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Speaker 1: Have you gard listen to the show.

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Speaker 2: You can always get around out behind the scenes podcasts,

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Speaker 2: just search willing whatever. You get your podcast wards and

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Speaker 2: there's stories that go on there which we can't put

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Speaker 2: on the radio show, largely because they're probably too long

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Speaker 2: in form. You take more time, more discussion, at a

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Speaker 2: bit looser. We're definitely a bit looser on the podcast,

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Speaker 2: and this has been a loose plan for a long time.

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Speaker 2: I walked into the podcast studio and I said to you,

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Speaker 2: I really want to be friends with Tina and Arena.

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Speaker 3: It's pretty weird.

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Speaker 1: It was pretty, yeah, but they shook me a bit

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Speaker 1: like that was weird.

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Speaker 2: I was just like, look, I've been listening to Don't Ask,

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Speaker 2: the nineteen ninety four record, which won an Album of

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Speaker 2: the Year, and I just think she'd be an amazing

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Speaker 2: person to be mates with. I just want to be

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Speaker 2: able to have a glass of chardonage with her a

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Speaker 2: Thursday night and talk about friendly things, gardening, the weather.

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Speaker 3: Totally, totally and I'm your best mate. So I took

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Speaker 3: that and I ran with it, and for two and

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Speaker 3: a half months I was thinking of plans and ways

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Speaker 3: to get you in the same Rumors in her arena,

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Speaker 3: We spoke to the pawn crumpets, We tried to speak

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Speaker 3: to Anthony Albanizi, my mother in law. Seriously, months of

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Speaker 3: trying to get her on the show.

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Speaker 1: It's been a journey, it really has.

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Speaker 3: Turns out you just had to cold call her.

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Speaker 2: Well yeah, yeah, well that was the big no no

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Speaker 2: from the start. Well, we got a number of Rob

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Speaker 2: Mills and he said, definitely.

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Speaker 1: Don't call her. Definitely don't tell her that you. I

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Speaker 1: gave you her number.

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Speaker 2: Yeah, and you know, Millsy, if you listening with Millsie

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Speaker 2: has been in touch.

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Speaker 1: He is furious.

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Speaker 2: We have avoided We have avoided that for a long time.

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Speaker 2: But at the end of the day, we just had

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Speaker 2: to cold call her.

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Speaker 3: Yeah, and after that we locked in a time for

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Speaker 3: her to come into the studio. That was yesterday. Guys,

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Speaker 3: this was a bit. This was our everest.

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Speaker 1: Yeah, this is our grand Finds. Actually a massive moment.

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Speaker 3: But we knew that when she came into the studio

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Speaker 3: like it was. It's one thing to do a radio chat,

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Speaker 3: it's a whole other thing to convert that into friendship. Yeah,

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Speaker 3: So we thought of a plan to make you look

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Speaker 3: impressive without looking like you were showing.

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Speaker 2: Off, yeah, which is really hard to do because she

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Speaker 2: had to be suitably impressed by me to go like, hey,

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Speaker 2: I want to hang out with that guy more. There's

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Speaker 2: nothing less appealing than somebody who's trying to impress here.

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Speaker 3: So we kind of thought, what if I'm talking to

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Speaker 3: you about a French restaurant that I'm going to and

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Speaker 3: then you're speaking French or going through the menu in French,

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Speaker 3: because she she speaks French as well.

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Speaker 2: She lived in Paris for ten years, She's got three

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Speaker 2: studio albums in French, and I speak pretty good French.

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Speaker 1: Spoke French, you know, for a long time.

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Speaker 3: So we rehearsed it. We were rehearsing it in the

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Speaker 3: Behind the Scenes podcast, and he's had the rehearsal. Win,

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Speaker 3: can you please be Tenda or Arena? I'd love to be.

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Speaker 4: Okay, I can do that, So I can do that.

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Speaker 3: I was just I'm going to a French restaurant tonight,

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Speaker 3: I'm going to date with my partner and the menu

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Speaker 3: is completely in French. So I was just getting Will

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Speaker 3: to help me with like what every food item is? Sorry, Okay,

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Speaker 3: I thought we were here to talk about my new album.

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Speaker 3: Definitely of course, what's this world?

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Speaker 1: But why why am I bring you with the French venue?

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Speaker 3: Okay, so I promised the podcast is a great listen.

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Speaker 3: Usually that was Dog's Breakfast.

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Speaker 1: The rehearsal went badly.

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Speaker 3: Weirdly, I thought it went well. Hearing the bag it

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Speaker 3: went poorly. Somehow we still decided that was a good plan.

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Speaker 3: So Tina Arena arrives at the radio studio. We were

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Speaker 3: in positions around a computer and the key was yes,

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Speaker 3: say something French as she walks in the door.

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Speaker 1: Yes, you don't know what.

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Speaker 2: I probably like a main If I were you, I'd

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Speaker 2: go for a people Daniel, Yeah, thank you so much.

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Speaker 5: That was just loving the accent, which a.

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Speaker 1: British accent.

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Speaker 3: I thought will Will was just running me through a French.

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Speaker 5: Nice to meet them, darling, very very very nice.

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Speaker 2: Nice, Thank you so much for coming.

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Speaker 1: Welcome, very welcome. Nice to meet you. Yeah you too, mate,

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Speaker 1: You're good.

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Speaker 5: Yeah, hanging in there.

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Speaker 1: Yeah nice. Didn't get to We was.

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Speaker 3: Just running in through a French restaurant, going to.

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Speaker 5: I was there a long time ago. It was really lovely.

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Speaker 3: I didn't understand the menu at all, so running me

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Speaker 3: through it because he speaks he speaks good French.

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Speaker 5: You speak good French. Will. That was a really bad

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Speaker 5: thing for him to say.

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Speaker 1: I used to. I used to, yeah a long time ago.

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Speaker 1: Come on, you're in Paris for a bit, I will. Yeah. Yeah,

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Speaker 1: I worked at a law firm in Paris for a

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Speaker 1: little while.

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Speaker 2: Yeah.

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Speaker 5: So you're a lawyer.

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Speaker 3: Yeah I was.

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Speaker 5: Yeah, and you left law to come and do this. Yes,

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Speaker 5: you made a good call.

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Speaker 1: Pretty good, not not awful, not all to me.

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Speaker 3: Three different there are three false starts before she finally

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Speaker 3: heard me say that you speak French. But we finally

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Speaker 3: got there.

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Speaker 2: It was a massive moment, guys, again for our podcast audience.

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Speaker 2: You know how big that is for us three months

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Speaker 2: that we've been working towards that. The great news is

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Speaker 2: she's stuck around. We had a great chat with her.

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Speaker 2: If you're only go and see Tina. She's touring Tina

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Speaker 2: Arena dot com. She's in Adelaide on the sixth of April.

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Speaker 2: She's in Melbourne April twenty, sixth and twenty seven and

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Speaker 2: in service Paradise on May eleven. As I said Tina

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Speaker 2: Arena dot com to go and see the great woman,

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Speaker 2: and that was you saying, haidaw her I was nervous.

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Speaker 1: I was really nervous. If we spent three months, I

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Speaker 1: can't tell from.

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Speaker 2: What we said like a while I think it had

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Speaker 2: said before it's like when you see, like if you

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Speaker 2: go and visit your gramar in a nursing home.

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Speaker 1: Like I was just trying to be so soft there

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Speaker 1: she is. Yah's a bit of whale action there actually.

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Speaker 2: Anyway, Look, I was really nervous because, as you said,

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Speaker 2: it's spent two and a half months coming up with

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Speaker 2: a plan to try and try and becoming friends with

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Speaker 2: someone who's really hard. Like getting her on for an

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Speaker 2: interview we could do, but we had to come up

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Speaker 2: with this plan whereby we got in touch with her

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Speaker 2: without her making think it was too professional.

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Speaker 1: So we spent a lot of time.

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Speaker 2: As I said before, it involved the Prime Minister, involved

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Speaker 2: Rob Mills, involved the psychedelic prawn crumpets or pawn crumpets,

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Speaker 2: depending on where you come from. But I want to

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Speaker 2: focus on the Rod Mills fight there because Millsy and

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Speaker 2: he has reached out to us since he's blacklisted us.

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Speaker 3: You know, fair enough, he was a sacrificial lamb.

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Speaker 2: He was because at the end of the day, Millsy

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Speaker 2: did give me her number, and he told me, I'm

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Speaker 2: going to give you the number, but you can't tell

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Speaker 2: her that I've given you her number. It's very unprofessional

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Speaker 2: and ultimately that's how we got her in here. We

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Speaker 2: ended up called cold calling her after two and a

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Speaker 2: half months of podcasting, and.

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Speaker 3: I don't think you had to say you got the

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Speaker 3: number of Rod Mills.

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Speaker 1: Otherwise cold called her as a radio host.

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Speaker 3: He very willingly gave it up, but I.

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Speaker 1: Had to have a link with her and we finally

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Speaker 1: got Tina in here for a chat.

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Speaker 2: You can see this on our podcast or here it

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Speaker 2: on our podcast with him what he behind the scenes,

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Speaker 2: but she got straight into the Rod meals factor.

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Speaker 1: Tina, So thanks for coming in.

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Speaker 5: Hey, thanks for having me. Yeah, it's really really nice

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Speaker 5: of you guys to invite me and call me out

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Speaker 5: of the blue, seeing Rob Mills so graciously handed over

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Speaker 5: my number without asking me first eighteen would it be okay?

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Speaker 5: It just goes right ahead?

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Speaker 1: And U have you spoken to Rob about that? Thank God?

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Speaker 2: I love him.

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Speaker 1: Yeah, he's a beautiful.

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Speaker 3: Boy, because he'd been serious.

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Speaker 1: Well, I actually had to. I did squeeze it out

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Speaker 1: of it like I did squeeze it out.

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Speaker 4: Of it, did you.

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Speaker 2: I think we were listening to were listening to you

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Speaker 2: in the car on the way back from something we

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Speaker 2: were recording with Robs.

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Speaker 5: All those years of university came into came in to

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Speaker 5: play that.

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Speaker 3: I mean, I guess you he lloyed him. Yes, it

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Speaker 3: was an aggressive lawyer in. I witnessed the lawyer in

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Speaker 3: through the book and Robert had a couple of beers

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Speaker 3: as well. With Rob. Yeah, he got him when he

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Speaker 3: was vulner he was in a good spot and all

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Speaker 3: of a sudden the number was my massage. And I'm

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Speaker 3: pretty sure the following day Rob was showing huge regret

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Speaker 3: about it and was like, Hey, you're not going to

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Speaker 3: do any thing with that number, are you?

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Speaker 1: Yes?

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Speaker 2: And to be fair, we actually were really honest and

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Speaker 2: we stayed true to that for a really long time

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Speaker 2: because we tried a whole bunch of different ways to get.

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Speaker 5: You here, trying that difficult to find.

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Speaker 2: I mean, no, we had your number, we just didn't

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Speaker 2: want to, like, we didn't want to offend Rob and

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Speaker 2: just call you, so we tried, we thought about look

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Speaker 2: along story short, We spent the last two months on

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Speaker 2: the podcast coming up with a way to get you

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Speaker 2: on the show without like looking like we were trying

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Speaker 2: too hard to get you on the show.

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Speaker 5: Guys are really cool.

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Speaker 3: That's coming across going.

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Speaker 2: Well, Look, it wasn't off to a great start, but

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Speaker 2: then I think we picked up because obviously I love

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Speaker 2: this woman.

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Speaker 1: I think she's amazing. It's had a lot of amazing

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Speaker 1: stuff to learn about her as well.

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Speaker 2: You're the first woman in Aria history to win Best

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Speaker 2: Album of the Year in nineteen ninety five.

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Speaker 5: I think I was more shocked. That is the thing

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Speaker 5: that shocked me more was not winning Album of the Year,

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Speaker 5: but discovering that I was the first one. Yeah, I

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Speaker 5: was like, where on earth have you people been?

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Speaker 1: So that's that's where my questions going.

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Speaker 2: Did you feel a sense of obligation to sort of

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Speaker 2: be a flag bearer there or did you feel.

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Speaker 5: More justifies Sicilian bitched. I just feel that it's important

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Speaker 5: for me personally that I speak my truth. The disadvantage

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Speaker 5: of all of that was that I never learned to

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Speaker 5: swim with sharks, and I had to learn really fast.

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Speaker 5: It was pretty crazy.

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Speaker 2: Wow.

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Speaker 5: I mean, you know it's it's talk about being fed

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Speaker 5: to the lions. Was fed to the lions.

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Speaker 2: Actually, and they and you know, to continue with the

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Speaker 2: metaphor there, they all would have been scrapping over the

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Speaker 2: carcass in effect to go like I want a piece

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Speaker 2: of that.

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Speaker 1: I want a piece?

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Speaker 3: Sorry, who's the carcass there?

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Speaker 6: So we have that.

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Speaker 3: Going well until a quarter her at carcass.

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Speaker 1: Yeah, I love that boot anyway. Look do I make

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Speaker 1: friends with Tina?

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Speaker 2: Is it a success? You'll have to go to our

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Speaker 2: podcast Willing When do you rere? You get to your podcasts?

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Speaker 2: It's a wonderful chat with her. She's brilliant. She's also

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Speaker 2: touring Tina Arena dot com. She's a sensation. It was

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Speaker 2: so lovely for her to come in. I mean, after

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Speaker 2: three months, unbelievable moment for us in our podcast. Head

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Speaker 2: along to go and see. April sixth she's in Adelaide.

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Speaker 2: She's going to be in Melbourne twenty sixth and twenty

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Speaker 2: seventh of April. At May eleven, she's in Service Paradise

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Speaker 2: tena arenda dot com. Thank you Tina for coming in.

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Speaker 2: Don't making our podcast dreams? If you want to hear

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Speaker 2: it all, head along to will and what do you

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Speaker 2: really get your podcasts?

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Speaker 7: Yeah?

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Speaker 1: Who knows?

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Speaker 3: No, I know, I don't think you're gonna be mad

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Speaker 3: the drama will that is going on in the Cyrus

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Speaker 3: family genuinely like something.

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Speaker 1: This is the Billy Ray.

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Speaker 3: Billy Ray, he's the he's the patriarch of the family.

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Speaker 3: Then you've got Tish the mum, and you've got Noah,

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Speaker 3: who's one of the daughters. And then you've got Miley's sister.

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Speaker 3: Yeah no, who's also a singer.

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Speaker 1: Right, we've got some. We've got some Noah, Noah Cyrus

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Speaker 1: on the system.

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Speaker 3: I don't think we we've got a bit of Noah.

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Speaker 3: I've got a bit of No. He's not he's not.

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Speaker 6: Here.

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Speaker 1: She is button push Tom here.

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Speaker 3: This is Noah singing. It's beginning to look a lot

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Speaker 3: like Christmas.

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Speaker 5: It's beginning to look like like Christmas.

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Speaker 3: Book Cyrus pipes, right, yeah, anyway, Yeah, So Tish the

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Speaker 3: mom has broken up with Billy Ray. They've been separated

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Speaker 3: for a while.

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Speaker 1: She has broken up with Billy Ray the dad, the dad. Yeah.

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Speaker 3: She remarried Dominic Purcell last year, who's Australian actor who

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Speaker 3: was on prison Break right link the sink for those

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Speaker 3: fans out there, Okay, stunning man anyway, marries him last year.

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Speaker 3: Noah didn't go to the wedding last year. Yeah, the

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Speaker 3: daughter didn't go to the wedding. It was be like,

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Speaker 3: that's a bit, we didn't go to your mum's wedding. Yeah,

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Speaker 3: it's strange it has come out. Oh no, it has

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Speaker 3: come out today. Oh no, that apparently Noah was cooking

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Speaker 3: up with Dominique Purcell.

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Speaker 1: Oh no, two in the pink, one in the sink.

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Speaker 3: So Noah's dating Dominic Purcell. Mom goes, I wouldn't mind

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Speaker 3: have a bit of that Dominic Purcell, and then she

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Speaker 3: marries him.

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Speaker 1: Oh no, it's just it's wow, what's the is there?

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Speaker 1: Give me the Age's age?

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Speaker 3: He's fifty four, Noah's Noah's twenty four, So.

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Speaker 1: She was dating someone thirty years old, a bit a.

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Speaker 3: Bit of a sugar daddy. But if you've seen Dominic

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Speaker 3: Purcell still got it like it just looks like he

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Speaker 3: still looks like link the sink. He's stunning man, right anyway.

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Speaker 3: And Tish's fifty six, so like she was closer in

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Speaker 3: age to Dominique Purcell. But at the end of the day, yeah,

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Speaker 3: no I was dating him and then Mum's taken him.

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Speaker 3: Right now, It genuinely sounds like something off a soap opera. Yeah,

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Speaker 3: well right, it just it just feels like something that's

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Speaker 3: been written like this couldn't happen in real life. But

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Speaker 3: right now I want to hear more stories that sound

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Speaker 3: like they belong in a soap opera.

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Speaker 6: Real life so much man?

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Speaker 3: Thirteen one oh six five is the number? Has anything

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Speaker 3: happened in your real life? Yeah? Which was like a

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Speaker 3: plotline of a soap opera? I think days of our

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Speaker 3: lives home and away a few examples we have done

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Speaker 3: this before of some soap opera moments in real life.

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Speaker 7: I started being a mechanic who fixed my car, and

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Speaker 7: then all.

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Speaker 8: Of a sudden, about three or four months later.

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Speaker 3: A message from his wife is fully in there.

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Speaker 7: Oh he fixed my part.

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Speaker 4: On with her.

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Speaker 3: Going the mechanic with a wife soap opera moment. Let's

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Speaker 3: go to an anonymous caller here. This always gets me going.

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Speaker 3: Will when someone feels the need to hide their name anonymous?

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Speaker 3: What's your soap opera moment in real life?

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Speaker 2: Hi?

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Speaker 8: I was out at a nightclub one night having a

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Speaker 8: little dance after separating or breaking up divorcing my husband,

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Speaker 8: my ex husband, and I was approached by a lovely

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Speaker 8: lady and dancing around me, and she asked me if

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Speaker 8: I swing both ways? And I did recognize her, and

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Speaker 8: she I said, do you not recognize me? And then

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Speaker 8: she it dawned on her that I was her my

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Speaker 8: ex husband. It's her new girlfriend, his new girlfriend, and

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Speaker 8: I'm his ex. So yeah, it was a little awkward.

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Speaker 8: I think she may have been asking me to come

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Speaker 8: home with her to be and him Oh.

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Speaker 7: Wow, awkward.

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Speaker 3: So yeah, did you did your kiss?

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Speaker 8: Oh no, no, no, no, no, I sort of I

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Speaker 8: recognized them. It took me a few minutes to go, oh,

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Speaker 8: my goodness, it's not no, this is not happening.

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Speaker 1: For the question I felt off, for the questions off

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Speaker 1: that did fill off.

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Speaker 3: I apologize. I felt like I think everyone just wanted

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Speaker 3: to know in their cars, like I wonder what happened there.

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Speaker 3: Let's go to Stephanie. Here, Steph soap opera moment in

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Speaker 3: real life. This is about your dad.

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Speaker 7: Hey, yeah, So my dad is the youngest of his brothers.

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Speaker 7: He had a crush on a girl when he was

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Speaker 7: eighteen and invited her to his birthday. She then hooked

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Speaker 7: up with his oldest brother at the birthday.

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Speaker 1: Later on, at the birthday.

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Speaker 7: Yeah, at the birthday that she then married there the

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Speaker 7: middle brother.

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Speaker 1: Oh my god, my god, it gets worse.

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Speaker 7: Three kids with him, Yeah, convorced him, and now she's

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Speaker 7: married to one of their cousins and has two kids

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Speaker 7: with him.

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Speaker 3: She's going through the family.

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Speaker 1: He's going through the family. Guy, Oh wow, what does

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Speaker 1: your grandma think of her? Step They were.

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Speaker 7: They're quite old school, so they were they weren't here.

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Speaker 1: Yeah, So it's like she gets hevil.

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Speaker 3: She has cut from the family family Christmas, and then

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Speaker 3: she's back at family Christmas. And interesting, isn't it. Al's

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Speaker 3: going to dione him Now these wild stories, guys, Dione

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00:16:33,960 --> 00:16:34,760
Speaker 3: dion is it?

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Speaker 4: Is it? Yeah?

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Speaker 2: It is?

355
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Speaker 3: Yeah? Fair enough, fair enough, we're good, mate, We're good.

356
00:16:40,320 --> 00:16:41,000
Speaker 3: What's your story?

357
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Speaker 6: Oh, I'm going to check going back there ten years

358
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Speaker 6: agoing there and end up doing a few favors. And

359
00:16:48,120 --> 00:16:50,080
Speaker 6: I was at her mother's for years. One year I

360
00:16:50,120 --> 00:16:52,480
Speaker 6: got in, brought into the party and next to you know,

361
00:16:52,560 --> 00:16:54,600
Speaker 6: I hooked up with a mother and a couple of

362
00:16:54,640 --> 00:16:57,120
Speaker 6: weeks later, mum brought me a Harley and things fell

363
00:16:57,160 --> 00:16:59,440
Speaker 6: apart betwy us and she said, I borrow an attitude

364
00:16:59,480 --> 00:17:01,600
Speaker 6: block a tour eight year old daughter. So wait later

365
00:17:01,680 --> 00:17:04,400
Speaker 6: I was and they're fixing our hat ended up saying

366
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Speaker 6: ear for three years while so you know, I was

367
00:17:06,240 --> 00:17:09,719
Speaker 6: running a mother's ex husband's pub in Royal, Royston and Richmond.

368
00:17:10,160 --> 00:17:12,040
Speaker 6: And then the youngest daughter that I met him always

369
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Speaker 6: through said you're flighting with you, mum, you're playing with

370
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Speaker 6: your sister. You haven't been with met yet. No, always

371
00:17:16,520 --> 00:17:19,119
Speaker 6: Joe gets you off pretty word. Twelve months ago it happened.

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00:17:24,760 --> 00:17:29,280
Speaker 2: It's will It Woodies, Fogus cabbies for Jonahs brothers.

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00:17:31,680 --> 00:17:34,560
Speaker 1: Are the Jonahs brothers. They're going to be here really soon. Actually,

374
00:17:34,640 --> 00:17:36,920
Speaker 1: Joe Jonas is in town. He's been watching our Instagram.

375
00:17:37,000 --> 00:17:38,959
Speaker 1: Story's not getting back to us. I'm not sure why

376
00:17:39,080 --> 00:17:39,800
Speaker 1: can't figure that out?

377
00:17:39,880 --> 00:17:42,159
Speaker 2: In Bond Nye the boy are like, it's because we've

378
00:17:42,200 --> 00:17:44,399
Speaker 2: got to twenty five year old women running our socials

379
00:17:44,440 --> 00:17:45,040
Speaker 2: and they might.

380
00:17:44,920 --> 00:17:47,399
Speaker 1: Have pestered him, but oh that's a shame, that is

381
00:17:47,440 --> 00:17:49,280
Speaker 1: a shame. And then they don't know where the line is.

382
00:17:49,480 --> 00:17:51,800
Speaker 3: If you're listening, Joe, get around us.

383
00:17:51,960 --> 00:17:55,119
Speaker 2: Come on mate, anyway, look what we are going to

384
00:17:55,160 --> 00:17:56,600
Speaker 2: do right now is give away some tickets to go

385
00:17:56,600 --> 00:17:58,320
Speaker 2: and see the Jonahs brothers. The way this works, as

386
00:17:58,359 --> 00:18:01,000
Speaker 2: you just heard it is a boguss for Jonas brothers.

387
00:18:01,000 --> 00:18:03,720
Speaker 2: Woulds you and I do a cover of a song

388
00:18:04,200 --> 00:18:06,240
Speaker 2: that is done by brothers.

389
00:18:06,119 --> 00:18:09,720
Speaker 3: Not necessarily the Jonas Brothers, just brothers. But we don't

390
00:18:09,760 --> 00:18:12,159
Speaker 3: get the song until right now, and then we have

391
00:18:13,400 --> 00:18:16,000
Speaker 3: the time of the next song to prepare that. And

392
00:18:16,080 --> 00:18:18,800
Speaker 3: then if you know the song we're performing, you call

393
00:18:18,960 --> 00:18:20,840
Speaker 3: us and then you go to the Jonas Brothers. Okay,

394
00:18:21,000 --> 00:18:22,240
Speaker 3: you ready to have a look.

395
00:18:22,960 --> 00:18:25,000
Speaker 1: Just as an example, this was yesterday.

396
00:18:25,840 --> 00:18:31,040
Speaker 3: Ah, I was stand.

397
00:18:34,200 --> 00:18:35,480
Speaker 1: You with e bra Re.

398
00:18:36,400 --> 00:18:37,080
Speaker 4: You think you know.

399
00:18:38,640 --> 00:18:39,280
Speaker 2: You know the song?

400
00:18:39,400 --> 00:18:40,800
Speaker 1: Re is it?

401
00:18:40,960 --> 00:18:41,920
Speaker 8: Never tear us apart?

402
00:18:42,000 --> 00:18:45,560
Speaker 1: By ok here you go.

403
00:18:45,680 --> 00:18:47,280
Speaker 2: Now, all we've got to work with in here would

404
00:18:47,720 --> 00:18:51,360
Speaker 2: your very rusty vocals and a Panasonic kaz two point

405
00:18:51,359 --> 00:18:55,680
Speaker 2: fifty keyboard which has got about one hundred different instruments

406
00:18:55,760 --> 00:18:57,119
Speaker 2: on it. So that's all we've got to figure out.

407
00:18:57,160 --> 00:18:58,719
Speaker 2: We've got three minutes. We've got the song here, We've

408
00:18:58,720 --> 00:19:00,399
Speaker 2: got to figure out what instrument we're going to playing

409
00:19:00,440 --> 00:19:00,679
Speaker 2: it on.

410
00:19:03,560 --> 00:19:07,720
Speaker 3: Kings of Leon we're doing. Oh no, I've ruined it,

411
00:19:10,840 --> 00:19:17,280
Speaker 3: he said, the song bring us a new song. You've

412
00:19:17,320 --> 00:19:19,159
Speaker 3: got to get us a new song, quick.

413
00:19:19,600 --> 00:19:22,920
Speaker 1: Quick, surely we just got it.

414
00:19:25,640 --> 00:19:28,880
Speaker 2: We're gonna a new song, kidding quick, all right, they're

415
00:19:28,880 --> 00:19:29,760
Speaker 2: going to get us a new song.

416
00:19:29,800 --> 00:19:31,359
Speaker 3: Guys, it's not Kings of Leon, I.

417
00:19:31,400 --> 00:19:34,200
Speaker 1: Can tell you that much, idiot. I know those chords

418
00:19:34,240 --> 00:19:35,240
Speaker 1: as well, Willa Woody.

419
00:19:38,040 --> 00:19:40,479
Speaker 3: But if you have just joined us, Unfortunately I got

420
00:19:40,520 --> 00:19:42,920
Speaker 3: excited and said the name of the song before the

421
00:19:43,000 --> 00:19:44,720
Speaker 3: song starts. So we've only had half a song to

422
00:19:44,760 --> 00:19:48,199
Speaker 3: prepare a new song. Anyway, We've got Emma and Adele

423
00:19:48,320 --> 00:19:52,480
Speaker 3: here high ladies. Okay, So ladies, the way this works,

424
00:19:53,400 --> 00:19:56,600
Speaker 3: you'll hear a ding at some point. Okay. From that

425
00:19:56,720 --> 00:20:00,280
Speaker 3: point on, if you think you know the song, say

426
00:20:00,320 --> 00:20:04,639
Speaker 3: your name. Okay, your name is your buzzer. If you

427
00:20:04,760 --> 00:20:07,600
Speaker 3: get the song right, you get a double pass to

428
00:20:07,680 --> 00:20:08,560
Speaker 3: the Jonas brothers.

429
00:20:10,040 --> 00:20:13,320
Speaker 2: Oh my god, I apologies in advancy, guys. I'm not

430
00:20:13,400 --> 00:20:15,639
Speaker 2: sure if you heard before, but would he completely butchered

431
00:20:15,680 --> 00:20:16,440
Speaker 2: our original songs?

432
00:20:16,480 --> 00:20:18,560
Speaker 1: So we had only a minute to prepare this?

433
00:20:19,720 --> 00:20:23,800
Speaker 3: Yeah, as my bad. Okay, well, it was standing great

434
00:20:23,880 --> 00:20:25,200
Speaker 3: in that little minute.

435
00:20:25,040 --> 00:20:26,840
Speaker 1: That we did. There, No, it wasn't. It was.

436
00:20:37,280 --> 00:20:37,520
Speaker 6: All right.

437
00:20:37,560 --> 00:20:37,960
Speaker 8: Here we go.

438
00:20:39,560 --> 00:20:40,240
Speaker 1: Two days.

439
00:20:40,359 --> 00:20:42,760
Speaker 3: It's gonna be the day that they're gonna throw it

440
00:20:42,880 --> 00:20:47,600
Speaker 3: back to you by now you should have somehow be

441
00:20:47,680 --> 00:20:54,240
Speaker 3: your last. But you gotta do. I don't believe anybody's

442
00:20:54,320 --> 00:20:56,320
Speaker 3: the way I do about you.

443
00:20:56,560 --> 00:20:59,359
Speaker 1: Now the second, let me just figure out what that

444
00:20:59,440 --> 00:21:01,040
Speaker 1: cord is because about your.

445
00:21:02,400 --> 00:21:06,159
Speaker 3: Nice I've got the drums to come in yet and

446
00:21:06,280 --> 00:21:09,560
Speaker 3: bag and bag being the words on the street that

447
00:21:09,680 --> 00:21:13,359
Speaker 3: the fire. I mean, your heart is out. I'm sure

448
00:21:13,520 --> 00:21:18,520
Speaker 3: you've heard it O before, but you never really carried

449
00:21:18,520 --> 00:21:20,119
Speaker 3: away when the drums came in.

450
00:21:20,240 --> 00:21:22,000
Speaker 1: You know, we get carried away. What do you think

451
00:21:22,040 --> 00:21:22,240
Speaker 1: it is?

452
00:21:23,200 --> 00:21:24,200
Speaker 3: What do you think it is? Adele?

453
00:21:26,920 --> 00:21:27,240
Speaker 7: It is.

454
00:21:29,280 --> 00:21:33,280
Speaker 2: Now? I say I've been I've been giving some crap

455
00:21:33,359 --> 00:21:33,880
Speaker 2: music there.

456
00:21:35,240 --> 00:21:35,440
Speaker 7: Great.

457
00:21:36,080 --> 00:21:37,720
Speaker 3: Do you want to give me a bit of Kings

458
00:21:37,720 --> 00:21:39,960
Speaker 3: of Lund? Because that's that was the O G. And

459
00:21:40,080 --> 00:21:41,600
Speaker 3: you were more confident about Kings of.

460
00:21:41,960 --> 00:21:44,160
Speaker 1: That was a bit more and my reputation Adel.

461
00:21:44,200 --> 00:21:49,280
Speaker 3: You're going to see Jonas brothers. Congratulations, So we focus

462
00:21:49,359 --> 00:21:50,840
Speaker 3: more on singing ability.

463
00:21:50,960 --> 00:21:53,840
Speaker 1: Sorry about that? Very good, Well done, you're going okay?

464
00:21:54,160 --> 00:21:56,359
Speaker 3: So do you want to go for the Kings of Lownd?

465
00:21:56,400 --> 00:22:00,080
Speaker 1: It's pretty fast, isn't it? Is?

466
00:22:00,119 --> 00:22:00,159
Speaker 2: That?

467
00:22:00,280 --> 00:22:00,920
Speaker 1: Is that too quick?

468
00:22:01,240 --> 00:22:02,800
Speaker 3: I don't know, I don't know. The song that well

469
00:22:04,160 --> 00:22:04,800
Speaker 3: you pointed me.

470
00:22:14,040 --> 00:22:26,080
Speaker 1: Absolutely not hear some problem music? Whoa that was really

471
00:22:26,200 --> 00:22:29,240
Speaker 1: bad And that's what happens. You know, the producers they've

472
00:22:29,280 --> 00:22:30,040
Speaker 1: got one job.

473
00:22:30,720 --> 00:22:31,520
Speaker 3: Sorry you stuff that?

474
00:22:31,600 --> 00:22:33,280
Speaker 1: What do you say that song? I did?

475
00:22:35,320 --> 00:22:35,639
Speaker 6: All right?

476
00:22:36,960 --> 00:22:38,399
Speaker 1: That gets better and better than I think. I might

477
00:22:38,480 --> 00:22:43,760
Speaker 1: need a guitar if anyone's got to acoustic guitar? Can

478
00:22:43,800 --> 00:22:44,720
Speaker 1: they ship that into us?

479
00:22:44,960 --> 00:22:45,040
Speaker 8: Love?

480
00:22:45,160 --> 00:22:46,439
Speaker 1: Hit us up with him? What he on the socials?

481
00:22:46,480 --> 00:22:50,760
Speaker 1: And another instrument in here? But Woods today? Well we

482
00:22:50,880 --> 00:22:51,600
Speaker 1: do we do?

483
00:22:51,880 --> 00:22:52,040
Speaker 7: You know?

484
00:22:52,680 --> 00:22:56,040
Speaker 1: Now? Woods, it's a very very special day today. Can

485
00:22:56,080 --> 00:22:56,800
Speaker 1: you guess what that is?

486
00:22:58,600 --> 00:23:02,879
Speaker 3: Uh O were into the Olympics, the girls.

487
00:23:04,000 --> 00:23:06,160
Speaker 2: I'm not talking about like a news event. I'm talking

488
00:23:06,200 --> 00:23:09,680
Speaker 2: about like the calendar day. Today is a special day.

489
00:23:11,400 --> 00:23:13,840
Speaker 1: Leap year, leap day, leap year, leap day.

490
00:23:15,440 --> 00:23:16,600
Speaker 3: Now I have bloody been that.

491
00:23:16,680 --> 00:23:20,000
Speaker 1: That's huge. Well you've got a good start. Do you

492
00:23:20,160 --> 00:23:24,439
Speaker 1: know why we why it is a leap day? Why

493
00:23:24,520 --> 00:23:27,080
Speaker 1: we have a leap day once every four years.

494
00:23:27,720 --> 00:23:30,720
Speaker 3: Because for three on three years there isn't a twenty ninth.

495
00:23:32,520 --> 00:23:33,879
Speaker 1: Yes, yes, that's that.

496
00:23:34,080 --> 00:23:35,040
Speaker 3: I think that's give me the ding.

497
00:23:35,119 --> 00:23:36,680
Speaker 1: I think that's what I think. That's give me the

498
00:23:37,920 --> 00:23:40,040
Speaker 1: I think that's what it is. I think that's what.

499
00:23:41,160 --> 00:23:44,200
Speaker 3: Do you know, why, oh, why we dropped the day

500
00:23:44,320 --> 00:23:45,240
Speaker 3: for three years straight?

501
00:23:45,400 --> 00:23:48,160
Speaker 1: Yes? Or why we add the day for a fourth

502
00:23:48,240 --> 00:23:49,560
Speaker 1: year on the fourth.

503
00:23:49,400 --> 00:23:53,399
Speaker 3: Year in February in summer?

504
00:23:54,240 --> 00:23:59,160
Speaker 2: Yes, summer, it's well winter for the northern hemisphere. Daylight

505
00:23:59,280 --> 00:24:01,520
Speaker 2: saving daylight saving?

506
00:24:02,080 --> 00:24:02,359
Speaker 1: Okay?

507
00:24:02,880 --> 00:24:04,840
Speaker 2: What if I told you that this came into effect

508
00:24:05,320 --> 00:24:08,200
Speaker 2: in and around forty six BCE, So I don't know.

509
00:24:08,280 --> 00:24:10,560
Speaker 1: I don't know if the Romans were running with daylight saving.

510
00:24:10,400 --> 00:24:14,040
Speaker 3: But BCE before Christ? Yes, what is the E stand for?

511
00:24:14,160 --> 00:24:18,600
Speaker 1: There? They've changed it because they don't want historians are Christians?

512
00:24:18,760 --> 00:24:22,200
Speaker 3: Yeah? Okay, so forty six BCE, right, yeah, okay, I'm

513
00:24:22,240 --> 00:24:25,680
Speaker 3: going to say that someone very very, very very special

514
00:24:25,840 --> 00:24:26,280
Speaker 3: was born on.

515
00:24:26,320 --> 00:24:30,520
Speaker 2: That day now, on the twenty ninth, yes, of February. Okay,

516
00:24:30,840 --> 00:24:33,000
Speaker 2: but it's before Christ. Are you saying that Christ was

517
00:24:33,000 --> 00:24:33,720
Speaker 2: born on ninth?

518
00:24:33,840 --> 00:24:33,879
Speaker 4: No?

519
00:24:34,600 --> 00:24:36,280
Speaker 3: I didn't say Christ. It said something very important.

520
00:24:36,320 --> 00:24:37,080
Speaker 1: Well, who's important?

521
00:24:38,000 --> 00:24:38,160
Speaker 2: King?

522
00:24:38,480 --> 00:24:38,959
Speaker 3: Was there a king?

523
00:24:39,359 --> 00:24:41,280
Speaker 1: It was real king, It was ruling plenty, it was

524
00:24:41,359 --> 00:24:45,000
Speaker 1: ruly forty six told you Caesar an round?

525
00:24:45,200 --> 00:24:50,200
Speaker 3: Okay, Caesar's ruling. Caesar has a son. Caesar's son is

526
00:24:50,240 --> 00:24:53,480
Speaker 3: born on February the twenty ninth. Right, he thinks, to

527
00:24:53,600 --> 00:24:55,920
Speaker 3: make this day so special. I don't want other people

528
00:24:56,000 --> 00:24:58,760
Speaker 3: being born on February the twenty ninth. So it happened

529
00:24:58,840 --> 00:25:01,480
Speaker 3: three years off, three years off, because I want to

530
00:25:01,560 --> 00:25:05,040
Speaker 3: celebrate my son, because he's the only one who has

531
00:25:05,080 --> 00:25:07,160
Speaker 3: a birthday on the twenty ninth of February for three years.

532
00:25:07,240 --> 00:25:09,520
Speaker 3: And then and then after a while, I went, this

533
00:25:09,600 --> 00:25:13,359
Speaker 3: is getting a bit ready. You know what, Romes are

534
00:25:13,359 --> 00:25:15,920
Speaker 3: a republic. It's always been a dream of mine. It's

535
00:25:15,920 --> 00:25:19,160
Speaker 3: a republic. Are you going to have the dra from Gladdy? Yeah,

536
00:25:19,400 --> 00:25:21,160
Speaker 3: Rum's a republic. It's always been a dream of mine.

537
00:25:21,280 --> 00:25:22,360
Speaker 1: There was once a dream that was wrong.

538
00:25:22,480 --> 00:25:24,800
Speaker 3: And then yes, and that dream comes to life. And

539
00:25:24,840 --> 00:25:26,800
Speaker 3: then after the three years of no, I've been able

540
00:25:26,800 --> 00:25:28,360
Speaker 3: to be born on February twenty nine. He goes, we're

541
00:25:28,359 --> 00:25:31,639
Speaker 3: bringing it back because he couldn't be And then then

542
00:25:31,640 --> 00:25:33,240
Speaker 3: people could be born on February the twenty ninth.

543
00:25:33,359 --> 00:25:36,160
Speaker 1: All right, but we still stick to that now.

544
00:25:36,840 --> 00:25:41,520
Speaker 2: Well yeah, okay, so you think that the entire world,

545
00:25:42,760 --> 00:25:46,840
Speaker 2: ye only has feb twenty ninth once every four years. Yes,

546
00:25:47,119 --> 00:25:51,320
Speaker 2: Because Julius Caesar had a son yes, in forty six BCE. Yes,

547
00:25:51,880 --> 00:25:57,160
Speaker 2: And as a result, Yes, he didn't want anyone else

548
00:25:57,200 --> 00:25:58,840
Speaker 2: to have sons on the twenty ninth, so he got

549
00:25:58,920 --> 00:25:59,400
Speaker 2: rid of the date.

550
00:25:59,560 --> 00:26:01,879
Speaker 1: Yes, four years and we stick with that tradition.

551
00:26:02,080 --> 00:26:03,320
Speaker 3: Well, yeah, I think it was just it was in

552
00:26:03,400 --> 00:26:05,240
Speaker 3: the calendars. They made the calendars and was like, oh,

553
00:26:05,280 --> 00:26:07,280
Speaker 3: it's too late to change now, guys, that's happened now.

554
00:26:07,640 --> 00:26:10,000
Speaker 3: The Millons said that. I imagine, like, well, they do

555
00:26:10,119 --> 00:26:15,280
Speaker 3: all the futuristic calendars. So because they they they go

556
00:26:15,359 --> 00:26:20,080
Speaker 3: backwards do that? No, the Mayans they look into the future. Yeah,

557
00:26:20,280 --> 00:26:23,560
Speaker 3: so I jump in because you're am I clothes?

558
00:26:23,600 --> 00:26:24,240
Speaker 1: Am I warm?

559
00:26:24,960 --> 00:26:25,000
Speaker 2: No?

560
00:26:25,800 --> 00:26:28,960
Speaker 1: Not at all, No, like you're not even like yeah,

561
00:26:29,440 --> 00:26:31,440
Speaker 1: just okay, do you want to know? Because I think

562
00:26:31,440 --> 00:26:32,159
Speaker 1: it's pretty interesting.

563
00:26:33,760 --> 00:26:35,800
Speaker 3: So I really thought I was going to be close there.

564
00:26:36,000 --> 00:26:41,959
Speaker 2: Moses had a son in twelve ad Moses he went

565
00:26:42,000 --> 00:26:42,439
Speaker 2: down the river.

566
00:26:44,880 --> 00:26:47,560
Speaker 1: Sorry, I just wanted to play with No, there's got

567
00:26:47,680 --> 00:26:49,120
Speaker 1: nothing to do with anyone's sone. Okay.

568
00:26:49,200 --> 00:26:53,600
Speaker 2: So apparently the deal is very basically, the Earth doesn't

569
00:26:53,720 --> 00:26:56,840
Speaker 2: take exactly three hundred and fifty six, three hundred and

570
00:26:56,880 --> 00:27:00,200
Speaker 2: sixty five days to go around the sun. It's not

571
00:27:00,240 --> 00:27:03,280
Speaker 2: exactly three hundred and sixty five days. It's three hundred

572
00:27:03,280 --> 00:27:05,960
Speaker 2: and sixty five point two four two one nine days

573
00:27:06,359 --> 00:27:09,520
Speaker 2: to go around the sun, right, And so.

574
00:27:09,640 --> 00:27:11,959
Speaker 1: Because there's a slight it's slightly off.

575
00:27:12,040 --> 00:27:14,360
Speaker 2: They catch up every four year, compensate every four years

576
00:27:14,359 --> 00:27:15,600
Speaker 2: by just adding an extra day on.

577
00:27:15,800 --> 00:27:18,920
Speaker 3: So after three years we're pretty off. And then it's

578
00:27:18,960 --> 00:27:22,679
Speaker 3: like quick at a day, get back to scratch. Exactly interesting,

579
00:27:22,960 --> 00:27:23,399
Speaker 3: pretty good?

580
00:27:23,440 --> 00:27:23,640
Speaker 1: Right?

581
00:27:24,000 --> 00:27:24,119
Speaker 8: Is that?

582
00:27:24,400 --> 00:27:24,440
Speaker 3: Is?

583
00:27:24,480 --> 00:27:24,520
Speaker 8: That?

584
00:27:24,800 --> 00:27:27,040
Speaker 3: Did that start after we got hit by that media?

585
00:27:27,119 --> 00:27:28,399
Speaker 3: And that's why we're on a bit of an angle

586
00:27:28,600 --> 00:27:29,879
Speaker 3: because then we orbered on an angle.

587
00:27:30,160 --> 00:27:32,919
Speaker 2: No, that started in forty six BC when Julius Caason

588
00:27:33,000 --> 00:27:34,399
Speaker 2: noticed that, and then he was like, I think we

589
00:27:34,520 --> 00:27:36,440
Speaker 2: better fix this up. And he was like, one, don't

590
00:27:36,440 --> 00:27:39,240
Speaker 2: we just add an extra or he actually added originally

591
00:27:39,400 --> 00:27:42,520
Speaker 2: an extra quarter day, which would accumulate over every four years.

592
00:27:42,720 --> 00:27:44,560
Speaker 1: But adding an extra cord to day ridiculous.

593
00:27:44,640 --> 00:27:47,480
Speaker 3: Bed time everyone, Caesar, it's ten am in the morning.

594
00:27:47,600 --> 00:27:48,560
Speaker 1: This is a quarter day.

595
00:27:49,000 --> 00:27:49,760
Speaker 3: It's Thursday.

596
00:27:52,040 --> 00:27:56,000
Speaker 6: The computer is startings the world's worst.

597
00:27:56,600 --> 00:28:01,040
Speaker 2: Take support, good after it, everybody, and it is will

598
00:28:01,119 --> 00:28:04,000
Speaker 2: and what he all thanks to seek with better job

599
00:28:04,040 --> 00:28:04,880
Speaker 2: matches than ever before.

600
00:28:04,920 --> 00:28:08,560
Speaker 1: There was no secret. Simply seek and you shall find woods.

601
00:28:08,840 --> 00:28:10,680
Speaker 1: And right now.

602
00:28:12,680 --> 00:28:14,639
Speaker 2: We're doing World's Worst Tech Support. This is arguably my

603
00:28:14,760 --> 00:28:17,199
Speaker 2: favorite segment Wards Weekend. I mean, I thought you were

604
00:28:17,240 --> 00:28:19,320
Speaker 2: the worst person at tech in the world, but for

605
00:28:19,520 --> 00:28:22,520
Speaker 2: anyone over the age of eighty. So you team up,

606
00:28:22,800 --> 00:28:27,240
Speaker 2: You team up with these tech savvy coffin Dodgers, and

607
00:28:27,400 --> 00:28:29,000
Speaker 2: you have a crack at tech questions.

608
00:28:29,240 --> 00:28:31,439
Speaker 1: Yes, now, if you've been following this.

609
00:28:31,480 --> 00:28:35,639
Speaker 2: Segment, you'll know all about Harry, as he's a frequent

610
00:28:35,720 --> 00:28:37,399
Speaker 2: player here on World's Worst Tech Support.

611
00:28:37,520 --> 00:28:38,200
Speaker 3: We love Harry.

612
00:28:39,120 --> 00:28:39,840
Speaker 1: Harry love him.

613
00:28:39,840 --> 00:28:42,880
Speaker 2: He's a beautiful man. And he spent about three weeks.

614
00:28:43,120 --> 00:28:45,480
Speaker 2: It was a running bit. He spent about three weeks

615
00:28:45,520 --> 00:28:48,080
Speaker 2: trying to figure out how to merge a call on

616
00:28:48,160 --> 00:28:49,720
Speaker 2: his phone. I mean that was that was the challenge.

617
00:28:49,760 --> 00:28:51,360
Speaker 2: I said, Harry, can you merge a call? And then

618
00:28:51,440 --> 00:28:53,400
Speaker 2: can you physically show everyone how to do a call?

619
00:28:53,440 --> 00:28:54,080
Speaker 1: You need to prove it.

620
00:28:54,240 --> 00:28:56,480
Speaker 3: His wife was in the kitchen waiting, waiting to be.

621
00:28:57,520 --> 00:29:01,240
Speaker 1: Waiting for three weeks. Good luck, God speak.

622
00:29:01,640 --> 00:29:01,920
Speaker 8: Thank you.

623
00:29:02,560 --> 00:29:04,000
Speaker 3: Okay, here we go, here.

624
00:29:03,920 --> 00:29:04,320
Speaker 1: We keep.

625
00:29:06,880 --> 00:29:09,040
Speaker 3: So the way this works for we do lose Harry

626
00:29:09,120 --> 00:29:11,880
Speaker 3: for a little bit, don't we and then I think

627
00:29:11,920 --> 00:29:12,520
Speaker 3: he's still there.

628
00:29:13,000 --> 00:29:13,840
Speaker 1: He's definitely still there.

629
00:29:14,920 --> 00:29:25,400
Speaker 3: He's pounding me, Harry, still you carry We played to

630
00:29:25,440 --> 00:29:27,320
Speaker 3: fail there, that's not fair. He did nails.

631
00:29:27,320 --> 00:29:30,120
Speaker 1: He got it in the end. He bloody got it.

632
00:29:30,320 --> 00:29:32,360
Speaker 2: And I'm very happy to say that he is back

633
00:29:32,920 --> 00:29:34,640
Speaker 2: onto World's Worst Text Support.

634
00:29:34,680 --> 00:29:38,080
Speaker 1: Today we've got a brand new challenge for Harry. Right

635
00:29:38,200 --> 00:29:39,400
Speaker 1: up next on Well.

636
00:29:39,760 --> 00:29:41,480
Speaker 3: I'm not a question another test.

637
00:29:43,720 --> 00:29:45,360
Speaker 1: I think it was a lot of fun and I.

638
00:29:45,640 --> 00:29:45,880
Speaker 2: And I.

639
00:29:48,680 --> 00:29:51,680
Speaker 1: Harry is back to World's Worst Tech Support on Well

640
00:29:51,720 --> 00:29:52,040
Speaker 1: the Morning.

641
00:29:52,080 --> 00:29:55,360
Speaker 6: Welcome back, Harry, thank you, welcome back to Yes, thank

642
00:29:55,360 --> 00:29:55,960
Speaker 6: you very much.

643
00:29:56,080 --> 00:29:59,000
Speaker 3: Thank you so good to hear your voice, Harry. Now

644
00:29:59,080 --> 00:30:01,920
Speaker 3: before you bring it up up, the phone is coming.

645
00:30:02,000 --> 00:30:03,640
Speaker 3: We we did say we're going to get you a

646
00:30:03,760 --> 00:30:07,040
Speaker 3: new phone because you successfully merged a call. It's it's

647
00:30:07,240 --> 00:30:07,640
Speaker 3: on the way.

648
00:30:07,760 --> 00:30:09,840
Speaker 1: Yes, but fine, thank you.

649
00:30:11,360 --> 00:30:13,080
Speaker 2: Very nice, Thank you very much.

650
00:30:13,240 --> 00:30:14,880
Speaker 1: Of course you earned it.

651
00:30:15,040 --> 00:30:18,120
Speaker 2: You earned it, and we and we we we we

652
00:30:18,280 --> 00:30:20,400
Speaker 2: intend on keeping our promise there, mate, we will one

653
00:30:20,480 --> 00:30:24,480
Speaker 2: hundred brand spanker absolutely what he did suggest using his

654
00:30:24,560 --> 00:30:26,720
Speaker 2: old iPhone and I said that that's skulltorgory.

655
00:30:27,240 --> 00:30:29,880
Speaker 1: I didn't know. We o a brand new one. Yeah,

656
00:30:30,840 --> 00:30:33,120
Speaker 1: what number phone do you want? Harry? What iPhone number

657
00:30:33,160 --> 00:30:33,560
Speaker 1: do you want?

658
00:30:34,960 --> 00:30:35,080
Speaker 7: Oh?

659
00:30:35,200 --> 00:30:39,600
Speaker 6: Well, I am fifteen fifteen, ready to take.

660
00:30:42,400 --> 00:30:46,640
Speaker 3: Harry, fifteen much? How much room do you want it? Yeah?

661
00:30:46,680 --> 00:30:48,280
Speaker 1: What sort of what sort of space do you want

662
00:30:48,280 --> 00:30:49,440
Speaker 1: on it? Harry? Oh?

663
00:30:50,080 --> 00:30:52,080
Speaker 6: Whatever comes a standardbile do me?

664
00:30:52,400 --> 00:30:55,680
Speaker 2: Okay, okay, okay, great, excellent, awesome, And I think everything

665
00:30:55,760 --> 00:30:58,680
Speaker 2: comes with facial recognition. I think you've got the You

666
00:30:58,960 --> 00:31:01,160
Speaker 2: got the dynamic island on there as well, Harry, which

667
00:31:01,200 --> 00:31:01,680
Speaker 2: you can use?

668
00:31:01,880 --> 00:31:04,360
Speaker 8: Oh, very nice, so good.

669
00:31:05,960 --> 00:31:06,360
Speaker 6: One day?

670
00:31:08,320 --> 00:31:10,520
Speaker 3: All right now, Harry, we do have a new test

671
00:31:10,600 --> 00:31:14,480
Speaker 3: for you today though, Yes, I know you. Have you

672
00:31:14,720 --> 00:31:16,880
Speaker 3: ever heard this before?

673
00:31:17,240 --> 00:31:17,360
Speaker 2: Hi?

674
00:31:17,640 --> 00:31:20,760
Speaker 4: The person you have called is not available? Please leave

675
00:31:20,800 --> 00:31:23,800
Speaker 4: a short ten seconds message after the tone and will

676
00:31:23,840 --> 00:31:25,120
Speaker 4: send the messages a text.

677
00:31:25,880 --> 00:31:27,120
Speaker 3: Have you heard that before, Harry?

678
00:31:27,960 --> 00:31:28,760
Speaker 6: Plenty of times?

679
00:31:28,840 --> 00:31:29,000
Speaker 4: Yes?

680
00:31:29,640 --> 00:31:32,120
Speaker 3: How do you go leaving a message there? Because for

681
00:31:32,440 --> 00:31:39,080
Speaker 3: me personally, I get quite stressed in that situation, Harry.

682
00:31:39,720 --> 00:31:42,520
Speaker 1: Oh god, oh no. I think he's trying to merge

683
00:31:42,560 --> 00:31:49,640
Speaker 1: us again, Harry, Harry, Harry, I think he's muted us.

684
00:31:50,120 --> 00:31:53,560
Speaker 2: On hold, he's either mut We didn't even get to

685
00:31:53,560 --> 00:31:55,800
Speaker 2: give him the challenge, so he probably didn't.

686
00:31:57,400 --> 00:32:00,760
Speaker 1: He heard that. Maybe you just heard what he goes again.

687
00:32:01,400 --> 00:32:02,760
Speaker 3: I hate that robot voice.

688
00:32:03,480 --> 00:32:04,360
Speaker 1: Well, there's the old point.

689
00:32:04,440 --> 00:32:07,280
Speaker 2: For someone his age, leaving a ten second voice to

690
00:32:07,360 --> 00:32:08,440
Speaker 2: text is going to be a nightmare.

691
00:32:08,560 --> 00:32:10,920
Speaker 1: He's back, he's back hereous, How are you there?

692
00:32:11,480 --> 00:32:12,480
Speaker 6: Yes, I'm here right?

693
00:32:12,520 --> 00:32:13,320
Speaker 3: Well, what happened?

694
00:32:14,040 --> 00:32:14,160
Speaker 1: Oh?

695
00:32:14,200 --> 00:32:15,920
Speaker 6: I think I touched the phone with my ear?

696
00:32:16,080 --> 00:32:16,280
Speaker 2: Yeah?

697
00:32:16,880 --> 00:32:17,360
Speaker 1: Can it happen?

698
00:32:17,960 --> 00:32:21,200
Speaker 2: Okay, Harry, we would love for you to try and

699
00:32:21,320 --> 00:32:23,720
Speaker 2: leave a ten second voice to text yep.

700
00:32:24,000 --> 00:32:24,320
Speaker 1: Okay.

701
00:32:25,160 --> 00:32:29,840
Speaker 2: So what we're going to do is you're going to

702
00:32:29,880 --> 00:32:32,240
Speaker 2: hang up on us, and then we've sent you a

703
00:32:32,360 --> 00:32:33,120
Speaker 2: number to call.

704
00:32:33,440 --> 00:32:35,520
Speaker 6: Okay, you have, that's right, great, okay, So.

705
00:32:35,560 --> 00:32:37,800
Speaker 1: When you call that number, that number is a ten

706
00:32:37,960 --> 00:32:40,400
Speaker 1: second voice to text number. Okay.

707
00:32:40,840 --> 00:32:42,920
Speaker 2: Now, now here's the thing, Harry. It's going to say,

708
00:32:42,960 --> 00:32:44,440
Speaker 2: leave a ten second voice to text message.

709
00:32:45,040 --> 00:32:45,800
Speaker 1: What you want?

710
00:32:45,880 --> 00:32:47,960
Speaker 2: What we want you to try and explain in that

711
00:32:48,160 --> 00:32:51,800
Speaker 2: ten seconds. This is the challenge, right, can you explain

712
00:32:51,960 --> 00:32:54,600
Speaker 2: in ten seconds in a ten second voice to text

713
00:32:54,640 --> 00:32:58,000
Speaker 2: message how to merge a call?

714
00:32:58,880 --> 00:33:02,560
Speaker 6: I'll give it my best, Harry.

715
00:33:02,680 --> 00:33:05,560
Speaker 1: Well, get work, all right, mate, Well we'll be these things.

716
00:33:05,600 --> 00:33:09,520
Speaker 2: So good luck, okay, okay, thank you, good luck Harry,

717
00:33:11,240 --> 00:33:14,520
Speaker 2: Hi all, okay, well the number you can go down?

718
00:33:14,680 --> 00:33:15,479
Speaker 3: Okay, hang up.

719
00:33:17,760 --> 00:33:19,320
Speaker 1: They just take so long to hang up the phone,

720
00:33:19,320 --> 00:33:19,920
Speaker 1: don't they? Okay?

721
00:33:20,080 --> 00:33:23,600
Speaker 3: By now, no, I just he was just looking for

722
00:33:23,640 --> 00:33:24,240
Speaker 3: the hang up button.

723
00:33:25,120 --> 00:33:25,280
Speaker 8: Hang.

724
00:33:27,440 --> 00:33:30,600
Speaker 2: Keep in mind he involuntarily hung up with his own

725
00:33:30,640 --> 00:33:34,880
Speaker 2: volition before, so we may never we might have to

726
00:33:35,240 --> 00:33:35,880
Speaker 2: if we don't hear.

727
00:33:35,760 --> 00:33:36,880
Speaker 1: For a minute, a minute or here he is?

728
00:33:37,400 --> 00:33:37,760
Speaker 4: Here is?

729
00:33:38,040 --> 00:33:39,360
Speaker 1: Here is Okay, here we go. We've got a lot

730
00:33:39,440 --> 00:33:39,959
Speaker 1: set up here.

731
00:33:42,640 --> 00:33:45,920
Speaker 4: Hi, the person you have called is not available. Please

732
00:33:46,000 --> 00:33:48,960
Speaker 4: leave a short ten seconds message after the tone, and

733
00:33:49,080 --> 00:33:50,520
Speaker 4: we'll send the message as a text.

734
00:33:52,720 --> 00:33:56,520
Speaker 6: You answer the call at tall, do the number after

735
00:33:56,880 --> 00:33:59,840
Speaker 6: person answers, hit merged call and wait three seconds.

736
00:34:01,120 --> 00:34:03,880
Speaker 4: Your voice message is being converted to text. It will

737
00:34:03,920 --> 00:34:05,040
Speaker 4: be centers in SMS.

738
00:34:10,000 --> 00:34:12,839
Speaker 1: Pretty good, Okay, I don't know how I know if

739
00:34:12,880 --> 00:34:14,399
Speaker 1: he can hear its just yet. We're gonna, we're gonna.

740
00:34:14,680 --> 00:34:16,400
Speaker 1: What we're going to do is we're going to because

741
00:34:16,400 --> 00:34:18,600
Speaker 1: we got because I think he's not I think he's

742
00:34:20,360 --> 00:34:22,200
Speaker 1: done better myself from a manual.

743
00:34:22,239 --> 00:34:24,440
Speaker 2: What we're going to do is we're going to read

744
00:34:25,400 --> 00:34:28,640
Speaker 2: because we've obviously converted this to text message. So the

745
00:34:28,760 --> 00:34:31,959
Speaker 2: ultimate test here when we read is when we read

746
00:34:32,040 --> 00:34:34,920
Speaker 2: out the actual message back to Harry, whether or not

747
00:34:35,080 --> 00:34:40,239
Speaker 2: it has successfully been converted into a concise, clear, understandable text.

748
00:34:40,320 --> 00:34:40,960
Speaker 8: This is this is it?

749
00:34:41,600 --> 00:34:43,359
Speaker 1: Okay? Are we ready? Yeah?

750
00:34:44,920 --> 00:34:45,240
Speaker 3: Harry?

751
00:34:46,440 --> 00:34:46,960
Speaker 1: Yes, mate.

752
00:34:47,000 --> 00:34:50,640
Speaker 2: I want to start by saying, we heard that unbelievable.

753
00:34:50,960 --> 00:34:53,439
Speaker 2: That was like, that was like James Bond.

754
00:34:53,719 --> 00:34:56,759
Speaker 1: You were in, you were out, you were schlick, stayed calm,

755
00:34:56,960 --> 00:34:58,000
Speaker 1: calm under pressure.

756
00:34:58,239 --> 00:34:59,440
Speaker 3: How did it feel for you, Harry?

757
00:35:01,000 --> 00:35:01,200
Speaker 8: Good?

758
00:35:01,560 --> 00:35:02,719
Speaker 1: Felt good, felt good?

759
00:35:02,920 --> 00:35:04,640
Speaker 2: We thought you were red hot mate, and we want

760
00:35:04,680 --> 00:35:06,800
Speaker 2: to get around you. But the ultimate test here is

761
00:35:07,320 --> 00:35:10,800
Speaker 2: did it get converted to a text message? Does the

762
00:35:10,840 --> 00:35:11,919
Speaker 2: text message make sense?

763
00:35:12,400 --> 00:35:13,360
Speaker 1: Okay, here we go.

764
00:35:14,080 --> 00:35:16,080
Speaker 3: The text message in front of me. I'm reading this

765
00:35:16,239 --> 00:35:17,280
Speaker 3: word for word, Harry.

766
00:35:17,440 --> 00:35:17,920
Speaker 1: Here we go.

767
00:35:19,760 --> 00:35:23,879
Speaker 3: You answer the call, ed call, dial the number, Arthur

768
00:35:24,280 --> 00:35:28,640
Speaker 3: personal answers, hit merge call and wait three seconds.

769
00:35:28,880 --> 00:35:29,120
Speaker 6: Done?

770
00:35:30,400 --> 00:35:33,200
Speaker 3: Pretty cool, Pretty good? I mean that's on the technology,

771
00:35:33,280 --> 00:35:35,560
Speaker 3: isn't it. I thought you were clearer than that area.

772
00:35:36,320 --> 00:35:37,000
Speaker 3: You didn't say.

773
00:35:39,280 --> 00:35:40,280
Speaker 8: I didn't say half.

774
00:35:42,880 --> 00:35:47,520
Speaker 3: I must have said for not halfer. Yeah, that's that's tiff.

775
00:35:48,000 --> 00:35:53,239
Speaker 2: It said that you said ed as We thought you

776
00:35:53,320 --> 00:35:57,040
Speaker 2: were great, unreal?

777
00:35:57,360 --> 00:36:00,880
Speaker 1: Thank you so good, thanks, technology is fluid.

778
00:36:02,719 --> 00:36:05,120
Speaker 2: That's that's just classic tech, isn't it, Harry, Just just

779
00:36:05,280 --> 00:36:06,320
Speaker 2: technology in general.

780
00:36:06,400 --> 00:36:11,279
Speaker 1: Right, great to have you on the show mate,