WEBVTT - Nathalie Morris & Carlos Sanson Jr - BUMP - Actors

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast.

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<v Speaker 2>Last week that might welcome back guys to TV Reload.

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<v Speaker 2>As you may know, my name is Benjamin Norris and

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<v Speaker 2>this is your podcast to get all the inside goss

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<v Speaker 2>on the popular TV shows that you may be watching

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<v Speaker 2>from around the world. Underniably, our TV sets are still

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<v Speaker 2>a major part of our home entertainment, and yet very

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<v Speaker 2>little is known about how our favorite shows get made.

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<v Speaker 2>So each episode, I've been finding guests that want to

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<v Speaker 2>dive just that little bit deeper into the shows that

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<v Speaker 2>they're currently making, so that you can hear all their

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<v Speaker 2>exclusive stories and gain access to some of the biggest

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<v Speaker 2>names in Australian television. I want to thank you for

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<v Speaker 2>downloading all subscribe to this podcast this year. It means

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<v Speaker 2>a lot to me. I can't believe I've done three

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<v Speaker 2>years of TV Reload. I really do love hearing your feedback,

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<v Speaker 2>so if you've are still listening after all these years,

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<v Speaker 2>please leave a review or a comment on your chosen

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<v Speaker 2>podcast platform. On today's podcast, I have Natalie Morris and

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<v Speaker 2>Carlos Sanson Junior from the hit series Bump, which has

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<v Speaker 2>dropped series four on Stan Australia today. I absolutely love

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<v Speaker 2>revisiting these characters each year, and we have seen a

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<v Speaker 2>new season drop on the same day, Boxing Day for

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<v Speaker 2>quite a few years now. I feel like the day

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<v Speaker 2>after Christmas we all need to binge a TV series

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<v Speaker 2>and just forget about the world and take some time

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<v Speaker 2>to have some escapism. Some people might look forward to

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<v Speaker 2>the Boxing Day sales, I personally look forward to taking

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<v Speaker 2>a deep dive into the world of Bump, which is

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<v Speaker 2>set in Glebe, Sydney. The Australian drama is made by

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<v Speaker 2>TV legends Dan Edwards and his father John Edwards, along

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<v Speaker 2>with Claudia Carvin and Kelsey Monroe. I had the pleasure

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<v Speaker 2>of chatting with Dan and Claudia earlier this year, and

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<v Speaker 2>if you missed those episodes of TV Reload, make sure

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<v Speaker 2>you jump back and hear their incredible stories. In Bump

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<v Speaker 2>season four, we've jumped forward again, this time by two years.

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<v Speaker 2>Ollie played by my guest today Natalie Morris, and Santi

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<v Speaker 2>played by my other guest, Carlos Sanson Junior are back together,

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<v Speaker 2>having finally stabilized their small family unit with their challenging

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<v Speaker 2>seven year old daughter, Jacinta. Ollie is now the breadwinner

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<v Speaker 2>and Santy has found himself the unhappy stay at home dad,

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<v Speaker 2>and their endless interventions from their big mess of a

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<v Speaker 2>family are going to make them or break them for

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<v Speaker 2>series four. It is delicious writing, superbly acted, and like

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<v Speaker 2>I said, it's the perfect escapism for this time of

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<v Speaker 2>the year. We will talk about the casting of both

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<v Speaker 2>their roles. Natalie will talk about the way in which

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<v Speaker 2>she created the character of Claudia Carvin's daughter and which

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<v Speaker 2>of her iconic roles she watched to get some inspiration.

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<v Speaker 2>Carlos will share his journey with his character, and while

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<v Speaker 2>it's widely known that Natalie had an obvious mentor on

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<v Speaker 2>the show, he will also reveal who has been a

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<v Speaker 2>true inspiration for him too. We will dive into their

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<v Speaker 2>real relationship and find out what separates their on screen

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<v Speaker 2>romance with where they're both at now living together and

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<v Speaker 2>if that has created any kind of confusion. Plus, we

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<v Speaker 2>will get plenty of exclusives from behind the scenes of Bump, which,

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<v Speaker 2>as I mentioned, starts on Stan Australia today. Anyway, let's

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<v Speaker 2>bring these two into the podcast and guys, thank you

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<v Speaker 2>so much for listening to this podcast. It really does

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<v Speaker 2>mean a lot to me, and what a joy it

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<v Speaker 2>is to finish the series for twenty twenty three with

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<v Speaker 2>Bump for the second year in a row. I hope

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<v Speaker 2>you enjoy this episode.

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<v Speaker 3>Hi, I'm so sorry.

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<v Speaker 4>I had to own Carlos's laptop and my I had

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<v Speaker 4>to get the Zoom link and then download Zoom and

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<v Speaker 4>da da dah.

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<v Speaker 2>Did you guys do the like it was like a

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<v Speaker 2>stand installation of the restaurant, right, Yeah?

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<v Speaker 3>Pretty much?

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<v Speaker 4>I mean yeah, we kind of took over the jar

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<v Speaker 4>Contina and Glebe and had all the Bump posters up

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<v Speaker 4>and we were there was so manyadas.

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<v Speaker 3>People just came in and got free food.

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<v Speaker 2>Was there a lot of super fans that come in

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<v Speaker 2>and interacted with you?

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<v Speaker 5>It was pretty surprising.

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<v Speaker 1>Yeah. There was a whole line of fans out the

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<v Speaker 1>front of the store at eleven am with a lot of.

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<v Speaker 4>Inner Westies, a lot of Glebe vocals, fans who were

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<v Speaker 4>like new film on my Street and.

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<v Speaker 2>I I love that stuff. I mean, Claudia talks about

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<v Speaker 2>that from when she did Seek the Wife of Us.

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<v Speaker 2>You know, since Kilda really owned that TV series, Saint

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<v Speaker 2>Kilda was where it was set, you would obviously have

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<v Speaker 2>that with gleebe.

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<v Speaker 3>Yeah, yeah, I think it feels the same.

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<v Speaker 1>And there were people who were like, I just I

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<v Speaker 1>live up the roast came down, I saw what was

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<v Speaker 1>happening on Instagram.

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<v Speaker 5>I just like walked out the door and just came

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<v Speaker 5>down to say hi. It was nice.

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<v Speaker 2>Yeah, I'm just so happy that young people of your age.

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<v Speaker 2>And I don't mean to sound that in a condescening

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<v Speaker 2>way at all. I am forty three, so I'm a

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<v Speaker 2>little bit old, But I'm just so happy that there's

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<v Speaker 2>really good content for young people with young people playing them.

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<v Speaker 3>That's so nice.

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<v Speaker 1>I feel like that was part of why we did

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<v Speaker 1>the time jump, because I think we pulled off we

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<v Speaker 1>pulled off teenage high school when we first started doing Bump,

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<v Speaker 1>but then as we kind of got older, I think

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<v Speaker 1>the whole consensus with the whole career of team was like,

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<v Speaker 1>let's not try and keep young and like playing younger

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<v Speaker 1>than they actually are, because you know, as we got

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<v Speaker 1>as the sort of years went on, by the time

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<v Speaker 1>we got to season three, it was like, it doesn't

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<v Speaker 1>really feel right to be playing high school anymore, and

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<v Speaker 1>the story can expand so much more if we do

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<v Speaker 1>this time jump, and I remember we were really excited

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<v Speaker 1>about By the time we got to do the five

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<v Speaker 1>years in the future, it was like, oh wow, It's.

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<v Speaker 2>Like what is the age difference? Though? So when you

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<v Speaker 2>first got those roles, how old were you playing? Like,

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<v Speaker 2>were you two or three years out?

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<v Speaker 4>All? No, I was twenty three and I was playing sixteen,

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<v Speaker 4>so I was quite a bit older.

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<v Speaker 1>I look back and I watched stuff from season one

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<v Speaker 1>and season two.

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<v Speaker 5>What's crazy is season two and season.

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<v Speaker 1>Three were filmed two months apart, and I look at

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<v Speaker 1>stuff from season two and I'm like, we look like children,

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<v Speaker 1>and then I look at three and I'm like, we

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<v Speaker 1>look like adults.

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<v Speaker 5>And it was just two months apart.

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<v Speaker 2>Yeah, it's crazy. What did you do in between that?

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<v Speaker 2>I mean they were filmed together.

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<v Speaker 5>I did go to the gym a lot. I was like,

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<v Speaker 5>I want there to be some sort of physical difference.

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<v Speaker 4>Yeah.

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<v Speaker 1>I remember being quite set on that, like this is

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<v Speaker 1>my Christian Vale moment to do a cool physical transformation

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<v Speaker 1>over the summer. But yeah, we definitely played around with

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<v Speaker 1>like the looks and like I shaved my head and

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<v Speaker 1>did you dye your hair or get extensions?

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<v Speaker 3>I think they died a blonder.

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<v Speaker 1>Yeah, and that was costuming makes a big difference as well.

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<v Speaker 1>You know, like we're not in those jubilee when you're

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<v Speaker 1>not in the school uniform, the school uniform does.

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<v Speaker 5>So much, you know.

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<v Speaker 2>Yeah, actually put on the school.

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<v Speaker 1>Uniform, I was like, I didn't think I was going

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<v Speaker 1>to ever do this again. And you immediately feel like

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<v Speaker 1>a little kid again. You know, You're like, where do

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<v Speaker 1>I go?

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<v Speaker 2>Well, I'm happy that you guys are playing your own age.

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<v Speaker 2>I think that that works because I think we're getting

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<v Speaker 2>more of that. Like even with Heartbreak High that's come back,

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<v Speaker 2>we've got more age appropriate people, major age appropriate actors

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<v Speaker 2>playing them. I mean back in the day like Luke

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<v Speaker 2>Perry on nine oh two or oh, I think he

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<v Speaker 2>was like twenty years older than what he was playing,

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<v Speaker 2>and it was just, yeah, we need to move away

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<v Speaker 2>from that. I think audiences are getting smarter and they

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<v Speaker 2>really enjoy authenticity.

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<v Speaker 4>Yeah, absolutely, yeah, I think that's something. I think it

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<v Speaker 4>was smart that Bump originally cast a little bit older,

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<v Speaker 4>just because I feel like we could remember what it

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<v Speaker 4>was like to be sixteen with a sense of humor,

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<v Speaker 4>Whereas I think if we were actually sixteen, we wouldn't

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<v Speaker 4>have been able to laugh at ourselves as much and

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<v Speaker 4>kind of take the piss a little bit out of

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<v Speaker 4>the teenage experience.

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<v Speaker 1>Yeah, look back at our own high school experiences with

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<v Speaker 1>a bit of perspective.

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<v Speaker 3>Yeah, and really play it up. And yeah, especially for Olie,

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<v Speaker 3>I think.

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<v Speaker 1>You know, the back of the class in trouble all

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<v Speaker 1>the time. But also, we weren't so old that it

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<v Speaker 1>was weird. It looked weird like a guy with a beard.

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<v Speaker 2>I didn't have the wrinkles.

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<v Speaker 5>And yeah, now it's a different story.

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<v Speaker 1>Those sun marks they're coming through, but that's.

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<v Speaker 2>When they're like, you could get some botox. No, I'm

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<v Speaker 2>only kidding. I was so excited to organize this chat

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<v Speaker 2>with the two of you. It was kind of like

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<v Speaker 2>my pipe dream. I mean, this is honest to God,

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<v Speaker 2>like bump fantasy. Actually fantasy is probably misleading. That makes

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<v Speaker 2>it sound, that makes it sound really weird. But I

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<v Speaker 2>just was so excited to have the two of you

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<v Speaker 2>together because this show has been in our lives now

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<v Speaker 2>every year we get to look forward to coming back

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<v Speaker 2>and there's a bit of ownership over following the story

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<v Speaker 2>that the true of you have been telling.

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<v Speaker 3>I feel like I just.

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<v Speaker 4>Found that this year, I feel like I've noticed that

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<v Speaker 4>people are like, oh, we're looking forward to like they

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<v Speaker 4>kind of have cottoned on to, like, oh, in boxing day,

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<v Speaker 4>of course it's going to come out. And it just

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<v Speaker 4>feels like there's more of a following now than after

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<v Speaker 4>two seasons. You know, people come to expect it as

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<v Speaker 4>part of their holiday, Christmas holiday experience.

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<v Speaker 3>Really nice.

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<v Speaker 1>It's been a bit weird the way it's all worked

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<v Speaker 1>out is like at the end of season one, we

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<v Speaker 1>didn't know if we were going to do another one,

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<v Speaker 1>and we knew that we were going to do three

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<v Speaker 1>after two, but we didn't know if the three was

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<v Speaker 1>going to be the end. So at the end of

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<v Speaker 1>kind of most seasons it's been like this, this might

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<v Speaker 1>be it, Like all right, god bye, this might this

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<v Speaker 1>might be the end of bump, and we don't know

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<v Speaker 1>until it comes out, and then of course it does,

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<v Speaker 1>so well, another one gets renewed. So it's been this like,

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<v Speaker 1>you know, you you hope that it goes again, but

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<v Speaker 1>there's no, it's not like it in season one. We

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<v Speaker 1>signed a four season deal and we knew that every

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<v Speaker 1>year for us it was going to be this this

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<v Speaker 1>thing that we did, Yeah, but yeah, I agree. This

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<v Speaker 1>season it's feeling, yeah, like people are getting used to

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<v Speaker 1>it now. It's like, oh, it's that time of year again,

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<v Speaker 1>it's Boxing Day.

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<v Speaker 5>It's fine.

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<v Speaker 3>People are really familiar with the characters now.

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<v Speaker 2>Yeah, it's good writing, though, do you know what I mean?

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<v Speaker 2>I think that there's some honest to god fantastic collaborating

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<v Speaker 2>happening behind the scenes to make a show like this pop,

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<v Speaker 2>Because I mean, I saw Claudia last night. I actually

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<v Speaker 2>sat next to her at the preview of Expats, and

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<v Speaker 2>I was talking to her about my nervousness about season four.

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<v Speaker 2>I have a fear of season four and TV shows

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<v Speaker 2>that I love because so often it's season four, they're

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<v Speaker 2>fall over. I didn't say to Claudia last night, but

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<v Speaker 2>Secret Life of Us season four was terrible. She wasn't

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<v Speaker 2>in it at that stage.

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<v Speaker 4>She wasn't in it. I feel like, yeah, it wasn't.

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<v Speaker 2>Like I don't know, I was scared. And then you

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<v Speaker 2>know what, it was so nice because I've watched the

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<v Speaker 2>first I've watched a big chunk of this series and

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<v Speaker 2>of season four, which is coming out of Boxing Day,

0:09:59.520 --> 0:10:02.640
<v Speaker 2>and it just levels up again. There's more conversation and

0:10:02.679 --> 0:10:06.120
<v Speaker 2>it's deeper. The characters are richer, even with it starting

0:10:06.120 --> 0:10:09.160
<v Speaker 2>with the bushfires and talking about the climate, do you

0:10:09.240 --> 0:10:11.600
<v Speaker 2>know what I mean? Like, it's just like the sky's

0:10:11.640 --> 0:10:14.280
<v Speaker 2>the limit now with what you can do with these characters.

0:10:14.520 --> 0:10:16.760
<v Speaker 2>And we have an expectation for it to level up

0:10:16.760 --> 0:10:19.080
<v Speaker 2>every year, and I'm happy to say that this next

0:10:19.120 --> 0:10:20.559
<v Speaker 2>series levels up again.

0:10:20.800 --> 0:10:23.679
<v Speaker 4>No, the writers are bumps, so smart, and they're so

0:10:23.760 --> 0:10:27.559
<v Speaker 4>conscious of not turning it into a soapy TV show.

0:10:28.160 --> 0:10:31.120
<v Speaker 4>They're really trying to stay ahead of the audience, just

0:10:31.240 --> 0:10:33.880
<v Speaker 4>keep pushing like, Okay, what's relevant now? What are we

0:10:33.920 --> 0:10:37.280
<v Speaker 4>talking about now? What's in the zeitgeist at the moment.

0:10:37.400 --> 0:10:39.800
<v Speaker 4>And it does feel like these characters can just be

0:10:39.840 --> 0:10:43.280
<v Speaker 4>a vessel for literally whatever we want to say, and

0:10:43.320 --> 0:10:46.320
<v Speaker 4>the writers have a lot to say, so it's it's

0:10:46.360 --> 0:10:47.080
<v Speaker 4>good in that way.

0:10:47.280 --> 0:10:49.120
<v Speaker 2>I want to start at the beginning because I'm just

0:10:49.160 --> 0:10:51.200
<v Speaker 2>so excited to have the two of you there, But like,

0:10:51.320 --> 0:10:54.480
<v Speaker 2>how did you get cast? Like for starters, both of

0:10:54.520 --> 0:10:56.320
<v Speaker 2>you are phenomenal in these roles. There's a lot of

0:10:56.360 --> 0:10:59.240
<v Speaker 2>ownership over it. But also the chemistry between the two

0:10:59.280 --> 0:11:02.640
<v Speaker 2>of you is electrick like, it's it's palpable. How did

0:11:02.679 --> 0:11:06.120
<v Speaker 2>you guys come across the material and how did you

0:11:06.160 --> 0:11:06.800
<v Speaker 2>get pasted?

0:11:07.320 --> 0:11:11.640
<v Speaker 4>Well, I auditioned for Kirsty McGregor, the casting director for

0:11:11.679 --> 0:11:14.280
<v Speaker 4>a different project, So I didn't get that.

0:11:14.520 --> 0:11:17.200
<v Speaker 2>Can we say what that was? Is that bad to Eden?

0:11:17.760 --> 0:11:19.960
<v Speaker 4>Eden, which was being made around the same time as

0:11:20.320 --> 0:11:23.400
<v Speaker 4>the Stand project, another Stamp project, And Yeah, I just

0:11:23.440 --> 0:11:25.199
<v Speaker 4>wasn't right for that character. I think that character was

0:11:25.200 --> 0:11:29.959
<v Speaker 4>played by her, not Sophie Wilde the other the blog.

0:11:31.960 --> 0:11:36.440
<v Speaker 2>Yeah, I actually don't know, just bailed us on the test.

0:11:38.480 --> 0:11:41.920
<v Speaker 4>And but because Kirsty had seen my audition for Eden,

0:11:42.400 --> 0:11:45.240
<v Speaker 4>she thought to herself, I guess like, oh, this girl

0:11:45.280 --> 0:11:48.679
<v Speaker 4>would be really good as Cordia Carbon's daughter. And at

0:11:48.720 --> 0:11:51.959
<v Speaker 4>that time she, I guess, just started to get word

0:11:52.040 --> 0:11:55.400
<v Speaker 4>of Bump and so by the time it got to me,

0:11:55.559 --> 0:11:58.680
<v Speaker 4>she already was like quite it wasn't a general call

0:11:58.720 --> 0:11:59.160
<v Speaker 4>out to me.

0:11:59.320 --> 0:12:01.960
<v Speaker 3>She was quite interested in me already for the role.

0:12:02.040 --> 0:12:04.200
<v Speaker 3>So she sent me. I kind of jumped straight to

0:12:04.240 --> 0:12:05.400
<v Speaker 3>the recall stage in a way.

0:12:05.440 --> 0:12:07.719
<v Speaker 4>She sent me like five or six scenes off of that,

0:12:08.120 --> 0:12:09.960
<v Speaker 4>and I knew that they were kind of interested in

0:12:09.960 --> 0:12:12.080
<v Speaker 4>me and excited, So I was like, Okay, I've really

0:12:12.080 --> 0:12:13.920
<v Speaker 4>got to do a good audition for this, and then

0:12:14.040 --> 0:12:16.720
<v Speaker 4>I sent it in a tape and I got the job.

0:12:16.840 --> 0:12:19.280
<v Speaker 3>I didn't even recall or I know it was chemistry.

0:12:19.440 --> 0:12:20.720
<v Speaker 3>We didn't chemistry read.

0:12:21.040 --> 0:12:25.880
<v Speaker 2>She living in What is wild to me that they

0:12:25.920 --> 0:12:28.000
<v Speaker 2>didn't chemistry read the two of you, because.

0:12:28.040 --> 0:12:32.200
<v Speaker 4>The chemistry read Carlos with heaps of different vinces. But

0:12:32.320 --> 0:12:34.760
<v Speaker 4>we didn't jump on a call until we were already

0:12:34.800 --> 0:12:36.480
<v Speaker 4>cast weeks later.

0:12:37.440 --> 0:12:40.040
<v Speaker 2>Do you know what? But did you Maybe they cast you?

0:12:40.120 --> 0:12:43.080
<v Speaker 2>Because I just assumed, Natalie, that when you found out

0:12:43.080 --> 0:12:45.520
<v Speaker 2>that you got this role, or when you started auditioning

0:12:45.559 --> 0:12:48.960
<v Speaker 2>and you knew you were playing Claudia's daughter, that you

0:12:49.040 --> 0:12:50.839
<v Speaker 2>must have gone and watched a lot of her stuff

0:12:50.920 --> 0:12:53.800
<v Speaker 2>or followed her around, because the nuances that you were

0:12:53.840 --> 0:12:57.160
<v Speaker 2>picking up and playing and demonstrating, it didn't feel like

0:12:57.200 --> 0:12:59.640
<v Speaker 2>you're impersonating Claudia carb and it felt like you were

0:12:59.640 --> 0:13:02.679
<v Speaker 2>her daughter. He felt like you. She genuinely had that

0:13:02.760 --> 0:13:07.000
<v Speaker 2>mother daughter similarities. Did you go and watch a lot

0:13:07.040 --> 0:13:09.120
<v Speaker 2>of her old work or were you allowed to follow

0:13:09.120 --> 0:13:09.600
<v Speaker 2>her around?

0:13:09.960 --> 0:13:12.760
<v Speaker 3>I did, Yeah, I stalked Laudia. I did.

0:13:12.800 --> 0:13:14.360
<v Speaker 4>I was living because I was living in Auckland at

0:13:14.360 --> 0:13:16.160
<v Speaker 4>the time, and so I had to do the hotel

0:13:16.240 --> 0:13:19.599
<v Speaker 4>quarantine to come over for a bump, and during the

0:13:19.600 --> 0:13:22.600
<v Speaker 4>hotel quarantine, I watched all of Love My Way, which

0:13:22.640 --> 0:13:23.280
<v Speaker 4>I loved.

0:13:23.360 --> 0:13:24.480
<v Speaker 3>I'm obsessed with Love My.

0:13:24.440 --> 0:13:27.160
<v Speaker 4>Way, and so I kind of got an idea of

0:13:27.200 --> 0:13:29.480
<v Speaker 4>her through that. But I think I think it just

0:13:29.559 --> 0:13:30.439
<v Speaker 4>happened over time.

0:13:30.760 --> 0:13:34.880
<v Speaker 1>I remember, yeah, I remember you started to adopt her laugh. Yeah, yeah,

0:13:34.920 --> 0:13:37.400
<v Speaker 1>you guys up and I was like, you're laughing like

0:13:37.440 --> 0:13:38.079
<v Speaker 1>Claude laughs.

0:13:38.280 --> 0:13:38.640
<v Speaker 3>Yeah.

0:13:39.120 --> 0:13:41.840
<v Speaker 4>I think I just started to become like her across

0:13:41.960 --> 0:13:42.360
<v Speaker 4>the choot.

0:13:42.559 --> 0:13:44.400
<v Speaker 3>Yeah, just by I don't know.

0:13:44.720 --> 0:13:46.920
<v Speaker 5>I think it was just being around her. It was

0:13:46.960 --> 0:13:49.600
<v Speaker 5>probably a bit of awe as well, so we're just like,

0:13:49.760 --> 0:13:50.400
<v Speaker 5>oh my gosh.

0:13:50.520 --> 0:13:52.880
<v Speaker 2>Well people talk about it though. I mean I've heard

0:13:52.920 --> 0:13:54.520
<v Speaker 2>it from people on the set that the two of

0:13:54.559 --> 0:13:56.800
<v Speaker 2>you are very close and that Claudia has that sort

0:13:56.800 --> 0:14:00.199
<v Speaker 2>of mentorship with you. Yeah, but there's a really is

0:14:00.200 --> 0:14:04.520
<v Speaker 2>this soul sister thing happening. There's something very very I

0:14:04.559 --> 0:14:06.880
<v Speaker 2>don't know organic about it.

0:14:07.080 --> 0:14:09.360
<v Speaker 3>Yeah, I don't know how that happened. I think we

0:14:09.559 --> 0:14:12.080
<v Speaker 3>just we just really hit it off from day one, and.

0:14:12.760 --> 0:14:16.280
<v Speaker 4>I remember there were some members of the cast who

0:14:16.280 --> 0:14:18.840
<v Speaker 4>were like, oh, Claudia Carvin, it's so nice to be

0:14:18.880 --> 0:14:19.320
<v Speaker 4>on the show.

0:14:19.360 --> 0:14:22.120
<v Speaker 3>Thank you so much. I'm so grateful for being, you know,

0:14:22.160 --> 0:14:24.480
<v Speaker 3>in your presence, and I think I was just like,

0:14:25.160 --> 0:14:25.960
<v Speaker 3>you're a bit shit.

0:14:28.360 --> 0:14:30.400
<v Speaker 2>I think someone like Claudia Covin wants though, do you

0:14:30.440 --> 0:14:32.000
<v Speaker 2>know what I mean? Like, I think she doesn't want

0:14:32.000 --> 0:14:34.640
<v Speaker 2>anyone sucking up to her. She doesn't want anyone being like, oh,

0:14:35.680 --> 0:14:38.080
<v Speaker 2>she wants to be challenged, you know. She wants to

0:14:38.120 --> 0:14:42.080
<v Speaker 2>see the enthusiasm and the you know, the interest that

0:14:42.120 --> 0:14:44.560
<v Speaker 2>you have in the industry. I think is where she

0:14:44.680 --> 0:14:47.560
<v Speaker 2>responds most. And I think she can clearly see that

0:14:47.600 --> 0:14:50.320
<v Speaker 2>there's something in you that I don't know.

0:14:50.960 --> 0:14:54.520
<v Speaker 4>I personally have a really close relationship with my mum,

0:14:54.760 --> 0:14:57.960
<v Speaker 4>So when someone is cast as my mom, I tend

0:14:58.000 --> 0:15:02.680
<v Speaker 4>to kind of just instinctively treat them like they're very

0:15:02.720 --> 0:15:05.200
<v Speaker 4>close to me in a way, like I think the

0:15:05.240 --> 0:15:08.760
<v Speaker 4>way I spoke to her in scenes and how kind of.

0:15:08.960 --> 0:15:11.560
<v Speaker 5>Yeah, how you endow that person.

0:15:11.400 --> 0:15:15.040
<v Speaker 4>I endow that person with, oh, okay, yeah, this person

0:15:15.120 --> 0:15:17.440
<v Speaker 4>is my mom, and therefore I don't know they just

0:15:17.720 --> 0:15:19.680
<v Speaker 4>it's a bit of imagination and it's a bit of

0:15:20.160 --> 0:15:22.400
<v Speaker 4>I feel like that happens all the time. Like your

0:15:22.440 --> 0:15:26.200
<v Speaker 4>relationship with the people that you're acting with become very

0:15:26.240 --> 0:15:28.840
<v Speaker 4>similar to the relationship with the characters awlus.

0:15:28.920 --> 0:15:31.800
<v Speaker 2>Do you feel jealous about this relationship that they have?

0:15:31.880 --> 0:15:34.120
<v Speaker 2>Do you? Do you have a mentorship on the set

0:15:34.120 --> 0:15:35.040
<v Speaker 2>of Bump as well?

0:15:35.200 --> 0:15:39.560
<v Speaker 3>Yes, he does. Nom and Tim have adopted especially.

0:15:41.640 --> 0:15:43.000
<v Speaker 5>Ryan Johnson's my mentor.

0:15:44.760 --> 0:15:48.240
<v Speaker 3>Ryan Anger love that. Yeah, he's my idol.

0:15:48.680 --> 0:15:52.680
<v Speaker 1>It was interesting because my Ricardo, who plays my dad,

0:15:53.040 --> 0:15:57.320
<v Speaker 1>had never acted before and so we we and I

0:15:57.320 --> 0:15:59.520
<v Speaker 1>had done some stuff, but it was my first big

0:16:00.280 --> 0:16:03.800
<v Speaker 1>lead role, and we we really I think, leant on

0:16:03.840 --> 0:16:06.440
<v Speaker 1>each other, like as like we're both in this and

0:16:06.640 --> 0:16:09.000
<v Speaker 1>like that's just like let's let's lean on each other

0:16:09.080 --> 0:16:10.760
<v Speaker 1>like a father and a son would in a way,

0:16:10.840 --> 0:16:12.440
<v Speaker 1>like there was there was a bit of dependence on

0:16:12.480 --> 0:16:14.240
<v Speaker 1>each other that we were just like let's do our

0:16:14.240 --> 0:16:16.080
<v Speaker 1>best and let's make this as real as possible.

0:16:16.160 --> 0:16:18.120
<v Speaker 3>And also I feel like he was a mentor for

0:16:18.200 --> 0:16:20.400
<v Speaker 3>you in terms of like the South American.

0:16:20.440 --> 0:16:21.160
<v Speaker 5>Yeah for sure.

0:16:21.680 --> 0:16:25.880
<v Speaker 4>Yeah, yes, you didn't speak as good as Spanish.

0:16:26.000 --> 0:16:28.960
<v Speaker 1>Now. Also I didn't know how to dance salsa and yeah,

0:16:29.000 --> 0:16:31.000
<v Speaker 1>it was it was, it was. Yeah, he was he

0:16:31.120 --> 0:16:33.440
<v Speaker 1>was great and I think he but in the same

0:16:33.480 --> 0:16:36.640
<v Speaker 1>way that he was. It felt like he was leaning

0:16:36.640 --> 0:16:38.920
<v Speaker 1>on me too in terms of the acting stuff, which

0:16:38.960 --> 0:16:41.120
<v Speaker 1>which felt like it was a two way relationship. It

0:16:41.160 --> 0:16:43.280
<v Speaker 1>wasn't like I was just leaning on him all the time.

0:16:43.280 --> 0:16:46.320
<v Speaker 1>It was it was a really nice lab. It was

0:16:46.360 --> 0:16:48.240
<v Speaker 1>a nice collab there with me and Ricarda.

0:16:48.360 --> 0:16:49.920
<v Speaker 2>Well. I don't want to give anything away, but there's

0:16:49.920 --> 0:16:53.400
<v Speaker 2>some scenes in this latest season where you two you

0:16:53.440 --> 0:16:56.120
<v Speaker 2>were there with your father and feels very genuine. And

0:16:56.160 --> 0:16:58.560
<v Speaker 2>I remember Claudia saying something about the fact that they

0:16:58.680 --> 0:17:01.520
<v Speaker 2>chose some actors for the very first season to make

0:17:01.600 --> 0:17:03.160
<v Speaker 2>it the first time actors.

0:17:03.360 --> 0:17:03.520
<v Speaker 3>You know.

0:17:03.560 --> 0:17:06.919
<v Speaker 2>They didn't go and try and find these recognizable names

0:17:06.920 --> 0:17:10.840
<v Speaker 2>that to be able to create this multicultural universe that worked.

0:17:11.119 --> 0:17:15.520
<v Speaker 2>They did audition and find first time actors, you know.

0:17:15.920 --> 0:17:18.520
<v Speaker 2>And I think there's something in that maybe as to

0:17:18.640 --> 0:17:21.520
<v Speaker 2>why the community works with this show. And I think

0:17:21.560 --> 0:17:23.760
<v Speaker 2>community is the right word even today.

0:17:24.280 --> 0:17:27.560
<v Speaker 1>The launch for season four, we were at Bajakantina and

0:17:27.600 --> 0:17:31.240
<v Speaker 1>Glebe and it was most of the South American cast

0:17:31.320 --> 0:17:34.720
<v Speaker 1>were there, and most of them are community cast, like

0:17:34.800 --> 0:17:38.119
<v Speaker 1>Claudia de Gusti, who plays Pernadita, community cast.

0:17:38.560 --> 0:17:41.800
<v Speaker 5>I mean, obviously Plo done.

0:17:41.680 --> 0:17:43.720
<v Speaker 3>Lost facting before, we're not really here.

0:17:43.920 --> 0:17:46.920
<v Speaker 1>But Ricardo was there too, and then and there there

0:17:47.000 --> 0:17:50.439
<v Speaker 1>was something to be said about just like one hundred yeah, yeah, yeah, Miguel,

0:17:50.600 --> 0:17:52.920
<v Speaker 1>we're all it just feels like we're just.

0:17:52.880 --> 0:17:54.760
<v Speaker 5>A bunch of normal people having to dance.

0:17:54.880 --> 0:17:56.760
<v Speaker 1>We were just like dancing, eating up and others and

0:17:56.840 --> 0:17:58.480
<v Speaker 1>like there were fans and stuff there, but it was

0:17:58.560 --> 0:18:01.480
<v Speaker 1>just like everyone come in and together the others and

0:18:01.520 --> 0:18:04.680
<v Speaker 1>there's it feels like there's no ego or anything like that.

0:18:05.320 --> 0:18:07.840
<v Speaker 3>I think there's zero ego set.

0:18:08.600 --> 0:18:11.480
<v Speaker 2>I think it's authenticity that must be to me, that's

0:18:11.480 --> 0:18:14.399
<v Speaker 2>what that's the word that comes to mind because and

0:18:14.440 --> 0:18:16.080
<v Speaker 2>you know, it doesn't always happen like that. You do

0:18:16.200 --> 0:18:17.919
<v Speaker 2>often speak to actors and they'll be like, we had

0:18:17.920 --> 0:18:19.760
<v Speaker 2>an amazing time on set, and that it doesn't work

0:18:19.800 --> 0:18:22.960
<v Speaker 2>on camera where for this particular series, it's just popping.

0:18:23.200 --> 0:18:25.280
<v Speaker 2>And it's why we all want to be a part

0:18:25.280 --> 0:18:27.520
<v Speaker 2>of community and it's why Bump works and we want

0:18:27.560 --> 0:18:29.840
<v Speaker 2>season four, we want season five, we want season six

0:18:30.000 --> 0:18:32.840
<v Speaker 2>because we're as an audience feel included in this community

0:18:33.000 --> 0:18:34.760
<v Speaker 2>and it's good content to feel like that.

0:18:35.640 --> 0:18:39.120
<v Speaker 5>Something to be said about the also the South American culture.

0:18:39.240 --> 0:18:40.480
<v Speaker 5>I don't I want to.

0:18:40.480 --> 0:18:43.240
<v Speaker 1>Blame it all on that, but there is something about

0:18:43.560 --> 0:18:47.720
<v Speaker 1>the energy and the warmth that comes when the Hernando's

0:18:47.760 --> 0:18:48.520
<v Speaker 1>family are together.

0:18:48.960 --> 0:18:51.440
<v Speaker 3>And yeah, true, do you know what I mean?

0:18:51.640 --> 0:18:54.080
<v Speaker 1>Like every day that it's a Honande's day, Like if

0:18:54.119 --> 0:18:56.480
<v Speaker 1>we're at the Henando's house or a Ross's house, it's.

0:18:56.359 --> 0:18:58.440
<v Speaker 5>Like it's there's just something special.

0:18:58.840 --> 0:19:01.520
<v Speaker 1>There's something special that like maybe isn't there on other

0:19:01.600 --> 0:19:03.080
<v Speaker 1>days with I remember.

0:19:02.720 --> 0:19:05.560
<v Speaker 4>In season one, especially the episodes that were directed by

0:19:05.640 --> 0:19:10.880
<v Speaker 4>Letitia whose Aretion Timmy, and so the set was kind

0:19:10.880 --> 0:19:13.280
<v Speaker 4>of like in like everyone was speaking Spanish, that the

0:19:13.320 --> 0:19:16.879
<v Speaker 4>crew was speaking Spanish because Carolina was focus puller, Letty

0:19:16.960 --> 0:19:18.880
<v Speaker 4>was talking and Spanish to all the actors, and yeah,

0:19:18.920 --> 0:19:21.720
<v Speaker 4>those days just felt like just yeah, there was some

0:19:21.840 --> 0:19:24.600
<v Speaker 4>kind of warmth connection fun.

0:19:24.920 --> 0:19:27.960
<v Speaker 1>It was just and that stuff that the camera doesn't lie,

0:19:28.040 --> 0:19:30.359
<v Speaker 1>that's the camera picks up on that stuff. And I

0:19:30.440 --> 0:19:32.760
<v Speaker 1>think that's what it is that you're talking about, that

0:19:32.800 --> 0:19:35.399
<v Speaker 1>you that you feel, yeah when you're watching it.

0:19:35.520 --> 0:19:37.680
<v Speaker 2>Well, I think Dan Edwards is making the most of

0:19:37.760 --> 0:19:41.640
<v Speaker 2>the real bonds that are happening. You know, he's threading

0:19:41.640 --> 0:19:43.720
<v Speaker 2>that you know, I think that must be what's happening

0:19:43.800 --> 0:19:46.960
<v Speaker 2>there where there's some decisions being made on keeping the

0:19:47.000 --> 0:19:50.159
<v Speaker 2>cameras on actors longer because you know, there's there's a

0:19:50.280 --> 0:19:52.240
<v Speaker 2>vibe there. I guess I hate the word vibe. That's

0:19:52.240 --> 0:19:53.040
<v Speaker 2>a terrible word.

0:19:53.240 --> 0:19:57.439
<v Speaker 4>Hopefully a lot of like real there's a lot of

0:19:57.480 --> 0:20:01.600
<v Speaker 4>like spontaneous things that happen and the camera captures it.

0:20:01.760 --> 0:20:04.240
<v Speaker 2>I guess I don't want to pry about your personal lives,

0:20:04.320 --> 0:20:07.040
<v Speaker 2>but can I just say about the chemistry between the

0:20:07.040 --> 0:20:09.080
<v Speaker 2>two of you. So you've both been cast in this,

0:20:09.400 --> 0:20:12.399
<v Speaker 2>you've both met, Can you talk to me about the

0:20:12.400 --> 0:20:14.879
<v Speaker 2>initial stages of the two of you working together and

0:20:14.920 --> 0:20:17.879
<v Speaker 2>the relationship that you guys were having at that point.

0:20:18.400 --> 0:20:19.320
<v Speaker 3>We met on Zoom.

0:20:19.400 --> 0:20:21.240
<v Speaker 1>Yeah, we met on Zoom. And I feel like the

0:20:21.240 --> 0:20:24.119
<v Speaker 1>way season the arc of season one panned out, it

0:20:24.200 --> 0:20:26.959
<v Speaker 1>was very kind of similar because the first it feels

0:20:27.040 --> 0:20:29.840
<v Speaker 1>like the first couple weeks, a lot of our stuff

0:20:29.920 --> 0:20:32.520
<v Speaker 1>was actually quite separate. And that's kind of how season

0:20:32.520 --> 0:20:34.879
<v Speaker 1>the trajectory of season one goes. You kind of have

0:20:35.359 --> 0:20:39.359
<v Speaker 1>the traumas Davis family dealing with this pregnancy, and then

0:20:39.600 --> 0:20:41.760
<v Speaker 1>have the Hernandez family who are dealing with the fact

0:20:41.800 --> 0:20:43.880
<v Speaker 1>that they founder that their son is the father, and.

0:20:43.840 --> 0:20:46.159
<v Speaker 4>There's a bit of we only really chat for the

0:20:46.200 --> 0:20:47.960
<v Speaker 4>first time in episode four or something.

0:20:48.040 --> 0:20:51.040
<v Speaker 1>Yeah, that's the first time that these two characters going together,

0:20:51.080 --> 0:20:51.800
<v Speaker 1>and that was a bit.

0:20:52.119 --> 0:20:54.639
<v Speaker 5>That's kind of what it felt like working together.

0:20:54.680 --> 0:20:56.840
<v Speaker 1>It was like we would pass each other on set, like, hey,

0:20:56.880 --> 0:20:58.680
<v Speaker 1>here you go on and I had heard great things

0:20:58.680 --> 0:20:59.760
<v Speaker 1>about NAT's performance.

0:21:00.040 --> 0:21:03.200
<v Speaker 3>All we hear from the crew like like, oh, flo game.

0:21:03.160 --> 0:21:06.679
<v Speaker 2>And wait till you meet this guy. Yeah, And then

0:21:06.720 --> 0:21:09.280
<v Speaker 2>it'd start to feel competitive, wouldn't you. You'd be like, oh,

0:21:09.440 --> 0:21:12.160
<v Speaker 2>I got the female lead's going to be doing better

0:21:12.160 --> 0:21:12.399
<v Speaker 2>than me.

0:21:13.520 --> 0:21:15.800
<v Speaker 5>Bro I'm good with her the competition.

0:21:15.880 --> 0:21:18.639
<v Speaker 1>No, but I was feeling like kind of nervous. I

0:21:18.680 --> 0:21:20.560
<v Speaker 1>was kind of like, I hope I'm doing my bit

0:21:20.640 --> 0:21:22.879
<v Speaker 1>because I'm not like, I don't know about you. But

0:21:22.920 --> 0:21:24.760
<v Speaker 1>I wasn't hearing that I was doing great things.

0:21:24.840 --> 0:21:26.200
<v Speaker 3>Oh I was hearing that for sure.

0:21:26.560 --> 0:21:28.280
<v Speaker 1>Yeah, well I guess I know that in hindsight now

0:21:28.400 --> 0:21:30.679
<v Speaker 1>from telling me. But at the time, all I was

0:21:30.720 --> 0:21:33.000
<v Speaker 1>hearing was that Nat was amazing, and I was like,

0:21:33.080 --> 0:21:35.040
<v Speaker 1>I hope I'm doing the show dressers, I'm doing my

0:21:35.119 --> 0:21:37.600
<v Speaker 1>character Justice. I hope when I start doing scenes with

0:21:37.640 --> 0:21:40.680
<v Speaker 1>her that I'm watching her, you know, because but I.

0:21:40.640 --> 0:21:45.960
<v Speaker 4>Think that there was this kind of shared load, Like

0:21:46.000 --> 0:21:48.840
<v Speaker 4>I think that we both felt like, Okay, we're carrying

0:21:48.840 --> 0:21:52.120
<v Speaker 4>a new TV show and it's you know, Claudia Carbon

0:21:52.359 --> 0:21:55.120
<v Speaker 4>and stand and there.

0:21:55.000 --> 0:21:56.440
<v Speaker 2>Would have been a lot of pressure on the two

0:21:56.480 --> 0:21:59.560
<v Speaker 2>of you independently, So I guess you could get together

0:21:59.640 --> 0:22:02.680
<v Speaker 2>and and share that load, and yeah, I feel as

0:22:02.760 --> 0:22:03.399
<v Speaker 2>much pressure.

0:22:03.440 --> 0:22:05.680
<v Speaker 3>I guess like we just kind of like a real

0:22:05.840 --> 0:22:07.680
<v Speaker 3>kind of I see you. Yeah.

0:22:07.720 --> 0:22:08.000
<v Speaker 5>I think.

0:22:08.119 --> 0:22:11.360
<v Speaker 1>I think by the time we started having scenes together properly, Yeah,

0:22:11.400 --> 0:22:14.120
<v Speaker 1>and we started to explain that relationship dynamic, we were

0:22:14.119 --> 0:22:16.359
<v Speaker 1>really leaning on each other at that point and just

0:22:16.640 --> 0:22:18.119
<v Speaker 1>like I got you, you got me.

0:22:18.680 --> 0:22:20.240
<v Speaker 5>Yeah, let's just trust.

0:22:20.280 --> 0:22:22.520
<v Speaker 3>We had a very similar way of working from the ke.

0:22:23.600 --> 0:22:25.120
<v Speaker 3>We both were very.

0:22:25.680 --> 0:22:28.440
<v Speaker 1>It's funny because we have we have very different processes

0:22:28.440 --> 0:22:31.880
<v Speaker 1>as individual artists. Yeah, but I think a very similar

0:22:32.200 --> 0:22:33.600
<v Speaker 1>attitude on attitude on.

0:22:33.560 --> 0:22:36.120
<v Speaker 5>Set of like let's get this the best it can be.

0:22:36.200 --> 0:22:36.400
<v Speaker 2>Yeah.

0:22:36.520 --> 0:22:39.840
<v Speaker 1>Well, we're both very investigative and like what's what is

0:22:39.880 --> 0:22:40.359
<v Speaker 1>this scene?

0:22:40.359 --> 0:22:42.639
<v Speaker 3>When it's not working, we like freak out.

0:22:42.720 --> 0:22:44.359
<v Speaker 1>Kind of going by our heads and like look at

0:22:44.400 --> 0:22:46.919
<v Speaker 1>each other and like it's a couple of times in

0:22:46.960 --> 0:22:49.280
<v Speaker 1>season one where I would just part and you see

0:22:49.320 --> 0:22:52.200
<v Speaker 1>that go like looks off into the distance, and I'm like.

0:22:52.320 --> 0:22:53.000
<v Speaker 5>What's the wrong?

0:22:53.119 --> 0:22:54.040
<v Speaker 3>What's happening for the scene?

0:22:54.119 --> 0:22:55.600
<v Speaker 5>Like what's what's what? What is it? What is it?

0:22:55.680 --> 0:22:57.720
<v Speaker 5>And then we kind of start to you know, there's that.

0:22:57.680 --> 0:22:59.320
<v Speaker 3>We unpack it, we go again, and.

0:22:59.440 --> 0:23:01.480
<v Speaker 5>Then we go again. Scene gets better. But there's a

0:23:01.560 --> 0:23:01.920
<v Speaker 5>couple of.

0:23:01.840 --> 0:23:03.639
<v Speaker 4>Times as well where we didn't get to the stage

0:23:03.640 --> 0:23:04.919
<v Speaker 4>that we were happy, and then we'd have to go

0:23:05.000 --> 0:23:06.560
<v Speaker 4>home and we'd call each.

0:23:06.359 --> 0:23:09.120
<v Speaker 2>Other all the way home and be like that's so

0:23:09.280 --> 0:23:13.520
<v Speaker 2>bad and it's your fault. No, no, no, that's cruse fault.

0:23:13.960 --> 0:23:15.280
<v Speaker 5>You know, you just start think.

0:23:15.280 --> 0:23:17.720
<v Speaker 4>It was just like a shared goal of making it

0:23:17.760 --> 0:23:20.480
<v Speaker 4>as good as possible, and we had similar taste and

0:23:20.720 --> 0:23:22.280
<v Speaker 4>you know, we don't have the same process, but we

0:23:22.320 --> 0:23:25.920
<v Speaker 4>do have very similar values on set. Yeah, we both

0:23:26.000 --> 0:23:27.800
<v Speaker 4>like really want to keep it live.

0:23:28.080 --> 0:23:29.240
<v Speaker 3>We love listening.

0:23:29.480 --> 0:23:33.240
<v Speaker 2>Yeah, well that's what Claudia was saying. Acting really is listening.

0:23:33.440 --> 0:23:35.840
<v Speaker 2>It is about learning the lines, but so much of

0:23:35.880 --> 0:23:39.680
<v Speaker 2>your characters are listening to what the other actor is doing,

0:23:39.800 --> 0:23:42.240
<v Speaker 2>what the other person is doing. Ultimately, I think there are.

0:23:42.119 --> 0:23:45.560
<v Speaker 4>So many characters on the show that are so funny

0:23:45.720 --> 0:23:48.399
<v Speaker 4>and just the things they can do with their face

0:23:48.480 --> 0:23:52.879
<v Speaker 4>and their voice, and they're kind of like comedy specialist, specialist,

0:23:52.920 --> 0:23:53.760
<v Speaker 4>like they're really.

0:23:53.520 --> 0:23:54.560
<v Speaker 3>Good at doing a comedy.

0:23:54.600 --> 0:23:56.199
<v Speaker 4>And I think that both of us were kind of

0:23:56.280 --> 0:23:59.200
<v Speaker 4>like that wasn't what we were good at, or didn't

0:23:59.280 --> 0:24:01.840
<v Speaker 4>we just weren't that kind of actor. We were both

0:24:01.880 --> 0:24:04.000
<v Speaker 4>actors who were like, Okay, I'm going to look at you,

0:24:04.000 --> 0:24:04.679
<v Speaker 4>you're going to look at me.

0:24:04.720 --> 0:24:06.080
<v Speaker 3>We're gonna make this really real.

0:24:06.240 --> 0:24:08.800
<v Speaker 2>Yeah yeah, yeah, yeah yeah, But you know, it's so funny.

0:24:08.840 --> 0:24:11.800
<v Speaker 2>I didn't know this until recently from doing this podcast,

0:24:11.880 --> 0:24:14.480
<v Speaker 2>but the actors that I like the most have something

0:24:14.520 --> 0:24:17.680
<v Speaker 2>in common, and that is curiosity. I think if you're

0:24:17.720 --> 0:24:20.679
<v Speaker 2>a good actor. To me, what I think lifts on

0:24:20.760 --> 0:24:24.320
<v Speaker 2>screen is when that actor is curious. Because if you're

0:24:24.320 --> 0:24:27.200
<v Speaker 2>being curious in your role and of the people you're

0:24:27.240 --> 0:24:29.880
<v Speaker 2>working with, the nuances work better. Well.

0:24:29.960 --> 0:24:34.480
<v Speaker 5>Your attention is on the other person of the scene.

0:24:34.800 --> 0:24:37.719
<v Speaker 1>Your attention is not on yourself, it's on what's happening

0:24:37.760 --> 0:24:39.800
<v Speaker 1>in front of you, and then you're responding to that,

0:24:39.880 --> 0:24:42.359
<v Speaker 1>and then that's what creates the moment and the truth.

0:24:42.720 --> 0:24:46.360
<v Speaker 4>There was actually something that I learned a drama school,

0:24:46.520 --> 0:24:48.760
<v Speaker 4>Like an exercise that we used to do sometimes is

0:24:49.000 --> 0:24:51.520
<v Speaker 4>rather than going into a new scene with like an

0:24:51.560 --> 0:24:55.800
<v Speaker 4>idea or a direction, you go into the scene with

0:24:55.920 --> 0:24:58.200
<v Speaker 4>a question. Rather than going, Okay, I'm going to play

0:24:58.400 --> 0:25:01.080
<v Speaker 4>Allie a bit like more scared. You go into the

0:25:01.119 --> 0:25:05.440
<v Speaker 4>scene going is always slightly afraid of what Santi will say,

0:25:05.600 --> 0:25:08.000
<v Speaker 4>you know what I mean. Like it's which I always

0:25:08.000 --> 0:25:10.560
<v Speaker 4>found really helpful because you're not kind of going, I'm

0:25:10.600 --> 0:25:12.119
<v Speaker 4>going to play this, You're going.

0:25:12.000 --> 0:25:14.879
<v Speaker 3>I'm going to wonder about this during the scene.

0:25:15.000 --> 0:25:17.119
<v Speaker 2>Yeah, And then it's playing in the background and people

0:25:17.200 --> 0:25:17.560
<v Speaker 2>feel that.

0:25:18.440 --> 0:25:22.800
<v Speaker 1>And if you if you're feeling uncomfortable and your character

0:25:22.880 --> 0:25:25.840
<v Speaker 1>is not supposed to be uncomfortable, then that's what's going

0:25:25.920 --> 0:25:27.640
<v Speaker 1>to be. That's what the audience is going to read.

0:25:27.880 --> 0:25:30.439
<v Speaker 1>So it's like it's about doing your character that the

0:25:30.560 --> 0:25:34.959
<v Speaker 1>ultimate justice and existing in the given circumstances that your

0:25:35.040 --> 0:25:35.600
<v Speaker 1>character is in.

0:25:36.080 --> 0:25:37.760
<v Speaker 5>Like fully, this is how I work.

0:25:37.840 --> 0:25:40.680
<v Speaker 1>It's like you fully believe that what's happening right now

0:25:40.680 --> 0:25:42.560
<v Speaker 1>in the scene is happening in real life, and you're

0:25:42.560 --> 0:25:44.520
<v Speaker 1>responding to that as truthfully as you can.

0:25:44.920 --> 0:25:47.080
<v Speaker 2>And that's at some point though from doing this. The

0:25:47.240 --> 0:25:49.520
<v Speaker 2>obvious question here at this point is do you two,

0:25:49.600 --> 0:25:52.480
<v Speaker 2>as people, not as actors, fall in love together?

0:25:53.400 --> 0:25:57.520
<v Speaker 1>That that that that's like, yeah, it's a really good question.

0:25:58.000 --> 0:26:02.080
<v Speaker 1>I think I think you do, but not in a

0:26:02.160 --> 0:26:06.040
<v Speaker 1>romantic way like like I think I think.

0:26:05.880 --> 0:26:07.960
<v Speaker 2>You as actors would be in love. Like I said,

0:26:08.119 --> 0:26:11.680
<v Speaker 2>obviously you are very good actors. These characters are in love.

0:26:11.720 --> 0:26:15.320
<v Speaker 2>So there's authentic feelings of love obviously there. But I'm

0:26:15.480 --> 0:26:18.760
<v Speaker 2>curious about the two of you. I'm like, does being

0:26:18.760 --> 0:26:21.000
<v Speaker 2>an actor and playing these characters do it come off screen?

0:26:21.080 --> 0:26:24.159
<v Speaker 2>Does it translate? Does it transfer into your real life?

0:26:24.400 --> 0:26:27.399
<v Speaker 1>There's a genuine adoration that I have for Nat and

0:26:27.880 --> 0:26:32.000
<v Speaker 1>that's that exists for real and I think that's probably

0:26:32.000 --> 0:26:38.280
<v Speaker 1>what you're seeing that you're watching Santi have for Ali.

0:26:38.920 --> 0:26:42.480
<v Speaker 5>But because of the way the script is.

0:26:42.480 --> 0:26:46.320
<v Speaker 1>And you know, the storytelling that is being layered on

0:26:46.359 --> 0:26:48.840
<v Speaker 1>top of that, costumes that all that type of stuff,

0:26:48.880 --> 0:26:52.720
<v Speaker 1>the given circumstances that the audience takes that and goes, oh, yeah,

0:26:52.800 --> 0:26:56.320
<v Speaker 1>they're in love. The respect and the enjoyment that I

0:26:56.680 --> 0:27:00.639
<v Speaker 1>that I that I feel when I'm with nat I

0:27:00.640 --> 0:27:04.680
<v Speaker 1>think that's probably what's convinced such a convincing portrayal of.

0:27:05.560 --> 0:27:08.199
<v Speaker 4>Its interesting because we've also been with other people on

0:27:08.240 --> 0:27:10.960
<v Speaker 4>the show, and I've been with other people and other projects,

0:27:10.960 --> 0:27:13.000
<v Speaker 4>and so was Carlos, And it's interesting.

0:27:13.640 --> 0:27:16.840
<v Speaker 3>We talk about this a bit too, because it's like

0:27:17.320 --> 0:27:20.800
<v Speaker 3>part of like it's just like our real relationship.

0:27:20.840 --> 0:27:23.600
<v Speaker 4>My real relationship with Claudia Book is on screen with

0:27:23.640 --> 0:27:25.919
<v Speaker 4>her as my mum. My real relationship with Angus is

0:27:25.960 --> 0:27:28.919
<v Speaker 4>on screen with him as my dad, My real relationship

0:27:28.960 --> 0:27:32.280
<v Speaker 4>with oh No, a version of my relationship with Christian

0:27:32.359 --> 0:27:35.400
<v Speaker 4>is on screen with Bowie.

0:27:35.680 --> 0:27:38.400
<v Speaker 3>But I think with partners.

0:27:38.400 --> 0:27:40.639
<v Speaker 4>It's interesting because I also had to act with Harry

0:27:40.680 --> 0:27:45.560
<v Speaker 4>Greenwood in season three, and I really like Harry Greenwood.

0:27:45.200 --> 0:27:45.680
<v Speaker 3>As a person.

0:27:45.760 --> 0:27:48.040
<v Speaker 4>I think he's hilarious and I really enjoyed being on

0:27:48.040 --> 0:27:51.120
<v Speaker 4>set with him. And I think they originally wrote him

0:27:51.200 --> 0:27:53.800
<v Speaker 4>to be like kind of as like dorky, kind of

0:27:54.080 --> 0:27:57.800
<v Speaker 4>a bit gross, like slimy guy that Ollie really shouldn't

0:27:57.840 --> 0:27:59.320
<v Speaker 4>sleep with, but she.

0:27:59.359 --> 0:28:00.440
<v Speaker 3>Does because she sad.

0:28:00.720 --> 0:28:04.640
<v Speaker 4>And I think because we got on so well, then

0:28:04.920 --> 0:28:09.399
<v Speaker 4>the relationship actually looked on screen like a really true friendship,

0:28:09.840 --> 0:28:12.720
<v Speaker 4>and so then that kind of informed, that kind of

0:28:12.760 --> 0:28:15.400
<v Speaker 4>informed what they then did with it, And I don't

0:28:15.400 --> 0:28:17.240
<v Speaker 4>think it was their intention on the outset, but as

0:28:17.240 --> 0:28:19.080
<v Speaker 4>we were shooting, they were kind of like, oh, Okay,

0:28:19.119 --> 0:28:20.960
<v Speaker 4>this is what where, this is what it is. And

0:28:21.760 --> 0:28:24.320
<v Speaker 4>I thought, as as Olie, I was like, you know,

0:28:24.400 --> 0:28:26.280
<v Speaker 4>she is in love with this character in a way,

0:28:26.520 --> 0:28:28.480
<v Speaker 4>she is in love with Michael, but it's just like

0:28:29.000 --> 0:28:31.200
<v Speaker 4>not so romantic or not so.

0:28:32.040 --> 0:28:33.520
<v Speaker 2>She's not it works for the story.

0:28:33.600 --> 0:28:40.120
<v Speaker 4>Yeah, yeah, physically maybe then yeah, their chemistry isn't so hot.

0:28:40.720 --> 0:28:43.320
<v Speaker 5>And on the contrary, if you're in a scene with

0:28:43.360 --> 0:28:46.960
<v Speaker 5>someone who who you need to despise or you need

0:28:47.000 --> 0:28:50.360
<v Speaker 5>to have like deep hatred for it, kind of it's

0:28:50.400 --> 0:28:53.240
<v Speaker 5>still that that closeness.

0:28:52.600 --> 0:28:55.800
<v Speaker 1>And that real friendship and adoration if you want to

0:28:55.880 --> 0:28:59.320
<v Speaker 1>use that word. That kind of is just as important

0:28:59.320 --> 0:29:01.320
<v Speaker 1>in a scene where you need to be enemies with

0:29:01.400 --> 0:29:05.560
<v Speaker 1>someone because the closer you are with that actor, at

0:29:05.600 --> 0:29:09.680
<v Speaker 1>least in my experience, the more trust there is to

0:29:09.840 --> 0:29:12.400
<v Speaker 1>go there fully and the more space that there is

0:29:12.880 --> 0:29:14.640
<v Speaker 1>that you can hold for the other actor to go

0:29:14.720 --> 0:29:17.239
<v Speaker 1>don't worry, you can go for my neck, you can

0:29:17.280 --> 0:29:20.640
<v Speaker 1>go for the juggular, and like there's a and I

0:29:20.640 --> 0:29:23.959
<v Speaker 1>think it's the same thing where it's like on character

0:29:24.280 --> 0:29:27.320
<v Speaker 1>like love relationships, it's like the more trust that's there,

0:29:27.680 --> 0:29:30.080
<v Speaker 1>and there is so much trust between us, the more

0:29:30.240 --> 0:29:32.640
<v Speaker 1>that we both feel comfortable and safe enough to go there.

0:29:32.800 --> 0:29:35.160
<v Speaker 1>And I think there is a deep trust with Nat

0:29:35.200 --> 0:29:35.920
<v Speaker 1>and I.

0:29:35.960 --> 0:29:39.280
<v Speaker 4>Also, I think we've done three four seasons now, we've

0:29:39.320 --> 0:29:42.239
<v Speaker 4>been doing this for three years. It's kind of like

0:29:42.360 --> 0:29:46.440
<v Speaker 4>we've we We have also followed Oli santi journey. So

0:29:46.560 --> 0:29:48.760
<v Speaker 4>Olie is in love with Santi, so that means I

0:29:48.800 --> 0:29:50.440
<v Speaker 4>know what it is like to be in love with

0:29:50.800 --> 0:29:51.200
<v Speaker 4>I don't know.

0:29:51.360 --> 0:29:54.200
<v Speaker 2>It's weird, it's so MULDI layered, and I keep trying

0:29:54.200 --> 0:29:56.160
<v Speaker 2>to work it out. I just think people are so

0:29:56.320 --> 0:29:59.960
<v Speaker 2>curious about it because it's the relationship with these characters

0:30:00.240 --> 0:30:03.720
<v Speaker 2>leaks off the screen, you have a relationship outside of

0:30:03.760 --> 0:30:04.160
<v Speaker 2>the show.

0:30:04.640 --> 0:30:09.000
<v Speaker 4>I can't no spoilers, but there was one particular moment

0:30:09.360 --> 0:30:15.160
<v Speaker 4>and we were crying these real tears and it wasn't.

0:30:15.840 --> 0:30:20.760
<v Speaker 3>It wasn't because it wasn't because Nat. Oh, how do

0:30:20.840 --> 0:30:21.600
<v Speaker 3>I describe.

0:30:21.360 --> 0:30:22.800
<v Speaker 5>This without giving the spoiler?

0:30:22.880 --> 0:30:23.920
<v Speaker 3>Yeah, without being a spoiler.

0:30:24.080 --> 0:30:27.360
<v Speaker 2>It was because it's hard to talk about without doing that.

0:30:27.440 --> 0:30:29.080
<v Speaker 2>I mean it's hard to talk about even if we

0:30:29.120 --> 0:30:32.360
<v Speaker 2>did talk about spoilans, it just felt like.

0:30:32.800 --> 0:30:35.160
<v Speaker 1>The emotion there was there was a truth, There was

0:30:35.160 --> 0:30:38.120
<v Speaker 1>a there was a truthful emotion that was circulating between

0:30:38.120 --> 0:30:41.400
<v Speaker 1>the two of us, and that existed separate to what

0:30:41.520 --> 0:30:42.360
<v Speaker 1>the story was.

0:30:42.640 --> 0:30:43.720
<v Speaker 5>Okay, you know what I mean.

0:30:44.320 --> 0:30:46.680
<v Speaker 1>And so whatever's happening in the story, we're not going

0:30:46.680 --> 0:30:49.280
<v Speaker 1>to say because that's a spoiler. What was happening between

0:30:49.360 --> 0:30:52.800
<v Speaker 1>us was definitely like real, but it was it was

0:30:52.880 --> 0:30:54.480
<v Speaker 1>like a different But.

0:30:54.400 --> 0:30:56.680
<v Speaker 4>What I'm also saying is like it was emotional because

0:30:56.720 --> 0:30:59.440
<v Speaker 4>I was empathizing with Ollie. Like I didn't think it

0:30:59.480 --> 0:31:02.200
<v Speaker 4>was happening to me, but I've been so invested in

0:31:02.240 --> 0:31:06.720
<v Speaker 4>Ollie's story I knew how much the moment, what the moment.

0:31:06.480 --> 0:31:07.040
<v Speaker 3>Meant for her.

0:31:07.960 --> 0:31:11.400
<v Speaker 4>That as Ollie, and as someone who's kind of owned

0:31:11.440 --> 0:31:18.440
<v Speaker 4>Ollie for three years, I could feel what I empathized with.

0:31:18.480 --> 0:31:20.240
<v Speaker 4>What it's like, you know, when you watch a movie

0:31:20.240 --> 0:31:23.320
<v Speaker 4>and you cry for another character, it's like, I feel

0:31:23.360 --> 0:31:27.160
<v Speaker 4>like you're them, Like it's like watching the movie of

0:31:27.200 --> 0:31:33.000
<v Speaker 4>your character and you're invested in feeling everything your characters feeling.

0:31:33.360 --> 0:31:35.720
<v Speaker 2>Do you want the characters to stay together? Like, is

0:31:35.760 --> 0:31:38.320
<v Speaker 2>there like a feeling that you two have? I mean,

0:31:38.440 --> 0:31:40.800
<v Speaker 2>season three, we saw the you two apart. We saw

0:31:40.840 --> 0:31:43.920
<v Speaker 2>these characters apart, and it was hard to watch because

0:31:44.400 --> 0:31:47.760
<v Speaker 2>we as an audience, we want these characters together. It

0:31:47.880 --> 0:31:52.400
<v Speaker 2>is like that, you know, The Nanny with mister Sheffield,

0:31:52.880 --> 0:31:55.000
<v Speaker 2>which is a terrible I don't know why my analogies

0:31:55.000 --> 0:31:56.800
<v Speaker 2>are so bad today, because you guys probably didn't watch

0:31:56.840 --> 0:31:59.880
<v Speaker 2>The Nanny. Whose characters that you guys grew up watching,

0:32:00.160 --> 0:32:02.280
<v Speaker 2>where there's the will they won't they get together, but

0:32:02.320 --> 0:32:05.720
<v Speaker 2>the audience wants them to be together. Do you guys

0:32:05.760 --> 0:32:07.000
<v Speaker 2>have shows that you watched?

0:32:07.240 --> 0:32:09.160
<v Speaker 4>The first one that comes to mind, and I'm not

0:32:09.280 --> 0:32:12.680
<v Speaker 4>so proud of this is Blake Lively and Penn Badgeling

0:32:12.720 --> 0:32:13.440
<v Speaker 4>and The Girl.

0:32:15.040 --> 0:32:17.120
<v Speaker 2>I just love that you're honest about that. Of course

0:32:17.120 --> 0:32:18.440
<v Speaker 2>people are going to know that.

0:32:18.960 --> 0:32:22.160
<v Speaker 5>I was small Bill Clark Lewis Lane.

0:32:22.320 --> 0:32:23.040
<v Speaker 3>Yeah, right.

0:32:23.400 --> 0:32:26.840
<v Speaker 2>Do you know what's the best one is Alex and

0:32:27.320 --> 0:32:30.680
<v Speaker 2>Evan from Secret Life of Us. The first few seasons

0:32:30.720 --> 0:32:32.080
<v Speaker 2>of that. I don't know if you watched it, but

0:32:32.680 --> 0:32:36.360
<v Speaker 2>they weren't really together ever, but there was tension there

0:32:36.400 --> 0:32:38.480
<v Speaker 2>and you wanted them to be together. I guess I've

0:32:38.480 --> 0:32:40.880
<v Speaker 2>deviated so far away from this now. But do you

0:32:40.920 --> 0:32:43.320
<v Speaker 2>guys want these two characters to stay together because we

0:32:43.360 --> 0:32:44.880
<v Speaker 2>could do more seasons of Bump.

0:32:45.480 --> 0:32:49.400
<v Speaker 4>I think my feeling is that the writers don't want to,

0:32:49.760 --> 0:32:51.880
<v Speaker 4>like there's only so much you can kind of keep

0:32:51.880 --> 0:32:56.040
<v Speaker 4>two characters apart, and comes like, Okay, now we're writing.

0:32:55.720 --> 0:32:57.960
<v Speaker 5>A TV show, you know, so be a little bit.

0:32:58.040 --> 0:32:58.200
<v Speaker 2>You know.

0:32:58.920 --> 0:33:02.040
<v Speaker 3>I think that do I want them ultimately to be together?

0:33:02.480 --> 0:33:02.920
<v Speaker 2>Yeah?

0:33:03.120 --> 0:33:06.520
<v Speaker 1>Because I feel like, as Carlos, I can look outside

0:33:06.520 --> 0:33:08.520
<v Speaker 1>of it and I go, I care so much about

0:33:08.600 --> 0:33:10.560
<v Speaker 1>Santi and I want what's best for Sarti and I

0:33:10.640 --> 0:33:14.120
<v Speaker 1>know that like that's with only being ultimately being in

0:33:14.160 --> 0:33:17.800
<v Speaker 1>this family is what's yeah, is what I is what

0:33:17.840 --> 0:33:22.320
<v Speaker 1>I want, yeah to be to have Carlos wants Santy

0:33:22.400 --> 0:33:22.880
<v Speaker 1>to have that.

0:33:23.000 --> 0:33:23.280
<v Speaker 2>I do.

0:33:23.360 --> 0:33:25.960
<v Speaker 1>I do really feel that way, yeah, and so yeah,

0:33:26.040 --> 0:33:28.040
<v Speaker 1>I yeah, absolutely, yeah.

0:33:28.080 --> 0:33:29.640
<v Speaker 5>I think like I think they're.

0:33:29.440 --> 0:33:30.000
<v Speaker 3>A good match.

0:33:30.640 --> 0:33:32.120
<v Speaker 2>Like I think they are a good match.

0:33:32.320 --> 0:33:35.719
<v Speaker 1>I mean, I think what's so interesting is because as

0:33:35.760 --> 0:33:37.920
<v Speaker 1>well is they're so different, and I think that's like

0:33:38.320 --> 0:33:39.480
<v Speaker 1>that's so interesting.

0:33:39.520 --> 0:33:41.560
<v Speaker 2>That's what makes it work though. I think that, you know,

0:33:41.960 --> 0:33:44.760
<v Speaker 2>that's in my life, my partner is an introvert. I

0:33:44.760 --> 0:33:47.880
<v Speaker 2>am extroverted. We both do very different things for work

0:33:47.920 --> 0:33:52.560
<v Speaker 2>with very fundamentally different people, but we do have values

0:33:52.680 --> 0:33:55.240
<v Speaker 2>similar values, and I think that's where it needs to connect.

0:33:55.320 --> 0:33:57.440
<v Speaker 2>You need to be quite different in lots of other ways,

0:33:57.440 --> 0:34:00.000
<v Speaker 2>but family is important for both my partner and I.

0:34:00.120 --> 0:34:02.640
<v Speaker 2>So when those values match up all the things in

0:34:02.720 --> 0:34:05.280
<v Speaker 2>the quirks and stuff that we have different just allows

0:34:05.360 --> 0:34:07.160
<v Speaker 2>us to be quite well suited.

0:34:07.440 --> 0:34:08.919
<v Speaker 3>Yeah, I think they balance each other.

0:34:09.080 --> 0:34:13.400
<v Speaker 4>Like if Ollie didn't have Santi and everything that Santi

0:34:13.480 --> 0:34:17.000
<v Speaker 4>has brought into her life, like his entire family, I

0:34:17.000 --> 0:34:19.960
<v Speaker 4>think she could just I think she could just go

0:34:20.200 --> 0:34:23.920
<v Speaker 4>so far into her head and not have like a

0:34:25.040 --> 0:34:29.240
<v Speaker 4>happy life, but not not be so connected to people.

0:34:29.440 --> 0:34:32.080
<v Speaker 4>And so I think, you know, she's so ambitious that

0:34:32.120 --> 0:34:34.680
<v Speaker 4>she would probably just work.

0:34:34.800 --> 0:34:35.480
<v Speaker 3>All the time.

0:34:35.800 --> 0:34:38.320
<v Speaker 1>And Yeah, there's something to be said about, Like I

0:34:38.360 --> 0:34:41.279
<v Speaker 1>feel like that's where the dramaized in what you were

0:34:41.280 --> 0:34:44.040
<v Speaker 1>saying about, like the values, and I feel like that's

0:34:44.080 --> 0:34:47.200
<v Speaker 1>what's that's what's interesting that season four is like Oli

0:34:47.239 --> 0:34:50.040
<v Speaker 1>and Santi's values, Like that's that's what they're sort of

0:34:50.040 --> 0:34:53.520
<v Speaker 1>fighting for, that they're fighting for what they believe. You

0:34:53.520 --> 0:34:56.879
<v Speaker 1>know what I mean, and that's I think in a way,

0:34:56.880 --> 0:34:58.600
<v Speaker 1>it's kind of more interesting than will they want they

0:34:58.640 --> 0:34:59.000
<v Speaker 1>It's like.

0:34:59.160 --> 0:35:02.879
<v Speaker 4>Yeah, it's like how, like how how will they right?

0:35:02.920 --> 0:35:03.360
<v Speaker 5>They want it?

0:35:03.400 --> 0:35:05.440
<v Speaker 1>They want to do this, but how are they going

0:35:05.520 --> 0:35:08.160
<v Speaker 1>to do how are they going to navigate it in

0:35:08.200 --> 0:35:08.759
<v Speaker 1>a way that.

0:35:08.960 --> 0:35:11.560
<v Speaker 2>There's some really realistic fighting. By the way, in season four,

0:35:11.600 --> 0:35:14.440
<v Speaker 2>I think anyone who's ever been in a relationship will

0:35:14.480 --> 0:35:19.320
<v Speaker 2>be watching season four and see some some problems about

0:35:19.640 --> 0:35:22.360
<v Speaker 2>And that's what's so amazing about season four to tease,

0:35:22.400 --> 0:35:24.800
<v Speaker 2>this is the best way possible, you guys, as characters

0:35:24.840 --> 0:35:28.480
<v Speaker 2>are exploring things like what it's like to be a

0:35:28.600 --> 0:35:31.400
<v Speaker 2>dad and what it's like to be the woman bringing

0:35:31.400 --> 0:35:33.920
<v Speaker 2>in the money, and these flip the flipping of all

0:35:33.960 --> 0:35:35.600
<v Speaker 2>of that that's really powerful.

0:35:35.640 --> 0:35:39.239
<v Speaker 4>I thought, that's the stuff that breaks up couples more

0:35:39.280 --> 0:35:45.160
<v Speaker 4>so than oh someone you know, someone came to bit

0:35:45.320 --> 0:35:49.320
<v Speaker 4>and created a wedge between them, started flirting with Santi

0:35:49.440 --> 0:35:53.080
<v Speaker 4>and then you know, like it like outside intruders. I

0:35:53.120 --> 0:35:56.719
<v Speaker 4>feel like usually it's like just the little things.

0:35:56.239 --> 0:35:58.480
<v Speaker 2>Like but that's real life. That's what people will see

0:35:58.520 --> 0:36:00.960
<v Speaker 2>these days, and that's the seat. This season does that

0:36:01.000 --> 0:36:04.880
<v Speaker 2>extraordinarily well. It holds a mirror up against us in

0:36:04.960 --> 0:36:07.880
<v Speaker 2>society and about the things that bother us in our

0:36:07.920 --> 0:36:10.839
<v Speaker 2>own relationship, and we're always trying to work out who

0:36:10.920 --> 0:36:13.200
<v Speaker 2>we are and the fact that there's two people in

0:36:13.239 --> 0:36:15.640
<v Speaker 2>a relationship, you know, those things they go bump in

0:36:15.680 --> 0:36:16.000
<v Speaker 2>the night.

0:36:16.400 --> 0:36:18.560
<v Speaker 1>So that's something that we kind of set out to

0:36:18.560 --> 0:36:21.280
<v Speaker 1>do this season. We were like, let's how let's let's

0:36:21.440 --> 0:36:26.200
<v Speaker 1>make this like a little mission of ours to show.

0:36:25.080 --> 0:36:28.400
<v Speaker 5>Like how to show a really realistic betrayal of.

0:36:28.680 --> 0:36:31.439
<v Speaker 1>What a couple who have been together for like seven years,

0:36:31.440 --> 0:36:33.040
<v Speaker 1>seven years and what that looks like.

0:36:33.520 --> 0:36:36.000
<v Speaker 2>I'm running out of time, and I've really not even

0:36:36.040 --> 0:36:38.959
<v Speaker 2>asked half the questions that I prepared, But we've gone

0:36:38.960 --> 0:36:42.160
<v Speaker 2>in a place where I feel really appreciative of how

0:36:42.239 --> 0:36:45.000
<v Speaker 2>open and how honest you guys have been answering these

0:36:45.080 --> 0:36:49.040
<v Speaker 2>questions and exploring relationships and how you two work together.

0:36:49.120 --> 0:36:53.319
<v Speaker 2>I think is really interesting and really quite powerful and.

0:36:53.320 --> 0:36:56.080
<v Speaker 3>Nice for us. Such nice deep questions.

0:36:55.719 --> 0:36:57.879
<v Speaker 1>Questions, because sometimes this stuff can be a little bit

0:36:58.480 --> 0:36:59.080
<v Speaker 1>it's nice to.

0:36:59.000 --> 0:37:02.400
<v Speaker 5>Actually get into the grid of it with someone.

0:37:02.440 --> 0:37:05.880
<v Speaker 2>So thanks, let's have a conversation about it. Well before

0:37:05.880 --> 0:37:07.560
<v Speaker 2>you guys go, I'd have to ask you. There's a

0:37:07.600 --> 0:37:09.600
<v Speaker 2>question I ask everyone who joins the podcast. I don't

0:37:09.600 --> 0:37:10.799
<v Speaker 2>know if one of you wants to take it or

0:37:10.840 --> 0:37:13.239
<v Speaker 2>you both do, but I ask it for every podcast.

0:37:13.280 --> 0:37:16.120
<v Speaker 2>This is three episode, three hundred and sixty one. So

0:37:16.680 --> 0:37:19.360
<v Speaker 2>what is something from behind the scene, something that we

0:37:19.440 --> 0:37:22.160
<v Speaker 2>as an audience won't see, or something we don't know

0:37:22.280 --> 0:37:24.640
<v Speaker 2>that you could share. That's kind of like a behind

0:37:24.640 --> 0:37:27.360
<v Speaker 2>the scenes secret of making Bump great question?

0:37:27.640 --> 0:37:30.120
<v Speaker 3>What is something that happens behind the scene that's really

0:37:30.160 --> 0:37:31.040
<v Speaker 3>cool to share.

0:37:31.560 --> 0:37:34.239
<v Speaker 4>We do shoot Bump a lot quicker than I think

0:37:34.520 --> 0:37:39.040
<v Speaker 4>people think, audiences think. We shoot an episode about every

0:37:39.080 --> 0:37:39.760
<v Speaker 4>three days.

0:37:39.960 --> 0:37:41.960
<v Speaker 2>Wow, so the whole.

0:37:41.719 --> 0:37:46.080
<v Speaker 3>Shoot is about six weeks, seven seven weeks.

0:37:45.880 --> 0:37:48.040
<v Speaker 5>It's always it's always seven weeks, and we end up

0:37:48.040 --> 0:37:50.080
<v Speaker 5>extending it by like one day.

0:37:52.040 --> 0:37:55.879
<v Speaker 3>So ten episodes in thirty five days I think.

0:37:55.880 --> 0:37:57.800
<v Speaker 4>In Yeah, every three and a half days we shoot

0:37:57.840 --> 0:38:01.560
<v Speaker 4>an episode, which some on season four Sundays we shot

0:38:01.560 --> 0:38:03.880
<v Speaker 4>like twelve minutes, which is almost half an episode.

0:38:04.360 --> 0:38:07.080
<v Speaker 5>Yeah, we're moving quick, moving, we move quickly.

0:38:07.600 --> 0:38:10.080
<v Speaker 1>Yeah, and it feels like we've we've had to move

0:38:10.160 --> 0:38:12.200
<v Speaker 1>quicker as we've done more seasons, which you would think

0:38:12.280 --> 0:38:14.560
<v Speaker 1>is the opposite. You would think as we do more seasons,

0:38:14.600 --> 0:38:16.399
<v Speaker 1>we get a bigger budget and we have more time.

0:38:16.480 --> 0:38:20.040
<v Speaker 2>But it doesn't work like that anymore, you know, And

0:38:20.080 --> 0:38:22.719
<v Speaker 2>it's sad because you know, scripted drama in Australia to

0:38:22.800 --> 0:38:26.080
<v Speaker 2>me is my jam. It's my favorite thing in the

0:38:26.239 --> 0:38:29.440
<v Speaker 2>whole world. Like, I just feel alive. I think audiences

0:38:29.440 --> 0:38:32.000
<v Speaker 2>feel alive if they take the time to watch it,

0:38:32.040 --> 0:38:34.200
<v Speaker 2>because the scripted drama that we have in this country

0:38:34.560 --> 0:38:37.560
<v Speaker 2>represents who we are. And there's something very powerful about

0:38:37.560 --> 0:38:38.839
<v Speaker 2>seeing yourself on screen, I.

0:38:38.800 --> 0:38:43.040
<v Speaker 5>Think, hmmmm, And and you don't want to when.

0:38:43.840 --> 0:38:46.279
<v Speaker 1>I think we're aware of that, We're aware of that

0:38:46.360 --> 0:38:48.840
<v Speaker 1>sort of responsibility that we have, and I think we

0:38:49.000 --> 0:38:52.279
<v Speaker 1>feel it's sometimes it's a bit stressful because we don't

0:38:52.320 --> 0:38:53.960
<v Speaker 1>have a lot of time and we want.

0:38:53.800 --> 0:38:55.200
<v Speaker 5>To do that justice.

0:38:55.640 --> 0:39:00.080
<v Speaker 1>Yeah, yeah, it can, it can, And I don't one

0:39:00.160 --> 0:39:03.160
<v Speaker 1>thing is I feel like it's just Australian productions in general,

0:39:03.200 --> 0:39:04.759
<v Speaker 1>but we don't we don't get a lot of time.

0:39:04.760 --> 0:39:06.040
<v Speaker 5>I don't get a lot of time on anything that

0:39:06.080 --> 0:39:06.759
<v Speaker 5>I work on here.

0:39:06.960 --> 0:39:10.799
<v Speaker 3>Yeah, well, I feel like some people love that. I don't.

0:39:11.000 --> 0:39:15.000
<v Speaker 4>Maybe I'm wrong, but I feel like Claudia likes that. Yeah,

0:39:15.080 --> 0:39:18.320
<v Speaker 4>I think Claudia likes it. Okay, we're on, Like, let's.

0:39:18.120 --> 0:39:19.560
<v Speaker 2>Go, let's get it done.

0:39:19.560 --> 0:39:23.279
<v Speaker 3>And move on. You know, let's keep it, because you're

0:39:23.320 --> 0:39:24.640
<v Speaker 3>saying she likes that challenge.

0:39:24.880 --> 0:39:27.279
<v Speaker 5>She did that. Petrol was Lena, right, and it was

0:39:27.320 --> 0:39:29.040
<v Speaker 5>like long setups.

0:39:28.480 --> 0:39:32.520
<v Speaker 2>And yeah, I had what's his name? Oh, and I'm

0:39:32.560 --> 0:39:34.920
<v Speaker 2>obsessed with him, Ryan Kare. I had Ryan Kare on

0:39:35.000 --> 0:39:39.080
<v Speaker 2>the podcast to talk about his role in Limbo and

0:39:39.160 --> 0:39:42.280
<v Speaker 2>he came straight from doing like the Game of Thrones prequel,

0:39:42.520 --> 0:39:45.280
<v Speaker 2>and so he was saying that some shots, some scenes

0:39:45.280 --> 0:39:48.200
<v Speaker 2>would take three days to set up, and he was like,

0:39:48.239 --> 0:39:51.320
<v Speaker 2>it's so good to come back to Australia and shoot.

0:39:51.719 --> 0:39:56.200
<v Speaker 2>And yeah, He's like, there's something very stilted about just

0:39:56.280 --> 0:39:59.600
<v Speaker 2>getting three lines of dialogue out because the sets and

0:39:59.680 --> 0:40:03.080
<v Speaker 2>the the lighting and all of this and the locations

0:40:03.200 --> 0:40:04.080
<v Speaker 2>takes precedents.

0:40:04.200 --> 0:40:06.240
<v Speaker 3>You know. Yeah, it's true.

0:40:06.320 --> 0:40:09.440
<v Speaker 4>Something that I really like about Bump is that I

0:40:09.480 --> 0:40:12.400
<v Speaker 4>don't have any downtime. I'm not I'm not like sitting

0:40:12.440 --> 0:40:14.480
<v Speaker 4>in my chair for eight hours waiting to.

0:40:14.440 --> 0:40:14.960
<v Speaker 1>Go on set.

0:40:15.280 --> 0:40:17.240
<v Speaker 5>Yeah. Once once we're on set, it's.

0:40:17.080 --> 0:40:18.480
<v Speaker 2>Like go, go, go and do it.

0:40:18.480 --> 0:40:21.839
<v Speaker 5>It's action, next one, next one.

0:40:21.880 --> 0:40:24.560
<v Speaker 4>There's A fun fact that we can tell you about,

0:40:24.800 --> 0:40:27.560
<v Speaker 4>but making a bump I feel like a fun fact

0:40:27.600 --> 0:40:29.799
<v Speaker 4>is that we've had pretty much the same crew for

0:40:29.920 --> 0:40:37.720
<v Speaker 4>four seasons, like very similar directors, ads, the camera cinematographers.

0:40:37.719 --> 0:40:40.640
<v Speaker 4>Margie Beattie, who was our first ad for the first

0:40:40.680 --> 0:40:44.359
<v Speaker 4>two seasons, directed an episode in season three. There's been

0:40:44.400 --> 0:40:47.520
<v Speaker 4>a lot of like crew being lifted up through the

0:40:47.520 --> 0:40:52.000
<v Speaker 4>show creator has stepped up as a producer.

0:40:53.040 --> 0:40:55.080
<v Speaker 3>What else I feel like the other people have.

0:40:55.000 --> 0:40:59.400
<v Speaker 2>Been I think there's some good secrets in there, and

0:40:59.880 --> 0:41:02.160
<v Speaker 2>I'm happy with it. I'm happy that I'm very happy

0:41:02.160 --> 0:41:04.200
<v Speaker 2>with the track. Guys. I literally this is as I

0:41:04.200 --> 0:41:06.600
<v Speaker 2>said to you, fantasy was the wrong term. This is

0:41:06.640 --> 0:41:07.840
<v Speaker 2>my ultimate bump.

0:41:08.760 --> 0:41:11.160
<v Speaker 5>I don't know the right show man. You own that,

0:41:12.160 --> 0:41:12.480
<v Speaker 5>all right.

0:41:12.520 --> 0:41:15.440
<v Speaker 2>It's my fantasy to sit here and talk to you

0:41:15.600 --> 0:41:18.880
<v Speaker 2>two people about this particular show. Like I am obsessed

0:41:18.880 --> 0:41:21.000
<v Speaker 2>with this show and I know so many people who

0:41:21.040 --> 0:41:22.960
<v Speaker 2>love it just as much as I do. So I

0:41:23.040 --> 0:41:24.480
<v Speaker 2>just want to say thank you both so much for

0:41:24.640 --> 0:41:27.600
<v Speaker 2>your generosity with your time and yeah and chatting chatting

0:41:27.600 --> 0:41:29.200
<v Speaker 2>with me today, It's been surreal.

0:41:29.440 --> 0:41:30.239
<v Speaker 3>Thank you so much.

0:41:30.280 --> 0:41:32.040
<v Speaker 2>I'll let you guys go, I'll chat to you later,