1 00:00:00,280 --> 00:00:02,120 Speaker 1: Let Me Tell You a Story. 2 00:00:02,560 --> 00:00:05,760 Speaker 2: Time Clearsy releases the Story behind the. 3 00:00:05,800 --> 00:00:11,240 Speaker 1: Song Blue sky Mine Midnight All. Released in February nineteen 4 00:00:11,360 --> 00:00:15,000 Speaker 1: ninety Gosh Timer's Flowed Past as the first single from 5 00:00:15,080 --> 00:00:19,000 Speaker 1: their seventh studio album, Blue sky Mining. Blue sky Mine 6 00:00:19,079 --> 00:00:22,239 Speaker 1: picked at number eight on the Australian Singles Chart, number 7 00:00:22,280 --> 00:00:25,080 Speaker 1: forty seven on the Billboard one hundred and number one 8 00:00:25,160 --> 00:00:28,320 Speaker 1: on both the Billboard Album Tracks and Modern Rock Tracks charts. 9 00:00:28,760 --> 00:00:32,800 Speaker 1: The music video won the ARIA ARIA Award for Best 10 00:00:32,960 --> 00:00:36,080 Speaker 1: Video at the ARIA Music Awards of nineteen ninety one. 11 00:00:36,520 --> 00:00:40,040 Speaker 1: Most of us realize the link to the with num 12 00:00:40,040 --> 00:00:43,960 Speaker 1: Asbestos Mine, But what's the whole story behind the song? 13 00:00:44,120 --> 00:00:44,320 Speaker 3: Yeah? 14 00:00:44,520 --> 00:00:46,599 Speaker 4: Absolutely, and we'll get to Peter Garrett on at least, 15 00:00:46,640 --> 00:00:48,280 Speaker 4: but this was a bigger hit in Canada and it 16 00:00:48,320 --> 00:00:51,160 Speaker 4: wasn't Australia where it was number seven best in New Zealand. 17 00:00:51,640 --> 00:00:52,440 Speaker 4: Isn't that incredible? 18 00:00:53,040 --> 00:00:53,240 Speaker 3: Yeah? 19 00:00:53,320 --> 00:00:55,280 Speaker 4: Mid not what a band an unlike no other band 20 00:00:55,360 --> 00:00:58,120 Speaker 4: with a giant frenetti, outspoken lead singer in Peter Garrett 21 00:00:58,120 --> 00:01:00,760 Speaker 4: and of course that powerhouse drummer and Rop. But it 22 00:01:00,920 --> 00:01:02,880 Speaker 4: was Peter Garrett who had this to say about the 23 00:01:02,960 --> 00:01:03,880 Speaker 4: themes behind the Solfs. 24 00:01:03,880 --> 00:01:06,040 Speaker 2: By nineteen ninety it was clear that there'd been this 25 00:01:06,200 --> 00:01:14,160 Speaker 2: incredible scandal and tragedy with workers in asbestos related industries, 26 00:01:14,200 --> 00:01:17,840 Speaker 2: whether it was mining in particular Blue sky Mine or 27 00:01:18,080 --> 00:01:20,520 Speaker 2: later on people who were just installing this stuff or 28 00:01:21,400 --> 00:01:24,920 Speaker 2: treating this stuff in different places and having that information 29 00:01:25,120 --> 00:01:28,080 Speaker 2: come through and then crafting a song around that. It 30 00:01:28,240 --> 00:01:31,880 Speaker 2: was really a recognition that working Australians had been badly 31 00:01:31,959 --> 00:01:35,880 Speaker 2: done by and that we were in danger as a 32 00:01:36,000 --> 00:01:41,480 Speaker 2: nation of allowing powerful commercial forces, powerful corporate interests to 33 00:01:41,600 --> 00:01:45,080 Speaker 2: really damage the health of ordinary Australians, working Australians. And 34 00:01:45,200 --> 00:01:47,240 Speaker 2: that's what Blue sky Mine's about me. 35 00:01:47,440 --> 00:01:50,760 Speaker 1: So thelioma was the horrible condition that we're all ending 36 00:01:50,880 --> 00:01:51,040 Speaker 1: up with. 37 00:01:51,440 --> 00:01:55,520 Speaker 4: Yeah, and we heard so much in the news about 38 00:01:55,560 --> 00:01:58,120 Speaker 4: the story, but there's still people suffering that there was class, 39 00:01:58,240 --> 00:02:00,680 Speaker 4: actual family members and just hideous. 40 00:02:01,480 --> 00:02:01,960 Speaker 3: You know that. 41 00:02:02,040 --> 00:02:03,640 Speaker 4: I like to get the harmonica out of the studio 42 00:02:03,680 --> 00:02:07,320 Speaker 4: every now, and unfortunately I can't actually play the thing. 43 00:02:07,800 --> 00:02:11,320 Speaker 4: But Peter Garrett camp and he's Peter talking about playing 44 00:02:11,360 --> 00:02:11,960 Speaker 4: the methal game. 45 00:02:12,480 --> 00:02:14,560 Speaker 3: When Blue sky started to come together in the studio, 46 00:02:15,680 --> 00:02:17,920 Speaker 3: it had this kind of soul feeling. It really felt 47 00:02:17,919 --> 00:02:19,320 Speaker 3: like I needed a bit of half. Anyone said, come on, 48 00:02:19,440 --> 00:02:21,639 Speaker 3: come on rock, you know, play some harp. So I 49 00:02:21,800 --> 00:02:24,320 Speaker 3: dragged it out of the bag and stuck it in 50 00:02:24,400 --> 00:02:27,160 Speaker 3: my mouth and started to suck and blow and lo 51 00:02:27,360 --> 00:02:29,840 Speaker 3: and behold. There's not a great deal of the ness, 52 00:02:29,880 --> 00:02:31,440 Speaker 3: you know. I mean, I just suck as much air in, 53 00:02:31,520 --> 00:02:34,079 Speaker 3: and I figure, even if I haven't got the notes 54 00:02:34,160 --> 00:02:35,519 Speaker 3: quite right, it'll be loud enough, you know. 55 00:02:36,240 --> 00:02:38,639 Speaker 4: Yeah, blow took credit. 56 00:02:38,800 --> 00:02:42,200 Speaker 1: I also have a harmonica, and I also cannot play 57 00:02:42,240 --> 00:02:45,200 Speaker 1: it because when I tried to learn it, a harmonica 58 00:02:45,440 --> 00:02:49,760 Speaker 1: virtuoso told me that you need to suck air in 59 00:02:49,840 --> 00:02:51,680 Speaker 1: and blow it out at the same time. And I said, 60 00:02:51,800 --> 00:02:54,000 Speaker 1: what now, But how do you do that? 61 00:02:54,200 --> 00:02:55,720 Speaker 4: Circular breathing or something? Circular? 62 00:02:55,919 --> 00:02:58,000 Speaker 1: Mean circular? Bro, Well, that's the same thing for like 63 00:02:58,080 --> 00:02:58,560 Speaker 1: a didjer do. 64 00:02:58,680 --> 00:03:00,440 Speaker 4: Yeah, that's right, I met Pete can do that too, 65 00:03:00,760 --> 00:03:02,760 Speaker 4: quite possibly. But it wouldn't be the song without that 66 00:03:03,240 --> 00:03:04,600 Speaker 4: harmonica coming in those com