 --> 00:11:29,839
Speaker 1: What is the boiling point of water in Celsius? Dale's

277
00:11:30,120 --> 00:11:31,240
Speaker 1: one degrees.

278
00:11:31,120 --> 00:11:33,679
Speaker 2: Which brings you to question seven. Dale, what's the name

279
00:11:33,720 --> 00:11:37,040
Speaker 2: of the show that started last night starring Rachel Griffiths

280
00:11:37,040 --> 00:11:39,240
Speaker 2: She was talking about on our show yesterday.

281
00:11:42,720 --> 00:11:44,040
Speaker 5: Well, last night.

282
00:11:46,040 --> 00:11:48,240
Speaker 2: It's about a woman. I'll give you a clue because

283
00:11:48,280 --> 00:11:50,440
Speaker 2: it's not an easy quit. It's about a woman who

284
00:11:51,120 --> 00:11:51,840
Speaker 2: runs a brothel?

285
00:11:53,080 --> 00:11:59,240
Speaker 1: Is giving the answer blank?

286
00:12:01,040 --> 00:12:03,079
Speaker 2: Brandon? I didn't quite give him the answer.

287
00:12:02,840 --> 00:12:05,720
Speaker 1: That Nathan's in Cambridge Park?

288
00:12:05,720 --> 00:12:07,400
Speaker 2: Hello, Nathan, do you know the answer to this?

289
00:12:08,240 --> 00:12:08,320
Speaker 1: Hi?

290
00:12:08,440 --> 00:12:09,000
Speaker 9: Guys are no?

291
00:12:09,080 --> 00:12:09,760
Speaker 1: I actually don't.

292
00:12:13,400 --> 00:12:16,040
Speaker 2: Hi'm Maddie. So it's a woman who runs a brothel.

293
00:12:16,080 --> 00:12:19,720
Speaker 2: What do you think the show might be called? It's Madam.

294
00:12:20,080 --> 00:12:22,040
Speaker 1: She's got a name, missus Keller.

295
00:12:22,760 --> 00:12:24,920
Speaker 3: You can run a brothel. Remember that time you got

296
00:12:24,920 --> 00:12:27,959
Speaker 3: pitch to run a TV. You were doing a movie,

297
00:12:28,360 --> 00:12:29,840
Speaker 3: and you were doing a movie, you were going to

298
00:12:29,880 --> 00:12:32,880
Speaker 3: do a show, and you were brothel. Madam remember that I.

299
00:12:32,920 --> 00:12:36,000
Speaker 2: Was years ago a thing came to my agents asking

300
00:12:36,000 --> 00:12:37,200
Speaker 2: if I'd like to be in a film. I thought

301
00:12:37,240 --> 00:12:39,280
Speaker 2: a movie major being in a movie and it was

302
00:12:39,559 --> 00:12:42,480
Speaker 2: kind of a little bit weird and involved me having

303
00:12:42,520 --> 00:12:45,640
Speaker 2: to clean girls up after thinking some fluids, clean up

304
00:12:45,640 --> 00:12:47,319
Speaker 2: some fluids. Why would you think you know he'd be

305
00:12:47,360 --> 00:12:49,560
Speaker 2: good for that. I've got just the person.

306
00:12:49,400 --> 00:12:57,160
Speaker 1: You were, Paula Duncan, You're the go to fluid cleaning up.

307
00:12:57,480 --> 00:12:59,199
Speaker 2: Might be doing the nappy sand challenge.

308
00:12:59,720 --> 00:13:04,160
Speaker 3: No, that's my gig after the disappointment tipping point here.

309
00:13:04,400 --> 00:13:04,840
Speaker 1: That's right.

310
00:13:06,120 --> 00:13:07,880
Speaker 2: You know they're using the nappy sound in the brothel.

311
00:13:07,960 --> 00:13:08,880
Speaker 2: Everything's required.

312
00:13:09,559 --> 00:13:11,760
Speaker 3: Congratulations to you, Maddie, You've won the jam back. It's

313
00:13:11,800 --> 00:13:13,679
Speaker 3: all coming away. One hundred and fifty dollars to spend it.

314
00:13:13,720 --> 00:13:16,960
Speaker 3: Flowers for everyone. Share the love this Valentine's Day with

315
00:13:17,040 --> 00:13:19,800
Speaker 3: Sydney's freshest flowers from Flowers.

316
00:13:19,320 --> 00:13:20,560
Speaker 1: Foreveryon dot com dot a.

317
00:13:20,640 --> 00:13:22,880
Speaker 3: You are double past to killing Heidi and the Baby

318
00:13:22,920 --> 00:13:26,760
Speaker 3: Animals at Twilight at Taronga. The twenty twenty five Summer

319
00:13:26,800 --> 00:13:30,720
Speaker 3: concert Series begins now. Tickets on sale now from ticket

320
00:13:30,800 --> 00:13:33,080
Speaker 3: Tech and Jones In Thematic Coaches, Joys Fit the cone

321
00:13:33,240 --> 00:13:34,200
Speaker 3: and some sallor pencils.

322
00:13:34,240 --> 00:13:39,600
Speaker 1: Anything you'd like to add. Thanks, Thanks, Mannie, Maddie welcome.

323
00:13:39,640 --> 00:13:40,640
Speaker 2: I think Maddie's in the louver.

324
00:13:41,000 --> 00:13:43,000
Speaker 1: Maddie did no effort. I did all the work.

325
00:13:43,160 --> 00:13:44,400
Speaker 2: Maddie's in the loore.

326
00:13:44,160 --> 00:13:47,000
Speaker 3: Cracking the gags, doing the voice of the gags, the

327
00:13:47,040 --> 00:13:48,120
Speaker 3: gags about you cleaning up.

328
00:13:48,440 --> 00:13:49,520
Speaker 2: Okay, that was a good gag.

329
00:13:51,080 --> 00:13:58,800
Speaker 4: Jonesy and Amanda podcast Friendson and Elevanda and you're on

330
00:13:58,840 --> 00:13:59,559
Speaker 4: the same show.

331
00:14:00,480 --> 00:14:01,760
Speaker 1: Let's start wearing lipsticks.

332
00:14:02,120 --> 00:14:02,840
Speaker 6: Fantastic?

333
00:14:03,320 --> 00:14:08,440
Speaker 2: How about that? Gelmanak is our digital musical facts. In

334
00:14:08,520 --> 00:14:11,640
Speaker 2: nineteen eighty six, on this very day, Janet Jackson released

335
00:14:11,640 --> 00:14:14,800
Speaker 2: too single what Have You Done for Me Lately? It's

336
00:14:14,840 --> 00:14:17,240
Speaker 2: very time to give him the grummies yesterday Because this

337
00:14:17,280 --> 00:14:19,360
Speaker 2: song was nominated for two of the Awards back in

338
00:14:19,400 --> 00:14:22,400
Speaker 2: eighty seven, Best Female R and B Vocal Performance and

339
00:14:22,440 --> 00:14:25,400
Speaker 2: Best R and B Song. It has since been sampled

340
00:14:25,520 --> 00:14:30,520
Speaker 2: in over twenty five songs, including this incredible rendition by

341
00:14:30,600 --> 00:14:35,440
Speaker 2: her sister LaToya.

342
00:14:35,560 --> 00:14:38,040
Speaker 3: Do you think she's got mates rates on this deal

343
00:14:38,120 --> 00:14:41,400
Speaker 3: like sibling rates.

344
00:14:43,360 --> 00:14:45,240
Speaker 2: It's more backup singer than LaToya.

345
00:14:45,320 --> 00:14:45,520
Speaker 5: Yeah.

346
00:14:45,680 --> 00:14:47,760
Speaker 1: I think Janet would have gone to marm and said, Mom,

347
00:14:47,800 --> 00:14:48,800
Speaker 1: what's she done now?

348
00:14:48,840 --> 00:14:51,480
Speaker 2: What has she done for me lately? What about this one?

349
00:14:51,480 --> 00:14:55,360
Speaker 2: This is by the rapper exhibit that he slowed it down.

350
00:14:56,040 --> 00:15:05,080
Speaker 1: Chuck my hair, chick Carey?

351
00:15:05,240 --> 00:15:06,520
Speaker 6: Was you walking the role by can?

352
00:15:06,680 --> 00:15:11,240
Speaker 1: I'm actively I don't know what she actually bend me shafey?

353
00:15:12,080 --> 00:15:13,160
Speaker 1: What choked me? Spank me?

354
00:15:13,400 --> 00:15:15,200
Speaker 2: I don't know. Are those the lyrics in the song?

355
00:15:15,240 --> 00:15:17,520
Speaker 2: I've never actually listened to the lyrics of this song.

356
00:15:17,680 --> 00:15:20,280
Speaker 2: I'm going to do it right now because here choked me,

357
00:15:20,400 --> 00:15:23,800
Speaker 2: spank me. It's the original gem married at first sight.

358
00:15:23,880 --> 00:15:25,840
Speaker 3: You don't watch it, but I watch it because you

359
00:15:25,920 --> 00:15:27,280
Speaker 3: don't watch it, and I feel that we should be

360
00:15:27,320 --> 00:15:27,720
Speaker 3: a part of that.

361
00:15:27,760 --> 00:15:30,360
Speaker 2: Now you're obsessed with it. It's your fan coming together.

362
00:15:30,720 --> 00:15:32,880
Speaker 2: Watched like this is your version of the pianola in

363
00:15:32,920 --> 00:15:33,680
Speaker 2: the old I've.

364
00:15:33,600 --> 00:15:38,320
Speaker 3: Watched it since Georgie Gardner was the voiceover person, and

365
00:15:38,360 --> 00:15:41,360
Speaker 3: when it was Georgia Gardener was one that pitched it

366
00:15:41,720 --> 00:15:43,080
Speaker 3: to the Big Boss of Channel nine.

367
00:15:43,120 --> 00:15:43,200
Speaker 7: Well.

368
00:15:43,240 --> 00:15:45,200
Speaker 2: It was a so called social experiment in the early

369
00:15:45,320 --> 00:15:49,600
Speaker 2: days where they actually select selected somebody by their psychology

370
00:15:49,760 --> 00:15:50,840
Speaker 2: to match with somebody else.

371
00:15:50,920 --> 00:15:54,720
Speaker 1: Georgie has moved on from the show, now last has psychology.

372
00:15:55,040 --> 00:16:00,040
Speaker 3: They had the ranking the other brides in all of attractiveness. O,

373
00:16:00,120 --> 00:16:02,640
Speaker 3: my god, if you reckon, everyone who's watching that with

374
00:16:02,760 --> 00:16:05,760
Speaker 3: their partner is going and I reckon it's women would

375
00:16:05,760 --> 00:16:07,600
Speaker 3: say to men, all right, you ranked my friends, and

376
00:16:07,640 --> 00:16:08,920
Speaker 3: then the fights would ensue.

377
00:16:08,960 --> 00:16:10,760
Speaker 1: Did you do this with Helen while she was making

378
00:16:10,760 --> 00:16:12,040
Speaker 1: a cup of tea? She was out of the room.

379
00:16:12,400 --> 00:16:14,280
Speaker 2: Did you insist I'd love a cup of tea?

380
00:16:15,320 --> 00:16:16,360
Speaker 1: Because that is the worst.

381
00:16:16,600 --> 00:16:19,320
Speaker 3: Imagine if I got all your pals and I would

382
00:16:19,440 --> 00:16:21,120
Speaker 3: naturally just say you are the hardest.

383
00:16:21,240 --> 00:16:22,360
Speaker 2: But don't you actually think that.

384
00:16:24,480 --> 00:16:28,480
Speaker 1: Old mate put his bride at number three? God is tough?

385
00:16:28,600 --> 00:16:31,520
Speaker 1: She said, no, no, be honest, be honest. What an idiot.

386
00:16:31,800 --> 00:16:34,760
Speaker 2: There must be producers saying, come on, be honest. Everyone

387
00:16:34,800 --> 00:16:36,600
Speaker 2: else no one else is putting them at number one,

388
00:16:36,920 --> 00:16:38,880
Speaker 2: because WHI else would you do that? Did the women

389
00:16:39,440 --> 00:16:43,000
Speaker 2: rank the men? Is that as controversial? Does this pierce

390
00:16:43,080 --> 00:16:44,080
Speaker 2: women more than it does men?

391
00:16:44,200 --> 00:16:47,040
Speaker 3: Definitely would pierce women more than everything pierces women more

392
00:16:47,080 --> 00:16:47,360
Speaker 3: than men.

393
00:16:47,600 --> 00:16:50,040
Speaker 2: This emotional stuff. It's interesting, isn't it that the women?

394
00:16:50,160 --> 00:16:53,400
Speaker 2: Did any of the women say put the men third.

395
00:16:53,240 --> 00:16:55,720
Speaker 1: Fourth, and didn't really get into that.

396
00:16:55,800 --> 00:16:59,240
Speaker 2: Oh you already wanted to see the rightful bits hurtful bits.

397
00:17:01,280 --> 00:17:03,120
Speaker 1: So that was that challenge.

398
00:17:03,480 --> 00:17:07,879
Speaker 3: Another challenge is they have to watch each other's audition tape,

399
00:17:08,080 --> 00:17:09,160
Speaker 3: the tape that they saw.

400
00:17:09,359 --> 00:17:12,639
Speaker 1: Yeah, not their only fans tape, but just their audition tape.

401
00:17:12,800 --> 00:17:14,520
Speaker 2: Why what do they make them do? What's the interest

402
00:17:14,600 --> 00:17:16,320
Speaker 2: in that? Just when they find when they say is

403
00:17:16,400 --> 00:17:18,159
Speaker 2: what I'm after? Yeah, and you go, well, look, I'm

404
00:17:18,200 --> 00:17:18,680
Speaker 2: the opposite.

405
00:17:18,960 --> 00:17:22,320
Speaker 3: There's Tim and Katie. As we've established him has absolutely

406
00:17:22,480 --> 00:17:25,359
Speaker 3: no interest in Katie. He just wishes a hole in

407
00:17:25,400 --> 00:17:27,919
Speaker 3: the ground would swallow him or her up. It doesn't

408
00:17:27,920 --> 00:17:31,720
Speaker 3: matter whoever comes first. So he was around Katie watched

409
00:17:31,760 --> 00:17:32,560
Speaker 3: his tape though.

410
00:17:32,920 --> 00:17:35,439
Speaker 1: What about looks physical trains?

411
00:17:36,200 --> 00:17:38,400
Speaker 8: I always say pretty face is always number one because

412
00:17:38,400 --> 00:17:41,880
Speaker 8: everyone's bodies and looks and women have kids at all changes,

413
00:17:41,920 --> 00:17:45,760
Speaker 8: but pretty faces forever, like, yeah, just a natural person,

414
00:17:45,960 --> 00:17:48,680
Speaker 8: like I'm not brain pit, so I'm not expecting around

415
00:17:48,720 --> 00:17:51,960
Speaker 8: a curve when you meet them for the first.

416
00:17:51,800 --> 00:17:52,520
Speaker 2: Time in person.

417
00:17:52,920 --> 00:17:56,040
Speaker 10: What we can't control is that spark and whether that

418
00:17:56,200 --> 00:17:58,200
Speaker 10: initial kind of chemistry is there.

419
00:17:58,920 --> 00:18:01,639
Speaker 1: If that doesn't happen for you, how do you think you.

420
00:18:01,680 --> 00:18:05,720
Speaker 8: Would tackle that I'm willing to give it a go because, yeah,

421
00:18:05,720 --> 00:18:07,800
Speaker 8: it is going to be such a pressure cooker that

422
00:18:07,920 --> 00:18:08,560
Speaker 8: first time.

423
00:18:09,480 --> 00:18:12,760
Speaker 1: So are you saying that you would work at it? Yeah?

424
00:18:15,680 --> 00:18:15,920
Speaker 11: Huh.

425
00:18:18,640 --> 00:18:21,240
Speaker 6: He's got some answering to do.

426
00:18:22,200 --> 00:18:26,480
Speaker 1: I'm confused. I like he's got some answering to do.

427
00:18:27,040 --> 00:18:29,639
Speaker 6: He's got some answering to do.

428
00:18:31,640 --> 00:18:38,240
Speaker 3: Although our knew Australian Tourism slogo, but she does have

429
00:18:38,320 --> 00:18:39,080
Speaker 3: a pretty face.

430
00:18:41,280 --> 00:18:43,359
Speaker 2: You don't agree? Where have you ranked her?

431
00:18:44,600 --> 00:18:44,679
Speaker 11: Now?

432
00:18:44,760 --> 00:18:45,680
Speaker 1: I don't drag me into that.

433
00:18:45,760 --> 00:18:49,440
Speaker 2: Okay, all right, he's in the hole all on his own.

434
00:18:49,560 --> 00:18:56,359
Speaker 3: Now, I've got some answering. Let's get on down to

435
00:18:56,400 --> 00:18:58,280
Speaker 3: the Jonesy, no matter of arms. For the podcast, there's

436
00:18:58,280 --> 00:19:02,200
Speaker 3: a brut ha ha ha about Addington's new toilet. Does

437
00:19:02,240 --> 00:19:03,359
Speaker 3: it pass the pub test?

438
00:19:03,560 --> 00:19:06,399
Speaker 2: It's been installed in Oxford Street because a lot of

439
00:19:06,440 --> 00:19:10,840
Speaker 2: people were publicly urinating, particularly after leaving a game at

440
00:19:10,840 --> 00:19:14,280
Speaker 2: Allian Stadium for example in More Park. So this public

441
00:19:14,400 --> 00:19:17,680
Speaker 2: toilet looks like an entryway to a lift. It looks

442
00:19:17,760 --> 00:19:20,840
Speaker 2: quite European looking, isn't it? And European all over the place.

443
00:19:21,440 --> 00:19:21,760
Speaker 5: It's a.

444
00:19:24,000 --> 00:19:28,840
Speaker 2: A box. It doesn't look attractive, but it doesn't look terrible.

445
00:19:28,880 --> 00:19:31,200
Speaker 2: It looks functional, it looks functional, and people are saying

446
00:19:31,720 --> 00:19:34,360
Speaker 2: it's in a bad position. It's in Oxford Street, it's

447
00:19:34,359 --> 00:19:37,040
Speaker 2: between if you know the area, it's in the corner

448
00:19:37,080 --> 00:19:40,240
Speaker 2: of the car park between Mitoten and Telstra It's an

449
00:19:40,320 --> 00:19:42,960
Speaker 2: unusual spot just to stick a toilet. But better this

450
00:19:43,080 --> 00:19:46,040
Speaker 2: than people just wing in the street. It's operating from

451
00:19:46,119 --> 00:19:49,280
Speaker 2: sunrise to midnight, clean twice a day. It's got an

452
00:19:49,320 --> 00:19:52,600
Speaker 2: automated self bening mechanism. These are used all around the world.

453
00:19:52,840 --> 00:19:55,560
Speaker 3: What happens if you want to go after midnight? I

454
00:19:55,600 --> 00:19:57,520
Speaker 3: guess it doesn't matter. There's plenty of trees around. There

455
00:19:57,560 --> 00:20:00,600
Speaker 3: isn't around that option now, of course that so.

456
00:20:00,760 --> 00:20:02,679
Speaker 2: But residents have said it's too ugly, it doesn't fit

457
00:20:02,760 --> 00:20:04,920
Speaker 2: in with the heritage look of the area, and that

458
00:20:05,040 --> 00:20:06,600
Speaker 2: is true. But what do you want it to look like?

459
00:20:06,920 --> 00:20:09,480
Speaker 2: At least there's a public toilet there. I mean, you

460
00:20:09,520 --> 00:20:12,560
Speaker 2: do want to disguise it as as a phone box.

461
00:20:13,040 --> 00:20:15,280
Speaker 3: They are not that I'm starting a suburb or they've

462
00:20:15,280 --> 00:20:18,040
Speaker 3: said it a better suited in an area more like Blacktown.

463
00:20:19,600 --> 00:20:22,120
Speaker 2: And the mayor of Fairfield has said, excuse me when

464
00:20:22,200 --> 00:20:24,280
Speaker 2: nature calls. It's the same in Paddington as well as

465
00:20:24,320 --> 00:20:24,720
Speaker 2: out west.

466
00:20:24,880 --> 00:20:26,960
Speaker 1: You don't mind, but you know, I'd be happy with that.

467
00:20:27,600 --> 00:20:29,400
Speaker 1: I live in the Shire, I'd be happy that. That's

468
00:20:29,560 --> 00:20:33,040
Speaker 1: very very shy. Shire is very functional, like what Shire has.

469
00:20:33,359 --> 00:20:35,960
Speaker 2: You know that they love that in the showy it

470
00:20:36,000 --> 00:20:37,680
Speaker 2: looks quat, as I said, the sort of thing you

471
00:20:37,760 --> 00:20:39,960
Speaker 2: see in Paris and other parts of Europe, just in

472
00:20:40,000 --> 00:20:42,480
Speaker 2: the middle of the streets. You actually just see screens

473
00:20:42,520 --> 00:20:43,399
Speaker 2: in Paris that mean we.

474
00:20:43,560 --> 00:20:46,800
Speaker 1: Behind yeah, and they're they're good. You go in there

475
00:20:47,160 --> 00:20:49,200
Speaker 1: urinal and you get none of these guys. That gets

476
00:20:49,240 --> 00:20:51,800
Speaker 1: stage fright. You know here you go to a toilet.

477
00:20:51,880 --> 00:20:55,120
Speaker 1: Now all the young guys jim Y rise generation who's

478
00:20:55,160 --> 00:20:58,920
Speaker 1: now left us? But Tom how old are you anywhere? Ah? Good?

479
00:20:59,359 --> 00:21:01,359
Speaker 3: But the kids he was his job. They can't go

480
00:21:01,440 --> 00:21:03,440
Speaker 3: to the ural anymore. They're going to go into the cubicle.

481
00:21:03,440 --> 00:21:04,280
Speaker 3: We get stage fright.

482
00:21:04,400 --> 00:21:07,040
Speaker 2: Well, this is better than nothing, and it's a big

483
00:21:07,320 --> 00:21:10,159
Speaker 2: sort of gray box that does look like an entryway

484
00:21:10,200 --> 00:21:13,560
Speaker 2: to a lift. Don't make that mistake. But do you

485
00:21:13,640 --> 00:21:17,280
Speaker 2: need the toilet to be attractive? Paddington's new toilet does

486
00:21:17,359 --> 00:21:18,320
Speaker 2: it pass the pub test?

487
00:21:18,480 --> 00:21:18,720
Speaker 11: Yeah?

488
00:21:18,960 --> 00:21:19,719
Speaker 2: Jam Nason.

489
00:21:21,480 --> 00:21:25,240
Speaker 1: The legendary poet Jersey command of the actress.

490
00:21:25,200 --> 00:21:28,760
Speaker 3: Went through a movie last night, This Knew Bob Dylan movie.

491
00:21:28,800 --> 00:21:30,359
Speaker 1: It was great. I'll talk about that a little bit

492
00:21:30,440 --> 00:21:32,720
Speaker 1: later on the show. But it was great because it

493
00:21:32,840 --> 00:21:35,480
Speaker 1: was started at five point thirty. That's a sign of

494
00:21:35,480 --> 00:21:38,040
Speaker 1: a good man. And I was hired early by seven

495
00:21:38,080 --> 00:21:38,880
Speaker 1: point fifty five.

496
00:21:39,240 --> 00:21:41,119
Speaker 3: And it was at the Kronella Theater as well. So

497
00:21:41,240 --> 00:21:42,959
Speaker 3: usually when I see one of those movies, I get

498
00:21:43,000 --> 00:21:45,320
Speaker 3: invited to. It's in the city and there's a whole thing.

499
00:21:45,520 --> 00:21:47,640
Speaker 2: You know what you do have a television, maybe it's

500
00:21:47,680 --> 00:21:49,960
Speaker 2: limited to that. You watch what you want at home.

501
00:21:50,119 --> 00:21:51,720
Speaker 1: No, but you know, I like to I like to

502
00:21:51,800 --> 00:21:53,920
Speaker 1: be on the pulse of things. And I was talking

503
00:21:54,000 --> 00:21:55,600
Speaker 1: to Damian Key. You know, Damien, of.

504
00:21:55,600 --> 00:21:57,880
Speaker 3: Course is a very nice man of hoiz. He said

505
00:21:57,920 --> 00:22:00,359
Speaker 3: to say hello, by the way, he will just about

506
00:22:00,400 --> 00:22:01,959
Speaker 3: Robbie Williams's movie Better Man.

507
00:22:02,000 --> 00:22:04,119
Speaker 1: I said, how's that going? And he said, well, you know,

508
00:22:04,200 --> 00:22:07,480
Speaker 1: people are they're not loving it. That's such a good movie.

509
00:22:07,640 --> 00:22:10,240
Speaker 2: You loved that film. I know that the reviews have

510
00:22:10,400 --> 00:22:12,280
Speaker 2: been very mixed and a lot of people don't like it.

511
00:22:12,400 --> 00:22:15,360
Speaker 2: And I think if you love Robbie Williams. You've seen

512
00:22:15,400 --> 00:22:18,960
Speaker 2: the Netflix series and you're going to go along to this,

513
00:22:19,200 --> 00:22:21,840
Speaker 2: and he's portrayed, as we've spoken to him, as a monkey.

514
00:22:22,520 --> 00:22:24,640
Speaker 2: So you're not going to get what you want from

515
00:22:24,680 --> 00:22:25,600
Speaker 2: it if you're a big fan.

516
00:22:25,840 --> 00:22:28,879
Speaker 3: And that's what Daimo and I were discussing. I didn't

517
00:22:29,000 --> 00:22:31,000
Speaker 3: know because we were setting up for an interview with

518
00:22:31,080 --> 00:22:32,840
Speaker 3: Robbie Williams. So when I went to see the movie,

519
00:22:33,119 --> 00:22:35,040
Speaker 3: I had no idea that he was playing a monkey.

520
00:22:35,359 --> 00:22:35,960
Speaker 1: I went into the.

521
00:22:35,960 --> 00:22:38,760
Speaker 2: Movie know that a monkey was playing him. Okay, Lancelot

522
00:22:38,840 --> 00:22:39,640
Speaker 2: link the remake.

523
00:22:41,840 --> 00:22:46,800
Speaker 1: Oh, I missed that era.

524
00:22:48,720 --> 00:22:52,440
Speaker 3: Where monkeys were in TV shows. Anyway, I went along

525
00:22:52,480 --> 00:22:55,159
Speaker 3: to the movie with no expectation of.

526
00:22:55,160 --> 00:22:55,560
Speaker 5: What it was.

527
00:22:55,680 --> 00:22:57,960
Speaker 2: Also about you and so you enjoyed it, but you're

528
00:22:58,040 --> 00:23:01,920
Speaker 2: not a major fan of You like Robbie Williams, but

529
00:23:02,000 --> 00:23:04,320
Speaker 2: you're you would not have gone to see it because

530
00:23:04,320 --> 00:23:05,960
Speaker 2: you like Robbi Williams. A lot of people I think

531
00:23:06,040 --> 00:23:08,440
Speaker 2: could think I want to see Robbie in this because.

532
00:23:08,240 --> 00:23:10,760
Speaker 1: We're interviewing Robbie Williams, and I had to say it.

533
00:23:11,240 --> 00:23:13,040
Speaker 3: And at the start of the movie, he and the

534
00:23:13,080 --> 00:23:16,560
Speaker 3: director they explain the movie and then the director says,

535
00:23:16,600 --> 00:23:19,200
Speaker 3: and by the way, Robbie is played.

536
00:23:18,960 --> 00:23:21,119
Speaker 1: By a monkey, I feel like turning up and I

537
00:23:21,240 --> 00:23:22,240
Speaker 1: kind have teated it.

538
00:23:22,480 --> 00:23:24,960
Speaker 3: And then it starts and you go on, he's actually

539
00:23:25,000 --> 00:23:27,600
Speaker 3: a monkey. It's like a Planet of the Ape sequel.

540
00:23:27,800 --> 00:23:29,320
Speaker 3: Seeing Dancing Planet of the Ape.

541
00:23:29,400 --> 00:23:32,639
Speaker 2: Someone was saying too that if they had seen that

542
00:23:32,800 --> 00:23:34,800
Speaker 2: story and it wasn't being played by a monkey, they

543
00:23:34,800 --> 00:23:37,680
Speaker 2: would have wear buckets. There's something that stopped them to

544
00:23:37,760 --> 00:23:38,240
Speaker 2: the emotions.

545
00:23:38,280 --> 00:23:40,159
Speaker 3: I was weeping like a baby at the end of

546
00:23:40,240 --> 00:23:43,440
Speaker 3: the thing. I just I feel don't read what the

547
00:23:43,480 --> 00:23:45,840
Speaker 3: critics that it's worth. Going to have a watch on

548
00:23:46,040 --> 00:23:47,520
Speaker 3: Better Man and we'll talk about this.

549
00:23:48,400 --> 00:23:49,480
Speaker 2: God Dylan playing a chicken?

550
00:23:51,040 --> 00:23:51,840
Speaker 9: How did you know that?

551
00:23:53,440 --> 00:23:55,639
Speaker 1: Best cgi chicken? In the Business.

552
00:23:57,920 --> 00:24:00,159
Speaker 2: Podcast on.

553
00:24:02,160 --> 00:24:08,320
Speaker 1: Right Now, Crazy your Windows, stick your head on a gel.

554
00:24:12,280 --> 00:24:14,720
Speaker 3: Down to the Jonesy de matter an to the pub

555
00:24:14,840 --> 00:24:17,960
Speaker 3: test that the installation of a new toilet in Pennington

556
00:24:18,680 --> 00:24:19,919
Speaker 3: has got the ire of locals.

557
00:24:19,960 --> 00:24:21,080
Speaker 1: Does it pass the pub test?

558
00:24:21,160 --> 00:24:23,760
Speaker 2: Well, the reason it's there is because people were relieving

559
00:24:23,840 --> 00:24:27,560
Speaker 2: themselves after leaving Alliance Stadium in more Park. It's situated

560
00:24:27,600 --> 00:24:30,280
Speaker 2: in Oxford Street, across from a very famous pub. It's

561
00:24:30,280 --> 00:24:33,359
Speaker 2: in the middle of a very busy streep of Oxford Street.

562
00:24:33,359 --> 00:24:36,080
Speaker 2: I guess it's going to operate from sunrise to midnight.

563
00:24:36,160 --> 00:24:39,000
Speaker 2: Clean twice a day is self cleaning mechanism that's automated.

564
00:24:39,480 --> 00:24:41,440
Speaker 2: It's that people are complaining about the look of it

565
00:24:41,800 --> 00:24:46,359
Speaker 2: that it says utilitarian. Yeah, gray box, it looks like

566
00:24:46,440 --> 00:24:49,720
Speaker 2: the entry way to a lift, not starting a suburb.

567
00:24:49,920 --> 00:24:52,400
Speaker 3: Or if you're going to design something for Paddington, someone

568
00:24:52,480 --> 00:24:55,680
Speaker 3: has written, surely you designed something more sensitive. It looks

569
00:24:55,760 --> 00:24:58,840
Speaker 3: like it belongs in the city's western suburbs. I would

570
00:24:58,880 --> 00:25:03,040
Speaker 3: say I'd be happy you being a shary. That's very

571
00:25:03,119 --> 00:25:05,399
Speaker 3: shy because the Shire they're very pragmatic about stuff.

572
00:25:05,560 --> 00:25:07,400
Speaker 1: Need to do a week, just build a doney. Don't

573
00:25:07,400 --> 00:25:07,920
Speaker 1: care what it means.

574
00:25:07,960 --> 00:25:09,520
Speaker 2: Any toilet is a good toilet.

575
00:25:09,560 --> 00:25:10,920
Speaker 1: Any in the state's theater.

576
00:25:11,119 --> 00:25:12,879
Speaker 2: Lining up in the state theater to go to women's

577
00:25:12,920 --> 00:25:15,680
Speaker 2: toilets is a nightmare. Worse stick it anywhere, I don't care.

578
00:25:16,000 --> 00:25:18,720
Speaker 2: The Mirror of Fairfield does has answered those questions saying

579
00:25:18,720 --> 00:25:20,640
Speaker 2: should it be there? He said, you know, when nature calls,

580
00:25:20,640 --> 00:25:22,240
Speaker 2: it's the same for Paddington as it is in the West.

581
00:25:23,000 --> 00:25:25,880
Speaker 1: No, it's exactly the same. You get away from the East,

582
00:25:25,960 --> 00:25:29,720
Speaker 1: any of the outer rims of the city. Everyone's practical.

583
00:25:30,160 --> 00:25:32,159
Speaker 2: Well, I don't know why these people are complaining. I

584
00:25:32,240 --> 00:25:34,680
Speaker 2: think it's great. What do you think Paddington's new toilet?

585
00:25:34,720 --> 00:25:35,760
Speaker 2: Does it pass the pub test?

586
00:25:36,000 --> 00:25:38,879
Speaker 12: Public toilets are so hard to come by these days.

587
00:25:39,640 --> 00:25:41,840
Speaker 13: When I used to go clubbing, I remember the amount

588
00:25:41,960 --> 00:25:43,760
Speaker 13: of car parks, not of you, Ryan.

589
00:25:44,560 --> 00:25:45,399
Speaker 5: I don't care what a.

590
00:25:45,440 --> 00:25:46,119
Speaker 9: Toilet looks like.

591
00:25:46,600 --> 00:25:48,720
Speaker 12: If it's available, I'll take it.

592
00:25:48,960 --> 00:25:51,080
Speaker 5: I think past the pop test. We've got a similar

593
00:25:51,119 --> 00:25:54,359
Speaker 5: toilet in Marrickville. It's disgusting but it works.

594
00:25:54,720 --> 00:25:56,719
Speaker 1: But I don't think you're going to stop twenty persand

595
00:25:56,720 --> 00:25:58,600
Speaker 1: people coming out at the football piercing in the street

596
00:25:58,640 --> 00:25:59,359
Speaker 1: with one toilet.

597
00:25:59,440 --> 00:26:01,760
Speaker 5: So yeah, I don't think it's going to help the residents.

598
00:26:01,920 --> 00:26:03,600
Speaker 11: I don't think it needs to be pretty.

599
00:26:03,960 --> 00:26:05,720
Speaker 2: But when you're a lady and you need to go,

600
00:26:06,200 --> 00:26:07,000
Speaker 2: don't curarity.

601
00:26:08,160 --> 00:26:10,040
Speaker 1: It's true, you're a lady and you need to go.

602
00:26:10,280 --> 00:26:13,000
Speaker 2: Yeah, as I said, put at the State Theater. I

603
00:26:13,119 --> 00:26:15,080
Speaker 2: put it anywhere women would be thrilled.

604
00:26:15,640 --> 00:26:19,600
Speaker 1: What are my Carmius?

605
00:26:19,800 --> 00:26:21,720
Speaker 2: Do you want to know some intriguing bits from history?

606
00:26:21,920 --> 00:26:23,879
Speaker 1: I love intriguing bits from history.

607
00:26:24,040 --> 00:26:28,200
Speaker 2: During prohibition in the nineteen twenties, if you were secretly

608
00:26:28,280 --> 00:26:30,399
Speaker 2: going in somewhere and having a little sneaky drink and

609
00:26:30,440 --> 00:26:33,920
Speaker 2: police would try and chase you. What some ingenious people

610
00:26:34,040 --> 00:26:37,879
Speaker 2: came up with. These moonshiners in the twenties used cowshoes.

611
00:26:38,680 --> 00:26:40,359
Speaker 2: Say look at this picture. It's a picture of a

612
00:26:40,400 --> 00:26:46,440
Speaker 2: normal shoe, but underneath there's wood slabs that recreate the

613
00:26:46,920 --> 00:26:51,040
Speaker 2: horf impression right from cows. This is to evade law enforcement.

614
00:26:51,160 --> 00:26:54,120
Speaker 2: So it left howf like tracks instead of human football.

615
00:26:54,119 --> 00:26:56,080
Speaker 3: This would have been for the moonshiners. Not you're going

616
00:26:56,119 --> 00:26:58,200
Speaker 3: for a sneaky drink. You're not putting on some holf

617
00:26:58,280 --> 00:27:01,159
Speaker 3: shoes out on the town. They're doing to run the

618
00:27:01,200 --> 00:27:04,640
Speaker 3: booze across paddocks. Oh what did you think?

619
00:27:05,920 --> 00:27:08,760
Speaker 1: They were wearing horses horse and going to a bar.

620
00:27:09,240 --> 00:27:11,919
Speaker 2: In case the police chased you, you were leaving.

621
00:27:12,640 --> 00:27:13,480
Speaker 1: No, that's.

622
00:27:15,880 --> 00:27:20,400
Speaker 3: No, you're smuggling the booze and you're walking across a paddock.

623
00:27:20,640 --> 00:27:23,399
Speaker 1: Right, so you've got you've got cow hoofs. So the

624
00:27:23,440 --> 00:27:25,639
Speaker 1: police think, well, it's not humans go across this paddock,

625
00:27:25,840 --> 00:27:27,000
Speaker 1: it's cows.

626
00:27:27,160 --> 00:27:28,000
Speaker 2: Why does it cow?

627
00:27:28,080 --> 00:27:32,800
Speaker 3: And you have two feet, because they would they be

628
00:27:32,840 --> 00:27:35,600
Speaker 3: carrying the barrel between the two guys, so there'd be

629
00:27:35,640 --> 00:27:36,760
Speaker 3: a barrel in the middle.

630
00:27:36,760 --> 00:27:40,800
Speaker 1: Guy at the back, guy at the front. Ah you see,

631
00:27:40,960 --> 00:27:42,640
Speaker 1: I see sure.

632
00:27:42,720 --> 00:27:45,080
Speaker 2: I should have been a police officer in the nineteen twenty.

633
00:27:44,920 --> 00:27:47,480
Speaker 1: I want to you're a police officer. I would be

634
00:27:47,520 --> 00:27:48,680
Speaker 1: the biggest criminal in the world.

635
00:27:48,760 --> 00:27:50,960
Speaker 2: Did you know that there's a spy museum in Washington.

636
00:27:51,400 --> 00:27:53,440
Speaker 2: I'd love to go there. Here's some of the stuff

637
00:27:53,440 --> 00:27:57,040
Speaker 2: I've been reading about in the spy musician, mister bit

638
00:27:57,119 --> 00:28:00,360
Speaker 2: of moonshine, this is what was used in World War

639
00:28:00,400 --> 00:28:05,119
Speaker 2: One were pigeons carrying cameras. Pigeons were outfitted with tiny

640
00:28:05,200 --> 00:28:08,399
Speaker 2: cameras and released over enemy territories. The birds flew the

641
00:28:08,480 --> 00:28:12,160
Speaker 2: cameras clicked away, snapping photos like paparazzi that can pooh

642
00:28:12,200 --> 00:28:15,200
Speaker 2: on you. Of the hundreds of thousands of carrier pigeons

643
00:28:15,240 --> 00:28:19,120
Speaker 2: that were sent through enemy fire, ninety five percent completed

644
00:28:19,160 --> 00:28:23,640
Speaker 2: their missions, and pigeons have continued much brave service through

645
00:28:23,680 --> 00:28:26,000
Speaker 2: the nineteen fifties, earning more medals of honor than any

646
00:28:26,040 --> 00:28:30,680
Speaker 2: other animal. Wow wow, then let's get to these ones.

647
00:28:30,720 --> 00:28:32,600
Speaker 1: Do let me have the metal I wonder flying around

648
00:28:32,640 --> 00:28:37,480
Speaker 1: with it. So their mates look at him. He thinks

649
00:28:37,480 --> 00:28:39,760
Speaker 1: he saw that, mister t of pigeons.

650
00:28:40,000 --> 00:28:42,000
Speaker 2: Well, what about this? This is also seen in the

651
00:28:42,040 --> 00:28:45,920
Speaker 2: International Spy Museum. A whole series of small knives it

652
00:28:46,040 --> 00:28:47,880
Speaker 2: might need for any kind of occasion. To me, it

653
00:28:47,920 --> 00:28:53,400
Speaker 2: looks like there's a scalpel, there's a flensing knife. There's one, two, three, four, five, six, seven, eight, nine,

654
00:28:53,560 --> 00:28:54,400
Speaker 2: ten small knives.

655
00:28:54,400 --> 00:28:54,960
Speaker 1: And where do they go.

656
00:28:55,120 --> 00:28:58,520
Speaker 2: Well, they put inside something that looks like a big

657
00:28:58,920 --> 00:29:02,200
Speaker 2: capsule and it goes in your rectum. This is from

658
00:29:02,240 --> 00:29:06,840
Speaker 2: the nineteen sixties, filled with escape tools, not stools. This

659
00:29:07,080 --> 00:29:12,440
Speaker 2: rectal toolkit com on. Anyone got a hammer, could be

660
00:29:12,640 --> 00:29:16,000
Speaker 2: stashed stashed? Could it be stashed inside the body where

661
00:29:16,000 --> 00:29:18,920
Speaker 2: it could not be found during a search. This gadget

662
00:29:19,000 --> 00:29:21,080
Speaker 2: was issued to the CIA operatives during the height of

663
00:29:21,120 --> 00:29:24,120
Speaker 2: the Cold War. So it's got it's a pill shaped container.

664
00:29:24,280 --> 00:29:26,000
Speaker 2: But look at the size of your hand.

665
00:29:25,960 --> 00:29:26,840
Speaker 1: Oh goodness.

666
00:29:28,080 --> 00:29:31,200
Speaker 2: And it's got a drill bit of sore knives that

667
00:29:31,280 --> 00:29:35,160
Speaker 2: could aid in an escape from several sticky situations.

668
00:29:34,640 --> 00:29:37,320
Speaker 1: When they get arrested until coming out. But wait, there's more.

669
00:29:37,400 --> 00:29:40,800
Speaker 2: Yeah, and hey, Jeff, we need it I'm not ready

670
00:29:41,360 --> 00:29:44,200
Speaker 2: get the meta musil, But what about this one. This

671
00:29:44,400 --> 00:29:47,560
Speaker 2: is in the late nineteen sixties. This was the CIA

672
00:29:47,720 --> 00:29:51,800
Speaker 2: disguise chief. Imagine that job. Designed a unique escape tool

673
00:29:51,920 --> 00:29:55,440
Speaker 2: because they wanted to conceal a radio. He made a

674
00:29:55,560 --> 00:29:59,640
Speaker 2: scrotum concealment device. Have look at this. It's a fake

675
00:29:59,720 --> 00:30:05,440
Speaker 2: screw rotum and this latex gadget was hid an escape

676
00:30:05,560 --> 00:30:08,160
Speaker 2: radio in a location that would go undetected even during

677
00:30:08,240 --> 00:30:08,960
Speaker 2: strip searchers.

678
00:30:09,160 --> 00:30:11,600
Speaker 1: So you put that over your actually actual.

679
00:30:11,400 --> 00:30:15,960
Speaker 2: Scrotum and then the molded from real anatomy. Imagine that job.

680
00:30:16,720 --> 00:30:19,480
Speaker 2: It was intended for pilots, but never used beyond its

681
00:30:19,520 --> 00:30:22,360
Speaker 2: prototype of stage. The device is now displayed at the

682
00:30:22,720 --> 00:30:25,520
Speaker 2: Spy Museum. What's the size of a scrotum? But look

683
00:30:25,800 --> 00:30:28,160
Speaker 2: the radio looks like the size of a packet of cigarettes. Yeah,

684
00:30:28,480 --> 00:30:31,960
Speaker 2: it must look like you've got enormous sack laws.

685
00:30:34,120 --> 00:30:37,320
Speaker 1: And whatever happens tickets.

686
00:30:37,960 --> 00:30:38,680
Speaker 6: I like this bit.

687
00:30:38,840 --> 00:30:43,080
Speaker 2: It was reportedly rejected after the CIA director blushed during

688
00:30:43,120 --> 00:30:44,080
Speaker 2: its demonstration.

689
00:30:45,320 --> 00:30:46,400
Speaker 1: And now it's rockshead.

690
00:30:50,320 --> 00:30:51,720
Speaker 2: Anyone mind if I just go to the bathroom, I

691
00:30:51,720 --> 00:30:56,680
Speaker 2: want to pass a tool. Fascinating history is if they

692
00:30:56,760 --> 00:30:59,480
Speaker 2: taught history like that in school is so much better

693
00:31:00,440 --> 00:31:01,920
Speaker 2: and Amanda Make.

694
00:31:01,880 --> 00:31:03,160
Speaker 1: Sure podcast.

695
00:31:06,280 --> 00:31:11,200
Speaker 6: Amanda and Jones, you stand school and learned school stands.

696
00:31:11,760 --> 00:31:12,360
Speaker 5: Yeah, okay.

697
00:31:13,160 --> 00:31:15,560
Speaker 2: I follow a lot of food sites on my phone.

698
00:31:15,680 --> 00:31:18,479
Speaker 2: I do love watching cooking. People who bake, people who

699
00:31:18,600 --> 00:31:21,720
Speaker 2: make salads, people who do roast, all that kind of stuff.

700
00:31:22,240 --> 00:31:25,480
Speaker 2: And this cake baker came on my site, came on

701
00:31:25,600 --> 00:31:29,440
Speaker 2: my feed and she makes really elaborate cakes.

702
00:31:29,480 --> 00:31:31,120
Speaker 1: His help begins, what's up.

703
00:31:31,040 --> 00:31:33,520
Speaker 10: My buttercream bitches. We're back at it with another episode

704
00:31:33,520 --> 00:31:35,800
Speaker 10: of Cakes on Cakes. Today's cake is going to go

705
00:31:35,840 --> 00:31:37,520
Speaker 10: out to a lovely couple who wanted to get a

706
00:31:37,560 --> 00:31:40,400
Speaker 10: cake done for their wedding anniversary. So I was requested

707
00:31:40,400 --> 00:31:42,360
Speaker 10: to do like a little mini wedding cake. So I

708
00:31:42,400 --> 00:31:44,640
Speaker 10: did stack like a two layer adient and then a

709
00:31:44,640 --> 00:31:46,040
Speaker 10: little sex inch on top of right.

710
00:31:46,120 --> 00:31:48,520
Speaker 2: Yeah, So she makes this really traditional, beautiful cake and

711
00:31:48,640 --> 00:31:52,000
Speaker 2: gorgeous looking cake. She spends some time decorating it, have

712
00:31:52,160 --> 00:31:52,720
Speaker 2: some flowers.

713
00:31:53,000 --> 00:31:54,520
Speaker 6: I was going to put some feke ones on, but

714
00:31:54,600 --> 00:31:54,920
Speaker 6: I was like.

715
00:31:54,960 --> 00:31:58,360
Speaker 2: I haven't really flowers to go on a stable one.

716
00:31:58,440 --> 00:32:00,200
Speaker 6: I saw a bunch of us on there just way

717
00:32:00,280 --> 00:32:01,800
Speaker 6: kind of keep the wedding team. Oh yeah, our little

718
00:32:02,040 --> 00:32:02,800
Speaker 6: razzle dazzles on.

719
00:32:03,320 --> 00:32:06,360
Speaker 2: She also she supposed she also puts some little they

720
00:32:06,400 --> 00:32:09,320
Speaker 2: wanted some little mini dinosaurs. She puts plastic dinosaurs. It

721
00:32:09,400 --> 00:32:11,240
Speaker 2: looks like an incredible cake.

722
00:32:12,720 --> 00:32:14,440
Speaker 6: This one came really cute. Hope you guys enjoyed it.

723
00:32:15,080 --> 00:32:17,200
Speaker 6: We are gonna happen. We're gonna take this cake and

724
00:32:17,320 --> 00:32:19,280
Speaker 6: we're going to crashhh.

725
00:32:18,800 --> 00:32:19,840
Speaker 1: It, crush it.

726
00:32:19,960 --> 00:32:23,240
Speaker 2: So here's the thing up till that point, traditional cake making.

727
00:32:23,520 --> 00:32:26,560
Speaker 2: A beautiful three tiered cake, looks like a wedding cake,

728
00:32:26,800 --> 00:32:30,520
Speaker 2: same height as a wedding cake, has these incredible decorations,

729
00:32:30,640 --> 00:32:31,640
Speaker 2: little dinosaurs on it.

730
00:32:31,760 --> 00:32:32,680
Speaker 1: And what did she crush it with?

731
00:32:33,040 --> 00:32:36,400
Speaker 2: She turns around, she's wearing licra pands and.

732
00:32:36,520 --> 00:32:37,360
Speaker 1: She sits on it.

733
00:32:38,000 --> 00:32:40,320
Speaker 2: She squashes it flat.

734
00:32:40,560 --> 00:32:41,320
Speaker 1: Were the dinosaurs?

735
00:32:41,480 --> 00:32:43,320
Speaker 2: And well, that's plastic dinosaurs.

736
00:32:43,360 --> 00:32:44,040
Speaker 1: That's got to hurt.

737
00:32:44,240 --> 00:32:45,960
Speaker 2: And then as if it's the most natural thing in

738
00:32:46,000 --> 00:32:46,880
Speaker 2: the world, she ends with.

739
00:32:46,960 --> 00:32:51,800
Speaker 10: This, Yeah, thank you frans, friends, fans, followers, porters of

740
00:32:51,920 --> 00:32:52,280
Speaker 10: you guys.

741
00:32:52,360 --> 00:32:55,200
Speaker 6: I super appreciate everything one of you guys. Until next time.

742
00:32:55,480 --> 00:32:59,640
Speaker 2: Ah So, someone requested that for their anniversary.

743
00:33:01,080 --> 00:33:02,880
Speaker 1: Any old soft for any old shoe.

744
00:33:03,000 --> 00:33:04,360
Speaker 2: Isn't it the internet? It's a beautiful thing.

745
00:33:04,840 --> 00:33:08,400
Speaker 1: It's the our anniversary this year Well Crush.

746
00:33:11,160 --> 00:33:14,160
Speaker 2: Podcast Jonesy, You and I both read the incredible book

747
00:33:14,560 --> 00:33:17,080
Speaker 2: The Tattoost of Auschwitz. This is the story of Lali

748
00:33:17,200 --> 00:33:21,520
Speaker 2: and Geeta was written by Lally. He met his wife

749
00:33:21,880 --> 00:33:25,680
Speaker 2: in Auschwitz in the most horrific of circumstances. He came

750
00:33:25,760 --> 00:33:31,440
Speaker 2: to Australia started a new life. Their son, Gary Sokolov,

751
00:33:31,480 --> 00:33:35,000
Speaker 2: their only child, never really spoke about this when they

752
00:33:35,040 --> 00:33:37,240
Speaker 2: were growing up. This was never part of his life

753
00:33:37,440 --> 00:33:40,480
Speaker 2: until as a middle aged man he kind of pieced

754
00:33:40,520 --> 00:33:43,720
Speaker 2: together what had happened to his parents. And now he

755
00:33:44,080 --> 00:33:47,280
Speaker 2: is going back to Auschwitz. His father never went back,

756
00:33:47,360 --> 00:33:49,600
Speaker 2: his mother never went back. He is going back to

757
00:33:49,640 --> 00:33:51,560
Speaker 2: Auschwitz to walk through those gates.

758
00:33:52,080 --> 00:33:55,640
Speaker 7: My name's Gary Sokolov. I am the only child of

759
00:33:55,960 --> 00:34:00,640
Speaker 7: Lali and Gita. There are still un answered questions. I

760
00:34:01,000 --> 00:34:04,960
Speaker 7: want now to walk in their footsteps. The thought of

761
00:34:05,080 --> 00:34:07,880
Speaker 7: having to walk through those gates terrifies me.

762
00:34:08,600 --> 00:34:11,640
Speaker 1: I'm walking through with a purpose. Hopefully that purpose is

763
00:34:11,760 --> 00:34:16,960
Speaker 1: stronger than the fear. This is my appearance history. I

764
00:34:17,040 --> 00:34:18,240
Speaker 1: don't feel empty anymore.

765
00:34:21,000 --> 00:34:23,040
Speaker 2: What a thing. We're going to talk to Gary himself

766
00:34:23,200 --> 00:34:26,120
Speaker 2: nextis you may have read the book or heard of

767
00:34:26,160 --> 00:34:28,640
Speaker 2: the series The Tattoos of al Schwitz. It's the heartbreaking

768
00:34:28,719 --> 00:34:31,640
Speaker 2: story of Lali and Gitasopoulov, who met and fell in

769
00:34:31,719 --> 00:34:34,480
Speaker 2: love with the most horrendous conditions while prisoner's in al Schwitz.

770
00:34:34,960 --> 00:34:38,680
Speaker 2: Over eight decades later, Gary, their only son, has taken

771
00:34:38,760 --> 00:34:41,280
Speaker 2: the harrowing journey back to the place where his parents

772
00:34:41,680 --> 00:34:44,120
Speaker 2: love story began, and he joins us. Now, Hello, Gary,

773
00:34:45,239 --> 00:34:45,880
Speaker 2: good morning.

774
00:34:46,080 --> 00:34:48,440
Speaker 1: How are you well? Good? Thanks? Thanks for joining us.

775
00:34:48,560 --> 00:34:51,520
Speaker 2: Yeah, thank you so much. Neither of your parents ever

776
00:34:51,600 --> 00:34:52,480
Speaker 2: went back, did they?

777
00:34:53,640 --> 00:34:53,680
Speaker 1: No?

778
00:34:54,080 --> 00:34:59,880
Speaker 5: Unfortunately not so. The story behind my journey was about

779
00:35:00,080 --> 00:35:03,160
Speaker 5: five weeks before my father passed away in two thousand

780
00:35:03,200 --> 00:35:08,040
Speaker 5: and six. I came home and Heather Morris was over

781
00:35:08,760 --> 00:35:09,600
Speaker 5: and there was.

782
00:35:09,600 --> 00:35:12,640
Speaker 2: A woman who wrote the story with him, the Tattoos

783
00:35:12,719 --> 00:35:13,640
Speaker 2: about correct.

784
00:35:13,360 --> 00:35:17,239
Speaker 5: That there was to Ashwitz. And he said to me

785
00:35:17,360 --> 00:35:20,680
Speaker 5: that he'd like to go back to Ashwitz. And I said, Dad,

786
00:35:21,120 --> 00:35:25,960
Speaker 5: I'm really surprised you've never mentioned wanting to go anywhere

787
00:35:26,000 --> 00:35:29,120
Speaker 5: in Europe. And he said to me that he needs

788
00:35:29,239 --> 00:35:32,920
Speaker 5: to apologize to the people whose lives he couldn't save.

789
00:35:33,840 --> 00:35:37,880
Speaker 5: And my biggest regret was not literally jumping on a

790
00:35:37,960 --> 00:35:40,640
Speaker 5: plane the next day and taking him to Auschwitz because

791
00:35:40,719 --> 00:35:44,440
Speaker 5: five weeks later he passed away. And that's been playing

792
00:35:44,600 --> 00:35:47,680
Speaker 5: very heavily on my mind that I needed to finally

793
00:35:47,800 --> 00:35:51,440
Speaker 5: make that trip. I tried four times, I couldn't actually

794
00:35:51,640 --> 00:35:55,239
Speaker 5: cross into the police border, and it was time for

795
00:35:55,360 --> 00:35:57,879
Speaker 5: me to make that apology on behalf of my dad.

796
00:35:58,239 --> 00:36:00,400
Speaker 1: Yeah, I find it.

797
00:36:00,719 --> 00:36:03,040
Speaker 3: I wouldn't go to Ouse, which I just can't. I

798
00:36:03,120 --> 00:36:05,640
Speaker 3: went to Dachau and that was as one of close

799
00:36:05,640 --> 00:36:08,160
Speaker 3: as I got. But it just it's so sobering, and

800
00:36:08,239 --> 00:36:09,840
Speaker 3: it's just to see that history.

801
00:36:12,480 --> 00:36:17,640
Speaker 5: Enormity of Burkeernow just blew my mind. I could not

802
00:36:18,640 --> 00:36:20,520
Speaker 5: believe just how big it was.

803
00:36:21,320 --> 00:36:24,440
Speaker 1: But also your parents, how you're even here is extraordinary.

804
00:36:24,480 --> 00:36:27,279
Speaker 3: When you read that book, your mum and dad were

805
00:36:27,480 --> 00:36:31,800
Speaker 3: constantly cheating death every not every day, every minute of

806
00:36:31,960 --> 00:36:32,440
Speaker 3: every day.

807
00:36:33,360 --> 00:36:35,480
Speaker 5: Yeah. Well, look, one of the things my dad used

808
00:36:35,480 --> 00:36:37,800
Speaker 5: to say when you wake up in the morning was

809
00:36:37,880 --> 00:36:40,480
Speaker 5: if you wake up in the morning, it's a good day.

810
00:36:41,360 --> 00:36:43,959
Speaker 5: And let me tell you, they kept cheating death even

811
00:36:44,040 --> 00:36:47,680
Speaker 5: while they were in Slovakia for the four years before

812
00:36:47,719 --> 00:36:50,440
Speaker 5: they came out to Australia. It didn't end for them.

813
00:36:50,520 --> 00:36:54,239
Speaker 5: It's just unbelievable how they managed to come in here

814
00:36:54,320 --> 00:36:55,840
Speaker 5: and have a positive mentality.

815
00:36:56,520 --> 00:37:00,000
Speaker 2: Gary, I've spoken to a child of a Holocaust survivor before,

816
00:37:00,080 --> 00:37:03,360
Speaker 2: for who said that many children of Holocaust survivors are

817
00:37:03,440 --> 00:37:07,279
Speaker 2: hypochondriax because their parents know that terrible things things can happen.

818
00:37:07,360 --> 00:37:08,879
Speaker 2: No one says, give it a rub, you'll get better.

819
00:37:09,480 --> 00:37:12,040
Speaker 2: You know terrible things can happen. What are the long

820
00:37:12,120 --> 00:37:15,840
Speaker 2: term effects of this intergenerational trauma? How was your upbringing

821
00:37:15,880 --> 00:37:17,920
Speaker 2: in light of your parents both being survivors.

822
00:37:18,680 --> 00:37:21,160
Speaker 5: Look, I think I was one of the lucky ones.

823
00:37:21,960 --> 00:37:25,960
Speaker 5: My parents had an attitude where they would always look forward.

824
00:37:26,000 --> 00:37:29,279
Speaker 5: I wasn't brought up as a bubble child. It was

825
00:37:29,960 --> 00:37:33,200
Speaker 5: very important for my parents for me to try everything.

826
00:37:33,320 --> 00:37:35,320
Speaker 5: If I fell off a horse, we'll get back on,

827
00:37:36,080 --> 00:37:39,759
Speaker 5: you know. When I broke my leg skiing, as soon

828
00:37:39,840 --> 00:37:41,719
Speaker 5: as I was out of plaster and it was the

829
00:37:41,840 --> 00:37:45,360
Speaker 5: next winter, they took me skiing. So for my parents

830
00:37:45,440 --> 00:37:51,320
Speaker 5: it was you need to try and experience absolutely everything,

831
00:37:51,360 --> 00:37:53,560
Speaker 5: and if you hurt yourself, or you hurt yourself and.

832
00:37:53,760 --> 00:37:56,840
Speaker 2: You move on, what new understandings do you have of

833
00:37:57,080 --> 00:37:59,120
Speaker 2: what they went through? Because they didn't speak about it

834
00:37:59,200 --> 00:38:01,520
Speaker 2: much when you were growing up having been there, Now,

835
00:38:02,120 --> 00:38:04,160
Speaker 2: what context do you see for that?

836
00:38:05,640 --> 00:38:09,920
Speaker 5: So I have a better appreciation of why they didn't

837
00:38:09,960 --> 00:38:14,319
Speaker 5: talk to me about it, because I think the fact

838
00:38:14,360 --> 00:38:17,279
Speaker 5: that the one thing they protected me from was their

839
00:38:17,480 --> 00:38:21,759
Speaker 5: experience there, even though I had to watch the World

840
00:38:21,800 --> 00:38:25,240
Speaker 5: at Ware miniseries by myself when I was about twelve

841
00:38:25,360 --> 00:38:26,600
Speaker 5: or thirteen.

842
00:38:26,920 --> 00:38:28,839
Speaker 2: Oh really, so the World at War was a very

843
00:38:28,880 --> 00:38:30,759
Speaker 2: famous series at the time. Did they not watch that

844
00:38:30,920 --> 00:38:31,120
Speaker 2: with you?

845
00:38:32,160 --> 00:38:32,200
Speaker 1: No?

846
00:38:32,440 --> 00:38:34,919
Speaker 5: They would literally sit in the kitchen, which was next

847
00:38:34,960 --> 00:38:38,480
Speaker 5: door to the TV room, and because I'm an only child,

848
00:38:38,480 --> 00:38:40,680
Speaker 5: I'd be sitting there watching it by myself, and then

849
00:38:40,719 --> 00:38:42,840
Speaker 5: when I would come out and try and talk to

850
00:38:42,960 --> 00:38:45,560
Speaker 5: them about it, they would offer me something to eat

851
00:38:45,719 --> 00:38:49,200
Speaker 5: food was very important to my mum and send me

852
00:38:49,320 --> 00:38:51,839
Speaker 5: to bed. So I kind of gave up asking them

853
00:38:51,920 --> 00:38:52,640
Speaker 5: questions and they.

854
00:38:52,600 --> 00:38:55,080
Speaker 3: Didn't explain anything about that past. So when that World

855
00:38:55,160 --> 00:38:57,160
Speaker 3: War series is on, they wouldn't say anything about it.

856
00:38:57,200 --> 00:38:58,000
Speaker 3: They wouldn't say.

857
00:38:58,160 --> 00:39:02,800
Speaker 2: Those images that I saw on that series, Oh me too, Look.

858
00:39:02,719 --> 00:39:07,560
Speaker 5: The bulldozers shuffling the bodies. Only I'm sixty three now,

859
00:39:07,680 --> 00:39:11,279
Speaker 5: so we're talking fifty odd years ago that I write too. Yeah,

860
00:39:12,400 --> 00:39:15,880
Speaker 5: and it still plays very heavily on my mind. Whenever

861
00:39:15,960 --> 00:39:19,719
Speaker 5: I watch a documentary that shows live footage of a

862
00:39:19,800 --> 00:39:22,920
Speaker 5: concentration camp, I actually still sit there looking to see

863
00:39:23,000 --> 00:39:24,919
Speaker 5: if there's any footage of my mum and dad.

864
00:39:26,320 --> 00:39:29,080
Speaker 3: Well, Garrett's great to talk to the Tatoos Sun Journey

865
00:39:29,120 --> 00:39:32,400
Speaker 3: to Ours which is streaming now on stan Gary Sokoloff,

866
00:39:32,440 --> 00:39:33,239
Speaker 3: thank you for joining us.

867
00:39:34,200 --> 00:39:36,080
Speaker 5: No, thank you so much for having me and you

868
00:39:36,160 --> 00:39:37,399
Speaker 5: guys have a wonderful day.

869
00:39:37,680 --> 00:39:43,160
Speaker 2: Thank you, Sary jerseyman So podcast right now.

870
00:39:48,120 --> 00:39:52,800
Speaker 3: And Amanda's Golden Times. You have ten questions sixty seconds

871
00:39:52,840 --> 00:39:54,200
Speaker 3: on the clock. You can pass if you don't know

872
00:39:54,239 --> 00:39:56,440
Speaker 3: an answer. We'll come back to that question of time permits.

873
00:39:56,840 --> 00:39:59,360
Speaker 3: Get all the questions right. One thousand dollars.

874
00:39:59,160 --> 00:40:00,880
Speaker 2: You want to make it two thou dollars. There's a

875
00:40:00,920 --> 00:40:02,960
Speaker 2: bonus question. I'm looking at it right now.

876
00:40:03,160 --> 00:40:03,680
Speaker 1: What do you reckon?

877
00:40:03,920 --> 00:40:05,920
Speaker 2: But well, I'm not going to say anything, but it's

878
00:40:06,040 --> 00:40:08,600
Speaker 2: double or nothing, So that's the risk you have to take.

879
00:40:08,719 --> 00:40:11,960
Speaker 1: Do you think Fiona of Marylands has the stones to

880
00:40:12,080 --> 00:40:12,360
Speaker 1: do us?

881
00:40:12,440 --> 00:40:16,360
Speaker 2: She's got the world's biggest stones. Hello Fiona, good morning.

882
00:40:16,560 --> 00:40:17,000
Speaker 9: How are we?

883
00:40:17,080 --> 00:40:19,840
Speaker 2: Jonesy and Amanda very well before we even get to

884
00:40:19,960 --> 00:40:21,640
Speaker 2: tempt you to play for two grand, you've got to

885
00:40:21,680 --> 00:40:25,040
Speaker 2: win one grand. So we've got ten questions sixty seconds.

886
00:40:25,120 --> 00:40:27,200
Speaker 2: Say pass if you're not sure, okay, because we you

887
00:40:27,320 --> 00:40:30,280
Speaker 2: might get a second crack at it. Okay, all right, Fiona,

888
00:40:30,320 --> 00:40:32,879
Speaker 2: here we go. He comes. Question number one, how many

889
00:40:33,000 --> 00:40:33,879
Speaker 2: hours are in a day?

890
00:40:34,880 --> 00:40:35,440
Speaker 12: Twenty four?

891
00:40:35,680 --> 00:40:38,200
Speaker 2: Question two? What's the main fruit? And a banana? Smoothie?

892
00:40:39,120 --> 00:40:39,560
Speaker 5: Banana?

893
00:40:39,840 --> 00:40:44,799
Speaker 2: Question three? How many sides does a circle have? Zero?

894
00:40:45,120 --> 00:40:49,200
Speaker 2: Question four? What color is an emerald? Green? Question five?

895
00:40:49,320 --> 00:40:51,280
Speaker 2: True or false? Butterflies are moths?

896
00:40:53,680 --> 00:40:54,000
Speaker 5: Pass?

897
00:40:54,360 --> 00:40:56,919
Speaker 2: Question six? In which US state do you find Area

898
00:40:57,000 --> 00:40:59,960
Speaker 2: fifty one a New Mexican?

899
00:41:02,080 --> 00:41:02,279
Speaker 1: See?

900
00:41:02,560 --> 00:41:05,719
Speaker 2: I keep thinking Roswell, New Mexico, But Area fifty one

901
00:41:05,800 --> 00:41:10,680
Speaker 2: is Nevada. Ah, and you reckon butterflies are moth's? True

902
00:41:10,719 --> 00:41:11,120
Speaker 2: or false?

903
00:41:12,600 --> 00:41:14,879
Speaker 12: I would have probably said false.

904
00:41:14,719 --> 00:41:15,360
Speaker 1: Yeah, okay.

905
00:41:15,440 --> 00:41:17,880
Speaker 2: The answer you're You're right. A key difference is butterflies

906
00:41:17,920 --> 00:41:19,879
Speaker 2: are active during the day, a moth at night.

907
00:41:19,960 --> 00:41:23,280
Speaker 3: All unstuck by Area fifty one, but not the first person, Fiana.

908
00:41:25,000 --> 00:41:26,400
Speaker 5: That's okay and.

909
00:41:27,920 --> 00:41:31,200
Speaker 1: A manner. I think you have stones? Okay, good stones

910
00:41:32,600 --> 00:41:35,880
Speaker 1: and good stones. Thank you, Fiana. We'll do it again. Tomorrow.

911
00:41:37,360 --> 00:41:40,839
Speaker 2: So this time yesterday I was anxious because I kept

912
00:41:40,880 --> 00:41:42,600
Speaker 2: thinking of the last few days, I need to fill

913
00:41:42,680 --> 00:41:45,120
Speaker 2: my car with petrol, and I forget about it I

914
00:41:45,200 --> 00:41:46,719
Speaker 2: get home. Next time I get in the car, I'm

915
00:41:46,719 --> 00:41:48,360
Speaker 2: going to fill it with petrol. I forget about it.

916
00:41:48,960 --> 00:41:51,120
Speaker 2: On the way to work yesterday I had some anxieties.

917
00:41:51,640 --> 00:41:53,320
Speaker 2: I pulled into the car park here at work with

918
00:41:53,560 --> 00:41:57,200
Speaker 2: six kves of petrol left. You were giving me instructions

919
00:41:57,239 --> 00:41:59,080
Speaker 2: how to go back over the bridges, and I'm not

920
00:41:59,320 --> 00:42:02,160
Speaker 2: going over the bridge with that little petrol in my

921
00:42:02,239 --> 00:42:02,839
Speaker 2: business change.

922
00:42:02,920 --> 00:42:04,880
Speaker 1: You run out of fuel before in.

923
00:42:04,960 --> 00:42:07,880
Speaker 2: The Harbor tunnel, and I had posts.

924
00:42:07,440 --> 00:42:10,160
Speaker 3: One of those people when there's a destruction in the

925
00:42:10,600 --> 00:42:13,480
Speaker 3: in the left and turn on your radio and you

926
00:42:13,600 --> 00:42:15,200
Speaker 3: get that voice by.

927
00:42:15,400 --> 00:42:19,040
Speaker 1: It's Rocks, it it's you. It was that was you.

928
00:42:19,200 --> 00:42:20,279
Speaker 2: The surrenders had to be tough.

929
00:42:20,360 --> 00:42:23,680
Speaker 1: And then I felt bad because after we finished the

930
00:42:23,719 --> 00:42:24,800
Speaker 1: show yesterday.

931
00:42:24,760 --> 00:42:26,160
Speaker 2: Well, I had other recordings I had to do.

932
00:42:26,280 --> 00:42:28,680
Speaker 1: Was recording. You've got a lot of irons in the fire.

933
00:42:28,880 --> 00:42:30,279
Speaker 2: I was recording stuff and I wasn't going to be

934
00:42:30,360 --> 00:42:30,640
Speaker 2: leaving here.

935
00:42:30,680 --> 00:42:32,279
Speaker 1: I don't even have a fire much later than you.

936
00:42:32,920 --> 00:42:36,080
Speaker 2: And people said a few people said, and I didn't

937
00:42:36,120 --> 00:42:38,360
Speaker 2: say it because you Actually this is how it started.

938
00:42:38,360 --> 00:42:39,680
Speaker 2: You said, do you want me to get some petrol

939
00:42:39,719 --> 00:42:42,320
Speaker 2: for and I said really, and then you went and

940
00:42:42,440 --> 00:42:44,160
Speaker 2: so I thought, no you don't, and that's fair enough.

941
00:42:45,920 --> 00:42:51,680
Speaker 1: Get your car. Why talk to me then I come back?

942
00:42:52,800 --> 00:42:56,239
Speaker 2: It's all it's all, it's all talk. Why would you

943
00:42:56,440 --> 00:42:59,560
Speaker 2: say you wanted to do me to get you? It's

944
00:42:59,560 --> 00:43:01,920
Speaker 2: an empty off And I knew that. But if you're stark,

945
00:43:02,000 --> 00:43:03,600
Speaker 2: if he said to me, I really need you to

946
00:43:03,680 --> 00:43:05,479
Speaker 2: do this. But some of the other people here said,

947
00:43:05,719 --> 00:43:07,439
Speaker 2: why does in Jones you do it? And I said,

948
00:43:07,440 --> 00:43:08,359
Speaker 2: because he's pull a face.

949
00:43:08,800 --> 00:43:10,840
Speaker 1: And then the thing that really hold me, I didn't

950
00:43:10,840 --> 00:43:11,120
Speaker 1: even say.

951
00:43:11,600 --> 00:43:14,160
Speaker 2: I didn't mind that. But then you said, oh and

952
00:43:14,239 --> 00:43:15,640
Speaker 2: can you? Would you leave your card.

953
00:43:16,000 --> 00:43:18,440
Speaker 1: Give me your card pay for your petrol? And then you.

954
00:43:18,480 --> 00:43:25,280
Speaker 2: Made for all the money I have generously shouted.

955
00:43:24,880 --> 00:43:27,839
Speaker 1: And you know that as me as with you, I've

956
00:43:28,200 --> 00:43:29,160
Speaker 1: shown and I would have.

957
00:43:29,280 --> 00:43:31,960
Speaker 2: Brought you petrol at the drop of a hat. You

958
00:43:32,040 --> 00:43:33,760
Speaker 2: don't even have to fill up the tank completely.

959
00:43:34,040 --> 00:43:36,840
Speaker 6: You could have just put but you didn't have to.

960
00:43:37,520 --> 00:43:38,160
Speaker 1: I would have done that.

961
00:43:38,280 --> 00:43:41,080
Speaker 2: I just smokes money. Give us your makes money.

962
00:43:41,480 --> 00:43:43,160
Speaker 1: I would have filled the whole car up with fuel

963
00:43:43,440 --> 00:43:45,239
Speaker 1: and probably would have checked you in the end.

964
00:43:45,280 --> 00:43:46,520
Speaker 2: I didn't ask you to do any of that, and

965
00:43:46,560 --> 00:43:47,719
Speaker 2: I didn't want you to do any of that.

966
00:43:47,840 --> 00:43:49,120
Speaker 1: And then you said, there's no problem.

967
00:43:49,800 --> 00:43:51,400
Speaker 2: That's right, there is no problem. You brought it up.

968
00:43:51,480 --> 00:43:54,200
Speaker 2: I didn't expect you to harboring beef. You asked me

969
00:43:54,239 --> 00:43:56,280
Speaker 2: about it. I wouldn't have mentioned it. I have no beef.

970
00:43:56,680 --> 00:43:59,640
Speaker 2: But how so I put the sat nev on to

971
00:43:59,680 --> 00:44:02,800
Speaker 2: get me to the closes, also trying to say this.

972
00:44:02,960 --> 00:44:05,400
Speaker 1: You have a car that measures down to the very

973
00:44:05,480 --> 00:44:08,400
Speaker 1: last micron. I was down to the list get to

974
00:44:08,480 --> 00:44:09,160
Speaker 1: this situation.

975
00:44:09,640 --> 00:44:11,400
Speaker 2: It's not like I asked you not to give me

976
00:44:11,440 --> 00:44:12,040
Speaker 2: any derisions.

977
00:44:12,600 --> 00:44:13,760
Speaker 1: And no, there's no derision.

978
00:44:13,800 --> 00:44:16,359
Speaker 2: I'm just and that's my thing, which my bladder let

979
00:44:16,440 --> 00:44:18,560
Speaker 2: me down because last time I thought I'd been to

980
00:44:18,800 --> 00:44:21,120
Speaker 2: an hour and a half appointment at the accountant end

981
00:44:21,160 --> 00:44:23,120
Speaker 2: of a long day. I wanted to get you and

982
00:44:23,200 --> 00:44:25,040
Speaker 2: I had to do a week, and I thought I'm

983
00:44:25,120 --> 00:44:27,200
Speaker 2: going I wanted to help you by pulling a face

984
00:44:27,239 --> 00:44:30,400
Speaker 2: when someone says, why didn't you help anyway? Yesterday, let

985
00:44:30,440 --> 00:44:34,320
Speaker 2: me just say this, yesterday, when I left here. I

986
00:44:34,360 --> 00:44:36,160
Speaker 2: put the satin on to get me to the service station,

987
00:44:36,600 --> 00:44:39,040
Speaker 2: the closest one, and at one point I had one

988
00:44:39,480 --> 00:44:42,040
Speaker 2: k of petrol. I was so anxious, and I said,

989
00:44:42,440 --> 00:44:44,839
Speaker 2: turn left and pull into the drive. And I thought,

990
00:44:44,880 --> 00:44:45,719
Speaker 2: oh my god, I'm there.

991
00:44:45,960 --> 00:44:46,480
Speaker 1: What I leave?

992
00:44:46,719 --> 00:44:50,040
Speaker 2: I turned left Major street here in North Sydney. No

993
00:44:50,239 --> 00:44:54,040
Speaker 2: sign of a service station. I thought, what the hell

994
00:44:54,239 --> 00:44:56,000
Speaker 2: am I going to do a series of one way

995
00:44:56,160 --> 00:44:57,680
Speaker 2: things leading in and out of freeways?

996
00:44:57,719 --> 00:44:58,359
Speaker 6: What the hell?

997
00:44:59,080 --> 00:45:01,160
Speaker 2: Luckily I I saw a glimpse of it. It was

998
00:45:01,239 --> 00:45:04,600
Speaker 2: two blocks up and I pulled into there with one

999
00:45:04,920 --> 00:45:05,720
Speaker 2: cave petrol.

1000
00:45:06,080 --> 00:45:09,840
Speaker 1: Yeah. You can never have an electric car, no way, No,

1001
00:45:10,480 --> 00:45:14,600
Speaker 1: I forbid it. It is forbidden since when because they're

1002
00:45:15,040 --> 00:45:15,520
Speaker 1: my person.

1003
00:45:15,600 --> 00:45:16,840
Speaker 2: You're not my person.

1004
00:45:16,920 --> 00:45:19,000
Speaker 1: Now I'm your person. No you're no, you're not getting

1005
00:45:19,000 --> 00:45:19,480
Speaker 1: electric car.

1006
00:45:19,600 --> 00:45:21,759
Speaker 2: But often it was okay for me because it wasn't

1007
00:45:21,840 --> 00:45:24,320
Speaker 2: like I was on my way to an important event.

1008
00:45:25,040 --> 00:45:28,600
Speaker 2: If the worst feeling in the world would be oh God,

1009
00:45:28,680 --> 00:45:30,680
Speaker 2: because you hate yourself when you haven't filled up the car,

1010
00:45:31,160 --> 00:45:33,040
Speaker 2: and if you think the next time, you think, oh

1011
00:45:33,080 --> 00:45:35,120
Speaker 2: my god, I've got to get somewhere important and it's

1012
00:45:35,160 --> 00:45:37,960
Speaker 2: happening now you want to pull your own fingernails off.

1013
00:45:38,239 --> 00:45:40,840
Speaker 3: The last time I ran out of fuel was nineteen

1014
00:45:41,040 --> 00:45:46,080
Speaker 3: ninety and I was good. I was reseitting my motorcycle license.

1015
00:45:46,400 --> 00:45:49,040
Speaker 3: I'd have this problem over here where I'd lost my license,

1016
00:45:49,280 --> 00:45:51,879
Speaker 3: and what's over here me in here, this fair state

1017
00:45:51,920 --> 00:45:54,719
Speaker 3: of New South Wales. I'd lost my license and I

1018
00:45:54,800 --> 00:45:58,240
Speaker 3: went to Western Australia and then I was just driving

1019
00:45:58,239 --> 00:46:00,000
Speaker 3: around fancy free with no license.

1020
00:46:00,560 --> 00:46:03,240
Speaker 2: This is the man who boasted, never had a driving ticket,

1021
00:46:03,400 --> 00:46:05,160
Speaker 2: and here we are. You lost your life.

1022
00:46:05,239 --> 00:46:07,319
Speaker 3: Got pulled up by the Western Australian police and I said,

1023
00:46:07,320 --> 00:46:10,080
Speaker 3: where's your license? And I said, I haven't got it

1024
00:46:10,200 --> 00:46:12,040
Speaker 3: in my other states, it at home, and he said,

1025
00:46:12,040 --> 00:46:15,239
Speaker 3: I said, I just to have one. Anyway, I had

1026
00:46:15,280 --> 00:46:18,960
Speaker 3: to go and reset not my car test, but West Australia.

1027
00:46:18,960 --> 00:46:21,080
Speaker 3: They had a different motorcycle license back in those days,

1028
00:46:21,320 --> 00:46:23,760
Speaker 3: so I had to reset the test for motorcycle license.

1029
00:46:23,920 --> 00:46:26,800
Speaker 3: I borrowed a mate's motorbike because it was a smaller

1030
00:46:26,840 --> 00:46:31,640
Speaker 3: capacity one. And the instructor follows you and I'm riding

1031
00:46:31,680 --> 00:46:33,600
Speaker 3: along and his bike runs out of fuel.

1032
00:46:33,719 --> 00:46:36,719
Speaker 1: He did no the bike that I borrowed, ah no,

1033
00:46:37,160 --> 00:46:38,040
Speaker 1: it ran out of fuel.

1034
00:46:38,120 --> 00:46:39,520
Speaker 2: Could you look more ridiculous.

1035
00:46:39,600 --> 00:46:41,440
Speaker 3: Yeah, and then and then I stored it and almost

1036
00:46:41,480 --> 00:46:43,239
Speaker 3: dropped it because I wasn't expecting it to run out

1037
00:46:43,280 --> 00:46:46,480
Speaker 3: of fuel. And then the licensing maybe you should have checked,

1038
00:46:46,719 --> 00:46:50,160
Speaker 3: gave this big lecture like that like you just gave

1039
00:46:50,239 --> 00:46:51,839
Speaker 3: me before. And then you know, I had to get

1040
00:46:51,880 --> 00:46:53,480
Speaker 3: on the back of his bike and it gave me

1041
00:46:53,560 --> 00:46:56,160
Speaker 3: a hold on time before or walk it, which is

1042
00:46:56,239 --> 00:46:57,080
Speaker 3: a bit weird.

1043
00:46:57,719 --> 00:46:58,560
Speaker 2: And so did you pass?

1044
00:46:58,920 --> 00:46:58,960
Speaker 9: No?

1045
00:46:59,360 --> 00:47:02,879
Speaker 1: No, no, of course if you run out of fuel

1046
00:47:02,920 --> 00:47:04,440
Speaker 1: and your driving test, so what did you do?

1047
00:47:04,640 --> 00:47:05,399
Speaker 2: Have to sit it again?

1048
00:47:06,040 --> 00:47:08,600
Speaker 1: Well what happened? This is great.

1049
00:47:08,719 --> 00:47:11,120
Speaker 3: I came back to New South Wales and then I

1050
00:47:11,160 --> 00:47:13,120
Speaker 3: thought I'm gonna have to sit my motorbike test again

1051
00:47:13,160 --> 00:47:15,799
Speaker 3: and I'm at the RTA and they goes, now he's

1052
00:47:15,840 --> 00:47:20,160
Speaker 3: done his time. That's all right, stampy, stamp license back.

1053
00:47:20,760 --> 00:47:23,600
Speaker 1: Well don't you myself boy, excess eleven hundred.

1054
00:47:23,920 --> 00:47:25,799
Speaker 2: Well, the tribal drum is going to be not about

1055
00:47:25,840 --> 00:47:28,000
Speaker 2: how great Brendan Jones is, which might he'd like to

1056
00:47:28,080 --> 00:47:30,440
Speaker 2: talk about that should be it's called it's what we're

1057
00:47:30,440 --> 00:47:33,759
Speaker 2: going to call it, bugger. Why now the petrol edition,

1058
00:47:34,200 --> 00:47:37,560
Speaker 2: the Juice of Precious Juice is that Mad Max?

1059
00:47:38,040 --> 00:47:38,080
Speaker 11: No?

1060
00:47:38,400 --> 00:47:38,759
Speaker 5: What is it?

1061
00:47:38,920 --> 00:47:41,520
Speaker 1: Mad Max? Too Young.

1062
00:47:43,400 --> 00:47:43,840
Speaker 6: Podcast?

1063
00:47:44,000 --> 00:47:47,440
Speaker 1: Maybe your birthday's coming out. Maybe I should buy me

1064
00:47:47,560 --> 00:47:50,080
Speaker 1: some petrol, a little jerry Can. I'll get your little

1065
00:47:50,120 --> 00:47:52,960
Speaker 1: jerry can with five letters of fuel when.

1066
00:47:52,840 --> 00:47:53,080
Speaker 9: I do that.

1067
00:47:53,120 --> 00:47:54,880
Speaker 2: And why don't I buy you a new license in

1068
00:47:54,960 --> 00:47:55,880
Speaker 2: case you lose it again?

1069
00:47:56,000 --> 00:47:58,279
Speaker 1: Way would Jerry Can? It's in the back of your car.

1070
00:47:58,520 --> 00:48:02,480
Speaker 2: Why don't you just buy a sign that says because

1071
00:48:02,520 --> 00:48:03,920
Speaker 2: that's what that is, it's a raz.

1072
00:48:06,520 --> 00:48:09,600
Speaker 3: If you're in a city that has a billion petrol stations,

1073
00:48:10,280 --> 00:48:15,000
Speaker 3: you know there's no reason not lecture me about this anyway.

1074
00:48:15,160 --> 00:48:17,640
Speaker 2: The tribal drum is beating for bugger. Why now the

1075
00:48:17,680 --> 00:48:19,680
Speaker 2: petrol edition, the juice.

1076
00:48:19,680 --> 00:48:20,880
Speaker 1: The precious juice.

1077
00:48:20,920 --> 00:48:24,040
Speaker 3: How would you go in a post apocalyptic world? No good,

1078
00:48:24,239 --> 00:48:26,440
Speaker 3: although you do have the chaps with no bottom in them.

1079
00:48:28,719 --> 00:48:34,000
Speaker 2: Come on, hello, you've ruined my abuliant mood. Hello, Paul,

1080
00:48:34,040 --> 00:48:34,480
Speaker 2: how are you?

1081
00:48:35,360 --> 00:48:37,520
Speaker 13: I'm wonderfully well, Amanda.

1082
00:48:37,160 --> 00:48:38,600
Speaker 1: And Jonesy make me feel better.

1083
00:48:38,640 --> 00:48:39,600
Speaker 2: Tell me about when you ran.

1084
00:48:39,520 --> 00:48:40,080
Speaker 1: Out of petrol.

1085
00:48:40,880 --> 00:48:44,480
Speaker 14: Well, I was on I was getting a truck license,

1086
00:48:44,880 --> 00:48:47,520
Speaker 14: and I'd gone to one of those driving schools. I've

1087
00:48:47,560 --> 00:48:50,600
Speaker 14: had lots of letters in the beginning of its name. Anyhow,

1088
00:48:50,680 --> 00:48:53,239
Speaker 14: I'd done all my lessons and I thought I was

1089
00:48:53,320 --> 00:48:56,080
Speaker 14: pretty smart. So I went down to Beverly Hills and

1090
00:48:56,200 --> 00:48:59,520
Speaker 14: we took the truck out, and the constructor was with me,

1091
00:48:59,640 --> 00:49:02,000
Speaker 14: and he'd said turn left and turn right and do

1092
00:49:02,120 --> 00:49:04,880
Speaker 14: all these things, and then the thing starts.

1093
00:49:05,200 --> 00:49:13,200
Speaker 13: Spider, spider woman stops. No, it was back in the

1094
00:49:13,400 --> 00:49:16,120
Speaker 13: very early eighties, and it was one of the old

1095
00:49:16,280 --> 00:49:18,799
Speaker 13: fruit trucks that had a trailer tucked on the back

1096
00:49:18,840 --> 00:49:22,160
Speaker 13: of it, and it had a petrol and a gas

1097
00:49:22,239 --> 00:49:26,640
Speaker 13: switch under the gas somewhere, and he eventually we worked

1098
00:49:26,640 --> 00:49:28,399
Speaker 13: out it was on gas. But no one had told

1099
00:49:28,440 --> 00:49:30,239
Speaker 13: me there's a little switch. You can flick it over

1100
00:49:30,320 --> 00:49:31,600
Speaker 13: there and turn it on the petrol.

1101
00:49:32,760 --> 00:49:35,200
Speaker 5: So I forget what happened.

1102
00:49:35,200 --> 00:49:38,560
Speaker 13: But the instructor got out and was very disappointed, and

1103
00:49:38,680 --> 00:49:40,920
Speaker 13: I had to come back a week later.

1104
00:49:41,000 --> 00:49:44,720
Speaker 5: And meet him again and do it all over again.

1105
00:49:45,880 --> 00:49:47,520
Speaker 1: Pass it on the test when you run out of fuel.

1106
00:49:47,600 --> 00:49:48,960
Speaker 2: No, it was only fruit in the back. You got

1107
00:49:49,040 --> 00:49:50,960
Speaker 2: a broad he was.

1108
00:49:51,160 --> 00:49:52,200
Speaker 5: He was quite unhappy.

1109
00:49:52,480 --> 00:49:56,120
Speaker 1: Yeah, when we're driving, instructors except fruits as a bride.

1110
00:49:56,680 --> 00:49:57,440
Speaker 2: No, you never know.

1111
00:49:58,480 --> 00:50:01,359
Speaker 1: I got a pitch Evans with us.

1112
00:50:01,400 --> 00:50:03,120
Speaker 2: Hello, Evan, what happened with your petrol?

1113
00:50:04,320 --> 00:50:06,480
Speaker 5: Morning Jones and Morning Amanda. Well, it actually wasn't me.

1114
00:50:06,640 --> 00:50:08,840
Speaker 5: It was one of my drivers. I actually used to

1115
00:50:08,920 --> 00:50:11,320
Speaker 5: own an airport sattle service and day to a service

1116
00:50:11,440 --> 00:50:15,200
Speaker 5: down in a Shire and one of my drivers was

1117
00:50:15,280 --> 00:50:17,759
Speaker 5: running low on fuel. So just before I pick up

1118
00:50:17,760 --> 00:50:20,239
Speaker 5: to the airport, went off to the service station and

1119
00:50:20,440 --> 00:50:24,960
Speaker 5: he was driving a diesel engine vehicle and he put

1120
00:50:25,120 --> 00:50:26,200
Speaker 5: unleaded into the tank.

1121
00:50:26,640 --> 00:50:27,759
Speaker 2: What happens when you do that?

1122
00:50:28,080 --> 00:50:30,400
Speaker 5: Not good brand new engine?

1123
00:50:30,440 --> 00:50:31,160
Speaker 13: Thank you very much.

1124
00:50:31,280 --> 00:50:33,240
Speaker 5: So six thousand dollars.

1125
00:50:33,000 --> 00:50:35,200
Speaker 1: Later, can you drive like that?

1126
00:50:35,600 --> 00:50:36,920
Speaker 2: Could he get people to the airport?

1127
00:50:37,200 --> 00:50:39,320
Speaker 5: No? No, no, we had to get it sold. We

1128
00:50:39,480 --> 00:50:43,279
Speaker 5: had to organize one of our other vehicles as an emergency.

1129
00:50:43,880 --> 00:50:46,200
Speaker 5: Luckily we had another vehicle in the area, and we

1130
00:50:46,360 --> 00:50:49,480
Speaker 5: got the people off to the airport about ten minutes,

1131
00:50:49,920 --> 00:50:53,320
Speaker 5: ten minutes to spare before the gate closed for boarding.

1132
00:50:54,160 --> 00:50:58,879
Speaker 1: And he's still gainfully employed, Thank you, Evan.

1133
00:50:58,920 --> 00:51:01,279
Speaker 3: It is the worst service stage because you can put

1134
00:51:01,560 --> 00:51:04,480
Speaker 3: diesel in a petrol car by accidents, I'm not going

1135
00:51:04,520 --> 00:51:05,799
Speaker 3: to run well, but the other way around.

1136
00:51:06,239 --> 00:51:07,160
Speaker 1: I was at the petrol station.

1137
00:51:07,320 --> 00:51:09,879
Speaker 3: This guy, he just looked really worried, and I said,

1138
00:51:10,200 --> 00:51:11,959
Speaker 3: and I actually just said, what's the matter, mate? He says,

1139
00:51:12,000 --> 00:51:14,880
Speaker 3: I've put petrol in this car and I went, oh, no,

1140
00:51:15,360 --> 00:51:18,719
Speaker 3: that's not good. And he said, and he's this is

1141
00:51:18,800 --> 00:51:21,520
Speaker 3: a new girlfriend. I've been in a relationship for a week.

1142
00:51:22,440 --> 00:51:23,040
Speaker 1: He said, what I do?

1143
00:51:23,080 --> 00:51:26,080
Speaker 3: And I said, don't start it, don't drive you and

1144
00:51:26,160 --> 00:51:28,440
Speaker 3: I helped him push it to the side of the

1145
00:51:28,480 --> 00:51:30,080
Speaker 3: service stage. He goes, can we just start it? And

1146
00:51:30,120 --> 00:51:31,960
Speaker 3: I said no, because you're You're not going to have

1147
00:51:32,000 --> 00:51:33,200
Speaker 3: a girlfriend anymore if you do that.

1148
00:51:33,600 --> 00:51:34,719
Speaker 5: Wow. Wow.

1149
00:51:35,560 --> 00:51:38,800
Speaker 4: Jonesy and Amanda podcast.

1150
00:51:41,960 --> 00:51:44,360
Speaker 14: Joe and those are two great names.

1151
00:51:47,800 --> 00:51:51,239
Speaker 1: Hello there the travel dramas beating bugger? Why now the

1152
00:51:51,320 --> 00:51:53,760
Speaker 1: petrol addition precious juice?

1153
00:51:53,800 --> 00:51:56,399
Speaker 2: I put into a service station yesterday with one cave

1154
00:51:56,440 --> 00:51:59,359
Speaker 2: of petrol remaining. My son of course last night I said, look,

1155
00:51:59,480 --> 00:52:02,240
Speaker 2: that's don't believe that you've got like an extra forty

1156
00:52:02,400 --> 00:52:04,319
Speaker 2: k's or something. I do that all the time. Can

1157
00:52:04,360 --> 00:52:05,080
Speaker 2: you not tell you that?

1158
00:52:06,280 --> 00:52:06,440
Speaker 5: Yeah?

1159
00:52:06,480 --> 00:52:09,120
Speaker 1: Yeah, yeah, I would take no word of device from him?

1160
00:52:09,160 --> 00:52:10,640
Speaker 2: All right, So when did you get caught?

1161
00:52:11,080 --> 00:52:12,000
Speaker 1: Carol has joined us?

1162
00:52:12,080 --> 00:52:13,600
Speaker 2: Hello Carol? How bad was it?

1163
00:52:13,680 --> 00:52:14,200
Speaker 1: What happened?

1164
00:52:14,840 --> 00:52:15,080
Speaker 14: Hello?

1165
00:52:15,239 --> 00:52:17,680
Speaker 12: JONESI and Amanda, Yes, it was. It was about thirty

1166
00:52:17,680 --> 00:52:20,200
Speaker 12: odd years ago. I had our four year old strapped

1167
00:52:20,200 --> 00:52:21,880
Speaker 12: in the back and the twelve month old stepped in

1168
00:52:21,920 --> 00:52:24,920
Speaker 12: the back driving big XD Falcon taking the kids to

1169
00:52:25,000 --> 00:52:28,160
Speaker 12: preschool and break down on out of the Point Road.

1170
00:52:28,239 --> 00:52:31,279
Speaker 12: So that's an eighty k stretch of road, and the

1171
00:52:31,440 --> 00:52:34,080
Speaker 12: petrol gauge was dicky, so I had thought I had

1172
00:52:34,160 --> 00:52:36,719
Speaker 12: more petrol in there, but no, it just died. So

1173
00:52:36,840 --> 00:52:38,520
Speaker 12: I had to get out and I had to push

1174
00:52:39,120 --> 00:52:43,080
Speaker 12: the car off Alfred's Point Road, around the corner and

1175
00:52:43,239 --> 00:52:45,600
Speaker 12: down to woods the Luckily there was a fire station

1176
00:52:45,800 --> 00:52:48,960
Speaker 12: down there, and I pushed it down there and pushed

1177
00:52:49,200 --> 00:52:51,920
Speaker 12: your own car. I pushed the falcon.

1178
00:52:52,200 --> 00:52:55,800
Speaker 1: Yes, wow, did you see that hack on the internet?

1179
00:52:55,840 --> 00:52:58,160
Speaker 3: You get your seat belt and you pull it out

1180
00:52:58,200 --> 00:53:00,200
Speaker 3: of the car and you use that as a a

1181
00:53:00,280 --> 00:53:01,440
Speaker 3: strap to push your cattle.

1182
00:53:01,880 --> 00:53:03,239
Speaker 13: That's yeah.

1183
00:53:03,320 --> 00:53:06,520
Speaker 12: Oh you're just lean in for the yach and just leaning.

1184
00:53:06,239 --> 00:53:06,520
Speaker 9: For the.

1185
00:53:08,120 --> 00:53:09,759
Speaker 2: RESTful more strong to do that.

1186
00:53:09,960 --> 00:53:11,520
Speaker 1: Xt Falcons were pretty heavy.

1187
00:53:12,560 --> 00:53:15,560
Speaker 2: Well cranky mothers, you know, it's like you get a

1188
00:53:15,800 --> 00:53:18,720
Speaker 2: huge sage of strength turned green.

1189
00:53:19,239 --> 00:53:21,040
Speaker 1: No one would have helped her because to look at

1190
00:53:21,040 --> 00:53:26,080
Speaker 1: that cranky one, why is she doing that. Cheryl's joined

1191
00:53:26,120 --> 00:53:27,800
Speaker 1: us are Cheryl, what happened with the petrol?

1192
00:53:28,920 --> 00:53:32,759
Speaker 12: By and Amanda? You remember the domes when we were

1193
00:53:33,200 --> 00:53:35,480
Speaker 12: on petrol rations and we.

1194
00:53:35,920 --> 00:53:38,760
Speaker 1: Special odds and even number.

1195
00:53:40,080 --> 00:53:40,680
Speaker 4: That's right?

1196
00:53:41,040 --> 00:53:45,920
Speaker 12: Yeah, So unfortunately I had my car stolen out of

1197
00:53:46,000 --> 00:53:49,800
Speaker 12: my own driveway and they ran out of petrol.

1198
00:53:51,719 --> 00:53:54,520
Speaker 2: Sucker. Luckily you were you were hopeless and you'd let

1199
00:53:54,560 --> 00:53:55,280
Speaker 2: it run empty.

1200
00:53:55,640 --> 00:53:57,840
Speaker 1: Can we just say, how old? Do we say? Remember

1201
00:53:57,920 --> 00:54:01,440
Speaker 1: the days of petrol? Remember water rash as the Japanese

1202
00:54:01,480 --> 00:54:02,480
Speaker 1: were bombing Darwin.

1203
00:54:02,520 --> 00:54:03,960
Speaker 2: I could draw my own stockings on.

1204
00:54:04,360 --> 00:54:08,640
Speaker 3: This was petrol rationing in the seventies. And remember that

1205
00:54:09,120 --> 00:54:11,919
Speaker 3: that was before I had a license. I remember Dad saying,

1206
00:54:11,920 --> 00:54:12,680
Speaker 3: what's our number plate?

1207
00:54:12,719 --> 00:54:12,959
Speaker 2: Again?

1208
00:54:14,120 --> 00:54:17,839
Speaker 1: Different service station? Thanks, Cheryl. Peter is going to wrap

1209
00:54:17,920 --> 00:54:19,880
Speaker 1: this up, he Peter, what happened with the petrol?

1210
00:54:20,840 --> 00:54:23,200
Speaker 5: Amanda Jones? You're actually I'm doing one at the moment,

1211
00:54:23,440 --> 00:54:27,040
Speaker 5: mechanic Marine Deese machake, and I'm on a big yup now.

1212
00:54:27,239 --> 00:54:28,240
Speaker 5: Just bought it a million.

1213
00:54:28,000 --> 00:54:30,720
Speaker 14: Dollars and I'm pumping twelve hundred dollars worth of petrol

1214
00:54:30,719 --> 00:54:31,320
Speaker 14: out of thee.

1215
00:54:31,640 --> 00:54:35,680
Speaker 1: Oh they put petrol in it, No they didn't. We

1216
00:54:35,719 --> 00:54:37,040
Speaker 1: speak they didn't start it.

1217
00:54:37,960 --> 00:54:38,600
Speaker 13: Yeah, we started.

1218
00:54:38,680 --> 00:54:44,200
Speaker 1: I didn't go too well. Noick me the job, Pete.

1219
00:54:45,239 --> 00:54:46,920
Speaker 2: How much will that cost them that mistake?

1220
00:54:47,840 --> 00:54:48,040
Speaker 5: Oh?

1221
00:54:50,600 --> 00:54:50,839
Speaker 9: Wow?

1222
00:54:51,560 --> 00:54:53,880
Speaker 2: Thank you for you, Peter. You sound very sympathetic to them.

1223
00:54:53,960 --> 00:54:57,120
Speaker 1: Everybody's not happy, but Peter. Yeah, yeah, yeah, thank you

1224
00:54:57,200 --> 00:54:57,960
Speaker 1: for all your calls.

1225
00:55:00,520 --> 00:55:01,040
Speaker 2: Podcast.

1226
00:55:01,120 --> 00:55:03,120
Speaker 1: It's nice to go and see the new Bob Dylan

1227
00:55:03,239 --> 00:55:04,360
Speaker 1: movie yesterday.

1228
00:55:04,440 --> 00:55:04,640
Speaker 5: Yeah.

1229
00:55:04,719 --> 00:55:06,440
Speaker 2: Let me just give a background to your history with

1230
00:55:06,480 --> 00:55:09,400
Speaker 2: Bob Dylan, because you've you've actually not liked him. You

1231
00:55:09,440 --> 00:55:11,520
Speaker 2: didn't like his music, you thought the music was boring,

1232
00:55:11,560 --> 00:55:13,640
Speaker 2: didn't like him, and you've been raving about it.

1233
00:55:14,560 --> 00:55:19,320
Speaker 1: Yeah. Bob Dylan only and I am. Our relationship is

1234
00:55:19,400 --> 00:55:19,919
Speaker 1: through wow.

1235
00:55:20,120 --> 00:55:22,719
Speaker 3: No, but it's through commercial radio because we had to

1236
00:55:22,760 --> 00:55:24,680
Speaker 3: play him when I was younger, and I said, this

1237
00:55:24,760 --> 00:55:25,440
Speaker 3: guy's dreadful.

1238
00:55:25,480 --> 00:55:29,319
Speaker 1: You can't sing sounds dreadful, These songs go nowhere. That's

1239
00:55:29,360 --> 00:55:30,719
Speaker 1: what I thought as a kid. Keep it up to

1240
00:55:31,719 --> 00:55:32,840
Speaker 1: But watching this.

1241
00:55:33,000 --> 00:55:36,520
Speaker 3: Movie, and I would recommend this movie to anyone that

1242
00:55:36,640 --> 00:55:38,600
Speaker 3: wants to get an appreciation of Bob Dylan, and I

1243
00:55:38,719 --> 00:55:41,640
Speaker 3: certainly do. The man is a genius, like He's written

1244
00:55:41,880 --> 00:55:44,200
Speaker 3: so many songs, most songs from the world like his

1245
00:55:44,360 --> 00:55:48,640
Speaker 3: most prolific songwriter in the world, the only songwriter to

1246
00:55:48,680 --> 00:55:49,960
Speaker 3: get the Nobel Peace Prize.

1247
00:55:50,320 --> 00:55:52,279
Speaker 1: He got the order and then didn't go along for

1248
00:55:52,400 --> 00:55:53,839
Speaker 1: the night, which is so Bob.

1249
00:55:54,040 --> 00:55:56,920
Speaker 2: People have often said he's a great songwriter, but a

1250
00:55:56,960 --> 00:55:59,440
Speaker 2: lot of people don't like his singing. Yeah, but as

1251
00:55:59,680 --> 00:56:00,959
Speaker 2: if he's jarlamego as.

1252
00:56:00,920 --> 00:56:03,680
Speaker 1: He very good. He plays Bob, and he's very very

1253
00:56:03,719 --> 00:56:06,080
Speaker 1: good in it, very very good in it. And it's

1254
00:56:06,080 --> 00:56:09,520
Speaker 1: got some it's got Edward Norton in it. And he

1255
00:56:09,680 --> 00:56:13,800
Speaker 1: plays Pete Seeger, who is the guy that kind of

1256
00:56:13,880 --> 00:56:18,120
Speaker 1: discovered Peter Paul and Mary No No Wrong Peter.

1257
00:56:18,920 --> 00:56:21,440
Speaker 3: In the movie Documents the Time from nineteen sixty one

1258
00:56:21,480 --> 00:56:25,360
Speaker 3: to nineteen sixty five, a young Bobby Dylan nee Zimmerman

1259
00:56:25,440 --> 00:56:27,680
Speaker 3: comes to New York City and he wants to meet

1260
00:56:27,760 --> 00:56:30,880
Speaker 3: his hero, Woody Guthrie, who was a big folk music singer.

1261
00:56:31,120 --> 00:56:34,160
Speaker 3: Woody Guthrie is dying in hospital and Bob comes in

1262
00:56:34,560 --> 00:56:37,720
Speaker 3: and plays a song that he wrote for Woody Guthrie

1263
00:56:38,120 --> 00:56:41,200
Speaker 3: and wop. Guthrie is overwhelmed by this and Pete Seegar

1264
00:56:41,200 --> 00:56:43,560
Speaker 3: who's in the room as well, So Pete Seger puts

1265
00:56:43,600 --> 00:56:45,880
Speaker 3: him up in his house and puts him on the

1266
00:56:45,920 --> 00:56:48,719
Speaker 3: folk music scene where he runs into Joan Baez.

1267
00:56:50,000 --> 00:56:52,760
Speaker 1: For many years, but a very fraught relationship.

1268
00:56:53,600 --> 00:56:56,920
Speaker 3: Then it documents from that time to the British Invasion

1269
00:56:57,000 --> 00:57:00,080
Speaker 3: to the Beatles, and so he was folk music and

1270
00:57:00,160 --> 00:57:02,360
Speaker 3: the big thing about the Beatles was his British invasion

1271
00:57:02,680 --> 00:57:06,840
Speaker 3: and English, the English, and also the electric sound. And

1272
00:57:07,000 --> 00:57:10,080
Speaker 3: I remember hearing as a kid that's that's as bad

1273
00:57:10,120 --> 00:57:13,160
Speaker 3: as when Bob Dylan went electric. And you look at

1274
00:57:13,200 --> 00:57:15,520
Speaker 3: someone playing electric guitar and it's.

1275
00:57:15,400 --> 00:57:18,160
Speaker 1: No big deal. But back then, because in nineteen.

1276
00:57:17,920 --> 00:57:21,120
Speaker 2: Sixty it's like people saying Tylor Swift went from country

1277
00:57:21,160 --> 00:57:23,160
Speaker 2: to pop, you're not allowed to cross the stream.

1278
00:57:23,280 --> 00:57:24,480
Speaker 1: And Beyonce as well.

1279
00:57:24,600 --> 00:57:27,920
Speaker 3: So and and the folk music scene was so and

1280
00:57:28,040 --> 00:57:31,080
Speaker 3: he played the Newport Folk Music Festival and he started

1281
00:57:31,120 --> 00:57:33,240
Speaker 3: bringing out all this electric stuff and people were booing

1282
00:57:33,320 --> 00:57:35,560
Speaker 3: him and throwing cans and all that sort of stuff.

1283
00:57:35,800 --> 00:57:37,160
Speaker 1: So he'd gone from folk.

1284
00:57:37,920 --> 00:57:42,200
Speaker 5: Ya he's born in the wind.

1285
00:57:43,360 --> 00:57:45,480
Speaker 1: Yeah, so electric.

1286
00:57:50,480 --> 00:57:53,040
Speaker 2: Eventually though it was usually successful coast electric.

1287
00:57:53,560 --> 00:57:55,840
Speaker 1: Yes, And he still had the mouth up.

1288
00:57:56,120 --> 00:57:57,320
Speaker 2: He still is Norman Gunst.

1289
00:58:00,120 --> 00:58:03,080
Speaker 3: If he editated any more instruments, if you put symbols

1290
00:58:03,120 --> 00:58:05,600
Speaker 3: in twenty his legs and a big bass drum on

1291
00:58:05,680 --> 00:58:07,080
Speaker 3: his back, the people and all.

1292
00:58:07,640 --> 00:58:08,960
Speaker 1: I think he still could have pulled it off, but

1293
00:58:09,000 --> 00:58:10,760
Speaker 1: it's worth going to see. I want check it out,

1294
00:58:12,160 --> 00:58:13,520
Speaker 1: a complete unknown.

1295
00:58:13,960 --> 00:58:15,080
Speaker 4: Jem damn Nation.

1296
00:58:24,040 --> 00:58:26,280
Speaker 2: Just by winging to us, you can win twenty thousand

1297
00:58:26,280 --> 00:58:28,760
Speaker 2: dollars as our favorite ghoulie of the Year thanks to

1298
00:58:28,840 --> 00:58:30,240
Speaker 2: Miselle stocks and Gravies.

1299
00:58:30,480 --> 00:58:31,080
Speaker 1: What have we got?

1300
00:58:32,080 --> 00:58:34,920
Speaker 11: This is a message to my kids are listening, stop

1301
00:58:35,440 --> 00:58:38,880
Speaker 11: putting the sticky tape away where you've lost the end.

1302
00:58:39,520 --> 00:58:42,320
Speaker 11: Whoever lost the end has to find it and put

1303
00:58:42,360 --> 00:58:44,760
Speaker 11: it back on the tape deck. I'm sick of trying

1304
00:58:44,800 --> 00:58:48,320
Speaker 11: to well ruin my fingernails basically to try and find

1305
00:58:48,400 --> 00:58:50,080
Speaker 11: the end of the sticky tape when I want to

1306
00:58:50,160 --> 00:58:51,200
Speaker 11: use it to wrap a present.

1307
00:58:51,520 --> 00:58:52,280
Speaker 1: I hope you hearing this.

1308
00:58:52,680 --> 00:58:56,600
Speaker 2: Does she mean that's yeah, that's flush against the rest.

1309
00:58:56,400 --> 00:58:56,880
Speaker 12: Of the tape.

1310
00:58:56,920 --> 00:58:58,280
Speaker 1: Then you got to pick it off and you're ruin

1311
00:58:58,320 --> 00:59:01,680
Speaker 1: your nails for good mine, no presence for you kids?

1312
00:59:01,960 --> 00:59:02,680
Speaker 1: What else have forgot?

1313
00:59:03,520 --> 00:59:05,760
Speaker 9: What gets my girlies is when you loan items to

1314
00:59:05,840 --> 00:59:08,160
Speaker 9: family or friends to help them out, and they seem

1315
00:59:08,200 --> 00:59:09,720
Speaker 9: to adopt a view that it's on you to go

1316
00:59:09,800 --> 00:59:11,720
Speaker 9: and collect them if you want them back, as opposed

1317
00:59:11,720 --> 00:59:14,280
Speaker 9: to feeling obligated to return them to you when done

1318
00:59:14,400 --> 00:59:14,800
Speaker 9: using them.

1319
00:59:15,080 --> 00:59:18,720
Speaker 1: That gets my girlies. Yeah, it's happened a lot. It does. Yeah,

1320
00:59:18,720 --> 00:59:21,160
Speaker 1: it does. A mate, it's always happens to him.

1321
00:59:21,480 --> 00:59:23,160
Speaker 2: He has to go and drop things off to people

1322
00:59:23,160 --> 00:59:23,760
Speaker 2: who want to borrow.

1323
00:59:23,880 --> 00:59:26,400
Speaker 1: Think, oh, they never give it back. It's not that bad.

1324
00:59:26,520 --> 00:59:30,600
Speaker 1: Just drop your mile around, don't. I'm going to kill

1325
00:59:30,600 --> 00:59:31,919
Speaker 1: you to mow the lawn as well?

1326
00:59:33,520 --> 00:59:34,440
Speaker 2: Is he cutting your grasp?

1327
00:59:35,080 --> 00:59:38,479
Speaker 1: He's around there now, hands on my staff a lawn.

1328
00:59:40,160 --> 00:59:42,720
Speaker 3: Go to the iHeartRadio app, Go to gold but I

1329
00:59:42,800 --> 00:59:45,320
Speaker 3: want seven press of microphone and record your ghoulie.

1330
00:59:45,440 --> 00:59:46,000
Speaker 1: It's three to.

1331
00:59:46,120 --> 00:59:50,680
Speaker 2: Nine a favorite orum. My Facebook friend gets an oppo

1332
00:59:50,840 --> 00:59:54,000
Speaker 2: a forty smartphone. Your ability meets design with oppos a

1333
00:59:54,160 --> 00:59:55,120
Speaker 2: forty smartphone.

1334
00:59:55,200 --> 00:59:57,360
Speaker 1: You also get the jonesy amount of tetawl as well.

1335
00:59:57,400 --> 01:00:00,480
Speaker 1: That's always good to have, very good to have.

1336
01:00:01,280 --> 01:00:03,680
Speaker 2: Now, you said there'd be no derision, but there was

1337
01:00:03,800 --> 01:00:07,880
Speaker 2: derision today. There's lots of derision. I pulled into the

1338
01:00:07,960 --> 01:00:10,439
Speaker 2: service station yesterday with a lot of anxiety and one

1339
01:00:11,720 --> 01:00:17,040
Speaker 2: kilo one ko. Yeah, I was anxious a kilometer of

1340
01:00:17,320 --> 01:00:20,520
Speaker 2: petrol left in my petrol tank. So the tribal drum

1341
01:00:20,560 --> 01:00:23,720
Speaker 2: today was beating for bugger. Why now the petrol.

1342
01:00:23,520 --> 01:00:26,360
Speaker 1: Edition, the juice, the precious Juice.

1343
01:00:26,760 --> 01:00:28,680
Speaker 3: We had a call from Peter from Des Moines, who

1344
01:00:28,840 --> 01:00:32,240
Speaker 3: is currently working on an expensive diesel yacht that someone

1345
01:00:32,280 --> 01:00:34,640
Speaker 3: put one thousand liters of petrol into.

1346
01:00:35,600 --> 01:00:38,320
Speaker 1: And it's a diesel yacht, so it's not a cheap repair.

1347
01:00:38,600 --> 01:00:41,520
Speaker 1: Pete though saw the upside didn't go too well. No,

1348
01:00:44,200 --> 01:00:44,640
Speaker 1: that's true.

1349
01:00:44,760 --> 01:00:47,680
Speaker 2: Well, as long as Peter's happy, that's the main thing going.

1350
01:00:47,760 --> 01:00:48,560
Speaker 1: Well, that's a good thing.

1351
01:00:48,640 --> 01:00:50,000
Speaker 2: I'm glad Peter's happy in pain.

1352
01:00:51,400 --> 01:00:52,240
Speaker 4: That's enough.

1353
01:00:52,840 --> 01:00:54,680
Speaker 2: Medi Or Greedy is next with Ugly Phil. We are

1354
01:00:54,680 --> 01:00:56,120
Speaker 2: back for jam Nation at six o'clock.

1355
01:00:56,760 --> 01:00:59,439
Speaker 1: Good day to you. Well, thank god that's over.

1356
01:01:01,080 --> 01:01:04,120
Speaker 13: Good bye, Wipe the two baby.

1357
01:01:04,480 --> 01:01:04,800
Speaker 2: You're right.

1358
01:01:04,920 --> 01:01:08,400
Speaker 4: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1359
01:01:08,480 --> 01:01:10,600
Speaker 4: wherever you get your podcasts.

1360
01:01:11,760 --> 01:01:20,120
Speaker 2: Change das.

1361
01:01:20,320 --> 01:01:23,360
Speaker 4: Catch up on what you've missed on the free iHeartRadio app.