WEBVTT - Ian 'Dicko' Dickson - I'M A CELEBRITY - TV Personality

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast plat deep that line. Welcome back,

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<v Speaker 1>guys to TV Reload. My name, as you may know,

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<v Speaker 1>is Benjamin Norris, and this is your podcast to get

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<v Speaker 1>all the insight goss on the popular TV shows you

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<v Speaker 1>may be watching from around the world. Undeniably, our TV

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<v Speaker 1>sets are a major part of our home entertainment, and

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<v Speaker 1>yet very little is known about how our favorite shows

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<v Speaker 1>get made. Each episode, I've been finding guests that want

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<v Speaker 1>to dive just that little bit deeper into the shows

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<v Speaker 1>they're currently making so that you can hear all their

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<v Speaker 1>exclusive stories and gain access to the biggest names in

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<v Speaker 1>Australian television. I want to thank you for downloading or

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<v Speaker 1>subscribing to this podcast however you've found it. I love

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<v Speaker 1>hearing your feedback, so make sure you leave a review

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<v Speaker 1>or a comment on your chosen podcast platform. On today's pod,

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<v Speaker 1>I'm lucky enough to be chatting to this year's shock

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<v Speaker 1>eliminated celebrity Ian Dicko Dixon from Network Tens. I'm a celebrity,

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<v Speaker 1>Get me out of here. Ian Dixon is one of

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<v Speaker 1>Australia's biggest TV personalities who has been asked every year

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<v Speaker 1>to enter the jungle, and this year at Sea, the

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<v Speaker 1>money was right and so the former shock judged a

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<v Speaker 1>lighted fans by signing up and taking on the challenge.

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<v Speaker 1>Dicko certainly opened up and spilled the beans throughout his

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<v Speaker 1>jungle journey, and while I do think we got to

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<v Speaker 1>see a new perspective on the man behind the headlines,

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<v Speaker 1>he has been overshadowed by some of the other celebrities

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<v Speaker 1>competing for that very coveted jungle crown. I will talk

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<v Speaker 1>about that controversial spat between Kerry Ann and Dominica and

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<v Speaker 1>get Dicko's perspective on what he thinks really went down.

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<v Speaker 1>Dicko will also get a chance to respond to claims

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<v Speaker 1>that happened this week that he tried to out Anthony

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<v Speaker 1>Klear on Australian Idol. I will talk to Dicko about

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<v Speaker 1>gameplay and if he thinks maybe acting up to the

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<v Speaker 1>cameras could have backfired in the end. Plus, we will

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<v Speaker 1>get plenty of exclusives from behind the scenes if I'm

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<v Speaker 1>a Celebrity twenty twenty three, which is absolutely delighting fans

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<v Speaker 1>on Network ten, which you can now catch up on

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<v Speaker 1>ten Play at your convenience. Anyway, let's bring Dicko into

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<v Speaker 1>the podcast, and Hey, I really hope you enjoyed this

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<v Speaker 1>revealing episode of TV reload. Good to see you. There

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<v Speaker 1>you go, Ben, don't you think this is really funny?

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<v Speaker 1>We have gone full circle and people are referring to

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<v Speaker 1>your shock elimination as the Ricky Lee moment of the season.

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<v Speaker 2>That's what I'm calling it, too, Like, Look, I don't know.

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<v Speaker 2>I kind of realized I couldn't go deep into this

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<v Speaker 2>show because I don't do social media. I've run away

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<v Speaker 2>from TV a few years ago, and I'm an old kid,

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<v Speaker 2>so I didn't think i'd go all the way. I

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<v Speaker 2>thought I maybe have lasted one or two more shows.

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<v Speaker 2>But to be honest, I'm quite had to go. All

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<v Speaker 2>of those people in the jungle that are still there

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<v Speaker 2>are fabulous, and there was a day, Look about four

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<v Speaker 2>days ago, I hate a little bit of a rough

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<v Speaker 2>patch and started to feel like I was out of

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<v Speaker 2>my depth. But I didn't belong anymore. So maybe I've

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<v Speaker 2>used up all of my energy in those early episodes

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<v Speaker 2>and it was time to go. So I've got no problem,

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<v Speaker 2>and I do leave with a huge sense of gratitude.

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<v Speaker 2>And I feel super calm, so all he's good with

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<v Speaker 2>the world. Ben.

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<v Speaker 1>The last time that we spoke, we were talking about whether

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<v Speaker 1>or not you would do the show, and you did

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<v Speaker 1>say to me that the money has never been right,

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<v Speaker 1>and they had asked you every year. So I'm assuming

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<v Speaker 1>that this money was either catastrophic or you thought to yourself, hey,

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<v Speaker 1>why not Australia misses me.

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<v Speaker 2>So either they gave me a rockstar check or I've

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<v Speaker 2>spent all my money on the Pokeys so and I'm

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<v Speaker 2>hard up. No, look what it was. Something stirred in

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<v Speaker 2>me this year and I thought, I've been spending the

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<v Speaker 2>last six years trying to become a normal person again

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<v Speaker 2>and wash the idea of fame out of my hair.

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<v Speaker 2>And I think I've finally got to the point where

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<v Speaker 2>I no longer require the validation of profile, and I

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<v Speaker 2>can't really use it anymore because I just manage artists.

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<v Speaker 2>Now I'm back in music and I'm loving what I'm

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<v Speaker 2>doing it really, it makes me feel so grateful that

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<v Speaker 2>these young artists allow me to drive their careers and

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<v Speaker 2>it just fills me with so much joy that I

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<v Speaker 2>just I don't need profile. I don't want it. I

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<v Speaker 2>don't want to be on TV, and it's because I

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<v Speaker 2>didn't need it. I thought it was safe to go

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<v Speaker 2>back and do it, especially a show like this where

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<v Speaker 2>I'm away from Australia, and because I'm on it and

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<v Speaker 2>it's live, I don't need to watch it and see

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<v Speaker 2>any of the press or any of the nonsense that

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<v Speaker 2>goes with it. So it felt like the perfect opportunity

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<v Speaker 2>to get away at Plus, there was a little bit

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<v Speaker 2>of sharden for it inside of me that thought, how

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<v Speaker 2>wonderful it would be for my artist to tune into

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<v Speaker 2>the show on a Sunday night and go what he

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<v Speaker 2>isn't a jungle? What a bastard he didn't tell us?

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<v Speaker 2>So yeah, they would have been trying to wring me

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<v Speaker 2>for days, not getting hold of me, working out ingenious

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<v Speaker 2>ways to sack me, and then I end up in

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<v Speaker 2>the jungle. So I can't wait to speak to them

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<v Speaker 2>to see if I've been fired well.

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<v Speaker 1>And now they need you more than ever. You know,

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<v Speaker 1>you keep saying that you has been and all the

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<v Speaker 1>rest of it, but you're still making news headlines. And coincidentally,

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<v Speaker 1>yesterday before your shock elimination, there was a news article which,

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<v Speaker 1>by the way, you and I were both in and

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<v Speaker 1>it was about Anthony Klea. Have you read the newspaper

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<v Speaker 1>since you did.

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<v Speaker 2>Some I did some press when I got out of

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<v Speaker 2>the show, and a few people brought up the fact

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<v Speaker 2>that he referenced me for trying to out him on Australia.

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<v Speaker 2>And look, the fact is I did it for the

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<v Speaker 2>right reasons because I've always been I used to be

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<v Speaker 2>called a fag hag. Now I think you use the

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<v Speaker 2>term queer adjacent. And I've always enjoyed my sisters in

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<v Speaker 2>the gay community. I've had I've always had special relationships.

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<v Speaker 2>And also working with Simon Carr's boy band, there was

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<v Speaker 2>always a gay guy that we had to keep quieting

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<v Speaker 2>the boy band, but we managed that to make sure

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<v Speaker 2>that they had enough sex and keep their private life,

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<v Speaker 2>you know, to themselves, and keep their career going. So

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<v Speaker 2>I felt that we were adept as an industry dealing

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<v Speaker 2>with secretly at artists. So that's why I gave him

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<v Speaker 2>the offer, and he, obviously, you know, he rejected that

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<v Speaker 2>and said I'm not gay. And now he said that

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<v Speaker 2>I shouldn't have done it, And to be honest, he's right.

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<v Speaker 2>I had no right. I've got no one's got any

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<v Speaker 2>right to insist that someone should be at the closet

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<v Speaker 2>let alone, a privileged white guy, white straight guy. And look,

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<v Speaker 2>he came from the right. I felt it came from

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<v Speaker 2>the heart and for the right reasons. But really he's

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<v Speaker 2>right to call me out on it. It's no one's

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<v Speaker 2>business but that person. And I'll take that on the chin.

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<v Speaker 2>And he's he's absolutely right, you know, And I'm glad.

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<v Speaker 2>I'm so glad that he's out in one of Australia's

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<v Speaker 2>big gay power couples because him and Tim are amazing.

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<v Speaker 2>They do a lot of great work, you know that

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<v Speaker 2>they're fabulous together and Anthony's still kicking goals. But he's

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<v Speaker 2>so much happier now being a gay man. And I

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<v Speaker 2>guess that's why I was trying to tease him out

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<v Speaker 2>a little earlier. But again it just wasn't It wasn't

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<v Speaker 2>for me to do that. So he's he's absolutely right

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<v Speaker 2>to call it out.

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<v Speaker 1>Well, I think it's fair enough for me to jump

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<v Speaker 1>in and say I think of you as the og

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<v Speaker 1>fanghag of Australia because I met you before I even

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<v Speaker 1>had any notoriety at the Logis. One year with Mel

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<v Speaker 1>your partner, and you know you didn't know that. I mean,

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<v Speaker 1>she didn't know who I was. I didn't know who

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<v Speaker 1>mel was. We just started talking at the bar and

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<v Speaker 1>she just looked at me and she said, do you

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<v Speaker 1>know who is going to love you?

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<v Speaker 2>My partner?

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<v Speaker 1>And dragged me over to you and then we stood

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<v Speaker 1>there and had like a big chat. And like, you

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<v Speaker 1>could not have been more supportive of the queer community

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<v Speaker 1>back in the day, well before it was even popular

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<v Speaker 1>to be an ally, you were so supportive.

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<v Speaker 2>Yeah. Look's when I was first in the record industry

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<v Speaker 2>in London. I was at Sony Music and we had

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<v Speaker 2>there was there was a there was a gang of

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<v Speaker 2>gay guys who were just uber fabulous. They were always

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<v Speaker 2>had the most outrageous rank sense of humor, they and

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<v Speaker 2>they were just they they all pushed the party to

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<v Speaker 2>new levels and I just was I just gravitated to

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<v Speaker 2>this gang in a way that they are just opened

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<v Speaker 2>to my eyes to so many things. And it was

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<v Speaker 2>in the eighties and in the late eighties, and I

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<v Speaker 2>lost two or three of them to eight and it

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<v Speaker 2>was tragic, and I'm going to cry. It was a

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<v Speaker 2>tough time. But through all of that, it was just

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<v Speaker 2>a fabulous community finding its pride and I couldn't get

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<v Speaker 2>enough of it. I could not get enough of it.

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<v Speaker 2>And ever since, you know, it's just been it's been

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<v Speaker 2>something I've always gravitated towards. I've got my girls have

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<v Speaker 2>got so many gay uncles and they love that.

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<v Speaker 1>And I always wanting to clear up because if anyone's

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<v Speaker 1>looking for some clarity on the situation, I just wanted

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<v Speaker 1>to make sure there was something in the zeitgeist about

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<v Speaker 1>how supportive you had been. And I knew quite a

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<v Speaker 1>bit of your backstory because you shared it the first

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<v Speaker 1>time that we ever spoke, and so so I know that,

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<v Speaker 1>and so I just hope that people out there can

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<v Speaker 1>see it, you know. I also I want I'll get

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<v Speaker 1>to the jungle in a second, but I also want

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<v Speaker 1>to ask you. Australian Idol it came back and we

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<v Speaker 1>had the reboot of it, and I felt like it

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<v Speaker 1>really did miss you and Marsha particularly. I think having

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<v Speaker 1>Harry Connick Junior and Meghan Trainer I think was a

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<v Speaker 1>bit of a mistake. I think it would have been

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<v Speaker 1>better to have you and Marsha back. What are your

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<v Speaker 1>thoughts on that show and do you think It probably

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<v Speaker 1>would have been more successful if we had the nostalgirama

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<v Speaker 1>of having you back and seeing what you've been up

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<v Speaker 1>to and how you fit into the media these days.

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<v Speaker 2>Look, Ben, there's a lot from packing that question. Let's

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<v Speaker 2>take this one by one. Firstly, they shouldn't have brought

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<v Speaker 2>the show back. In my opinion, I think it was

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<v Speaker 2>a mistake. I think they tried to reanimate a corpse

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<v Speaker 2>but didn't want to be reanimated. The World's moved on.

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<v Speaker 2>Idol was of its time and it was pretty special,

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<v Speaker 2>but the World's moved on from there. And what made

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<v Speaker 2>Idol special really was the fact that, you know, it

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<v Speaker 2>was a slice of ritual humiliation as well as the

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<v Speaker 2>celebration of talent. And if you're not going to invite

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<v Speaker 2>the nutters and give them a bit of a dressing down,

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<v Speaker 2>to be honest, that was part of its charm. I

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<v Speaker 2>know it's not terribly politically correct to say that, but

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<v Speaker 2>ritual humiliation was part of that format. And if it's

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<v Speaker 2>not going to have that, it's just a poor it's

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<v Speaker 2>a poor shadow of what it used to be. Now,

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<v Speaker 2>should they have invited me, Mark and marsherback, or any

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<v Speaker 2>of us, probably not they were banging the drums. Seven

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<v Speaker 2>was about this being the youth format that was going

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<v Speaker 2>to save their year or build their year. Are you

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<v Speaker 2>really going to put two confused seventy year olds and

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<v Speaker 2>a bitter and twisted sixty year old to front your

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<v Speaker 2>youth format. I mean that's kind of a big call,

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<v Speaker 2>isn't it. You know, so I can understand why they

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<v Speaker 2>would go for something a little with a bit more

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<v Speaker 2>sheene like Harry conneg Junior and Meghan trainer and look,

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<v Speaker 2>and I was really happy telling everyone that would listen

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<v Speaker 2>that I've been replaced by Meagan and Harry. But that's

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<v Speaker 2>just a dad joke. Look, I did manage to watch

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<v Speaker 2>a little bit of a couple of episodes. I didn't

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<v Speaker 2>think the talent was great. And the other thing is

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<v Speaker 2>I didn't think Kyle was being himself because Kyle couldn't

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<v Speaker 2>be himself on that show. Nobody wants to bastard on

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<v Speaker 2>that show anymore. No one wants someone to be an

0:11:23.320 --> 0:11:26.760
<v Speaker 2>asshole and give kids to serve. You know, we've moved

0:11:26.800 --> 0:11:30.319
<v Speaker 2>into a new paradigm where everybody gets a rosette for

0:11:30.400 --> 0:11:34.760
<v Speaker 2>turning up and the body chance is really low. It

0:11:34.880 --> 0:11:37.000
<v Speaker 2>was hard telling people the truth to their face. But

0:11:37.120 --> 0:11:39.400
<v Speaker 2>if I'm really honest, once you get the whiff of

0:11:39.400 --> 0:11:41.720
<v Speaker 2>blood in your nostrils, you get used to it and

0:11:41.760 --> 0:11:44.600
<v Speaker 2>you realize it makes the show tick and makes the

0:11:44.640 --> 0:11:47.280
<v Speaker 2>show rate as long as you can live with yourself,

0:11:47.559 --> 0:11:50.480
<v Speaker 2>happy days for everyone. And look at the other thing

0:11:50.600 --> 0:11:53.760
<v Speaker 2>is like, you know, I feel a little bit sorry

0:11:53.800 --> 0:11:55.640
<v Speaker 2>for some of those kids on the first Idol who

0:11:55.720 --> 0:11:58.360
<v Speaker 2>turned up and got to serve, But from then on

0:11:58.480 --> 0:12:01.000
<v Speaker 2>in it, I think it was fair game. It used

0:12:01.000 --> 0:12:03.840
<v Speaker 2>to rate two and a half million an episode on

0:12:03.920 --> 0:12:08.240
<v Speaker 2>Sunday Night, which is massive, you know. And if you

0:12:08.360 --> 0:12:11.840
<v Speaker 2>turn off on that second show and you queue up

0:12:11.880 --> 0:12:16.160
<v Speaker 2>for two days, go through three auditions before you go

0:12:16.240 --> 0:12:19.040
<v Speaker 2>before the judges, and they tell you your shit to

0:12:19.080 --> 0:12:22.559
<v Speaker 2>your face, then you should have fucking watched the first series.

0:12:23.000 --> 0:12:24.920
<v Speaker 2>And the other thing was I would go out and

0:12:25.200 --> 0:12:29.760
<v Speaker 2>there'd be these this distraught sixteen year old weeping into

0:12:29.800 --> 0:12:33.400
<v Speaker 2>a shit outfit with all of their friends and family

0:12:33.720 --> 0:12:35.480
<v Speaker 2>for racing me as I was trying to go for

0:12:35.559 --> 0:12:38.120
<v Speaker 2>a piece, saying you don't know what you're after, you

0:12:38.160 --> 0:12:40.719
<v Speaker 2>haven't got a clue, to which I'd say, look, I'm

0:12:40.760 --> 0:12:43.760
<v Speaker 2>prepared to accept that your daughter is tone deaf, but

0:12:43.880 --> 0:12:46.000
<v Speaker 2>you can't all be fucking tone depth.

0:12:46.520 --> 0:12:50.120
<v Speaker 3>One of you tellers that Reality TV in front of

0:12:50.200 --> 0:12:52.680
<v Speaker 3>two and a half million people on a Sunday night

0:12:52.960 --> 0:12:56.680
<v Speaker 3>was probably not the best way to test their ship voice.

0:12:57.320 --> 0:12:59.520
<v Speaker 1>You know, I think you are one of the best

0:12:59.720 --> 0:13:02.720
<v Speaker 1>team personalities that we've ever seen in this country. Maybe

0:13:02.720 --> 0:13:05.800
<v Speaker 1>that says more about me than it does about anything else.

0:13:06.160 --> 0:13:09.440
<v Speaker 1>But I've always felt if people I don't understand why

0:13:09.480 --> 0:13:12.439
<v Speaker 1>people can't handle your truth, because essentially you're definitely not

0:13:12.520 --> 0:13:15.040
<v Speaker 1>a bad guy. I know that from behind the scenes,

0:13:15.200 --> 0:13:17.720
<v Speaker 1>you're literally just calling it as it is. And why

0:13:17.720 --> 0:13:19.240
<v Speaker 1>do we need to be wrapped in cotton wool?

0:13:19.440 --> 0:13:24.400
<v Speaker 2>We just do these days? It's this is Look, this

0:13:24.520 --> 0:13:27.280
<v Speaker 2>is going to sound contentious, but I don't mean it

0:13:27.320 --> 0:13:30.439
<v Speaker 2>too because I really think we need to take mental

0:13:30.480 --> 0:13:34.559
<v Speaker 2>health seriously. But I also think taking mental health seriously

0:13:35.000 --> 0:13:38.679
<v Speaker 2>does not mean using mental health as an umbrella get

0:13:38.679 --> 0:13:40.520
<v Speaker 2>out of jail card just because you're being a bit

0:13:40.559 --> 0:13:42.760
<v Speaker 2>fucking sad. And I think if you want to talk

0:13:42.800 --> 0:13:47.360
<v Speaker 2>about something, be specific, talk about what's ailing you and

0:13:47.480 --> 0:13:50.440
<v Speaker 2>let's talk it through. But the amount of time I

0:13:50.520 --> 0:13:55.200
<v Speaker 2>hear young people using the term mental health without getting specific.

0:13:55.720 --> 0:13:59.080
<v Speaker 2>I just feel a little bit suspicious by it, and

0:13:59.160 --> 0:14:02.400
<v Speaker 2>maybe that's in fact, that's because I'm a dinosaur and

0:14:02.440 --> 0:14:07.080
<v Speaker 2>an insensitive one. Is key buzzwords these days that seem

0:14:07.160 --> 0:14:11.600
<v Speaker 2>to take the place of real communication and understanding of

0:14:11.640 --> 0:14:15.319
<v Speaker 2>a particular moment or a situation. It's almost like you

0:14:15.360 --> 0:14:18.199
<v Speaker 2>can hold the card up and go, ah, okay, well

0:14:18.240 --> 0:14:18.960
<v Speaker 2>we can't go there.

0:14:19.040 --> 0:14:20.600
<v Speaker 1>I want to jump in here and say something because

0:14:20.600 --> 0:14:23.280
<v Speaker 1>I only have you for a limited time, and I

0:14:23.360 --> 0:14:25.600
<v Speaker 1>feel like the dicko that I'm getting today. Maybe you're

0:14:25.720 --> 0:14:27.480
<v Speaker 1>just giving me what you know I want, because you

0:14:27.520 --> 0:14:30.760
<v Speaker 1>know I'm mad for this shit. But I don't know

0:14:30.840 --> 0:14:33.400
<v Speaker 1>whether or not this dicko that you are that I've

0:14:33.440 --> 0:14:34.880
<v Speaker 1>met a couple of times in real life is the

0:14:34.880 --> 0:14:37.240
<v Speaker 1>dicko we've just been watching on the show. Did you

0:14:37.280 --> 0:14:39.520
<v Speaker 1>try and PG yourself on this show? Did you try

0:14:39.520 --> 0:14:42.800
<v Speaker 1>and PC yourself and give us a watered down version

0:14:42.880 --> 0:14:44.760
<v Speaker 1>to act up to the cameras in some way?

0:14:45.040 --> 0:14:48.640
<v Speaker 2>No, look, I didn't look. There was a lot of

0:14:48.680 --> 0:14:52.000
<v Speaker 2>love in that camp. I didn't need to drag this

0:14:52.040 --> 0:14:55.920
<v Speaker 2>person's look. It's funny. Liz and I had a laugh

0:14:56.160 --> 0:14:58.400
<v Speaker 2>very early on. Liz and I got very very close,

0:14:58.840 --> 0:15:01.200
<v Speaker 2>and every now and then I would arc up and

0:15:01.280 --> 0:15:04.080
<v Speaker 2>have a little bit of narkiness and she say, you're

0:15:04.080 --> 0:15:06.240
<v Speaker 2>all right, And I said, look, I just think there's

0:15:06.240 --> 0:15:10.240
<v Speaker 2>a cunt inside of me that has to run free

0:15:10.480 --> 0:15:12.280
<v Speaker 2>like a horse in the field every now and then,

0:15:12.840 --> 0:15:15.720
<v Speaker 2>and I call it Trigger. And we had a laugh.

0:15:15.880 --> 0:15:18.280
<v Speaker 2>And every time I would arc up again, she would say,

0:15:18.280 --> 0:15:20.640
<v Speaker 2>just Trigger need a run in the field. I said,

0:15:20.640 --> 0:15:22.040
<v Speaker 2>I think so, So I'm going to have to go

0:15:22.120 --> 0:15:25.240
<v Speaker 2>to the long Drop and have a sheet instead and

0:15:25.320 --> 0:15:28.920
<v Speaker 2>in the Rhonda Birchmore Memorial Long Drop. But yeah, look,

0:15:28.960 --> 0:15:32.360
<v Speaker 2>it's to be honest, Ben, you didn't see this sticker

0:15:32.720 --> 0:15:34.880
<v Speaker 2>because there was a lot of love in that camp

0:15:35.240 --> 0:15:38.760
<v Speaker 2>and it was so beautifully cast. It wasn't cast for conflict.

0:15:39.240 --> 0:15:43.680
<v Speaker 2>It was cast for meaningful relationships and great conversations that

0:15:43.720 --> 0:15:46.720
<v Speaker 2>were held with respect. So I think we were allowed

0:15:46.720 --> 0:15:50.760
<v Speaker 2>to move into some contentious issues but maintain the respect.

0:15:50.800 --> 0:15:54.400
<v Speaker 2>And I didn't want to go in there swashbuckling. There

0:15:54.440 --> 0:15:57.240
<v Speaker 2>was one person on bodied heads with time and time

0:15:57.280 --> 0:15:59.440
<v Speaker 2>again who was done. But do you know what if

0:15:59.440 --> 0:16:02.360
<v Speaker 2>there were two people built for conflict in that camp,

0:16:02.400 --> 0:16:04.920
<v Speaker 2>he was me and Dom She's from maths and I'm

0:16:04.920 --> 0:16:07.840
<v Speaker 2>the asshole from Australian Idol, and we know how to

0:16:07.920 --> 0:16:11.080
<v Speaker 2>do that to not take it personally and to hug

0:16:11.120 --> 0:16:14.600
<v Speaker 2>you ass which we did virtually every day. So we

0:16:15.200 --> 0:16:18.120
<v Speaker 2>always had a love hate relationship throughout that. But I

0:16:18.360 --> 0:16:22.080
<v Speaker 2>really respect her. She's whip smart, she knows who she is,

0:16:22.680 --> 0:16:27.000
<v Speaker 2>and she's really good trading off that and leveraging it.

0:16:27.440 --> 0:16:31.200
<v Speaker 2>So she's great. She's superb for this. But no, I

0:16:31.320 --> 0:16:34.840
<v Speaker 2>wasn't look i'd be telling her lie. I did edit

0:16:34.960 --> 0:16:37.760
<v Speaker 2>myself a little bit, but it wasn't because I was

0:16:37.840 --> 0:16:40.520
<v Speaker 2>scared to go there. It's because I didn't want to

0:16:40.520 --> 0:16:43.760
<v Speaker 2>spoil the tea party everyone. There was so much love

0:16:43.840 --> 0:16:47.680
<v Speaker 2>there that I didn't want to introduce any knockiness just

0:16:47.720 --> 0:16:49.560
<v Speaker 2>for the sake of it. You know. I just didn't

0:16:49.600 --> 0:16:51.760
<v Speaker 2>think that's what we were there for. I think we

0:16:51.760 --> 0:16:54.080
<v Speaker 2>were there for a loving and to have some great

0:16:54.120 --> 0:16:58.600
<v Speaker 2>conversations and eat the odd zebra testicle. That's all the.

0:16:58.800 --> 0:17:01.200
<v Speaker 1>Question I have for you about this conflict in conflict

0:17:01.240 --> 0:17:04.439
<v Speaker 1>on television and talking about DOM, I kind of feel like,

0:17:04.720 --> 0:17:07.080
<v Speaker 1>you know, that whole DOM showdown with CAC must have

0:17:07.160 --> 0:17:10.680
<v Speaker 1>been censored because considering the cacs now come out saying

0:17:10.680 --> 0:17:13.800
<v Speaker 1>that she needs therapy based on the conflict that happened

0:17:13.800 --> 0:17:17.879
<v Speaker 1>between Dom and carry Anne. What what's your take on that?

0:17:18.000 --> 0:17:20.640
<v Speaker 1>What really happened for And do you think that Karyen

0:17:20.760 --> 0:17:23.640
<v Speaker 1>Kelly needs to go and get therapy after that showdown

0:17:23.640 --> 0:17:24.400
<v Speaker 1>that you witnessed.

0:17:25.000 --> 0:17:27.960
<v Speaker 2>I can't tell you whether Kerry and Kelly needs therapy

0:17:28.080 --> 0:17:30.680
<v Speaker 2>or not. I not. What I do know is Kerry's

0:17:30.720 --> 0:17:34.800
<v Speaker 2>grieving for Cary's grieving for John. And I don't know

0:17:34.840 --> 0:17:37.880
<v Speaker 2>if entrying the jungle was the wisest mom for her.

0:17:38.320 --> 0:17:39.960
<v Speaker 1>And did you say that to her though? Did you

0:17:39.960 --> 0:17:41.040
<v Speaker 1>pull it because your mates with her?

0:17:41.119 --> 0:17:43.200
<v Speaker 2>Yeah? I did. We had a conversation about this where

0:17:43.240 --> 0:17:45.760
<v Speaker 2>I just don't think I just don't think she understood

0:17:45.760 --> 0:17:47.919
<v Speaker 2>what she was getting into. And I don't think she

0:17:48.000 --> 0:17:51.200
<v Speaker 2>understood the importance of feeding the camp and what those

0:17:51.240 --> 0:17:54.240
<v Speaker 2>styles meant to people and everyone else did so. I

0:17:54.240 --> 0:17:57.840
<v Speaker 2>think her saidfastly refusing to get a hands thirty in

0:17:58.000 --> 0:18:00.520
<v Speaker 2>some of these some of these trials just looked a

0:18:00.520 --> 0:18:02.560
<v Speaker 2>little bit short sighted on her and a team.

0:18:02.880 --> 0:18:04.680
<v Speaker 1>But Dom must have gone too far. At the same time,

0:18:04.720 --> 0:18:05.600
<v Speaker 1>I mean, what are your thoughts?

0:18:05.600 --> 0:18:08.680
<v Speaker 2>You don went way too far and you're absolutely right

0:18:08.720 --> 0:18:10.920
<v Speaker 2>to pick it. She did say some things that didn't

0:18:10.920 --> 0:18:13.720
<v Speaker 2>make the edit, and that's really Dom should have handled

0:18:13.760 --> 0:18:16.680
<v Speaker 2>herself a lot better, but Kerry looked for to be fair,

0:18:16.800 --> 0:18:19.159
<v Speaker 2>carry Anne was going. You know, I sat there with

0:18:19.200 --> 0:18:23.280
<v Speaker 2>a ringside seat and carry Anne did not read the

0:18:23.520 --> 0:18:27.360
<v Speaker 2>room terribly well. And as we all know, don can

0:18:27.440 --> 0:18:29.879
<v Speaker 2>go from north to gremlin in fist seconds. And she

0:18:30.040 --> 0:18:32.760
<v Speaker 2>was poking the bear. Carry was poking the bear and

0:18:32.800 --> 0:18:36.200
<v Speaker 2>the bear bit back, you know. But yeah, it didn't

0:18:36.240 --> 0:18:38.439
<v Speaker 2>stop there. There was some stuff they couldn't show on

0:18:38.480 --> 0:18:41.600
<v Speaker 2>the live fee because it's Sunday night primetime show, and

0:18:42.200 --> 0:18:43.480
<v Speaker 2>it was fucking awesome.

0:18:43.840 --> 0:18:46.159
<v Speaker 1>Would the show rate if we got to see Watson

0:18:46.240 --> 0:18:48.280
<v Speaker 1>all I'm a celebrity or do we need to say,

0:18:48.359 --> 0:18:49.360
<v Speaker 1>comboya you.

0:18:49.359 --> 0:18:52.920
<v Speaker 2>Can't show the sea bomb on Sunday night television. You can't.

0:18:52.920 --> 0:18:56.680
<v Speaker 2>That's mount everest. I don't think Dom handles herself terribly well.

0:18:57.080 --> 0:18:59.479
<v Speaker 2>It was you know, it was a spectacular blow up

0:19:00.320 --> 0:19:04.919
<v Speaker 2>and I know it probably caused earthquakes in the control

0:19:05.040 --> 0:19:08.120
<v Speaker 2>room when it happened, and the look on Julia and

0:19:08.200 --> 0:19:11.919
<v Speaker 2>Chris's face was unbelievable. They had wavyline smiles like the

0:19:11.960 --> 0:19:15.480
<v Speaker 2>ABC logo, and Paul Wood in front of me was

0:19:15.520 --> 0:19:17.720
<v Speaker 2>just chewing down on a q DO testicle while it

0:19:17.840 --> 0:19:20.400
<v Speaker 2>was all going on. It was the most bizarre thing.

0:19:20.680 --> 0:19:23.919
<v Speaker 2>But you can't show that on primetime. I mean, who's

0:19:23.960 --> 0:19:26.679
<v Speaker 2>going to do that? And what's the point They showed

0:19:26.680 --> 0:19:29.280
<v Speaker 2>the blow up. They didn't need to show the full profanity,

0:19:29.760 --> 0:19:32.240
<v Speaker 2>but I'm neither am I going to take that to

0:19:32.320 --> 0:19:34.640
<v Speaker 2>my brave you know. I mean, it happened in front

0:19:34.680 --> 0:19:37.120
<v Speaker 2>of me, and it was spectacular and.

0:19:37.080 --> 0:19:39.120
<v Speaker 1>It's your story to tell, yeah, exactly.

0:19:39.720 --> 0:19:42.280
<v Speaker 2>And also I was involved, so I can't get canceled.

0:19:42.400 --> 0:19:44.240
<v Speaker 1>You can't get canceled you're not on social media, and

0:19:44.280 --> 0:19:49.399
<v Speaker 1>you don't ever show I've read the bumper stickers.

0:19:47.800 --> 0:19:49.760
<v Speaker 2>Of your life. So for me, it was just it

0:19:49.840 --> 0:19:53.720
<v Speaker 2>was just a brilliant ringside seat to the SmackDown. But

0:19:53.720 --> 0:19:56.040
<v Speaker 2>there was a subtext there, which was you know, the

0:19:56.359 --> 0:19:59.320
<v Speaker 2>you know, the elder stateswoman of TV, you know was

0:19:59.400 --> 0:20:04.119
<v Speaker 2>staring and you know, the upstart reality TV peasants who's

0:20:04.160 --> 0:20:07.160
<v Speaker 2>banging on the door saying, I'm taking what's yours. So

0:20:07.240 --> 0:20:10.879
<v Speaker 2>that that was a wonderful fund off between you know,

0:20:11.000 --> 0:20:13.800
<v Speaker 2>he showed the shifting plates of the entertainment landscape. It

0:20:13.880 --> 0:20:14.440
<v Speaker 2>was amazing.

0:20:14.680 --> 0:20:16.879
<v Speaker 1>This is the best to go question when it comes

0:20:16.880 --> 0:20:19.440
<v Speaker 1>to who's going to win this thing? Who wants it

0:20:20.000 --> 0:20:22.720
<v Speaker 1>and who needs it? And who's going to get it?

0:20:22.920 --> 0:20:26.879
<v Speaker 2>Who wants it? Don wants it? Probably Don wants it most.

0:20:27.119 --> 0:20:29.920
<v Speaker 2>I think she's the one who's who's the most outspoken.

0:20:30.000 --> 0:20:33.040
<v Speaker 2>She's the one who's verbalizing it. But she flip flops

0:20:33.080 --> 0:20:36.040
<v Speaker 2>between send me home, I need to see my dog Millie,

0:20:36.320 --> 0:20:39.520
<v Speaker 2>and I can go all the way, so's she's like

0:20:39.640 --> 0:20:44.199
<v Speaker 2>Sybil in ten minutes. Who needs it? I think I

0:20:44.240 --> 0:20:48.960
<v Speaker 2>think those kids need it. Asha Dom and Aisha Dom,

0:20:49.080 --> 0:20:53.520
<v Speaker 2>Harry and Nathan can all use this the trajectory there

0:20:53.320 --> 0:20:56.119
<v Speaker 2>are now in the velocity that they will get shut

0:20:56.160 --> 0:20:58.920
<v Speaker 2>out of this format at great speed, that they can

0:20:59.080 --> 0:21:03.240
<v Speaker 2>use that to really bed themselves into the next level

0:21:03.440 --> 0:21:07.119
<v Speaker 2>of fame and achievement. Who is going to win it?

0:21:07.920 --> 0:21:10.760
<v Speaker 2>I think it's going to be Liza Less because she's

0:21:11.040 --> 0:21:17.240
<v Speaker 2>just the most spectacular quality human being, an amazing leader,

0:21:18.160 --> 0:21:22.600
<v Speaker 2>which smart, funny, wicked sense of humor. But she's got

0:21:22.600 --> 0:21:28.080
<v Speaker 2>this kind empathy and an innate sense of reading two

0:21:28.119 --> 0:21:31.159
<v Speaker 2>steps ahead of every argument and steering it where it

0:21:31.240 --> 0:21:34.720
<v Speaker 2>needs to go. And she's just so well equipped to

0:21:34.840 --> 0:21:37.199
<v Speaker 2>take that camp where it needs to be, but to

0:21:37.240 --> 0:21:41.440
<v Speaker 2>bring it Australia along on the ride too. She's a deeply,

0:21:41.560 --> 0:21:44.200
<v Speaker 2>deeply impressive person and she's gonna win it. Now.

0:21:44.240 --> 0:21:46.919
<v Speaker 1>Everyone who joins the podcast gets asked this question, what

0:21:47.080 --> 0:21:50.480
<v Speaker 1>is something from behind the scenes, something that we did

0:21:50.520 --> 0:21:52.840
<v Speaker 1>not see that we might appreciate, kind of like a

0:21:52.840 --> 0:21:54.600
<v Speaker 1>bit of a behind the scenes secret of what it's

0:21:54.680 --> 0:21:56.240
<v Speaker 1>like to make on a celebrity.

0:21:55.920 --> 0:22:01.560
<v Speaker 2>Okay, our corner myself Woody and was named me saying

0:22:01.640 --> 0:22:04.919
<v Speaker 2>corner because with all of those beans for lunch, it

0:22:05.080 --> 0:22:07.600
<v Speaker 2>was just a wet and windy night every night in

0:22:07.680 --> 0:22:09.520
<v Speaker 2>that corner of the camera, and there was like a

0:22:09.520 --> 0:22:13.800
<v Speaker 2>purple haze just existing above our sleeping bags that looked

0:22:13.840 --> 0:22:15.280
<v Speaker 2>like will of the Wist.

0:22:15.160 --> 0:22:16.560
<v Speaker 1>By the Flint and Casey Albert.

0:22:16.720 --> 0:22:18.280
<v Speaker 2>I know now, if we'd have had that on the

0:22:18.320 --> 0:22:20.000
<v Speaker 2>first night, we'd have lit in the fuck by it.

0:22:20.119 --> 0:22:20.919
<v Speaker 2>I can tell.

0:22:20.800 --> 0:22:26.680
<v Speaker 1>You, Dicka, I kind of begin to tell you how

0:22:26.960 --> 0:22:29.080
<v Speaker 1>much how thankful I am that you said yes to

0:22:29.200 --> 0:22:31.679
<v Speaker 1>doing this show and how much I love you on television.

0:22:32.200 --> 0:22:34.920
<v Speaker 2>Well, thank you, Ben, but you need to fucking get

0:22:34.920 --> 0:22:37.280
<v Speaker 2>out last time. I always loved you on Big Brother.

0:22:38.359 --> 0:22:41.000
<v Speaker 1>I need to do more, but you know what, when

0:22:41.040 --> 0:22:42.719
<v Speaker 1>the time is right, the time is right, something will

0:22:42.760 --> 0:22:43.120
<v Speaker 1>come along.

0:22:43.240 --> 0:22:45.200
<v Speaker 2>Always a pleasure, Darling. It's nice to spread to you.

0:22:45.480 --> 0:22:46.320
<v Speaker 1>I love chatting with you.