1 00:00:00,280 --> 00:00:03,320 Speaker 1: It's a special Will and Woody podcast mini. 2 00:00:03,720 --> 00:00:06,480 Speaker 2: Easily one of the most scarring things I've seen in 3 00:00:06,519 --> 00:00:09,440 Speaker 2: the news for a long time. Doesn't matter how many 4 00:00:09,960 --> 00:00:13,440 Speaker 2: mass issues that can happen. As soon as an issue 5 00:00:13,480 --> 00:00:16,200 Speaker 2: is made personable and you can put yourself in the 6 00:00:16,200 --> 00:00:19,720 Speaker 2: person's shoes and you feel for them, then the sorts 7 00:00:19,720 --> 00:00:23,120 Speaker 2: of news stories that is this accidental shooting that Alec 8 00:00:23,160 --> 00:00:25,639 Speaker 2: Borwin perpetrated is just the sort of thing that just 9 00:00:25,680 --> 00:00:27,960 Speaker 2: makes your toes cirk curl. 10 00:00:28,200 --> 00:00:29,840 Speaker 3: Oh, you hoped it was a joke or you hoped 11 00:00:29,880 --> 00:00:32,080 Speaker 3: it was clickbait, to be honest, but it wasn't clickbait 12 00:00:32,080 --> 00:00:34,360 Speaker 3: at all. And I think a lot of the questions 13 00:00:34,440 --> 00:00:37,760 Speaker 3: that we're all asking is how on earth something like 14 00:00:37,800 --> 00:00:39,960 Speaker 3: this happens on a movie set where there would be 15 00:00:39,960 --> 00:00:43,879 Speaker 3: a prop master controlling guns with blanks, etc. So to 16 00:00:43,920 --> 00:00:45,760 Speaker 3: speak to that a little bit, where You've got a 17 00:00:45,800 --> 00:00:49,840 Speaker 3: man called Joseph Fisher who joins us on the phone 18 00:00:49,880 --> 00:00:52,920 Speaker 3: right now from New York. He's not only a prop 19 00:00:53,000 --> 00:00:56,800 Speaker 3: master for movies, but he has also been an LAPD detective. 20 00:00:57,200 --> 00:01:01,040 Speaker 3: He's a retired LAPD detective twenty five years he was that. 21 00:01:01,120 --> 00:01:04,440 Speaker 3: But Joe, you join us right now, And our first question, mate, 22 00:01:04,600 --> 00:01:06,960 Speaker 3: is how does something like this happen? 23 00:01:07,319 --> 00:01:10,080 Speaker 1: There are so many checks and balances that we have 24 00:01:10,280 --> 00:01:13,479 Speaker 1: on a film set when it comes to dealing with weapons, 25 00:01:14,280 --> 00:01:17,920 Speaker 1: that there's something like this to happen. It had to 26 00:01:17,959 --> 00:01:22,880 Speaker 1: be a catastrophic failure of policy and procedure, and that's 27 00:01:22,920 --> 00:01:26,760 Speaker 1: the only way this could happen where a live round 28 00:01:27,080 --> 00:01:31,600 Speaker 1: was possibly allowed on set and introduced to a proper weapon. 29 00:01:33,240 --> 00:01:35,400 Speaker 2: Is there any sense from you that there's any sort 30 00:01:35,400 --> 00:01:37,920 Speaker 2: of foul play involved here at Old Joseph. 31 00:01:38,160 --> 00:01:40,759 Speaker 1: It doesn't appear to be at this time. I know 32 00:01:40,920 --> 00:01:45,080 Speaker 1: the New Mexico law enforcement agents are handling that part 33 00:01:45,080 --> 00:01:48,360 Speaker 1: of the investigation right now to make sure that it 34 00:01:48,520 --> 00:01:52,440 Speaker 1: is an accident and a mishap rather than something intentional. 35 00:01:53,720 --> 00:01:58,560 Speaker 3: So, Joe, you are a propmaster for films where there 36 00:01:58,600 --> 00:02:06,080 Speaker 3: are weapons, more specifically guns being involved there. Given your 37 00:02:06,120 --> 00:02:08,960 Speaker 3: experience there, if you were working on this movie, would 38 00:02:08,960 --> 00:02:12,279 Speaker 3: would you be the one who's responsible in that situation 39 00:02:12,480 --> 00:02:15,240 Speaker 3: for handing over Alec Baldwin a gun with blanks in it? 40 00:02:15,880 --> 00:02:19,240 Speaker 1: Yes, I would be. Typically there's only two people on 41 00:02:19,400 --> 00:02:22,520 Speaker 1: set who would be handing the weapon to an actor. 42 00:02:23,240 --> 00:02:26,119 Speaker 1: One would be a prop master. The second would be 43 00:02:26,200 --> 00:02:30,680 Speaker 1: the set armorer who's responsible for the ammunition and the 44 00:02:30,720 --> 00:02:34,880 Speaker 1: weapons themselves. Right, Typically on a film set, you wouldn't 45 00:02:35,000 --> 00:02:38,880 Speaker 1: have a director or an assistant director grabbing a gun 46 00:02:39,240 --> 00:02:41,960 Speaker 1: from the gun cart and handing it to the actor. 47 00:02:42,400 --> 00:02:47,959 Speaker 3: And sorry, Joseph, is that what happened in this particular situation. 48 00:02:47,960 --> 00:02:51,600 Speaker 1: Yes, it was. Apparently there were three weapons on the 49 00:02:51,639 --> 00:02:55,840 Speaker 1: weapon cart, which was left unattended from what we're being told, 50 00:02:56,280 --> 00:02:59,200 Speaker 1: and the assistant director went to get one of the 51 00:02:59,240 --> 00:03:03,120 Speaker 1: weapons for out Bold went to practice with and rehearse with, 52 00:03:04,360 --> 00:03:05,960 Speaker 1: and that's when it occurred. 53 00:03:06,960 --> 00:03:12,679 Speaker 2: Oh Jesus, wow. Yeah, it's just hard to hear, isn't. 54 00:03:12,680 --> 00:03:17,200 Speaker 2: Apparently he was just hysterical for hours afterwards. Have you 55 00:03:17,240 --> 00:03:19,519 Speaker 2: ever shot someone, Joseph Am, I allowed to ask. 56 00:03:19,400 --> 00:03:22,639 Speaker 1: You that you personally, No, I have not. I've been 57 00:03:22,680 --> 00:03:25,760 Speaker 1: in a position where I came very close while on 58 00:03:25,880 --> 00:03:30,960 Speaker 1: patrol of New York City. Yeah, and it's a gut 59 00:03:31,000 --> 00:03:35,520 Speaker 1: wrenching moment when you're trying to decide within a split 60 00:03:35,560 --> 00:03:37,800 Speaker 1: second whether you're going to pull trigger or not in 61 00:03:37,920 --> 00:03:41,840 Speaker 1: line of duty in the defense and protect human life. 62 00:03:42,480 --> 00:03:45,240 Speaker 1: So I can't imagine what he's going through right now 63 00:03:46,280 --> 00:03:47,760 Speaker 1: as a perfessonal. 64 00:03:47,240 --> 00:03:51,760 Speaker 2: Actor, particularly because he hasn't got that justification to lean 65 00:03:51,840 --> 00:03:53,600 Speaker 2: back on now, Like he can't say all while I 66 00:03:53,640 --> 00:03:55,480 Speaker 2: was defending someone, or I was doing it in the 67 00:03:55,480 --> 00:03:57,720 Speaker 2: line of judy or whatever it is. It's like, this 68 00:03:57,880 --> 00:04:01,840 Speaker 2: is just an accident. There's no there's no justification, there's 69 00:04:01,840 --> 00:04:04,760 Speaker 2: no explanation as to what's gone on. It's just a tragedy. 70 00:04:05,120 --> 00:04:07,880 Speaker 2: And he's at the other end of it. It's shocking. 71 00:04:08,160 --> 00:04:13,800 Speaker 1: Yeah, it's devastating moment for anybody to be in. Yeah. 72 00:04:13,920 --> 00:04:16,240 Speaker 2: Geez wow. All right, Well, the other big thing is 73 00:04:16,240 --> 00:04:20,120 Speaker 2: is there going to be any criminal liability attributed to 74 00:04:20,200 --> 00:04:23,760 Speaker 2: Alec Baldwin himself in all of this? And I think 75 00:04:23,839 --> 00:04:28,440 Speaker 2: Joseph Fisher, former NYPD detective and prop master for thirty 76 00:04:28,520 --> 00:04:31,000 Speaker 2: years over in the US, he's going to have the answer. 77 00:04:31,000 --> 00:04:32,240 Speaker 2: We're going to ask him about it right up next 78 00:04:32,240 --> 00:04:32,880 Speaker 2: to GWEHAMOODI. 79 00:04:33,120 --> 00:04:37,240 Speaker 3: The big play here is Alec Baldwin himself. Is he 80 00:04:37,720 --> 00:04:39,680 Speaker 3: any chance of facing criminal charges? 81 00:04:39,960 --> 00:04:44,400 Speaker 1: It's very possible. I'm not familiar with the law and 82 00:04:44,480 --> 00:04:47,320 Speaker 1: how it applies to New Mexico, Okay, I could only 83 00:04:47,360 --> 00:04:51,520 Speaker 1: speak how we would handle it in New York based 84 00:04:51,560 --> 00:04:56,080 Speaker 1: on the facts, if the investigation determined that it was 85 00:04:56,279 --> 00:05:00,919 Speaker 1: the prop master or the armor who's responsible for introducing 86 00:05:01,040 --> 00:05:03,560 Speaker 1: that round to that weapon, and that it was in 87 00:05:03,600 --> 00:05:07,600 Speaker 1: fact a real world bullet, that would bring in criminal 88 00:05:07,640 --> 00:05:13,320 Speaker 1: negligence and hostilities man's laughter charges on the person who. 89 00:05:14,920 --> 00:05:18,520 Speaker 2: Who loaded the gun. Because I was talking about please 90 00:05:18,560 --> 00:05:21,640 Speaker 2: excuse me jump in at any stage, Joseph, but this 91 00:05:21,720 --> 00:05:25,040 Speaker 2: is possibly my one opportunity to use my relatively redundant 92 00:05:25,120 --> 00:05:28,760 Speaker 2: law degree. But you know what I was telling this 93 00:05:28,800 --> 00:05:30,640 Speaker 2: the other day was, in order to commit a crime, 94 00:05:30,720 --> 00:05:32,520 Speaker 2: you need two parts of the crime. You need the 95 00:05:32,560 --> 00:05:34,680 Speaker 2: men's rayer, which is the mental element, and you need 96 00:05:34,720 --> 00:05:37,479 Speaker 2: the actus rais, which is the actual physical action of 97 00:05:37,520 --> 00:05:39,640 Speaker 2: doing the crime. And you need both of those things 98 00:05:39,680 --> 00:05:41,719 Speaker 2: operating at the same time in order to commit a 99 00:05:41,720 --> 00:05:44,599 Speaker 2: crime in what Joseph would call homicide. But in the 100 00:05:44,600 --> 00:05:49,000 Speaker 2: field of murder, it's either negligence to the crime or 101 00:05:49,040 --> 00:05:52,800 Speaker 2: its intention. So he's got no intention, and if he 102 00:05:52,839 --> 00:05:55,920 Speaker 2: doesn't know that there's a live round, he's not negligent either. 103 00:05:56,400 --> 00:05:58,800 Speaker 2: But it's different for the prop master who loaded the gun. 104 00:05:58,880 --> 00:06:01,720 Speaker 2: Have I absolutely now that Joseph plays tell me I. 105 00:06:01,680 --> 00:06:04,960 Speaker 1: Have You're pretty much right on point with that. And 106 00:06:05,000 --> 00:06:07,880 Speaker 1: the best parallel that I think I could draw in 107 00:06:07,920 --> 00:06:13,000 Speaker 1: this situation is the nineteen eighties film The Twilight Zone 108 00:06:13,000 --> 00:06:15,839 Speaker 1: where they had the helicopter accidents that killed three actors 109 00:06:15,880 --> 00:06:19,200 Speaker 1: on set to them being children. Yeah, and that got 110 00:06:19,240 --> 00:06:23,400 Speaker 1: tied up court for years. Yeah, and I believe what 111 00:06:23,560 --> 00:06:26,839 Speaker 1: ended up coming out of that was a civil lawsuit 112 00:06:26,880 --> 00:06:28,080 Speaker 1: and not a criminal case. 113 00:06:28,360 --> 00:06:30,080 Speaker 2: Okay, it was. 114 00:06:30,160 --> 00:06:37,080 Speaker 1: So much shared responsibility amongst I believe fifteen to twenty 115 00:06:37,160 --> 00:06:40,400 Speaker 1: different people, that they weren't able to prove that anybody 116 00:06:40,480 --> 00:06:44,080 Speaker 1: was culpable or that anybody did anything with intent. 117 00:06:44,440 --> 00:06:48,280 Speaker 2: They couldn't attribute the negligence directly. But the production company, 118 00:06:48,320 --> 00:06:50,680 Speaker 2: on the other hand, is obviously negligent because they have 119 00:06:50,680 --> 00:06:53,760 Speaker 2: a duty of care to the people that are on set. 120 00:06:53,800 --> 00:06:56,360 Speaker 2: So that'll be it. That'll be a civil dispute. Yeah. 121 00:06:56,880 --> 00:06:59,000 Speaker 2: But if it actually has been a genuine accident, I 122 00:06:59,000 --> 00:07:01,520 Speaker 2: mean for me person, and in this scenario, you almost 123 00:07:01,520 --> 00:07:05,320 Speaker 2: don't want anybody to be criminally convicted in this situation, Like, 124 00:07:05,360 --> 00:07:07,200 Speaker 2: if it's an accident and. 125 00:07:07,160 --> 00:07:09,960 Speaker 1: That rate there is with us, assuming that it was 126 00:07:10,040 --> 00:07:13,480 Speaker 1: the live round, there's the possibility that it could have 127 00:07:13,600 --> 00:07:18,280 Speaker 1: been something lodged in the barrel of the gun, but 128 00:07:19,040 --> 00:07:24,560 Speaker 1: that was propelled when the blank went off, and that 129 00:07:25,280 --> 00:07:28,520 Speaker 1: we don't know yet until they do an autopsy and 130 00:07:28,560 --> 00:07:32,360 Speaker 1: they finished the on scene investigation and they find whatever 131 00:07:32,400 --> 00:07:33,480 Speaker 1: the projectile was. 132 00:07:34,000 --> 00:07:37,160 Speaker 3: Okay, can I ask you the other example of this 133 00:07:37,320 --> 00:07:41,280 Speaker 3: that comes to mind for me was that the unfortunate 134 00:07:41,320 --> 00:07:44,920 Speaker 3: death of Brandon Lee, and from my memory, he was 135 00:07:45,000 --> 00:07:49,200 Speaker 3: hit with a rubber bullet. And I guess my question here, Joseph, 136 00:07:49,960 --> 00:07:53,880 Speaker 3: how often or how common are these incidents on movie sets? 137 00:07:54,400 --> 00:07:59,200 Speaker 1: The frequency of these incidents is so low that there's 138 00:07:59,320 --> 00:08:02,280 Speaker 1: only four that I can think of in the pants 139 00:08:02,440 --> 00:08:06,360 Speaker 1: thirty five to forty years where a weapon responsible for 140 00:08:06,400 --> 00:08:09,920 Speaker 1: an injury on set. Yeah, and that's by in the 141 00:08:10,040 --> 00:08:14,640 Speaker 1: level professionalism. Yeah, and to the industry rules and regulations 142 00:08:14,680 --> 00:08:15,280 Speaker 1: that we all. 143 00:08:15,120 --> 00:08:18,480 Speaker 2: Follow, right right, is so it's got to be tightly controlled. 144 00:08:18,480 --> 00:08:20,000 Speaker 2: It just has to be. Yeah, But is there a 145 00:08:20,040 --> 00:08:22,720 Speaker 2: way of moving forward? I mean that when you are 146 00:08:22,760 --> 00:08:24,400 Speaker 2: on set because obviously in a lot of action movies 147 00:08:24,440 --> 00:08:26,160 Speaker 2: and stuff, there's a lot of shooting of guns at 148 00:08:26,160 --> 00:08:28,400 Speaker 2: heads and stuff like that. Is there something like this 149 00:08:28,600 --> 00:08:32,640 Speaker 2: going to change how that move how that happens going forward, 150 00:08:32,720 --> 00:08:34,320 Speaker 2: do you think, Joseph. 151 00:08:33,920 --> 00:08:37,080 Speaker 1: There's going to be a lot more attention paid on 152 00:08:37,200 --> 00:08:41,520 Speaker 1: set to safety the following protocol. Yeah, and I know 153 00:08:41,679 --> 00:08:44,720 Speaker 1: some productions here in the United States have already publicly 154 00:08:44,800 --> 00:08:48,520 Speaker 1: announced that they are no longer using blank ammunition and 155 00:08:48,679 --> 00:08:52,800 Speaker 1: modified blank firing guns on set. Instead, what they're leaning 156 00:08:53,240 --> 00:08:55,680 Speaker 1: are the air sourced replica guns. 157 00:08:55,760 --> 00:08:59,640 Speaker 2: Okay, Yeah, Joseph Fisher, thank you so much for joining us. 158 00:09:00,080 --> 00:09:01,160 Speaker 2: It's been a pleasure to talk to you. 159 00:09:01,200 --> 00:09:01,440 Speaker 3: Mate. 160 00:09:01,559 --> 00:09:05,679 Speaker 2: Likewise, Joseph Fisher, propmaster and former NYPD detective talking to 161 00:09:05,800 --> 00:09:06,680 Speaker 2: us about Alec Bourblin. 162 00:09:06,720 --> 00:09:06,920 Speaker 1: There. 163 00:09:07,240 --> 00:09:09,160 Speaker 2: Those are just a sorry start of affairs. It really 164 00:09:09,240 --> 00:09:12,000 Speaker 2: is just absolutely tragic. Hear more of the boys on 165 00:09:12,080 --> 00:09:13,640 Speaker 2: the full Show podcast. 166 00:09:14,120 --> 00:09:15,000 Speaker 1: You know you want to