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Speaker 1: It's hot in here, and that's because we are in

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Speaker 1: TV behind the scenes where things heat up.

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Speaker 2: That I meet the board, if we all, if we

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Speaker 2: all take our clothes up, I think it's totally fine.

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Speaker 1: Just us on the studio. Are you do eating that

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Speaker 1: towards the producers as well? No?

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Speaker 2: No, no, no, I wouldn't do that.

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Speaker 1: Have you ever done a show nude? No?

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Speaker 2: But will has? We had a bet about Rapha and

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Speaker 2: Nadal many many years ago? Yeah, it was Austraight Open

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Speaker 2: was on. I can't remember. The bet was probably that

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Speaker 2: rap on a will lose or win? Anyway, he did

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Speaker 2: the show on the nude. Yeah, was that when you

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Speaker 2: look actual like you're butt naked?

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Speaker 1: Wow?

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Speaker 2: Yeah, it was crazy when you're in Perth. No, not not,

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Speaker 2: not not. We were working for a different company. We

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Speaker 2: were filling in. It was the weekends. We were filling

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Speaker 2: in when because the Australia opens early in January? Right, wow,

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Speaker 2: so I think we were anyway, So anyway to answer question, yes,

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Speaker 2: we have it on the show. Note now let's get

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Speaker 2: onto more pressing matters. Yes, thank you, Tom itinery. Here

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Speaker 2: we go, Here we go, Let's go to the big one. Yeah,

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Speaker 2: let's just do it, Tina Arena. You texted her yesterday.

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Speaker 2: Question marks over whether that was a good text message

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Speaker 2: or not. Yep, but look at the end of the

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Speaker 2: day you fight it off and I love that for her.

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Speaker 2: The courage was brilliant. Yep. Have you received a response before?

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Speaker 2: And before you answer this? I think everyone needs to

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Speaker 2: remember that my partner's mum never got a response from teens.

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Speaker 1: Has you have spoken to Michelle about that? No? Has

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Speaker 1: she heard this? You think?

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Speaker 2: Yes? Avid? Fan of this podcast really yeah, loves it,

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Speaker 2: absolutely loves it, So I'm no doubt So she's salty. Well,

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Speaker 2: I'm not sure. I haven't discussed it with her. She

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Speaker 2: hasn't reached out to me. We haven't addressed it. You

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Speaker 2: seem to think that she might be Well, I think

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Speaker 2: I think she I think maybe I don't want to

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Speaker 2: speak for her, but I think maybe she'll be like, oh, well,

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Speaker 2: if she's written back to to you, will why hasn't

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Speaker 2: written back to me? Like That's how I would as

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Speaker 2: I feel. But anyway, we don't even know if you've

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Speaker 2: got a response yet. So do you have a response?

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Speaker 2: You do that, I've got as look all over your face,

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Speaker 2: it's just so obvious. By the way, if you go

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Speaker 2: to see Tina Arena, you can go to Tina Arena

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Speaker 2: dot com and buy tickets. Nice.

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Speaker 1: Nice.

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Speaker 2: You're doing Adelaide, she's doing Melbourne. She's doing the Sunshine

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Speaker 2: Coast Service. Paradise serves Paradise. Is that part of the

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Speaker 2: Sunshine Coast.

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Speaker 1: Turn things part of the gold Yeah?

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Speaker 2: The goalie, I get my coast. It's confused.

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Speaker 1: Yeah so she Yeah, she's heavy back. And look, I

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Speaker 1: currently now have a text thread with tena Arena on

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Speaker 1: my phone, which is well done.

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Speaker 2: That's that must feel good? Does that? Does that feel good?

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Speaker 3: Oh?

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Speaker 1: Yeah, it actually does? For three months?

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Speaker 2: This is the best.

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Speaker 1: Talking about you know how we're going to get that

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Speaker 1: going on? And now we talk Tina and I yet

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Speaker 1: I can say some mentions to me, you know, if

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Speaker 1: Tina a Renna comes on the radio or something, I

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Speaker 1: can go, oh, Tenda and I talk. Yeah, that's all

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Speaker 1: we took.

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Speaker 2: Would you say we talk or we talked? Currently?

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Speaker 1: We talk? Yeah?

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Speaker 2: When does that become talked? How often do you need

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Speaker 2: to text her to maintain talk status? I think you

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Speaker 2: just has a shelf life for mine. I think you'd

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Speaker 2: need no disagree.

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Speaker 1: I think it's just the capacity to message them whenever

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Speaker 1: you like without them going oh well.

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Speaker 2: Actually sorry mate, I want to get around you, but

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Speaker 2: I think you need to exchange six back and forth

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Speaker 2: texts to be classified as talking.

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Speaker 1: We'll get there easy. But currently we talk.

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Speaker 2: Now at the moment, you've written one text message to her, but.

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Speaker 1: The definition of talk present tense. We talk, Tina and

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Speaker 1: I talk. At the moment we talk to each other.

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Speaker 2: You exchanged one.

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Speaker 1: We're talking. We're currently in a conversation online and we

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Speaker 1: spoke on the phone. By the way, Tina and I talk.

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Speaker 1: So what I ended up sending to her just mind

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Speaker 1: every me talking to Tina Rena, I said, hey, Tin,

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Speaker 1: a great chat yesterday was dinner much chop? This is?

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Speaker 2: That's the controversial we.

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Speaker 1: Spoke about on the radio show. Was that gonna totally

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Speaker 1: butcher my chances of actually catching up without that? I said,

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Speaker 1: I would love to get you in next week if

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Speaker 1: you're still keen. My producer says, Wednesday afternoon works, we're

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Speaker 1: in Richmond. Cheers.

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Speaker 2: Pretty good message. The only controversial bit, or the only

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Speaker 2: point of contention, is obviously that lamb chop joke. I

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Speaker 2: still think it's great anyway, stop leaving me in suspense.

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Speaker 2: You've got a response, Tina, she said, Tina.

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Speaker 1: Yeah, Tina, will will over it. Do you know we're texting?

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Speaker 2: Says Oi Oil going give me give me it looks big.

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Speaker 1: Yeah, So she goes, hey are you?

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Speaker 2: She said, hey you? How you? She said how you?

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Speaker 1: Said?

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Speaker 2: How are you? How you?

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Speaker 1: How you? Gee?

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Speaker 2: That's friendly, that's great? How you? Full stop?

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Speaker 1: Why why everyone so rattled about Kate stood up for that.

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Speaker 2: Yeah, hey you, hey you? I was just fixing my scired.

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Speaker 1: I thought there was such She still didn't need to

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Speaker 1: say that on the podcast, just like you're just getting

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Speaker 1: me back because you got a ship game and that.

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Speaker 2: I get that.

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Speaker 1: Now, how are you? How you? Well?

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Speaker 2: I'm sorry, I'm still a bit checking mother, but go on,

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Speaker 2: hey you. Oh I just think it's a bit flirty.

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Speaker 2: But anyway, I got well she didn't actually write that,

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Speaker 2: of course she didn't. Of course she didn't. That's why

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Speaker 2: everyone was so radleed mad, like we could see that

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Speaker 2: on your phone? Are you no way?

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Speaker 1: No way?

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Speaker 2: You wish you were hay.

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Speaker 1: You no you No. I just needed to annoy you

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Speaker 1: and slash like you'd get a bit jealous, which is

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Speaker 1: what happened, which is awesome. kV stood up all right,

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Speaker 1: So she got lucky. So this is what she starts with,

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Speaker 1: lucky you close to how you lucky you next Wednesdays

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Speaker 1: free laugh face crying, laugh face on the side lucky.

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Speaker 1: I think we're finding out what Katrina said yesterday about

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Speaker 1: over fifties liking emoji. She's into it. She's into it

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Speaker 1: big time.

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Speaker 2: So she goes so it's like, lucky you next Wednesdays free.

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Speaker 1: Yeah, brilliant, lucky for you, next Wednesday's free. I don't

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Speaker 1: know why that's hysterical, but whatever, it's Tina Rena.

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Speaker 2: It's good year. But that's great. That's a great start.

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Speaker 1: Well, great start.

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Speaker 2: And she's emoji. You're emoji, so you're right.

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Speaker 1: Can I just like run this by you though, like

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Speaker 1: you know when you if you sent so for you.

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Speaker 1: Let's just go back quickly to the lamb chop. Gag

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Speaker 1: was doing much.

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Speaker 2: Chopped because she so she she made lamb chops and

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Speaker 2: Casey Howe's missed that.

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Speaker 1: Yeah, so yeah, go Tom, Tom, Well what are you saying?

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Speaker 2: What's the joke there? Like, what's the other pun?

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Speaker 1: It's a pun? But what is doing?

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Speaker 2: Yeah?

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Speaker 1: And then like, was it any good?

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Speaker 2: Is that that much chop? You've never heard that before?

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Speaker 2: Ah right, really, I'm worried that she might not know

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Speaker 2: that either.

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Speaker 1: So good.

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Speaker 2: Well, maybe I think it's an old saying much chop. Yeah,

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Speaker 2: I'm not sure as much chops much chop?

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Speaker 1: Yeah, he's not sure he's any good. It feels like

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Speaker 1: it sounds like a sporting Oh yeah, it's maybe much

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Speaker 1: chop chop. He's not much job. Yeah, I know that

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Speaker 1: it could be a sporting thing.

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Speaker 2: Not much chop meaning origin. Here we go, not much

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Speaker 2: chop origin, did you know? Back in the late nineteenth century,

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Speaker 2: chop was also used to refer to something with class,

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Speaker 2: or validated as genuine or good. Thus first chop means

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Speaker 2: first class. This evolved in Australian and New Zealand English

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Speaker 2: into the informal not much chop meaning not so good.

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Speaker 2: Wow and amazingly, that was written in the South China

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Speaker 2: Morning Post.

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Speaker 1: You you you're big on that South China Morning Post.

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Speaker 2: I don't subscriber.

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Speaker 1: I don't think that's ad fast to get.

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Speaker 2: You first note and the interaction between Cantonese and English

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Speaker 2: people in British occupied South China. It spread through Chinese

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Speaker 2: workers at sea and was adopted by British seamen. Chop

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Speaker 2: chop means hurry.

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Speaker 1: Oh yeah, chop chop.

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Speaker 2: It's different, that's chop chop.

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Speaker 1: Okay, alright, well let's chop chop back into the text.

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Speaker 2: Shall we answer to your question, Tom, chop choppy.

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Speaker 3: I didn't know what it meant, but because you were

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Speaker 3: all laughing, I was just like, oh, I actually thought

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Speaker 3: chop was a reference to a willie and the size

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Speaker 3: of it.

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Speaker 2: You can also refer to a chop as a penis

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Speaker 2: quite a big chop.

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Speaker 3: I thought was mildly inappropriate to Tina Arena books as

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Speaker 3: you all got around it.

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Speaker 1: Yesterday just floated a dick gag in my first text

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Speaker 1: to Tina.

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Speaker 2: That's why I was confused.

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Speaker 1: My friend, I would have appreciated it, just a little

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Speaker 1: bit of a red Oh you're going, WHOA can't fly

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Speaker 1: with the dick gag to Tina?

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Speaker 3: My god, But Katrina was given the Filmyta likes.

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Speaker 1: It just had like a lost in translation. You know,

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Speaker 1: English is your fifth language, all right, so.

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Speaker 2: CHOP's also slang for a drug?

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Speaker 1: Oh my god?

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Speaker 2: All right, carry on joke some research like I.

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Speaker 1: For you next Wednesday's free last laughing face on the

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Speaker 1: side hot start. So the reason I brought up the

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Speaker 1: chop b it is I think it's funny that if

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Speaker 1: she got the gag, if someone writes a gag like

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Speaker 1: that to me, or just a gag and a message,

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Speaker 1: my first line in my next message is a reference

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Speaker 1: to the gag that they made.

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Speaker 2: Yes, you let me know you acknowledge that, I go joke.

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Speaker 1: Haha, yeah, haha, right, well that could be the laughing

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Speaker 1: on the side. Then she said, let me know, Oh,

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Speaker 1: maybe get a good point, Tommy. Although yeah, I.

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Speaker 2: Think she's laughing in her own life. I think she's

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Speaker 2: I think she's laughing because she's going lucky you like

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Speaker 2: the joke is that like.

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Speaker 1: Oh, let me know what the details are and I'll

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Speaker 1: come by. I'll be sure to have all my dates

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Speaker 1: so that you can get around the tour for you

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Speaker 1: got for me awesome and then three thank you hands

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Speaker 1: and then emoji is hard and then laughing laughing face

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Speaker 1: on the side.

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Speaker 2: She's done, She's done five emojis already. It's unbelievable.

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Speaker 1: Does that sound like a plan? Tina per ps.

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Speaker 2: Oh wow, ps g this is unbelievable.

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Speaker 1: Dinner was great. Thank you. Oh so she ends up

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Speaker 1: getting around.

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Speaker 2: She understood. I think.

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Speaker 1: It was a reference to the lamb. But I don't

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Speaker 1: think she.

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Speaker 2: Didn't much chop. No, she said it was good. Your

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Speaker 2: response to wasn't much chop is? Yes, it was good.

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Speaker 2: There she gets it. Didn't find it funny, she's grown

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Speaker 2: up in Australia. Didn't find funny.

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Speaker 1: But she got it.

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Speaker 2: But she responded to you.

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Speaker 1: How good.

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Speaker 2: That's a great message, right, you're gonna write back now?

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Speaker 1: Yeah? Sure, so it sounds perfect.

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Speaker 2: Sounds perfect, just two o'clock, sound okay?

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Speaker 1: I will.

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Speaker 2: I just think I just think this is an opportunity.

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Speaker 2: You were spending so much time talking about the fact

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Speaker 2: that you want to be you're you're currently talking with

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Speaker 2: tina A Rena. We talk. We talk now. I'm over

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Speaker 2: the belief we disagree on. I think there's to be

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Speaker 2: a bit more back and forth before you can say

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Speaker 2: that you're talking.

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Speaker 1: I had a phone conversation with her and we had

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Speaker 1: two texts now back and forth.

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Speaker 2: That doesn't sound as good as we talk. I want

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Speaker 2: you to be able to say we talk now. I

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Speaker 2: just think there's an opportunity here to get one more

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Speaker 2: extract one more text.

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Speaker 1: Out of it. We're not extracting you and these verbs.

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Speaker 2: Sorry to get a bit of a bit of verbal

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Speaker 2: verbal tennis.

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Speaker 1: Going on, Oh yeah, what are you thinking?

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Speaker 2: I don't know. I had had a thought yet, but

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Speaker 2: I'm just thinking, like, let's just not right back. Sounds good,

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Speaker 2: see next week. I just think we need to go, like,

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Speaker 2: you know, that sounds great. Why don't we lock in

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Speaker 2: the time. Why don't we say, can you do two thirty?

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Speaker 2: Give her the address, do the business stuff, get that down,

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Speaker 2: and then I just think you ps her back? She

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Speaker 2: psu u ps her.

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Speaker 1: She didn't technically she didn't write ps. She's just like

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Speaker 1: new lined. So she wrote Tina, Oh right, okay, it

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Speaker 1: was great. Thank you.

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Speaker 2: Next time you read a message back from her, yeah,

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Speaker 2: read it word forward. Because you're messing with us, and

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Speaker 2: I can't appropriately give you advice if I don't know

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Speaker 2: the actual information.

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Speaker 1: I don't want your advice to you don't know or

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Speaker 1: you need absolutely not affording you some space in this

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Speaker 1: because I find it funny, but don't to.

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Speaker 2: Afford don't continued.

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Speaker 1: I'll take the thing for a second that I want

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Speaker 1: your advice when texting anyone, Well, particularly after that time

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Speaker 1: that you stole my phone and texted back that Swiss

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Speaker 1: ski instructor who I was texting sa Sena.

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Speaker 2: Yeah, yeah, yeah, that was great.

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Speaker 1: That didn't that.

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Speaker 2: Didn't go well.

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Speaker 1: Your opening line was, Sena, I seen you brilliant, brilliant, brilliant.

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Speaker 1: And then and then I think he said, are you

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Speaker 1: related to the Warrior princess? Anyway? She didn't expect to me,

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Speaker 1: which she didn't text back.

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Speaker 2: Well, that's her loss. I think, yeah, don't do PS. Then,

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Speaker 2: so I'm saying, get the business out of the way, Okay,

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Speaker 2: new business. The business is, how does two thirty sound

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Speaker 2: next Wednesday? Give her the address of the set?

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Speaker 1: So how's perfect?

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Speaker 2: Perfect?

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Speaker 1: How's two pm next Wednesday sound? Just two pm next Wednesday?

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Speaker 2: Suit you? Yeah? PS will bring the ice, which is

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Speaker 2: a reference to the fact that she doesn't have a freezer.

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Speaker 1: Just two pm next Wednesday, suit you. And then should

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Speaker 1: we get her a gift? I should warn you get

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Speaker 1: a nice woody fat or something like that.

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Speaker 2: No, I don't mind that, but I think she'll find

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Speaker 2: that funny. Yeah, I don't mind the idea of teasing

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Speaker 2: me to get a laugh. I'm okay to I like

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Speaker 2: a gift. Yeah, I think we should get an ice machine.

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Speaker 2: I know a good one, Avanti, I've got it.

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Speaker 1: Oh she has it, that's right, Devanti.

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Speaker 2: Yeah, that's it. It's an industrial ice machine.

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Speaker 1: It's for the best, all right. I'm oabing to give

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Speaker 1: her a nice machine. That sounds good. It's like a

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Speaker 1: commercial one that's six hundred bucks. You can just get

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Speaker 1: like a little a little nice for like one hundred

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Speaker 1: and forty b I.

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Speaker 2: Did a big one because it for my my cold tub.

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Speaker 2: But a day. Yeah, are you making forty five kilos

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Speaker 2: of ice a day? Yeah? Yeah, so you've got to

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Speaker 2: put that much into your tub. The cops are getting

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Speaker 2: under you.

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Speaker 1: Oh bang oheeky devil. So so well, I've sent that,

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Speaker 1: so we'll leave that there. Oh you want to have

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Speaker 1: a little bit.

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Speaker 2: Of something back and forth, new line?

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00:14:06,840 --> 00:14:13,319
Speaker 1: Yeah, I've sent the text, but under I can sender

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Speaker 1: a new text.

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Speaker 2: There could be an an what a nice like a

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Speaker 2: drug joke. She doesn't have a freezer. She doesn't have

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Speaker 2: a freezer. Oh yeah, you know it's it's hot in Melbourne, right, yep,

320
00:14:28,760 --> 00:14:32,960
Speaker 2: you'd really need that ice today. Sorry sorry sorry, sorry, sorry, sorry,

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Speaker 2: but work with me here do we do.

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Speaker 1: We you're making a callback to like something that got

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Speaker 1: brought up for thirty seconds in a phone call three

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Speaker 1: or four days ago.

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Speaker 2: Now she knows she doesn't have a freezer, so it's

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Speaker 2: front of mine for her. I'm sure she knows struggling.

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Speaker 1: It's front of mine for her. Why would be in

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Speaker 1: front of mine.

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Speaker 2: That you're struggling without that freezer today? Want me to

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Speaker 2: drop you a bag later? Oh my god? Oh from

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Speaker 2: the servo going past yours tonight, trying me to drop

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Speaker 2: you over a bag of ice. Well, okay, should we

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Speaker 2: get off the should we move off the freezer thing? Okay, okay, okay.

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Speaker 2: I was also thinking about making Lamb chops tonight.

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Speaker 1: She read it.

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Speaker 2: I see now she's got three receipts on she's.

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Speaker 1: Got very receipts.

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Speaker 2: What about what about?

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Speaker 1: Hey?

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Speaker 2: Just quickly, I can't stop thinking about Lamb chops.

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Speaker 1: I'm not gonna say you can't stop thinking about Okay, Hey,

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00:15:29,280 --> 00:15:31,760
Speaker 1: you're fucking nowhere, dude. What fine?

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00:15:31,800 --> 00:15:33,280
Speaker 2: I'm just throwing out there. I'm just throwing about there,

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00:15:33,400 --> 00:15:37,280
Speaker 2: trying to help okay go again, thinking about how to

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00:15:37,360 --> 00:15:38,920
Speaker 2: dream about lamb right now?

346
00:15:39,480 --> 00:15:42,360
Speaker 1: What I'm not doing. I'm not messaging Tina Rena about

347
00:15:42,440 --> 00:15:45,040
Speaker 1: dropping off a bag of ice or about lamb chops.

348
00:15:45,440 --> 00:15:47,480
Speaker 1: Like we've got a foot in the door with Tina.

349
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Speaker 1: She thinks we're normal people. She's coming into the studio.

350
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Speaker 1: We just don't want to botch that. Like that's going

351
00:15:52,800 --> 00:15:57,320
Speaker 1: to be great. We can ruin all of our hard

352
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Speaker 1: work by asking her about bags of ice and lamb chop.

353
00:16:00,320 --> 00:16:03,280
Speaker 2: I just think more fortune favors the brave. You know,

354
00:16:03,720 --> 00:16:05,760
Speaker 2: a ship is safe in the harbor, but that's not

355
00:16:05,760 --> 00:16:07,240
Speaker 2: what it was built for. Mate, Let's get it into

356
00:16:07,280 --> 00:16:08,560
Speaker 2: the open seas. Let's take a risk.

357
00:16:08,800 --> 00:16:09,720
Speaker 1: Who's the ship in this?

358
00:16:09,960 --> 00:16:14,320
Speaker 2: You thought so that is a friendship, but friendship.

359
00:16:13,840 --> 00:16:15,920
Speaker 1: But you're still happily in the harbor. You're just sending

360
00:16:15,960 --> 00:16:16,320
Speaker 1: me out.

361
00:16:16,880 --> 00:16:20,040
Speaker 2: Yeah, and yeah, it'd be good for you. It'll be

362
00:16:20,040 --> 00:16:22,120
Speaker 2: good for you. Just to hear me out, Just hit

363
00:16:22,120 --> 00:16:25,320
Speaker 2: me out. I had a dream about lamb chops last night.

364
00:16:25,800 --> 00:16:27,400
Speaker 2: What did you see? What did you see? He is

365
00:16:27,440 --> 00:16:28,440
Speaker 2: in your chops with again?

366
00:16:29,040 --> 00:16:33,040
Speaker 1: I just she'l Paprika. I know the answer, plenty can't remember.

367
00:16:33,280 --> 00:16:34,800
Speaker 2: I've heard ship chat Paprika.

368
00:16:35,080 --> 00:16:36,080
Speaker 1: Oh yeah me.

369
00:16:36,280 --> 00:16:38,720
Speaker 2: What's probably my favorite spies is what's your favorite spies.

370
00:16:38,800 --> 00:16:40,000
Speaker 2: I'm just let's just get a bit of back and

371
00:16:40,080 --> 00:16:41,160
Speaker 2: forth going here, you know what I mean?

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00:16:41,240 --> 00:16:43,800
Speaker 1: Like this is really why this I reminded why your

373
00:16:43,800 --> 00:16:46,040
Speaker 1: game is so bad?

374
00:16:46,040 --> 00:16:49,800
Speaker 2: Well, I managed to secure the hottest woman in Australia.

375
00:16:49,920 --> 00:16:54,040
Speaker 2: My partner mim. So thank you, thank well, thank you,

376
00:16:55,080 --> 00:17:00,040
Speaker 2: thank you. So you want to back right up there? Mate?

377
00:17:00,280 --> 00:17:09,399
Speaker 1: So so are we done? Well? You got you got? Okay,

378
00:17:09,400 --> 00:17:12,400
Speaker 1: you've got one minute to convince me some.

379
00:17:12,640 --> 00:17:14,720
Speaker 2: Warm up with the ice stuff or the lamb chop

380
00:17:14,800 --> 00:17:15,800
Speaker 2: stuff or cold.

381
00:17:15,560 --> 00:17:16,880
Speaker 1: On both, cold on both?

382
00:17:18,080 --> 00:17:22,400
Speaker 2: No, no, no, no, that's not fair. Okay, you can't

383
00:17:22,400 --> 00:17:27,119
Speaker 2: bring up the wine. Oh hey, I'll be nah too creepy.

384
00:17:27,400 --> 00:17:30,320
Speaker 1: She did ask me to listen to her new record, so.

385
00:17:30,359 --> 00:17:32,440
Speaker 2: Can you ask her a question about the new record?

386
00:17:33,040 --> 00:17:35,000
Speaker 2: Have you listened to any of the new record yet?

387
00:17:35,560 --> 00:17:37,000
Speaker 2: Are you saving that for a big I have.

388
00:17:37,119 --> 00:17:37,960
Speaker 1: I've listened to a couple.

389
00:17:38,000 --> 00:17:39,919
Speaker 2: Do you have a question about that record or a

390
00:17:39,960 --> 00:17:41,119
Speaker 2: comment to make about that record?

391
00:17:41,200 --> 00:17:43,119
Speaker 1: Does one song in French and one song in English?

392
00:17:43,320 --> 00:17:47,040
Speaker 2: Okay? What was the hardest thing about? No, that sounds

393
00:17:47,080 --> 00:17:47,880
Speaker 2: like an interview question.

394
00:17:47,960 --> 00:17:54,040
Speaker 1: Yeah, I could just ask for a copy of the CD.

395
00:17:54,760 --> 00:17:56,000
Speaker 2: I think I think the best woot forward is the

396
00:17:56,040 --> 00:17:57,560
Speaker 2: ice pad poops you want to get?

397
00:17:58,320 --> 00:18:00,800
Speaker 1: What would you like to pair with the shadi? Food wise,

398
00:18:00,920 --> 00:18:02,480
Speaker 1: we haven't. We haven't got to the shady yet. She

399
00:18:02,520 --> 00:18:04,800
Speaker 1: told me we're not talking shardi until we do the interview.

400
00:18:04,840 --> 00:18:06,840
Speaker 2: Did you pair your chop with the shardi last night?

401
00:18:08,320 --> 00:18:10,120
Speaker 2: Did you pair your chop with a shardi last night?

402
00:18:10,440 --> 00:18:10,960
Speaker 1: I wouldn't have.

403
00:18:12,520 --> 00:18:14,960
Speaker 2: It was two nights ago, now, Tina, two nights ago.

404
00:18:15,000 --> 00:18:17,600
Speaker 2: Did you pair your chop with a shardi? What wine

405
00:18:17,640 --> 00:18:18,480
Speaker 2: did you have with your chop?

406
00:18:19,920 --> 00:18:21,320
Speaker 1: That is so fucking right?

407
00:18:21,320 --> 00:18:22,440
Speaker 2: Where'd you get your chops from?

408
00:18:23,000 --> 00:18:24,600
Speaker 1: Don't mind that I'm in the area.

409
00:18:24,960 --> 00:18:25,840
Speaker 2: I can't start thinking.

410
00:18:27,480 --> 00:18:30,080
Speaker 1: Where'd you get your ride through?

411
00:18:30,640 --> 00:18:31,320
Speaker 2: On the way home?

412
00:18:32,160 --> 00:18:43,360
Speaker 4: Saygeon, No, it's contextual, it's relatable, And then yeah.

413
00:18:42,600 --> 00:18:44,399
Speaker 2: And then you go, I know that place. Have you

414
00:18:44,440 --> 00:18:46,600
Speaker 2: have you met Darryl? Darryl is the best man in

415
00:18:46,720 --> 00:18:50,000
Speaker 2: meat in the area. And then you said, yeah, I

416
00:18:50,000 --> 00:18:51,840
Speaker 2: could also grab you a couple of chops if you want,

417
00:18:51,840 --> 00:18:52,560
Speaker 2: and I drop them off.

418
00:18:54,400 --> 00:18:57,199
Speaker 3: Did you send all that in French as well? And

419
00:18:57,240 --> 00:19:00,840
Speaker 3: then sign off? Halfway through the new album, She's gonna

420
00:19:00,920 --> 00:19:01,840
Speaker 3: love that.

421
00:19:02,040 --> 00:19:04,040
Speaker 2: I like that. I was I was also.

422
00:19:03,800 --> 00:19:10,400
Speaker 3: One questions in French and then just say dot dot

423
00:19:10,480 --> 00:19:13,359
Speaker 3: dot halfway through the new album.

424
00:19:13,560 --> 00:19:18,280
Speaker 2: Yeah, what is it?

425
00:19:18,359 --> 00:19:18,760
Speaker 1: Laniel?

426
00:19:19,400 --> 00:19:21,399
Speaker 2: I'd say in English, also Tina, and then.

427
00:19:21,720 --> 00:19:24,520
Speaker 1: Go to Frenchiel, Yeah do that.

428
00:19:24,760 --> 00:19:26,240
Speaker 2: Yeah, I like that. That's good for mel j.

429
00:19:28,240 --> 00:19:33,200
Speaker 1: It's a bit suckassy though, you know what I mean. Yeah, wait,

430
00:19:33,280 --> 00:19:34,919
Speaker 1: and at least what do you think you're animated? I

431
00:19:35,040 --> 00:19:35,280
Speaker 1: like this.

432
00:19:35,880 --> 00:19:37,960
Speaker 3: I really like what al Ja said.

433
00:19:38,000 --> 00:19:38,840
Speaker 2: I think it's brilliant.

434
00:19:38,840 --> 00:19:40,600
Speaker 3: Do the first half in English and then just do

435
00:19:40,640 --> 00:19:43,760
Speaker 3: the chop comment in French and be like oh halfway

436
00:19:43,760 --> 00:19:45,120
Speaker 3: through the album Sinar.

437
00:19:45,440 --> 00:19:57,800
Speaker 1: But like so I have to reference to the fact

438
00:19:57,840 --> 00:20:00,439
Speaker 1: that like love the fact that you do a I

439
00:20:00,440 --> 00:20:02,520
Speaker 1: think this song, by the way, I'll play for you.

440
00:20:02,680 --> 00:20:04,040
Speaker 1: I'll play for you in French. I'll give you the

441
00:20:04,040 --> 00:20:04,720
Speaker 1: French and the English.

442
00:20:04,760 --> 00:20:06,400
Speaker 2: You could say something like it would appear.

443
00:20:07,280 --> 00:20:10,119
Speaker 1: It would have been we birth speak French.

444
00:20:10,520 --> 00:20:13,280
Speaker 2: Loving the bilingual album because it again, it just sounds

445
00:20:13,320 --> 00:20:15,280
Speaker 2: like I'm hitting on her, which I'm just not. That

446
00:20:15,440 --> 00:20:16,600
Speaker 2: was a bit flir you know what I mean.

447
00:20:16,640 --> 00:20:18,480
Speaker 1: Like, I just I just a little bit I'm not.

448
00:20:18,960 --> 00:20:20,840
Speaker 2: I think it's a little like it's a bit show offye,

449
00:20:21,240 --> 00:20:24,640
Speaker 2: which is like like, look.

450
00:20:24,119 --> 00:20:26,159
Speaker 1: If I was hitting on her, then totally different.

451
00:20:26,840 --> 00:20:28,200
Speaker 2: You could bring up the prawn cupboard again.

452
00:20:28,200 --> 00:20:29,160
Speaker 1: I would have shut this down.

453
00:20:29,160 --> 00:20:30,840
Speaker 2: But what's that You could bring up the prawn covered

454
00:20:30,840 --> 00:20:31,879
Speaker 2: again French.

455
00:20:32,960 --> 00:20:35,800
Speaker 1: Yeah, okay, so the new record.

456
00:20:35,880 --> 00:20:37,440
Speaker 2: You could say, Hey, I know we talked about prawn

457
00:20:37,440 --> 00:20:39,119
Speaker 2: cupbods a couple of days ago. Do you know anyone

458
00:20:39,119 --> 00:20:44,280
Speaker 2: who has a prawn covered or you could do it guy,

459
00:20:44,480 --> 00:20:46,479
Speaker 2: because we have a prawn guy on the show, remember

460
00:20:47,520 --> 00:20:47,920
Speaker 2: in the day.

461
00:20:48,040 --> 00:20:49,439
Speaker 1: Yeah, used to.

462
00:20:50,240 --> 00:20:52,399
Speaker 2: I fully appreciate you don't have a prawn cupboard, Tina,

463
00:20:52,560 --> 00:20:54,160
Speaker 2: but do you want some prawns?

464
00:20:55,240 --> 00:20:57,800
Speaker 1: We've got some prawns at the station. Yeah. By the way,

465
00:20:57,880 --> 00:20:59,600
Speaker 1: I know I asked the silly question about prawn covered

466
00:20:59,600 --> 00:21:00,119
Speaker 1: the other day.

467
00:21:00,440 --> 00:21:03,160
Speaker 2: Turns out we've got a lot of prawns here. Did

468
00:21:03,200 --> 00:21:04,679
Speaker 2: you want me? Did you did you want to.

469
00:21:04,760 --> 00:21:07,440
Speaker 1: Have you still got some of those frozen prawns? I reckon, Yeah,

470
00:21:07,520 --> 00:21:10,560
Speaker 1: I reckon we do from four years ago to hang on.

471
00:21:10,640 --> 00:21:13,320
Speaker 1: So I'm writing her a fresh message, just saying, by

472
00:21:13,359 --> 00:21:15,119
Speaker 1: the way, a bit of a silly question about the

473
00:21:15,119 --> 00:21:16,120
Speaker 1: prawn cupboard.

474
00:21:15,840 --> 00:21:18,480
Speaker 2: But we've just got a lot of prawns here at

475
00:21:18,520 --> 00:21:21,159
Speaker 2: the station. Is any chance you won a couple of them?

476
00:21:21,200 --> 00:21:22,960
Speaker 1: Yeah? I think I think.

477
00:21:22,960 --> 00:21:25,520
Speaker 2: I look, I think that honestly best gear is.

478
00:21:25,520 --> 00:21:27,560
Speaker 1: The chops, isn't it. I'm riding through it. By the way,

479
00:21:27,720 --> 00:21:31,560
Speaker 1: I'm riding through way home. I'm looking for a real

480
00:21:31,600 --> 00:21:34,359
Speaker 1: hankering for to keep cutting out that suburb.

481
00:21:35,920 --> 00:21:37,560
Speaker 2: Got a real hankering for some chops?

482
00:21:37,680 --> 00:21:39,280
Speaker 1: Where, Kate? Why are you? Kate? Why are you so

483
00:21:39,359 --> 00:21:40,960
Speaker 1: upset about this? Talk to me? Yeah, I mean you

484
00:21:40,960 --> 00:21:43,600
Speaker 1: have got bad game, but I'm interested so bad? Yeah,

485
00:21:43,720 --> 00:21:48,520
Speaker 1: that's bad. Really what would you write a practical request?

486
00:21:48,520 --> 00:21:48,720
Speaker 2: Though?

487
00:21:48,720 --> 00:21:50,680
Speaker 1: Like? Where could where does a man get some chops

488
00:21:50,680 --> 00:21:51,639
Speaker 1: in Melbourne these days?

489
00:21:51,720 --> 00:21:53,960
Speaker 2: Yeah? That's what I like about it. It's not that

490
00:21:54,000 --> 00:21:55,600
Speaker 2: you're not playing a game, you're not fluing, you're not

491
00:21:55,640 --> 00:21:57,960
Speaker 2: showing off. You're just all we're doing here is trying

492
00:21:58,000 --> 00:22:02,320
Speaker 2: to get a conversation. But it's not casual. It's super specific.

493
00:22:03,119 --> 00:22:06,240
Speaker 1: Well, no, one just asks what's casual? Then? But no,

494
00:22:06,240 --> 00:22:08,000
Speaker 1: I'm not just asking where she got her chops from.

495
00:22:08,040 --> 00:22:09,879
Speaker 1: She told me she was having lamb chops, so you know,

496
00:22:09,960 --> 00:22:12,720
Speaker 1: she's sort of what what what would your casual question be?

497
00:22:12,800 --> 00:22:15,679
Speaker 2: Then I'd say I've been listening to the album, really

498
00:22:15,720 --> 00:22:19,760
Speaker 2: loving it, particularly the one in French. Yeah, that's that

499
00:22:19,800 --> 00:22:21,360
Speaker 2: would be that. That's pretty clear as well.

500
00:22:22,200 --> 00:22:23,679
Speaker 1: Should do the one is very nice?

501
00:22:23,920 --> 00:22:26,320
Speaker 2: Yeah by the way.

502
00:22:26,240 --> 00:22:29,040
Speaker 1: Oh, it's called don't say yeah.

503
00:22:29,200 --> 00:22:32,080
Speaker 2: Yeah, I think is right. By the way, been listening

504
00:22:32,080 --> 00:22:40,000
Speaker 2: to the album, Yeah, oh beautiful, excuse me, don't say

505
00:22:40,040 --> 00:22:40,640
Speaker 2: you look at us.

506
00:22:40,800 --> 00:22:42,000
Speaker 1: Don't dancing on the ice.

507
00:22:42,640 --> 00:22:48,360
Speaker 2: That would be a safety hazard, very slippery.

508
00:22:48,320 --> 00:22:48,760
Speaker 3: Yea to.

509
00:22:50,560 --> 00:23:02,840
Speaker 2: Oh my god, amazing, wow, dish what she's saying sevi.

510
00:23:05,760 --> 00:23:08,679
Speaker 1: I'll put it into Google friends like well maybe likewods

511
00:23:08,720 --> 00:23:11,000
Speaker 1: you can just hear the English version because she sings

512
00:23:11,040 --> 00:23:12,080
Speaker 1: in two languages.

513
00:23:12,320 --> 00:23:15,960
Speaker 2: Go again. So on the album did she do a

514
00:23:15,960 --> 00:23:18,040
Speaker 2: French one and an English one? Oh my god?

515
00:23:19,920 --> 00:23:21,719
Speaker 1: The only singer in the world to have a single

516
00:23:21,760 --> 00:23:24,040
Speaker 1: in number one single in three different languages.

517
00:23:26,440 --> 00:23:26,880
Speaker 2: This is the.

518
00:23:26,840 --> 00:23:32,320
Speaker 3: English I remember the laughter.

519
00:23:33,359 --> 00:23:35,560
Speaker 1: Wow, lifting off the wall.

520
00:23:36,280 --> 00:23:41,119
Speaker 2: Wow, what a woman in the bella good this is

521
00:23:41,160 --> 00:23:46,280
Speaker 2: good stuff. We put ourselves together.

522
00:23:46,400 --> 00:23:47,480
Speaker 1: This is nice.

523
00:23:47,880 --> 00:23:51,960
Speaker 2: I think you should do Kv's message and then say, ps,

524
00:23:52,119 --> 00:23:55,600
Speaker 2: where'd you get your chops from? Come on middle grad.

525
00:23:55,880 --> 00:23:58,400
Speaker 1: By the way, she read that message about fifteen minutes ago.

526
00:23:58,680 --> 00:24:04,720
Speaker 1: She responded ship. She responded ship good stuff, isn't it.

527
00:24:04,760 --> 00:24:08,159
Speaker 2: No, she hasn't yet been listening to the album. My

528
00:24:08,200 --> 00:24:09,040
Speaker 2: only problem was just.

529
00:24:09,400 --> 00:24:13,040
Speaker 1: Now by the way, now, oh right, for the one.

530
00:24:13,160 --> 00:24:16,439
Speaker 3: It's in between messages. It's not like you forgot to

531
00:24:16,480 --> 00:24:18,760
Speaker 3: put something on. You've sat by your phone thought it

532
00:24:18,800 --> 00:24:20,000
Speaker 3: for another fifteen minutes.

533
00:24:20,200 --> 00:24:22,200
Speaker 2: No, he was busy. He was busy. He had another

534
00:24:22,200 --> 00:24:24,280
Speaker 2: meeting to run to. He had a meeting to run to.

535
00:24:24,359 --> 00:24:28,040
Speaker 1: I was going to say, also, by the way, also, yeah, well.

536
00:24:28,000 --> 00:24:30,040
Speaker 2: You did cook it out. Block don't come out block

537
00:24:30,040 --> 00:24:30,280
Speaker 2: them out.

538
00:24:30,320 --> 00:24:31,359
Speaker 1: We've done you and me.

539
00:24:31,440 --> 00:24:33,800
Speaker 2: Let's by the way, by the way, been listening to

540
00:24:33,800 --> 00:24:34,480
Speaker 2: the album.

541
00:24:35,840 --> 00:24:39,119
Speaker 1: Podcast, he's kind of sabotaged. You will don't listen to also,

542
00:24:39,400 --> 00:24:41,520
Speaker 1: been listening to the album, not laughing it?

543
00:24:41,800 --> 00:24:45,119
Speaker 2: Ps. Where do you getch ops from? Come on? Come on?

544
00:24:45,280 --> 00:24:48,720
Speaker 2: What's that crap? Let's I'm sorry, sorry, but you're trying

545
00:24:48,760 --> 00:24:50,400
Speaker 2: to wrap me up the music obviously.

546
00:24:51,280 --> 00:24:53,959
Speaker 1: I've been listening to the album and then emoticon hit

547
00:24:54,000 --> 00:24:54,720
Speaker 1: it with an emoticon.

548
00:24:54,880 --> 00:24:55,720
Speaker 2: Yeah, he likes that.

549
00:24:56,080 --> 00:25:00,000
Speaker 1: Just the okay, just the perfect Yes, No, I can't

550
00:25:00,040 --> 00:25:00,840
Speaker 1: hear what the job was.

551
00:25:00,920 --> 00:25:03,280
Speaker 2: But she won't respond to that. There's no question there

552
00:25:04,040 --> 00:25:05,560
Speaker 2: there's no question there, and then you're going to be

553
00:25:05,560 --> 00:25:06,000
Speaker 2: sitting Yes.

554
00:25:06,000 --> 00:25:06,880
Speaker 1: Where do you get you jobs from?

555
00:25:07,040 --> 00:25:09,399
Speaker 2: Just go on goys Chat. This is Jo tap this

556
00:25:09,440 --> 00:25:11,760
Speaker 2: and John. Just block him out, Just block him out us.

557
00:25:11,760 --> 00:25:12,680
Speaker 1: Where'd you get jobs from?

558
00:25:13,000 --> 00:25:23,520
Speaker 2: Brilliant? Brilliant? See you to my did he send it?

559
00:25:27,440 --> 00:25:28,240
Speaker 2: You idiot?

560
00:25:34,240 --> 00:25:35,680
Speaker 1: To take me a fu

561
00:25:38,440 --> 00:25:41,719
Speaker 2: Clothes be left behind