1 00:00:00,200 --> 00:00:04,240 Speaker 1: The Christian O'Connell Breakfast Show podcast Melbourne's Gold one oh 2 00:00:04,280 --> 00:00:05,359 Speaker 1: four point three. 3 00:00:06,519 --> 00:00:14,840 Speaker 2: It's the Christian O'Connell Breakfast Show. Now it's back, all request, 4 00:00:15,000 --> 00:00:25,120 Speaker 2: all show, all Vinyl, well some of them. 5 00:00:25,160 --> 00:00:30,120 Speaker 3: So who can spot the deliberate mistake there producers Vinyl. 6 00:00:30,400 --> 00:00:31,720 Speaker 4: Not today folks. 7 00:00:31,360 --> 00:00:33,879 Speaker 3: Anyway, come on ins to Christian O'Connell Breakfast Show. 8 00:00:33,920 --> 00:00:35,920 Speaker 4: Can you spot that one of our. 9 00:00:35,760 --> 00:00:41,559 Speaker 3: Producers, he's so called executive producer EP, is leaving the 10 00:00:41,600 --> 00:00:44,879 Speaker 3: show today and got on it last night. He doesn't care, 11 00:00:44,920 --> 00:00:48,680 Speaker 3: does he chat stick any old primo win doesn't really. 12 00:00:48,479 --> 00:00:51,040 Speaker 4: Matter, It's not his problem anymore. 13 00:00:51,960 --> 00:00:53,680 Speaker 3: But then, you know what, We've got such a busy 14 00:00:53,720 --> 00:00:55,280 Speaker 3: show today. We have a great show for you. It 15 00:00:55,360 --> 00:00:57,520 Speaker 3: is Friday. That means every single song on the Today's 16 00:00:57,520 --> 00:01:00,000 Speaker 3: Show between now ten a m is picked by email. 17 00:01:00,760 --> 00:01:02,360 Speaker 4: We got to Carly on the line. 18 00:01:02,200 --> 00:01:04,880 Speaker 3: A couple seconds to kick off the show. Also, we're 19 00:01:04,880 --> 00:01:07,240 Speaker 3: paying your friends. We loved it so much last Friday. 20 00:01:07,440 --> 00:01:09,920 Speaker 3: It is back. We are paying your fines. At eight o'clock. 21 00:01:10,280 --> 00:01:13,000 Speaker 3: Back on the show today. No idea where he's been 22 00:01:13,280 --> 00:01:16,600 Speaker 3: somewhere around Europe. Hamous McLaughlin is back and guess what 23 00:01:16,880 --> 00:01:19,640 Speaker 3: they will be a brand new phrase that pays. There'll 24 00:01:19,680 --> 00:01:21,440 Speaker 3: be a phrase that I will give him that he 25 00:01:21,480 --> 00:01:25,360 Speaker 3: has to work into his live TV commentary tonight. 26 00:01:25,959 --> 00:01:27,840 Speaker 5: I find it one of the most exciting things coming 27 00:01:27,880 --> 00:01:29,080 Speaker 5: up with Hamish's phrases. 28 00:01:29,440 --> 00:01:31,680 Speaker 3: Well, it's actually because we get to write something which 29 00:01:31,800 --> 00:01:34,080 Speaker 3: and it's not a phrase that he can easily slot him. 30 00:01:34,120 --> 00:01:36,360 Speaker 3: We go out of our way here to come up 31 00:01:36,400 --> 00:01:38,560 Speaker 3: with a phrase that isn't like the last one or 32 00:01:38,680 --> 00:01:42,039 Speaker 3: Missus Miggins. That's not a natural kind of segue into 33 00:01:42,120 --> 00:01:44,560 Speaker 3: some gameplay that's gone on on the field. It's a 34 00:01:44,600 --> 00:01:46,280 Speaker 3: tough one to get in. And today's one, I promise you. 35 00:01:46,319 --> 00:01:49,360 Speaker 3: There are two contenders at the moment. They are really 36 00:01:49,480 --> 00:01:51,840 Speaker 3: really random, and I'm thinking of a new rule where 37 00:01:52,280 --> 00:01:56,120 Speaker 3: he can't word up who's commentating with to help him 38 00:01:56,120 --> 00:01:56,840 Speaker 3: sort of come off the. 39 00:01:56,760 --> 00:01:57,160 Speaker 4: Back of it. 40 00:01:57,360 --> 00:01:59,760 Speaker 5: Yes, yes, because he butters them up. Actually one week, 41 00:02:00,280 --> 00:02:01,360 Speaker 5: let somebody else do it. 42 00:02:01,480 --> 00:02:04,400 Speaker 4: Yeah, And he deferred his response. He needs to go rogue, 43 00:02:04,600 --> 00:02:07,760 Speaker 4: not tell anyone beforehand. I just suddenly do it. Then 44 00:02:08,520 --> 00:02:10,040 Speaker 4: it's a tick. It's a win for him on this 45 00:02:10,120 --> 00:02:12,320 Speaker 4: But anyway, he's in at seven point thirty. But then 46 00:02:12,360 --> 00:02:13,640 Speaker 4: there's something else happening today. 47 00:02:15,320 --> 00:02:18,400 Speaker 3: Our producer Nick Daily, who's been working with me for 48 00:02:18,440 --> 00:02:20,320 Speaker 3: two years. I took him over here to help set 49 00:02:20,360 --> 00:02:22,799 Speaker 3: this show up. And he's an Australian man. He's a 50 00:02:22,840 --> 00:02:24,240 Speaker 3: Melbourne so he came up to help me to set 51 00:02:24,240 --> 00:02:26,200 Speaker 3: the shot. He's heading back to London next week. He's 52 00:02:26,200 --> 00:02:28,919 Speaker 3: still joining life over there, so he's going back. So 53 00:02:28,960 --> 00:02:31,000 Speaker 3: I thought, I thought, last two years we've been on 54 00:02:31,000 --> 00:02:33,760 Speaker 3: this really literally an incredible journey, ten thousand miles over 55 00:02:33,800 --> 00:02:36,120 Speaker 3: here to come to his city help me launch a 56 00:02:36,120 --> 00:02:38,520 Speaker 3: brand new radio show. It's hardly think of what do 57 00:02:38,560 --> 00:02:41,320 Speaker 3: you buy someone to say thank you? What can I 58 00:02:41,440 --> 00:02:42,320 Speaker 3: give them as a gift. 59 00:02:42,560 --> 00:02:45,760 Speaker 5: Well, my mum always said the best gifts are experiences 60 00:02:45,880 --> 00:02:47,519 Speaker 5: rather than material possessions. 61 00:02:47,560 --> 00:02:49,799 Speaker 3: Well then your mum is a very wise lady, because 62 00:02:49,840 --> 00:02:52,040 Speaker 3: that's exactly what we've done today chat. We've got a 63 00:02:52,120 --> 00:02:56,840 Speaker 3: real treat for him that involves the show and there's 64 00:02:56,840 --> 00:03:00,880 Speaker 3: something that he does in the background, which I feel 65 00:03:00,880 --> 00:03:01,280 Speaker 3: bad now. 66 00:03:01,320 --> 00:03:03,480 Speaker 4: The last two year is I've been hugely irritated at. 67 00:03:03,320 --> 00:03:06,000 Speaker 3: Times because I'm doing a radio show and I haven't 68 00:03:06,000 --> 00:03:08,840 Speaker 3: got time to hear him do this thing that's that's 69 00:03:08,840 --> 00:03:11,119 Speaker 3: in him and today's a chance for me to say, hey, listen, 70 00:03:11,120 --> 00:03:13,040 Speaker 3: I'm sorry that I haven't had time to let you 71 00:03:13,120 --> 00:03:14,040 Speaker 3: do that because I've. 72 00:03:13,919 --> 00:03:15,680 Speaker 4: Been doing the radio show. 73 00:03:17,440 --> 00:03:19,560 Speaker 3: Today's a chance for me to go, why don't you, 74 00:03:19,680 --> 00:03:22,399 Speaker 3: Why don't you go and do that. Don't worry about Yeah, 75 00:03:22,400 --> 00:03:24,720 Speaker 3: don't worry about doing the radio show. I've got this. 76 00:03:25,200 --> 00:03:27,600 Speaker 3: You go and share the gift that is in you. 77 00:03:27,960 --> 00:03:30,520 Speaker 3: How rude of me to have said, don't do that? 78 00:03:30,560 --> 00:03:33,760 Speaker 3: It's irritating. Can you please be professional just for once 79 00:03:33,800 --> 00:03:37,280 Speaker 3: on the show and focus. Today is a chance for 80 00:03:37,360 --> 00:03:40,640 Speaker 3: us to share his gift with not us in his studio, 81 00:03:41,080 --> 00:03:41,880 Speaker 3: but you Melbourne. 82 00:03:41,920 --> 00:03:43,760 Speaker 5: It's a gift for him and a gift for Melbourne. 83 00:03:43,880 --> 00:03:44,520 Speaker 5: It's lovely. 84 00:03:46,040 --> 00:03:48,440 Speaker 3: Yeah, I know, I know you want to say thank you. 85 00:03:48,440 --> 00:03:50,200 Speaker 3: You want to say thank you, I know you do. 86 00:03:50,360 --> 00:03:53,280 Speaker 3: But I am so excited. There is an outfit as well, 87 00:03:53,520 --> 00:03:55,440 Speaker 3: which will give you you in the next half an hour, 88 00:03:55,840 --> 00:03:57,360 Speaker 3: because if you're going to go and share this kind 89 00:03:57,400 --> 00:04:00,240 Speaker 3: of gift, you need an outfit, but you'll be to 90 00:04:00,280 --> 00:04:04,240 Speaker 3: not only hear the gift, you better see it as well. 91 00:04:04,480 --> 00:04:06,840 Speaker 3: I've said too much already. I've said too much already. 92 00:04:07,760 --> 00:04:09,240 Speaker 3: Which bit of the show. Be honest with me, cham 93 00:04:09,240 --> 00:04:09,880 Speaker 3: which bit of the show? 94 00:04:09,920 --> 00:04:10,040 Speaker 6: Right? 95 00:04:10,040 --> 00:04:12,000 Speaker 3: And then we've got some great solo are you most 96 00:04:12,040 --> 00:04:12,840 Speaker 3: excited about? 97 00:04:13,240 --> 00:04:13,640 Speaker 4: Well, we do. 98 00:04:13,840 --> 00:04:16,000 Speaker 5: I think it's from the whole ead o' clockout that 99 00:04:16,600 --> 00:04:19,320 Speaker 5: we get to experience a gift, is it? It feels 100 00:04:19,360 --> 00:04:22,440 Speaker 5: like eight o'clock is Christmas hour, it feels like Christmas Day. 101 00:04:22,560 --> 00:04:22,839 Speaker 4: Yeah? 102 00:04:22,839 --> 00:04:27,840 Speaker 3: Absolutely so that that's today's show folks. All right, then 103 00:04:28,120 --> 00:04:30,160 Speaker 3: let's get let's get the show going now. Then Carly 104 00:04:30,360 --> 00:04:30,839 Speaker 3: is on the line. 105 00:04:30,880 --> 00:04:35,000 Speaker 4: Good morning, Carly, Good morning, Good morning Carly, and happy Friday, Carli. 106 00:04:35,120 --> 00:04:38,080 Speaker 4: Have you had a good week? I have, Yes, I 107 00:04:38,120 --> 00:04:39,080 Speaker 4: have excellent. 108 00:04:39,120 --> 00:04:41,040 Speaker 3: Now tell us about the first song that's going to 109 00:04:41,120 --> 00:04:42,760 Speaker 3: kick off this big Friday show for us? 110 00:04:42,800 --> 00:04:43,760 Speaker 4: What we got here? 111 00:04:44,600 --> 00:04:46,640 Speaker 7: So this is like the way I do find Melissa 112 00:04:46,640 --> 00:04:47,120 Speaker 7: eth Rich. 113 00:04:47,480 --> 00:04:48,240 Speaker 4: Yep, good song. 114 00:04:49,080 --> 00:04:49,880 Speaker 8: It is a good song. 115 00:04:49,920 --> 00:04:51,720 Speaker 9: And the reason that I love the song is because 116 00:04:51,800 --> 00:04:53,960 Speaker 9: of her voice and the passion that you can hear 117 00:04:54,400 --> 00:04:55,200 Speaker 9: as she sings it. 118 00:04:55,880 --> 00:04:57,360 Speaker 4: Do you know what that's very eloquent? 119 00:04:57,400 --> 00:04:59,080 Speaker 3: For that's more eloquent than Jack and I have been 120 00:04:59,160 --> 00:05:01,680 Speaker 3: right now today morning at you know, ten past six. 121 00:05:01,720 --> 00:05:03,760 Speaker 3: You should you should be doing this job and we 122 00:05:03,839 --> 00:05:05,280 Speaker 3: should be calling in radio shows. 123 00:05:05,320 --> 00:05:06,560 Speaker 4: We need to flip the rolls round. 124 00:05:06,839 --> 00:05:09,400 Speaker 3: Hey, listen, Carny great song enjoying us have a lovely 125 00:05:09,440 --> 00:05:12,000 Speaker 3: weekend thanks to listening to the show, Thank You. 126 00:05:12,240 --> 00:05:15,640 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 127 00:05:15,680 --> 00:05:16,560 Speaker 1: point three to. 128 00:05:16,560 --> 00:05:18,200 Speaker 4: They show that you are control of the music. 129 00:05:18,200 --> 00:05:22,000 Speaker 3: Every Friday. You pick the music, Melissa Etheridge, either way, 130 00:05:22,040 --> 00:05:22,360 Speaker 3: I do. 131 00:05:25,240 --> 00:05:25,320 Speaker 10: So. 132 00:05:25,400 --> 00:05:27,479 Speaker 3: If you're a regular listener to this part of the show, 133 00:05:27,520 --> 00:05:30,880 Speaker 3: the Secret Hour between six and seven, you might have 134 00:05:31,279 --> 00:05:35,320 Speaker 3: realized that young Jack hasn't seen too many movies and 135 00:05:35,400 --> 00:05:38,160 Speaker 3: this is a bad thing. It's an opportunity for us, 136 00:05:38,160 --> 00:05:39,880 Speaker 3: so we are going to have We're going to do 137 00:05:39,920 --> 00:05:41,920 Speaker 3: a couple of these throughout the rest of the year, 138 00:05:42,320 --> 00:05:44,480 Speaker 3: and we start the first one next week. I am 139 00:05:44,520 --> 00:05:46,880 Speaker 3: launching my movie Club and I'd love you to come along. 140 00:05:47,480 --> 00:05:50,360 Speaker 11: Listian Movie Club. 141 00:05:55,800 --> 00:05:56,839 Speaker 5: A red carp and affair. 142 00:05:57,320 --> 00:05:57,599 Speaker 4: Haha. 143 00:05:58,040 --> 00:06:01,680 Speaker 3: We had a meeting yesterday about this red carpet spotlights. 144 00:06:02,120 --> 00:06:04,040 Speaker 3: We are literally rolling out the red car before you 145 00:06:04,160 --> 00:06:09,320 Speaker 3: next Thursday night at the back Lot Studios in South Bank. 146 00:06:09,480 --> 00:06:12,400 Speaker 3: The first movie then is Dumb and Dumber. Jack's not seen. 147 00:06:12,440 --> 00:06:14,400 Speaker 3: It doesn't matter whether you've seen or not it is 148 00:06:14,440 --> 00:06:18,520 Speaker 3: a great classic comedy movie, always funny. Jim Carrey and 149 00:06:18,560 --> 00:06:21,160 Speaker 3: Jeff Daniels, if you fancy coming along, we're going to 150 00:06:21,240 --> 00:06:22,280 Speaker 3: start taking calls now. 151 00:06:22,360 --> 00:06:25,279 Speaker 4: Now, Jack used to work in cinemas. 152 00:06:25,520 --> 00:06:27,520 Speaker 5: I no, not everybody can do what I'm doing today. 153 00:06:27,560 --> 00:06:32,200 Speaker 5: I'll be allocating this seating for our winners. I just 154 00:06:32,279 --> 00:06:35,640 Speaker 5: choose the number and the letter, and they sit in 155 00:06:35,640 --> 00:06:36,839 Speaker 5: the corresponding seats. 156 00:06:37,360 --> 00:06:40,200 Speaker 4: Now, already, we gave a few tickets away yesterday. 157 00:06:40,640 --> 00:06:43,600 Speaker 3: So what seats are available? And when we imagine then 158 00:06:43,640 --> 00:06:45,599 Speaker 3: what is it a to g one to eight? 159 00:06:45,720 --> 00:06:46,040 Speaker 4: Roughly? 160 00:06:46,160 --> 00:06:48,960 Speaker 5: Yeah, one to twelve. Well, we took up a lot 161 00:06:49,000 --> 00:06:50,719 Speaker 5: of the good middle seats, so you're gonna have to 162 00:06:50,760 --> 00:06:54,280 Speaker 5: squish in the back corners towards the sides. Front rows 163 00:06:54,279 --> 00:06:56,600 Speaker 5: are up for grabs, Up for grabs. Tell let us 164 00:06:56,600 --> 00:06:58,000 Speaker 5: know if you like sitting in the front row. 165 00:06:58,160 --> 00:07:00,680 Speaker 3: All right, so come along. It's next Thursday night studios 166 00:07:00,680 --> 00:07:03,200 Speaker 3: in South Bank. Come and watch Dumb and Dumber with us. 167 00:07:03,200 --> 00:07:05,040 Speaker 3: It'd be lovely to meet you, as Wan say I No. 168 00:07:05,240 --> 00:07:07,880 Speaker 3: Nine four one one four three, Give us a call. 169 00:07:07,960 --> 00:07:11,320 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 170 00:07:11,360 --> 00:07:12,360 Speaker 1: point three. 171 00:07:12,200 --> 00:07:13,760 Speaker 3: What are you up to next Thursday night? Do you 172 00:07:13,840 --> 00:07:17,000 Speaker 3: fancy come into my first ever movie club? And upon 173 00:07:17,080 --> 00:07:19,720 Speaker 3: some movies in extra a couple of months for Jack's 174 00:07:19,720 --> 00:07:21,840 Speaker 3: the movies he's not seen and the first one is 175 00:07:21,880 --> 00:07:24,320 Speaker 3: a great one. It is the Great Timeless, one of 176 00:07:24,360 --> 00:07:26,560 Speaker 3: the best comedy movies ever, Dumb and Dumber. 177 00:07:26,760 --> 00:07:33,360 Speaker 4: Christian Club, by the way, is it my ears? 178 00:07:33,720 --> 00:07:36,320 Speaker 3: But at the beginning of this does he sound like 179 00:07:36,360 --> 00:07:38,600 Speaker 3: he's like finishing off a sandwich or something? 180 00:07:38,960 --> 00:07:40,640 Speaker 4: Ever listened to this the way he just eats my 181 00:07:40,880 --> 00:07:48,000 Speaker 4: name Christian listening off for toasting, then recording this just 182 00:07:48,000 --> 00:07:51,360 Speaker 4: go on. That's what happened six weeks send people don't 183 00:07:51,360 --> 00:07:54,320 Speaker 4: even care anymore. All right, then let's go to the lines. 184 00:07:54,400 --> 00:07:57,000 Speaker 4: You've got the grid, the seating plan, Jack, I've got it, 185 00:07:57,640 --> 00:08:00,600 Speaker 4: all right, let's go to it. Let's not someone's name? 186 00:08:00,640 --> 00:08:05,840 Speaker 4: Is it? Back in England? Have I said that on 187 00:08:05,840 --> 00:08:08,680 Speaker 4: the radio? I'm in a lot of trouble, seriously, a 188 00:08:08,680 --> 00:08:09,320 Speaker 4: lot of trouble. 189 00:08:09,800 --> 00:08:10,559 Speaker 5: Give swear. 190 00:08:12,280 --> 00:08:13,960 Speaker 3: I'm nestually breaking out in course what we're gonna have 191 00:08:13,960 --> 00:08:15,800 Speaker 3: to put a disclaimer for the podcast listeners. 192 00:08:16,600 --> 00:08:18,679 Speaker 4: Oh what that is? On the top ten band words 193 00:08:18,680 --> 00:08:23,120 Speaker 4: in the UK, anyway, morning dev dav Good morning morning. 194 00:08:23,200 --> 00:08:24,239 Speaker 12: How's going on, Chris? 195 00:08:24,240 --> 00:08:25,000 Speaker 13: How are you, buddy? 196 00:08:25,120 --> 00:08:29,760 Speaker 4: I'm very good? Chris is good? How are you? Mate? 197 00:08:29,760 --> 00:08:30,480 Speaker 4: You sound man? 198 00:08:30,640 --> 00:08:31,440 Speaker 12: That's good? 199 00:08:31,640 --> 00:08:32,000 Speaker 14: Oh? 200 00:08:32,200 --> 00:08:35,040 Speaker 4: Well, someone started Friday early? We love it. Do you 201 00:08:35,120 --> 00:08:36,120 Speaker 4: have had a good week? 202 00:08:36,920 --> 00:08:38,280 Speaker 7: Yeah, I've had a great week, mate. 203 00:08:38,320 --> 00:08:41,640 Speaker 12: Listening to you all week is being unbelievable. This station's unbelievable. 204 00:08:41,679 --> 00:08:43,800 Speaker 4: I love it. Wow, that's very well said. Now do 205 00:08:43,920 --> 00:08:45,640 Speaker 4: have you fancy coming down to watch Dumb and Dumber 206 00:08:45,679 --> 00:08:48,280 Speaker 4: with us? Of course? Did you get the pick of 207 00:08:48,320 --> 00:08:50,240 Speaker 4: the seats? Where would you like Jack to seat you? 208 00:08:53,400 --> 00:08:55,360 Speaker 12: I'm not fast man anywhere at the back. 209 00:08:55,920 --> 00:08:57,600 Speaker 5: You bringing yourself or someone else? 210 00:08:58,160 --> 00:09:00,199 Speaker 7: I'm bringing my partner, all right, I'll put. 211 00:09:00,120 --> 00:09:02,560 Speaker 5: You're both at the back in G nine and ten, 212 00:09:02,880 --> 00:09:04,240 Speaker 5: slightly to the right hand side. 213 00:09:04,240 --> 00:09:06,200 Speaker 4: Are you okay with that? Yeah? 214 00:09:06,240 --> 00:09:07,280 Speaker 7: I'm very okay. 215 00:09:07,280 --> 00:09:08,439 Speaker 1: Without my I'm even. 216 00:09:08,280 --> 00:09:10,120 Speaker 12: More okay talking to you, buddy. 217 00:09:10,720 --> 00:09:14,760 Speaker 5: And also him, don't forget one popcorn, one hot dog, 218 00:09:14,840 --> 00:09:17,160 Speaker 5: one soft drink awaits you on movie night? 219 00:09:17,320 --> 00:09:19,600 Speaker 3: Oh you forgot about that? That little disclaimer that we 220 00:09:19,840 --> 00:09:20,440 Speaker 3: have to say this? 221 00:09:21,960 --> 00:09:25,480 Speaker 4: All right? Then that was everyone. He's obviously started the weekend. Earnie, Lynda, 222 00:09:25,679 --> 00:09:27,600 Speaker 4: good morning, Good morning Christine. 223 00:09:27,640 --> 00:09:28,040 Speaker 2: How are you? 224 00:09:28,080 --> 00:09:29,400 Speaker 4: And welcome to Melbourne. 225 00:09:29,559 --> 00:09:32,040 Speaker 3: Thank you very much. Linda was the mayor of town, 226 00:09:32,120 --> 00:09:34,040 Speaker 3: so she's just welcome me. Thank you very much, Linda. 227 00:09:34,320 --> 00:09:35,520 Speaker 3: It's very kind thing to say. 228 00:09:35,559 --> 00:09:38,800 Speaker 4: Thank you. And now have you seen Dumb and Dumber before? Yes? 229 00:09:38,880 --> 00:09:42,120 Speaker 4: I have, Yeah, like most of the planet and apart 230 00:09:42,120 --> 00:09:43,000 Speaker 4: from Jack. 231 00:09:44,760 --> 00:09:47,000 Speaker 5: Hey, this time next week we'll all chat about it. 232 00:09:47,080 --> 00:09:49,360 Speaker 4: That's right, we can, all right? So where do you 233 00:09:49,400 --> 00:09:51,680 Speaker 4: fancy sitting at the back? 234 00:09:51,800 --> 00:09:52,840 Speaker 15: Can you sit two of us in? 235 00:09:53,080 --> 00:09:53,840 Speaker 4: Of course we can. 236 00:09:54,440 --> 00:09:56,200 Speaker 5: The only rumor I got in the back is now 237 00:09:56,280 --> 00:09:59,040 Speaker 5: the very back right corner, the makeout section as we 238 00:09:59,200 --> 00:09:59,839 Speaker 5: like to call it. 239 00:10:00,080 --> 00:10:02,360 Speaker 6: Happy with that mind, we're not young, but we're young 240 00:10:02,400 --> 00:10:02,800 Speaker 6: at heart. 241 00:10:03,160 --> 00:10:03,600 Speaker 4: Excellent. 242 00:10:03,720 --> 00:10:06,240 Speaker 3: That's like us here on gold one of four point three. 243 00:10:06,880 --> 00:10:08,760 Speaker 3: Thank you, all right, we're seeing next thirst the night. 244 00:10:08,800 --> 00:10:12,320 Speaker 4: Look forward to meeting you. Thank you. Woe's cutting them 245 00:10:12,320 --> 00:10:15,959 Speaker 4: off like that? I noticed your last show. Don't mat 246 00:10:15,960 --> 00:10:20,360 Speaker 4: me bring the gift forward till now? Okay, sorry about this? Hi? Andy? 247 00:10:21,240 --> 00:10:22,320 Speaker 16: Hey, how are you? 248 00:10:22,400 --> 00:10:24,559 Speaker 4: I'm pretty good or pretty good? Andy? You fancy coming 249 00:10:24,600 --> 00:10:26,160 Speaker 4: along to our first ever movie club? 250 00:10:26,800 --> 00:10:29,040 Speaker 16: I would love to come, mate, love the movie I'll 251 00:10:29,080 --> 00:10:30,720 Speaker 16: be doing quotes right through the movie. 252 00:10:30,760 --> 00:10:32,480 Speaker 7: So if anyone seems to be sabby, as I might 253 00:10:32,520 --> 00:10:35,600 Speaker 7: be yelling at me, but paying many a time. 254 00:10:35,679 --> 00:10:37,520 Speaker 4: Do you know what, Andy, you just give them an idea. There. 255 00:10:37,559 --> 00:10:39,400 Speaker 3: You know how much all over the world people go 256 00:10:39,440 --> 00:10:40,920 Speaker 3: and do when they've had a few drinks, to go 257 00:10:40,960 --> 00:10:43,280 Speaker 3: and do karaoke, these little karaoke boxes. 258 00:10:43,679 --> 00:10:48,840 Speaker 4: Why isn't there a movie oke one a whole movie? 259 00:10:48,880 --> 00:10:50,480 Speaker 4: But you know, you're key in your. 260 00:10:50,360 --> 00:10:52,280 Speaker 3: Favorite scene and you get up there and you've had 261 00:10:52,280 --> 00:10:54,679 Speaker 3: a couple and you start doing your favorite Tom Hanks 262 00:10:54,760 --> 00:10:57,440 Speaker 3: lines or whatever. For me, the powerful acting of Steven 263 00:10:57,480 --> 00:10:59,679 Speaker 3: Cigar maybe if I'm underseeage or something like that, or 264 00:11:00,160 --> 00:11:01,800 Speaker 3: for death or out for justice, any of some of 265 00:11:01,840 --> 00:11:02,480 Speaker 3: my favorite ones. 266 00:11:02,880 --> 00:11:05,200 Speaker 5: That's our next event. Then after we did the movie. 267 00:11:05,440 --> 00:11:09,480 Speaker 4: Ok, movie, OK, I think that'd be great fun. Anyway, Andy, 268 00:11:09,520 --> 00:11:11,080 Speaker 4: where do you want to sit? The back row looks 269 00:11:11,080 --> 00:11:13,120 Speaker 4: like it's all shut out? Now, is that right? 270 00:11:13,160 --> 00:11:15,600 Speaker 5: That back rows down to you? Do you mind the front? 271 00:11:16,080 --> 00:11:17,920 Speaker 16: Oh, I've got a bit of a dodgy next, so 272 00:11:18,160 --> 00:11:19,760 Speaker 16: any I'll go second from the back. 273 00:11:19,840 --> 00:11:23,199 Speaker 5: I don't care, yeah, second for the bag from the front. 274 00:11:23,240 --> 00:11:27,280 Speaker 5: You're f three and four near our social media lady, 275 00:11:27,320 --> 00:11:31,520 Speaker 5: Sophie drama social media lady. 276 00:11:32,920 --> 00:11:37,520 Speaker 3: As he fumbles for the name, we all heard it. 277 00:11:37,520 --> 00:11:39,560 Speaker 3: It's gonna get awkay. We're going out for drinks after 278 00:11:39,559 --> 00:11:41,720 Speaker 3: the day's show. As you go to a hey, social 279 00:11:41,760 --> 00:11:45,079 Speaker 3: media lady, how's your week been on social media? 280 00:11:45,280 --> 00:11:46,960 Speaker 5: I have not forgotten Sophie's name. 281 00:11:47,200 --> 00:11:49,240 Speaker 4: Hey, so now you just like to refer to everyone 282 00:11:49,240 --> 00:11:49,959 Speaker 4: by job title? 283 00:11:50,040 --> 00:11:53,760 Speaker 3: No, Hi, Host Christian o'c hey, Andy, look forward to 284 00:11:53,840 --> 00:11:55,080 Speaker 3: meeting you next Thursday night. 285 00:11:55,679 --> 00:11:59,400 Speaker 1: A Christian The Christian O'Connell Breakfast Show, Melbourne's Gold one 286 00:11:59,440 --> 00:12:00,360 Speaker 1: oh four. 287 00:12:02,200 --> 00:12:05,880 Speaker 3: Devo Whippet Amelia inbo Mars. Want to hear that song 288 00:12:05,920 --> 00:12:08,560 Speaker 3: this morning? All request every single song every Friday on 289 00:12:08,679 --> 00:12:11,440 Speaker 3: God one four point three on the Christian O'Connor Breakfast Show. 290 00:12:11,880 --> 00:12:13,520 Speaker 3: So one of the things I love on a Friday 291 00:12:13,720 --> 00:12:16,880 Speaker 3: is I asked Jack to write a song and tell 292 00:12:16,960 --> 00:12:19,440 Speaker 3: us a story according to him, of the breakfast show 293 00:12:19,520 --> 00:12:23,160 Speaker 3: this week. And obviously with your protest song yesterday, give 294 00:12:23,240 --> 00:12:24,920 Speaker 3: Jack any chance not to do a little bit of 295 00:12:24,960 --> 00:12:27,200 Speaker 3: work this guy with he did start to go to 296 00:12:27,240 --> 00:12:28,760 Speaker 3: me yesterday after the show with. 297 00:12:29,120 --> 00:12:31,400 Speaker 4: Too many songs at the protest song. I said, do 298 00:12:31,440 --> 00:12:34,280 Speaker 4: you really need yes? Jack? We want Jack Sings the 299 00:12:34,280 --> 00:12:36,600 Speaker 4: Week every Friday. People look forward to it. 300 00:12:36,720 --> 00:12:38,880 Speaker 3: The one you did last week, even though I thought 301 00:12:38,920 --> 00:12:42,640 Speaker 3: it was offensive disrespectful, was genius. And this is a 302 00:12:42,640 --> 00:12:45,560 Speaker 3: song about England crashing out of the World Cup. Jack 303 00:12:45,640 --> 00:12:47,840 Speaker 3: just thought he'd write a song to annoy me. It 304 00:12:47,920 --> 00:12:50,080 Speaker 3: actually made me walk out of my own studio as well. 305 00:12:50,120 --> 00:12:52,160 Speaker 5: And for our British podcast as people who are still 306 00:12:52,160 --> 00:12:55,240 Speaker 5: listening to the show, I thank you and apologize that 307 00:12:55,320 --> 00:12:57,800 Speaker 5: it was a bit offensive to English football, but thank 308 00:12:57,840 --> 00:12:59,920 Speaker 5: you for receiving it so well and in good job. 309 00:13:00,480 --> 00:13:01,080 Speaker 4: So here we go. 310 00:13:01,240 --> 00:13:03,920 Speaker 3: We reconvene a week later, we're back here for Jack 311 00:13:03,960 --> 00:13:05,520 Speaker 3: Sings the Week and I come in this morning. You 312 00:13:05,559 --> 00:13:07,760 Speaker 3: say there's a small role for me and this. I'm 313 00:13:07,840 --> 00:13:10,040 Speaker 3: very excited. I can't sing, but what do you need 314 00:13:10,080 --> 00:13:10,400 Speaker 3: me to do? 315 00:13:10,600 --> 00:13:13,680 Speaker 5: I need you. There's a button on your pad that 316 00:13:13,960 --> 00:13:15,280 Speaker 5: is labeled Jack Drums. 317 00:13:15,440 --> 00:13:15,680 Speaker 4: Yep. 318 00:13:15,760 --> 00:13:18,320 Speaker 5: During the song, I will need you to play these drums. 319 00:13:18,679 --> 00:13:20,640 Speaker 3: So I thought you want me to speak or rap 320 00:13:20,760 --> 00:13:22,800 Speaker 3: or singing it. You just want me to play a 321 00:13:22,880 --> 00:13:23,520 Speaker 3: sound effect. 322 00:13:23,640 --> 00:13:25,319 Speaker 5: Tick a button. I mean, if you're not up to it, 323 00:13:25,400 --> 00:13:25,880 Speaker 5: Nick can do. 324 00:13:25,880 --> 00:13:28,480 Speaker 4: It, well, it won't get played you click something. 325 00:13:29,440 --> 00:13:31,079 Speaker 5: Do you want to give it a small practice. I'm 326 00:13:31,080 --> 00:13:32,840 Speaker 5: not going to sing the lyrics here, but I'll just 327 00:13:33,360 --> 00:13:35,599 Speaker 5: mumble the lyrics and then point to you so that 328 00:13:35,640 --> 00:13:37,280 Speaker 5: we can practice when the drums come in, because we'll 329 00:13:37,320 --> 00:13:38,240 Speaker 5: only get one chance at. 330 00:13:38,320 --> 00:13:41,480 Speaker 3: Okay, fine, I know suddenly feel the pressure you don't 331 00:13:41,480 --> 00:13:44,160 Speaker 3: Sometimes when you're at the front of the queue and 332 00:13:44,200 --> 00:13:45,839 Speaker 3: the train and you've got to open that door and 333 00:13:45,880 --> 00:13:48,360 Speaker 3: there's people behind you. We think I know how to 334 00:13:48,360 --> 00:13:51,559 Speaker 3: open the door, but I've got it. I'm right handed. 335 00:13:51,559 --> 00:13:54,079 Speaker 3: Do I go my barracks there and you start overthinking it? 336 00:13:54,480 --> 00:13:55,240 Speaker 3: That's who I feel like. 337 00:13:55,400 --> 00:13:57,120 Speaker 5: I know I just got to click this, but you 338 00:13:57,720 --> 00:13:58,640 Speaker 5: click hundreds of buttons. 339 00:14:00,120 --> 00:14:02,000 Speaker 4: So I'm starting to go, Okay, I hope I can 340 00:14:02,000 --> 00:14:04,199 Speaker 4: pull the soft chuck. I don't want to let anyone down. Okay, right, 341 00:14:04,240 --> 00:14:04,920 Speaker 4: let's have a run through. 342 00:14:06,240 --> 00:14:08,000 Speaker 5: So I'm just going to mumble so that we don't 343 00:14:08,000 --> 00:14:11,040 Speaker 5: give away a lyrics. The difference I just did one, 344 00:14:14,280 --> 00:14:16,000 Speaker 5: I just didn't If people are getting in the car 345 00:14:16,080 --> 00:14:18,840 Speaker 5: right now, they're getting in the car, I don't want 346 00:14:18,920 --> 00:14:21,680 Speaker 5: him to think that, oh, what's this guy who just mumbles. 347 00:14:21,920 --> 00:14:23,400 Speaker 4: No we don't want them ever thinking that. 348 00:14:25,840 --> 00:14:28,560 Speaker 5: Did do do Do Do Do Do Do Do Do Do 349 00:14:28,600 --> 00:14:34,720 Speaker 5: Do Do Do Do Do Do Do do do Christian drums. 350 00:14:35,560 --> 00:14:46,080 Speaker 4: Okay, if you put lyrics to a powerful film comments song, Wow, 351 00:14:48,320 --> 00:14:50,120 Speaker 4: I just don't want anyone in the car right now 352 00:14:50,200 --> 00:14:52,560 Speaker 4: thinking this is the song we just don't want. This 353 00:14:52,600 --> 00:14:56,680 Speaker 4: is the reharse, disastrous of anyone. This is to run through. Okay, 354 00:14:56,760 --> 00:14:58,480 Speaker 4: I'm now worried that that was a one off. I 355 00:14:58,520 --> 00:15:00,720 Speaker 4: won't get it right because almost not to drift outside 356 00:15:00,720 --> 00:15:04,320 Speaker 4: the window. Then to Lucky, They're like, it's still so dark. 357 00:15:04,360 --> 00:15:06,640 Speaker 4: I think this happens in five minutes. It'll be terrifying. 358 00:15:06,760 --> 00:15:08,800 Speaker 3: All right, then we will go through the actual song. 359 00:15:08,880 --> 00:15:11,280 Speaker 3: So get in your car, but know that the actual 360 00:15:11,360 --> 00:15:12,600 Speaker 3: song is coming up next. 361 00:15:12,600 --> 00:15:16,040 Speaker 1: That was a rehearsal the Christian O'Connell breakfast show, Melbourne's 362 00:15:16,040 --> 00:15:19,800 Speaker 1: Gold one oh four point three. 363 00:15:19,280 --> 00:15:21,720 Speaker 3: The jam Town called Madison Gold one oh four point 364 00:15:21,720 --> 00:15:26,880 Speaker 3: three for you, tourney in one turner ten to seven, 365 00:15:26,880 --> 00:15:28,920 Speaker 3: Good mornings to Christian a cornerback for the show, and right 366 00:15:28,920 --> 00:15:31,800 Speaker 3: now I have performance anxiety. I'll be really honest with you. 367 00:15:32,080 --> 00:15:35,000 Speaker 3: All I have to do is just Jack will say 368 00:15:35,480 --> 00:15:38,000 Speaker 3: even verbally, cumin and say Christian the jums and I 369 00:15:38,080 --> 00:15:43,880 Speaker 3: just press a button. This every morning, four hours a 370 00:15:43,960 --> 00:15:45,760 Speaker 3: day for the last twenty years of my life. All 371 00:15:45,760 --> 00:15:48,760 Speaker 3: you have to do is speak, press button, speak, press button, 372 00:15:48,840 --> 00:15:49,400 Speaker 3: rince repeat. 373 00:15:49,440 --> 00:15:52,840 Speaker 4: That's what this job is. But now I'm literally alcoa. 374 00:15:54,160 --> 00:15:57,240 Speaker 3: Oh god, what if I forget I click the mouse 375 00:15:57,280 --> 00:15:59,840 Speaker 3: and this one next to it, just just a minimeter 376 00:15:59,920 --> 00:16:04,800 Speaker 3: the side of it. We've got the cartoon sound effects 377 00:16:04,840 --> 00:16:07,360 Speaker 3: on the show the other day. That's one meter to 378 00:16:07,440 --> 00:16:09,560 Speaker 3: the left, one meter underneath. 379 00:16:09,120 --> 00:16:15,800 Speaker 4: It is waiting for me there, So I mean it's 380 00:16:15,920 --> 00:16:18,920 Speaker 4: forward danger. It's not simple that. Then there's this. 381 00:16:19,560 --> 00:16:23,680 Speaker 13: It's the Facebook marketplace that's to the right, one million 382 00:16:23,960 --> 00:16:24,360 Speaker 13: to the right. 383 00:16:24,440 --> 00:16:26,280 Speaker 4: I've really got to get my sights in for this. 384 00:16:26,280 --> 00:16:27,240 Speaker 4: It's like a marksman. 385 00:16:27,400 --> 00:16:29,360 Speaker 5: Hey, whatever happens the show message. 386 00:16:29,040 --> 00:16:30,600 Speaker 4: Oh my god, I moved it too far about the 387 00:16:30,600 --> 00:16:32,040 Speaker 4: other way to get ready. 388 00:16:32,840 --> 00:16:36,240 Speaker 5: One bit of feedback. Early made the drums a little louder. 389 00:16:36,000 --> 00:16:37,880 Speaker 4: In the mix. I've got the drums that's already moved 390 00:16:37,920 --> 00:16:39,560 Speaker 4: up even a tiny bit loud. 391 00:16:39,800 --> 00:16:43,040 Speaker 3: Even you sure he can add a drums that loud? Okay, 392 00:16:43,640 --> 00:16:46,400 Speaker 3: this is Jack sings the week every Friday, when he 393 00:16:46,440 --> 00:16:49,520 Speaker 3: can be asked, Jack tells the story of the show 394 00:16:49,560 --> 00:16:51,720 Speaker 3: according to him and puts it in song form. 395 00:16:51,840 --> 00:16:56,680 Speaker 11: Off you go during this week, during this week? 396 00:16:56,840 --> 00:17:00,240 Speaker 4: Up there if someone someone's getting the nerves and got 397 00:17:00,240 --> 00:17:01,360 Speaker 4: to you. 398 00:17:04,080 --> 00:17:07,000 Speaker 11: Okay, ih we go during this week. 399 00:17:07,359 --> 00:17:12,879 Speaker 13: We remember as kids when our parents would tell the slies, 400 00:17:14,800 --> 00:17:20,080 Speaker 13: Like when Pat's was young and Christmas would come, her mom. 401 00:17:19,880 --> 00:17:21,640 Speaker 5: Would make her terrified. 402 00:17:23,359 --> 00:17:25,520 Speaker 11: She'd say, if. 403 00:17:25,320 --> 00:17:36,000 Speaker 17: You don't don't fall asleep tonight, whoa Sanna's gonna throw 404 00:17:36,359 --> 00:17:48,080 Speaker 17: pepper in your eyes. But the most disturbing thing about. 405 00:17:47,560 --> 00:17:51,320 Speaker 5: That lie, oh hope. 406 00:17:53,480 --> 00:17:56,520 Speaker 13: As Pats grew up, and then she tell the same 407 00:17:56,720 --> 00:17:58,240 Speaker 13: thing new a child. 408 00:18:00,119 --> 00:18:04,560 Speaker 17: Oh oh no, why do I cover? 409 00:18:05,359 --> 00:18:11,560 Speaker 5: Yeah? I remember not here? 410 00:18:12,520 --> 00:18:20,359 Speaker 13: I remember on Tuesday night? How could I forget the 411 00:18:20,520 --> 00:18:25,200 Speaker 13: first time since the show began that I've had regrets. 412 00:18:28,720 --> 00:18:38,800 Speaker 13: If you're invited to your colleagues daughter's birthday night, don't 413 00:18:38,840 --> 00:18:49,400 Speaker 13: you wander yourself the oysters on the side. Everybody at 414 00:18:49,440 --> 00:18:52,600 Speaker 13: the table will be surprised. 415 00:18:55,320 --> 00:19:01,399 Speaker 4: Yep, we were not already show me creatives. 416 00:19:02,840 --> 00:19:03,800 Speaker 6: Y for THEO. 417 00:19:05,600 --> 00:19:05,960 Speaker 1: Don't know. 418 00:19:10,520 --> 00:19:14,840 Speaker 13: Well, Christian came here as a radio host, but it's 419 00:19:14,840 --> 00:19:20,280 Speaker 13: not the only thing he'll ever be. Oh yeah, spread 420 00:19:20,359 --> 00:19:24,679 Speaker 13: in his wings and trying new things now is no 421 00:19:24,760 --> 00:19:33,399 Speaker 13: stranger to the TV Christian drums. Christian went on the 422 00:19:33,640 --> 00:19:36,840 Speaker 13: project on Wednesday night. 423 00:19:42,200 --> 00:19:46,760 Speaker 11: Started get home Fat from his kids and WI. 424 00:19:48,280 --> 00:19:49,080 Speaker 4: But I don't know. 425 00:19:49,440 --> 00:19:56,680 Speaker 13: Hope they hadn't seen it fed been watching Brooklynna. 426 00:19:57,800 --> 00:19:58,160 Speaker 4: That show. 427 00:19:59,000 --> 00:20:05,680 Speaker 17: Oh, now, don't blame them Brooklyn. 428 00:20:05,000 --> 00:20:06,200 Speaker 15: That is bad. 429 00:20:06,280 --> 00:20:08,280 Speaker 4: It fun? Hey, where's this and more? 430 00:20:09,119 --> 00:20:14,080 Speaker 13: Oh, it's a funny show. 431 00:20:17,480 --> 00:20:21,680 Speaker 11: Wait, wait nels it Nelson? 432 00:20:21,800 --> 00:20:22,440 Speaker 5: You got it right? 433 00:20:22,680 --> 00:20:22,960 Speaker 4: Wow? 434 00:20:23,359 --> 00:20:25,760 Speaker 3: Wait, but you said earlier about thirty six before that, 435 00:20:25,800 --> 00:20:27,560 Speaker 3: you said, Christian, I thought I was about to fire off. 436 00:20:27,600 --> 00:20:29,720 Speaker 4: Then would it coming too soon? Hey? 437 00:20:29,720 --> 00:20:32,719 Speaker 3: That was brilliant, very very good. Another outstanding ten out 438 00:20:32,760 --> 00:20:35,359 Speaker 3: of ten from me. That is this week's Jack Sings 439 00:20:35,359 --> 00:20:35,960 Speaker 3: the Week. 440 00:20:35,920 --> 00:20:39,320 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 441 00:20:39,359 --> 00:20:47,160 Speaker 1: point three, The Christian O'Connell Breakfast Show, All Request Friday 442 00:20:47,720 --> 00:20:49,240 Speaker 1: Gold one oh four point three. 443 00:20:50,359 --> 00:20:52,760 Speaker 3: Hey, good morning, we got a busy show today, heymous. 444 00:20:52,800 --> 00:20:55,399 Speaker 3: We've Gotlin on the show in the next hour. But 445 00:20:55,560 --> 00:20:57,760 Speaker 3: right now, back to you picking every single song. We 446 00:20:57,840 --> 00:21:00,959 Speaker 3: do this every Friday on the show. We have Sharon, 447 00:21:01,000 --> 00:21:01,840 Speaker 3: good morning. 448 00:21:02,000 --> 00:21:03,800 Speaker 10: Good morning, Christian, how are you today? 449 00:21:03,880 --> 00:21:04,240 Speaker 4: Do you know what? 450 00:21:04,240 --> 00:21:06,359 Speaker 3: I'm super excited to always speak to you, Shanon. You 451 00:21:06,400 --> 00:21:09,200 Speaker 3: always got loads of energy. You always make us raise 452 00:21:09,240 --> 00:21:11,160 Speaker 3: our game whenever you call the show and get on air. 453 00:21:11,320 --> 00:21:14,200 Speaker 4: But this morning, you have an amazing song that we're 454 00:21:14,200 --> 00:21:16,480 Speaker 4: going to play for you. Tell everyone what song you've picked. 455 00:21:16,760 --> 00:21:19,399 Speaker 10: I have picked Crunchy Granola by Neil Diamond, and I 456 00:21:19,440 --> 00:21:22,000 Speaker 10: absolutely love this song because it was my stepdad's favorite 457 00:21:22,040 --> 00:21:24,000 Speaker 10: song and I just absolutely love it. 458 00:21:24,280 --> 00:21:26,119 Speaker 4: Ah, it's such a great song. It's got like a 459 00:21:26,160 --> 00:21:26,720 Speaker 4: minute intro. 460 00:21:26,840 --> 00:21:29,800 Speaker 3: And do you know what, Neil the Diamond was supposed 461 00:21:29,840 --> 00:21:31,800 Speaker 3: to be here in Melbourne but he canceled. 462 00:21:31,800 --> 00:21:32,640 Speaker 4: I was so upset. 463 00:21:33,000 --> 00:21:34,960 Speaker 10: I know, I was really hoping I would have I 464 00:21:34,960 --> 00:21:36,680 Speaker 10: would have loved you have gone and seen him in concert. 465 00:21:36,720 --> 00:21:40,280 Speaker 10: And seriously, Neil Diamond, Crunchy Granala, what more could you 466 00:21:40,320 --> 00:21:42,360 Speaker 10: ask for? And as I said, it's my stepdad's favorite song. 467 00:21:42,520 --> 00:21:45,040 Speaker 10: And I absolutely love Gold one I four. 468 00:21:46,280 --> 00:21:48,119 Speaker 4: I love them as well. I preferred Gold one of 469 00:21:48,200 --> 00:21:51,600 Speaker 4: four point three st that stuff. Here's your song. Okay, 470 00:21:51,640 --> 00:21:52,680 Speaker 4: I have a top weekends. 471 00:21:53,160 --> 00:21:56,440 Speaker 1: You take out the Christian O'Connell and Breakfast Show, Melbourne's 472 00:21:56,480 --> 00:22:00,160 Speaker 1: Gold one oh four point three. 473 00:22:01,200 --> 00:22:04,680 Speaker 3: Thank you Sharon in Werribee for picking up Neil Diamond 474 00:22:04,680 --> 00:22:06,080 Speaker 3: Crunchy Granola Sweet. 475 00:22:06,119 --> 00:22:08,520 Speaker 4: That is a brilliant, brilliant song. You ever heard that before? 476 00:22:08,960 --> 00:22:11,200 Speaker 5: I think I haven't, and I was saying in here 477 00:22:11,440 --> 00:22:13,800 Speaker 5: doesn't sound great? You know it's a great song. I 478 00:22:13,840 --> 00:22:15,840 Speaker 5: actually had the thought this is the kind of song 479 00:22:15,880 --> 00:22:17,200 Speaker 5: I would love. 480 00:22:17,000 --> 00:22:17,600 Speaker 4: I've never heard of it. 481 00:22:17,640 --> 00:22:20,080 Speaker 3: It's a proper big epic song as well. Have you 482 00:22:20,119 --> 00:22:22,439 Speaker 3: ever heard Neil Diamond and Love on the Rocks? 483 00:22:22,560 --> 00:22:25,199 Speaker 5: I used to get Neil Diamond and Neil Young mixed up. 484 00:22:25,200 --> 00:22:26,440 Speaker 5: I don't know if I've heard a lot of Neil 485 00:22:26,640 --> 00:22:27,280 Speaker 5: Neil Diamond. 486 00:22:27,840 --> 00:22:31,119 Speaker 3: That yeah, really really bad. If you just said that 487 00:22:31,160 --> 00:22:33,919 Speaker 3: to me at the interview stage. Thank you for flying 488 00:22:33,920 --> 00:22:36,320 Speaker 3: ten thousand miles to London. You won't be coming in 489 00:22:36,359 --> 00:22:37,119 Speaker 3: a studio with me. 490 00:22:37,800 --> 00:22:40,640 Speaker 4: Go away and learn the dim through Neil Young and Niel. 491 00:22:41,320 --> 00:22:45,240 Speaker 3: The Rocks in surpri I think that's Crystopher walking actually 492 00:22:45,280 --> 00:22:47,040 Speaker 3: someone I don't know who that was, but that is 493 00:22:47,080 --> 00:22:51,000 Speaker 3: neither Neil Young or Neil Diamond. Okay, so busy show today, 494 00:22:51,080 --> 00:22:54,000 Speaker 3: but I just want to take a moment out. Nick 495 00:22:54,119 --> 00:22:57,200 Speaker 3: Daney has been my producer for the last two years. 496 00:22:57,280 --> 00:23:00,600 Speaker 3: And he came into my life two years ago and 497 00:23:00,840 --> 00:23:02,359 Speaker 3: he wouldn't realize this. Suddenly I was looking for a 498 00:23:02,400 --> 00:23:04,440 Speaker 3: producer and this guy turns up. My boss at the 499 00:23:04,480 --> 00:23:06,960 Speaker 3: time and my old radio show says, you know, we 500 00:23:06,960 --> 00:23:08,400 Speaker 3: were looking for a producer, and he said, look, I've 501 00:23:08,400 --> 00:23:10,560 Speaker 3: just got the CV from Australian guys just moved to London. 502 00:23:10,600 --> 00:23:13,360 Speaker 3: He's looking for what And I meet Nick Day and 503 00:23:13,640 --> 00:23:15,280 Speaker 3: he then I bring him over here to help set 504 00:23:15,280 --> 00:23:17,359 Speaker 3: the show up because he's kind of like a lucky 505 00:23:17,440 --> 00:23:20,680 Speaker 3: rabbit's foot for me. And he wasn't he knows the city, 506 00:23:20,680 --> 00:23:22,919 Speaker 3: he's worked in this building. And sometimes in life you 507 00:23:22,920 --> 00:23:25,240 Speaker 3: look back and think, wow, if I hadn't met him, 508 00:23:25,480 --> 00:23:27,160 Speaker 3: but did I mean to meet him? And then he 509 00:23:27,160 --> 00:23:29,400 Speaker 3: helped me have enough courage to come and do this. 510 00:23:29,480 --> 00:23:31,159 Speaker 3: So I own Nick a lot. And so I was 511 00:23:31,160 --> 00:23:33,760 Speaker 3: really thinking, what could I do to say thank you 512 00:23:34,080 --> 00:23:34,520 Speaker 3: to Nick? 513 00:23:35,080 --> 00:23:37,879 Speaker 4: This is preamble setting up what we've got coming up next, right, 514 00:23:38,400 --> 00:23:40,160 Speaker 4: So I thought really hard, what's a great. 515 00:23:39,960 --> 00:23:44,120 Speaker 3: Gift that says from me thank you? Now I feel 516 00:23:44,160 --> 00:23:46,199 Speaker 3: bad because sometimes during the two years we worked in 517 00:23:46,200 --> 00:23:49,040 Speaker 3: small studios in London, now here in Melbourne. I've got 518 00:23:49,080 --> 00:23:51,119 Speaker 3: irritated with him because you'll back me up and this 519 00:23:51,200 --> 00:23:53,280 Speaker 3: You've only worked with him for two months. This man 520 00:23:53,920 --> 00:23:58,320 Speaker 3: sings all the time and it can be really, really irritating. 521 00:23:58,520 --> 00:24:01,760 Speaker 5: He's been described as by management is printing around like 522 00:24:01,800 --> 00:24:03,120 Speaker 5: one of the village people. 523 00:24:03,119 --> 00:24:04,359 Speaker 4: Singing a typ of voice. 524 00:24:05,440 --> 00:24:08,040 Speaker 3: When things go wrong, it's often when he has been 525 00:24:08,119 --> 00:24:10,760 Speaker 3: singing and barely a minute goes by. We doesn't remind 526 00:24:10,760 --> 00:24:13,520 Speaker 3: of us of his musical pedigree, how he studied, it's 527 00:24:13,560 --> 00:24:15,840 Speaker 3: majored in it. Even at the birthday dinner that you 528 00:24:15,880 --> 00:24:18,000 Speaker 3: both came to on Tuesday night, it was boring my 529 00:24:18,119 --> 00:24:20,280 Speaker 3: kids yet again with the fact that he did a 530 00:24:20,320 --> 00:24:23,800 Speaker 3: dissertation and musical dissertation. He wrote a musical, and I'm 531 00:24:23,800 --> 00:24:26,760 Speaker 3: not making looks up on my deathbed. I remember this 532 00:24:26,920 --> 00:24:30,120 Speaker 3: more than many things. He wrote a dissertation called Physix, 533 00:24:30,760 --> 00:24:31,639 Speaker 3: A Life in Music. 534 00:24:33,200 --> 00:24:35,720 Speaker 5: A man who could only sing. 535 00:24:36,359 --> 00:24:39,680 Speaker 3: Generally, this producer throughout the whole show offense, we're trying 536 00:24:39,680 --> 00:24:40,919 Speaker 3: to focus what we were coming next. 537 00:24:43,400 --> 00:24:45,920 Speaker 4: It's some show tune. I was at MoMA. The amount 538 00:24:45,920 --> 00:24:48,359 Speaker 4: of times you've heard me plug a musical, I've not 539 00:24:48,480 --> 00:24:51,760 Speaker 4: been to it because he's he's black flee tickets. You 540 00:24:51,840 --> 00:24:54,679 Speaker 4: probably hurt me talking about Mamma MIA's got I haven't 541 00:24:54,720 --> 00:24:57,560 Speaker 4: seen it. He goes to see all these musicals when 542 00:24:57,600 --> 00:24:59,119 Speaker 4: when we were in London, he was having a field 543 00:24:59,200 --> 00:25:01,760 Speaker 4: day there saying Christian would love to come to the. 544 00:25:04,320 --> 00:25:06,240 Speaker 3: To a gentleman in Paris. I've never seen any of 545 00:25:06,240 --> 00:25:08,880 Speaker 3: these musicals, so I think he goes. So I thought, 546 00:25:08,880 --> 00:25:10,840 Speaker 3: what can we do? How about I say, don't worry 547 00:25:10,880 --> 00:25:12,879 Speaker 3: about producing the show for an now I'll do that. 548 00:25:12,920 --> 00:25:15,960 Speaker 4: We've got this. You share your gift with the world 549 00:25:16,240 --> 00:25:16,959 Speaker 4: that is singing. 550 00:25:17,359 --> 00:25:19,760 Speaker 3: And so Nick I said to you nine o'clock, sorry, 551 00:25:19,800 --> 00:25:21,960 Speaker 3: eight o'clock this morning. For an hour, you're going to 552 00:25:22,000 --> 00:25:25,400 Speaker 3: be performing show tunes live at Richmond Station. 553 00:25:27,480 --> 00:25:29,840 Speaker 4: We have music lined up, hits like these. 554 00:25:36,720 --> 00:25:38,000 Speaker 5: My life would be. 555 00:25:38,560 --> 00:25:46,880 Speaker 4: I don't even know what this isla this see. 556 00:25:48,280 --> 00:25:50,720 Speaker 5: You know how I know that Nick loves Lames is 557 00:25:50,760 --> 00:25:53,639 Speaker 5: because he told me he when he repeatedly after he 558 00:25:53,840 --> 00:25:58,280 Speaker 5: left school and he was studying theater and drama at UNI, 559 00:25:58,359 --> 00:26:01,159 Speaker 5: he went back to his school to be the in blame. 560 00:26:01,200 --> 00:26:05,199 Speaker 4: It is Phoenix, a life in music. Here is the 561 00:26:05,240 --> 00:26:07,680 Speaker 4: top hat brilliant. You'll need this done at Richmond Station. 562 00:26:08,000 --> 00:26:13,800 Speaker 4: Here is a gold tip cane for the showman's Honestly, 563 00:26:13,840 --> 00:26:16,040 Speaker 4: he's so happy. You know. 564 00:26:16,200 --> 00:26:19,360 Speaker 3: Here's an outfit as well. We have a special jacket. 565 00:26:19,880 --> 00:26:21,200 Speaker 3: You know what I feel like. I feel like I'm 566 00:26:21,240 --> 00:26:23,639 Speaker 3: opening a cage today that I've kepturing Fatia saying, and 567 00:26:23,720 --> 00:26:24,200 Speaker 3: don't sing. 568 00:26:24,359 --> 00:26:28,240 Speaker 4: We're letting the cage bird fly because you can now Folix, 569 00:26:29,440 --> 00:26:31,840 Speaker 4: I want you to think of young Frelix, the life 570 00:26:31,840 --> 00:26:34,680 Speaker 4: in music and bring him to Richmond Stations for an hour. 571 00:26:35,040 --> 00:26:36,240 Speaker 4: Oh we haven't told you this bit as well. 572 00:26:36,880 --> 00:26:40,040 Speaker 3: You are going to be raising money, your beer money 573 00:26:40,040 --> 00:26:43,320 Speaker 3: if you're leaving do today which is thirty okay, So 574 00:26:43,359 --> 00:26:45,760 Speaker 3: the more money you you raised, the more beer we 575 00:26:45,800 --> 00:26:47,680 Speaker 3: can all have it leaving to do after today's show 576 00:26:47,680 --> 00:26:48,080 Speaker 3: at the pub. 577 00:26:48,200 --> 00:26:50,159 Speaker 14: This works so well on so many levels. 578 00:26:50,200 --> 00:26:53,200 Speaker 4: You love to sing in the gift with the people 579 00:26:53,200 --> 00:26:53,680 Speaker 4: of Melbourne. 580 00:26:53,720 --> 00:26:54,200 Speaker 5: Lo beer. 581 00:26:54,400 --> 00:26:54,920 Speaker 4: There you go. 582 00:26:55,000 --> 00:26:56,800 Speaker 5: I don't know why I thought you would be embarrassed, 583 00:26:56,840 --> 00:26:59,560 Speaker 5: but you're not at all. You're and now it makes 584 00:26:59,600 --> 00:27:01,400 Speaker 5: sense you not. You don't have to do the thing 585 00:27:01,400 --> 00:27:03,639 Speaker 5: you hate, which is producing radio, and you get to 586 00:27:03,680 --> 00:27:03,960 Speaker 5: do the. 587 00:27:04,000 --> 00:27:04,560 Speaker 4: Thing you love. 588 00:27:04,600 --> 00:27:05,320 Speaker 5: Would you singing? 589 00:27:05,600 --> 00:27:09,040 Speaker 4: There you go? This is Phoenix open up. The said, please, 590 00:27:09,200 --> 00:27:11,879 Speaker 4: okay everything. Yeah, he's so excited, isn't he? 591 00:27:11,960 --> 00:27:15,479 Speaker 14: Oh yeah, he describes you a bit more. That is 592 00:27:15,680 --> 00:27:21,600 Speaker 14: a sequin gold jacket and a gold bow tie. 593 00:27:22,080 --> 00:27:23,399 Speaker 4: This is gonna be good. 594 00:27:23,440 --> 00:27:26,639 Speaker 3: Okay, so listen, you know you start rehearsing. You're live 595 00:27:26,960 --> 00:27:29,960 Speaker 3: on the radio, Live at Richmond Station at eight between 596 00:27:29,960 --> 00:27:33,440 Speaker 3: eight and nine this morning, one man singing show tunes. 597 00:27:33,560 --> 00:27:36,040 Speaker 4: That's our gift to you, Nick Daily, all right, it's 598 00:27:36,080 --> 00:27:37,919 Speaker 4: got one at four point three. Let's go back to 599 00:27:37,960 --> 00:27:38,359 Speaker 4: the music. 600 00:27:38,400 --> 00:27:40,840 Speaker 3: This is for Christopher who wants to hear this. He 601 00:27:40,880 --> 00:27:43,000 Speaker 3: loves this on my waist is wonderable, he said. Whenever 602 00:27:43,040 --> 00:27:45,640 Speaker 3: his girlfriend Lisa is trunk, she always picks this song. 603 00:27:45,760 --> 00:27:48,560 Speaker 3: E murders it. So he's gonna play the He wants 604 00:27:48,600 --> 00:27:50,159 Speaker 3: us to play the actual vere. I say, this is 605 00:27:50,200 --> 00:27:51,199 Speaker 3: how it's supposed to be. 606 00:27:51,800 --> 00:27:54,880 Speaker 5: Nick, give us the first line. 607 00:27:56,640 --> 00:27:57,320 Speaker 11: Two days. 608 00:27:57,480 --> 00:27:59,960 Speaker 4: He's gonna be the day that we're gonna turn it back. 609 00:28:02,119 --> 00:28:06,040 Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four point. 610 00:28:05,800 --> 00:28:08,560 Speaker 4: Three found out Valley Gold, that's are you Darrel in 611 00:28:08,680 --> 00:28:11,199 Speaker 4: mill Park? Every song we play every Friday, Bit by You. 612 00:28:11,240 --> 00:28:13,760 Speaker 4: Melbourne's twenty two eight. Good Mornings to Christian O'Connor Breakfast 613 00:28:13,760 --> 00:28:16,400 Speaker 4: show here on Gold one I four point three up 614 00:28:16,400 --> 00:28:18,480 Speaker 4: at eight this morning. Then we have our producer Nick 615 00:28:18,520 --> 00:28:21,040 Speaker 4: live at Richmond station, singing show tunes. 616 00:28:21,040 --> 00:28:23,720 Speaker 3: It's our leaving gift to him. Also going to be 617 00:28:23,720 --> 00:28:26,200 Speaker 3: paying your fine and it's back for a second Friday, 618 00:28:26,520 --> 00:28:29,400 Speaker 3: Fine Day Friday and then up in five minutes time. 619 00:28:29,440 --> 00:28:32,400 Speaker 3: Coming up next we have Hamish mcgloughlin back on the show, 620 00:28:32,480 --> 00:28:35,280 Speaker 3: back on obviously Channel seven tonight Live. Which is why 621 00:28:35,280 --> 00:28:36,160 Speaker 3: we need in born business. 622 00:28:36,240 --> 00:28:36,359 Speaker 4: Now. 623 00:28:36,359 --> 00:28:38,560 Speaker 3: We need you to do just one thing. Come up 624 00:28:38,600 --> 00:28:40,760 Speaker 3: with a random phrase. If you don't even have to 625 00:28:40,760 --> 00:28:43,400 Speaker 3: come up with it, just look around you. It might 626 00:28:43,440 --> 00:28:45,680 Speaker 3: be something you read on a sign, maybe just as 627 00:28:45,800 --> 00:28:48,080 Speaker 3: some of some words that just drop into your brain 628 00:28:48,520 --> 00:28:51,600 Speaker 3: and text me that on four seven five O three 629 00:28:51,760 --> 00:28:54,480 Speaker 3: one oh four three. So we started this kind of light, 630 00:28:54,640 --> 00:28:56,280 Speaker 3: fell into it a couple of weeks ago. 631 00:28:56,360 --> 00:28:58,760 Speaker 4: Hamish is not a fan of it. We absolutely love it. 632 00:28:59,080 --> 00:29:01,200 Speaker 3: I give him a random f he has to try 633 00:29:01,200 --> 00:29:03,160 Speaker 3: and work it into the live commentary. 634 00:29:03,440 --> 00:29:06,120 Speaker 4: So far two goes fair to say to. 635 00:29:06,560 --> 00:29:10,280 Speaker 5: Kind of first one definitely cross against his name. He 636 00:29:10,320 --> 00:29:12,720 Speaker 5: gave it to Cameron Lyn they did a great. 637 00:29:12,560 --> 00:29:13,000 Speaker 4: Job with it. 638 00:29:13,280 --> 00:29:16,360 Speaker 5: Second one and he tried to it was the phrase 639 00:29:16,440 --> 00:29:20,080 Speaker 5: was meant to be ooh, Missus Miggins, he butchered the 640 00:29:20,160 --> 00:29:22,560 Speaker 5: oh yeah, he just threw that away. 641 00:29:22,440 --> 00:29:23,640 Speaker 4: And then then he gave it wins. 642 00:29:24,080 --> 00:29:25,719 Speaker 5: Yeah, try to give it context. 643 00:29:26,280 --> 00:29:27,000 Speaker 4: Here's what's happened. 644 00:29:27,000 --> 00:29:29,720 Speaker 3: The last two goes this this one we need next 645 00:29:29,960 --> 00:29:31,400 Speaker 3: redemption for Hamish. 646 00:29:31,280 --> 00:29:32,960 Speaker 11: The Christian O'Connell breakfast show. 647 00:29:33,280 --> 00:29:37,160 Speaker 2: The phrase that pays Each week Christian gets Hamish McLaughlin 648 00:29:37,240 --> 00:29:39,240 Speaker 2: to say a phrase on the Channel seven. 649 00:29:39,000 --> 00:29:41,000 Speaker 11: Football coverage, but does it pay? 650 00:29:41,280 --> 00:29:42,520 Speaker 4: Flying monkeys? 651 00:29:43,640 --> 00:29:46,560 Speaker 8: Come on, flying monkeys? 652 00:29:46,800 --> 00:29:49,840 Speaker 11: The son's any chance? No, no chance? Do you think 653 00:29:49,840 --> 00:29:50,400 Speaker 11: there are a chance? 654 00:29:50,480 --> 00:29:52,840 Speaker 4: No, no, I don't think they're Anything's soon as say 655 00:29:52,840 --> 00:29:56,880 Speaker 4: flying monkeys and he say flying monkeys? 656 00:29:56,920 --> 00:29:59,600 Speaker 11: Get what flying monkeys? Phrase number two? 657 00:30:00,080 --> 00:30:03,360 Speaker 4: Missus Niggins, what. 658 00:30:04,560 --> 00:30:07,360 Speaker 11: Is an'm heralded hero speak so much about rats? 659 00:30:08,240 --> 00:30:11,920 Speaker 16: He'd like all mister Meighans in black Adderi's important part 660 00:30:11,920 --> 00:30:12,280 Speaker 16: of it all. 661 00:30:12,360 --> 00:30:21,640 Speaker 4: But Missus meggans, Nah, great effort is a good sport 662 00:30:21,720 --> 00:30:24,280 Speaker 4: doing this, So let's do the great man justice. Give 663 00:30:24,320 --> 00:30:26,160 Speaker 4: him a great random phrase? What do you think Melbourne? 664 00:30:26,200 --> 00:30:28,480 Speaker 4: Let me know? O four seven five O three one 665 00:30:28,520 --> 00:30:29,240 Speaker 4: O four three. 666 00:30:29,600 --> 00:30:33,120 Speaker 3: Uh one contender that was thinking about is mum is 667 00:30:33,120 --> 00:30:37,240 Speaker 3: that you? Uh Jack has vetoed that. So we're looking 668 00:30:37,240 --> 00:30:39,560 Speaker 3: for a new one oh four seven five O three 669 00:30:39,640 --> 00:30:40,440 Speaker 3: one oh four three. 670 00:30:40,520 --> 00:30:41,160 Speaker 4: We'll give it to him. 671 00:30:41,160 --> 00:30:44,560 Speaker 1: Next The Christian O'Connell Breakfast Show, Melbourne's Gold one oh 672 00:30:44,680 --> 00:30:45,400 Speaker 1: four point. 673 00:30:45,200 --> 00:30:49,160 Speaker 3: Three, Queen, don't stop Me now, Dowl and Merle Park. 674 00:30:49,200 --> 00:30:50,920 Speaker 3: That's your songs ten two way on God one oh 675 00:30:50,920 --> 00:30:53,480 Speaker 3: four point three Friday Morning. Welcome to the show. It's 676 00:30:53,480 --> 00:30:55,560 Speaker 3: a Christian O'Connor back for his show. For the last 677 00:30:55,600 --> 00:30:57,080 Speaker 3: two weeks. You might have been listening to show and 678 00:30:57,120 --> 00:31:00,640 Speaker 3: it feels like something's missing, you know, men of the 679 00:31:00,680 --> 00:31:03,320 Speaker 3: show hasn't been here, and we can put that right now. 680 00:31:03,480 --> 00:31:04,080 Speaker 4: He is back. 681 00:31:04,120 --> 00:31:08,040 Speaker 3: He is the sunshine in our Ganax. There he is, Hey, 682 00:31:08,040 --> 00:31:10,200 Speaker 3: miss Wellgochlin. Welcome back to the show. 683 00:31:10,840 --> 00:31:14,080 Speaker 16: Christian Jack Nick morning, mister you guys miss the whole 684 00:31:14,080 --> 00:31:14,600 Speaker 16: Gold team. 685 00:31:14,600 --> 00:31:15,280 Speaker 4: Good to be back. 686 00:31:15,480 --> 00:31:19,240 Speaker 3: Oh brilliant. Well listen, buddy, big game tonight. Obviously you're 687 00:31:19,240 --> 00:31:21,160 Speaker 3: part of the commentary as always looking forward to it. 688 00:31:22,320 --> 00:31:26,360 Speaker 16: Really special game tonight. Actually Saints and Richmond Maddie Revolt. 689 00:31:26,440 --> 00:31:28,920 Speaker 16: Nick revolts sister and Jack revolts cousin passed away a 690 00:31:28,960 --> 00:31:31,760 Speaker 16: few years ago, and it's the big fundraising night tonight, 691 00:31:31,840 --> 00:31:33,520 Speaker 16: so to be a fun night. Nick is going to 692 00:31:33,560 --> 00:31:37,080 Speaker 16: be on the Channel seven coverage pre and halftime, so significant, 693 00:31:37,160 --> 00:31:40,640 Speaker 16: significant night. Yeah, And I sort of get nervous on 694 00:31:40,640 --> 00:31:43,240 Speaker 16: a Friday morning because it's the phrase that pays very little. 695 00:31:43,280 --> 00:31:43,920 Speaker 4: Indeed doesn't it. 696 00:31:44,120 --> 00:31:45,720 Speaker 3: You don't need to worry about it because as always, 697 00:31:45,760 --> 00:31:48,560 Speaker 3: I've got you back here and the last question, I 698 00:31:48,600 --> 00:31:51,320 Speaker 3: always pick a phrase it's easy for you to work in. 699 00:31:51,320 --> 00:31:53,720 Speaker 4: In no way are these hard work? Okay, So this 700 00:31:54,000 --> 00:31:58,000 Speaker 4: lying monkeys an easy one, missus Miggan, you're doing it 701 00:31:58,040 --> 00:32:00,240 Speaker 4: better now that you did on the night. So it's 702 00:32:00,240 --> 00:32:02,240 Speaker 4: a third chance at redemption Hamish. 703 00:32:02,480 --> 00:32:05,120 Speaker 3: So now the listeners people in Melbourne have been testing 704 00:32:05,120 --> 00:32:08,320 Speaker 3: in a load of possible ones right now, hold my 705 00:32:08,440 --> 00:32:14,040 Speaker 3: dim sum. The watermelons are heated. We did our surround. 706 00:32:13,720 --> 00:32:15,320 Speaker 5: Him, We did no context. 707 00:32:15,400 --> 00:32:18,960 Speaker 3: No Polly wants a cracker. He's not the Messiah. He's 708 00:32:18,960 --> 00:32:21,200 Speaker 3: a very naughty boy. That's from Tony obviously a Monty 709 00:32:21,200 --> 00:32:24,680 Speaker 3: Python fan. How can you soar like an eagle when 710 00:32:24,680 --> 00:32:27,760 Speaker 3: you're surrounded by turkeys that that makes too much sense, 711 00:32:27,760 --> 00:32:29,760 Speaker 3: because in a bad fumble of the ball or something 712 00:32:29,760 --> 00:32:32,920 Speaker 3: that would make sense. What about this needs more cow bell? 713 00:32:33,960 --> 00:32:34,680 Speaker 5: Yep from. 714 00:32:36,640 --> 00:32:41,240 Speaker 3: Yep, I'll have the Perry Perry Chicken. And then there's 715 00:32:41,760 --> 00:32:43,800 Speaker 3: I can't read that one out some broadcastable. So Jack, 716 00:32:43,880 --> 00:32:45,840 Speaker 3: my question to you is the ones you've heard the 717 00:32:45,880 --> 00:32:46,520 Speaker 3: ones that. 718 00:32:46,440 --> 00:32:50,120 Speaker 5: We can't well, I loved yours. If you're still in 719 00:32:50,120 --> 00:32:50,920 Speaker 5: the mix as well. 720 00:32:50,760 --> 00:32:52,560 Speaker 3: I tell you what can we just put the show 721 00:32:52,600 --> 00:32:54,280 Speaker 3: on hold. Jack and I just need to have an 722 00:32:54,280 --> 00:33:18,600 Speaker 3: off air conversation. You went there, all right, we're back. 723 00:33:18,640 --> 00:33:19,360 Speaker 3: We've got a hay machine. 724 00:33:19,400 --> 00:33:20,960 Speaker 5: I didn't know that's how that worked. When you said 725 00:33:21,000 --> 00:33:22,760 Speaker 5: I've got some whole music to put the shoe hold, 726 00:33:22,800 --> 00:33:24,200 Speaker 5: I thought you were going to a song. I thought 727 00:33:24,200 --> 00:33:25,360 Speaker 5: we were still going to talk. 728 00:33:25,200 --> 00:33:26,960 Speaker 4: To each other. No, no, no, no, no, we need to 729 00:33:27,000 --> 00:33:27,360 Speaker 4: chalk off. 730 00:33:27,520 --> 00:33:29,360 Speaker 5: Turn My Christian actually came around the side of the 731 00:33:29,360 --> 00:33:30,520 Speaker 5: desk and he's like, what do you think? 732 00:33:31,240 --> 00:33:35,640 Speaker 4: All right? Tonight's phrase that pays is Gandalf's beard. 733 00:33:38,920 --> 00:33:41,200 Speaker 5: Sorry, Gandolf's beard. 734 00:33:41,440 --> 00:33:46,560 Speaker 16: Yep, right, it's writing that down on the list of 735 00:33:46,640 --> 00:33:50,600 Speaker 16: ridiculous things to say during a broadcast Gandolf's beard. 736 00:33:50,800 --> 00:33:53,640 Speaker 3: Yeah, so all an example, would never ever ever tell 737 00:33:53,680 --> 00:33:55,040 Speaker 3: you how to do your job with Brne that you 738 00:33:55,040 --> 00:33:59,000 Speaker 3: don't need any advice, but something picking up something here 739 00:33:59,280 --> 00:34:02,160 Speaker 3: U Some think like, wow, what great play and by 740 00:34:02,280 --> 00:34:07,000 Speaker 3: Gandalf spared that player is a shoeing for the brown low. 741 00:34:09,200 --> 00:34:10,080 Speaker 4: I think it does. 742 00:34:11,520 --> 00:34:14,279 Speaker 5: These are things that Hay that can become your own 743 00:34:14,360 --> 00:34:17,319 Speaker 5: phrase because it doesn't make much sense, but by you 744 00:34:17,520 --> 00:34:21,000 Speaker 5: saying it it gives it. It actually becomes your casphrase. 745 00:34:21,680 --> 00:34:23,840 Speaker 5: Is Gandalf well known Gandalf? 746 00:34:23,880 --> 00:34:26,040 Speaker 4: Yeah? I mean if you have a Lord of the Rings, Yeah. 747 00:34:26,560 --> 00:34:28,840 Speaker 16: Yeah, okay, so he'll be well known enough to the 748 00:34:28,840 --> 00:34:31,400 Speaker 16: public to think, yep, that naturally fits Lord of. 749 00:34:31,360 --> 00:34:35,000 Speaker 4: The Randal spared look at that. Or there might be 750 00:34:35,239 --> 00:34:37,080 Speaker 4: a bearded player. A lot of them have got stubbles 751 00:34:37,080 --> 00:34:39,319 Speaker 4: and beards. Now you know, a max so you could 752 00:34:39,360 --> 00:34:40,080 Speaker 4: even go look at that. 753 00:34:40,200 --> 00:34:43,880 Speaker 16: It's not you know, okay, think of it as done. Oh, 754 00:34:43,960 --> 00:34:45,319 Speaker 16: mack it up, you'll abuse. 755 00:34:46,719 --> 00:34:47,040 Speaker 5: Everything. 756 00:34:47,080 --> 00:34:49,480 Speaker 3: You're gonna smash this one. You're gonna get this one right. 757 00:34:49,520 --> 00:34:53,400 Speaker 3: I can fail that. The third one is your one. 758 00:34:53,120 --> 00:34:54,000 Speaker 5: Third times a charm. 759 00:34:54,480 --> 00:34:56,720 Speaker 16: I feel like one of those kids that have played 760 00:34:56,840 --> 00:34:58,239 Speaker 16: very badly in the school football team. 761 00:34:58,320 --> 00:34:59,399 Speaker 11: Give me one more chance, coach. 762 00:34:59,480 --> 00:35:01,800 Speaker 3: Coach, I know you've got one more chance in you. Okay, 763 00:35:01,840 --> 00:35:03,480 Speaker 3: this is the one you're going to do tonight. Have 764 00:35:03,480 --> 00:35:05,160 Speaker 3: you got a rough idea when you're going to do it? 765 00:35:05,200 --> 00:35:07,680 Speaker 3: If you start to sort of formulate a plan already. 766 00:35:08,320 --> 00:35:10,279 Speaker 4: I'm going to go. I'll go and get Miller and Indy, 767 00:35:10,360 --> 00:35:11,760 Speaker 4: my two daughters will just sort. 768 00:35:11,600 --> 00:35:13,399 Speaker 16: Of sketch some stuff out on the back of their 769 00:35:14,200 --> 00:35:17,279 Speaker 16: coloring in sheets and see how it falls. But yeah, 770 00:35:17,480 --> 00:35:19,480 Speaker 16: how you spoke about Maxi Gorne, Just so you know, 771 00:35:19,719 --> 00:35:22,200 Speaker 16: the cat's my team and your demon's playing Saturday night 772 00:35:22,200 --> 00:35:24,040 Speaker 16: at the can and I'll have a dollar on that. 773 00:35:24,080 --> 00:35:28,160 Speaker 16: But before I disappear, Nick Daily, can I just say 774 00:35:28,239 --> 00:35:28,800 Speaker 16: he's busting? 775 00:35:28,880 --> 00:35:29,839 Speaker 4: Is he not? Today? Yeah? 776 00:35:29,840 --> 00:35:32,040 Speaker 3: He's actually headed off now to Richmond Station wearing a 777 00:35:32,080 --> 00:35:34,120 Speaker 3: gold sequin jacket a top hat of Caine. He's going 778 00:35:34,160 --> 00:35:36,400 Speaker 3: to be doing show chuns for an hour, raising money 779 00:35:36,560 --> 00:35:37,759 Speaker 3: to go down the pub after the show. 780 00:35:37,800 --> 00:35:39,000 Speaker 4: It's just leaving drinks. 781 00:35:39,520 --> 00:35:41,560 Speaker 16: Well, we all know how easy it is to be 782 00:35:41,640 --> 00:35:43,799 Speaker 16: on air and how hard it is to be the 783 00:35:43,840 --> 00:35:44,839 Speaker 16: producer behind the scene. 784 00:35:44,880 --> 00:35:46,440 Speaker 4: No, no, no, we don't actually, no, I know the 785 00:35:46,800 --> 00:35:48,920 Speaker 4: opposite way, but I've got no no, no idea. 786 00:35:48,960 --> 00:35:51,040 Speaker 16: He has been brilliant, So to start a new show 787 00:35:51,120 --> 00:35:53,200 Speaker 16: is tough, and to start it with an Englishman. 788 00:35:53,719 --> 00:35:54,800 Speaker 4: He's so well done to. 789 00:35:54,880 --> 00:35:56,160 Speaker 16: Nick's been an absolute pleasure. 790 00:35:56,280 --> 00:35:59,319 Speaker 5: I love go as well. This is the nicest thing 791 00:35:59,360 --> 00:36:02,000 Speaker 5: that's ever been to Nick on the show because he's 792 00:36:02,000 --> 00:36:04,080 Speaker 5: in an over on the way down the Rigimon station. 793 00:36:05,560 --> 00:36:09,360 Speaker 4: Speaking in his heart. Hey, listen Hamish, look forward to 794 00:36:09,360 --> 00:36:11,759 Speaker 4: watching you and hearing you tonight on Channel seven. 795 00:36:12,120 --> 00:36:15,760 Speaker 16: See jacko Christians Pig Monday, Gandalf Spard, the Christian O'Connell 796 00:36:15,760 --> 00:36:18,720 Speaker 16: breakfast Show, Melbourne's Gold one oh four point three. 797 00:36:18,760 --> 00:36:21,160 Speaker 4: Who's clearing their nose down the line there? He's gone 798 00:36:21,160 --> 00:36:22,120 Speaker 4: one oh four point three. 799 00:36:22,239 --> 00:36:24,840 Speaker 3: So you can call us now on fine day Friday, 800 00:36:24,920 --> 00:36:25,960 Speaker 3: Jack and I got some money. 801 00:36:25,960 --> 00:36:28,200 Speaker 4: We're paying your fines, nose speeding fines. 802 00:36:29,000 --> 00:36:30,839 Speaker 3: Give me a call nine four one four one oh 803 00:36:30,880 --> 00:36:35,000 Speaker 3: four three. Also happening right now live at Richmond Station. 804 00:36:35,640 --> 00:36:37,960 Speaker 3: I'll producer. Nick Daily leaves the show today. Been working 805 00:36:38,000 --> 00:36:39,480 Speaker 3: with Nick for the last two. 806 00:36:39,600 --> 00:36:42,000 Speaker 4: Years, but he is leaving so as a president. 807 00:36:42,320 --> 00:36:44,200 Speaker 3: This is this guy who non stopped during the show, 808 00:36:44,239 --> 00:36:47,000 Speaker 3: has been irritating me for two years singing show tunes. 809 00:36:47,000 --> 00:36:49,560 Speaker 3: I'm not making this up. He studied at a university. 810 00:36:49,680 --> 00:36:52,000 Speaker 3: Even his dissertation was he had to he write a 811 00:36:52,080 --> 00:36:52,960 Speaker 3: musical called. 812 00:36:52,800 --> 00:36:55,960 Speaker 4: Felix, A Life in Music. So my gift to him. 813 00:36:56,040 --> 00:36:58,200 Speaker 3: He's got a gold sequence jacket, a top out of cane. 814 00:36:58,239 --> 00:37:00,439 Speaker 3: He's going to be singing show tunes begging for beer 815 00:37:00,480 --> 00:37:02,800 Speaker 3: money because we're going down the pub after the show today. 816 00:37:03,280 --> 00:37:04,879 Speaker 3: Beck's is their producer, Becks. 817 00:37:04,880 --> 00:37:08,520 Speaker 4: Good morning, Good morning guys. So describe the scene where 818 00:37:08,560 --> 00:37:09,840 Speaker 4: exactly are you? 819 00:37:10,120 --> 00:37:13,600 Speaker 9: Okay, it's a beautiful sunny morning in Richmond. Melbourne has 820 00:37:13,600 --> 00:37:16,279 Speaker 9: turned it on for us this morning. We're down at 821 00:37:16,360 --> 00:37:20,520 Speaker 9: Richmond Station. There's some beautiful murals behind me of different 822 00:37:20,600 --> 00:37:24,040 Speaker 9: kinds of sports and people walking past on their way 823 00:37:24,080 --> 00:37:24,399 Speaker 9: to work. 824 00:37:24,440 --> 00:37:25,520 Speaker 4: Do you know what any of the sports are? 825 00:37:26,040 --> 00:37:29,360 Speaker 15: Oh? Look, I think it's netball? Maybe you know me? 826 00:37:29,719 --> 00:37:32,360 Speaker 4: Did you mistake it netbul for anything else? Netwull and golf? 827 00:37:32,800 --> 00:37:35,960 Speaker 9: Oh there's skateboarding, skateboarding Oh all right, yeah, yep. 828 00:37:36,960 --> 00:37:39,440 Speaker 15: And Nick is looking very dapart in his gold coat. 829 00:37:39,760 --> 00:37:41,799 Speaker 3: Okay, So, and if people want to come by and 830 00:37:42,040 --> 00:37:44,720 Speaker 3: give some money or just point and laugh where exactly 831 00:37:44,840 --> 00:37:45,160 Speaker 3: the station? 832 00:37:45,239 --> 00:37:45,480 Speaker 4: Are you? 833 00:37:45,680 --> 00:37:46,000 Speaker 15: Okay? 834 00:37:46,000 --> 00:37:49,040 Speaker 9: We're The best place is thirty five to thirty three 835 00:37:49,160 --> 00:37:51,840 Speaker 9: Stuart Street. It's the back entry of the Richmond station. 836 00:37:52,320 --> 00:37:53,160 Speaker 9: Very busy one though. 837 00:37:53,280 --> 00:37:54,880 Speaker 3: It's a great performance area. You know you've got the 838 00:37:54,920 --> 00:37:56,719 Speaker 3: rod Lay Arena and then the back entrance of the 839 00:37:59,200 --> 00:38:01,279 Speaker 3: all right, is he really beforemost the first song this 840 00:38:01,280 --> 00:38:02,640 Speaker 3: morning for the good people of Melbourne? 841 00:38:02,800 --> 00:38:05,360 Speaker 15: He is already nick, let's hit the guys. 842 00:38:08,640 --> 00:38:09,600 Speaker 4: Oh rung song? 843 00:38:10,480 --> 00:38:12,040 Speaker 5: So he's got beck What does he have a little 844 00:38:12,040 --> 00:38:13,040 Speaker 5: speaker box of his own? 845 00:38:13,040 --> 00:38:15,200 Speaker 15: Does he little steak box? Here we go? Is he's 846 00:38:15,200 --> 00:38:16,200 Speaker 15: backing track and. 847 00:38:16,160 --> 00:38:18,279 Speaker 4: He's academy that one of those kids, Michael. 848 00:38:18,360 --> 00:38:23,920 Speaker 15: Yea, his face came quite vigorously. 849 00:38:24,760 --> 00:38:28,280 Speaker 14: I've been cheated by you since I don't nowhere. 850 00:38:30,200 --> 00:38:32,520 Speaker 4: Oh yeah, the mama may and people hear this. I've 851 00:38:32,680 --> 00:38:37,239 Speaker 4: made it, must come doing them. But she was just 852 00:38:37,320 --> 00:38:39,600 Speaker 4: going about your own businessman. You see guy doing this? 853 00:38:39,760 --> 00:38:44,840 Speaker 4: Oh well, I ever know how? Oh wow, he's really 854 00:38:44,840 --> 00:38:46,480 Speaker 4: going for it, isn't it. The jazz hands are in 855 00:38:46,520 --> 00:38:48,279 Speaker 4: the air. All right, becks, we catch up with you 856 00:38:48,360 --> 00:38:50,279 Speaker 4: in about twenty minutes time. That's enough of that, ye 857 00:38:50,400 --> 00:38:51,200 Speaker 4: get ready of him? 858 00:38:51,320 --> 00:38:54,719 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 859 00:38:54,760 --> 00:38:55,239 Speaker 1: point three. 860 00:38:55,400 --> 00:38:57,399 Speaker 4: I've just had a test come in. Jack. Someone's saying, 861 00:38:57,440 --> 00:39:00,560 Speaker 4: I've just seen your producer Daniel Richmond. I thought you 862 00:39:00,560 --> 00:39:01,239 Speaker 4: were making it up. 863 00:39:01,280 --> 00:39:03,440 Speaker 3: He is actually there and people are speeding up as 864 00:39:03,440 --> 00:39:05,799 Speaker 3: they go past him, like they're actually worried that he's 865 00:39:05,840 --> 00:39:07,640 Speaker 3: going to hurt them, and he looks insane. 866 00:39:07,960 --> 00:39:11,920 Speaker 11: The people are real, the fines are real. Now, Presiding 867 00:39:12,360 --> 00:39:15,520 Speaker 11: Judge Christian O'Connell and Jacket. 868 00:39:16,600 --> 00:39:17,640 Speaker 4: It is time is back. 869 00:39:17,680 --> 00:39:19,480 Speaker 3: We did it last week. We enjoyed it so much. 870 00:39:19,480 --> 00:39:21,360 Speaker 3: You enjoyed it so much as back. It is fine 871 00:39:21,440 --> 00:39:24,360 Speaker 3: day Friday. You tell us you come into our court. 872 00:39:24,480 --> 00:39:26,239 Speaker 3: The court is open. I've even got you see this. 873 00:39:26,520 --> 00:39:29,560 Speaker 5: I love that gavel And All Rights. 874 00:39:29,440 --> 00:39:32,279 Speaker 3: Courters in session. We will hear cases this morning of 875 00:39:32,440 --> 00:39:36,160 Speaker 3: you versus Maybolene Council. What fins have they been giving you? 876 00:39:36,440 --> 00:39:38,719 Speaker 3: If we hear your case and we agree to pay, 877 00:39:38,880 --> 00:39:42,120 Speaker 3: we will pay your fines obviously, no speeding fines nine 878 00:39:42,200 --> 00:39:44,279 Speaker 3: four one four one O four three. 879 00:39:44,800 --> 00:39:46,960 Speaker 4: All Rights Courts in session. First of all, let's hear 880 00:39:46,960 --> 00:39:48,600 Speaker 4: the case of Carl. 881 00:39:48,719 --> 00:39:55,880 Speaker 3: Good morning, Carl, Carl's gone Carl's gone from Jennifer. 882 00:39:56,160 --> 00:40:00,279 Speaker 4: Let's try Jennifer. Oh maybe Nick the producer I did 883 00:40:00,280 --> 00:40:04,160 Speaker 4: more than week thought. I feel really bad. Now we go, Okay, 884 00:40:04,239 --> 00:40:05,680 Speaker 4: good morning, Line one. Who's this? 885 00:40:08,040 --> 00:40:11,000 Speaker 11: He's holding on to it, that's why do you know that? 886 00:40:11,120 --> 00:40:14,880 Speaker 4: Brad? And we need to put the show back on 887 00:40:14,920 --> 00:40:15,239 Speaker 4: hold of it. 888 00:40:15,280 --> 00:40:18,160 Speaker 5: Meanwhile, you can actually watch Nick performing show tunes at 889 00:40:18,239 --> 00:40:22,800 Speaker 5: Richmond station on Facebook Live. Currently forty four people viewing. 890 00:40:22,960 --> 00:40:24,600 Speaker 5: Shooes gold Jacket. 891 00:40:25,360 --> 00:40:26,719 Speaker 4: He about this when he gets in this morn. This 892 00:40:26,840 --> 00:40:27,560 Speaker 4: hues Facebook. 893 00:40:27,600 --> 00:40:29,080 Speaker 5: You know what he actually looks like the kind of 894 00:40:29,080 --> 00:40:30,680 Speaker 5: person that if you saw him up ahead and you 895 00:40:30,840 --> 00:40:32,600 Speaker 5: had to go to the station, you go across the road. 896 00:40:32,640 --> 00:40:33,640 Speaker 5: It might go the long way around. 897 00:40:34,560 --> 00:40:35,759 Speaker 4: Catherine, Good morning. 898 00:40:36,200 --> 00:40:36,720 Speaker 8: Good morning. 899 00:40:36,719 --> 00:40:37,120 Speaker 10: How are you. 900 00:40:37,200 --> 00:40:38,759 Speaker 4: I'm pretty good. I hope you've had a good week. 901 00:40:38,840 --> 00:40:39,719 Speaker 4: What's your fine? 902 00:40:40,719 --> 00:40:43,759 Speaker 8: So I've been invoiced by my eleven year old son 903 00:40:44,360 --> 00:40:45,240 Speaker 8: for pocket money. 904 00:40:46,719 --> 00:40:51,880 Speaker 4: I'm sorry, What a smart kid. He's actually given you 905 00:40:51,920 --> 00:40:53,640 Speaker 4: an invoice. 906 00:40:53,000 --> 00:40:57,160 Speaker 8: A real invoice. Yeah, so I'm four weeks behind the future. 907 00:40:57,200 --> 00:41:00,000 Speaker 4: Donald Trump is the young Donald Trump. This is amazing. 908 00:41:00,080 --> 00:41:01,600 Speaker 4: How much for well? 909 00:41:01,640 --> 00:41:03,920 Speaker 8: He gives twenty dollars a week, but he's decided to 910 00:41:04,000 --> 00:41:07,960 Speaker 8: charge me interest, So I owe him eighty eight dollars. 911 00:41:08,400 --> 00:41:11,160 Speaker 3: So you're in arrears, aren't You're in debt to am? 912 00:41:11,480 --> 00:41:14,240 Speaker 3: And how old is this this young entrepreneur? 913 00:41:14,239 --> 00:41:15,239 Speaker 4: How old is he? 914 00:41:15,239 --> 00:41:15,880 Speaker 8: He's eleven? 915 00:41:17,360 --> 00:41:18,360 Speaker 11: Eleven kids? 916 00:41:18,360 --> 00:41:22,760 Speaker 5: What is that ten percent interest per I think gangster 917 00:41:22,880 --> 00:41:23,480 Speaker 5: might charge. 918 00:41:23,560 --> 00:41:25,319 Speaker 8: He's charged me two dollars extra a week. 919 00:41:25,520 --> 00:41:27,040 Speaker 4: Wow, we compound interest. 920 00:41:27,320 --> 00:41:29,120 Speaker 3: All right, Well, listen, Jacket, don about you. I think 921 00:41:29,120 --> 00:41:30,799 Speaker 3: we've got to help Catherine out. We're going to pay 922 00:41:30,800 --> 00:41:31,720 Speaker 3: this very unusual. 923 00:41:31,840 --> 00:41:35,160 Speaker 4: What's that someone reversing over you? Catherine. We will pay 924 00:41:35,239 --> 00:41:35,760 Speaker 4: your fine. 925 00:41:35,760 --> 00:41:37,919 Speaker 8: Okay, oh, thank you very much. 926 00:41:38,000 --> 00:41:38,879 Speaker 4: We will pay your. 927 00:41:39,040 --> 00:41:42,440 Speaker 3: Friends pocket money. This sounds like a different feature. All right, Catherine, 928 00:41:42,440 --> 00:41:43,839 Speaker 3: we'll do that for We've got that one. All right, 929 00:41:43,840 --> 00:41:44,320 Speaker 3: have a good. 930 00:41:44,160 --> 00:41:45,839 Speaker 8: Weekend, Thank you very much. 931 00:41:45,960 --> 00:41:48,280 Speaker 4: All right, this is a case of all right, okay, 932 00:41:48,320 --> 00:41:52,640 Speaker 4: that's in the case of now Kennon. Yes, yes, you 933 00:41:52,719 --> 00:41:54,280 Speaker 4: make your in court plead your case. 934 00:41:55,320 --> 00:41:58,880 Speaker 7: I received last week, the week before, two toll fins 935 00:41:58,880 --> 00:42:00,000 Speaker 7: of one hundred and eighty three dolls. 936 00:42:01,320 --> 00:42:02,680 Speaker 3: Yeah, this is We're hearing this a lot, a lot 937 00:42:02,680 --> 00:42:04,680 Speaker 3: of these cases about people picking up these toll fights. 938 00:42:04,680 --> 00:42:06,480 Speaker 4: It's very very easy to do, isn't it? Didn't you 939 00:42:06,560 --> 00:42:07,320 Speaker 4: get one recently? 940 00:42:07,400 --> 00:42:09,279 Speaker 5: I'm waiting for one. I'm actually waiting till it comes 941 00:42:09,280 --> 00:42:10,759 Speaker 5: into mail so I can bring it to court. 942 00:42:13,200 --> 00:42:15,200 Speaker 7: And then the next the next letter was going to 943 00:42:15,280 --> 00:42:18,640 Speaker 7: be the sheriff chasing me. 944 00:42:19,160 --> 00:42:22,080 Speaker 3: Hang on, I mean, I'm still new in town. There's 945 00:42:22,080 --> 00:42:23,520 Speaker 3: a sheriff of Melbourne. 946 00:42:24,560 --> 00:42:26,799 Speaker 4: What is he like? Wandering the streets or something with. 947 00:42:26,760 --> 00:42:29,239 Speaker 5: A whole st He comes to taking furniture, doesn't he 948 00:42:29,320 --> 00:42:29,600 Speaker 5: kid in? 949 00:42:29,640 --> 00:42:31,279 Speaker 4: What kind of sheriff is that? It's not like a 950 00:42:31,440 --> 00:42:32,439 Speaker 4: wild West. 951 00:42:32,719 --> 00:42:34,359 Speaker 7: Will claim up on your car and then you can 952 00:42:34,480 --> 00:42:36,000 Speaker 7: they can cancel your license as well. 953 00:42:36,040 --> 00:42:37,880 Speaker 3: I guess that's South Sheriff's do it. In twenty eighteen. 954 00:42:37,880 --> 00:42:39,319 Speaker 3: They've got a will clamp. You know, they used to 955 00:42:39,320 --> 00:42:41,040 Speaker 3: just have a horse and a wholester and a whip. 956 00:42:41,280 --> 00:42:44,040 Speaker 3: Now they've got a clamp. And listen to how much 957 00:42:44,080 --> 00:42:45,760 Speaker 3: money you're asking for from the court. 958 00:42:46,280 --> 00:42:47,400 Speaker 7: Just one of them is the handy. 959 00:42:48,200 --> 00:42:50,279 Speaker 5: Oh that's so nice. Could you have the chance here? 960 00:42:50,680 --> 00:42:52,560 Speaker 5: We're not saying that it's a captain man. You have 961 00:42:52,600 --> 00:42:54,680 Speaker 5: the chance to say we will pay off two. 962 00:42:54,800 --> 00:42:57,080 Speaker 3: But do you know what I'm going to pay off 963 00:42:57,080 --> 00:42:59,160 Speaker 3: for two? Because of your modesty. You can have one 964 00:42:59,239 --> 00:43:02,240 Speaker 3: hundred and eighty bus, but jos has presided take him away. 965 00:43:02,480 --> 00:43:03,600 Speaker 4: We pay those two fires. 966 00:43:03,640 --> 00:43:06,040 Speaker 7: Okay, buddy, awesome, Thank you very much. 967 00:43:06,080 --> 00:43:09,319 Speaker 4: Pleasure, have a good week weekend. Kate. Two guys, No, Kate, 968 00:43:09,760 --> 00:43:10,960 Speaker 4: she's back. What's happened? 969 00:43:12,000 --> 00:43:12,320 Speaker 11: Hello? 970 00:43:12,640 --> 00:43:13,279 Speaker 4: Is that you Kate? 971 00:43:14,000 --> 00:43:15,040 Speaker 13: It sure is, Kate. 972 00:43:15,080 --> 00:43:17,000 Speaker 4: What's your fine? So? 973 00:43:17,360 --> 00:43:20,080 Speaker 18: I went into the city at the start of this 974 00:43:20,200 --> 00:43:22,960 Speaker 18: year for the first time in around six months to 975 00:43:23,040 --> 00:43:26,360 Speaker 18: do a job interview. I had minused two cents on 976 00:43:26,400 --> 00:43:29,280 Speaker 18: my Mikey and I copped a two hundred and forty 977 00:43:29,280 --> 00:43:29,880 Speaker 18: dollars fine. 978 00:43:32,640 --> 00:43:34,719 Speaker 5: I thought, Mikey, let you go under a little bit, 979 00:43:34,800 --> 00:43:36,640 Speaker 5: didn't It doesn't He usually let you dip in the 980 00:43:36,680 --> 00:43:39,160 Speaker 5: negative to go like, hey, we know what's going on here, 981 00:43:39,200 --> 00:43:41,879 Speaker 5: but just next time you top it up, yeah, pay this. 982 00:43:43,080 --> 00:43:46,160 Speaker 18: I wish that's how it worked. I was on the 983 00:43:46,200 --> 00:43:48,520 Speaker 18: way home from a job interview, stranded in the city, 984 00:43:49,000 --> 00:43:52,640 Speaker 18: heading to Flinders Street too, top up my Mikey and 985 00:43:52,680 --> 00:43:53,120 Speaker 18: they got me. 986 00:43:53,200 --> 00:43:55,399 Speaker 3: Anyway, I'm more curious the fact you hadn't been into 987 00:43:55,440 --> 00:43:57,040 Speaker 3: a city in six months. What have you been on 988 00:43:57,480 --> 00:43:57,960 Speaker 3: the Ronald? 989 00:43:58,040 --> 00:44:01,719 Speaker 4: Lying though? Hiding from someone? Now? 990 00:44:01,800 --> 00:44:04,359 Speaker 18: I was a student. I finished school and then went 991 00:44:04,440 --> 00:44:05,440 Speaker 18: for a job in the city. 992 00:44:05,480 --> 00:44:07,360 Speaker 3: And all right, so you know you're a student, so 993 00:44:07,400 --> 00:44:08,719 Speaker 3: you haven't got a lot of money, and obviously this 994 00:44:08,800 --> 00:44:11,080 Speaker 3: two hundred and fifty bucks, fine, that's a big dent. 995 00:44:11,120 --> 00:44:12,640 Speaker 4: You've got to try and find the money, right. 996 00:44:13,120 --> 00:44:16,680 Speaker 18: Exactly, and went for that job interview, didn't get the job. 997 00:44:16,800 --> 00:44:19,160 Speaker 5: We did hear that bit. We did hear that bit 998 00:44:19,600 --> 00:44:23,000 Speaker 5: right before you preside, Christian, how much money have we 999 00:44:23,040 --> 00:44:24,839 Speaker 5: got to give away this week? Because last week we 1000 00:44:24,880 --> 00:44:26,080 Speaker 5: did go over budget. 1001 00:44:26,440 --> 00:44:28,239 Speaker 3: The way I think this works best if we keep 1002 00:44:28,239 --> 00:44:30,880 Speaker 3: saying yes, yes, yes, until Sue the boss comes screaming 1003 00:44:30,880 --> 00:44:32,759 Speaker 3: in it and goes no, no, no, So let's just 1004 00:44:32,840 --> 00:44:34,799 Speaker 3: keep saying yes, oh, I s broke the gavel. 1005 00:44:34,840 --> 00:44:39,080 Speaker 4: Then Kate, Yeah, we're paying it. Fine, okay, not yeah, 1006 00:44:39,160 --> 00:44:40,839 Speaker 4: o Kate, it's on us. We will. We will give 1007 00:44:40,840 --> 00:44:42,560 Speaker 4: you the two hundred and fifty bucks. We will cover 1008 00:44:42,600 --> 00:44:43,200 Speaker 4: that for you, all. 1009 00:44:43,200 --> 00:44:45,040 Speaker 6: Right, thank you? 1010 00:44:45,320 --> 00:44:47,839 Speaker 4: All right, that's so much. That's all right, that's on us. 1011 00:44:47,840 --> 00:44:49,239 Speaker 4: Sorry to hear about the job. I hope your lock 1012 00:44:49,280 --> 00:44:51,040 Speaker 4: picks up, all right. Then let's go back to you. 1013 00:44:51,080 --> 00:44:52,600 Speaker 4: Pick the music. You give us a call now, nine 1014 00:44:52,680 --> 00:44:54,200 Speaker 4: four one four one four three. 1015 00:44:54,200 --> 00:44:57,239 Speaker 3: Tell us about your fine. This is a Kate in 1016 00:44:57,360 --> 00:45:00,440 Speaker 3: Guly Long. It's the number one power about it according 1017 00:45:00,440 --> 00:45:02,520 Speaker 3: to her. In excess by my side in Gold one 1018 00:45:02,560 --> 00:45:05,239 Speaker 3: of four point three more fins being paid next until 1019 00:45:05,239 --> 00:45:05,840 Speaker 3: the boy says no. 1020 00:45:06,080 --> 00:45:09,440 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1021 00:45:09,520 --> 00:45:10,120 Speaker 1: point three. 1022 00:45:10,239 --> 00:45:12,200 Speaker 3: So we are now presiding over a court. We're hearing 1023 00:45:12,280 --> 00:45:15,879 Speaker 3: your cases of fines that you've got. Now, obviously we 1024 00:45:15,960 --> 00:45:17,279 Speaker 3: cannot pay your speeding fins. 1025 00:45:17,280 --> 00:45:18,120 Speaker 4: A lot of your calling in. 1026 00:45:18,160 --> 00:45:21,040 Speaker 3: Please understand why it's just not right. We want be 1027 00:45:21,080 --> 00:45:23,680 Speaker 3: to do this feature. It's not a good idea and 1028 00:45:23,719 --> 00:45:27,080 Speaker 3: we all know why speeding does kill. It causes accidents 1029 00:45:27,080 --> 00:45:29,000 Speaker 3: and it ruins lives. It's only going a bit of 1030 00:45:29,080 --> 00:45:30,600 Speaker 3: a kill. D you on a buzz kill. I want 1031 00:45:30,640 --> 00:45:32,719 Speaker 3: to pay your fines. I like doing this feature, but 1032 00:45:32,760 --> 00:45:34,560 Speaker 3: we're simply not going to do that. So please don't 1033 00:45:34,560 --> 00:45:37,080 Speaker 3: call in, and please don't start arguing with the producers, 1034 00:45:37,920 --> 00:45:40,279 Speaker 3: especially when Brian, who's like the most wild man who 1035 00:45:40,320 --> 00:45:41,880 Speaker 3: works on the show, is always encouraged me to do 1036 00:45:41,960 --> 00:45:44,080 Speaker 3: more and burn the station down. Everyone is going to 1037 00:45:44,320 --> 00:45:46,799 Speaker 3: we can't do that because of ethics. If I hear 1038 00:45:47,239 --> 00:45:50,240 Speaker 3: him quote and ethics, then please, okay, please just understand 1039 00:45:50,239 --> 00:45:51,719 Speaker 3: why we really love to doing this feature. I want 1040 00:45:51,719 --> 00:45:54,239 Speaker 3: to keep doing it. So it's other finds other than that, 1041 00:45:54,400 --> 00:45:58,719 Speaker 3: you know why, Jennifer, good morning, good morning, welcome to 1042 00:45:58,760 --> 00:46:00,120 Speaker 3: the court. What's your fine? 1043 00:46:01,080 --> 00:46:04,680 Speaker 6: My fine is for not voting in nineteen ninety seven? 1044 00:46:05,160 --> 00:46:07,719 Speaker 3: Wow? What happened in ninety seven? You obviously having a 1045 00:46:07,719 --> 00:46:12,960 Speaker 3: great year, right, giving too much fun, babe? So what's 1046 00:46:13,000 --> 00:46:15,759 Speaker 3: the fine for not voting? It's compository, but I think 1047 00:46:15,800 --> 00:46:18,239 Speaker 3: it's a great idea In England it isn't, but it 1048 00:46:18,320 --> 00:46:20,600 Speaker 3: really should be. It's an important right. So what is 1049 00:46:20,600 --> 00:46:22,320 Speaker 3: the final What was it in ninety seven? 1050 00:46:23,080 --> 00:46:26,799 Speaker 6: In nineteen ninety seven in the local electoral thing? And 1051 00:46:26,840 --> 00:46:28,480 Speaker 6: it was for fifty eight dollars? 1052 00:46:28,640 --> 00:46:30,319 Speaker 4: So you still haven't paid it? 1053 00:46:31,000 --> 00:46:33,160 Speaker 6: No, because I had to drive all the way to 1054 00:46:33,520 --> 00:46:35,239 Speaker 6: wherever it was to go and pay it. 1055 00:46:35,360 --> 00:46:38,719 Speaker 5: So, Jennifer, are they not then sending you letters saying 1056 00:46:38,760 --> 00:46:41,200 Speaker 5: you've had increased Well. 1057 00:46:41,080 --> 00:46:43,920 Speaker 6: No, because I've moved house and it hasn't increased in 1058 00:46:43,960 --> 00:46:46,759 Speaker 6: that time, and I run the run. I can't pay 1059 00:46:46,760 --> 00:46:48,920 Speaker 6: it over the phone or anything like that. I had 1060 00:46:48,920 --> 00:46:49,800 Speaker 6: to go down there on. 1061 00:46:49,880 --> 00:46:52,520 Speaker 3: Let me understand this, ninety seven twenty eighteen. Are we 1062 00:46:52,560 --> 00:46:55,400 Speaker 3: talking in my maths as lousy twenty one years? 1063 00:46:55,680 --> 00:46:57,360 Speaker 6: We are talking twenty one years. 1064 00:46:57,120 --> 00:46:59,719 Speaker 3: An outstanding fine for twenty one years, and they've not 1065 00:46:59,760 --> 00:47:01,640 Speaker 3: given you any interest or any of that normal stuff 1066 00:47:01,680 --> 00:47:01,920 Speaker 3: they do. 1067 00:47:02,280 --> 00:47:03,520 Speaker 6: No, it stayed the same. 1068 00:47:03,880 --> 00:47:05,839 Speaker 5: Well, we can't really help you, Jennifer, because we can 1069 00:47:05,880 --> 00:47:08,440 Speaker 5: pay the amount, but you're still going to have to 1070 00:47:08,480 --> 00:47:11,000 Speaker 5: go down to the place that you're trying to avoid 1071 00:47:11,040 --> 00:47:12,280 Speaker 5: and pay it yourself eventually. 1072 00:47:12,320 --> 00:47:14,160 Speaker 4: And you want to do online a bit bit easier. 1073 00:47:14,760 --> 00:47:16,239 Speaker 6: It's going to take me an hour to get there, 1074 00:47:16,239 --> 00:47:17,200 Speaker 6: in an hour to get home. 1075 00:47:17,480 --> 00:47:19,360 Speaker 4: Oh and how much is to find again? 1076 00:47:20,080 --> 00:47:20,919 Speaker 6: Fifty eight dollars? 1077 00:47:21,000 --> 00:47:25,200 Speaker 4: All right, we'll cover that. Okay, fantastic, Thank you broke 1078 00:47:25,200 --> 00:47:27,680 Speaker 4: the father and then let me carry away with there's 1079 00:47:27,680 --> 00:47:29,520 Speaker 4: a power of having one of these gambles. Should I 1080 00:47:29,600 --> 00:47:31,439 Speaker 4: might take this home? Actually, and you know at tea 1081 00:47:31,440 --> 00:47:33,960 Speaker 4: time where the kids are talking it dad is talking 1082 00:47:34,080 --> 00:47:34,960 Speaker 4: signs children. 1083 00:47:35,440 --> 00:47:38,080 Speaker 3: All right, let's get Marie Bantner. Before we get Marie. 1084 00:47:38,320 --> 00:47:40,440 Speaker 3: Marie was on the show last week and here's what happened. 1085 00:47:40,960 --> 00:47:44,000 Speaker 10: Well, the council sent me some paperwork to register a 1086 00:47:44,120 --> 00:47:46,480 Speaker 10: cat as living at my premises, and I just ignored 1087 00:47:46,520 --> 00:47:47,080 Speaker 10: the paperwork. 1088 00:47:47,400 --> 00:47:48,720 Speaker 5: Is it your cat, Marie? 1089 00:47:48,920 --> 00:47:52,160 Speaker 6: Well it was what do you mean it was cat? Well, 1090 00:47:52,200 --> 00:47:53,920 Speaker 6: a few years ago there was a cat living at 1091 00:47:53,920 --> 00:47:55,560 Speaker 6: my premises, but it died. 1092 00:47:55,640 --> 00:47:57,719 Speaker 14: So that's why ignored the paperwork. 1093 00:47:58,200 --> 00:48:00,279 Speaker 4: All right, So we weren't too sure about this, which 1094 00:48:00,440 --> 00:48:03,520 Speaker 4: was she was joking. I've got it. That is the 1095 00:48:03,719 --> 00:48:06,080 Speaker 4: I've got the paperwork here. You've got a copy as well. 1096 00:48:06,400 --> 00:48:09,000 Speaker 3: Marie's back on the line, Marie, I've seen the official 1097 00:48:09,440 --> 00:48:11,799 Speaker 3: penalty reminder notice about the dead cat. 1098 00:48:12,600 --> 00:48:14,000 Speaker 4: Yes, thank you, Hill. 1099 00:48:14,360 --> 00:48:17,120 Speaker 5: So now actually we believe that she's got the fine, 1100 00:48:17,160 --> 00:48:20,719 Speaker 5: but we have no evidence of a deceased cat. 1101 00:48:20,840 --> 00:48:20,920 Speaker 6: No. 1102 00:48:21,040 --> 00:48:22,480 Speaker 4: So listen, I've had an idea about this. 1103 00:48:22,600 --> 00:48:24,560 Speaker 3: What I'm going to do is over the weekend, Jack's 1104 00:48:24,560 --> 00:48:26,560 Speaker 3: going to come around and dig it up and he's 1105 00:48:26,560 --> 00:48:28,359 Speaker 3: going to take the He's going to exhoom the body 1106 00:48:28,400 --> 00:48:31,160 Speaker 3: as they called it. He's going to dig it up. 1107 00:48:31,200 --> 00:48:33,080 Speaker 3: I've got to shovel here's to He's going to dig 1108 00:48:33,080 --> 00:48:35,800 Speaker 3: it up and take the mud and was left of 1109 00:48:35,880 --> 00:48:38,600 Speaker 3: the bones down to the council and go there you go, 1110 00:48:38,640 --> 00:48:42,440 Speaker 3: there's your fine, cop that, Marie. 1111 00:48:42,440 --> 00:48:43,799 Speaker 5: What I'm going to take is IM going to take 1112 00:48:43,840 --> 00:48:45,719 Speaker 5: your word for it. And as soon as the cat 1113 00:48:46,080 --> 00:48:48,520 Speaker 5: did pass away, you did. We're looking at the fine 1114 00:48:48,520 --> 00:48:50,680 Speaker 5: for three hundred and forty dollars and ten cents are 1115 00:48:50,680 --> 00:48:51,000 Speaker 5: we paying? 1116 00:48:52,920 --> 00:48:54,520 Speaker 4: And how much money have I given away so far? 1117 00:48:54,560 --> 00:48:57,080 Speaker 5: Could we're up to five hundred and fifty six dollars 1118 00:48:57,600 --> 00:48:59,960 Speaker 5: for just today and then Marie's is the most expense 1119 00:49:00,160 --> 00:49:02,680 Speaker 5: of all the funds that we're paying so far. 1120 00:49:03,760 --> 00:49:05,960 Speaker 4: Let's do it. What does that take the combine total 1121 00:49:06,040 --> 00:49:07,840 Speaker 4: so far? Marie, We're going to pay it, okay. 1122 00:49:08,200 --> 00:49:11,600 Speaker 8: Thank you, that's all right, leaving me promise you it's true. 1123 00:49:11,719 --> 00:49:14,880 Speaker 3: We always retry cases if you're not sure you can appeal. 1124 00:49:15,440 --> 00:49:17,759 Speaker 3: It's a very fair court, all right, Marie, have a 1125 00:49:17,840 --> 00:49:18,400 Speaker 3: nice weekend. 1126 00:49:18,400 --> 00:49:20,719 Speaker 8: Thanks for coming back on mate, you to thank you, 1127 00:49:20,760 --> 00:49:21,200 Speaker 8: Bye bye? 1128 00:49:21,280 --> 00:49:22,880 Speaker 4: All right? Jack? So what does that take it up to? 1129 00:49:23,280 --> 00:49:28,280 Speaker 5: God five fifty six then plus three forty ten cents 1130 00:49:28,280 --> 00:49:31,879 Speaker 5: six makes charge eight ninety six in ten six? 1131 00:49:31,920 --> 00:49:33,160 Speaker 4: Do you know what? Let's round it up to one 1132 00:49:33,160 --> 00:49:33,840 Speaker 4: thousand dollars. 1133 00:49:33,880 --> 00:49:37,000 Speaker 3: So we're paying one last fine nine four one four 1134 00:49:37,040 --> 00:49:39,120 Speaker 3: one oh four three if you want it to be used. 1135 00:49:39,040 --> 00:49:42,399 Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four 1136 00:49:42,440 --> 00:49:43,040 Speaker 1: point three. 1137 00:49:43,360 --> 00:49:46,600 Speaker 3: Using from Richmond producing Neck, has raised in thirty minutes 1138 00:49:46,640 --> 00:49:48,560 Speaker 3: of the show tunes nine bucks. 1139 00:49:48,920 --> 00:49:50,040 Speaker 4: Nine bucks. 1140 00:49:50,800 --> 00:49:55,840 Speaker 5: So if he continues to that pace, eighteen dollars to. 1141 00:49:54,680 --> 00:49:56,359 Speaker 3: Today, one for me and then he has to go, 1142 00:49:56,480 --> 00:49:59,759 Speaker 3: it's a very very quick perfect really Okay, we've got 1143 00:49:59,760 --> 00:50:02,520 Speaker 3: one one hundred bucks left to spend on fine day Fridays. 1144 00:50:02,600 --> 00:50:04,920 Speaker 3: You pay your fines. We're going to hear the case. 1145 00:50:05,080 --> 00:50:07,239 Speaker 3: All right, Glenn, good morning. 1146 00:50:07,400 --> 00:50:08,319 Speaker 12: Good morning. How are we? 1147 00:50:08,400 --> 00:50:10,840 Speaker 4: I'm pretty good, Glenn? And what is the one hundred 1148 00:50:10,840 --> 00:50:11,839 Speaker 4: dollar fine? What is it? 1149 00:50:12,120 --> 00:50:16,560 Speaker 12: Okay? So back in April, I got two bills for 1150 00:50:16,640 --> 00:50:20,480 Speaker 12: the cats registrations and I haven't paid them, mainly because 1151 00:50:21,160 --> 00:50:24,319 Speaker 12: single income to cats one hundred bucks and I let 1152 00:50:24,360 --> 00:50:26,680 Speaker 12: it get I delayed and delayed it, and then I 1153 00:50:26,680 --> 00:50:33,839 Speaker 12: can forgot about it, and then and then I saw it. Yeah, 1154 00:50:33,920 --> 00:50:37,279 Speaker 12: I saw an I saw another bill come through and 1155 00:50:37,320 --> 00:50:38,920 Speaker 12: it actually wasn't the bill. It was fine. 1156 00:50:39,239 --> 00:50:40,279 Speaker 3: Do you know what the best thing you can do 1157 00:50:40,360 --> 00:50:43,919 Speaker 3: here is sell the cat and get a job. It's 1158 00:50:43,920 --> 00:50:45,880 Speaker 3: called a man's best friend. Take him away. We're not 1159 00:50:45,920 --> 00:50:47,240 Speaker 3: paying this because of a cat. 1160 00:50:47,120 --> 00:50:50,040 Speaker 1: The Christian who conn will breakfast show Melbourne's Gold one 1161 00:50:50,080 --> 00:50:51,120 Speaker 1: oh four point three. 1162 00:50:51,320 --> 00:50:54,440 Speaker 4: Aaron wants to hear this Credit House something so strong. 1163 00:50:54,800 --> 00:50:57,479 Speaker 3: Every sung my Credit House just makes him smile all over. 1164 00:50:58,640 --> 00:51:00,960 Speaker 3: It is the greatest band we've ever created. That's how 1165 00:51:00,960 --> 00:51:02,560 Speaker 3: you do it here in Australia. That's why the envy 1166 00:51:02,560 --> 00:51:05,600 Speaker 3: of the world. You create bands and laboratories. Well, the 1167 00:51:05,680 --> 00:51:08,200 Speaker 3: Finn Brothers were created under a microscope. 1168 00:51:07,960 --> 00:51:10,080 Speaker 5: Or you can argue that they were created in New Zealand. 1169 00:51:11,200 --> 00:51:13,400 Speaker 3: Good side point. We will update that, please, Aaron. If 1170 00:51:13,400 --> 00:51:16,399 Speaker 3: you're gonna make those claims, you know, reclaiming the band, Yeah, 1171 00:51:16,400 --> 00:51:17,239 Speaker 3: it's only fair. 1172 00:51:17,560 --> 00:51:17,920 Speaker 4: Okay. 1173 00:51:17,960 --> 00:51:21,399 Speaker 3: Now let's cross back now to Richmond Station where our 1174 00:51:21,520 --> 00:51:25,160 Speaker 3: outgoing producer Nick who has irritated me for the last 1175 00:51:25,200 --> 00:51:27,600 Speaker 3: two years by singing show tunes non stop during a 1176 00:51:27,600 --> 00:51:29,760 Speaker 3: breakfast show because this is what he studied at college. 1177 00:51:29,760 --> 00:51:31,560 Speaker 3: And I thought, what better thing for him to do 1178 00:51:31,600 --> 00:51:32,920 Speaker 3: having his last show with us, to go out on 1179 00:51:33,000 --> 00:51:36,080 Speaker 3: the streets of Melbourne sing show tunes begging for beer 1180 00:51:36,120 --> 00:51:37,360 Speaker 3: money for his leaving drinks. 1181 00:51:37,400 --> 00:51:39,880 Speaker 4: After Denay's show, producer Bex is there. 1182 00:51:40,840 --> 00:51:45,040 Speaker 9: I'm here, It's all happening so far he's got enough 1183 00:51:45,080 --> 00:51:47,480 Speaker 9: to get him self a beer, so that's good. 1184 00:51:47,680 --> 00:51:49,040 Speaker 4: It doesn't work like that, you know. 1185 00:51:49,280 --> 00:51:51,160 Speaker 3: I Hi, the guy gave him a job, he gives 1186 00:51:51,160 --> 00:51:52,680 Speaker 3: me the bear, then he leaves his own leaving do 1187 00:51:52,800 --> 00:51:53,319 Speaker 3: we stay on? 1188 00:51:53,760 --> 00:51:53,840 Speaker 8: So? 1189 00:51:54,040 --> 00:51:55,719 Speaker 4: How much money has he really wasted? Is it really 1190 00:51:55,760 --> 00:51:56,480 Speaker 4: just nine dollars? 1191 00:51:56,880 --> 00:51:59,560 Speaker 15: Exactly nine dollars? He's got one note in there? 1192 00:52:00,080 --> 00:52:02,240 Speaker 4: Well that's all he's got in him anyway, what forty 1193 00:52:02,360 --> 00:52:05,359 Speaker 4: minutes of singing? This guy? Apparently it is a degree. 1194 00:52:06,040 --> 00:52:07,680 Speaker 15: No, I know, it's very disappointing. 1195 00:52:08,200 --> 00:52:09,359 Speaker 5: Can we hear him for a little bit? 1196 00:52:09,360 --> 00:52:11,680 Speaker 4: Bet, yeah, sure, let's let's what's he what's he singing? 1197 00:52:11,760 --> 00:52:14,279 Speaker 4: The money? And there are dreams? 1198 00:52:14,360 --> 00:52:17,480 Speaker 15: That's name is? 1199 00:52:18,480 --> 00:52:23,919 Speaker 4: He's murdering this and there are storms. We cannot listen. 1200 00:52:24,040 --> 00:52:26,720 Speaker 3: This is actually supposed to be my producer, he's supposed 1201 00:52:26,760 --> 00:52:29,719 Speaker 3: to be in charge of He's not reluctant. 1202 00:52:30,760 --> 00:52:31,959 Speaker 4: Dream my life. 1203 00:52:32,719 --> 00:52:35,560 Speaker 15: The best thing is he's got a lovely on his 1204 00:52:35,600 --> 00:52:36,640 Speaker 15: way to school. What's your name? 1205 00:52:37,000 --> 00:52:37,280 Speaker 4: Pretty? 1206 00:52:37,680 --> 00:52:37,840 Speaker 3: You know? 1207 00:52:38,480 --> 00:52:40,520 Speaker 15: Peters holding Peter's holding ever. 1208 00:52:40,680 --> 00:52:44,920 Speaker 4: Near kids spoken about this. Save the Kids Say the Future. 1209 00:52:45,320 --> 00:52:47,400 Speaker 5: You can watch Nick seeing on Facebook Live as well. 1210 00:52:47,440 --> 00:52:50,160 Speaker 5: At the moment thirty four lucky people watching him in 1211 00:52:50,200 --> 00:52:50,960 Speaker 5: the gold jacket. 1212 00:52:50,960 --> 00:52:53,640 Speaker 3: Wow, what a big Facebook hit that is. That's four people. 1213 00:52:53,920 --> 00:52:54,799 Speaker 3: Nothing better to do. 1214 00:52:55,400 --> 00:53:01,760 Speaker 4: Listen to him fade out yet, Thank you very much. 1215 00:53:01,640 --> 00:53:06,880 Speaker 3: Everybody, the adoring fans need one pigeon and a seagull. 1216 00:53:07,080 --> 00:53:10,439 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1217 00:53:10,480 --> 00:53:19,960 Speaker 1: point three. 1218 00:53:17,400 --> 00:53:18,479 Speaker 4: Happen, said George again. 1219 00:53:18,560 --> 00:53:24,760 Speaker 3: Oh no, oh no, don't remember day one. Let's go back, George, 1220 00:53:24,760 --> 00:53:25,839 Speaker 3: Michael Faith. 1221 00:53:26,080 --> 00:53:28,160 Speaker 4: George, I know that song. It is not Just end 1222 00:53:28,200 --> 00:53:30,399 Speaker 4: George didn't go and done everyone. I'm done with this song. 1223 00:53:30,520 --> 00:53:32,280 Speaker 4: Just turn it off. Just turn it off. It's Friday. 1224 00:53:32,280 --> 00:53:34,960 Speaker 4: I want to knockoff earliest Poet's Day. Okay, can you 1225 00:53:35,000 --> 00:53:36,880 Speaker 4: just end George like that? Anyway? 1226 00:53:36,920 --> 00:53:39,879 Speaker 3: That was through Jane in Alternate Meadows. Sorry, just cut 1227 00:53:39,880 --> 00:53:42,160 Speaker 3: out like that does not have for those Someone hack 1228 00:53:42,239 --> 00:53:42,640 Speaker 3: the station. 1229 00:53:43,120 --> 00:53:46,520 Speaker 4: Peutin has hacked the station. ENnie maguire is so worried 1230 00:53:46,560 --> 00:53:49,640 Speaker 4: about the show. He's got Peutin to hack into the music. 1231 00:53:49,719 --> 00:53:51,400 Speaker 5: It's because that produces down on the street. 1232 00:53:51,440 --> 00:53:52,759 Speaker 4: That's that's what it is. All right. 1233 00:53:52,840 --> 00:53:56,239 Speaker 3: Let's now go to Richmond's Station, where producer Nick Our 1234 00:53:56,320 --> 00:53:59,680 Speaker 3: leaving gift to him is getting him to sing show tunes, 1235 00:53:59,719 --> 00:54:02,200 Speaker 3: because he does this throughout the show for an hour, 1236 00:54:02,320 --> 00:54:04,360 Speaker 3: raising beer money. He's busking for beer money for his 1237 00:54:04,440 --> 00:54:06,160 Speaker 3: leaving drinks after today's show. 1238 00:54:06,200 --> 00:54:07,520 Speaker 4: From the pavements? 1239 00:54:08,200 --> 00:54:12,040 Speaker 14: Has the moon lost her memories? 1240 00:54:12,440 --> 00:54:13,000 Speaker 15: Smile? 1241 00:54:13,400 --> 00:54:16,520 Speaker 3: Hell becks, you sound so downbeating you poor thing you 1242 00:54:16,560 --> 00:54:18,399 Speaker 3: have suffered today for the show. 1243 00:54:18,920 --> 00:54:19,719 Speaker 4: Thank you for doing this? 1244 00:54:20,400 --> 00:54:24,040 Speaker 15: All I can say? Thank George Michael get through. 1245 00:54:24,320 --> 00:54:27,200 Speaker 4: Well, we just ended to. George had to go off. Hey, 1246 00:54:27,239 --> 00:54:29,440 Speaker 4: listen how much money has been raised for the beer Kitty. 1247 00:54:30,360 --> 00:54:32,600 Speaker 15: I've got some sad news. The saddess this song. 1248 00:54:34,520 --> 00:54:38,640 Speaker 5: No last hasn't made Oh my god? 1249 00:54:38,880 --> 00:54:41,759 Speaker 3: Oh better going to macas and working a shift there 1250 00:54:41,760 --> 00:54:43,280 Speaker 3: on the chips or something? 1251 00:54:43,880 --> 00:54:46,759 Speaker 4: What better? 1252 00:54:47,080 --> 00:54:51,680 Speaker 5: Honestly just going through the gutters trying to find loose change. 1253 00:54:51,680 --> 00:54:58,240 Speaker 4: We just got another five cents, nine cents. That's amazing. 1254 00:54:58,400 --> 00:54:59,399 Speaker 4: Is this his last song? 1255 00:55:00,920 --> 00:55:01,799 Speaker 15: I think everyone hopes? 1256 00:55:02,440 --> 00:55:03,400 Speaker 4: What do you know? What you? 1257 00:55:04,160 --> 00:55:06,040 Speaker 3: How does this sound for an idea that he's doing 1258 00:55:06,120 --> 00:55:06,839 Speaker 3: such a good job? 1259 00:55:06,880 --> 00:55:08,600 Speaker 4: Then it feels to me like he's just warming up. 1260 00:55:09,520 --> 00:55:12,239 Speaker 4: Does he stay down there for another hour? I think 1261 00:55:12,280 --> 00:55:13,759 Speaker 4: he stays down there for another hour? 1262 00:55:13,880 --> 00:55:15,759 Speaker 5: Jack, What do you say, does he just goes back 1263 00:55:15,760 --> 00:55:18,440 Speaker 5: through the back cataloge so many backing tracks. 1264 00:55:18,440 --> 00:55:20,400 Speaker 3: He ended up saying, like nova, they just replayed the 1265 00:55:20,440 --> 00:55:23,120 Speaker 3: songs they played an hour ago. So he's turning into 1266 00:55:23,160 --> 00:55:25,920 Speaker 3: one man over down there, becks. I reckon tell him now, 1267 00:55:25,920 --> 00:55:27,560 Speaker 3: actually the good news that we've decided to let them. 1268 00:55:27,680 --> 00:55:30,160 Speaker 4: He's going to go berserk him. 1269 00:55:30,160 --> 00:55:34,360 Speaker 15: Now we're starying here for another hour. 1270 00:55:35,920 --> 00:55:37,440 Speaker 4: Hello, touch me. 1271 00:55:40,200 --> 00:55:43,600 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1272 00:55:43,640 --> 00:55:44,120 Speaker 1: point three. 1273 00:55:44,280 --> 00:55:46,760 Speaker 4: All right, so far the Swan has since six o'clock. 1274 00:55:46,440 --> 00:55:50,560 Speaker 3: We have played over one hundred and sixty two song requests. 1275 00:55:52,640 --> 00:55:54,680 Speaker 3: Sounds good as songs as tuned in, They're like, wow, 1276 00:55:54,760 --> 00:55:57,840 Speaker 3: this guy is slick. How has he done that in 1277 00:55:57,920 --> 00:56:00,879 Speaker 3: one hundred and eighty minutes? Has got many songs away? 1278 00:56:00,920 --> 00:56:02,759 Speaker 4: What's he doing? Yep, you have it. 1279 00:56:02,800 --> 00:56:04,759 Speaker 3: That's how many songs we've played. So every Friday we'll 1280 00:56:04,800 --> 00:56:06,839 Speaker 3: let you pick all the music. Some brilliant stuff. So far, 1281 00:56:07,040 --> 00:56:09,520 Speaker 3: still got more of your question the next hour only 1282 00:56:09,560 --> 00:56:12,400 Speaker 3: on Gold one four point three. Let's go to Ian. 1283 00:56:12,520 --> 00:56:13,960 Speaker 4: He's going to kick start the final hour of the 1284 00:56:14,040 --> 00:56:17,640 Speaker 4: show today. Good morning, Ian, good night, good morning buddy, 1285 00:56:17,680 --> 00:56:18,440 Speaker 4: how's your week. 1286 00:56:19,760 --> 00:56:20,200 Speaker 12: So far? 1287 00:56:20,440 --> 00:56:20,919 Speaker 5: So good? 1288 00:56:21,200 --> 00:56:23,040 Speaker 4: So far, so good? What you got lined up for 1289 00:56:23,080 --> 00:56:23,919 Speaker 4: the weekend? Ian? 1290 00:56:24,640 --> 00:56:27,640 Speaker 8: Oh, just take it as a yeah. 1291 00:56:27,680 --> 00:56:28,839 Speaker 4: That's how Weird likes to fly. 1292 00:56:28,960 --> 00:56:33,520 Speaker 3: He's easy, come easy, got well okay? 1293 00:56:33,680 --> 00:56:38,279 Speaker 4: And Ian in what do you what would you like 1294 00:56:38,320 --> 00:56:39,400 Speaker 4: to hear? What can we play for you in? 1295 00:56:40,400 --> 00:56:42,160 Speaker 15: I'd really love to play here? 1296 00:56:42,520 --> 00:56:45,160 Speaker 12: Rocking in the pre World by Neil Young. 1297 00:56:45,360 --> 00:56:46,960 Speaker 3: Absolutely, and you play as well if you want, you 1298 00:56:47,000 --> 00:56:49,000 Speaker 3: play along, do whatever you want and to enjoy the music. 1299 00:56:49,000 --> 00:56:51,760 Speaker 4: This is a fantastic song. You begger Neil Young fan. 1300 00:56:52,560 --> 00:56:55,400 Speaker 12: Aw for long time, might have since Woodstock? 1301 00:56:55,680 --> 00:56:58,160 Speaker 4: Have it? Wow? Wait, that's it. That's what Ian is. 1302 00:56:58,200 --> 00:57:00,279 Speaker 3: He's lost in Woodstock. Everyone, he's not been the same 1303 00:57:00,360 --> 00:57:02,759 Speaker 3: sense he saw things there. We can't even imagine. Ian 1304 00:57:02,840 --> 00:57:04,960 Speaker 3: Dank's according the show of a great weekend. 1305 00:57:05,160 --> 00:57:08,080 Speaker 1: And thanks very much to go Thank you the Christian 1306 00:57:08,120 --> 00:57:11,400 Speaker 1: O'Connell Breakfast Show, Melbourne's Gold one oh four point. 1307 00:57:11,280 --> 00:57:14,120 Speaker 3: Three Neil Young Rockin' in the Free World for Ian, 1308 00:57:14,160 --> 00:57:16,880 Speaker 3: they're still back in the days of Woodstock Gold one 1309 00:57:16,880 --> 00:57:19,919 Speaker 3: and four point three. Good morning to Christian O'Connor Breakfast Show. 1310 00:57:20,200 --> 00:57:21,960 Speaker 3: So when we start this color weeks ago, and we saill, look, 1311 00:57:21,960 --> 00:57:23,600 Speaker 3: every Friday, you're gonna pick all the music, and I 1312 00:57:23,600 --> 00:57:26,240 Speaker 3: mean six to ten. You know, I've been in Breakfast 1313 00:57:26,280 --> 00:57:29,280 Speaker 3: Ready for years. However, normally I've never ever done requests 1314 00:57:29,320 --> 00:57:31,960 Speaker 3: because what happens is old bosses of mine they give 1315 00:57:32,000 --> 00:57:33,680 Speaker 3: you. You must have had this in your time at various 1316 00:57:33,720 --> 00:57:36,560 Speaker 3: radio stations with the boys. They give you this sheet 1317 00:57:36,680 --> 00:57:40,160 Speaker 3: of about twenty songs, and you're supposed to basically people go, 1318 00:57:40,400 --> 00:57:41,960 Speaker 3: can I hear this? And the please you go, no, 1319 00:57:42,080 --> 00:57:45,720 Speaker 3: can you ask for this one? And why waste their time? 1320 00:57:46,200 --> 00:57:48,800 Speaker 3: Don't play their flipping requests? Then I don't say calling 1321 00:57:48,880 --> 00:57:51,600 Speaker 3: them buddy Summon, and I remember we'd have to lie, 1322 00:57:51,960 --> 00:57:53,480 Speaker 3: you know, and I'd have to play songs that they 1323 00:57:53,520 --> 00:57:54,200 Speaker 3: didn't even ask for. 1324 00:57:54,240 --> 00:57:56,160 Speaker 4: Then they texting and I didn't ask that song. I 1325 00:57:56,160 --> 00:57:57,480 Speaker 4: don't even like this one. 1326 00:57:57,640 --> 00:57:59,560 Speaker 3: So I stopped doing them about five years ago, and 1327 00:57:59,560 --> 00:58:00,960 Speaker 3: I'm not going to do this anymore. So waste of 1328 00:58:01,000 --> 00:58:03,240 Speaker 3: my time, people getting annoyed, and so with the great 1329 00:58:03,240 --> 00:58:05,800 Speaker 3: thing about the station is we generally generally there is 1330 00:58:05,840 --> 00:58:07,479 Speaker 3: not a list you back me up on this show. 1331 00:58:07,600 --> 00:58:09,760 Speaker 3: There is no list in front of me. We are letting, 1332 00:58:09,840 --> 00:58:11,640 Speaker 3: letting you pick the music every single Friday. 1333 00:58:11,720 --> 00:58:14,160 Speaker 5: It's the only true request out that I've ever known 1334 00:58:14,200 --> 00:58:14,680 Speaker 5: on radio. 1335 00:58:14,920 --> 00:58:16,680 Speaker 3: And I can only demonstrate this now and give it 1336 00:58:16,720 --> 00:58:19,240 Speaker 3: evid So how do we go from Neil Young? Normally 1337 00:58:19,400 --> 00:58:21,440 Speaker 3: on the station, we'd have a song that was maybe 1338 00:58:21,640 --> 00:58:23,880 Speaker 3: a similar kind of fielm to that gate a great 1339 00:58:23,880 --> 00:58:26,680 Speaker 3: classic rock artist like Neil Young. We'd stay with that 1340 00:58:27,120 --> 00:58:29,160 Speaker 3: and you look at the flow. That's what it's all about. 1341 00:58:29,200 --> 00:58:30,560 Speaker 3: What are we going from? What are we going to 1342 00:58:31,200 --> 00:58:34,160 Speaker 3: this song? There's no way, no way, no way, And 1343 00:58:34,280 --> 00:58:37,520 Speaker 3: any normal radio station you go Neil Young. I get 1344 00:58:37,560 --> 00:58:39,400 Speaker 3: that core artist for something like Gold one oh four 1345 00:58:39,440 --> 00:58:40,040 Speaker 3: point three. 1346 00:58:40,080 --> 00:58:42,560 Speaker 4: To go to this? Do you say something my. 1347 00:58:42,640 --> 00:58:46,320 Speaker 1: Love the Christian O'Connell Breakfast Show Melbourne's Gold one oh 1348 00:58:46,400 --> 00:58:47,280 Speaker 1: four point three. 1349 00:58:47,600 --> 00:58:48,600 Speaker 4: All right, Pink Floyd. 1350 00:58:48,720 --> 00:58:50,960 Speaker 3: I mean, what a segue we had Neil Young, Rice 1351 00:58:51,040 --> 00:58:53,960 Speaker 3: said Fred and then Pink Floyd, Pink Floyd. 1352 00:58:54,040 --> 00:58:57,880 Speaker 4: That was for you. Michelle loves that song. 1353 00:58:58,320 --> 00:59:00,320 Speaker 3: We've got some more brilliant requests coming up to next 1354 00:59:00,360 --> 00:59:02,640 Speaker 3: forty minutes of the show. As always say, if you 1355 00:59:02,640 --> 00:59:04,160 Speaker 3: ever want to drop us a line about something you 1356 00:59:04,240 --> 00:59:06,080 Speaker 3: heard on the show. We called it late to the party. 1357 00:59:06,200 --> 00:59:07,600 Speaker 3: Might be, and that we've moved on for a couple 1358 00:59:07,640 --> 00:59:10,400 Speaker 3: of days. This one actually comes to someone who was listening, 1359 00:59:10,440 --> 00:59:13,480 Speaker 3: but he was in his car. His car is his 1360 00:59:13,520 --> 00:59:15,840 Speaker 3: business police officer here in Melbourne. 1361 00:59:16,520 --> 00:59:16,720 Speaker 4: You know. 1362 00:59:16,720 --> 00:59:18,760 Speaker 3: The other day we were talking about how it was 1363 00:59:18,840 --> 00:59:22,440 Speaker 3: like a really stormy afternoon. I decided to drive to 1364 00:59:22,520 --> 00:59:24,760 Speaker 3: my daughter's school to pick them up and I drove. 1365 00:59:25,360 --> 00:59:27,240 Speaker 4: It was their first day a new school when. 1366 00:59:27,120 --> 00:59:28,400 Speaker 3: I thought it would be a good idea to drive 1367 00:59:28,480 --> 00:59:31,480 Speaker 3: right up to the front of the school, horrifying my kids. 1368 00:59:31,800 --> 00:59:34,840 Speaker 3: You remember you had rules with your parents. Never come 1369 00:59:35,120 --> 00:59:38,200 Speaker 3: within about two k's of the school, you know the rule, Dad, 1370 00:59:39,040 --> 00:59:41,520 Speaker 3: two k away, round the corner, around the corner, then 1371 00:59:41,560 --> 00:59:42,480 Speaker 3: round the corner again. 1372 00:59:42,640 --> 00:59:44,480 Speaker 5: But you pagg in the principal's cass. 1373 00:59:44,360 --> 00:59:47,080 Speaker 3: Yeah, right out the front, you know, and said, hey, 1374 00:59:47,280 --> 00:59:48,600 Speaker 3: stormy girls, get. 1375 00:59:48,400 --> 00:59:50,880 Speaker 4: In the car. Dad did to say, how much are 1376 00:59:50,880 --> 00:59:53,240 Speaker 4: you doing here? Go away? This is awful. 1377 00:59:53,360 --> 00:59:55,920 Speaker 3: Never do this again, dad, Christian I was listening to 1378 00:59:55,960 --> 00:59:57,720 Speaker 3: the show their day talking about embarrassing endors as we're 1379 00:59:57,720 --> 00:59:59,000 Speaker 3: going right to the front of the school. UK the 1380 00:59:59,040 --> 01:00:02,640 Speaker 3: top that back in ninety five, a young probationary police 1381 01:00:02,640 --> 01:00:05,120 Speaker 3: officer in Melbourne, I was still living at my dad's 1382 01:00:05,120 --> 01:00:06,560 Speaker 3: in order to save me have the forecaut for my 1383 01:00:06,600 --> 01:00:08,600 Speaker 3: own house. One morning, I was in my usual rush 1384 01:00:08,840 --> 01:00:11,040 Speaker 3: to get to work for an early shift headed in 1385 01:00:11,240 --> 01:00:13,680 Speaker 3: a couple hours later, as I walked the beats, as 1386 01:00:13,680 --> 01:00:15,280 Speaker 3: I believe you call it back in the UK, I 1387 01:00:15,360 --> 01:00:18,040 Speaker 3: got a call on my radio, which was transmitted to 1388 01:00:18,080 --> 01:00:22,800 Speaker 3: the entire station, informing me that my daddy had attended 1389 01:00:22,800 --> 01:00:26,080 Speaker 3: the front desk and dropped a packed lunch off for 1390 01:00:26,200 --> 01:00:27,000 Speaker 3: his little boy. 1391 01:00:27,880 --> 01:00:28,520 Speaker 4: As you can. 1392 01:00:28,400 --> 01:00:31,000 Speaker 3: Imagine, I was mortified and did not want to return 1393 01:00:31,840 --> 01:00:34,080 Speaker 3: for my meal break. You imagine my further talent when 1394 01:00:34,080 --> 01:00:36,240 Speaker 3: I got there to be handed by my shift inspector 1395 01:00:37,240 --> 01:00:41,440 Speaker 3: a lunch box with PC Fallon written on it as 1396 01:00:41,440 --> 01:00:43,920 Speaker 3: well my name. I've never lived it down. I've been 1397 01:00:43,920 --> 01:00:46,960 Speaker 3: doing this job for twenty five years. I think for 1398 01:00:47,040 --> 01:00:49,360 Speaker 3: our friend and the horse, he deserves a mug for that. 1399 01:00:49,560 --> 01:00:51,040 Speaker 5: Of course, I get his dad to drop it off. 1400 01:00:51,080 --> 01:00:57,120 Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one four point 1401 01:00:57,200 --> 01:00:58,800 Speaker 1: three We are here. 1402 01:00:58,880 --> 01:01:01,720 Speaker 3: We're just those three songs back to back while I 1403 01:01:01,840 --> 01:01:03,760 Speaker 3: try to debate with Jack whether or not I think 1404 01:01:03,760 --> 01:01:05,680 Speaker 3: it's a good idea that he goes home after the 1405 01:01:05,720 --> 01:01:08,160 Speaker 3: show to have a quick power snooze and then comes 1406 01:01:08,160 --> 01:01:09,360 Speaker 3: back to the pub at lunchtime. 1407 01:01:10,160 --> 01:01:11,200 Speaker 4: You committed to do it. 1408 01:01:11,240 --> 01:01:13,640 Speaker 5: I just what time does Nick's leaving drink start today? 1409 01:01:14,760 --> 01:01:15,880 Speaker 4: I don't know? Is it half half? 1410 01:01:16,240 --> 01:01:17,680 Speaker 3: It doesn't sound good on air for us to say 1411 01:01:17,680 --> 01:01:18,960 Speaker 3: that we're going to the pub a half eleven. 1412 01:01:19,560 --> 01:01:21,360 Speaker 5: That's why I reckon. I can squeeze in a quick nap, 1413 01:01:21,760 --> 01:01:22,280 Speaker 5: come back. 1414 01:01:22,400 --> 01:01:25,320 Speaker 4: Turning up like a zombie. You know, Sam Man coming 1415 01:01:25,360 --> 01:01:27,360 Speaker 4: out your eyes, you know, the old sleep Man's here. 1416 01:01:27,800 --> 01:01:30,800 Speaker 4: You know, Bobby snooze turns. Are you gonna miss? 1417 01:01:30,840 --> 01:01:31,040 Speaker 1: Yeah? 1418 01:01:33,200 --> 01:01:35,560 Speaker 4: You know I'd feel dreadful for that. Plus what if 1419 01:01:35,560 --> 01:01:36,280 Speaker 4: you don't wake up? 1420 01:01:36,520 --> 01:01:38,440 Speaker 5: Well, it's either that or an early exit. Because I 1421 01:01:38,440 --> 01:01:41,800 Speaker 5: feel myself getting tired on a Friday, I would. 1422 01:01:41,520 --> 01:01:44,240 Speaker 4: Do the early exit Basonally. I think it starts half eleven. 1423 01:01:44,280 --> 01:01:47,640 Speaker 4: I'm gonnaave at quarter to twelve. They're not going to 1424 01:01:47,720 --> 01:01:50,800 Speaker 4: drink a drinker order at stay minders go all right? 1425 01:01:50,840 --> 01:01:52,520 Speaker 3: So that was Nirvana as one, was that team spirit 1426 01:01:52,600 --> 01:01:55,560 Speaker 3: with Chris and Karen Downs, Patrick Hernandez Born to be 1427 01:01:55,600 --> 01:01:59,320 Speaker 3: Alive for Molly in Werribee. There is a song coming 1428 01:01:59,400 --> 01:02:03,400 Speaker 3: up after zam break, which I cannot stand. I will 1429 01:02:03,480 --> 01:02:05,800 Speaker 3: leave the studio when it's on. However, these are not 1430 01:02:05,840 --> 01:02:08,440 Speaker 3: my songs. They're your songs. I play my songs minded 1431 01:02:08,480 --> 01:02:12,200 Speaker 3: a Thursday. They're yours. But it to me actually makes 1432 01:02:12,200 --> 01:02:14,840 Speaker 3: my testicle shrink and I will have to go and 1433 01:02:14,840 --> 01:02:15,360 Speaker 3: lie down. 1434 01:02:15,520 --> 01:02:16,919 Speaker 4: It's a good lord. 1435 01:02:16,960 --> 01:02:18,560 Speaker 5: It's about I won't say what it is, but can 1436 01:02:18,600 --> 01:02:19,720 Speaker 5: you point to it on this thing? 1437 01:02:20,000 --> 01:02:21,680 Speaker 4: And I just want you to make a noise about 1438 01:02:21,720 --> 01:02:25,200 Speaker 4: what you think is that. I never know with you, 1439 01:02:25,560 --> 01:02:27,200 Speaker 4: I never know what that is that noise with you 1440 01:02:27,240 --> 01:02:27,600 Speaker 4: these days? 1441 01:02:27,640 --> 01:02:28,960 Speaker 5: What do you think of it? 1442 01:02:29,480 --> 01:02:29,800 Speaker 1: Really? 1443 01:02:30,480 --> 01:02:30,760 Speaker 4: Really? 1444 01:02:30,800 --> 01:02:33,120 Speaker 5: I know it's going to be worth anyway. 1445 01:02:33,160 --> 01:02:34,920 Speaker 4: It's not my song, it's you, Sarah and Boxheel I 1446 01:02:34,960 --> 01:02:35,320 Speaker 4: am playing. 1447 01:02:35,360 --> 01:02:39,480 Speaker 3: It's coming up next, all right, So next week's midweek mixtape. 1448 01:02:39,520 --> 01:02:42,200 Speaker 3: This week your favorite songs in movies. We picked the theme, 1449 01:02:42,240 --> 01:02:44,520 Speaker 3: you picked the songs. We do it every Wednesday. Just 1450 01:02:44,560 --> 01:02:46,400 Speaker 3: give me your heads up. You might want to chuck 1451 01:02:46,440 --> 01:02:49,960 Speaker 3: a song or two our way over the weekend. We're 1452 01:02:49,960 --> 01:02:52,320 Speaker 3: going to do an hour's worth of music where all 1453 01:02:52,360 --> 01:02:55,400 Speaker 3: the songs these are songs with sound effects in them. 1454 01:02:55,600 --> 01:03:06,919 Speaker 3: So to give you example, you've got like thriller O 1455 01:03:07,480 --> 01:03:10,680 Speaker 3: two sound effects got the door of the shoots and 1456 01:03:10,720 --> 01:03:15,160 Speaker 3: the wind all right three Phil Spector. 1457 01:03:14,800 --> 01:03:21,760 Speaker 4: Will have sound over there. But you got the hair 1458 01:03:21,800 --> 01:03:23,120 Speaker 4: of Phil Spector as well. 1459 01:03:23,120 --> 01:03:25,800 Speaker 3: But no, not a good example. Uh, you've got an 1460 01:03:25,800 --> 01:03:27,480 Speaker 3: example here as well. Quick hand me out on this. 1461 01:03:27,440 --> 01:03:29,560 Speaker 5: One telephone line yellow. 1462 01:03:34,440 --> 01:03:37,680 Speaker 3: Quite a few songs have got sounds of that. Have 1463 01:03:37,760 --> 01:03:40,200 Speaker 3: they that in the title have got a phone? There 1464 01:03:40,240 --> 01:03:42,640 Speaker 3: was a Dela Soul Dela Soul song as well. I 1465 01:03:42,640 --> 01:03:44,880 Speaker 3: think Blondie as well has got the sound effect of 1466 01:03:44,880 --> 01:03:45,439 Speaker 3: the phone too. 1467 01:03:45,720 --> 01:03:56,480 Speaker 4: There's also this. I actually want to hear the full 1468 01:03:56,520 --> 01:03:58,440 Speaker 4: song now because there's such a great que song. But no, 1469 01:03:58,640 --> 01:04:00,600 Speaker 4: we have to come back after z Bread. 1470 01:04:02,640 --> 01:04:06,040 Speaker 1: With the sting Cup, the Christian O'Connell Breakfast Show, Melbourne's 1471 01:04:06,040 --> 01:04:07,560 Speaker 1: Gold one oh four point three. 1472 01:04:08,880 --> 01:04:11,840 Speaker 3: You know, I'm such an idiot. I love this band. 1473 01:04:12,080 --> 01:04:14,160 Speaker 3: I saw them live four years ago. I sang this. 1474 01:04:14,240 --> 01:04:15,360 Speaker 3: I was I was in the I was in the 1475 01:04:15,440 --> 01:04:17,920 Speaker 3: front row. I sang it to them. I always thought 1476 01:04:17,920 --> 01:04:19,600 Speaker 3: it was your kiss on my lips. 1477 01:04:19,440 --> 01:04:23,800 Speaker 4: You know, yeah, yeah no, And but now I'd. 1478 01:04:23,640 --> 01:04:26,000 Speaker 3: Always kiss on on your lips because it makes sense 1479 01:04:26,040 --> 01:04:29,000 Speaker 3: lips kissing, right, it's on my list, and he's got 1480 01:04:29,040 --> 01:04:29,760 Speaker 3: a kissing list. 1481 01:04:30,000 --> 01:04:31,720 Speaker 4: You're the men, different time, different time. 1482 01:04:32,040 --> 01:04:33,240 Speaker 5: You want to be in charge of the Hall of 1483 01:04:33,320 --> 01:04:34,160 Speaker 5: Nots podcast. 1484 01:04:34,520 --> 01:04:37,080 Speaker 4: I know, but did you think it sounds like kiss 1485 01:04:37,080 --> 01:04:37,640 Speaker 4: on my lips? 1486 01:04:37,720 --> 01:04:38,880 Speaker 5: I knew it kiss on my list? 1487 01:04:39,000 --> 01:04:43,000 Speaker 11: I no way, you didn't know. 1488 01:04:43,320 --> 01:04:45,320 Speaker 3: I don't buy that. We got to two with this 1489 01:04:45,400 --> 01:04:48,360 Speaker 3: on Monday Show. I misheard song lyrics. Okay, Then we 1490 01:04:48,400 --> 01:04:51,280 Speaker 3: are back Monday morning on Monday Show. The more tickets 1491 01:04:51,320 --> 01:04:53,400 Speaker 3: to come and join us next Thursday night. Thursday Night, 1492 01:04:53,440 --> 01:04:55,400 Speaker 3: we're doing it our first ever movie club. We are 1493 01:04:55,400 --> 01:04:57,600 Speaker 3: screaming dumb and dumber Jack's ever seen before. Come and 1494 01:04:57,680 --> 01:04:59,680 Speaker 3: join us. More tickets to be one on Monday Show. 1495 01:05:00,040 --> 01:05:02,640 Speaker 3: Amos mcgaughlin live on Channel seven tonight. At some point 1496 01:05:02,960 --> 01:05:06,480 Speaker 3: he is going to try and Crowby in Gandolph's bed. 1497 01:05:07,880 --> 01:05:10,200 Speaker 3: So we'll get Amis back on Monday and play it 1498 01:05:10,280 --> 01:05:12,320 Speaker 3: back over the weekend. If you want to start to 1499 01:05:12,360 --> 01:05:14,640 Speaker 3: get your songs in with sound effects in head over 1500 01:05:14,680 --> 01:05:17,280 Speaker 3: to our Facebook page of the weekend OC one O 1501 01:05:17,440 --> 01:05:18,120 Speaker 3: four three. 1502 01:05:18,360 --> 01:05:19,560 Speaker 4: Well tyn of today's show. 1503 01:05:19,680 --> 01:05:23,920 Speaker 3: It has to be Felix A life in music That 1504 01:05:24,080 --> 01:05:27,760 Speaker 3: is m memory rip Nick Daily, our producer who is 1505 01:05:27,840 --> 01:05:30,800 Speaker 3: leaving radio now nice going over to the UK to 1506 01:05:30,880 --> 01:05:33,440 Speaker 3: run an internet radio station, and I wish you all 1507 01:05:33,480 --> 01:05:33,880 Speaker 3: the best. 1508 01:05:34,120 --> 01:05:35,000 Speaker 4: Thank you very much. 1509 01:05:35,240 --> 01:05:36,920 Speaker 14: I just want to say thank you, Christin, thank you 1510 01:05:36,960 --> 01:05:39,000 Speaker 14: for taking me under your wing bringing me over here. 1511 01:05:39,000 --> 01:05:41,520 Speaker 4: As don't creep around me because you're going, but thank you. 1512 01:05:41,640 --> 01:05:44,320 Speaker 14: It has been the most phenomenal time I've had with you. 1513 01:05:44,520 --> 01:05:47,880 Speaker 14: We've had, do you know, a really good time bringing 1514 01:05:47,920 --> 01:05:50,480 Speaker 14: this show here. And this show is going to be brilliant, 1515 01:05:50,560 --> 01:05:51,280 Speaker 14: so keep listening. 1516 01:05:51,320 --> 01:05:53,520 Speaker 4: It is what is it now? Yeah? 1517 01:05:53,960 --> 01:05:57,160 Speaker 3: How passive? Aggressive? I can't speak now? Weekend will be brilliant. 1518 01:05:57,160 --> 01:05:57,880 Speaker 3: But what is it now? 1519 01:05:58,120 --> 01:05:58,520 Speaker 4: Solid? 1520 01:05:58,840 --> 01:06:01,040 Speaker 5: No, it's not well, you know how it's not solid. 1521 01:06:01,120 --> 01:06:01,880 Speaker 5: The show is so solid? 1522 01:06:02,760 --> 01:06:05,640 Speaker 14: Is solid? It's like an amazing show. And then it 1523 01:06:05,640 --> 01:06:06,040 Speaker 14: will be. 1524 01:06:06,680 --> 01:06:09,800 Speaker 3: New title today show world's worst leaving speech. 1525 01:06:11,440 --> 01:06:13,000 Speaker 4: The show will be brilliant. 1526 01:06:13,000 --> 01:06:15,120 Speaker 14: It will be brilliant, like it will that is in 1527 01:06:15,280 --> 01:06:17,640 Speaker 14: now it is being brilliant. It will be brilliant. It 1528 01:06:17,680 --> 01:06:20,200 Speaker 14: continues to be brilliant. This show is brilliant. You're an 1529 01:06:20,240 --> 01:06:21,000 Speaker 14: amazing DJ. 1530 01:06:21,200 --> 01:06:22,720 Speaker 3: You know Trump earlier on this week when he did 1531 01:06:22,720 --> 01:06:25,040 Speaker 3: that backflip and all that. That's what you're doing right now? 1532 01:06:25,680 --> 01:06:26,320 Speaker 4: Yeah, I said. 1533 01:06:26,320 --> 01:06:28,280 Speaker 14: When I said wouldn't, I meant it would It's fine. 1534 01:06:28,480 --> 01:06:28,760 Speaker 4: Great. 1535 01:06:29,680 --> 01:06:31,200 Speaker 5: You were meant to be singing for the whole hour 1536 01:06:31,240 --> 01:06:33,040 Speaker 5: as well until ten o'clock. How did you get back 1537 01:06:33,080 --> 01:06:33,360 Speaker 5: in here? 1538 01:06:34,000 --> 01:06:35,440 Speaker 4: Do you know what? That was really fun? 1539 01:06:35,880 --> 01:06:41,240 Speaker 14: But you know, things have an expiring literally believable. 1540 01:06:41,520 --> 01:06:43,640 Speaker 3: You literally just didn't even realize that I might want 1541 01:06:43,640 --> 01:06:45,880 Speaker 3: the microphone back on the Christian color break. 1542 01:06:45,680 --> 01:06:48,640 Speaker 4: For show, well, good luck. The internet radio station in 1543 01:06:48,640 --> 01:06:51,400 Speaker 4: the UK just got you running it. Wow, it is 1544 01:06:51,440 --> 01:06:52,920 Speaker 4: going to be fine over there. And you know what, 1545 01:06:52,960 --> 01:06:57,520 Speaker 4: that's what those tell you that 1546 01:07:00,320 --> 01:07:03,680 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 1547 01:07:03,720 --> 01:07:04,200 Speaker 1: point three