1 00:00:00,280 --> 00:00:04,280 Speaker 1: It's a special Will and Woody podcast Mini. An international 2 00:00:04,320 --> 00:00:06,960 Speaker 1: pop star was attacked by two wild boars. Was it 3 00:00:07,040 --> 00:00:12,440 Speaker 1: a Jesse McCartney, b Holly Valance or C. Shakira? Now, 4 00:00:13,960 --> 00:00:16,959 Speaker 1: unfortunately it was neither Jesse McCartney or Holly Valance. 5 00:00:16,960 --> 00:00:17,960 Speaker 2: Oh I thought it was Valance. 6 00:00:18,079 --> 00:00:20,440 Speaker 3: Yeah, yeah, probably wouldn't have made the news. 7 00:00:20,560 --> 00:00:22,800 Speaker 1: I'm not sure if Holly Valance or Jesse McCartney were 8 00:00:22,800 --> 00:00:23,599 Speaker 1: attacked by a ball. 9 00:00:23,760 --> 00:00:26,279 Speaker 2: No, Valance makes the news big time. Yeah, when she 10 00:00:26,280 --> 00:00:27,080 Speaker 2: gets seen in public. 11 00:00:27,120 --> 00:00:28,040 Speaker 3: What's the last thing she did? 12 00:00:28,400 --> 00:00:30,280 Speaker 2: She goes for a walk in the park and Dali 13 00:00:30,320 --> 00:00:32,479 Speaker 2: Marle like, look this she is. There's a few snaps. 14 00:00:32,520 --> 00:00:35,880 Speaker 2: She's paired a target shoe with a pand that's a story. 15 00:00:35,920 --> 00:00:37,959 Speaker 3: Honestly, that's a story. That's not a story. No, you 16 00:00:38,040 --> 00:00:38,480 Speaker 3: look up. 17 00:00:38,360 --> 00:00:40,600 Speaker 2: Holly Valance right now on Google and I promise you'll 18 00:00:40,600 --> 00:00:42,040 Speaker 2: just be like, Holly Valance goes for a walk in 19 00:00:42,080 --> 00:00:42,440 Speaker 2: the park. 20 00:00:42,640 --> 00:00:43,320 Speaker 3: Who was she with? 21 00:00:43,479 --> 00:00:44,160 Speaker 2: What was it a friend? 22 00:00:44,560 --> 00:00:45,160 Speaker 3: What was it? 23 00:00:45,640 --> 00:00:49,200 Speaker 1: Okay, I'm typing Holly Valance, yeah, and I'm clicking news. 24 00:00:49,120 --> 00:00:49,680 Speaker 3: Yep, here we go. 25 00:00:49,720 --> 00:00:52,440 Speaker 2: What's the first story there? Just her walking in apart. 26 00:00:52,280 --> 00:00:55,320 Speaker 3: Holly Valance looks stunning in silver gown and there. 27 00:00:55,160 --> 00:01:01,080 Speaker 2: We go, Wow, thank you mother for the rabbit. She 28 00:01:01,160 --> 00:01:01,960 Speaker 2: just goes for a walk. 29 00:01:02,400 --> 00:01:05,280 Speaker 3: Holylance. Yeah, oh, she got a take by boars. Would 30 00:01:05,280 --> 00:01:07,640 Speaker 3: definitely be talking about it. But no, it was Shakira. 31 00:01:07,959 --> 00:01:13,119 Speaker 3: It was what what was she doing? 32 00:01:13,440 --> 00:01:13,840 Speaker 4: She was. 33 00:01:15,560 --> 00:01:20,280 Speaker 1: Hiking in the foothills of Buffalona, uh with with her son. 34 00:01:21,160 --> 00:01:23,480 Speaker 3: They were hanging out. Milan is is her son's name. 35 00:01:23,640 --> 00:01:25,480 Speaker 1: Is a controversial given that she is married to a 36 00:01:25,520 --> 00:01:27,760 Speaker 1: Buffalonian footballer and Gerard Pickey. 37 00:01:28,360 --> 00:01:30,720 Speaker 2: Controversial that what she named her son. 38 00:01:30,640 --> 00:01:31,279 Speaker 3: Name is Milan. 39 00:01:31,319 --> 00:01:34,039 Speaker 1: There's a great rivalry between those and all the Spanish 40 00:01:34,040 --> 00:01:37,560 Speaker 1: football fans out there that constitute point five of our 41 00:01:37,600 --> 00:01:41,199 Speaker 1: audience really chocked with that anyway. So so she's hanging 42 00:01:41,200 --> 00:01:43,600 Speaker 1: out with her son Milan there in the they're in 43 00:01:43,640 --> 00:01:45,080 Speaker 1: the woods there, she gets attacked by a. 44 00:01:45,080 --> 00:01:45,720 Speaker 3: Couple of boars. 45 00:01:46,000 --> 00:01:48,840 Speaker 2: Yeahs bolls known to attack. 46 00:01:49,520 --> 00:01:51,480 Speaker 3: I think I think they I think they could attake 47 00:01:51,560 --> 00:01:52,200 Speaker 3: if you threatened them. 48 00:01:52,480 --> 00:01:56,080 Speaker 1: They've got some young if they've got some offspring, and 49 00:01:56,320 --> 00:01:59,120 Speaker 1: you know, Shakira walks through and you know you've got 50 00:01:59,120 --> 00:02:00,880 Speaker 1: a couple of young to attacked, you'd probably have. 51 00:02:00,800 --> 00:02:04,360 Speaker 3: A crack yeah, no, you're right, she was put yourself 52 00:02:04,360 --> 00:02:04,680 Speaker 3: on the bars. 53 00:02:05,480 --> 00:02:07,440 Speaker 2: I shouldn't be attacking the balls. That's fair cool do 54 00:02:07,520 --> 00:02:09,600 Speaker 2: you You are you assuming you making the assumption that 55 00:02:09,600 --> 00:02:12,080 Speaker 2: she Kira made some sort of aggressive attack towards the ball. 56 00:02:13,840 --> 00:02:16,120 Speaker 1: No, no, no, But I think we might be micro 57 00:02:16,200 --> 00:02:17,799 Speaker 1: analyzing it a little bit too much because I want 58 00:02:17,800 --> 00:02:19,240 Speaker 1: to get out to the bit that we're talking about here, 59 00:02:19,800 --> 00:02:21,160 Speaker 1: because at the end of the day, she. 60 00:02:21,120 --> 00:02:24,080 Speaker 2: Okay so quickly, yeah she okay. All he said is 61 00:02:24,120 --> 00:02:26,760 Speaker 2: she got attacked by balls and then maybe she was 62 00:02:26,800 --> 00:02:28,680 Speaker 2: invading on their space. Is she okay? 63 00:02:29,040 --> 00:02:30,800 Speaker 3: Yeah, she's fine. She took a photo of her bag, 64 00:02:31,200 --> 00:02:32,720 Speaker 3: so they just stole her back. No they did, it's 65 00:02:32,760 --> 00:02:36,760 Speaker 3: still a bag. I think it was just men dressed 66 00:02:36,760 --> 00:02:39,360 Speaker 3: as pigs. They just put them in a mud on 67 00:02:39,400 --> 00:02:41,440 Speaker 3: her back. Yeah, he's a crap story. 68 00:02:43,000 --> 00:02:43,320 Speaker 1: I know. 69 00:02:44,160 --> 00:02:45,880 Speaker 3: That's why I want to get to the next day. 70 00:02:46,040 --> 00:02:49,640 Speaker 3: I've been trying to take it care. Really, I mean, 71 00:02:49,760 --> 00:02:52,000 Speaker 3: we're in trouble. I mean, this is feedback on Monday. 72 00:02:52,040 --> 00:02:55,040 Speaker 1: I mean, you spoke about her barcel of Spanish football rivalry. 73 00:02:55,240 --> 00:02:57,840 Speaker 1: You put yourself in her boards shoes for thirty seconds, 74 00:02:58,360 --> 00:02:59,800 Speaker 1: and then you assumed that there were a couple of 75 00:02:59,800 --> 00:03:00,840 Speaker 1: men dressed as big So. 76 00:03:01,160 --> 00:03:06,040 Speaker 3: Three strikes, three strikes, awful, awful bit of radios. I apologize, 77 00:03:06,520 --> 00:03:08,240 Speaker 3: I get down to the bit, please do it all right. 78 00:03:08,280 --> 00:03:12,639 Speaker 3: Shakira's got two big songs. Yeah, okay, Hips don't line. 79 00:03:13,520 --> 00:03:16,320 Speaker 3: She's got hips don't line. That is a tune, great song. 80 00:03:16,720 --> 00:03:21,760 Speaker 1: And she's got wherever whenever or whenever wherever. 81 00:03:22,520 --> 00:03:26,359 Speaker 3: Wherever are yours? And you'll bid no, no, that's that's wrong. 82 00:03:26,400 --> 00:03:28,239 Speaker 3: I'm saying the second verse. Okay, So here's what I 83 00:03:28,320 --> 00:03:29,520 Speaker 3: want to do. Here's what I want to do. 84 00:03:29,680 --> 00:03:32,000 Speaker 1: Over to you guys, Over to you guys in your 85 00:03:32,000 --> 00:03:34,960 Speaker 1: cars or on the iHeartRadio for wherever you're listening to us, wherever, 86 00:03:35,360 --> 00:03:36,480 Speaker 1: whenever you're listening to us. 87 00:03:36,760 --> 00:03:39,400 Speaker 3: So thank you very much, A little bit of a 88 00:03:39,400 --> 00:03:40,160 Speaker 3: work the sale here. 89 00:03:40,560 --> 00:03:43,280 Speaker 1: So thirty one or six five is the phone number, right, 90 00:03:43,440 --> 00:03:45,240 Speaker 1: I've got two tickets for you and a mate to 91 00:03:45,280 --> 00:03:48,160 Speaker 1: go to the script when they're here in twenty twenty two, 92 00:03:49,080 --> 00:03:52,320 Speaker 1: And those two tickets are going to go to the 93 00:03:52,320 --> 00:03:56,600 Speaker 1: person who can best parody just the chorus of one 94 00:03:56,640 --> 00:04:00,360 Speaker 1: of Shakira's songs about the fact that Shakira got attacked 95 00:04:00,360 --> 00:04:01,400 Speaker 1: by two wild bars. 96 00:04:02,640 --> 00:04:04,080 Speaker 3: So you can give a bit of a crack now 97 00:04:04,120 --> 00:04:05,119 Speaker 3: if you want woods. 98 00:04:04,920 --> 00:04:08,880 Speaker 2: Like it was whenever wherever there might be your pig 99 00:04:08,960 --> 00:04:11,040 Speaker 2: that attacks you, will it be there or will it 100 00:04:11,080 --> 00:04:11,400 Speaker 2: be here? 101 00:04:11,520 --> 00:04:11,760 Speaker 1: Oh? 102 00:04:11,800 --> 00:04:15,560 Speaker 3: Wow, it's going to steal my bad Wow? No, no bad, yeah, 103 00:04:15,760 --> 00:04:17,760 Speaker 3: not bad, not bad at all. Every with that, al right, So. 104 00:04:17,680 --> 00:04:19,640 Speaker 1: Thirty one and six five two tickets to the script, 105 00:04:19,640 --> 00:04:21,320 Speaker 1: one for you and a mate. If you can parody 106 00:04:21,400 --> 00:04:26,599 Speaker 1: either hips don't Lie or whenever wherever by Shakira about 107 00:04:26,600 --> 00:04:29,240 Speaker 1: Shakira getting attacked by two wild bars, I'll give you 108 00:04:29,240 --> 00:04:31,400 Speaker 1: two tickets to the script to the best one nice. 109 00:04:31,520 --> 00:04:33,760 Speaker 1: If our friend Dina is out there, the Queen of Paridis, 110 00:04:33,960 --> 00:04:36,480 Speaker 1: please call. I'd love to hear from you. Give us 111 00:04:36,480 --> 00:04:38,720 Speaker 1: a call. Thirty one and six five, because I've got 112 00:04:38,720 --> 00:04:41,080 Speaker 1: two tickets to go and see the script in twenty 113 00:04:41,120 --> 00:04:41,640 Speaker 1: twenty two. 114 00:04:42,200 --> 00:04:43,600 Speaker 3: Tickets on sale. 115 00:04:43,680 --> 00:04:46,480 Speaker 1: Friday, October eight, next week Frontier Touring dot com dot 116 00:04:46,600 --> 00:04:48,800 Speaker 1: you forth slashed the script, but we've got two tickets 117 00:04:48,800 --> 00:04:49,479 Speaker 1: to go and see. 118 00:04:49,279 --> 00:04:50,040 Speaker 3: Them right here. 119 00:04:50,440 --> 00:04:53,120 Speaker 1: If and only if, I will give two tickets a 120 00:04:53,160 --> 00:04:55,640 Speaker 1: double pass to the person who can write the best 121 00:04:55,720 --> 00:04:59,880 Speaker 1: song parody about Shakira getting attacked by two wild bars. 122 00:05:00,760 --> 00:05:03,320 Speaker 1: All right, now it has to be of the song. 123 00:05:03,360 --> 00:05:05,520 Speaker 1: Parody has to be a parody of one of her songs. 124 00:05:05,960 --> 00:05:07,200 Speaker 1: So she's only got two songs. 125 00:05:07,240 --> 00:05:09,240 Speaker 3: Well, she hasn't only got two songs, so she's got 126 00:05:09,240 --> 00:05:11,880 Speaker 3: too huge, so bad. She's got the Whenever Wherever, and 127 00:05:11,880 --> 00:05:15,000 Speaker 3: she's got hips on far. Yeah. 128 00:05:15,120 --> 00:05:17,520 Speaker 1: So that's they're the tools you're working with. There's the 129 00:05:17,600 --> 00:05:19,520 Speaker 1: canvas you're working on. The song has to be about 130 00:05:19,520 --> 00:05:22,200 Speaker 1: the fact that she got attacked by two wild bars yesterday. 131 00:05:22,279 --> 00:05:24,000 Speaker 1: Now look, I have put the call out for Dina, 132 00:05:24,520 --> 00:05:28,480 Speaker 1: who is our carryover champ for this game. She was 133 00:05:28,520 --> 00:05:33,760 Speaker 1: writing abba parodies about COVID. If you miss them, this 134 00:05:33,839 --> 00:05:34,600 Speaker 1: is how good she is. 135 00:05:35,520 --> 00:05:40,400 Speaker 5: COVID lockdown, see we go again? My my, just how 136 00:05:40,480 --> 00:05:48,400 Speaker 5: much I hate? Can you hear the sounds of Lockdown? 137 00:05:49,839 --> 00:05:59,000 Speaker 5: It was only yesterday that I was totally COVID three. 138 00:06:00,000 --> 00:06:02,600 Speaker 1: He's all class Dina, and I realized there'd be a 139 00:06:02,640 --> 00:06:04,000 Speaker 1: few of you out there. They're thinking you were a 140 00:06:04,040 --> 00:06:06,320 Speaker 1: game for the Shakira parody. You probably thought, you know, geez, 141 00:06:06,320 --> 00:06:07,440 Speaker 1: that would be a bit of fun. And it's a 142 00:06:07,440 --> 00:06:08,880 Speaker 1: little bit like you're at the Olympics and you just 143 00:06:08,880 --> 00:06:10,520 Speaker 1: blocked up and you're on the on the blocks, and 144 00:06:10,560 --> 00:06:11,760 Speaker 1: you've looked to your left, and all of a sudden, 145 00:06:11,760 --> 00:06:14,920 Speaker 1: Ian thorpees on the blocks as well because she's called. 146 00:06:14,720 --> 00:06:16,920 Speaker 3: Oh blood, she's in the gun. 147 00:06:17,000 --> 00:06:18,000 Speaker 2: You're a kidding Dina. 148 00:06:18,160 --> 00:06:21,840 Speaker 3: Now, how are you going? Dina? Hi? 149 00:06:21,920 --> 00:06:23,680 Speaker 5: Guys, God, how are you so well? 150 00:06:23,839 --> 00:06:24,599 Speaker 3: You're still writing? 151 00:06:24,640 --> 00:06:25,720 Speaker 2: You're still writing songs? 152 00:06:26,240 --> 00:06:28,720 Speaker 5: Oh yeah, yeah, haven't stopped. Yep, working on it every day. 153 00:06:28,960 --> 00:06:30,880 Speaker 2: I mine like that never stopped. 154 00:06:31,200 --> 00:06:33,159 Speaker 1: I feel like, do we want to save Dina for 155 00:06:33,240 --> 00:06:34,920 Speaker 1: the last one? I feel like we should probably save 156 00:06:34,960 --> 00:06:36,040 Speaker 1: Dina for last. 157 00:06:37,920 --> 00:06:39,080 Speaker 3: What do you think now? Well? 158 00:06:39,120 --> 00:06:40,760 Speaker 2: Look, I mean I don't think anyone will be better 159 00:06:40,800 --> 00:06:41,200 Speaker 2: than Dina. 160 00:06:41,400 --> 00:06:43,040 Speaker 3: I can't be proven wrong because. 161 00:06:42,760 --> 00:06:44,359 Speaker 1: It is a double pass to go and see the script. 162 00:06:44,360 --> 00:06:46,680 Speaker 1: It's a decent price. Let's let's let's kick it off 163 00:06:46,680 --> 00:06:47,360 Speaker 1: with Sam then. 164 00:06:47,240 --> 00:06:48,680 Speaker 3: Shall we godo? Sam? How are you going? 165 00:06:49,400 --> 00:06:50,039 Speaker 4: I'm going? Well? 166 00:06:50,040 --> 00:06:50,160 Speaker 6: Here? 167 00:06:50,200 --> 00:06:50,400 Speaker 1: Are you? 168 00:06:50,560 --> 00:06:52,360 Speaker 3: Very well? Thanks mate? Double past to the script. Here 169 00:06:52,400 --> 00:06:55,960 Speaker 3: Shakira got attacked by two wild bores. Double pass to 170 00:06:56,000 --> 00:06:56,440 Speaker 3: the script. 171 00:06:56,560 --> 00:06:59,440 Speaker 1: Double past to the script is yours. If you can parody, 172 00:07:00,080 --> 00:07:02,679 Speaker 1: hear a song about her getting attacked. 173 00:07:02,880 --> 00:07:05,360 Speaker 3: Whenever you're ready, I'm ready. 174 00:07:05,160 --> 00:07:09,920 Speaker 4: Now want to pork They're gonna get out of time. 175 00:07:10,120 --> 00:07:13,720 Speaker 4: They gonna catch you peg you get on the barbie 176 00:07:13,880 --> 00:07:18,720 Speaker 4: cook a pork choppy. 177 00:07:19,200 --> 00:07:25,600 Speaker 3: I'll tell you what points effort I didn't as you 178 00:07:25,720 --> 00:07:28,560 Speaker 3: as went straight into it. I love that cook a 179 00:07:28,640 --> 00:07:31,160 Speaker 3: pork choppy. All right, they are guys. 180 00:07:31,400 --> 00:07:33,680 Speaker 1: They're not bad Sam, very good, not bad Sam. Now 181 00:07:33,680 --> 00:07:34,960 Speaker 1: there's a lot of other people who are on the phone, 182 00:07:35,000 --> 00:07:36,400 Speaker 1: and let me just check with the producers to see if 183 00:07:36,400 --> 00:07:37,920 Speaker 1: they're going to get him across, because I know Diana 184 00:07:38,000 --> 00:07:39,760 Speaker 1: is ready to go. Guys, and we got another one 185 00:07:39,760 --> 00:07:41,280 Speaker 1: before we go to Dina. There's I know there's so 186 00:07:41,360 --> 00:07:41,880 Speaker 1: many of them. 187 00:07:41,880 --> 00:07:44,640 Speaker 3: I know you're working hard, hardly working my right. 188 00:07:45,520 --> 00:07:50,040 Speaker 2: We got hey, Ella, Hi, Now before you crack into 189 00:07:50,040 --> 00:07:51,400 Speaker 2: the ela, which song are you going to do? 190 00:07:52,280 --> 00:07:52,559 Speaker 4: Hips? 191 00:07:52,600 --> 00:07:53,080 Speaker 5: Don't right? 192 00:07:53,640 --> 00:07:53,920 Speaker 3: Hips? 193 00:07:54,880 --> 00:07:55,040 Speaker 5: Now? 194 00:07:55,040 --> 00:07:56,560 Speaker 2: Do you want an instrumental backing? 195 00:07:56,600 --> 00:07:56,760 Speaker 6: Here? 196 00:07:56,800 --> 00:07:58,480 Speaker 2: Ello, I just want to go without it. 197 00:07:59,400 --> 00:08:00,360 Speaker 5: I'll go as at it. 198 00:08:02,840 --> 00:08:04,640 Speaker 3: Go all right? Still the carry of a champ to come. 199 00:08:04,680 --> 00:08:07,360 Speaker 1: But Shakira got attacked by Wild Boars parody of Shakira 200 00:08:07,480 --> 00:08:09,440 Speaker 1: song explaining that over. 201 00:08:09,240 --> 00:08:14,840 Speaker 6: To you Ella, Okay, do I go for it? All right? 202 00:08:16,200 --> 00:08:16,560 Speaker 3: Oh? 203 00:08:16,640 --> 00:08:19,160 Speaker 6: The boys are and I'm a butts don't line. It's 204 00:08:19,200 --> 00:08:22,440 Speaker 6: really starting to hurt my cheeks, go my ask, go 205 00:08:23,040 --> 00:08:24,920 Speaker 6: my butt. It's just starting to hurt. 206 00:08:25,000 --> 00:08:28,800 Speaker 1: You know nothing about it. 207 00:08:28,920 --> 00:08:31,240 Speaker 2: He is hurting because the boar obviously hit her in 208 00:08:31,280 --> 00:08:31,640 Speaker 2: the art. 209 00:08:32,200 --> 00:08:34,719 Speaker 3: Oh, very good, that's good style. I missed that. Now 210 00:08:35,960 --> 00:08:38,800 Speaker 3: I miss that. But not a lot of rhyming going 211 00:08:38,880 --> 00:08:41,560 Speaker 3: on there either. Let's go to Eva. 212 00:08:41,679 --> 00:08:43,320 Speaker 1: I think we've got got one more before we go 213 00:08:43,360 --> 00:08:44,640 Speaker 1: over to our carryover Champigna. 214 00:08:44,720 --> 00:08:48,440 Speaker 3: All right, Eva is yours? You're very well? Thanks? Which 215 00:08:48,480 --> 00:08:50,319 Speaker 3: song you're going with? Which Shakira song. 216 00:08:50,720 --> 00:08:53,200 Speaker 6: We're going Shakira hits? Don't lie, don't know? 217 00:08:53,559 --> 00:08:55,440 Speaker 3: Okay, far away when you're ready? 218 00:08:55,440 --> 00:09:02,400 Speaker 6: Eva, Okay, do you know mant to night because the 219 00:09:02,440 --> 00:09:05,040 Speaker 6: pigs don't but and there trying to take you there 220 00:09:05,559 --> 00:09:10,000 Speaker 6: with deduction and attraction. Don't you know, baby, you're gonna 221 00:09:10,000 --> 00:09:13,360 Speaker 6: be bacon, not mad, not mad. 222 00:09:14,120 --> 00:09:16,960 Speaker 1: Big pigs don't bite by. 223 00:09:17,080 --> 00:09:18,840 Speaker 3: Don't you know you're gonna be baking as well? 224 00:09:19,000 --> 00:09:21,360 Speaker 1: Yah, they're very good that we've had three great contestants, 225 00:09:21,400 --> 00:09:25,679 Speaker 1: but the carryover champ has called argles. She's strong as ever, Dina, 226 00:09:25,800 --> 00:09:30,520 Speaker 1: Welcome back to the show. Shakira got attacked by wild boars. 227 00:09:31,720 --> 00:09:33,600 Speaker 1: You've got a song parody? Which one are you going with? 228 00:09:33,600 --> 00:09:34,480 Speaker 1: Which Shakira song? 229 00:09:35,559 --> 00:09:36,920 Speaker 5: I'm doing whenever wherever? 230 00:09:37,240 --> 00:09:39,280 Speaker 3: Okay? Excellent? All right, well whenever you're ready. 231 00:09:39,480 --> 00:09:41,560 Speaker 5: I've got to warn you. It's only a two line special. 232 00:09:42,280 --> 00:09:44,400 Speaker 2: That's that's that's your things. 233 00:09:46,280 --> 00:09:48,360 Speaker 5: Away from that, bro. 234 00:09:48,400 --> 00:09:51,120 Speaker 3: Don't fix it down the old two line special. 235 00:09:51,200 --> 00:09:53,120 Speaker 1: Do you get to the chorus though, because I feel 236 00:09:53,120 --> 00:09:54,640 Speaker 1: like you just that's not going to get you. 237 00:09:54,679 --> 00:10:00,400 Speaker 5: All right, This is a chorus. Okay, okay, yep, ready, okay, 238 00:10:00,679 --> 00:10:05,360 Speaker 5: whenever wherever the bulls will be tea gather, I'll be 239 00:10:05,480 --> 00:10:17,040 Speaker 5: there and they'll be here. And that's the bulls. I fear, no. 240 00:10:16,320 --> 00:10:17,840 Speaker 3: Oy the boars think. 241 00:10:20,800 --> 00:10:21,319 Speaker 4: Your wow? 242 00:10:21,720 --> 00:10:23,280 Speaker 3: Way I didn't you could get better? 243 00:10:24,360 --> 00:10:24,640 Speaker 4: Wow? 244 00:10:24,840 --> 00:10:27,800 Speaker 1: Wait the two lines special, I mean, Jimmy's hard to 245 00:10:27,840 --> 00:10:29,320 Speaker 1: know who these script tickets go to? 246 00:10:29,440 --> 00:10:31,480 Speaker 3: Woulds? I mean, Daniel, you're a fan of the script. 247 00:10:33,320 --> 00:10:35,920 Speaker 3: This is a release? No, all right, well, we're gonna 248 00:10:35,920 --> 00:10:40,040 Speaker 3: give me the tickets. Thanks for the cold DNA, I 249 00:10:40,080 --> 00:10:42,560 Speaker 3: think even Buddy good. But you get yourself a couple 250 00:10:42,600 --> 00:10:47,000 Speaker 3: of tickets to go to the Script. It's twenty twenty two. Congratulations. No, 251 00:10:47,760 --> 00:10:49,319 Speaker 3: worries at all. 252 00:10:49,400 --> 00:10:50,640 Speaker 1: Guys, if you want to go and see The Script, 253 00:10:50,640 --> 00:10:52,920 Speaker 1: the Return the Greatest Hits to twenty twenty two tickets 254 00:10:52,920 --> 00:10:55,640 Speaker 1: on South find October, visit Frontageering dot com, Ford Slash 255 00:10:55,679 --> 00:10:59,240 Speaker 1: the Script g with Dina, Just Unbeatables more the Boys 256 00:10:59,320 --> 00:11:01,000 Speaker 1: on the foot Show podcast. 257 00:11:01,480 --> 00:11:02,320 Speaker 4: You know you want to