1
00:00:00,200 --> 00:00:03,800
Speaker 1: Happy Friday. It's the jam Nation podcast with Jonesy and Amanda.

2
00:00:04,080 --> 00:00:05,960
Speaker 2: You may know him as tim O Mattick. His real

3
00:00:06,120 --> 00:00:09,840
Speaker 2: name is tim Omajie Big Australian star, but he is

4
00:00:10,119 --> 00:00:12,840
Speaker 2: ripping it every night on Mulan Rouge.

5
00:00:12,880 --> 00:00:14,880
Speaker 3: The music he's playing to loose le threc.

6
00:00:15,080 --> 00:00:17,880
Speaker 2: It's an extraordinary show and he's amazing in it and

7
00:00:17,920 --> 00:00:19,079
Speaker 2: he's such a good guy.

8
00:00:19,280 --> 00:00:22,840
Speaker 1: Five for your flashback today, songs about roads. The roads

9
00:00:22,840 --> 00:00:25,360
Speaker 1: have been dreadful lately. Of course, you know that my

10
00:00:25,480 --> 00:00:28,400
Speaker 1: bike is still in intensive care after having it sump

11
00:00:28,480 --> 00:00:30,000
Speaker 1: ripped out by an errand potter.

12
00:00:30,080 --> 00:00:31,560
Speaker 2: I know I've to it a minute. Sorry, were you

13
00:00:31,600 --> 00:00:32,200
Speaker 2: saying something?

14
00:00:32,880 --> 00:00:34,440
Speaker 3: You really are a piece of work.

15
00:00:34,520 --> 00:00:38,720
Speaker 2: Groundskeeper Louie is retiring. We pay homage the only way

16
00:00:38,760 --> 00:00:39,040
Speaker 2: we can.

17
00:00:39,240 --> 00:00:41,600
Speaker 3: What's that We brought him some wine with our pictures

18
00:00:41,600 --> 00:00:41,839
Speaker 3: on it.

19
00:00:42,000 --> 00:00:43,559
Speaker 2: I know we gave him a picture of us as

20
00:00:43,560 --> 00:00:44,360
Speaker 2: he heads out the door.

21
00:00:44,479 --> 00:00:47,040
Speaker 1: Also, Jim y Raie has had COVID this week and

22
00:00:47,120 --> 00:00:49,879
Speaker 1: I just realized that means that you're going to have

23
00:00:49,880 --> 00:00:51,639
Speaker 1: to come up the week that was well, I got

24
00:00:51,680 --> 00:00:53,280
Speaker 1: to do it because I'm doing all his job. I

25
00:00:53,320 --> 00:00:55,640
Speaker 1: have to sit there and control the air conditioning and

26
00:00:55,680 --> 00:00:57,560
Speaker 1: spray the spray the and.

27
00:00:57,520 --> 00:01:00,040
Speaker 2: I just sit here in the bimbo seat doing.

28
00:01:00,040 --> 00:01:03,120
Speaker 3: World pretty much. I'll get to it once he's round out.

29
00:01:03,160 --> 00:01:14,360
Speaker 4: That's all coming up on our podcast right now.

30
00:01:14,440 --> 00:01:15,600
Speaker 5: That a miracle of recording.

31
00:01:15,760 --> 00:01:18,240
Speaker 3: We have so many requests for them to do it again.

32
00:01:18,080 --> 00:01:21,920
Speaker 5: Mistress Amanda and ms Keller. Amanda doesn't work alone.

33
00:01:23,760 --> 00:01:25,760
Speaker 6: Friend is in a room making.

34
00:01:25,520 --> 00:01:26,480
Speaker 5: The tools of the train.

35
00:01:26,560 --> 00:01:29,720
Speaker 1: I've heard them describe him as a drunken idiot.

36
00:01:30,760 --> 00:01:31,640
Speaker 5: The legendary part.

37
00:01:31,760 --> 00:01:36,400
Speaker 7: Jonesy and Amanda the actress, Congratulations.

38
00:01:35,600 --> 00:01:36,760
Speaker 2: Man, you're the ready right now.

39
00:01:37,680 --> 00:01:39,520
Speaker 5: Josey and Amanda, you're doing a great job.

40
00:01:40,080 --> 00:01:42,240
Speaker 2: It could be for anyone but your selfie giant.

41
00:01:42,760 --> 00:01:44,679
Speaker 3: Now the time, good radio.

42
00:01:44,959 --> 00:01:51,400
Speaker 8: Sorry but if a tul tongue twist set and Amanda's shoot.

43
00:01:51,160 --> 00:01:54,520
Speaker 3: Timy, we're on the air. But hell, Amanda, how are

44
00:01:54,520 --> 00:01:54,920
Speaker 3: you today?

45
00:01:55,240 --> 00:01:56,320
Speaker 2: Very well? And how are you?

46
00:01:56,440 --> 00:01:57,440
Speaker 3: I am great?

47
00:01:57,800 --> 00:01:58,639
Speaker 2: Look what's arrive?

48
00:01:59,040 --> 00:02:01,680
Speaker 3: A package packing? Let's go to the mail bag.

49
00:02:01,880 --> 00:02:06,080
Speaker 9: Please, neither rain, nor snow, nor sleet or dark of

50
00:02:06,240 --> 00:02:10,480
Speaker 9: night shall stop the mail getting room to the mail bag.

51
00:02:12,680 --> 00:02:14,840
Speaker 3: I must say it's not really it could be.

52
00:02:14,919 --> 00:02:16,360
Speaker 2: It could be a mail bag. I'm happy for it

53
00:02:16,360 --> 00:02:16,799
Speaker 2: to be a male.

54
00:02:17,160 --> 00:02:20,440
Speaker 3: Say, I understanding, don't do this. I like to be accurate. Okay,

55
00:02:20,520 --> 00:02:23,720
Speaker 3: would you say that it's a small to medium package? Yes,

56
00:02:23,760 --> 00:02:24,680
Speaker 3: I would.

57
00:02:25,720 --> 00:02:29,280
Speaker 9: Neither rain, nor snow, nor sleet or dark of night

58
00:02:29,520 --> 00:02:33,919
Speaker 9: shall stop the mail getting room to the small to medium.

59
00:02:33,560 --> 00:02:34,560
Speaker 3: Package to partner.

60
00:02:35,600 --> 00:02:37,919
Speaker 2: I'll tell you what was in it. You're ending there?

61
00:02:37,960 --> 00:02:39,760
Speaker 2: Aren't You are ending there?

62
00:02:40,040 --> 00:02:40,280
Speaker 5: Yeah?

63
00:02:40,840 --> 00:02:44,200
Speaker 3: I'm good. That looks that you just fixed me. I

64
00:02:44,240 --> 00:02:45,120
Speaker 3: think might do it.

65
00:02:45,600 --> 00:02:48,400
Speaker 2: This is from our mate Kelly Ferrett, who sends us

66
00:02:48,480 --> 00:02:51,760
Speaker 2: the Anzac biscuits. And when I saw I thought is

67
00:02:51,800 --> 00:02:55,000
Speaker 2: she had a whack on berserk.

68
00:02:55,280 --> 00:02:58,520
Speaker 3: She sent us Anzac Business Business, Anzac Big.

69
00:02:58,320 --> 00:03:02,280
Speaker 2: Biscuits just before who is Anzac day eight? All on

70
00:03:02,440 --> 00:03:04,760
Speaker 2: April May, June July, beginning of July.

71
00:03:05,360 --> 00:03:06,040
Speaker 3: Double biscuits.

72
00:03:06,040 --> 00:03:07,440
Speaker 2: Well, she says, I'm glad you're back on here. I

73
00:03:07,440 --> 00:03:09,280
Speaker 2: hope you had a wonderful break, looking forward to all

74
00:03:09,320 --> 00:03:11,280
Speaker 2: the fun and laughter again. I thought it was time

75
00:03:11,320 --> 00:03:13,200
Speaker 2: to send some of our own Zac biscuits to my

76
00:03:13,280 --> 00:03:16,919
Speaker 2: gift to you to celebrate my birthday Wednesday the thirteenth, Oh,

77
00:03:17,080 --> 00:03:20,480
Speaker 2: mister birth by two days Kelly, Kelly, She said, this

78
00:03:20,560 --> 00:03:22,800
Speaker 2: is a small token of my appreciation for you keeping

79
00:03:22,840 --> 00:03:25,880
Speaker 2: us entertained. I love the Time Traveler podcast. That's what

80
00:03:25,880 --> 00:03:28,840
Speaker 2: we played when we're on holidays. That's right, Take care all,

81
00:03:28,919 --> 00:03:30,880
Speaker 2: enjoy the ANZACs and be safe.

82
00:03:30,600 --> 00:03:32,320
Speaker 3: Isn't she lovely? Kelly?

83
00:03:32,320 --> 00:03:35,600
Speaker 2: Happy birthday for Wednesday. I love your Anzac day biscuit,

84
00:03:35,600 --> 00:03:38,280
Speaker 2: Your anzac biscuits, As says my family, I take them

85
00:03:38,280 --> 00:03:41,080
Speaker 2: home when there's no one else is looking, and we

86
00:03:41,160 --> 00:03:43,920
Speaker 2: all honk in you honk right, we honk writing.

87
00:03:44,280 --> 00:03:47,200
Speaker 1: You have said in the past, and Kelly has said this, well,

88
00:03:47,280 --> 00:03:48,920
Speaker 1: you don't want to eat too many of them because

89
00:03:48,920 --> 00:03:52,120
Speaker 1: that does have a little bit of a laxative effect

90
00:03:52,160 --> 00:03:52,360
Speaker 1: to it.

91
00:03:52,400 --> 00:03:53,320
Speaker 3: If you eat a lot of them.

92
00:03:53,480 --> 00:03:55,320
Speaker 2: Well, if you lead a lot of anything, it'll have

93
00:03:55,360 --> 00:03:59,240
Speaker 2: a laxative effeith, especially laxatives. Remember that experiment that went

94
00:03:59,360 --> 00:03:59,960
Speaker 2: terribly wrong.

95
00:04:00,080 --> 00:04:02,680
Speaker 1: That was TikTok talking, But that was for another time.

96
00:04:02,720 --> 00:04:05,920
Speaker 1: But Kelly's the only people person we eat food from.

97
00:04:05,960 --> 00:04:08,680
Speaker 2: Really, well, when to be careful, don't you?

98
00:04:08,720 --> 00:04:11,840
Speaker 3: Well, don't send us food, please, because we don't want

99
00:04:11,840 --> 00:04:12,480
Speaker 3: to waste food.

100
00:04:12,520 --> 00:04:15,600
Speaker 2: Whereas grapes in a bottle, that's a different thing.

101
00:04:16,240 --> 00:04:19,440
Speaker 1: If you send grapes in a bottle, and that's fine,

102
00:04:19,520 --> 00:04:20,799
Speaker 1: that's fine.

103
00:04:20,680 --> 00:04:23,760
Speaker 3: Action pack shaw. Today it's Friday or Friday as the

104
00:04:23,839 --> 00:04:24,400
Speaker 3: kids say.

105
00:04:24,320 --> 00:04:26,560
Speaker 2: Which means fight for your flashback.

106
00:04:26,080 --> 00:04:26,719
Speaker 3: Makes us return.

107
00:04:27,160 --> 00:04:29,960
Speaker 1: Also ten thousand dollars worth a ten thousand dollars question,

108
00:04:30,080 --> 00:04:32,280
Speaker 1: and we can't do anything until we do the magnificent seven.

109
00:04:32,360 --> 00:04:38,600
Speaker 2: He's question one. What fruit do students traditionally gift teachers?

110
00:04:38,600 --> 00:04:40,479
Speaker 3: So they munch it up and put it in a bottle?

111
00:04:41,120 --> 00:04:41,600
Speaker 5: Hope not.

112
00:04:44,240 --> 00:04:47,080
Speaker 2: Podcast been chilly, hasn't it? I know it's winter, d

113
00:04:47,960 --> 00:04:49,719
Speaker 2: spectacularly cold the last few days.

114
00:04:49,720 --> 00:04:50,880
Speaker 3: Cold as old missus.

115
00:04:50,520 --> 00:04:53,240
Speaker 2: Wig bowl and she was very cold if I remember,

116
00:04:53,440 --> 00:04:54,040
Speaker 2: or cold.

117
00:04:53,800 --> 00:04:55,800
Speaker 1: As a witch's teat, as they used to say on

118
00:04:55,839 --> 00:04:57,360
Speaker 1: the building site, which.

119
00:04:57,160 --> 00:05:00,520
Speaker 2: Is would rather you didn't say that. They're feeling a

120
00:05:00,560 --> 00:05:04,080
Speaker 2: bit stereo typed by it. Well, I've got a warm one,

121
00:05:04,120 --> 00:05:04,760
Speaker 2: says a witch.

122
00:05:05,640 --> 00:05:07,080
Speaker 3: Is this coming from personal experience?

123
00:05:07,080 --> 00:05:08,800
Speaker 2: I'm not a witch, Brendan, am I surprise you to

124
00:05:08,839 --> 00:05:09,599
Speaker 2: hear question?

125
00:05:09,800 --> 00:05:14,480
Speaker 3: Not you are a princess. We have the Magnificent seven.

126
00:05:14,720 --> 00:05:16,560
Speaker 3: There are seven questions. Can you go all the way

127
00:05:16,560 --> 00:05:18,080
Speaker 3: and answer all seven questions correctly?

128
00:05:18,279 --> 00:05:20,760
Speaker 1: If you do that, Amanda will say, not a witch,

129
00:05:21,200 --> 00:05:22,320
Speaker 1: but you can film.

130
00:05:22,000 --> 00:05:25,400
Speaker 3: A teat, I might say that Ethan's and shell harbor.

131
00:05:25,480 --> 00:05:25,560
Speaker 10: Hi.

132
00:05:25,680 --> 00:05:31,080
Speaker 2: Ethanay, well, how are you good? They Let's go to

133
00:05:31,160 --> 00:05:36,600
Speaker 2: question number one. What fruit do students traditionally give teachers?

134
00:05:36,680 --> 00:05:37,520
Speaker 2: They give the teacher?

135
00:05:38,640 --> 00:05:49,120
Speaker 3: What type of fish is Nemo from the movie Finding Nemo?

136
00:05:49,520 --> 00:05:50,560
Speaker 2: It is a clown fish.

137
00:05:51,160 --> 00:05:52,560
Speaker 3: Let's play lyrical assassin.

138
00:05:54,279 --> 00:05:57,480
Speaker 2: I struggle with how this works, remarked, you don't sing along, dude.

139
00:05:58,000 --> 00:06:00,839
Speaker 3: What I do, Ethan is a we in the lyrics

140
00:06:00,839 --> 00:06:03,359
Speaker 3: of a famous song into a conversation and you have

141
00:06:03,400 --> 00:06:05,800
Speaker 3: to guess where those lyrics are from. Do you understand that?

142
00:06:07,120 --> 00:06:07,440
Speaker 11: Oh?

143
00:06:07,520 --> 00:06:12,000
Speaker 2: Yeah, okay, yeah, see, thank you? I agree with you. Ethan. Well,

144
00:06:12,400 --> 00:06:13,200
Speaker 2: this is a hard one.

145
00:06:13,400 --> 00:06:17,200
Speaker 3: Imagine we're just having a conversation. Ethan. You just walk in.

146
00:06:17,800 --> 00:06:21,120
Speaker 3: I make you smile. It's cool, but you don't even

147
00:06:21,279 --> 00:06:21,600
Speaker 3: know me.

148
00:06:22,480 --> 00:06:25,320
Speaker 2: The hell of a conversation. But where are those lyrics from?

149
00:06:25,360 --> 00:06:27,880
Speaker 2: Do they sound familiar in any way? Do it again, Brenda,

150
00:06:28,160 --> 00:06:29,039
Speaker 2: you just walk in.

151
00:06:29,560 --> 00:06:33,280
Speaker 3: I make you smile. It's cool, but you don't even

152
00:06:33,360 --> 00:06:33,719
Speaker 3: know me.

153
00:06:41,200 --> 00:06:43,240
Speaker 12: So I like, I guess the song?

154
00:06:43,400 --> 00:06:44,800
Speaker 2: Or yeah, you guess the song?

155
00:06:44,839 --> 00:06:48,680
Speaker 3: Where's that from? You just walk in? I make you smile?

156
00:06:48,720 --> 00:06:51,960
Speaker 3: It's cool, but you don't even know me. You don't

157
00:06:52,000 --> 00:06:52,599
Speaker 3: even know me?

158
00:06:52,720 --> 00:06:53,760
Speaker 2: Man, Can I ever go?

159
00:06:54,560 --> 00:06:54,800
Speaker 3: Yes?

160
00:06:54,920 --> 00:06:55,200
Speaker 2: Can I?

161
00:06:55,960 --> 00:06:56,360
Speaker 3: It's hard.

162
00:06:56,400 --> 00:06:57,880
Speaker 2: I'll give it a little different. I won't sing it,

163
00:06:57,920 --> 00:06:59,080
Speaker 2: but I'll give it some phrasing.

164
00:06:59,240 --> 00:06:59,640
Speaker 5: Here we go.

165
00:07:00,080 --> 00:07:03,839
Speaker 2: You just walk in. I make you smile. It's cool,

166
00:07:03,880 --> 00:07:10,480
Speaker 2: but you don't know me. Are we wasting our time

167
00:07:10,520 --> 00:07:12,840
Speaker 2: with you? Ethan? I'm afraid I don't know.

168
00:07:12,960 --> 00:07:15,440
Speaker 13: Maybe you don't know me, Ethan.

169
00:07:15,680 --> 00:07:17,080
Speaker 2: Thank you for your beautiful words.

170
00:07:18,320 --> 00:07:20,080
Speaker 3: There's a buzzer be getting on with. Well, there we

171
00:07:20,160 --> 00:07:20,680
Speaker 3: not hard? One?

172
00:07:20,720 --> 00:07:21,960
Speaker 2: Can I sing it? Can I sing it?

173
00:07:22,040 --> 00:07:22,200
Speaker 5: No?

174
00:07:22,240 --> 00:07:24,360
Speaker 3: Because that would ruin it. Well, let's try with Kathleen.

175
00:07:24,360 --> 00:07:25,320
Speaker 3: If said Mary's.

176
00:07:25,000 --> 00:07:29,160
Speaker 2: Hello, Kathleen, I do it?

177
00:07:29,520 --> 00:07:30,440
Speaker 14: I have no idea.

178
00:07:30,560 --> 00:07:32,600
Speaker 3: Why come on with Kathleen? Don't shut us down.

179
00:07:32,760 --> 00:07:33,239
Speaker 2: It's hard.

180
00:07:33,720 --> 00:07:36,720
Speaker 3: You just walk in. I make you smile. It's cool,

181
00:07:37,040 --> 00:07:38,400
Speaker 3: but you don't even know me.

182
00:07:38,480 --> 00:07:39,840
Speaker 2: Can I sing one part of it?

183
00:07:40,360 --> 00:07:40,640
Speaker 3: No?

184
00:07:40,960 --> 00:07:41,240
Speaker 5: You do?

185
00:07:41,320 --> 00:07:41,800
Speaker 2: You read it?

186
00:07:41,840 --> 00:07:44,040
Speaker 3: But I've one, because that is singing back to me.

187
00:07:44,160 --> 00:07:45,640
Speaker 2: If no one guesses it, what do we do?

188
00:07:46,040 --> 00:07:48,920
Speaker 3: Well, someone will guess it. Surely someone in the known

189
00:07:49,000 --> 00:07:49,880
Speaker 3: universe knows this.

190
00:07:51,280 --> 00:07:53,680
Speaker 2: I don't think that person's you, though, Is it Kathleen.

191
00:07:54,400 --> 00:07:55,400
Speaker 3: No, I don't.

192
00:07:55,480 --> 00:07:58,480
Speaker 2: I have no idea, Sorry Kathleen, And she sounded lovely

193
00:07:58,560 --> 00:08:01,679
Speaker 2: at did ethan? And you've made them go away?

194
00:08:01,800 --> 00:08:05,360
Speaker 3: It's caught a competition. What sort of snowflake society do

195
00:08:05,440 --> 00:08:05,880
Speaker 3: we live? It?

196
00:08:06,000 --> 00:08:06,720
Speaker 2: It's impossible?

197
00:08:06,760 --> 00:08:10,280
Speaker 3: What's the post impossible? It's easy? Thirteen w A SFM.

198
00:08:10,280 --> 00:08:10,960
Speaker 5: You just walk in.

199
00:08:11,160 --> 00:08:12,040
Speaker 3: I make you smile.

200
00:08:14,080 --> 00:08:16,920
Speaker 2: I'm not, I'm not, I didn't, I didn't do it, but.

201
00:08:17,280 --> 00:08:21,800
Speaker 3: You don't even know me for any of the Magnificent seven,

202
00:08:21,800 --> 00:08:23,600
Speaker 3: and we find ourselves bog down.

203
00:08:23,640 --> 00:08:28,680
Speaker 2: On question number three, we read out some lyrics. This

204
00:08:28,760 --> 00:08:30,800
Speaker 2: is a tough one today. You'll know the song, but

205
00:08:30,840 --> 00:08:32,800
Speaker 2: maybe not from the lyrics. You have to try and

206
00:08:32,800 --> 00:08:33,760
Speaker 2: guess what the song is.

207
00:08:33,840 --> 00:08:36,199
Speaker 3: It's well about Carra is with us from Campbelltown.

208
00:08:36,200 --> 00:08:39,600
Speaker 2: How Kara, Hi, Hi Kara? Let me have a go.

209
00:08:40,200 --> 00:08:43,720
Speaker 2: You just walk in. I make you smile. It's cool,

210
00:08:44,240 --> 00:08:46,200
Speaker 2: but you don't even know me. What's the song?

211
00:08:48,520 --> 00:08:49,680
Speaker 3: Yes, it is he.

212
00:08:51,320 --> 00:08:52,720
Speaker 2: I make you smile.

213
00:08:54,320 --> 00:08:58,880
Speaker 3: You don't even know me? The Cold of the Spice Girl.

214
00:08:59,000 --> 00:09:03,440
Speaker 2: Question four. Why is Australian rules football originally developed a

215
00:09:03,720 --> 00:09:06,720
Speaker 2: This is multiple choice to keep steel workers entertained on

216
00:09:06,760 --> 00:09:09,800
Speaker 2: their breaks, b to keep cricketers fit in winter, or

217
00:09:09,840 --> 00:09:12,080
Speaker 2: see a game that labor has played for the rich

218
00:09:15,280 --> 00:09:22,319
Speaker 2: totally again, I would be getting what s No, it's

219
00:09:22,320 --> 00:09:23,520
Speaker 2: not see stop s.

220
00:09:25,080 --> 00:09:27,320
Speaker 3: Melissa's in windsor Hello Melissa.

221
00:09:27,720 --> 00:09:30,920
Speaker 2: Hello, Hi Melissa. So Australian rules football? Was it originally

222
00:09:30,960 --> 00:09:33,360
Speaker 2: developed to keep steel workers entertained on their breaks or

223
00:09:33,400 --> 00:09:38,160
Speaker 2: to keep cricketers fit in winter? Yes, to keep crickets

224
00:09:38,200 --> 00:09:38,760
Speaker 2: fit in winter?

225
00:09:39,200 --> 00:09:43,040
Speaker 3: Which villain from Gotham City is known for saying? Way

226
00:09:43,240 --> 00:09:44,240
Speaker 3: so serious?

227
00:09:44,559 --> 00:09:50,360
Speaker 2: Set the Spice girls again. I don't know, you don't know,

228
00:09:50,480 --> 00:09:54,720
Speaker 2: all right, Melissa, we have to move on then, Jimmy

229
00:09:54,960 --> 00:09:59,480
Speaker 2: these days Jimmy's in. Hello Jimmy, how are you great?

230
00:09:59,720 --> 00:10:00,720
Speaker 13: You go very well?

231
00:10:00,720 --> 00:10:02,920
Speaker 2: Do it again? Brendon. What character from Gotham.

232
00:10:02,600 --> 00:10:05,240
Speaker 3: City says this way so serious?

233
00:10:05,360 --> 00:10:10,280
Speaker 2: Which villain was it? It was the Joker. What musical

234
00:10:10,760 --> 00:10:13,120
Speaker 2: I saw this recently? It's great. It's set in Paris

235
00:10:13,160 --> 00:10:15,480
Speaker 2: and it's currently playing at the Capitol Theater in Sydney.

236
00:10:15,840 --> 00:10:18,280
Speaker 2: It's set in Paris and it's sexy and it's music.

237
00:10:18,280 --> 00:10:20,240
Speaker 5: He's there.

238
00:10:21,400 --> 00:10:22,200
Speaker 2: It's a musical.

239
00:10:22,720 --> 00:10:26,679
Speaker 3: Tonight six pm NRL match the Cowboys will verse.

240
00:10:26,760 --> 00:10:29,239
Speaker 2: Who that's young? People's talk or verse.

241
00:10:29,160 --> 00:10:32,000
Speaker 3: Will verse who wady.

242
00:10:33,200 --> 00:10:37,920
Speaker 2: Who? No, it's not power. Jason's in Saint Clair. Hello, Jason,

243
00:10:37,960 --> 00:10:39,760
Speaker 2: who are the cowboys taking on tonight?

244
00:10:41,120 --> 00:10:43,280
Speaker 14: They would be playing the shark Sharks?

245
00:10:44,440 --> 00:10:47,400
Speaker 1: Congratulations, see you my man, it's all coming away, Jason.

246
00:10:47,440 --> 00:10:50,640
Speaker 3: You come from nowhere. This young man maybe a bit

247
00:10:50,760 --> 00:10:53,120
Speaker 3: like the sharks tonight, perhaps vander Oh.

248
00:10:53,200 --> 00:10:54,640
Speaker 2: If you're a clear boy, I would luck to you.

249
00:10:54,760 --> 00:10:55,360
Speaker 3: If you're lucky.

250
00:10:55,400 --> 00:10:58,520
Speaker 1: Congratulations your brother jackpack w did they towled up Melbourne

251
00:10:58,559 --> 00:10:58,920
Speaker 1: last week?

252
00:10:58,960 --> 00:10:59,840
Speaker 2: Did you see that game?

253
00:11:00,360 --> 00:11:02,000
Speaker 5: Two one hundred It was a great game.

254
00:11:02,040 --> 00:11:04,880
Speaker 3: It was a great game. Thank you, Jason, two one

255
00:11:04,920 --> 00:11:06,880
Speaker 3: hundred and fifty dollars to spend a designer of place.

256
00:11:07,000 --> 00:11:09,440
Speaker 2: I was taking the accolades, thank you.

257
00:11:09,520 --> 00:11:09,880
Speaker 3: Jason.

258
00:11:10,000 --> 00:11:10,600
Speaker 2: Didn't play.

259
00:11:11,120 --> 00:11:14,360
Speaker 3: We all play. We all bleed blue, white and black.

260
00:11:14,960 --> 00:11:17,880
Speaker 3: Your premium appliant Specialists two hundred and twelve Paramount of

261
00:11:17,960 --> 00:11:21,280
Speaker 3: Road Camper Down. They're great designer appliances. A family passed

262
00:11:21,320 --> 00:11:25,840
Speaker 3: a hypercarting moor Park, speedy fun for everyone at hypercarding

263
00:11:26,040 --> 00:11:28,080
Speaker 3: and Jonesie demandication. She was fear the colored in and

264
00:11:28,200 --> 00:11:30,200
Speaker 3: save the pencils. Is there anything you'd like to add?

265
00:11:30,280 --> 00:11:32,800
Speaker 5: Jason, I know, but thank you.

266
00:11:32,880 --> 00:11:34,800
Speaker 15: I did a David Bradbrey.

267
00:11:34,920 --> 00:11:36,840
Speaker 2: You did, you came from nowhere and took it all

268
00:11:36,840 --> 00:11:37,280
Speaker 2: well done.

269
00:11:37,320 --> 00:11:39,080
Speaker 3: I don't think it was Stephen Bradbrey.

270
00:11:39,559 --> 00:11:43,320
Speaker 2: David Bradbrey just did a little bit of a something rude.

271
00:11:43,440 --> 00:11:43,839
Speaker 5: What do you do?

272
00:11:44,559 --> 00:11:48,160
Speaker 2: They did the small fart. So when Jason said that's

273
00:11:48,160 --> 00:11:50,680
Speaker 2: what he'd done, I thought, well, you've joined the club.

274
00:11:51,120 --> 00:11:52,640
Speaker 3: David Bradby's going No, I didn't.

275
00:11:53,960 --> 00:11:57,840
Speaker 2: Jason's not disclayed that treat treatment.

276
00:11:57,480 --> 00:12:01,120
Speaker 3: Plant next door. Good only the weekend.

277
00:12:01,960 --> 00:12:02,440
Speaker 10: Thank you.

278
00:12:03,240 --> 00:12:04,600
Speaker 2: Jason's regretting calling us.

279
00:12:04,920 --> 00:12:07,040
Speaker 3: Well, I'm just here for the Rockshead.

280
00:12:06,840 --> 00:12:09,880
Speaker 13: Jonesy and Amanda jam podcast.

281
00:12:13,559 --> 00:12:16,600
Speaker 2: And we are up and running. Well, I'm going to

282
00:12:16,600 --> 00:12:20,679
Speaker 2: flick through the German acc, a big book of musical facts.

283
00:12:21,160 --> 00:12:23,319
Speaker 2: On this day. In twenty fifteen, Robbie Williams made a

284
00:12:23,360 --> 00:12:26,800
Speaker 2: surprise appearance at an auction selling some of his memorabilia

285
00:12:26,880 --> 00:12:29,640
Speaker 2: for charity. He took control of the gavel as one

286
00:12:29,720 --> 00:12:33,800
Speaker 2: hundred and fifty items, including handwritten lyrics bespoke suits, went

287
00:12:33,840 --> 00:12:37,160
Speaker 2: under the hammer for a hospice in Staffordshire. They raised

288
00:12:37,160 --> 00:12:39,480
Speaker 2: over one hundred and seventy seven thousand dollars. Good on him.

289
00:12:39,920 --> 00:12:42,680
Speaker 2: He's been making news recently in Australia. It's been announced

290
00:12:42,720 --> 00:12:44,600
Speaker 2: he will be the entertainment for the twenty twenty two

291
00:12:44,720 --> 00:12:48,599
Speaker 2: AFL Grand Final. Wow, let's hobe he doesn't chuck a

292
00:12:48,640 --> 00:13:10,080
Speaker 2: meat life remember this from twenty eleven.

293
00:13:11,760 --> 00:13:13,360
Speaker 3: He's no Angry Anderson.

294
00:13:14,720 --> 00:13:18,840
Speaker 2: Anyway, Good luck, Robbie is going to do fine. Let's

295
00:13:18,840 --> 00:13:19,960
Speaker 2: play this. I love this.

296
00:13:21,320 --> 00:13:23,760
Speaker 3: And look there's someone at the door.

297
00:13:24,800 --> 00:13:26,840
Speaker 2: It's my favorite person in this building.

298
00:13:26,920 --> 00:13:28,199
Speaker 3: Let's just ground skip a look.

299
00:13:28,400 --> 00:13:29,880
Speaker 2: There's no such thing as just.

300
00:13:30,200 --> 00:13:31,559
Speaker 3: What is your last day?

301
00:13:31,800 --> 00:13:32,000
Speaker 16: Hello?

302
00:13:32,280 --> 00:13:35,160
Speaker 2: Good morning, and it actually is lose What is your

303
00:13:35,200 --> 00:13:35,800
Speaker 2: last day?

304
00:13:36,200 --> 00:13:36,840
Speaker 5: Is my last day?

305
00:13:37,000 --> 00:13:38,520
Speaker 2: You know, Lou, I'm probably going to get a bit

306
00:13:38,559 --> 00:13:39,320
Speaker 2: emotional about this.

307
00:13:39,679 --> 00:13:43,440
Speaker 17: Please otherwise, can I say some words though, because you

308
00:13:43,480 --> 00:13:47,079
Speaker 17: are the beating heart of this radio station and this building.

309
00:13:47,520 --> 00:13:50,200
Speaker 17: You're you're the we walk in, we see your face

310
00:13:50,280 --> 00:13:52,480
Speaker 17: and we know everything's going to be all right. And

311
00:13:52,520 --> 00:13:54,840
Speaker 17: I don't know if people know that how supportive you

312
00:13:54,880 --> 00:13:57,480
Speaker 17: are of all of us behind the scenes. When I

313
00:13:57,520 --> 00:13:59,800
Speaker 17: got my Order of Australian Medal, you're not allowed to

314
00:13:59,840 --> 00:14:02,679
Speaker 17: know how you've been nominated or whatever. You were a

315
00:14:02,679 --> 00:14:05,640
Speaker 17: big part of that, and I'm so grateful. When Jones

316
00:14:05,679 --> 00:14:07,640
Speaker 17: and I were contestants on Dancing with the Stars, you

317
00:14:07,760 --> 00:14:11,240
Speaker 17: got this building galvanized to support us. You do a

318
00:14:11,280 --> 00:14:13,520
Speaker 17: lot of work for kidney health. We sort of joke

319
00:14:13,559 --> 00:14:16,959
Speaker 17: about groundskeeper, Louis, but you are such an incredible human

320
00:14:17,440 --> 00:14:19,240
Speaker 17: and that's a privilege to have known you, Louis, and

321
00:14:19,280 --> 00:14:21,280
Speaker 17: I feel sad that this is your last day.

322
00:14:21,800 --> 00:14:25,000
Speaker 7: Well, obviously I'm working with the professionals, and behind us

323
00:14:25,040 --> 00:14:27,560
Speaker 7: there's a great dim we had. I guess he was

324
00:14:27,560 --> 00:14:30,320
Speaker 7: the start of the example we had. Coral was the one,

325
00:14:30,600 --> 00:14:37,280
Speaker 7: the one pulling, the one that at nine o'clock says.

326
00:14:35,280 --> 00:14:37,240
Speaker 2: Go and vote for God's sake because their talent's not

327
00:14:37,240 --> 00:14:38,120
Speaker 2: going to get them through.

328
00:14:38,480 --> 00:14:42,520
Speaker 1: Right at you too, That's enough because well, you know,

329
00:14:42,560 --> 00:14:43,880
Speaker 1: I'm sad that you're leaving.

330
00:14:43,960 --> 00:14:46,840
Speaker 2: Lou You do have an interesting history because when whatever

331
00:14:46,880 --> 00:14:50,160
Speaker 2: I'm here, when you first started.

332
00:14:50,840 --> 00:14:52,840
Speaker 3: Or hands hands he used to do this, hands, he

333
00:14:52,960 --> 00:14:54,840
Speaker 3: used to do that Handsey was great. That was like

334
00:14:54,840 --> 00:14:55,080
Speaker 3: a mat.

335
00:14:55,600 --> 00:14:57,000
Speaker 7: I had that privilege of working with.

336
00:14:57,000 --> 00:15:03,120
Speaker 3: Great many bangs un about Kyle.

337
00:15:04,120 --> 00:15:07,800
Speaker 1: Kyle is crazy. He makes more money than you. But Mad,

338
00:15:07,800 --> 00:15:10,040
Speaker 1: I'm going to miss you. You have been fantastic. Remember

339
00:15:10,040 --> 00:15:13,920
Speaker 1: that time when I was on the TV show Undercover Boss.

340
00:15:14,040 --> 00:15:15,720
Speaker 1: Remember that, Remember that time?

341
00:15:16,480 --> 00:15:17,400
Speaker 3: It's a nice I do.

342
00:15:17,600 --> 00:15:22,160
Speaker 18: Remember Cover Boss CEO Brendan Jones goes undercover to find

343
00:15:22,200 --> 00:15:23,960
Speaker 18: out what's happening in the company.

344
00:15:24,640 --> 00:15:26,920
Speaker 10: Okay, louis, so what can I be doing?

345
00:15:27,000 --> 00:15:28,480
Speaker 7: But John C you're not the boss.

346
00:15:29,480 --> 00:15:31,720
Speaker 3: I'm glad you feel that way, Lou, But.

347
00:15:32,040 --> 00:15:34,600
Speaker 7: You're not the boss and you're not given undercover.

348
00:15:34,760 --> 00:15:35,600
Speaker 3: What do you want me to do?

349
00:15:36,160 --> 00:15:38,520
Speaker 5: Well, we have a big bin in the back and

350
00:15:38,560 --> 00:15:39,440
Speaker 5: you can go and clean it.

351
00:15:40,160 --> 00:15:50,160
Speaker 7: You don't much appreciate it folds closed.

352
00:15:50,840 --> 00:15:52,200
Speaker 3: Oh no, now I'm drafting him.

353
00:15:53,000 --> 00:16:06,240
Speaker 19: Ooo Ooo, I was in that bin for hours, Lou.

354
00:16:06,680 --> 00:16:07,720
Speaker 3: You going to miss you?

355
00:16:07,720 --> 00:16:10,320
Speaker 2: You've been amazing for us. Hey, let me do something.

356
00:16:11,280 --> 00:16:16,160
Speaker 3: What are you doing either? You're going to strip off? Lou?

357
00:16:16,280 --> 00:16:18,280
Speaker 3: Thought it too the Hello, Lou.

358
00:16:18,200 --> 00:16:20,480
Speaker 2: We've got a dozen beautiful wines for you with out

359
00:16:20,680 --> 00:16:22,960
Speaker 2: with a picture of us on the front. So even

360
00:16:23,000 --> 00:16:25,080
Speaker 2: when you're at home with Elizabeth enjoying a drink, you

361
00:16:25,120 --> 00:16:27,880
Speaker 2: can never forget what you've meant to fireplace near the

362
00:16:27,920 --> 00:16:33,760
Speaker 2: fireflace after five o'clock five am. Can you do what

363
00:16:33,760 --> 00:16:37,320
Speaker 2: you like now? We love you, Lou, We lovely appreciate it.

364
00:16:37,360 --> 00:16:39,760
Speaker 3: If I could play any song for you?

365
00:16:39,800 --> 00:16:41,040
Speaker 5: What song? There's one?

366
00:16:41,120 --> 00:16:44,600
Speaker 7: That one one of the old time favorites. Yeah, Compromise

367
00:16:44,640 --> 00:16:46,800
Speaker 7: of fourty fifty six seventy eighties is one of the

368
00:16:46,840 --> 00:16:49,520
Speaker 7: songs that we stay for whatever we and can I

369
00:16:49,560 --> 00:16:49,920
Speaker 7: sing it?

370
00:16:50,200 --> 00:16:51,120
Speaker 3: Yeah, go and see.

371
00:16:50,920 --> 00:16:54,800
Speaker 7: Maybe don't hurt me, don't hurt me no more.

372
00:16:55,120 --> 00:16:57,160
Speaker 2: Also, let me take this piece of paper from management.

373
00:16:57,200 --> 00:16:58,760
Speaker 2: I think this is reveal.

374
00:16:59,480 --> 00:17:00,040
Speaker 3: What song is that?

375
00:17:02,480 --> 00:17:02,720
Speaker 12: I know?

376
00:17:02,800 --> 00:17:04,200
Speaker 3: It's what is love Hadaway?

377
00:17:04,200 --> 00:17:04,560
Speaker 5: Exactly?

378
00:17:04,800 --> 00:17:07,359
Speaker 1: Okay, well put it on, Lou. Thank you, thank you

379
00:17:07,400 --> 00:17:09,880
Speaker 1: for you have been a great mate. Thank you very much,

380
00:17:09,960 --> 00:17:10,719
Speaker 1: thank you for looking out.

381
00:17:10,760 --> 00:17:12,400
Speaker 2: I's love to you, Lou, and thank you.

382
00:17:12,800 --> 00:17:14,000
Speaker 3: I've shut the door nowt.

383
00:17:14,080 --> 00:17:15,560
Speaker 2: You're supposed to be on the other side of us.

384
00:17:16,240 --> 00:17:17,760
Speaker 2: You're on the other side of this sound effect.

385
00:17:19,520 --> 00:17:22,359
Speaker 3: I'm going to miss, but I'm going to read the

386
00:17:22,359 --> 00:17:23,080
Speaker 3: category reveal.

387
00:17:23,200 --> 00:17:25,800
Speaker 1: Sure the roads have been a disaster at the moment

388
00:17:26,040 --> 00:17:28,280
Speaker 1: we noticed Amanda almost bumped her wheel?

389
00:17:28,840 --> 00:17:32,479
Speaker 3: Or what about a broken sump on mahalale? You notice that?

390
00:17:32,480 --> 00:17:36,680
Speaker 3: Didn't you learn this? Today's five for your flaceback songs

391
00:17:36,920 --> 00:17:37,800
Speaker 3: about roads?

392
00:17:37,960 --> 00:17:39,800
Speaker 2: Well, let's do it. But in the meantime, let's play

393
00:17:39,840 --> 00:17:40,359
Speaker 2: loose favorite.

394
00:17:40,359 --> 00:17:42,320
Speaker 3: This is for you, Louis. We love you, my man.

395
00:17:42,440 --> 00:17:47,919
Speaker 3: What is the podcast? There's a couple of questions that

396
00:17:47,960 --> 00:17:48,639
Speaker 3: I have to ask you.

397
00:17:48,800 --> 00:17:51,320
Speaker 2: I don't answer questions, just answer it a question. Okay,

398
00:17:51,480 --> 00:17:52,199
Speaker 2: what's in it for me?

399
00:17:53,160 --> 00:17:53,520
Speaker 3: Dollars?

400
00:17:53,560 --> 00:17:57,680
Speaker 1: A dollar reward right here, right now, ten thousand dollars

401
00:17:57,720 --> 00:17:58,280
Speaker 1: could be yours.

402
00:17:58,280 --> 00:17:59,880
Speaker 3: What a great day to win it on fry.

403
00:18:00,040 --> 00:18:02,520
Speaker 2: Wouldn't it be great to quit a seconds away from

404
00:18:02,560 --> 00:18:03,880
Speaker 2: maybe someone winning that.

405
00:18:04,200 --> 00:18:08,080
Speaker 3: Sixty seconds, ten thousand dollars. It's been done three times before.

406
00:18:08,200 --> 00:18:11,320
Speaker 2: The person who answers question ten correctly gets that money.

407
00:18:11,359 --> 00:18:13,600
Speaker 2: The minute you get on, hold on as long as

408
00:18:13,600 --> 00:18:15,679
Speaker 2: you can answer as many questions as you can. The

409
00:18:15,720 --> 00:18:17,560
Speaker 2: minute you hesitate, the minute you're wrong, you're out and

410
00:18:17,600 --> 00:18:18,440
Speaker 2: someone takes your place.

411
00:18:18,600 --> 00:18:23,320
Speaker 3: Lewis is in Camden, Hello Lewis, how are you feeling nervous?

412
00:18:23,480 --> 00:18:25,040
Speaker 3: Don't be nervous, Lewis, just read.

413
00:18:25,160 --> 00:18:27,520
Speaker 2: All right, Shake it off, man, shake it off. As

414
00:18:27,520 --> 00:18:29,760
Speaker 2: Taylor Swift once said, we've got ten questions, We've got

415
00:18:29,800 --> 00:18:32,800
Speaker 2: sixty seconds. Keep calling in because sometimes we go through

416
00:18:32,800 --> 00:18:34,679
Speaker 2: a stack of callers trying to get through this but

417
00:18:34,720 --> 00:18:37,280
Speaker 2: the person who answers question ten, Lewis might go, We'll

418
00:18:37,320 --> 00:18:38,600
Speaker 2: get ten thousand.

419
00:18:38,440 --> 00:18:40,840
Speaker 3: Saying hello, I'm here, Well Lewis.

420
00:18:40,600 --> 00:18:43,560
Speaker 2: Let's see how far you go? Ready to start, Let's

421
00:18:43,560 --> 00:18:46,520
Speaker 2: do it? Question one. Daryl Lee is famous for.

422
00:18:46,520 --> 00:18:50,480
Speaker 5: What Darryl Lee?

423
00:18:52,200 --> 00:18:53,280
Speaker 3: Nikki's in Harris Park.

424
00:18:53,400 --> 00:18:56,639
Speaker 2: Daryl Lee is famous for what go right? Question two?

425
00:18:56,680 --> 00:19:01,720
Speaker 2: Who directed the movie? Pulp Fiction? Question three? Where was

426
00:19:01,720 --> 00:19:02,800
Speaker 2: the singer adele boorn?

427
00:19:05,800 --> 00:19:06,240
Speaker 12: England?

428
00:19:06,359 --> 00:19:08,240
Speaker 2: Question four? What color are the stars on the New

429
00:19:08,320 --> 00:19:09,400
Speaker 2: Zealand flag.

430
00:19:10,760 --> 00:19:11,040
Speaker 12: White?

431
00:19:12,440 --> 00:19:13,479
Speaker 3: Hell's in the Oaks?

432
00:19:13,520 --> 00:19:15,359
Speaker 2: What color of the stars on the New Zealand flag?

433
00:19:19,240 --> 00:19:20,640
Speaker 3: Raham's in South Penrith?

434
00:19:20,720 --> 00:19:22,720
Speaker 2: What color are the stars on the New Zealand flag

435
00:19:23,640 --> 00:19:26,520
Speaker 2: red and white? Question five? In which Nintendo game would

436
00:19:26,560 --> 00:19:27,280
Speaker 2: you find a gumba?

437
00:19:31,720 --> 00:19:32,320
Speaker 3: In carrying bar?

438
00:19:32,480 --> 00:19:37,760
Speaker 2: In which Nintendo game would you find a gumba? Question six?

439
00:19:37,840 --> 00:19:40,040
Speaker 2: Area fifty one is located in which US state?

440
00:19:40,840 --> 00:19:43,399
Speaker 6: California?

441
00:19:44,160 --> 00:19:45,040
Speaker 3: Carol's in tregear.

442
00:19:45,240 --> 00:19:47,200
Speaker 2: Area fifty one is located in which US state?

443
00:19:49,440 --> 00:19:49,840
Speaker 12: I don't know?

444
00:19:50,480 --> 00:19:54,800
Speaker 2: The answer is Nevada. That was question of the six today. Well,

445
00:19:54,800 --> 00:19:56,119
Speaker 2: whose didn't go anywhere?

446
00:19:57,080 --> 00:20:02,080
Speaker 3: Who was disappointed? As greatly gets?

447
00:20:02,160 --> 00:20:05,720
Speaker 1: My girlies are sponsored by Daryl Lee. You'd think you'd

448
00:20:05,760 --> 00:20:07,640
Speaker 1: know that that was question one.

449
00:20:07,840 --> 00:20:14,640
Speaker 3: Any such faith in Lewis Let Me Down podcast.

450
00:20:14,920 --> 00:20:17,639
Speaker 2: Well, Fight for Your Flashback is coming up next. Song's

451
00:20:17,680 --> 00:20:18,480
Speaker 2: about road.

452
00:20:18,800 --> 00:20:22,400
Speaker 1: Yeah, that's coming up. Heading for a top of sixteen

453
00:20:22,440 --> 00:20:25,120
Speaker 1: degrees today. Right now it's six degrees, fine looking day.

454
00:20:25,160 --> 00:20:44,080
Speaker 1: It's nine past seven ws FM, where.

455
00:21:10,080 --> 00:21:17,920
Speaker 10: She does have as she lost crazy. She's like she

456
00:21:18,320 --> 00:21:19,520
Speaker 10: seen Googles.

457
00:21:24,320 --> 00:21:30,679
Speaker 16: She don't all my.

458
00:22:08,320 --> 00:22:48,560
Speaker 10: Travels w s f M.

459
00:22:48,640 --> 00:22:51,800
Speaker 1: Hello there at Jonesy Demanda, thanks to Winston, Blinds and doors.

460
00:22:51,880 --> 00:22:54,639
Speaker 1: Sunny today, sixteen in the city, seventeen in our west.

461
00:22:54,960 --> 00:22:57,240
Speaker 1: Right now it is six degrees. It's eleven plus seven.

462
00:23:03,359 --> 00:23:06,240
Speaker 5: Fight for Your Flashback two.

463
00:23:06,160 --> 00:23:09,960
Speaker 3: Songs enter one song leaves The roads have been a disaster.

464
00:23:10,080 --> 00:23:13,880
Speaker 3: Rights management. We noticed Amanda bunked a wheel the other day.

465
00:23:13,880 --> 00:23:16,520
Speaker 2: It's true. They came up and gave me some flowers

466
00:23:16,520 --> 00:23:17,960
Speaker 2: because they knew I'd be upset about it.

467
00:23:18,640 --> 00:23:19,560
Speaker 3: Where's my flower?

468
00:23:19,640 --> 00:23:20,159
Speaker 2: What happened?

469
00:23:21,480 --> 00:23:22,480
Speaker 15: Do not do this?

470
00:23:23,240 --> 00:23:23,840
Speaker 5: My bike?

471
00:23:24,440 --> 00:23:26,560
Speaker 1: My Harley Davidson, which I've loved, which I've had for

472
00:23:26,640 --> 00:23:27,640
Speaker 1: twenty one years now.

473
00:23:28,400 --> 00:23:31,639
Speaker 3: The hole was so big it tore a hole in

474
00:23:31,720 --> 00:23:35,560
Speaker 3: my sump. As I was riding into work. And leaked

475
00:23:35,600 --> 00:23:38,840
Speaker 3: oil everywhere, broke my bike. So you get flowers? What

476
00:23:38,960 --> 00:23:39,360
Speaker 3: do I get?

477
00:23:39,920 --> 00:23:40,200
Speaker 5: Sorry?

478
00:23:41,160 --> 00:23:44,680
Speaker 1: Today's five for your flash back, songs about roads play

479
00:23:44,720 --> 00:23:45,720
Speaker 1: well the manager.

480
00:23:45,560 --> 00:23:46,359
Speaker 2: Don't you go first?

481
00:23:48,359 --> 00:23:50,600
Speaker 1: They were in a terrible state right now. And there's

482
00:23:50,760 --> 00:23:52,399
Speaker 1: only one song that can sum this.

483
00:23:52,520 --> 00:23:56,560
Speaker 3: Up is acdco Highway too.

484
00:24:03,480 --> 00:24:03,800
Speaker 2: Nice.

485
00:24:05,080 --> 00:24:06,200
Speaker 3: That is a banga.

486
00:24:11,800 --> 00:24:13,480
Speaker 2: Wow, that's a great song.

487
00:24:14,680 --> 00:24:17,840
Speaker 3: Hard to beat, I would say, unbeatable.

488
00:24:19,119 --> 00:24:22,119
Speaker 2: It might be only one man, real who can beat that?

489
00:24:22,480 --> 00:24:23,520
Speaker 3: And who is this man?

490
00:24:23,760 --> 00:24:29,560
Speaker 2: It's this man, John Denver Take me Home, Country.

491
00:24:29,280 --> 00:24:30,800
Speaker 3: Roads, West Virginia.

492
00:24:31,480 --> 00:24:37,240
Speaker 2: I love this song and you did too, Shannondo, come

493
00:24:37,280 --> 00:24:37,840
Speaker 2: on see it with me?

494
00:24:48,119 --> 00:24:48,399
Speaker 11: Do you know?

495
00:24:48,520 --> 00:24:51,159
Speaker 2: He'd never been to West Virginia, and nor had the

496
00:24:51,200 --> 00:24:51,720
Speaker 2: people who.

497
00:24:51,640 --> 00:24:54,119
Speaker 3: Wrote the song, so he lied. He lied to us

498
00:24:54,119 --> 00:24:56,359
Speaker 3: in song they'd seen postcards.

499
00:24:55,840 --> 00:25:00,280
Speaker 2: And thought back looks nice. Two big anthems, but in

500
00:25:00,480 --> 00:25:01,280
Speaker 2: very different ways.

501
00:25:02,320 --> 00:25:06,320
Speaker 1: It sums us up, sums If you wanted a snapshow

502
00:25:06,560 --> 00:25:08,040
Speaker 1: shot of our show, then that.

503
00:25:08,520 --> 00:25:10,400
Speaker 2: Is pretty much what would you like to hear? Give

504
00:25:10,480 --> 00:25:11,960
Speaker 2: us a call thirteen WSFM.

505
00:25:12,359 --> 00:25:18,199
Speaker 3: Yeah. Five for your flashback today, it's songs about Rhodes.

506
00:25:18,600 --> 00:25:21,040
Speaker 3: I've gone with ac DC's Highway to Hell.

507
00:25:24,960 --> 00:25:26,879
Speaker 2: Great song. But so is this one. I've gone the

508
00:25:26,960 --> 00:25:28,720
Speaker 2: Techne Home country roads. John Denver.

509
00:25:38,520 --> 00:25:40,960
Speaker 3: You know I have a soft spot about John Denver.

510
00:25:41,160 --> 00:25:43,440
Speaker 3: And you know, when I was a kid, there was

511
00:25:43,560 --> 00:25:46,480
Speaker 3: a poster of him in the newspaper and I was

512
00:25:46,640 --> 00:25:49,840
Speaker 3: above my bed and I wept just looking at him.

513
00:25:50,080 --> 00:25:51,960
Speaker 3: I don't know why. I was eight years of.

514
00:25:51,960 --> 00:25:54,000
Speaker 2: Age, emotions were all jumped back.

515
00:25:54,000 --> 00:25:56,240
Speaker 1: I just remember thinking that song had come out and

516
00:25:56,320 --> 00:25:58,840
Speaker 1: I just thought he was amazing. And then Kiss came

517
00:25:58,880 --> 00:26:00,440
Speaker 1: along and I was a whole different cattle.

518
00:26:00,760 --> 00:26:03,320
Speaker 2: Didn't kiss the poster, No, I did not.

519
00:26:03,400 --> 00:26:03,840
Speaker 3: I'm not you.

520
00:26:05,440 --> 00:26:07,520
Speaker 2: Well, let's see what you'd like to hear today. Susan's

521
00:26:07,560 --> 00:26:10,000
Speaker 2: in Berkshire Park Fight for your flashback, Susan.

522
00:26:10,600 --> 00:26:11,440
Speaker 14: Good morning, guys.

523
00:26:11,520 --> 00:26:12,280
Speaker 3: How are we with you?

524
00:26:12,600 --> 00:26:12,879
Speaker 5: Susan?

525
00:26:13,840 --> 00:26:17,000
Speaker 12: Well, I'm driving to work. I've got my four grandkids

526
00:26:17,040 --> 00:26:20,600
Speaker 12: in the car and a CDC comes on and their

527
00:26:20,680 --> 00:26:24,440
Speaker 12: little heads are banging. So Jonesy, You've got five Rooks

528
00:26:24,480 --> 00:26:26,560
Speaker 12: this morning. Because we all love a CDC.

529
00:26:26,720 --> 00:26:28,400
Speaker 2: I'd like to say it just counts as one. Let's

530
00:26:28,480 --> 00:26:29,119
Speaker 2: just be clear.

531
00:26:29,600 --> 00:26:31,879
Speaker 3: You know, whenever this happens in the past for you,

532
00:26:32,160 --> 00:26:33,399
Speaker 3: it's always.

533
00:26:34,440 --> 00:26:37,480
Speaker 2: Well, let's just see how we go Ronda's in Katoomba.

534
00:26:37,520 --> 00:26:40,240
Speaker 2: Fight for your Flashback, Ronda Hid, I.

535
00:26:40,320 --> 00:26:42,480
Speaker 15: Know I'm actually a first time for a very very

536
00:26:42,560 --> 00:26:44,719
Speaker 15: long time listener. Hi, Amanda.

537
00:26:45,119 --> 00:26:46,600
Speaker 3: ND how long have you been listening for?

538
00:26:47,560 --> 00:26:47,720
Speaker 12: Oh?

539
00:26:48,200 --> 00:26:49,960
Speaker 15: I couldn't tell you how long, but it seems like

540
00:26:50,040 --> 00:26:52,159
Speaker 15: twenty years, but it must be since you started.

541
00:26:52,920 --> 00:26:56,280
Speaker 3: So your life started here when I started realte on

542
00:26:56,440 --> 00:26:57,919
Speaker 3: board two thousand and you.

543
00:27:00,960 --> 00:27:03,520
Speaker 2: See how much. We We'll see which one you love

544
00:27:03,600 --> 00:27:03,880
Speaker 2: the most?

545
00:27:03,960 --> 00:27:04,120
Speaker 5: Though.

546
00:27:04,119 --> 00:27:05,280
Speaker 2: Who are you voting for today?

547
00:27:05,920 --> 00:27:08,040
Speaker 15: Well? I should vote for Jones because my hebby got

548
00:27:08,080 --> 00:27:10,640
Speaker 15: stuck in the accident this morning on our highway to Hell,

549
00:27:11,320 --> 00:27:14,399
Speaker 15: which is the Great Western Highway. But I'm actually going

550
00:27:14,480 --> 00:27:17,359
Speaker 15: to go for Amanda. Then John John Denverer just takes

551
00:27:17,400 --> 00:27:19,600
Speaker 15: me back to being a young girl sitting around with

552
00:27:19,720 --> 00:27:22,520
Speaker 15: family around a camfire listening to John Denver and I

553
00:27:22,640 --> 00:27:23,040
Speaker 15: just love it.

554
00:27:23,240 --> 00:27:25,560
Speaker 2: I love it. That's what fighting flashbacks all about.

555
00:27:27,000 --> 00:27:29,040
Speaker 3: Struck with that. That is a well told story.

556
00:27:29,119 --> 00:27:30,919
Speaker 2: All right, We're going to have take more of your calls.

557
00:27:31,080 --> 00:27:34,800
Speaker 2: Fight for your Flashback. Give us a call WSF thirteen WSFM.

558
00:27:34,840 --> 00:27:36,680
Speaker 2: We can go to our Instagram at Jones and Amanda

559
00:27:37,000 --> 00:27:39,840
Speaker 2: Jonesy and Amanda Germination podcast.

560
00:27:47,040 --> 00:27:49,360
Speaker 5: Fight for Your Flashback.

561
00:27:49,480 --> 00:27:50,359
Speaker 3: Two songs enter.

562
00:27:50,480 --> 00:27:53,360
Speaker 1: One song leads Today's Five for Your Flashback is all

563
00:27:53,640 --> 00:27:56,520
Speaker 1: about roads and there can only be one way to

564
00:27:56,960 --> 00:27:58,960
Speaker 1: describe our roads at the moment.

565
00:27:59,240 --> 00:28:01,480
Speaker 3: Their highway Highways to hell.

566
00:28:08,720 --> 00:28:09,159
Speaker 10: You know it?

567
00:28:11,840 --> 00:28:16,240
Speaker 2: Great song. I've got a song that's a big punch

568
00:28:16,320 --> 00:28:16,960
Speaker 2: in the fields.

569
00:28:17,400 --> 00:28:25,040
Speaker 3: Way do we get to it? I know it's kind

570
00:28:25,080 --> 00:28:31,760
Speaker 3: of obvious, but it's pod speaking of French.

571
00:28:31,840 --> 00:28:36,439
Speaker 2: Now, well, I've gone with this other form of banger.

572
00:28:36,560 --> 00:28:38,840
Speaker 2: John Denver take Me Home Country Roads.

573
00:28:40,000 --> 00:28:46,840
Speaker 3: Almost Heaven, West Virginia's.

574
00:28:45,120 --> 00:28:46,280
Speaker 2: Lovely Blue Ridge.

575
00:28:46,800 --> 00:28:47,080
Speaker 5: Do you know?

576
00:28:49,600 --> 00:28:52,680
Speaker 2: He wrote this song with his friends Bill and Taffy Danoff.

577
00:28:52,920 --> 00:28:55,200
Speaker 2: Good old Taffy, she's stuck around your.

578
00:28:55,160 --> 00:28:57,160
Speaker 3: Feelings out, Taffy dann Off.

579
00:28:58,800 --> 00:29:02,080
Speaker 2: But he almost He's prone to accidents, as we know.

580
00:29:02,360 --> 00:29:03,360
Speaker 3: Well he died in the plane.

581
00:29:03,640 --> 00:29:06,080
Speaker 2: Yes, but he went to their house when they said

582
00:29:06,080 --> 00:29:08,200
Speaker 2: we've got a sample of a song, come and hear it.

583
00:29:08,920 --> 00:29:10,560
Speaker 2: He got in a car accident on the way and

584
00:29:10,640 --> 00:29:13,160
Speaker 2: had to go to hospital for a thumb injury. Really,

585
00:29:13,320 --> 00:29:15,960
Speaker 2: but he finally went to see them. They wrote the

586
00:29:16,000 --> 00:29:18,040
Speaker 2: song together and the rest is history.

587
00:29:18,600 --> 00:29:21,560
Speaker 3: Harley was here in Australia, and phrases because what had

588
00:29:21,600 --> 00:29:24,200
Speaker 3: happened to something? He is because his wife was Australian

589
00:29:24,200 --> 00:29:26,680
Speaker 3: and his ex wife yea. And the second one, the

590
00:29:26,760 --> 00:29:29,840
Speaker 3: bike ended up in the divorce, is collateral damage. It

591
00:29:29,960 --> 00:29:31,760
Speaker 3: was just sitting there but they couldn't do anything with

592
00:29:31,840 --> 00:29:34,400
Speaker 3: it because no one because John was dead. I don't

593
00:29:34,440 --> 00:29:36,240
Speaker 3: know what happened with that bike. It was just I

594
00:29:36,360 --> 00:29:38,080
Speaker 3: sat on it and I sat on John's Harley.

595
00:29:38,160 --> 00:29:40,240
Speaker 2: It needs to go on some country roads. That's the

596
00:29:40,680 --> 00:29:42,680
Speaker 2: choice you have today. What would you like to hear?

597
00:29:43,080 --> 00:29:47,640
Speaker 3: Kelly's in Quaker's Hill? How Ao, Kelly, My god, we're

598
00:29:47,680 --> 00:29:48,200
Speaker 3: well Kelly.

599
00:29:48,240 --> 00:29:49,400
Speaker 2: What would you like to hear today?

600
00:29:51,160 --> 00:29:54,000
Speaker 12: I love both of those shime springs back lots of

601
00:29:54,080 --> 00:29:58,400
Speaker 12: memories on both of them, especially acc But Amanda.

602
00:29:58,280 --> 00:30:02,360
Speaker 2: I've got to go read Happy all the Country Rise.

603
00:30:02,360 --> 00:30:04,520
Speaker 2: As I said, it's a punch in the fields. That's

604
00:30:04,560 --> 00:30:05,400
Speaker 2: what we need right now.

605
00:30:05,600 --> 00:30:08,040
Speaker 3: What about Taffy? How does she feel about Taffy?

606
00:30:08,120 --> 00:30:09,520
Speaker 2: Danoff doesn't have a thing to say.

607
00:30:09,680 --> 00:30:11,400
Speaker 3: John's in Cayama. How are you mate?

608
00:30:13,400 --> 00:30:15,240
Speaker 15: With all the hate in the world, at the moment,

609
00:30:15,640 --> 00:30:17,280
Speaker 15: you know you're really going to have some love?

610
00:30:17,800 --> 00:30:19,720
Speaker 6: And I love Akadaka so.

611
00:30:19,800 --> 00:30:23,080
Speaker 2: Go jan Thank you, John, there was going to go

612
00:30:23,160 --> 00:30:25,120
Speaker 2: with you for a bit there, and in Gray Stones,

613
00:30:25,160 --> 00:30:26,480
Speaker 2: Fight for your Flashback.

614
00:30:26,040 --> 00:30:26,120
Speaker 10: And.

615
00:30:27,640 --> 00:30:29,600
Speaker 14: Yeah Jones and Amanda love your show.

616
00:30:29,840 --> 00:30:30,160
Speaker 2: Thank you.

617
00:30:31,160 --> 00:30:34,160
Speaker 14: It's going to be akadaka.

618
00:30:34,280 --> 00:30:34,880
Speaker 15: All the Way.

619
00:30:36,120 --> 00:30:39,640
Speaker 14: Highway to Hell was Hobby funeral songs.

620
00:30:41,920 --> 00:30:43,160
Speaker 3: So there was his funeral song.

621
00:30:45,120 --> 00:30:48,440
Speaker 14: I always had to be that in jail breakslate funeral

622
00:30:48,480 --> 00:30:49,040
Speaker 14: as well, so.

623
00:30:52,600 --> 00:30:54,400
Speaker 3: You had a Highway to Hell and jail break.

624
00:30:54,440 --> 00:30:56,800
Speaker 2: That's what I love about Fight for your Flashback. These

625
00:30:56,880 --> 00:30:59,880
Speaker 2: songs are filled with nostalgia for people, aren't they and

626
00:31:00,080 --> 00:31:01,600
Speaker 2: story what was your husband's name?

627
00:31:02,360 --> 00:31:04,320
Speaker 3: Bresh Brett, Rest in peace?

628
00:31:04,400 --> 00:31:04,640
Speaker 5: Bread?

629
00:31:04,680 --> 00:31:08,680
Speaker 2: Absolutely, Mariam is in Penrith, Hi, Mariam, fight for your flashback?

630
00:31:09,680 --> 00:31:12,440
Speaker 15: Hi, I'd like to go for Amanda please.

631
00:31:13,240 --> 00:31:16,080
Speaker 2: Absolutely, I'll put that in my column. Thank you.

632
00:31:16,440 --> 00:31:17,320
Speaker 3: Charlotte's in Camp.

633
00:31:17,480 --> 00:31:19,840
Speaker 2: Hello, Charline, you're on the final corning today.

634
00:31:20,000 --> 00:31:22,800
Speaker 3: Hello, we are great, This is going to be good.

635
00:31:22,960 --> 00:31:25,200
Speaker 2: You are deciding, well, you're going to announce who our

636
00:31:25,240 --> 00:31:25,960
Speaker 2: winner is today.

637
00:31:26,520 --> 00:31:27,760
Speaker 14: Okay, Happy Friday.

638
00:31:28,480 --> 00:31:30,160
Speaker 12: I go country.

639
00:31:29,840 --> 00:31:36,360
Speaker 2: Ustely home to the Please fabulous, the best Harry Oakie

640
00:31:36,480 --> 00:31:39,160
Speaker 2: song ever. Actually, you're quite right. I have trouble hitting

641
00:31:39,160 --> 00:31:41,080
Speaker 2: the high notes, but no one cares in karaoki.

642
00:31:41,200 --> 00:31:43,000
Speaker 3: You know on the kids these days seem to like

643
00:31:43,080 --> 00:31:45,000
Speaker 3: it as well. Have you noticed that they're all playing

644
00:31:45,080 --> 00:31:47,680
Speaker 3: out of their yui booms down the beach.

645
00:31:47,800 --> 00:31:50,360
Speaker 2: Well, let's do it, take me home country roads is

646
00:31:50,480 --> 00:31:51,160
Speaker 2: John Denvers.

647
00:31:52,520 --> 00:31:54,400
Speaker 1: Let's get on down to the jonesy demand of arms

648
00:31:54,440 --> 00:31:58,480
Speaker 1: for the pub test and today bringing back the mask mandate?

649
00:31:58,560 --> 00:31:59,880
Speaker 3: Does that pass the pub team?

650
00:32:00,000 --> 00:32:02,080
Speaker 2: I's neat to know what you think. No one wants lockdown,

651
00:32:02,160 --> 00:32:04,720
Speaker 2: and no one is suggesting lockdown. But we are on

652
00:32:04,840 --> 00:32:06,560
Speaker 2: the cusp of a third wave, in the grip of

653
00:32:06,640 --> 00:32:09,120
Speaker 2: a third wave, to the point where Anthony Alberizi is

654
00:32:09,160 --> 00:32:12,400
Speaker 2: calling a national cabinet meeting to discuss what we can do.

655
00:32:12,560 --> 00:32:16,160
Speaker 2: The numbers are exploding. I wear a mask when I

656
00:32:16,360 --> 00:32:17,200
Speaker 2: go to the shops.

657
00:32:17,400 --> 00:32:18,280
Speaker 3: I actually.

658
00:32:19,640 --> 00:32:21,800
Speaker 2: Harley and I haven't had COVID. Both my children have

659
00:32:21,840 --> 00:32:24,160
Speaker 2: had it twice. We're now being told that the reinfection

660
00:32:24,320 --> 00:32:26,560
Speaker 2: period is reduced from three months to twenty eight days

661
00:32:26,720 --> 00:32:31,000
Speaker 2: one month. Our fourth booster is available to us. Some

662
00:32:31,120 --> 00:32:32,600
Speaker 2: people might say, if we're still going to get it,

663
00:32:32,640 --> 00:32:34,120
Speaker 2: what's the point of a booster? But I read a

664
00:32:34,160 --> 00:32:36,200
Speaker 2: great analogy the other day that said well, you wear

665
00:32:36,240 --> 00:32:38,800
Speaker 2: a seat belt in a car, you have an accident,

666
00:32:38,920 --> 00:32:40,840
Speaker 2: you're still wearing your seat belt. You have a better result.

667
00:32:41,160 --> 00:32:44,040
Speaker 2: That's what your booster is and that's what your inoculations

668
00:32:44,040 --> 00:32:46,040
Speaker 2: are all they will help you get a better result.

669
00:32:46,320 --> 00:32:48,360
Speaker 2: Because we're in the midst of winter, this is going

670
00:32:48,440 --> 00:32:51,800
Speaker 2: to be hard, I think. And we spoke to Karen

671
00:32:51,800 --> 00:32:54,080
Speaker 2: Philps the other day and she said, it'd be great

672
00:32:54,080 --> 00:32:55,640
Speaker 2: if everyone wore masks. You don't want to have to

673
00:32:55,720 --> 00:32:57,520
Speaker 2: mandate them, But wouldn't be great if people did it,

674
00:32:57,600 --> 00:32:59,480
Speaker 2: But people aren't going to do it without a mandate.

675
00:33:00,040 --> 00:33:03,600
Speaker 3: It is I'd love to wear a mask everywhere, you know,

676
00:33:03,760 --> 00:33:04,360
Speaker 3: but then do it.

677
00:33:04,560 --> 00:33:07,040
Speaker 1: But I guess when people don't tell you to do

678
00:33:07,160 --> 00:33:08,920
Speaker 1: when the government says you've got to wear a mask,

679
00:33:08,960 --> 00:33:09,760
Speaker 1: then you wear a mask.

680
00:33:09,880 --> 00:33:10,480
Speaker 3: I find it's old.

681
00:33:10,480 --> 00:33:12,200
Speaker 1: When you go to the airport. You don't have to

682
00:33:12,240 --> 00:33:13,840
Speaker 1: wear a mask at the airport, but then you get

683
00:33:13,880 --> 00:33:15,440
Speaker 1: on the plane you got to wear a mask.

684
00:33:15,240 --> 00:33:17,800
Speaker 2: When you're sitting and not moving around and talking to people. Yeah,

685
00:33:17,840 --> 00:33:20,560
Speaker 2: it's just I would accept a new mask.

686
00:33:20,720 --> 00:33:22,800
Speaker 3: We can't have another lockdown, there's no way.

687
00:33:23,600 --> 00:33:26,160
Speaker 2: No one is saying that. But we do have to

688
00:33:26,280 --> 00:33:29,080
Speaker 2: try and get on top of this. Our hospitalizations are

689
00:33:29,160 --> 00:33:31,760
Speaker 2: going up. The death rate is frightening. If we lost

690
00:33:31,800 --> 00:33:34,000
Speaker 2: as many people in a car accident or in a

691
00:33:34,160 --> 00:33:37,160
Speaker 2: bus crash every day, we'd be doing something. So how

692
00:33:37,200 --> 00:33:40,080
Speaker 2: do you feel bringing back a mask mandate? Does it

693
00:33:40,120 --> 00:33:41,000
Speaker 2: pass the pub test?

694
00:33:42,680 --> 00:33:42,720
Speaker 20: You?

695
00:33:43,400 --> 00:33:46,040
Speaker 3: WSFM? Hello there, it's Jonesy, No matter. Take me back

696
00:33:46,040 --> 00:33:48,560
Speaker 3: to a time where Tonic roam the earth. Remember that

697
00:33:48,680 --> 00:33:52,400
Speaker 3: was a sweet spot about nineteen ninety seven through to

698
00:33:52,480 --> 00:33:53,880
Speaker 3: two thousand before.

699
00:33:54,440 --> 00:33:58,400
Speaker 21: You know rap and hip hop, which is wandering the

700
00:33:58,520 --> 00:34:01,080
Speaker 21: music universe as it is now. But there was a

701
00:34:01,160 --> 00:34:03,280
Speaker 21: time when there was Tonic, and there was and then

702
00:34:03,280 --> 00:34:05,240
Speaker 21: there was gin like collective Soul.

703
00:34:05,280 --> 00:34:09,120
Speaker 3: Remember all days ago. You know you're not taking this seriously.

704
00:34:09,480 --> 00:34:10,920
Speaker 2: I know what I can do for you. This is

705
00:34:11,000 --> 00:34:13,120
Speaker 2: the nature of music, Brandon, and but you become one

706
00:34:13,160 --> 00:34:15,080
Speaker 2: of those people like our parents. I don't like the

707
00:34:15,160 --> 00:34:17,600
Speaker 2: new music. You know, it morphs and it's.

708
00:34:17,760 --> 00:34:19,000
Speaker 3: Now I'm saying on like an old guy.

709
00:34:19,320 --> 00:34:19,480
Speaker 5: You know.

710
00:34:19,719 --> 00:34:22,200
Speaker 3: I remember my late Nana used to say to my

711
00:34:22,280 --> 00:34:26,000
Speaker 3: dad about Elvis. Elvis is dreadful, you know, Dad, Elvis.

712
00:34:25,800 --> 00:34:28,840
Speaker 2: Was the new thing, and you've said he's not your music.

713
00:34:29,360 --> 00:34:31,200
Speaker 3: Well, I said, I kind of appreciate Elvis.

714
00:34:31,239 --> 00:34:32,000
Speaker 2: See, that's the thing.

715
00:34:32,160 --> 00:34:33,200
Speaker 3: I can't of appreciate it.

716
00:34:33,280 --> 00:34:34,680
Speaker 2: You become an old Coude eventually.

717
00:34:34,840 --> 00:34:37,080
Speaker 3: You know, everything's so diverse, now have you seen. I

718
00:34:37,239 --> 00:34:38,759
Speaker 3: was looking at my son last night. He was on

719
00:34:38,840 --> 00:34:42,640
Speaker 3: his computer and he's got like three screens going. It's

720
00:34:42,680 --> 00:34:45,400
Speaker 3: like he's running an sp bookie agency. And he's on

721
00:34:45,480 --> 00:34:48,440
Speaker 3: his phone as well. I said, how much information are

722
00:34:48,480 --> 00:34:49,000
Speaker 3: you taking it?

723
00:34:49,160 --> 00:34:52,360
Speaker 2: It's interesting, isn't it. How that's exactly right. This is

724
00:34:52,480 --> 00:34:56,960
Speaker 2: the new generation, and the amount of input that's going

725
00:34:57,040 --> 00:35:00,320
Speaker 2: into their heads at any given moment is extra. But

726
00:35:00,360 --> 00:35:03,200
Speaker 2: we're the same in our parents' day. You couldn't have

727
00:35:03,239 --> 00:35:06,520
Speaker 2: watched the nightly news and watched a scroll a new

728
00:35:06,600 --> 00:35:08,520
Speaker 2: scroll come along the bottom and images in the did

729
00:35:08,680 --> 00:35:10,560
Speaker 2: go that and that blah blah bla on your phone

730
00:35:10,560 --> 00:35:13,600
Speaker 2: at the same time, our brains have adapted to this

731
00:35:13,760 --> 00:35:15,560
Speaker 2: big influx, not always in a good way.

732
00:35:15,719 --> 00:35:18,320
Speaker 1: And also TV shows are different now. I was watching

733
00:35:18,719 --> 00:35:21,000
Speaker 1: on Fox still. They got the show on the Hitler channel.

734
00:35:21,200 --> 00:35:22,799
Speaker 2: It's called the History channel.

735
00:35:22,880 --> 00:35:25,440
Speaker 3: Called Abandoned Engineering. Have you seen that?

736
00:35:26,040 --> 00:35:27,120
Speaker 2: No, Brendan and I haven't.

737
00:35:27,440 --> 00:35:31,520
Speaker 1: It's all this old infrastructure that's been abandoned, usually in

738
00:35:31,560 --> 00:35:34,480
Speaker 1: the Ukraine and stuff like that, you know, crazy palaces.

739
00:35:34,680 --> 00:35:39,360
Speaker 1: There was one this French fort over in France, and

740
00:35:40,080 --> 00:35:42,719
Speaker 1: it had this giant motor around. It had these eight

741
00:35:42,840 --> 00:35:44,600
Speaker 1: foot impenetrable walls.

742
00:35:44,719 --> 00:35:47,640
Speaker 2: Who lived in it, the French, the wall, the French,

743
00:35:47,719 --> 00:35:48,520
Speaker 2: all the French.

744
00:35:48,880 --> 00:35:51,759
Speaker 3: French where they were defending it. When the Germans were

745
00:35:51,920 --> 00:35:54,680
Speaker 3: into the there was around all of France, not all

746
00:35:54,680 --> 00:35:54,800
Speaker 3: of it.

747
00:35:54,880 --> 00:35:57,759
Speaker 1: It was just one spot, but it was really it

748
00:35:57,880 --> 00:36:02,960
Speaker 1: was impenetrable. But what happened was this German battalion came

749
00:36:03,040 --> 00:36:06,919
Speaker 1: along and one guy by the name of Kunt took over,

750
00:36:07,320 --> 00:36:09,440
Speaker 1: like it was his corporate Kunt or something like that.

751
00:36:09,560 --> 00:36:10,960
Speaker 2: A German Man, a German Man.

752
00:36:11,320 --> 00:36:16,880
Speaker 3: He traversed down the gully, went through the impenetrable walls.

753
00:36:17,200 --> 00:36:18,920
Speaker 3: Get all God, all the French. You see, He's just

754
00:36:19,000 --> 00:36:21,479
Speaker 3: a lone guy. Gets all the Frenchies push.

755
00:36:21,480 --> 00:36:23,560
Speaker 2: Is that how they explained it? God, all the Frenchies.

756
00:36:23,640 --> 00:36:27,080
Speaker 3: No, I'm my paraphrase phrasing. So Kuan put them all

757
00:36:27,160 --> 00:36:31,520
Speaker 3: in this little room, even helped himself to some food.

758
00:36:31,960 --> 00:36:34,600
Speaker 3: He was a clever Kunt, he was. He was really good.

759
00:36:34,640 --> 00:36:35,800
Speaker 2: The things you learned from television.

760
00:36:35,840 --> 00:36:36,960
Speaker 3: You know what else I watched on there.

761
00:36:37,040 --> 00:36:38,040
Speaker 2: I'm too scared to ask.

762
00:36:38,120 --> 00:36:40,680
Speaker 3: Why would you be scared? This is history, don't shoot

763
00:36:40,719 --> 00:36:44,120
Speaker 3: the messenger. The other thing was they've got those ads,

764
00:36:44,120 --> 00:36:46,000
Speaker 3: and my wife looked at me and said, no, you're

765
00:36:46,040 --> 00:36:49,080
Speaker 3: not getting it. They had to build the Titanic thing,

766
00:36:50,080 --> 00:36:53,480
Speaker 3: Clive Palmer. It's like you build a replica of the

767
00:36:53,560 --> 00:36:56,040
Speaker 3: titan and you get it in peace by pieces.

768
00:36:56,680 --> 00:36:58,960
Speaker 2: No, no, people still do that.

769
00:36:59,360 --> 00:37:02,040
Speaker 3: So the first in Stallman, you buy the magazine, it's

770
00:37:02,120 --> 00:37:03,040
Speaker 3: four ninety five.

771
00:37:03,400 --> 00:37:05,640
Speaker 2: But now what do you get with the magazine? One

772
00:37:05,680 --> 00:37:06,760
Speaker 2: piece of one.

773
00:37:06,640 --> 00:37:09,800
Speaker 3: Piece of the Titanic, one piece of ice. In the

774
00:37:09,920 --> 00:37:13,320
Speaker 3: ad there's a guy sitting there looking very smug and satisfied,

775
00:37:13,440 --> 00:37:15,840
Speaker 3: and it looks so good. It's got a little working engine,

776
00:37:16,080 --> 00:37:17,160
Speaker 3: it's got steam come in.

777
00:37:17,280 --> 00:37:17,879
Speaker 2: Would that take?

778
00:37:18,040 --> 00:37:18,200
Speaker 5: Well?

779
00:37:18,280 --> 00:37:22,920
Speaker 3: That here's the thing. So four ninety five. Then it

780
00:37:23,040 --> 00:37:25,800
Speaker 3: goes up to eighteen dollars for the next issues. And

781
00:37:25,880 --> 00:37:27,880
Speaker 3: then in the small print down the bottom, you know

782
00:37:27,920 --> 00:37:30,359
Speaker 3: how much if you were to go ahead and build

783
00:37:30,360 --> 00:37:32,520
Speaker 3: the whole Titanic it's got to cost youre just have a.

784
00:37:32,520 --> 00:37:35,040
Speaker 2: Guess, I don't know, just eight hundred dollars.

785
00:37:35,000 --> 00:37:38,480
Speaker 3: Two thousand, six hundred and seventy two dollars, and my

786
00:37:38,560 --> 00:37:40,440
Speaker 3: wife looked at me and said, no, you've already got

787
00:37:40,480 --> 00:37:43,280
Speaker 3: the Bismarck, the first issue of that, and the Santa

788
00:37:43,320 --> 00:37:44,840
Speaker 3: Maria and the Black Pearl.

789
00:37:44,800 --> 00:37:47,040
Speaker 2: So only the first You don't actually follow through and

790
00:37:47,120 --> 00:37:47,600
Speaker 2: do the whole thing.

791
00:37:47,680 --> 00:37:49,760
Speaker 1: No, you buy the first thing, and then you lose interest,

792
00:37:49,840 --> 00:37:51,920
Speaker 1: and then that seems, you know, unless you've continued.

793
00:37:52,040 --> 00:37:54,000
Speaker 3: I don't know if anyone's actually completed it.

794
00:37:54,239 --> 00:37:56,120
Speaker 2: Does anyone put ships in bottles anymore?

795
00:37:56,960 --> 00:37:57,759
Speaker 5: You know what I do?

796
00:37:58,120 --> 00:37:59,879
Speaker 3: I take a bottle and put it into a ship.

797
00:38:01,560 --> 00:38:02,640
Speaker 3: That's much easier.

798
00:38:02,960 --> 00:38:04,319
Speaker 2: You're not even German.

799
00:38:06,320 --> 00:38:10,040
Speaker 18: Nature podcast land.

800
00:38:11,120 --> 00:38:14,800
Speaker 3: I want you to go right now, pray, now.

801
00:38:14,840 --> 00:38:17,480
Speaker 22: Go to your windows, open the stick your head on

802
00:38:17,640 --> 00:38:23,160
Speaker 22: a gel as hell, let's get on down to the

803
00:38:23,280 --> 00:38:25,320
Speaker 22: Jonesy no matter of arms for the pub test and

804
00:38:25,440 --> 00:38:27,960
Speaker 22: today bringing back the mask mandates.

805
00:38:28,040 --> 00:38:29,439
Speaker 3: Does this past the pub test?

806
00:38:29,520 --> 00:38:29,600
Speaker 11: Well?

807
00:38:29,680 --> 00:38:31,960
Speaker 2: Numbers of skyrocketing, as we know, we are in the

808
00:38:31,960 --> 00:38:35,000
Speaker 2: grip of a third wave of coronavirus. An from Albanezi

809
00:38:35,120 --> 00:38:38,360
Speaker 2: is calling a national cabinet meeting to discuss what should

810
00:38:38,400 --> 00:38:41,759
Speaker 2: be done. Many people are calling for us to wear masks. Again,

811
00:38:42,080 --> 00:38:44,040
Speaker 2: I wear a mask in public places. I haven't had

812
00:38:44,080 --> 00:38:46,040
Speaker 2: COVID yet, my husband hasn't had COVID, but we now

813
00:38:46,120 --> 00:38:48,920
Speaker 2: know that the rate of reinfection, you can be reinfected

814
00:38:49,000 --> 00:38:51,160
Speaker 2: twenty eight days after having had it before. That's just

815
00:38:51,280 --> 00:38:54,120
Speaker 2: one month. So what do you think bringing back the

816
00:38:54,239 --> 00:38:56,279
Speaker 2: mask mandate? Does this pass the pub test?

817
00:38:56,440 --> 00:38:56,480
Speaker 11: No?

818
00:38:56,800 --> 00:38:58,600
Speaker 12: Do you know what, I'm not into the mask.

819
00:38:58,760 --> 00:39:01,480
Speaker 15: If you get to carry them round, we don't need them.

820
00:39:01,840 --> 00:39:05,000
Speaker 7: They're uncomfortable and most of the time people wear the

821
00:39:05,000 --> 00:39:06,320
Speaker 7: cloth ones anyway, which don't.

822
00:39:06,200 --> 00:39:06,879
Speaker 12: Hear the proper job.

823
00:39:07,120 --> 00:39:09,160
Speaker 11: Look, I actually think you leave it up to the

824
00:39:09,200 --> 00:39:12,760
Speaker 11: individual our jonesy. The numbers have been climbing gradually without

825
00:39:12,800 --> 00:39:15,360
Speaker 11: being in the media. People know that they're climbing, so

826
00:39:15,560 --> 00:39:17,640
Speaker 11: if they want to wear a mask, go for it.

827
00:39:17,920 --> 00:39:19,439
Speaker 12: No, we shouldn't bring it back.

828
00:39:19,880 --> 00:39:22,319
Speaker 15: It's time to let our immune systems build up.

829
00:39:22,400 --> 00:39:24,719
Speaker 11: It's time to get out not have to worry about

830
00:39:24,760 --> 00:39:26,560
Speaker 11: its coming into these warmer months.

831
00:39:27,200 --> 00:39:30,560
Speaker 16: As a healthcare worker, I'm see firsthand as man how

832
00:39:30,800 --> 00:39:33,480
Speaker 16: those numbers are skying in our hospitals. They're in a

833
00:39:33,600 --> 00:39:38,640
Speaker 16: Mask's talking that people pursue our postal workers as well as.

834
00:39:38,800 --> 00:39:41,160
Speaker 15: Any furtal hot down there.

835
00:39:41,200 --> 00:39:41,400
Speaker 11: It is.

836
00:39:41,480 --> 00:39:44,359
Speaker 3: It's all that. Thank you for all your calls, Jam.

837
00:39:45,320 --> 00:39:45,759
Speaker 5: I see the.

838
00:39:45,920 --> 00:39:49,560
Speaker 1: Morcams have come out about that movie that's going to

839
00:39:49,640 --> 00:39:53,600
Speaker 1: be released that supposedly is not supposed to be about

840
00:39:53,640 --> 00:39:56,160
Speaker 1: the story of the abduction of their son Daniel, but

841
00:39:56,280 --> 00:39:59,400
Speaker 1: about the police operation mister big as they call it,

842
00:39:59,520 --> 00:40:04,839
Speaker 1: to track that scumbag Peto. They but rightly, they don't

843
00:40:04,880 --> 00:40:08,200
Speaker 1: want Daniel's name mentioned or brought up. Ironically, I'm mentioning

844
00:40:08,200 --> 00:40:08,360
Speaker 1: in it.

845
00:40:08,440 --> 00:40:10,080
Speaker 2: Now, but you may have heard that on the news.

846
00:40:10,200 --> 00:40:12,720
Speaker 2: His parents have said, Look, if it's being made without

847
00:40:12,760 --> 00:40:17,120
Speaker 2: reference to him, great, but if his name's being mentioned

848
00:40:17,160 --> 00:40:18,759
Speaker 2: in this, we're not comfortable with that.

849
00:40:18,960 --> 00:40:19,680
Speaker 3: And that's fair enough.

850
00:40:19,800 --> 00:40:22,520
Speaker 2: It's interesting, isn't it, All this true crime stuff, these

851
00:40:22,640 --> 00:40:26,320
Speaker 2: podcasts and movies. We had a movie about Martin Bryant recently.

852
00:40:26,440 --> 00:40:28,759
Speaker 2: I didn't see the film. Apparently it was amazing, and

853
00:40:28,840 --> 00:40:31,040
Speaker 2: the people who saw it said it was in no

854
00:40:31,360 --> 00:40:35,320
Speaker 2: way a homage in any way to Martin Bryan.

855
00:40:35,200 --> 00:40:38,359
Speaker 3: And they call that Nitram to not even use his name.

856
00:40:38,520 --> 00:40:43,879
Speaker 2: Yes, that's right. But true crime podcasts and movies are

857
00:40:44,239 --> 00:40:46,319
Speaker 2: the best sellers. They're the things we're listening to they're

858
00:40:46,360 --> 00:40:49,319
Speaker 2: the things we're watching, and it does tap into our

859
00:40:49,400 --> 00:40:52,640
Speaker 2: base emotions, you know, it's like the parish pump. And

860
00:40:52,840 --> 00:40:55,320
Speaker 2: are they cautionary tales? How would I have responded? What

861
00:40:55,400 --> 00:40:58,680
Speaker 2: would I do if this happened to me? It's human

862
00:40:58,800 --> 00:41:01,360
Speaker 2: nature to be in but we do have to be

863
00:41:01,440 --> 00:41:04,279
Speaker 2: respectful at people on the other end. In case in point,

864
00:41:04,360 --> 00:41:06,880
Speaker 2: this isn't a crime, but very interesting. You may have

865
00:41:06,920 --> 00:41:08,560
Speaker 2: seen this on the news. There's a woman who was

866
00:41:08,640 --> 00:41:11,839
Speaker 2: having a cup of coffee at a shopping center when

867
00:41:11,920 --> 00:41:14,160
Speaker 2: a young man came up to her with some flowers

868
00:41:14,280 --> 00:41:15,839
Speaker 2: and said, can you look after these for a moment?

869
00:41:16,239 --> 00:41:17,960
Speaker 2: She held the flowers and then he just walked away.

870
00:41:18,560 --> 00:41:22,480
Speaker 2: She finds out later that she's been put on a TikTok.

871
00:41:23,040 --> 00:41:25,680
Speaker 2: So this is a guy who's some young influencer and

872
00:41:25,760 --> 00:41:27,560
Speaker 2: she's been put on a TikTok and this has been

873
00:41:27,680 --> 00:41:29,360
Speaker 2: viewed sixty million times.

874
00:41:29,400 --> 00:41:30,760
Speaker 3: So there's almo this feel good stuff.

875
00:41:31,040 --> 00:41:34,600
Speaker 2: But yeah, but it's all about him giving her the flowers.

876
00:41:34,640 --> 00:41:36,360
Speaker 2: And she said, and I find this really interesting. She

877
00:41:36,520 --> 00:41:39,960
Speaker 2: said she felt dehumanized by the experience, and the stunt

878
00:41:40,040 --> 00:41:43,160
Speaker 2: portrayed her as quote a pathetic old woman. She said,

879
00:41:43,280 --> 00:41:45,080
Speaker 2: I felt like I was the butt of a joke somehow,

880
00:41:45,360 --> 00:41:47,120
Speaker 2: sitting there having a cup of coffee. Mine in my

881
00:41:47,160 --> 00:41:49,600
Speaker 2: own business. But the trope is I'm a lonely old

882
00:41:49,680 --> 00:41:51,680
Speaker 2: lady and a young man gives me flowers and I

883
00:41:51,719 --> 00:41:52,560
Speaker 2: should be grateful.

884
00:41:52,640 --> 00:41:54,279
Speaker 3: And now she's got to deal with these flowers. She

885
00:41:54,400 --> 00:41:56,839
Speaker 3: might have had to catch a bus or a tram

886
00:41:57,800 --> 00:41:59,360
Speaker 3: going to carry on a big bunch of flowers.

887
00:41:59,520 --> 00:42:02,960
Speaker 2: We're all content now, we are all content. So she

888
00:42:03,239 --> 00:42:05,919
Speaker 2: felt like this was all about him. It's like people

889
00:42:06,040 --> 00:42:09,279
Speaker 2: film themselves handing a homeless person money. It's all a

890
00:42:09,360 --> 00:42:12,320
Speaker 2: backdoor brag about yourself good stuff.

891
00:42:12,440 --> 00:42:14,160
Speaker 3: Yeah, I do a lot of good in the community,

892
00:42:14,200 --> 00:42:15,800
Speaker 3: but I don't film myself doing it.

893
00:42:16,560 --> 00:42:19,120
Speaker 1: I'm helping old ladies and people with flat tires and

894
00:42:19,360 --> 00:42:21,000
Speaker 1: stuff like that, but I don't film.

895
00:42:21,000 --> 00:42:23,360
Speaker 2: You don't film it because you're a genuine person.

896
00:42:23,719 --> 00:42:27,120
Speaker 1: What about remember though, the Impulse commercials of the nineties,

897
00:42:27,200 --> 00:42:30,440
Speaker 1: Remember that there'd be a girl and there's always likes

898
00:42:30,440 --> 00:42:32,239
Speaker 1: to it's a bit tittillating because you'd be spraying on

899
00:42:32,320 --> 00:42:34,080
Speaker 1: the Impulse and you get a bit side bush there

900
00:42:34,120 --> 00:42:34,759
Speaker 1: in the commercial.

901
00:42:34,960 --> 00:42:37,240
Speaker 2: But the guy who gave her the flowers was always

902
00:42:37,360 --> 00:42:39,640
Speaker 2: her own age. A guy ran up and he loved

903
00:42:39,680 --> 00:42:40,720
Speaker 2: her and gave her flowers.

904
00:42:41,400 --> 00:42:44,840
Speaker 18: When a man you've never met before suddenly gives you flowers,

905
00:42:45,640 --> 00:42:49,440
Speaker 18: that's impulse. They're all the body spray with the reassurance

906
00:42:49,600 --> 00:42:50,880
Speaker 18: of the effective Deodora.

907
00:42:51,000 --> 00:42:52,960
Speaker 2: But now you'd feel you're being punk posse.

908
00:42:53,520 --> 00:42:55,400
Speaker 18: Men just can't help acting on it.

909
00:42:57,840 --> 00:42:58,680
Speaker 2: That's of its time.

910
00:42:58,920 --> 00:43:03,319
Speaker 3: That might be triggering. So a strange man that gave you.

911
00:43:03,400 --> 00:43:05,319
Speaker 2: Flowers, no, not even a nice man.

912
00:43:06,880 --> 00:43:09,480
Speaker 3: When you're in the food after the show, what happens

913
00:43:09,520 --> 00:43:11,200
Speaker 3: if some young men come out and give you a

914
00:43:11,239 --> 00:43:11,919
Speaker 3: big bunch of fris.

915
00:43:11,960 --> 00:43:14,120
Speaker 2: I think I'm a pathetic old lady looking for attention.

916
00:43:15,200 --> 00:43:15,799
Speaker 3: Job done.

917
00:43:18,239 --> 00:43:21,720
Speaker 2: Oh tell you what. I went to see Mulin Rouge

918
00:43:22,760 --> 00:43:25,360
Speaker 2: and I was just blown away. If you've seen the.

919
00:43:25,680 --> 00:43:30,279
Speaker 1: Wearing matching outfits, and we went along there in matching outfits.

920
00:43:30,000 --> 00:43:32,960
Speaker 2: Most extraordinary show. If you've seen the film and you

921
00:43:33,080 --> 00:43:35,440
Speaker 2: think you know it, you don't know it. This stage

922
00:43:35,480 --> 00:43:38,719
Speaker 2: show is something else again. And I wasn't aware that

923
00:43:38,800 --> 00:43:42,520
Speaker 2: it was. Our mate was Timomatic, real name tim Omage.

924
00:43:42,520 --> 00:43:44,160
Speaker 2: You will get to that in a moment. Who plays

925
00:43:44,239 --> 00:43:46,600
Speaker 2: to lose La Trek a role of a lifetime. Hollo,

926
00:43:46,719 --> 00:43:47,400
Speaker 2: tim how are you.

927
00:43:47,680 --> 00:43:49,920
Speaker 5: I'm so good, guys, I'm glad you enjoyed it.

928
00:43:50,200 --> 00:43:51,120
Speaker 3: Man, you were great.

929
00:43:51,239 --> 00:43:54,200
Speaker 1: Well what do you know about your loose lafrec because

930
00:43:54,200 --> 00:43:56,000
Speaker 1: I went to art school and I remember there was

931
00:43:56,040 --> 00:43:56,880
Speaker 1: stuff about him.

932
00:43:57,040 --> 00:44:01,840
Speaker 8: Yeah, yeah, impressionists from the the late eighteen hundreds, and

933
00:44:02,680 --> 00:44:05,120
Speaker 8: in terms of the world of mulan Rus, he was

934
00:44:05,200 --> 00:44:07,080
Speaker 8: one of the only people that are based on a

935
00:44:07,120 --> 00:44:11,200
Speaker 8: real life He was a real life person and strangely enough,

936
00:44:11,719 --> 00:44:14,319
Speaker 8: incredible artists of the time. Died very young, died at

937
00:44:14,360 --> 00:44:17,680
Speaker 8: thirty three, and to give you a perspective of his lifestyle,

938
00:44:17,800 --> 00:44:22,560
Speaker 8: he died from a syphilis and absence poisoning.

939
00:44:23,719 --> 00:44:26,160
Speaker 5: He died on my birthday, though, which is really ninth

940
00:44:26,160 --> 00:44:26,760
Speaker 5: of September.

941
00:44:27,320 --> 00:44:29,520
Speaker 3: Whoa weird How old are you?

942
00:44:30,040 --> 00:44:31,040
Speaker 5: I am? Thirty four?

943
00:44:32,040 --> 00:44:34,840
Speaker 1: Yes, up under that because thirty three it was like

944
00:44:34,920 --> 00:44:36,319
Speaker 1: that you got the twenty seven club.

945
00:44:36,480 --> 00:44:39,359
Speaker 3: Yes, but thirty three club. There was a bond Scotch.

946
00:44:39,160 --> 00:44:43,920
Speaker 5: Jesus, the Lord and the Lord. But you made it.

947
00:44:44,120 --> 00:44:46,279
Speaker 5: We've made it, and I'm here with you now. I'm

948
00:44:46,320 --> 00:44:47,239
Speaker 5: happy to be well.

949
00:44:47,280 --> 00:44:49,480
Speaker 2: We know you first of all, as Timomatic, you of

950
00:44:49,560 --> 00:44:51,719
Speaker 2: course were a contestant on. So you think you can dance.

951
00:44:51,760 --> 00:44:56,520
Speaker 2: Australia's got talent yep, so you're part of the Australian psyche.

952
00:44:56,680 --> 00:44:58,400
Speaker 2: But this seems to be a different thing for you.

953
00:44:58,480 --> 00:45:00,920
Speaker 2: And well let's clear this up. Tim O Maddick was

954
00:45:00,960 --> 00:45:03,480
Speaker 2: a performing name, but tim Omaji is your actual name.

955
00:45:03,719 --> 00:45:04,520
Speaker 5: Yes, correct.

956
00:45:04,719 --> 00:45:08,640
Speaker 8: So for the most part, whenever I do something acting related,

957
00:45:08,760 --> 00:45:12,360
Speaker 8: it's it's under my name tim Emajie. But music is

958
00:45:12,400 --> 00:45:15,000
Speaker 8: still timmatic, right I can. Yeah, that's how we separated

959
00:45:15,080 --> 00:45:16,800
Speaker 8: for people out there. But you can call me what

960
00:45:16,880 --> 00:45:17,560
Speaker 8: you want to.

961
00:45:17,520 --> 00:45:20,279
Speaker 2: Call me, call you Timmy. But with this show, I

962
00:45:20,360 --> 00:45:22,920
Speaker 2: know that you had a few false starts because of COVID.

963
00:45:22,960 --> 00:45:24,440
Speaker 2: And on the night I met a woman who had

964
00:45:24,480 --> 00:45:28,719
Speaker 2: been one of the wardrobe with dresses, the dresses, and

965
00:45:28,800 --> 00:45:31,239
Speaker 2: she said that everyone got fitted for their costumes and

966
00:45:31,320 --> 00:45:33,480
Speaker 2: clothes and then you had to you went to lockdown

967
00:45:33,800 --> 00:45:36,040
Speaker 2: and she said everyone came back and then she said

968
00:45:36,239 --> 00:45:39,719
Speaker 2: everyone was harrier and fatter, and so I had to

969
00:45:39,800 --> 00:45:42,160
Speaker 2: redo a lot of the costumes. And you can't be

970
00:45:42,480 --> 00:45:44,640
Speaker 2: you have to be fit to do that shark, you.

971
00:45:44,760 --> 00:45:48,879
Speaker 8: Really do, and my role in it, I walk around

972
00:45:49,000 --> 00:45:51,320
Speaker 8: quite slowly on a cane so I don't really have

973
00:45:51,480 --> 00:45:57,160
Speaker 8: the most physical track, but the ensemble, and that's like

974
00:45:57,440 --> 00:46:00,560
Speaker 8: it's like a billion can can kicks that beyond someone'll

975
00:46:00,600 --> 00:46:01,359
Speaker 8: have to do every night.

976
00:46:01,760 --> 00:46:04,000
Speaker 5: And it's it's just bang on from the beginning.

977
00:46:04,040 --> 00:46:07,680
Speaker 8: It's it's it's an e spectacular spectacular as they call it,

978
00:46:07,760 --> 00:46:09,960
Speaker 8: and it's it just doesn't stop.

979
00:46:10,239 --> 00:46:12,600
Speaker 2: It doesn't stop, and it's a really sixy show. But

980
00:46:12,640 --> 00:46:16,560
Speaker 2: when you're all backstage, you're hi, Sharon, how are you mate?

981
00:46:16,880 --> 00:46:17,960
Speaker 5: Oh yeah, one hundred percent.

982
00:46:18,200 --> 00:46:19,759
Speaker 8: Like the amount of time so I don't come on

983
00:46:19,840 --> 00:46:22,320
Speaker 8: stay till about fifteen twenty minutes into it, and the

984
00:46:22,360 --> 00:46:24,640
Speaker 8: amount of times that I'm just in the bathroom, you know,

985
00:46:24,760 --> 00:46:27,080
Speaker 8: doing what I do while I'm hearing the music on.

986
00:46:27,200 --> 00:46:29,319
Speaker 5: Yeah, I've got about five minutes to go. Better put

987
00:46:29,360 --> 00:46:30,000
Speaker 5: my gear back on.

988
00:46:31,200 --> 00:46:34,520
Speaker 3: The shore with the form guide. Yeah, there's a horse

989
00:46:35,280 --> 00:46:38,399
Speaker 3: running at Moody Pond, just sitting on the loop. Hey

990
00:46:38,760 --> 00:46:39,719
Speaker 3: Tim Imagie, you're on?

991
00:46:40,080 --> 00:46:40,560
Speaker 5: Where is he?

992
00:46:41,200 --> 00:46:43,879
Speaker 8: Pretty much I've got it down to a science. I'm

993
00:46:44,000 --> 00:46:46,200
Speaker 8: just like, I get to stay, It's just what I

994
00:46:46,320 --> 00:46:49,320
Speaker 8: need to and then we party. But honestly, it's a

995
00:46:49,360 --> 00:46:52,120
Speaker 8: party every time, and I think people generally are shocked

996
00:46:52,160 --> 00:46:54,600
Speaker 8: at how big it is. And I find that from

997
00:46:54,680 --> 00:46:57,480
Speaker 8: the first ten minutes people really have got to see

998
00:46:57,520 --> 00:47:00,440
Speaker 8: it again because there's it's quite it's quite a big experience,

999
00:47:00,480 --> 00:47:03,520
Speaker 8: and there's things this like dialogue happening on different sizes

1000
00:47:03,520 --> 00:47:04,759
Speaker 8: of the days at the same time.

1001
00:47:04,880 --> 00:47:07,480
Speaker 5: And yeah, it's it's it's so much fun to be.

1002
00:47:07,680 --> 00:47:09,680
Speaker 3: Have you tried absence before?

1003
00:47:10,280 --> 00:47:12,080
Speaker 5: I have? I have not a fan.

1004
00:47:12,440 --> 00:47:14,080
Speaker 2: Absence makes the heart grow fonder.

1005
00:47:15,320 --> 00:47:17,400
Speaker 3: But it's not like the poison that used to be.

1006
00:47:18,080 --> 00:47:20,840
Speaker 3: It used to be, yeah, back in back in to

1007
00:47:20,960 --> 00:47:21,640
Speaker 3: Loose's day.

1008
00:47:21,800 --> 00:47:22,880
Speaker 5: Yeah it was poisonous.

1009
00:47:22,920 --> 00:47:25,320
Speaker 3: And now there's this snowflake version.

1010
00:47:25,680 --> 00:47:25,919
Speaker 10: Yeah.

1011
00:47:26,080 --> 00:47:26,400
Speaker 5: Correct.

1012
00:47:26,440 --> 00:47:28,680
Speaker 8: I don't think it was the heart stuff it's but

1013
00:47:28,840 --> 00:47:30,880
Speaker 8: in that time it was, you know, it was like

1014
00:47:31,000 --> 00:47:32,040
Speaker 8: an everyday thing.

1015
00:47:31,920 --> 00:47:35,319
Speaker 3: Because what would it do, because it's it would like it.

1016
00:47:35,480 --> 00:47:38,560
Speaker 8: Just like it's a blind it gives you this. I

1017
00:47:38,640 --> 00:47:40,760
Speaker 8: mean in the movie they talk about it. It would

1018
00:47:40,880 --> 00:47:43,480
Speaker 8: it would make you hallucinate back in the day. So

1019
00:47:43,760 --> 00:47:46,640
Speaker 8: in the movie, Kylie Minogue played the Green Fairy, so

1020
00:47:46,719 --> 00:47:49,400
Speaker 8: they all drank absinthe and they saw this fairy flower.

1021
00:47:50,320 --> 00:47:52,880
Speaker 8: So it makes you go a little loopy, and we

1022
00:47:53,200 --> 00:47:56,200
Speaker 8: definitely tap into that loopiness in the in the show

1023
00:47:56,239 --> 00:47:56,600
Speaker 8: as well.

1024
00:47:57,360 --> 00:47:59,480
Speaker 2: I'd seen the film, but I thought on the way

1025
00:47:59,480 --> 00:48:01,680
Speaker 2: to see them, I was thinking, well, I know the songs.

1026
00:48:02,440 --> 00:48:05,879
Speaker 2: This is a different experience again, how many popular songs

1027
00:48:05,920 --> 00:48:06,920
Speaker 2: have been jammed in there?

1028
00:48:07,120 --> 00:48:09,040
Speaker 8: Yeah, Like, I mean the movie had a lot, but

1029
00:48:09,120 --> 00:48:11,600
Speaker 8: there's over seventy songs jammed into this thing.

1030
00:48:11,640 --> 00:48:14,640
Speaker 2: Amazing and you know every single one of them, right.

1031
00:48:14,719 --> 00:48:17,759
Speaker 8: Shout out to Justin Levine who composed it the way, like,

1032
00:48:18,360 --> 00:48:20,880
Speaker 8: you know, the story is really told through these songs

1033
00:48:20,960 --> 00:48:23,840
Speaker 8: that you know straight away, so it's easily identifiable. So

1034
00:48:23,880 --> 00:48:26,239
Speaker 8: people don't really have to see the film to really

1035
00:48:26,280 --> 00:48:27,759
Speaker 8: get along and kind of vibe it.

1036
00:48:27,960 --> 00:48:31,520
Speaker 3: And you're just going to go along and see you. Yeah,

1037
00:48:32,040 --> 00:48:33,879
Speaker 3: and actually you can show up fifteen minutes late.

1038
00:48:34,920 --> 00:48:37,000
Speaker 23: If you shot fifteen minutes late, you still might catch

1039
00:48:38,480 --> 00:48:43,960
Speaker 23: tim Where where has anyone see tim Emaji is the

1040
00:48:44,040 --> 00:48:45,680
Speaker 23: form in the loop?

1041
00:48:46,080 --> 00:48:48,280
Speaker 3: But you know, well, I tell you what, I can't

1042
00:48:48,440 --> 00:48:50,439
Speaker 3: rave enough about how you performed in that short.

1043
00:48:51,520 --> 00:48:52,359
Speaker 5: Thank you so much.

1044
00:48:52,560 --> 00:48:54,719
Speaker 1: And you can see the musical right now, Mullin Rouge

1045
00:48:54,800 --> 00:48:57,080
Speaker 1: playing at Sydney's Capitol Theater, great Venue.

1046
00:48:57,280 --> 00:48:59,880
Speaker 3: Tim Omajie, tim Omadic, You are a legend.

1047
00:49:00,760 --> 00:49:02,359
Speaker 5: I appreciate it. Guys, thank you so much.

1048
00:49:02,760 --> 00:49:05,680
Speaker 13: Jonesy and Amanda Germ podcast.

1049
00:49:10,960 --> 00:49:11,360
Speaker 5: Coming in.

1050
00:49:13,840 --> 00:49:16,880
Speaker 3: Well, it's quite the Friday Groundskeeper Louis. He's been with

1051
00:49:17,000 --> 00:49:20,200
Speaker 3: the station since I first arrived here back in eighteen twelve.

1052
00:49:20,400 --> 00:49:21,719
Speaker 3: He was here before that.

1053
00:49:21,920 --> 00:49:27,839
Speaker 2: He was a WSFM before it was WSFM. She had

1054
00:49:27,960 --> 00:49:29,719
Speaker 2: the very beginnings of time.

1055
00:49:29,920 --> 00:49:32,440
Speaker 1: Yeah, but anyway, grands Keeper Louis last Day to Day

1056
00:49:32,520 --> 00:49:34,120
Speaker 1: we had him on the show. He gave us our

1057
00:49:34,160 --> 00:49:37,360
Speaker 1: Fight for your Flashback Caddy to reveal this morning.

1058
00:49:37,800 --> 00:49:47,439
Speaker 3: If you remember that, Yeah, it was just sad he's gone.

1059
00:49:47,600 --> 00:49:51,160
Speaker 2: He's guy's disappeared. We're just going to pay morning. This

1060
00:49:51,320 --> 00:49:54,279
Speaker 2: is coming back, you know, lou I'm probably going to

1061
00:49:54,320 --> 00:49:55,400
Speaker 2: get a bit emotional about this.

1062
00:49:55,719 --> 00:49:57,000
Speaker 7: Not please otherwise I start crying.

1063
00:49:57,360 --> 00:49:59,719
Speaker 17: Long Can I say some words though, because you are

1064
00:49:59,800 --> 00:50:03,240
Speaker 17: the eating heart of this radio station and this building.

1065
00:50:03,680 --> 00:50:06,480
Speaker 17: You're the we walk in, we see your face and

1066
00:50:06,560 --> 00:50:08,719
Speaker 17: we know everything's going to be all right. And I

1067
00:50:08,800 --> 00:50:11,120
Speaker 17: don't know if people know that how supportive you are

1068
00:50:11,200 --> 00:50:13,799
Speaker 17: of all of us behind the scenes. When I got

1069
00:50:13,880 --> 00:50:15,960
Speaker 17: my Order of Australian Medal. You're never not allowed to

1070
00:50:16,040 --> 00:50:18,759
Speaker 17: know how you've been nominated or whatever. You were a

1071
00:50:18,840 --> 00:50:21,759
Speaker 17: big part of that, and I'm so grateful when Jones

1072
00:50:21,800 --> 00:50:23,759
Speaker 17: and I were contestants on Dancing with the Stars, you

1073
00:50:23,920 --> 00:50:26,560
Speaker 17: got this building galvanized to support us.

1074
00:50:27,040 --> 00:50:29,040
Speaker 2: You do a lot of work for kidney health. We

1075
00:50:29,200 --> 00:50:31,799
Speaker 2: sort of joke about groundskeeper, Louis, but you are such

1076
00:50:31,800 --> 00:50:35,360
Speaker 2: an incredible human and it's a privilege to have known you. Louis,

1077
00:50:35,360 --> 00:50:37,200
Speaker 2: and I feel sad that this is your last day.

1078
00:50:37,960 --> 00:50:41,160
Speaker 7: Well, obviously I'm working on the professionals, and behind us

1079
00:50:41,160 --> 00:50:42,640
Speaker 7: there is a great dim It's.

1080
00:50:42,480 --> 00:50:45,560
Speaker 2: Always the way with Louis deflecting to others.

1081
00:50:45,640 --> 00:50:47,640
Speaker 1: You got to talk about how great you are. Maney,

1082
00:50:49,880 --> 00:50:51,719
Speaker 1: You're my favorite thing with Louis. Remember I was on

1083
00:50:51,800 --> 00:50:55,200
Speaker 1: that TV show Undercover Boss. We undercover Boss of a

1084
00:50:55,280 --> 00:50:56,040
Speaker 1: large corporation.

1085
00:50:56,160 --> 00:50:58,479
Speaker 2: This was when a show was on called Undercover Boss

1086
00:50:58,520 --> 00:51:02,239
Speaker 2: where people, yeah, the boss re arts corporations reality show.

1087
00:51:02,400 --> 00:51:03,400
Speaker 2: You were never on it.

1088
00:51:03,760 --> 00:51:06,320
Speaker 3: I was on this show, Undercover Boss. But but you

1089
00:51:06,360 --> 00:51:06,960
Speaker 3: don't remember this.

1090
00:51:07,160 --> 00:51:09,480
Speaker 2: Women's a nice on Undercover Boss.

1091
00:51:09,960 --> 00:51:14,000
Speaker 18: CEO Brendan Jones goes undercover to find out what's happening

1092
00:51:14,120 --> 00:51:14,800
Speaker 18: in the company.

1093
00:51:15,520 --> 00:51:17,799
Speaker 3: Okay, so what could I be doing?

1094
00:51:17,880 --> 00:51:21,200
Speaker 7: But Johncey, you're not the boss. I'm glad you feel

1095
00:51:21,280 --> 00:51:24,520
Speaker 7: that way, Lou, but you're not the boss and you're

1096
00:51:24,560 --> 00:51:25,440
Speaker 7: not even undercover.

1097
00:51:25,680 --> 00:51:26,400
Speaker 3: What do you want me to do?

1098
00:51:27,040 --> 00:51:29,360
Speaker 7: Well, we have a big bin in the back and

1099
00:51:29,440 --> 00:51:34,240
Speaker 7: you can go and clean it. Much appreciated, fool.

1100
00:51:40,239 --> 00:51:41,080
Speaker 5: The lids closed.

1101
00:51:41,719 --> 00:51:48,400
Speaker 3: Oh no, now I'm trapped in Ino. It wasn't funny

1102
00:51:48,440 --> 00:51:50,080
Speaker 3: if he left me in that bin for agent.

1103
00:51:50,120 --> 00:51:51,120
Speaker 2: This was a happy ending.

1104
00:51:52,400 --> 00:51:54,120
Speaker 1: Well man, I'm going to miss You've been a great

1105
00:51:54,239 --> 00:51:56,920
Speaker 1: man on the show. You've been a great win. Between

1106
00:51:57,000 --> 00:51:58,560
Speaker 1: my beneath my wings.

1107
00:51:58,719 --> 00:52:01,600
Speaker 3: Between all he's ever done is how good. Everyone that

1108
00:52:01,800 --> 00:52:02,799
Speaker 3: was before me was.

1109
00:52:03,360 --> 00:52:05,160
Speaker 2: No Lou was a legend and he'll be missed.

1110
00:52:05,480 --> 00:52:07,839
Speaker 3: We will miss you very much.

1111
00:52:07,920 --> 00:52:09,320
Speaker 20: Made all.

1112
00:52:11,400 --> 00:52:11,720
Speaker 15: Shame.

1113
00:52:21,480 --> 00:52:23,520
Speaker 2: Our favorite goodie of the year will get twenty thousand

1114
00:52:23,520 --> 00:52:27,360
Speaker 2: dollars and you supply of chocolate from Darryl Lee. Yesterday's Goolies,

1115
00:52:27,400 --> 00:52:29,000
Speaker 2: we're all about the toilet. We don't know what we're

1116
00:52:29,000 --> 00:52:30,680
Speaker 2: going to get. We just hear what's on the on

1117
00:52:30,800 --> 00:52:31,200
Speaker 2: the line.

1118
00:52:31,360 --> 00:52:32,280
Speaker 3: What have we got today?

1119
00:52:33,000 --> 00:52:35,320
Speaker 20: Oh hi Jonesy and Amanda. I enjoy your show in

1120
00:52:35,360 --> 00:52:39,120
Speaker 20: the morning. What gets my goolies is when people are

1121
00:52:39,200 --> 00:52:41,120
Speaker 20: asking you out to go out on a picnic or

1122
00:52:41,320 --> 00:52:43,640
Speaker 20: to a party, and you say what do you wear?

1123
00:52:43,880 --> 00:52:46,040
Speaker 20: And I just say, we're any old thing. And then

1124
00:52:46,040 --> 00:52:48,600
Speaker 20: when you get in their car, they're all just up

1125
00:52:48,640 --> 00:52:51,520
Speaker 20: to the nines and you look stupid. That's my goolie.

1126
00:52:52,000 --> 00:52:55,239
Speaker 3: Le's setting you up for a fall. They friends, are

1127
00:52:55,280 --> 00:52:56,200
Speaker 3: they frenemies?

1128
00:52:56,360 --> 00:53:00,120
Speaker 2: And they say it's fancy dress. I see sure, And

1129
00:53:00,200 --> 00:53:01,120
Speaker 2: you've got nothing on?

1130
00:53:08,080 --> 00:53:09,440
Speaker 3: What else have we got under that?

1131
00:53:09,560 --> 00:53:12,239
Speaker 14: For a minute, what gets my girl is is when

1132
00:53:12,280 --> 00:53:14,720
Speaker 14: I go to the fridge to get some left dovers

1133
00:53:14,760 --> 00:53:17,960
Speaker 14: out and I opened the door and I find literally

1134
00:53:18,040 --> 00:53:20,360
Speaker 14: a spoonful left in a great big.

1135
00:53:20,320 --> 00:53:23,560
Speaker 6: Baking dish and that's all. And then when I asked

1136
00:53:23,800 --> 00:53:27,400
Speaker 6: my mob, why have you just left a spoonful? Answer,

1137
00:53:27,400 --> 00:53:29,480
Speaker 6: it's not that we're considerate of you and we want

1138
00:53:29,560 --> 00:53:30,560
Speaker 6: you to have the last bite.

1139
00:53:30,719 --> 00:53:32,120
Speaker 14: But we couldn't be bothered to wash.

1140
00:53:32,120 --> 00:53:35,000
Speaker 6: The plate or a dish or baking dishes.

1141
00:53:35,280 --> 00:53:37,400
Speaker 14: If we ate the last bite, so we left it

1142
00:53:37,480 --> 00:53:39,839
Speaker 14: for you to do. That really gets my food.

1143
00:53:40,000 --> 00:53:42,040
Speaker 2: What happens if you leave a tiny bit, It's like

1144
00:53:42,160 --> 00:53:44,400
Speaker 2: toilet paper. You leave the tiniest bit, you think, oh,

1145
00:53:44,400 --> 00:53:45,960
Speaker 2: it wasn't empty. I didn't have to do anything.

1146
00:53:46,040 --> 00:53:50,400
Speaker 3: My fridge is full of topple, like of baking dishes

1147
00:53:50,640 --> 00:53:51,920
Speaker 3: with one spoonful.

1148
00:53:52,200 --> 00:53:53,640
Speaker 2: Yah yeah, yeah, it's like a.

1149
00:53:55,440 --> 00:53:56,520
Speaker 3: We're at an impasse.

1150
00:53:57,880 --> 00:54:00,279
Speaker 2: I feel that pain out of the bad and good.

1151
00:54:00,320 --> 00:54:02,040
Speaker 1: If you dipped out, you can always call the hotline

1152
00:54:02,080 --> 00:54:04,640
Speaker 1: number nine oh six one seven nine eighty four forgets

1153
00:54:04,680 --> 00:54:05,200
Speaker 1: my goolies.

1154
00:54:05,239 --> 00:54:07,920
Speaker 3: In the meantime, Jen y Rye is the way he's

1155
00:54:07,960 --> 00:54:09,719
Speaker 3: got the COVID. He's all right. If we checked on his.

1156
00:54:09,760 --> 00:54:12,040
Speaker 2: Well being, he's okay. But he has to obviously be

1157
00:54:12,120 --> 00:54:12,879
Speaker 2: at home for the week.

1158
00:54:12,920 --> 00:54:15,680
Speaker 3: And so if you've got the show has actually ground

1159
00:54:15,719 --> 00:54:17,120
Speaker 3: to a halt since he's been away.

1160
00:54:17,280 --> 00:54:19,080
Speaker 2: But if there's something that has to be done, why

1161
00:54:19,080 --> 00:54:21,000
Speaker 2: don't you give it to the busiest person in the room.

1162
00:54:21,040 --> 00:54:23,600
Speaker 3: And it seems that that's me, But I gave this

1163
00:54:23,760 --> 00:54:24,200
Speaker 3: job to you.

1164
00:54:25,920 --> 00:54:27,120
Speaker 2: I've done the jibber Jabbreitz.

1165
00:54:27,160 --> 00:54:31,839
Speaker 1: Coming up next, it's seventeen tonight WSFM. Hello there, it's

1166
00:54:31,880 --> 00:54:34,479
Speaker 1: Jonesy Demanda. You know, Amanda has been working harder than.

1167
00:54:34,600 --> 00:54:37,320
Speaker 2: More than anyone in the universe. Thank you, get on

1168
00:54:37,440 --> 00:54:43,440
Speaker 2: with it, and she's come up with this. Oh look,

1169
00:54:43,440 --> 00:54:45,279
Speaker 2: I've got a million things to do, and I haven't

1170
00:54:45,280 --> 00:54:49,080
Speaker 2: even finished today's word. Anyway, Look, we're back from holidays,

1171
00:54:49,320 --> 00:54:52,440
Speaker 2: and I must say the winter nights must fly by.

1172
00:54:52,560 --> 00:54:55,120
Speaker 2: In the Jones household, they got a new front loading

1173
00:54:55,360 --> 00:54:56,040
Speaker 2: washing machine.

1174
00:54:56,080 --> 00:54:58,160
Speaker 3: But I'm going to tell you his front lading washing machine.

1175
00:54:58,200 --> 00:55:00,279
Speaker 3: How good are they there?

1176
00:55:00,560 --> 00:55:04,160
Speaker 1: I came home, Helen's standing at the laundry doorges watching it,

1177
00:55:04,719 --> 00:55:05,680
Speaker 1: going around and.

1178
00:55:05,800 --> 00:55:07,680
Speaker 3: Round, and then I said, what are you doing? So

1179
00:55:07,719 --> 00:55:10,800
Speaker 3: I'm much in the washing machet? Oh, and then I

1180
00:55:10,960 --> 00:55:13,440
Speaker 3: started watching it. We're not standing there watching it like

1181
00:55:13,920 --> 00:55:16,880
Speaker 3: it's someone washed up.

1182
00:55:17,239 --> 00:55:17,400
Speaker 11: You know.

1183
00:55:17,520 --> 00:55:20,000
Speaker 2: I don't think Neighbors got this much publicity in all,

1184
00:55:20,040 --> 00:55:23,200
Speaker 2: it's thirty million years on air. Barry Deboire from the

1185
00:55:23,239 --> 00:55:25,200
Speaker 2: Living Room was on the show to tell us about

1186
00:55:25,239 --> 00:55:28,360
Speaker 2: his big acting role on Neighbors, where he apparently sweeps

1187
00:55:28,400 --> 00:55:31,400
Speaker 2: a young lady off her feet. That's fabulous, great, except

1188
00:55:31,520 --> 00:55:34,360
Speaker 2: he gave us the wrong night. Anyway, if you missed it,

1189
00:55:34,760 --> 00:55:36,920
Speaker 2: here's his star turn all over again.

1190
00:55:36,920 --> 00:55:39,960
Speaker 3: Your real joker to stand, you are quite frankly not

1191
00:55:40,040 --> 00:55:49,480
Speaker 3: worth your time. These are as good as you. How

1192
00:55:51,719 --> 00:55:55,280
Speaker 3: so juicy? Not since remember when the Patchop boys popped

1193
00:55:55,320 --> 00:55:57,640
Speaker 3: up on Neighbors, which was kind of tangent.

1194
00:55:58,640 --> 00:55:59,200
Speaker 2: You're English.

1195
00:55:59,520 --> 00:56:01,840
Speaker 7: Yeah right, I'm looking for a recording studio which is

1196
00:56:01,960 --> 00:56:02,760
Speaker 7: round here somewhere.

1197
00:56:04,600 --> 00:56:05,720
Speaker 5: Yeah, the pleasure of boys.

1198
00:56:06,400 --> 00:56:09,040
Speaker 2: Oh well, I'm sure you're destined for big things one

1199
00:56:09,120 --> 00:56:13,239
Speaker 2: of these days. Or what about the one time the

1200
00:56:13,360 --> 00:56:16,440
Speaker 2: one family they had on neighbors who were Asian, And

1201
00:56:16,520 --> 00:56:18,400
Speaker 2: what if they're going to make it comeback in the finale?

1202
00:56:18,880 --> 00:56:21,360
Speaker 2: The one Asian family who are accused of something dreadful?

1203
00:56:22,080 --> 00:56:23,880
Speaker 13: You have a dog was in your yard last night?

1204
00:56:24,600 --> 00:56:28,240
Speaker 11: Yes, she paid us a visit, so you admitted admits

1205
00:56:28,320 --> 00:56:29,719
Speaker 11: what or enough?

1206
00:56:30,239 --> 00:56:32,400
Speaker 15: And so I think might be acceptable in your country,

1207
00:56:32,440 --> 00:56:35,920
Speaker 15: missus Lan, But in Australia we consider it barbaric.

1208
00:56:36,360 --> 00:56:37,600
Speaker 13: So you think we ate her?

1209
00:56:37,840 --> 00:56:40,880
Speaker 2: Oh so this is what you think of us? You know,

1210
00:56:40,960 --> 00:56:42,759
Speaker 2: how do you suggest such a thing?

1211
00:56:43,239 --> 00:56:44,880
Speaker 13: I've never been so insulted.

1212
00:56:45,520 --> 00:56:48,160
Speaker 3: Mama's making can talk how dreadful?

1213
00:56:48,239 --> 00:56:50,120
Speaker 2: So the one Asian family accused of eating a dog.

1214
00:56:50,280 --> 00:56:52,480
Speaker 2: But it just shows you that Barry's acting isn't that bad.

1215
00:56:52,719 --> 00:56:53,840
Speaker 3: He's like Chris Hemsworth.

1216
00:56:53,960 --> 00:56:57,000
Speaker 2: He's steal good to stand you are quite frankly not

1217
00:56:57,080 --> 00:56:59,200
Speaker 2: worth your time. These are as good as.

1218
00:56:59,160 --> 00:57:05,200
Speaker 3: You listen to that side. So it's a real size and.

1219
00:57:05,280 --> 00:57:07,480
Speaker 2: With Wimbledon all wrapped up, it was lovely to find

1220
00:57:07,520 --> 00:57:10,000
Speaker 2: out how Ash Barty is going in retirement.

1221
00:57:10,239 --> 00:57:12,760
Speaker 12: It's been a lot of fun. It's always been something

1222
00:57:12,800 --> 00:57:15,359
Speaker 12: that I've wanted to do and never had the time.

1223
00:57:15,560 --> 00:57:17,360
Speaker 16: I've always been the kind of person that's wanted to

1224
00:57:18,080 --> 00:57:20,400
Speaker 16: do everything at absolutely one hundred percent, never never do

1225
00:57:20,480 --> 00:57:21,000
Speaker 16: it half off.

1226
00:57:21,040 --> 00:57:22,960
Speaker 14: And now having a time it has been brilliant and

1227
00:57:22,960 --> 00:57:23,640
Speaker 14: it's been a lot of fun.

1228
00:57:23,760 --> 00:57:25,800
Speaker 1: And you're looking forward to buying a caravan and just

1229
00:57:25,840 --> 00:57:29,280
Speaker 1: traveling around Australia and stopping it at various towns and

1230
00:57:29,360 --> 00:57:31,280
Speaker 1: having cups of coffee totem tennis.

1231
00:57:32,080 --> 00:57:33,600
Speaker 13: I say, what that is a bucket list?

1232
00:57:33,640 --> 00:57:35,760
Speaker 14: I mean I think for every odd it would be

1233
00:57:35,840 --> 00:57:36,760
Speaker 14: pretty amazing to do.

1234
00:57:37,280 --> 00:57:39,480
Speaker 6: I'm not sure how the dogs are fair sitting in

1235
00:57:39,520 --> 00:57:42,000
Speaker 6: the caravan for all that time on the road.

1236
00:57:41,880 --> 00:57:44,320
Speaker 15: But definitely a bucket list started them down the track

1237
00:57:44,400 --> 00:57:44,720
Speaker 15: for sure.

1238
00:57:44,880 --> 00:57:47,600
Speaker 3: Well look at you perfect books dogs. You don't do

1239
00:57:47,680 --> 00:57:53,160
Speaker 3: anything half fast. It's all the full lass. All right.

1240
00:57:53,280 --> 00:57:55,480
Speaker 2: Well, I think that's enough for one day. I'm back

1241
00:57:55,520 --> 00:58:00,880
Speaker 2: to my world. O favorite call in our Facebook friend

1242
00:58:00,920 --> 00:58:03,800
Speaker 2: wins tickets for you and three friends to see Tim

1243
00:58:03,960 --> 00:58:05,960
Speaker 2: Finn live at a night at the Barracks.

1244
00:58:06,200 --> 00:58:09,000
Speaker 3: Hope he does staring at the embers the chambers.

1245
00:58:11,440 --> 00:58:15,440
Speaker 2: Maybe he'll slow it down a little, Tim, do it

1246
00:58:15,640 --> 00:58:19,600
Speaker 2: faster us. It's October nine at the Barracks. Tickets on

1247
00:58:19,680 --> 00:58:20,760
Speaker 2: sale now from Ticketmaster.

1248
00:58:21,680 --> 00:58:23,840
Speaker 3: Also the Jonesy demand little Fridgemag and you want one

1249
00:58:23,840 --> 00:58:25,840
Speaker 3: of ours, and you want the detail.

1250
00:58:26,120 --> 00:58:28,360
Speaker 2: That's what you want to like it when we get mail,

1251
00:58:28,480 --> 00:58:32,760
Speaker 2: old fashioned handwritten mail that's accompanied by Anzac biscuits. Kelly

1252
00:58:32,880 --> 00:58:35,440
Speaker 2: Ferrett a couple of times a year sends us Anzac biscuits.

1253
00:58:35,520 --> 00:58:37,440
Speaker 2: They are delicious. My family loves them as well.

1254
00:58:37,560 --> 00:58:38,880
Speaker 3: They're the best things in the world.

1255
00:58:39,040 --> 00:58:41,480
Speaker 2: We discovered it was Kelly's birthday on the thirteenth.

1256
00:58:41,920 --> 00:58:44,520
Speaker 3: Well, our package department was running slow.

1257
00:58:44,760 --> 00:58:47,000
Speaker 1: It's been stuck in the package department, so we missed

1258
00:58:47,040 --> 00:58:49,080
Speaker 1: out on saying happy birthday to Kelly.

1259
00:58:49,200 --> 00:58:51,400
Speaker 2: Thank you for the biscuits, and happy birthday for Wednesday.

1260
00:58:51,560 --> 00:58:55,280
Speaker 3: That's great And I love those picscits. They're the nicest things.

1261
00:58:55,280 --> 00:58:57,920
Speaker 3: It's nice to have other than air biscuits in the studio.

1262
00:58:58,040 --> 00:59:01,120
Speaker 2: Yes, we've got to stop baking those enough. Well, weave

1263
00:59:01,160 --> 00:59:04,200
Speaker 2: us up next with wsfm's ten thousand dollars Revenge of

1264
00:59:04,280 --> 00:59:04,840
Speaker 2: the Eighties.

1265
00:59:05,160 --> 00:59:07,240
Speaker 3: We'll be back from six to nine for jam Nation.

1266
00:59:07,480 --> 00:59:11,840
Speaker 2: Good weekend, Regina, well, thank god that's over. Hood bite,

1267
00:59:12,680 --> 00:59:16,440
Speaker 2: good bite, wipe the two. Baby, you're right.

1268
00:59:16,680 --> 00:59:20,000
Speaker 13: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1269
00:59:20,040 --> 00:59:21,560
Speaker 13: wherever you get your podcasts.

1270
00:59:26,760 --> 00:59:27,680
Speaker 12: Good Bye.

1271
00:59:30,120 --> 00:59:33,919
Speaker 13: Jonesy and Amanda podcast. Catch up on what you've missed

1272
00:59:33,960 --> 00:59:35,720
Speaker 13: on the free iHeartRadio app.