1 00:00:01,080 --> 00:00:04,680 Speaker 1: Powered by the radio WAB from ninety six air m 2 00:00:04,960 --> 00:00:07,000 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,840 Speaker 2: This is Clearzy Lisa's podcast. 4 00:00:10,080 --> 00:00:12,760 Speaker 3: Coming up on the podcast today, Mister Claire's goes to 5 00:00:12,800 --> 00:00:14,319 Speaker 3: Mary Poppins. 6 00:00:14,040 --> 00:00:17,200 Speaker 4: Ben O'Shea goes very Kenneth Brana. We about haunting a banet. 7 00:00:17,400 --> 00:00:19,680 Speaker 3: We're taking cairls and songs you don't want to hear 8 00:00:19,760 --> 00:00:20,639 Speaker 3: in prison. 9 00:00:21,079 --> 00:00:23,799 Speaker 4: Yeah, and look, hewittt plays Bondie in Taking Liberty. 10 00:00:24,079 --> 00:00:25,320 Speaker 5: He had a night at the theater. 11 00:00:25,440 --> 00:00:27,600 Speaker 4: I had a night out last night. I did love 12 00:00:28,040 --> 00:00:30,920 Speaker 4: you to speak like I'm Tuandrews. I went and saw 13 00:00:31,000 --> 00:00:33,760 Speaker 4: Lise As you know, Mary Poppins's opening night at Crown. Yes, 14 00:00:33,800 --> 00:00:36,040 Speaker 4: and there's always the opening night, always a big buzz 15 00:00:36,040 --> 00:00:38,120 Speaker 4: in the audience in there in the crowd is there 16 00:00:38,280 --> 00:00:40,760 Speaker 4: middling their way there, walking their way through the foyer 17 00:00:40,840 --> 00:00:42,680 Speaker 4: and pushing each other out of the way. So I 18 00:00:42,680 --> 00:00:44,600 Speaker 4: didn get a photo in the red carpet, Yes, that 19 00:00:44,760 --> 00:00:46,639 Speaker 4: kind of vibe. But I don't know come out. I've 20 00:00:46,640 --> 00:00:48,400 Speaker 4: got to be honest, I didn't know a lot about 21 00:00:48,440 --> 00:00:52,040 Speaker 4: the story as such, because I reckon I saw the movie. Yeah, 22 00:00:52,080 --> 00:00:54,120 Speaker 4: to be honest, all those didn't. 23 00:00:53,880 --> 00:00:55,120 Speaker 5: Know the story about dad. 24 00:00:55,040 --> 00:00:55,680 Speaker 2: Not exactly. 25 00:00:56,040 --> 00:00:59,400 Speaker 4: Yeah, I might have seen bits of George Banks, yeah, yeah, 26 00:00:59,400 --> 00:01:01,560 Speaker 4: and then his wife. I might have seen that the 27 00:01:01,600 --> 00:01:04,560 Speaker 4: movie once maybe as a kid. Dick Van Dyke and 28 00:01:04,680 --> 00:01:07,320 Speaker 4: Julie Andrews. Yes, and I knew about the famous songs, 29 00:01:07,319 --> 00:01:09,039 Speaker 4: of course. And my wife sounds a bit like Julie 30 00:01:09,080 --> 00:01:10,880 Speaker 4: Andrews when she sings a spoonful of Sugar at home 31 00:01:10,880 --> 00:01:13,080 Speaker 4: because she's English born, but other than that not much. 32 00:01:13,080 --> 00:01:16,679 Speaker 4: So sometimes sing that a lot around the house quite often. Actually, 33 00:01:19,200 --> 00:01:22,560 Speaker 4: what do you reckon? I'd rather super color now. Last night, 34 00:01:22,880 --> 00:01:26,040 Speaker 4: like I said, lots of lots of love me, darl, 35 00:01:26,480 --> 00:01:29,400 Speaker 4: lots of anticipation. Now you can start with the fundamentals 36 00:01:29,640 --> 00:01:31,840 Speaker 4: and talk about sets and costumes and love and sound, 37 00:01:31,920 --> 00:01:36,959 Speaker 4: and they are all topp It's just incredible explosion of 38 00:01:36,959 --> 00:01:39,000 Speaker 4: color when they do that holiday song, Oh my god, 39 00:01:39,680 --> 00:01:43,600 Speaker 4: just incredible. Stephanie Jones is from Brizzy. She is incredible 40 00:01:43,600 --> 00:01:45,040 Speaker 4: and leaned to be honest, she's a lot sassy of 41 00:01:45,120 --> 00:01:47,920 Speaker 4: the twenty twenty three version of Mary Poppins is a 42 00:01:47,960 --> 00:01:50,320 Speaker 4: lot sassy than Julie Andrews because Julie was so sweet, 43 00:01:50,960 --> 00:01:53,040 Speaker 4: but she is not Julie. 44 00:01:53,040 --> 00:01:54,480 Speaker 5: Get her top off in that movie. 45 00:01:54,560 --> 00:01:57,080 Speaker 4: But that wasn't me, That wasn't Mary Poppins, wasn't it 46 00:01:57,160 --> 00:01:58,000 Speaker 4: wasn't Marry pop out. 47 00:01:58,160 --> 00:01:59,280 Speaker 5: But Julie can sass it. 48 00:02:00,200 --> 00:02:00,480 Speaker 6: She can. 49 00:02:00,600 --> 00:02:03,120 Speaker 4: Yeah, but yeah, she made those movies later on. You're right, 50 00:02:03,920 --> 00:02:06,000 Speaker 4: the two kids in this last night, and I'm not 51 00:02:06,120 --> 00:02:09,720 Speaker 4: sure how many kids they have in these productors, so 52 00:02:09,840 --> 00:02:11,800 Speaker 4: they're just mind blowing the good I didn't see them 53 00:02:11,840 --> 00:02:14,320 Speaker 4: make any mistakes. You know, they often say kids shoelaces 54 00:02:14,360 --> 00:02:16,799 Speaker 4: will come underne and then the veteran actors have to 55 00:02:17,080 --> 00:02:17,639 Speaker 4: get them through. 56 00:02:18,080 --> 00:02:21,000 Speaker 5: But that's also the musical theater. Kids they know, they 57 00:02:21,080 --> 00:02:21,600 Speaker 5: know what they do it. 58 00:02:21,639 --> 00:02:24,040 Speaker 4: That's also the art. The craft they're timing is just incredible. 59 00:02:24,400 --> 00:02:27,840 Speaker 4: Paddy Newton, gorgeous. Patty rock Dart actually comes on stage 60 00:02:27,840 --> 00:02:31,359 Speaker 4: five or six times throughout. She's a bird woman. She 61 00:02:31,480 --> 00:02:33,639 Speaker 4: does her song throughout and she's trying to Every time 62 00:02:33,720 --> 00:02:35,800 Speaker 4: she came out, she got the biggest applause because it's 63 00:02:35,840 --> 00:02:38,520 Speaker 4: Patty Newton's so much love in the house for Patty. 64 00:02:38,840 --> 00:02:40,760 Speaker 4: She comes out and she's just doing her chun trying 65 00:02:40,800 --> 00:02:42,720 Speaker 4: to get people to buy the crumbs to feed the birds. 66 00:02:42,960 --> 00:02:44,600 Speaker 4: And she's got a bit of a grotty face and 67 00:02:44,680 --> 00:02:46,919 Speaker 4: the rest of it. Now, the guy who played Bert 68 00:02:47,080 --> 00:02:49,720 Speaker 4: has got this cheeky grin. He's a guy called Jack 69 00:02:49,800 --> 00:02:52,680 Speaker 4: Chambers who's actually very good friends with Stephanie Jones who 70 00:02:52,720 --> 00:02:54,799 Speaker 4: played Mary. And you can tell because they just you 71 00:02:54,880 --> 00:02:57,400 Speaker 4: can see the magic, the chemistry between them. But all 72 00:02:57,440 --> 00:03:00,800 Speaker 4: the way through this guy brilliant, comedic timing, wonderful dan 73 00:03:01,040 --> 00:03:03,200 Speaker 4: credible dance dance and I thought of you throughout those 74 00:03:03,240 --> 00:03:06,560 Speaker 4: because he's tap dancing. I love tap dancing. Mind blood 75 00:03:06,600 --> 00:03:08,480 Speaker 4: so underrated. But all the way through, I'm looking at 76 00:03:08,520 --> 00:03:10,840 Speaker 4: this guy going, this Burt guy. He looks so many 77 00:03:10,840 --> 00:03:13,280 Speaker 4: he reminded me so much of someone else. So when 78 00:03:13,320 --> 00:03:15,799 Speaker 4: he's on the rooftop and he's he's with about twenty 79 00:03:15,880 --> 00:03:18,400 Speaker 4: other Chimney sweeps and he's tapping and he's doing a 80 00:03:18,440 --> 00:03:18,960 Speaker 4: bit of this work. 81 00:03:19,240 --> 00:03:23,160 Speaker 5: Jim Jimmy, Jim Jimmy Jim jim chery a sweep is 82 00:03:23,280 --> 00:03:24,360 Speaker 5: as lucky as. 83 00:03:24,400 --> 00:03:26,600 Speaker 4: Lucky come be. I worked out who it was. It's 84 00:03:26,639 --> 00:03:28,240 Speaker 4: someone you and I have seen a lot of lately. 85 00:03:28,440 --> 00:03:28,600 Speaker 6: Right. 86 00:03:28,680 --> 00:03:32,280 Speaker 4: He is a seventy kilogram elliot. Yo, he's got that chiper. 87 00:03:32,440 --> 00:03:34,520 Speaker 4: Oh my god, I couldn't believe it. He's got Elliot's 88 00:03:34,560 --> 00:03:37,280 Speaker 4: cheeky grin, right, but he's Elliot. Where's his cap This 89 00:03:37,360 --> 00:03:41,200 Speaker 4: guy's got their dustman's cap on. So that was a familiarity. 90 00:03:41,280 --> 00:03:43,720 Speaker 4: There now so many old fashioned themes in this show. 91 00:03:43,720 --> 00:03:45,880 Speaker 4: And what's really weird is, you know a lot of 92 00:03:45,920 --> 00:03:48,680 Speaker 4: the humor, and it's the very simple kind of humor 93 00:03:48,720 --> 00:03:51,119 Speaker 4: you know from the movie was nineteen sixty four? Yeah, yeah, 94 00:03:51,320 --> 00:03:53,400 Speaker 4: I was written before that, of course, but it just 95 00:03:53,640 --> 00:03:56,040 Speaker 4: seems like such a contrast to the people who are 96 00:03:56,080 --> 00:03:58,720 Speaker 4: trying to get their selfies with the Mary Poppins logo 97 00:03:58,760 --> 00:04:00,120 Speaker 4: in the background so they can put it straight than 98 00:04:00,120 --> 00:04:02,560 Speaker 4: their social media. So you got them twenty twenty three 99 00:04:02,600 --> 00:04:04,560 Speaker 4: in the nineteen sixty four and before. Yeah, it is 100 00:04:04,640 --> 00:04:07,280 Speaker 4: quite a what can I say, juxtaposition, but it's quite 101 00:04:07,600 --> 00:04:09,960 Speaker 4: It is quite a weird contrast to see that going on. 102 00:04:10,360 --> 00:04:13,520 Speaker 4: But if you think about it is an incredible show. Yeah, 103 00:04:13,720 --> 00:04:15,480 Speaker 4: kids will love it. There's a couple of scary bits 104 00:04:15,520 --> 00:04:17,360 Speaker 4: because the toys come to life and they get very big. 105 00:04:17,800 --> 00:04:20,680 Speaker 4: As you say, there's someone dancing on the ceiling. How 106 00:04:20,760 --> 00:04:23,880 Speaker 4: that guy how that guy playing Burt sings upside down? 107 00:04:24,000 --> 00:04:27,120 Speaker 4: I don't know, but he's relying on that hardness. I think, yeah, 108 00:04:27,240 --> 00:04:29,040 Speaker 4: he's relying on that hardest to keep him up there. 109 00:04:29,360 --> 00:04:31,400 Speaker 5: I don't singing and praying all the same time. 110 00:04:31,480 --> 00:04:32,760 Speaker 4: Oh my god, I don't know how they do it. 111 00:04:32,800 --> 00:04:34,560 Speaker 4: Some people aren't scared of heights. But even if you are, 112 00:04:34,640 --> 00:04:38,120 Speaker 4: he was magnificent. So I will and truly recommend people 113 00:04:38,240 --> 00:04:40,000 Speaker 4: seeing it now. The one question at the end is 114 00:04:40,440 --> 00:04:42,400 Speaker 4: which of the famous songs sticks in your head? Is 115 00:04:42,440 --> 00:04:44,480 Speaker 4: it Jim Jimminy? Is it one of the others that 116 00:04:45,000 --> 00:04:47,840 Speaker 4: slightly lesser known. Is it Spoonful of Sugar? But it 117 00:04:47,920 --> 00:04:52,240 Speaker 4: has to be this one. It's super Candi, fragendisty fix 118 00:04:52,279 --> 00:04:55,120 Speaker 4: the only deuciously, even though the sound of it is 119 00:04:55,200 --> 00:04:58,120 Speaker 4: something quite a crucious. If you see you're loud enough, 120 00:04:58,160 --> 00:05:06,240 Speaker 4: you're always suddenly conciousness. I got to say, though, when 121 00:05:06,279 --> 00:05:10,000 Speaker 4: you know you go to bed, when you're going to 122 00:05:10,040 --> 00:05:11,599 Speaker 4: bed after eleven and you know you're getting up at 123 00:05:11,640 --> 00:05:15,520 Speaker 4: three thirty, it's not the ego worm you want from 124 00:05:15,560 --> 00:05:16,080 Speaker 4: what a show. 125 00:05:16,520 --> 00:05:18,000 Speaker 5: Thank you for that lovely review. 126 00:05:18,240 --> 00:05:18,880 Speaker 4: Just incredible. 127 00:05:19,200 --> 00:05:24,840 Speaker 3: This couldn't be any easier, and it's just something that 128 00:05:25,000 --> 00:05:28,680 Speaker 3: amused us to no end in our little bubble here yeah, 129 00:05:29,400 --> 00:05:30,240 Speaker 3: the breakfast show. 130 00:05:30,360 --> 00:05:32,640 Speaker 4: Test of our team yesterday and it amused us all 131 00:05:32,720 --> 00:05:33,720 Speaker 4: all afternoon. 132 00:05:33,880 --> 00:05:36,920 Speaker 5: Something that we saw online and we thought, yeah, I 133 00:05:37,040 --> 00:05:37,960 Speaker 5: think we need to do this. 134 00:05:38,640 --> 00:05:39,840 Speaker 2: It's just a bit of fun. 135 00:05:40,400 --> 00:05:44,200 Speaker 5: Don't anyone get any sort of you know, all offended. 136 00:05:44,000 --> 00:05:46,040 Speaker 4: Anyway, don't lock us up for doing this. 137 00:05:46,240 --> 00:05:50,520 Speaker 3: But our question, question statement, whatever you like, is songs 138 00:05:51,240 --> 00:05:55,880 Speaker 3: you don't play in prison. Our producer Greg suggested closer 139 00:05:55,960 --> 00:05:57,080 Speaker 3: by nine inch nails. 140 00:05:57,600 --> 00:05:59,200 Speaker 5: Now, yeah, we're not going to play. 141 00:05:59,839 --> 00:06:00,840 Speaker 4: Don't have an example of that. 142 00:06:01,560 --> 00:06:03,400 Speaker 5: You have to play an example of closer by nine 143 00:06:03,440 --> 00:06:04,040 Speaker 5: inch nails. 144 00:06:04,640 --> 00:06:07,040 Speaker 4: But if you know, you know, I want to hear 145 00:06:07,080 --> 00:06:11,840 Speaker 4: the live version from that gig in Frisco's. 146 00:06:10,680 --> 00:06:13,839 Speaker 3: Say said anything by Wham especially I'm your man of Freedom. 147 00:06:14,040 --> 00:06:17,279 Speaker 4: Yeah, maybe not relaxed, Frank he goes to Hollywood, perhaps 148 00:06:18,040 --> 00:06:19,760 Speaker 4: and something more creative than jail break. 149 00:06:19,960 --> 00:06:22,840 Speaker 3: Welly are so easily amused here. So songs you don't 150 00:06:23,000 --> 00:06:25,320 Speaker 3: play in prison? Joe and Quin's rocks alone. 151 00:06:25,800 --> 00:06:26,680 Speaker 2: How good morning, guys. 152 00:06:26,760 --> 00:06:27,120 Speaker 6: What is it? 153 00:06:27,320 --> 00:06:29,560 Speaker 4: Let's talk about six baby? 154 00:06:31,120 --> 00:06:34,599 Speaker 3: Probably not advisable, probably not And in fact our boss suggested, 155 00:06:34,839 --> 00:06:36,200 Speaker 3: can we talk it over in pain? 156 00:06:37,240 --> 00:06:40,800 Speaker 5: Also, it's not a very wise idea. Thank you, Joe 157 00:06:41,080 --> 00:06:44,520 Speaker 5: and Jake and Inglewood. What have you got for us? 158 00:06:46,000 --> 00:06:47,920 Speaker 6: Ye? Look, I'm an old school rocker fan. 159 00:06:47,960 --> 00:06:50,360 Speaker 4: I like my Sabbath and my Judas Priest and iron Maid, 160 00:06:50,400 --> 00:06:52,320 Speaker 4: and so it's got to be breaking the law by 161 00:06:52,400 --> 00:06:57,440 Speaker 4: Judas Priest's. 162 00:06:55,160 --> 00:06:55,760 Speaker 5: Just rubbing it in. 163 00:06:56,040 --> 00:07:01,400 Speaker 4: Yes, gad horns of when you did that? Absolutely mate, 164 00:07:01,440 --> 00:07:04,799 Speaker 4: I'm Robbie Helford. I'm going for it, beautiful. 165 00:07:06,400 --> 00:07:09,440 Speaker 3: Yeah, you'll let it, Alchemist, What have you got for 166 00:07:09,600 --> 00:07:11,240 Speaker 3: us on our list of songs you don't play or. 167 00:07:11,240 --> 00:07:11,880 Speaker 5: Sing in prison? 168 00:07:14,280 --> 00:07:14,960 Speaker 4: Please release me? 169 00:07:15,520 --> 00:07:15,680 Speaker 6: Ah? 170 00:07:16,200 --> 00:07:18,240 Speaker 4: Yes? Interesting? 171 00:07:18,360 --> 00:07:20,760 Speaker 5: Nice? You don't you don't play that in prison? Thank you? Paul. 172 00:07:22,440 --> 00:07:25,120 Speaker 4: Do you think it's not good to play standing on 173 00:07:25,160 --> 00:07:27,120 Speaker 4: the outside looking in by Cold chies A lest you think? 174 00:07:27,560 --> 00:07:27,600 Speaker 6: No? 175 00:07:27,960 --> 00:07:31,080 Speaker 3: That's that also is a bit, ye, standing on the outside? 176 00:07:31,680 --> 00:07:36,760 Speaker 3: Songs that you don't play in prison? I'm guessing Genuine's Ponies. 177 00:07:38,200 --> 00:07:38,880 Speaker 5: Probably out of. 178 00:07:38,880 --> 00:07:41,600 Speaker 4: The Yeah, well love the one you with Steve Steeles. 179 00:07:41,600 --> 00:07:43,600 Speaker 4: Maybe not Killy Kelly. 180 00:07:44,200 --> 00:07:45,480 Speaker 5: What about you? When you got for us? 181 00:07:46,040 --> 00:07:48,680 Speaker 4: I've got the stealer wheeling stuck in the middle with you. 182 00:07:49,840 --> 00:07:53,200 Speaker 3: Stuck in the middle with you, Yes, for those three 183 00:07:53,280 --> 00:07:54,680 Speaker 3: bunkies in a cell. 184 00:07:55,200 --> 00:07:56,360 Speaker 2: Yeah, you. 185 00:07:58,600 --> 00:08:01,880 Speaker 3: Gavin in Rockingham. What song do you think shouldn't be 186 00:08:01,880 --> 00:08:02,520 Speaker 3: played in prison? 187 00:08:03,240 --> 00:08:04,240 Speaker 6: You should be not long? 188 00:08:04,640 --> 00:08:07,080 Speaker 4: Yeah, it could be problematic, especially in the early nights. 189 00:08:08,560 --> 00:08:10,480 Speaker 5: Turn it down absolutely. 190 00:08:10,800 --> 00:08:13,960 Speaker 3: I agree with you there or you know, talking about 191 00:08:13,960 --> 00:08:16,200 Speaker 3: great Australian classics. Probably don't play de Vinyls. I touched 192 00:08:16,240 --> 00:08:17,120 Speaker 3: myself either. 193 00:08:18,200 --> 00:08:20,520 Speaker 4: Well you as soon as someone joining it putting. 194 00:08:20,480 --> 00:08:22,440 Speaker 5: Aaron in Camillo. What have you got for us? 195 00:08:22,720 --> 00:08:24,760 Speaker 4: Look, you've inspired me to start a playlist. 196 00:08:25,920 --> 00:08:26,280 Speaker 2: Of course. 197 00:08:27,160 --> 00:08:28,800 Speaker 4: Look I've got a couple I have to admit. 198 00:08:29,120 --> 00:08:31,680 Speaker 5: The first one would be It's Raining Men. 199 00:08:33,559 --> 00:08:38,360 Speaker 3: Else the second one would be Kellius's Milkshake because bringing 200 00:08:38,400 --> 00:08:40,319 Speaker 3: all the boys to the might be problematic. 201 00:08:40,679 --> 00:08:44,480 Speaker 5: That's like the Chip had, isn't it exactly? The sad 202 00:08:44,559 --> 00:08:47,480 Speaker 5: one is meat Loafts. I would do anything for love, 203 00:08:47,600 --> 00:08:47,800 Speaker 5: but I. 204 00:08:47,840 --> 00:08:50,520 Speaker 4: Won't that Yeah, and less forced to. 205 00:08:53,960 --> 00:08:56,559 Speaker 5: The I'm starting a Spotify playlist. 206 00:08:58,840 --> 00:09:03,320 Speaker 4: Started love it very good? Actually you started me down 207 00:09:03,400 --> 00:09:05,240 Speaker 4: the Devinyls rabbit hole. Now I'm thinking it's a fine 208 00:09:05,240 --> 00:09:06,320 Speaker 4: line between pleasure and pain. 209 00:09:08,320 --> 00:09:10,400 Speaker 5: So in bell Divis, what have you got for a suit? 210 00:09:10,920 --> 00:09:12,400 Speaker 5: All I want to do is make love to you? 211 00:09:12,720 --> 00:09:17,480 Speaker 4: Yes, maybe not great have no, great, Yeah, we love 212 00:09:17,600 --> 00:09:20,800 Speaker 4: to laugh at that song enough as it is you. 213 00:09:22,720 --> 00:09:25,760 Speaker 5: Yes, exactly exactly, last. 214 00:09:25,600 --> 00:09:28,360 Speaker 4: Song apart like a pair of mechanics, gown nuts. 215 00:09:29,120 --> 00:09:32,480 Speaker 5: We do, we do like a master's thesis something. 216 00:09:34,120 --> 00:09:39,120 Speaker 3: Thank you, Sue, so we know it inside out, Jandra 217 00:09:39,400 --> 00:09:42,360 Speaker 3: in Butler, what would you suggest as a song you 218 00:09:42,400 --> 00:09:43,160 Speaker 3: don't play in prison? 219 00:09:43,400 --> 00:09:44,840 Speaker 5: Good morning, guys, morning. 220 00:09:45,480 --> 00:09:47,959 Speaker 4: So the first song that popped in my mind was 221 00:09:48,280 --> 00:09:49,720 Speaker 4: Boom Boom boom, Let's. 222 00:09:49,520 --> 00:09:53,439 Speaker 5: Feel back to you can do it all night and 223 00:09:53,559 --> 00:09:57,199 Speaker 5: you can make me feel right. I loved that song 224 00:09:57,240 --> 00:09:59,319 Speaker 5: when it came out. I waited weeks for the twelve 225 00:09:59,360 --> 00:10:03,160 Speaker 5: inch three B this discussion in prison either. 226 00:10:03,080 --> 00:10:04,480 Speaker 4: Yeah, yeah, how many times? 227 00:10:05,160 --> 00:10:05,360 Speaker 3: DJ? 228 00:10:05,480 --> 00:10:07,920 Speaker 4: How many times that song saving my butt? 229 00:10:08,640 --> 00:10:08,840 Speaker 3: Yeah? 230 00:10:11,520 --> 00:10:16,760 Speaker 5: Thank you, thank you boom boom, Sam in Mandra, what 231 00:10:16,880 --> 00:10:17,600 Speaker 5: have you got for us? 232 00:10:17,960 --> 00:10:19,079 Speaker 4: You've been right? 233 00:10:22,600 --> 00:10:25,120 Speaker 3: It was played in conjunction with Boom boom, Let's go of. 234 00:10:25,160 --> 00:10:27,920 Speaker 3: Actually it was Yeah. 235 00:10:28,000 --> 00:10:29,760 Speaker 4: If you've got your beats right and your beat timing 236 00:10:29,880 --> 00:10:31,959 Speaker 4: the songs together, thanks for thanks. 237 00:10:31,800 --> 00:10:36,320 Speaker 5: For got extra points for that. Yeah, thank you, Sam, 238 00:10:37,160 --> 00:10:42,240 Speaker 5: Have a great day. More more Lisa more podcasts. 239 00:10:45,520 --> 00:10:48,320 Speaker 3: Not long now to go until we celebrate the big 240 00:10:48,440 --> 00:10:51,839 Speaker 3: fortieth anniversary of Australia winning the or as we like 241 00:10:51,920 --> 00:10:56,280 Speaker 3: to think of it, West Australia, of course, America's Cup 242 00:10:56,559 --> 00:10:59,360 Speaker 3: and Taking Liberty is on at the Double Way Maritime 243 00:10:59,440 --> 00:11:03,520 Speaker 3: Museum from September sixteenth to October. The first tickets are 244 00:11:03,520 --> 00:11:06,400 Speaker 3: through the WA Maritime Museum website. This is a fabulous 245 00:11:06,480 --> 00:11:10,160 Speaker 3: play and it's a three parter. So one of those 246 00:11:10,240 --> 00:11:13,000 Speaker 3: roles is Alan Bond. Playing Alan Bond in Taking Liberty 247 00:11:13,080 --> 00:11:14,920 Speaker 3: is Luke Hewitt, He joins us, Now hollow, Luke. 248 00:11:15,080 --> 00:11:17,320 Speaker 4: Mate, good all, Luke. 249 00:11:17,480 --> 00:11:20,719 Speaker 3: Now, I don't tell me if I was wrong, but 250 00:11:20,760 --> 00:11:23,880 Speaker 3: I said, I think it was first done in twenty eleven. 251 00:11:24,840 --> 00:11:25,480 Speaker 6: And were you. 252 00:11:26,960 --> 00:11:28,760 Speaker 5: You were Alan Bond in that one too, weren't you? 253 00:11:29,160 --> 00:11:31,480 Speaker 4: I was, Yeah, But that was the second time. That 254 00:11:31,600 --> 00:11:32,560 Speaker 4: was the second time. 255 00:11:33,120 --> 00:11:33,920 Speaker 2: Okay, it was. 256 00:11:34,000 --> 00:11:36,800 Speaker 6: First don in two thousand and nine. All right, Oh well, 257 00:11:37,360 --> 00:11:39,559 Speaker 6: and I wasn't in that, but our director was in that, 258 00:11:39,720 --> 00:11:43,360 Speaker 6: and our director for this production played John Bertrand in 259 00:11:43,480 --> 00:11:44,640 Speaker 6: those first two productions. 260 00:11:44,920 --> 00:11:49,520 Speaker 4: Awesome, so I get Joel Jackson this time. Yeah. 261 00:11:50,000 --> 00:11:54,440 Speaker 5: So for those the uninitiated, tell us quickly about the play. 262 00:11:54,440 --> 00:11:59,360 Speaker 6: Well, it sort of traps all of Australia's involvement in 263 00:11:59,600 --> 00:12:02,640 Speaker 6: the chain challenges for the Cup and eventually winning the Cup. 264 00:12:03,800 --> 00:12:07,120 Speaker 6: So we go right back to like nineteen seventy when 265 00:12:07,400 --> 00:12:10,319 Speaker 6: Bondie decided he was going to throw his hat in 266 00:12:10,360 --> 00:12:14,360 Speaker 6: the ring for the Cup, and yeah, we track along. 267 00:12:14,880 --> 00:12:18,880 Speaker 6: There's three actors play all of the roles. So Joel 268 00:12:19,000 --> 00:12:23,120 Speaker 6: plays John Bertrand and others. Kasimir South plays Ben Lexon 269 00:12:23,240 --> 00:12:26,280 Speaker 6: and others. And I am Alan bond and others, and 270 00:12:26,559 --> 00:12:29,160 Speaker 6: the others are like various commodoes of the New York 271 00:12:29,240 --> 00:12:33,040 Speaker 6: Yacht Club and Warren Jones and all of the lot 272 00:12:33,040 --> 00:12:35,920 Speaker 6: the people that were around around the challenges at the time. 273 00:12:36,000 --> 00:12:39,960 Speaker 6: So it's a funny play. It is moving at the end, 274 00:12:40,280 --> 00:12:43,200 Speaker 6: and it's exciting during the races. And it's all set 275 00:12:43,320 --> 00:12:46,520 Speaker 6: in front of a large cinema screen. So the screen 276 00:12:46,640 --> 00:12:49,200 Speaker 6: is actually the fourth actor, and you'll see some wonderful 277 00:12:49,360 --> 00:12:51,679 Speaker 6: historical pictures and videos. 278 00:12:51,280 --> 00:12:52,880 Speaker 5: And that's where we'll see the key will come up 279 00:12:52,880 --> 00:12:53,520 Speaker 5: and that sort of thing. 280 00:12:53,600 --> 00:13:00,120 Speaker 6: Is it. Absolutely, we're also around sound as well, yes, cinema. 281 00:12:59,800 --> 00:13:04,000 Speaker 4: So yeah, it's a real experience. It was a real 282 00:13:04,280 --> 00:13:06,280 Speaker 4: It was a huge time for Australia with a cultural 283 00:13:06,360 --> 00:13:08,240 Speaker 4: cringe going on in nineteen eighty three and felt like 284 00:13:08,520 --> 00:13:10,800 Speaker 4: we could take over the world, Luke, But you know 285 00:13:10,920 --> 00:13:13,840 Speaker 4: so much passion at the time was such a huge celebration. 286 00:13:14,320 --> 00:13:16,200 Speaker 4: But let's be honest. I saw the doco. I think 287 00:13:16,200 --> 00:13:17,599 Speaker 4: it was last year they made a doco, maybe the 288 00:13:17,640 --> 00:13:20,000 Speaker 4: year before, and John Bertrand was still nearly forty years 289 00:13:20,040 --> 00:13:22,240 Speaker 4: later in tears. It meant so much to Australians and 290 00:13:22,280 --> 00:13:23,959 Speaker 4: the people who were there. It meant so much, didn't it. 291 00:13:24,880 --> 00:13:28,120 Speaker 6: Yes, Well, we've spoken to many of the crew both 292 00:13:28,240 --> 00:13:31,680 Speaker 6: in twenty eleven and this year preparing for this play, 293 00:13:31,760 --> 00:13:34,800 Speaker 6: and it all it affects them all in a similar way. 294 00:13:35,400 --> 00:13:37,600 Speaker 6: They missed. They get missed the eyed really quickly when 295 00:13:37,600 --> 00:13:38,439 Speaker 6: they're talking about it. 296 00:13:38,880 --> 00:13:44,240 Speaker 3: Well, I think it's the greatest moment in Australian sporting 297 00:13:44,600 --> 00:13:49,599 Speaker 3: history and the greatest achievement in Australian sporting history. Do 298 00:13:49,720 --> 00:13:52,360 Speaker 3: you remember not do You might have just been a 299 00:13:52,400 --> 00:13:54,320 Speaker 3: little baby, Luke, But how do you remember where you. 300 00:13:54,360 --> 00:13:56,560 Speaker 2: Were, where you were, where we were. 301 00:13:58,120 --> 00:13:58,400 Speaker 4: Baby? 302 00:13:59,360 --> 00:14:03,079 Speaker 6: I certainly to remember I was in high school. I'm 303 00:14:03,120 --> 00:14:05,839 Speaker 6: not going to tell you which year of I was 304 00:14:05,880 --> 00:14:08,920 Speaker 6: in high school. Yes, it was. It was a massive 305 00:14:09,040 --> 00:14:11,880 Speaker 6: thing and you know when we brought the Cup home. 306 00:14:12,640 --> 00:14:16,800 Speaker 6: There was like half a million people on the foreshore celebrating. 307 00:14:17,400 --> 00:14:22,160 Speaker 6: Jackie Love was doing numbers to five hundred thousand people. 308 00:14:22,240 --> 00:14:26,640 Speaker 6: It was. It was a massive thing. Yeah, just for us. 309 00:14:28,240 --> 00:14:32,760 Speaker 6: The America's Cup is the oldest international sporting competition in 310 00:14:32,840 --> 00:14:35,960 Speaker 6: the world exactly, that pre dates the modern Olympics. Yes, 311 00:14:37,800 --> 00:14:40,360 Speaker 6: so it was a big thing one hundred and thirty 312 00:14:40,520 --> 00:14:43,000 Speaker 6: six years before it was won by anyone else. 313 00:14:43,080 --> 00:14:46,440 Speaker 4: And that someone else was us. Easy to forget Luke, 314 00:14:46,680 --> 00:14:48,760 Speaker 4: what a story was because it wasn't just the underdog 315 00:14:48,760 --> 00:14:50,520 Speaker 4: story because Australians have been trying for a long time 316 00:14:50,600 --> 00:14:55,040 Speaker 4: to win the great But we were done and dusted, 317 00:14:55,160 --> 00:14:57,360 Speaker 4: gone and Jenn's kind of was strutting around because I 318 00:14:57,440 --> 00:14:58,520 Speaker 4: was so far in front of mine. 319 00:14:58,600 --> 00:14:59,600 Speaker 5: It was a strutter. 320 00:15:00,720 --> 00:15:02,240 Speaker 4: They thought they had it all wrapped up, and then 321 00:15:02,320 --> 00:15:04,520 Speaker 4: all of a sudden we came back from pretty much 322 00:15:04,560 --> 00:15:07,160 Speaker 4: from dead. It was an incredible comeback as as as. 323 00:15:07,080 --> 00:15:07,480 Speaker 5: You can get. 324 00:15:08,400 --> 00:15:10,640 Speaker 4: Definitely like it was three to one. It's a best 325 00:15:10,680 --> 00:15:12,000 Speaker 4: of seven competition. 326 00:15:12,080 --> 00:15:14,360 Speaker 6: It was three to one. So from that point on 327 00:15:14,640 --> 00:15:18,240 Speaker 6: every race was due or die, and we ended up 328 00:15:18,280 --> 00:15:22,640 Speaker 6: winning the next three and yeah, it was we were 329 00:15:22,680 --> 00:15:24,360 Speaker 6: all hanging on the edge of our chairs. 330 00:15:24,600 --> 00:15:28,400 Speaker 5: It was it was really it's amazing chills now just 331 00:15:28,480 --> 00:15:29,160 Speaker 5: thinking about it. 332 00:15:29,320 --> 00:15:33,640 Speaker 3: I mean, it never ceases to make me get those chills, 333 00:15:33,680 --> 00:15:35,760 Speaker 3: Like I'm like, I'm seeing the story for the first 334 00:15:35,800 --> 00:15:38,400 Speaker 3: time whenever I watch anything about it. 335 00:15:39,040 --> 00:15:41,000 Speaker 4: It was mind blowing, especially for us here in the West. 336 00:15:41,120 --> 00:15:45,440 Speaker 4: It was such a West Australian celebration. Yeah, it was massive. 337 00:15:45,560 --> 00:15:48,680 Speaker 6: And look, I'll tell you also, the show is part 338 00:15:48,760 --> 00:15:52,520 Speaker 6: of the massive exhibition from Australia to forty Years On 339 00:15:52,720 --> 00:15:55,840 Speaker 6: that's on at the WA Maritime Museum. It's on until 340 00:15:56,560 --> 00:16:00,880 Speaker 6: February Okay, yeah, till the fourth so there's plenty of 341 00:16:00,920 --> 00:16:02,680 Speaker 6: time to see it. But if you buy a ticket 342 00:16:02,720 --> 00:16:05,520 Speaker 6: to the show, it gives you free access to that exhibition. 343 00:16:05,880 --> 00:16:08,720 Speaker 6: And I've been through the exhibition and it's absolutely amazing. 344 00:16:09,200 --> 00:16:11,880 Speaker 6: It tracks all of what we've just been talking about. 345 00:16:12,120 --> 00:16:15,160 Speaker 6: You can have a selfie in the Australia jacket that 346 00:16:15,200 --> 00:16:19,120 Speaker 6: Bob Hawk put on and got sprayed. Wow really Oh yeah, yeah, 347 00:16:19,280 --> 00:16:22,120 Speaker 6: they've made up because of that jacket, so people can 348 00:16:22,240 --> 00:16:25,320 Speaker 6: have selfies. Yeah. You can sail. You can do a 349 00:16:25,360 --> 00:16:28,360 Speaker 6: little virtual sailing of a twelve meter as well as 350 00:16:28,480 --> 00:16:30,840 Speaker 6: look at all of the history leading up to and 351 00:16:31,560 --> 00:16:35,040 Speaker 6: videos and interviews of people that were involved. It's really amazing. 352 00:16:35,600 --> 00:16:36,440 Speaker 5: That is amazing. 353 00:16:36,760 --> 00:16:40,880 Speaker 3: Once again, Fremantle is going to be the place to 354 00:16:40,960 --> 00:16:45,000 Speaker 3: be taking Liberty is on from Saturday night, I believe 355 00:16:45,080 --> 00:16:46,560 Speaker 3: at the Maritime. 356 00:16:46,240 --> 00:16:47,920 Speaker 5: Museum through to October first. 357 00:16:47,960 --> 00:16:50,440 Speaker 3: And of course there's the big free concert on the 358 00:16:50,880 --> 00:16:54,680 Speaker 3: twenty four September twenty fourth, so and that. 359 00:16:54,760 --> 00:16:56,720 Speaker 4: Saturday week sensational Celebary. 360 00:16:56,440 --> 00:16:58,280 Speaker 5: Sunday week al be fun Sunday Sunday week. 361 00:16:58,680 --> 00:17:00,800 Speaker 3: Luke, thank you so much. Should we look forward to 362 00:17:00,840 --> 00:17:02,920 Speaker 3: seeing you take on the BONDI roll again? 363 00:17:03,920 --> 00:17:07,040 Speaker 4: Yes, come along, let's go sailent Lo can always remember 364 00:17:07,119 --> 00:17:09,760 Speaker 4: made any employee, any boys who's a bum of that? 365 00:17:10,520 --> 00:17:21,280 Speaker 1: The next day offs you read the flick with Ben 366 00:17:22,200 --> 00:17:23,400 Speaker 1: on ninety six FM. 367 00:17:24,200 --> 00:17:27,960 Speaker 2: Good morning, Good morning. Now. I'm happy to bring some 368 00:17:28,119 --> 00:17:30,840 Speaker 2: Kenneth Brenner content to you today, Lisa. 369 00:17:30,880 --> 00:17:33,440 Speaker 5: You know I interviewed him once. I was did you 370 00:17:33,520 --> 00:17:35,880 Speaker 5: not in the flesh on the phone. But I had 371 00:17:35,920 --> 00:17:37,960 Speaker 5: to go. I had to go and see the first 372 00:17:38,040 --> 00:17:39,840 Speaker 5: Thor movie to be able to do it. 373 00:17:40,280 --> 00:17:43,560 Speaker 3: So that was my one venture into seeing a superhero 374 00:17:43,720 --> 00:17:46,880 Speaker 3: movie because it meant I could interview Kenneth Brannan. 375 00:17:46,680 --> 00:17:49,080 Speaker 2: Because he directed it. It was an interesting film, it 376 00:17:49,320 --> 00:17:49,760 Speaker 2: was it. 377 00:17:49,800 --> 00:17:51,239 Speaker 3: Was different to any of the others, and I had 378 00:17:51,240 --> 00:17:54,480 Speaker 3: a bit of a Shakespearean thought before me. 379 00:17:54,880 --> 00:17:56,800 Speaker 4: Yeah every minute. 380 00:17:57,800 --> 00:18:01,160 Speaker 2: Yeah, Well, now he's back the camera and in front 381 00:18:01,200 --> 00:18:05,320 Speaker 2: of it for another Hercule Poirot murder mystery. So these 382 00:18:05,440 --> 00:18:08,200 Speaker 2: films are of course based on the books of Agatha Christie, 383 00:18:08,880 --> 00:18:11,920 Speaker 2: and this is the third installment of Branner's Poirot. It 384 00:18:12,040 --> 00:18:14,320 Speaker 2: was a TV series of what on the ABC for 385 00:18:14,440 --> 00:18:17,399 Speaker 2: many many years, and the first one, a Murder on 386 00:18:17,440 --> 00:18:20,600 Speaker 2: the Orown Express, star studded cast, made a ton of money. 387 00:18:20,680 --> 00:18:22,920 Speaker 2: The second one, Death on the Nile, also a star 388 00:18:23,000 --> 00:18:25,239 Speaker 2: studed cast, made a ton of money. Between the two 389 00:18:25,280 --> 00:18:27,960 Speaker 2: of them, I think they've made seven hundred and fifty 390 00:18:28,040 --> 00:18:30,760 Speaker 2: million at the box office, which is not bad going. 391 00:18:31,440 --> 00:18:33,320 Speaker 2: And so this third one comes along and it is 392 00:18:33,880 --> 00:18:37,919 Speaker 2: really a departure from the other two. So Kenneth Branner 393 00:18:38,040 --> 00:18:40,720 Speaker 2: and his screenwriter, who's worked with on all of these movies, 394 00:18:41,080 --> 00:18:43,960 Speaker 2: wanted to do something a bit different. So for starters, 395 00:18:44,000 --> 00:18:46,679 Speaker 2: they took one of Agatha Christie's lesser known books, certainly 396 00:18:46,720 --> 00:18:49,119 Speaker 2: compared to the other two. Yeah, taking one that I 397 00:18:49,160 --> 00:18:50,960 Speaker 2: think a lot of people might not be familiar with. Yeah, 398 00:18:51,720 --> 00:18:54,119 Speaker 2: you might be thinking, did Agatha Christie ever write a 399 00:18:54,160 --> 00:18:57,520 Speaker 2: book called a Haunting in Venice? No, she didn't. Her 400 00:18:57,560 --> 00:19:01,600 Speaker 2: book the film is based on is Halloween Party. So 401 00:19:01,760 --> 00:19:05,399 Speaker 2: Halloween Party was I think the thirty eighth Poiroh mystery 402 00:19:05,440 --> 00:19:08,119 Speaker 2: that she wrote. And so then so they've changed it 403 00:19:08,240 --> 00:19:10,399 Speaker 2: quite a lot as well. Whereas the first two movies 404 00:19:10,440 --> 00:19:14,600 Speaker 2: were really pretty faithful adaptations, this one that completely chucked 405 00:19:14,640 --> 00:19:17,720 Speaker 2: Agatha Christie's book out the window and made the film 406 00:19:17,760 --> 00:19:18,439 Speaker 2: that they wanted to. 407 00:19:18,440 --> 00:19:21,440 Speaker 5: Make when it's less known. You can't mark around with Murder. 408 00:19:21,240 --> 00:19:24,000 Speaker 2: On the buck around with the classics. 409 00:19:24,040 --> 00:19:24,119 Speaker 6: Now. 410 00:19:24,160 --> 00:19:26,520 Speaker 2: I think Kenneth Browner kind of earned the right to 411 00:19:27,359 --> 00:19:29,840 Speaker 2: be a little bit adventurous because the first two movies 412 00:19:29,880 --> 00:19:32,800 Speaker 2: were so successful and his poiro character is so awesome. 413 00:19:32,880 --> 00:19:35,360 Speaker 2: I think the Agatha Christie estate was like, we'll give 414 00:19:35,359 --> 00:19:40,800 Speaker 2: you a bit of lead. I spoke to Agatha Christie's 415 00:19:40,800 --> 00:19:43,679 Speaker 2: great grandson and the best big was referred to Sir 416 00:19:43,840 --> 00:19:46,840 Speaker 2: Kenneth Branner as Ken. Oh you Ken, Ken, I was 417 00:19:46,880 --> 00:19:49,920 Speaker 2: speaking to Ken the other day. How good is that? Anyway? 418 00:19:50,040 --> 00:19:59,399 Speaker 2: So he was a pretty old fellow. So instead of 419 00:19:59,440 --> 00:20:03,719 Speaker 2: being set in a country estate like Agatha Christie's Halloween 420 00:20:03,760 --> 00:20:07,399 Speaker 2: Party book, it's set in Venice. We find Hercule Piot, 421 00:20:07,560 --> 00:20:12,359 Speaker 2: the famed detective, has retired from detecting. He's just taken 422 00:20:12,400 --> 00:20:15,919 Speaker 2: it easy. He lives in this palazzo on the canals, 423 00:20:16,000 --> 00:20:18,000 Speaker 2: and his biggest worry each day is whether or not 424 00:20:18,160 --> 00:20:20,400 Speaker 2: his delivery of pastries is going to arrive at the time. 425 00:20:21,560 --> 00:20:23,720 Speaker 2: He has a bodyguard who follows him everywhere because people 426 00:20:23,720 --> 00:20:27,040 Speaker 2: always hassling him. Borrow, I've got a problem. Can you 427 00:20:27,080 --> 00:20:30,160 Speaker 2: solve my mystery? And this, and this Italian bodyguard keeps 428 00:20:30,200 --> 00:20:31,920 Speaker 2: them away, so he kind of gets to keep his 429 00:20:32,000 --> 00:20:34,600 Speaker 2: piece and quiet. Then all of a sudden, his his 430 00:20:34,920 --> 00:20:38,679 Speaker 2: rest is interrupted by the arrival of this brash American 431 00:20:39,359 --> 00:20:44,199 Speaker 2: murder mystery author played by the great Tina fay Ariadne Oliver, 432 00:20:44,400 --> 00:20:48,639 Speaker 2: who rocks up and says, look, Poirot, I know you've retired. 433 00:20:48,680 --> 00:20:58,800 Speaker 3: You're not fans loud, it's not really. 434 00:20:58,720 --> 00:21:00,159 Speaker 2: And so but I'm glad you did because I can 435 00:21:00,200 --> 00:21:01,359 Speaker 2: see this look on your face and I was like, 436 00:21:01,400 --> 00:21:03,480 Speaker 2: oh am, I doing a bad job. What's going on? 437 00:21:05,480 --> 00:21:09,000 Speaker 2: I've seen in fase thinking up the joint. So Tina 438 00:21:09,080 --> 00:21:12,159 Speaker 2: Fay arrives and says to Poirot, Okay, like, I know 439 00:21:12,280 --> 00:21:16,000 Speaker 2: you've retired, but you know, this world famous spirit medium 440 00:21:16,320 --> 00:21:18,919 Speaker 2: is in Venice for a seance and I haven't been 441 00:21:18,960 --> 00:21:23,000 Speaker 2: able to debunk her techniques. Would you consider coming along 442 00:21:23,080 --> 00:21:25,080 Speaker 2: to this seance and see if you can figure out 443 00:21:25,119 --> 00:21:27,040 Speaker 2: how she does it? Because she's you know, it's really 444 00:21:27,119 --> 00:21:29,680 Speaker 2: driving me crazy, and goes, ah, okay, that's a favor 445 00:21:29,760 --> 00:21:32,720 Speaker 2: for you, I'll do it. The spirit medium is played 446 00:21:32,760 --> 00:21:35,119 Speaker 2: by a bit nervous to say anyone else's name now, 447 00:21:35,560 --> 00:21:41,359 Speaker 2: Michelle Yo. Oh, no, the great Michelle yo who is 448 00:21:41,400 --> 00:21:44,200 Speaker 2: actually brilliant as this spirit medium. They go to this 449 00:21:45,119 --> 00:21:48,240 Speaker 2: this old palazzo that is cursed because it used to 450 00:21:48,240 --> 00:21:50,199 Speaker 2: be a children's hospital. The kids died, all this kind 451 00:21:50,200 --> 00:21:55,720 Speaker 2: of stuffy and so anyway, this seance happens, and it 452 00:21:55,880 --> 00:21:58,840 Speaker 2: is wild, but you know Poirot's he's pretty good at 453 00:21:58,880 --> 00:22:02,639 Speaker 2: seeing through this stuff. But then there's a murder, an 454 00:22:02,720 --> 00:22:05,639 Speaker 2: actual murder, and all of a sudden it seems like 455 00:22:05,720 --> 00:22:11,359 Speaker 2: there might be supernatural anything. I'm not telling you who 456 00:22:11,480 --> 00:22:13,560 Speaker 2: done it. You have to watch the movie. And so 457 00:22:14,480 --> 00:22:18,040 Speaker 2: and so then in classic piro fashion, locks everybody in 458 00:22:18,119 --> 00:22:21,879 Speaker 2: the palazzo. No one is leaving. There's a huge storm outside, 459 00:22:22,359 --> 00:22:24,400 Speaker 2: and then everybody who's in the building at the time 460 00:22:24,760 --> 00:22:26,919 Speaker 2: one of them is the killer. So he goes one 461 00:22:27,000 --> 00:22:30,919 Speaker 2: by one trying to solve the mystery in classic Poirot fashion. 462 00:22:31,600 --> 00:22:34,840 Speaker 2: And he's got the mustache, he's got the accent, has 463 00:22:34,960 --> 00:22:38,119 Speaker 2: got his pastry. He does all. He gets pretty cranky 464 00:22:38,160 --> 00:22:41,919 Speaker 2: in the lack of pastries, but otherwise it's a very 465 00:22:42,040 --> 00:22:45,240 Speaker 2: very fun film. The Mustache, it's all the muss a 466 00:22:45,720 --> 00:22:49,639 Speaker 2: scale like praise to you know, like a train across Europe, 467 00:22:50,640 --> 00:22:52,040 Speaker 2: a boat down the river Nile. 468 00:22:52,760 --> 00:22:53,679 Speaker 6: This is just all. 469 00:22:53,640 --> 00:22:59,320 Speaker 2: Contained within classic Christie, classic Christy kind of situation. The 470 00:22:59,440 --> 00:23:01,679 Speaker 2: star star cast is not really there either. You've got 471 00:23:01,760 --> 00:23:05,359 Speaker 2: Jamie Dornan, who Kenneth Browner worked with on Belfast and 472 00:23:05,600 --> 00:23:07,640 Speaker 2: is very good in this as well. You've got Kelly 473 00:23:07,760 --> 00:23:13,280 Speaker 2: Riley who's from Yellowstone with Kevin Costner, but it's mostly 474 00:23:13,359 --> 00:23:16,480 Speaker 2: a cast of lesser non talent, and it's kind of 475 00:23:16,520 --> 00:23:18,560 Speaker 2: a bit supernatural. It's a bit of a almost like 476 00:23:18,600 --> 00:23:21,240 Speaker 2: a horror movie at times, which is a bit different 477 00:23:21,280 --> 00:23:23,400 Speaker 2: from previous pro movies. 478 00:23:23,440 --> 00:23:25,680 Speaker 4: Re freshing how he's had given a bit of a 479 00:23:25,720 --> 00:23:27,640 Speaker 4: different twitter a spark look. 480 00:23:27,720 --> 00:23:29,520 Speaker 2: It gives me more confidence that there will be a 481 00:23:29,640 --> 00:23:33,840 Speaker 2: bunch more Poiro movies in the future. All in all, 482 00:23:34,040 --> 00:23:37,080 Speaker 2: it's probably not the greatest of the three films. It's 483 00:23:37,200 --> 00:23:40,400 Speaker 2: kind of, you know, smaller in its ambition. It's still 484 00:23:40,520 --> 00:23:43,639 Speaker 2: very enjoyable. Kenneth Brown is great and you know, go 485 00:23:43,720 --> 00:23:45,800 Speaker 2: along to the movies for one of those classic who'd 486 00:23:45,840 --> 00:23:46,480 Speaker 2: done it films? 487 00:23:46,960 --> 00:23:51,840 Speaker 3: All right, how many twirling mustaches are you giving it? 488 00:23:51,960 --> 00:23:53,320 Speaker 2: Let me give this one three. 489 00:23:54,800 --> 00:23:54,840 Speaker 6: D. 490 00:23:57,359 --> 00:23:58,879 Speaker 3: Back in the day when we used to go to 491 00:23:58,960 --> 00:24:02,399 Speaker 3: the five o'clock session, you know, with our parents. Cleerzy, 492 00:24:02,880 --> 00:24:05,800 Speaker 3: the latest Agatha Christie movie was like looked forward to 493 00:24:05,920 --> 00:24:08,439 Speaker 3: and received like you know they look to the Marvel 494 00:24:08,520 --> 00:24:13,480 Speaker 3: movies these days. Yes, it was amazing, so it's nice 495 00:24:13,480 --> 00:24:14,359 Speaker 3: to see it make a bit of it. 496 00:24:14,600 --> 00:24:19,200 Speaker 2: Still still going pretty strong, soe man, Yes, thank you, Ben, 497 00:24:19,440 --> 00:24:20,359 Speaker 2: Thanks guys man. 498 00:24:20,400 --> 00:24:22,600 Speaker 4: Next time casting directors will have to go through Lisa first, 499 00:24:23,280 --> 00:24:27,760 Speaker 4: the short test, Tina Fath, thanks both, more Clezy, more Lisa, 500 00:24:28,400 --> 00:24:37,200 Speaker 4: More podcasts soon. The Sure Report on ninety six airm. 501 00:24:39,200 --> 00:24:43,639 Speaker 3: According to science, Nirvana smells like ten spirit is the 502 00:24:43,920 --> 00:24:47,800 Speaker 3: most iconic song of all time. Computer scientists at the 503 00:24:47,880 --> 00:24:50,640 Speaker 3: University of London run a bunch of songs through analytical 504 00:24:50,760 --> 00:24:55,480 Speaker 3: software to compare their key beats per minute, chord variety, 505 00:24:55,800 --> 00:25:01,119 Speaker 3: lyrical content, timberl variety and sonic variants four, declaring smells 506 00:25:01,160 --> 00:25:03,119 Speaker 3: like teen Spirit top of the pile? Where did these 507 00:25:03,200 --> 00:25:05,960 Speaker 3: boffins come up with this rubbish clerzy? I love some 508 00:25:06,000 --> 00:25:11,800 Speaker 3: of the love it talk about overthinking and analyzic something 509 00:25:12,080 --> 00:25:15,639 Speaker 3: I know running it through analytical software to compare BPM 510 00:25:15,800 --> 00:25:16,520 Speaker 3: and cord vera. 511 00:25:16,680 --> 00:25:17,600 Speaker 5: Oh please. 512 00:25:17,960 --> 00:25:20,880 Speaker 3: The scientists with their silly theory declared John Lennon's Imagined 513 00:25:20,880 --> 00:25:23,080 Speaker 3: to be in second place, followed by U Two's One, 514 00:25:23,160 --> 00:25:26,360 Speaker 3: Michael Jackson's Billy Jean, and Queen's Bohemian Rhapsody. 515 00:25:26,640 --> 00:25:28,960 Speaker 4: I was going to ask what was next? Spot Crown Yeah. 516 00:25:29,720 --> 00:25:33,440 Speaker 3: Ozzy Osbourne's revealed he has to undergo further surgery due 517 00:25:33,440 --> 00:25:35,760 Speaker 3: to injuries he sustained in previous accidents. 518 00:25:35,800 --> 00:25:37,600 Speaker 5: He's been living with pain for ages now. 519 00:25:38,000 --> 00:25:39,840 Speaker 3: A few years ago as he suffered a fall which 520 00:25:39,920 --> 00:25:41,760 Speaker 3: dislodged the metal rods that were put in his back 521 00:25:42,119 --> 00:25:45,560 Speaker 3: after a very bad quad bite crash back in two 522 00:25:45,600 --> 00:25:46,360 Speaker 3: thousand and three. 523 00:25:46,840 --> 00:25:50,080 Speaker 5: He had a major up last year. Doesn't look like it's. 524 00:25:50,000 --> 00:25:52,720 Speaker 3: Done all that March because now he has to have 525 00:25:52,760 --> 00:25:55,719 Speaker 3: another one because the pangress isn't easy. Seventy four year 526 00:25:55,760 --> 00:25:58,960 Speaker 3: old Ossie is also living with Parkinson's disease that was 527 00:25:59,040 --> 00:26:03,159 Speaker 3: diagnosed three years ago. Multiple struggles there and the MTV 528 00:26:03,560 --> 00:26:06,720 Speaker 3: Video Music Awards were on last night. Shakira won the 529 00:26:06,880 --> 00:26:12,119 Speaker 3: MVA's Vanguard Award, that's what they call their Lifetime Achievement Award. 530 00:26:12,440 --> 00:26:15,160 Speaker 3: Taylor Swift was the big winner last night, winning nine 531 00:26:15,359 --> 00:26:18,119 Speaker 3: including Best Song and Best Album and Best Artist and 532 00:26:18,200 --> 00:26:21,120 Speaker 3: Best Video, and on and on it went, big, big awards. 533 00:26:21,400 --> 00:26:24,320 Speaker 3: She's come a long way, Swifty. Who'll ever forget her 534 00:26:24,359 --> 00:26:26,160 Speaker 3: first win back in two thousand and nine. 535 00:26:27,600 --> 00:26:32,080 Speaker 4: God, Taylor, I'm really happy for you. I'll let you finish. 536 00:26:32,560 --> 00:26:35,200 Speaker 4: But Beyonce had one of her best videos of all time, 537 00:26:38,600 --> 00:26:40,240 Speaker 4: one of her best videos all time. 538 00:26:43,440 --> 00:26:47,639 Speaker 3: I still hold Carder responsible for a lot of Taylor 539 00:26:47,680 --> 00:26:48,399 Speaker 3: Swift's success. 540 00:26:48,800 --> 00:26:51,719 Speaker 4: You call West Interruptors was interrupt us. 541 00:26:52,000 --> 00:26:55,359 Speaker 3: So Swifty Swag of nine takes her total VMAs to 542 00:26:55,400 --> 00:26:58,760 Speaker 3: twenty three, second only to Beyonce, who had the greatest 543 00:26:58,840 --> 00:27:01,879 Speaker 3: video of all time, and he was talking about single ladies. 544 00:27:02,080 --> 00:27:07,200 Speaker 3: By the way, she has thirty feet firmly on solid ground. Yesterday, 545 00:27:07,240 --> 00:27:09,760 Speaker 3: I hope everyone who lost their power is getting it back. Well, 546 00:27:09,760 --> 00:27:11,639 Speaker 3: obviously you're not going to know. I'm saying that if 547 00:27:11,680 --> 00:27:14,280 Speaker 3: you haven't got your power back. Twenty four thousand people 548 00:27:14,520 --> 00:27:16,800 Speaker 3: ended up without power at the end of yesterday's storm. 549 00:27:17,280 --> 00:27:20,080 Speaker 3: As is so often the case, Rockingham was maybe the 550 00:27:20,200 --> 00:27:23,119 Speaker 3: hardest hit area. They recorded winds of up to one 551 00:27:23,200 --> 00:27:25,560 Speaker 3: hundred and thirteen cas per our Garden Island just off 552 00:27:25,720 --> 00:27:27,320 Speaker 3: rocking Ham. There was a wind gust of one hundred 553 00:27:27,320 --> 00:27:30,720 Speaker 3: and twenty eight k's at Rota scary, but homes in 554 00:27:30,920 --> 00:27:36,080 Speaker 3: Rockingham were really dealt to roofs off fences, ceilings collapsed. 555 00:27:36,160 --> 00:27:38,679 Speaker 3: The Bureau of Meteorology compared it to a tornado. 556 00:27:39,000 --> 00:27:42,000 Speaker 4: Okay, well, this woman, Amanda mceu down and then Rocky 557 00:27:42,000 --> 00:27:43,320 Speaker 4: Anne was saying that she had the kids in the 558 00:27:43,359 --> 00:27:44,879 Speaker 4: wardrobe because it was a bit scary as the roof 559 00:27:45,359 --> 00:27:48,240 Speaker 4: come apart. Those kinds of eurie feelings, and you know, 560 00:27:48,320 --> 00:27:50,760 Speaker 4: you imagine the kids looking panic. When you know, when 561 00:27:50,760 --> 00:27:52,280 Speaker 4: you see your parent looking a little bit worried. 562 00:27:52,520 --> 00:27:54,679 Speaker 3: Yeah, it's not good. Yeah, I remember that too, when 563 00:27:54,720 --> 00:27:56,480 Speaker 3: the air hostess runs down the middle of plane. 564 00:27:56,520 --> 00:27:57,800 Speaker 4: Yeah, you're watching them as a queue. 565 00:27:58,080 --> 00:27:59,840 Speaker 5: That was well, the pilot us up. 566 00:28:00,000 --> 00:28:02,239 Speaker 4: One of my first things I recall as a kid 567 00:28:02,359 --> 00:28:04,159 Speaker 4: was seeing my man's face looking a bit panicked when 568 00:28:04,160 --> 00:28:06,119 Speaker 4: the Meckering earthquake was on and we weren't anywhere near 569 00:28:06,119 --> 00:28:08,119 Speaker 4: the Wheatbelt. We were in Embleton, and I saw his 570 00:28:08,200 --> 00:28:10,359 Speaker 4: face and I went, something doesn't say right here. 571 00:28:10,400 --> 00:28:13,040 Speaker 5: I remember that with cyclone albion, long cyclone albion. 572 00:28:13,240 --> 00:28:14,439 Speaker 4: So yeah, eighties, wasn't. 573 00:28:14,320 --> 00:28:17,560 Speaker 5: It was the very late seventies. I think maybe about 574 00:28:17,600 --> 00:28:18,760 Speaker 5: seventy nine and some time ago. 575 00:28:18,840 --> 00:28:20,800 Speaker 2: But crazy on Lisa