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Speaker 1: It's Frye. It's the jam Nation podcast with Jonesy and Amanda.

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Speaker 2: Well.

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Speaker 3: The week the was Jimbo's Jibber Jabber.

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Speaker 1: The pub test Today Kraft Pier does it pass them?

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Speaker 3: Pot Wait to hear Jones's rant on that astrosenica is

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Speaker 3: now recommended for people over sixty.

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Speaker 1: Oh great, I've got a coursing through my veins that

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Speaker 1: I'm fifty three.

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Speaker 3: We have been told if you've already had one jab

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Speaker 3: doesn't matter how old you are, have the next astraseneka.

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Speaker 3: Side effects are less and it's better to be protected

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Speaker 3: than not.

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Speaker 1: You're going to allay my fears, aren't you?

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Speaker 3: Absolutely? I am barried. Was going to be joining us

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Speaker 3: wearing something interesting.

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Speaker 1: The Serious Building has seriously solved for thirty five million dollars,

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Speaker 1: not the whole building, just the penthouse.

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Speaker 3: Enjoy everybody online.

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Speaker 4: Now by a miracle of recording, we have so many

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Speaker 4: requests for them to do it again.

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Speaker 2: Mistress Amanda's MS killer. Amanda doesn't work alone making the

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Speaker 2: tools of the train.

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Speaker 5: I've heard them describe him as a drunken idiot.

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Speaker 2: I've the legendary party. Jonesy, Amanda the.

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Speaker 3: Actress, Congratulations We're ready right now.

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Speaker 2: Jersey and Amanda, you're doing a great job.

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Speaker 3: Anyone but your Selfie giant.

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Speaker 6: Good radio.

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Speaker 1: Sorry, but of a tangled twist set Amanda. Shoot time

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Speaker 1: we're on the air. Where Hello their world? How are you?

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Speaker 3: Will I answer? We wait for the world to know.

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Speaker 1: I was just doing a John Lewis thing.

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Speaker 3: Let the world answer. I'll step in. I'm well, thank

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Speaker 3: you and yourself.

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Speaker 1: You're my world.

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Speaker 3: You're my world.

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Speaker 7: You are every breath.

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Speaker 8: Take.

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Speaker 3: Will edit this when we do the show.

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Speaker 1: Hey, what a great idea.

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Speaker 3: How are you today?

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Speaker 1: Look at my gut pizza? Last night it was a

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Speaker 1: Domino's pizza. We had family dinner. Oh yeah, don those

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Speaker 1: pizza and my kids were paying and I always feel

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Speaker 1: so you ate a lot? Well, I said, you want

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Speaker 1: me to pay? And they said no, no, we got

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Speaker 1: this deal with Dominoes. And you get about fifty pizzas

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Speaker 1: for two dollars. I don't know how else, and you

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Speaker 1: know what you just did. Then you're just shoveling onto

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Speaker 1: your plate.

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Speaker 3: And you eat it all before you before you brain

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Speaker 3: cells you you've had enough.

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Speaker 1: Yeah, and then I'm just hate yourself. Last night.

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Speaker 3: You have to get up and drink out of the toilet.

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Speaker 1: Yeah, I just love it. But good. I like the

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Speaker 1: old Dominoes pizza because my other kids they've all gone

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Speaker 1: towards that. Or you're going to get the expensive pizza.

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Speaker 1: So you order one pizza and they cost you five

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Speaker 1: thousand dollars for this one pizza.

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Speaker 3: What's on a goal?

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Speaker 2: Get?

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Speaker 1: You know that you get the hipster pizza and you

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Speaker 1: get this pizza and it costs five thousand dollars, and

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Speaker 1: then you get the Dominos pizzas and you get fifty

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Speaker 1: of them. But now, as you say, drinking out of

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Speaker 1: the toilet.

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Speaker 3: Yeah, yeah, yeah, you're going to be all right.

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Speaker 1: I think I'll be all right.

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Speaker 3: Sure, it's Frida And look what time did that finish?

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Speaker 3: So you're eating porridge this morning? Is pre loading?

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Speaker 1: I'm that's the helper. I have an apple side of

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Speaker 1: vinegar and I have the porridge.

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Speaker 3: It's the helper, is it?

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Speaker 1: That's the helper that helps me get back on track?

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Speaker 3: How has you met a mucilmus?

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Speaker 1: Do anything else you want to know about?

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Speaker 3: No, I think we'll find out when we're the long

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Speaker 3: songs on how it's.

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Speaker 1: All going and the breaking news about the astrosenica. Oh

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Speaker 1: that's all great, as we've got astrosenica coursing through our veins.

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Speaker 1: Thank you, Greg Hunt.

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Speaker 3: Thank you for that. We'll talk about that because if

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Speaker 3: you've had the first jab, as we both have, of astrosenica,

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Speaker 3: the second one doesn't have the same risk of the

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Speaker 3: side effects, so your urge to take it. Don't cancel

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Speaker 3: your appointment, which people are doing. If you've had one,

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Speaker 3: you have to go through with the second one. I mean,

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Speaker 3: they don't medically know yet whether you'll be effective if

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Speaker 3: you take the fires or as the second one, or

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Speaker 3: be as effective.

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Speaker 1: How do they know that?

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Speaker 3: Let me just say this though, your second jab of

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Speaker 3: astrosenica does not have the same risk as the first one.

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Speaker 3: So if you've had the first one, go ahead and

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Speaker 3: have the second one, because a whole stack of us

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Speaker 3: wandering around half vaccinated is no use to anybody.

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Speaker 1: How do you know you've got a blood clot? That's

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Speaker 1: the other question.

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Speaker 3: I'd ask, Well, I guess you're not well.

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Speaker 1: Is that what it is? Don't feel well? Do I

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Speaker 1: feel well? How do I look? Oh?

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Speaker 3: No, you're a hypochondriac. Here we go.

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Speaker 7: Yeah, I got intigestion.

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Speaker 1: Have I got a blood clot film of gats with

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Speaker 1: a ton of fat and.

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Speaker 3: Sugar around myself, drinking out of the toilet. Do I

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Speaker 3: have a blood.

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Speaker 1: Clot action packed show today? It's Friday. Fight for your

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Speaker 1: Flashback makes us return. I'm looking forward to that.

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Speaker 3: Barrydboir is going to be joining us on the show

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Speaker 3: because the living room's on tonight. He's coming into because

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Speaker 3: he does a major bathroom.

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Speaker 1: When I was just reading the briefly, they said do

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Speaker 1: you mind if Barry comes in a dressing gown? I said,

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Speaker 1: what does his wife? What he does on the weekend business.

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Speaker 3: Is lawn dress? All right? Question one for the Magnificent Seven?

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Speaker 3: Are you ready?

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Speaker 1: I am?

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Speaker 3: According to superstition, what color cat is a bad omen.

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Speaker 1: Podcast? This is where it all begins. Seven questions. Can

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Speaker 1: you go all the way and answer all seven questions correctly?

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Speaker 1: If you do that, that's great, but really is a

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Speaker 1: back getting questions? Seven?

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Speaker 3: Right, Let's see how far Kevin from Lithgo can go.

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Speaker 3: But it's Chile and Lithgo. Hollo Kevin, Hi, Amanda, are

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Speaker 3: you very well? Has it been Chili willy?

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Speaker 2: Sure?

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Speaker 5: And how are you?

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Speaker 1: I'm good? Thanks? Kevin? How's your willy is it chili?

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Speaker 5: Oh, it's a bit of shrinking going on there.

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Speaker 3: Yeah, well that's more details than record.

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Speaker 1: That should be part of our weather report.

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Speaker 3: Now, how much shrinkage is that?

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Speaker 1: That should be the cross.

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Speaker 2: In to Kevin.

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Speaker 1: Check his ice of bars standing in the town square.

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Speaker 3: All right, Kevin, let's see how far you can go today?

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Speaker 3: According to superstition? What color cat is a bad omen?

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Speaker 5: That'd be a blankcat?

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Speaker 3: Correct in?

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Speaker 1: What type of field is rice grown in? Kevin?

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Speaker 3: Give us another word?

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Speaker 1: Yeah, I think for those Vietnam movies, you know they

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Speaker 1: they're shooting.

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Speaker 3: Down Thailand or Indonesia. You see people in the fields.

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Speaker 3: What are they in the rice field? That's it we're

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Speaker 3: going to play They're not so secret sound.

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Speaker 8: Kevin.

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Speaker 3: This is quite an obvious sound, but it tricks people.

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Speaker 3: What do you think this sound is?

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Speaker 2: What's that?

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Speaker 5: Oh?

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Speaker 4: No, no, no.

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Speaker 3: I don't know.

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Speaker 1: Just listen.

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Speaker 3: No, sorry, careful having a lend of us. We've been

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Speaker 3: gas lits somehow.

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Speaker 8: We look forward to Kev's willy reported, Well, that's the

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Speaker 8: secret sound.

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Speaker 3: They're not so secret sound? What is it?

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Speaker 1: The magnificent seven? We are at question number three.

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Speaker 3: And it's going to Kim and Wiseman's very hello, Kim.

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Speaker 5: How are you.

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Speaker 1: Hello, Kim?

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Speaker 3: Let's play the not so secret sound Old. Now, this

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Speaker 3: is a sound that is as obvious as it sounds. Well,

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Speaker 3: we thought it was Kevin, couldn't guess it. Let's see

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Speaker 3: how you go here? It is? What's that? It's a

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Speaker 3: bicycle bell? Yes, it is?

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Speaker 1: Which politician has been honored with her own barbie doll? Kim?

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Speaker 1: Is an a Julie Bishop, b gladys Periogiclian or see

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Speaker 1: Pauline Hanson?

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Speaker 2: I'll go Pauline Hanson is against.

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Speaker 1: No, Pauline's very much out of favor lately.

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Speaker 3: And she hasn't been given her own barbie doll.

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Speaker 1: Michael's in milperer, Hi, Michael, all right?

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Speaker 3: So which politician has been honored with her own barbie doll?

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Speaker 3: Is it Julie Bishop or is it Gladysbury Jerclian.

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Speaker 9: I'm going to say Julia Bishop.

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Speaker 3: It's Julie Bishop, that's right. And she's got a red

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Speaker 3: heels on, she's got a traveling coach, got a little suitcase.

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Speaker 1: Michael, you're sailing very close to the wind. You just

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Speaker 1: got away with calling Amanda mate.

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Speaker 3: I think he might have been talking to you.

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Speaker 1: What did you say to me that time?

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Speaker 3: I once phoned you on the holidays and I said,

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Speaker 3: don't call me mate and don't call me dude, because

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Speaker 3: you'd called me both things.

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Speaker 1: Them's the rules. The character Jimmy Cricket Michael first appeared

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Speaker 1: in which Disney film Pinocchio.

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Speaker 3: Yeah yeah.

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Speaker 7: Question six.

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Speaker 3: Who was considered the master builder and renovator on the

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Speaker 3: living Room?

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Speaker 1: Michael, the boat from the Block, isn't it.

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Speaker 2: No?

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Speaker 3: The Block's a different show to the living Room. Sorry, Michael,

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Speaker 3: we're never going to be friends in anyways.

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Speaker 1: Called your mate got the show roll? Michelle is in coma.

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Speaker 3: Hello, Michelle, Hi, how are you going? Very well? Thank you?

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Speaker 3: Who's the master builder and renovator in the living Room.

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Speaker 1: On the show today?

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Speaker 2: Question?

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Speaker 1: Excited about that, Michelle? Anything you'd like to ask him?

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Speaker 1: Any sort of di y fricks?

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Speaker 2: Oh yeah, come and fix my bathroom? Be great?

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Speaker 3: Actually he's doing fixing a big bathroom, big bathroom renovation

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Speaker 3: on the living Room tonight, because.

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Speaker 1: He could be waterproofing, Old Barry. That's what it's all about.

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Speaker 1: You got to get your waterproofing right. Doesn't matter what

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Speaker 1: you do after that. As long as your waterproofing is right.

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Speaker 3: Let's go to question seven though for you here Michelle,

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Speaker 3: which tennis player has pulled out of Wimbledon and the

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Speaker 3: Tokyo Olympics.

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Speaker 2: Oh goodness, no, this.

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Speaker 3: Is one of the big guns in so was Naomi Saka.

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Speaker 3: This is one of the guys.

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Speaker 1: Dean is in Marsden Park.

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Speaker 3: Hello, Dean, which tennis player has pulled out of Wimbledon

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Speaker 3: the Tokyo Olympics? Crazy? He's done it?

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Speaker 1: A man of few words, but come in.

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Speaker 3: With his sparkling personality.

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Speaker 1: Have done a day one congratulates you've got the jam pack.

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Speaker 1: It's all coming Dino's way A one hundred and fifty

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Speaker 1: dollars backs to Boots Thatcher, backs to Boots Handcraft footwear.

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Speaker 1: Since eighteen fifty A family passed Taronga Zoo. Use your

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Speaker 1: do you dine and discover about you this winter at

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Speaker 1: Taronga Zoos, Sydney. What's your favorite animal? Dean at the zoo?

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Speaker 1: Okay the Jonesy Domanica. You have got them there some

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Speaker 1: Taylor been Is that the African wooden Dean series and

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Speaker 1: the other one because the old wouldn't know. Thank you, Dean,

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Speaker 1: good on your Dean have a good weekend.

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Speaker 3: Oh well, big show coming up. Let's regroup. Barrydubayr Is

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Speaker 3: going to be joining us. Fight for your flashback. We're

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Speaker 3: going to talk about craft beer in the pub.

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Speaker 1: Test Yeah and head jam. Ten thousand dollars could be

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Speaker 1: yours at seven o'clock.

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Speaker 6: Jonesy and Amanda Germation podcasts All Right offlick through the

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Speaker 6: Germanic our Big Book of Musical Facts.

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Speaker 3: On this day. In nineteen seventy seven, Fleetwood Mac went

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Speaker 3: to number one in the US with the song Dreams.

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Speaker 3: That's the group's first and only US number one. Is richesting,

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Speaker 3: isn't it? But since its initial release it's re entered

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Speaker 3: the charts a number of times. In twenty eighteen, the

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Speaker 3: bands were a twenty five percent increase in sales because

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Speaker 3: someone on Twitter put up a video of cheerleaders doing

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Speaker 3: a routine to Dreams. This was to prove to haters

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Speaker 3: who say that you can't dance to Fleet would make music.

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Speaker 3: This said, yes, you can. Interesting and of course you

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Speaker 3: remember last year. The song got another boost, a three

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Speaker 3: hundred and seventy four percent boost, when a TikToker uploaded

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Speaker 3: a video of him skateboarding down the road, lip syncing

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Speaker 3: the song drinking some Ocean spray Cranberry juice ocean spray.

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Speaker 3: Was so stoked they brought him a new truck in

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Speaker 3: Cranberry red and delivered it to him packed full of

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Speaker 3: jugs of the band's juice. Of the brand's juice, not

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Speaker 3: the band's juice. It's a dreadful typo. I'm a slip

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Speaker 3: of the tongue. All right, Well, let' see if we

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Speaker 3: can get it going viral again. And you don't need

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Speaker 3: to deliver us anything. We're just playing the song.

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Speaker 1: Someone's at the door. Oh my stars, it's her majesty,

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Speaker 1: the Queen.

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Speaker 7: Hello.

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Speaker 1: Well, it's an honor to have you in the studio.

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Speaker 3: Yes, I'm sure it is. Look, this is it hard

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Speaker 3: of the Queen? I mean, small talk?

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Speaker 1: What you even say?

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Speaker 3: Scott Morrison's at the party. I know, I'm not What

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Speaker 3: are we going to say? I mean, I don't want

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Speaker 3: to mention her kids because it's Andrew and the grandson Harry.

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Speaker 3: Don't go there.

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Speaker 1: The weather weather, weather. It's cold, isn't it.

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Speaker 3: Yes, I'll think of something. I'll think of something. I

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Speaker 3: think ask about Corgy's Corgies. How are those Corky's they did.

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Speaker 3: Oh god, you can't say something, say something?

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Speaker 1: You know, what about G seven?

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Speaker 3: Anything about G seven?

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Speaker 2: About?

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Speaker 3: What are you going to say that? I like the

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Speaker 3: G seven, you know, I don't know it's America.

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Speaker 1: America's in G seven in China.

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Speaker 3: In the G seven you're we're there and they're not talking. Well,

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Speaker 3: why I think of something else? Those crowns are heavy.

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Speaker 3: I hate your majesty.

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Speaker 1: That crown would be heavy.

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Speaker 3: I reckon your majesty of the silk. Stupid colonials. Take

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Speaker 3: this piece of paper and chop your own ad off.

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Speaker 1: That went well, that was stressful management rights. This week,

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Speaker 1: Justice Hoodie beat Paul Gallon in the ring. That as

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Speaker 1: well today. Songs that two of you would choose if

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Speaker 1: you were to walk into the boxing ring, please play

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Speaker 1: well the management walk inside, walk in songs and you'll

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Speaker 1: get a fight. And you're walking down there and you've

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Speaker 1: got a song on that.

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Speaker 3: You got to And I'm walking in like Connor McGregor,

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Speaker 3: Gregor because he has that O'Connor.

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Speaker 1: He's got like an Irish girl snado conna, and then

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Speaker 1: he's got some horrible rap music and he walks in.

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Speaker 3: It's all about creating an atmosphere.

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Speaker 1: You're going to create an atmosphere.

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Speaker 3: And says who you are and what you want from you.

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Speaker 1: But it's also going to be rock, and it's going

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Speaker 1: to be like rock and big time, big time rock

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Speaker 1: and necessarily think of rock and cars doing big burnouts

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Speaker 1: and girls in bikini's going.

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Speaker 3: Yeah, if I was coming into the ring, I don't

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Speaker 3: know if I'd go with that.

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Speaker 1: What would you do?

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Speaker 3: I'm gonna have to think about it.

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Speaker 1: That is a great five for your flashback category. Well

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Speaker 1: that for you after seven o'clock this morning in the meantime,

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Speaker 1: ten thousand dollars you know this time last week was

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Speaker 1: it this live?

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Speaker 3: Last week was earlier? This week it went off.

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Speaker 1: We gave away ten thousand dollars with head jam that

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Speaker 1: could be coming for you. Thirteen WSFM is our number.

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Speaker 1: If you'd like to play.

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Speaker 4: Podcast, Good morning Joins and demand is ten thousand dollars.

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Speaker 1: Do you have the right answers to our wrong questions?

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Speaker 1: Thirteen WSFM is our number. Ten one thousand dollars could

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Speaker 1: be yours with hedgejam.

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Speaker 7: The way it.

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Speaker 3: Works is this, We've got trivia questions for you. You

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Speaker 3: may know the answers but you have to answer them

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Speaker 3: in a lag. So when I ask you question number one,

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Speaker 3: say nothing, give me the answer to that. When I

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Speaker 3: ask you a question number two, and so on until

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Speaker 3: the buzzer goes off. The minute you're wrong, you're out.

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Speaker 3: You can take the chickeney pants option one hundred bucks

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Speaker 3: for each correct answer instant cash. But you don't get

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Speaker 3: the big bucks if you.

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Speaker 1: Go all the way Angie's and Willoughby.

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Speaker 3: Hi, Angie, Hi, how are you very well? Thank you?

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Speaker 3: How would you like to play today?

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Speaker 5: I think I'll go to chicky Pants please?

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Speaker 7: All right, I've got.

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Speaker 1: A roll on the chickney pants. What's going on there?

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Speaker 7: Angie?

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Speaker 3: No one wants to run in your pants? All right, Angie?

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Speaker 3: You are going to get one hundred dollars for each

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Speaker 3: correct answer. Are you ready to begin?

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Speaker 5: Yes, sirah, here we go.

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Speaker 3: Good luck and on colleges treats? What disease? What does

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Speaker 3: the O in CEO stand for?

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Speaker 5: Yeah, that's all out?

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Speaker 1: Come on this time.

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Speaker 3: I don't think you heard the first one.

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Speaker 5: Yeah, no, I didn't hear it correctly.

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Speaker 3: Sorry, I've got to sit.

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Speaker 7: It out and say.

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Speaker 3: Sometimes that happens if you don't listen you can't. I

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Speaker 3: can see why you get nervous and you don't.

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Speaker 1: Even call it head jam.

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Speaker 3: The question was an oncologists treats which disease oncologious? Yeah,

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Speaker 3: that adds cancer. And then the other one was what

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Speaker 3: does the O and CEO stand for?

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Speaker 10: Officer?

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Speaker 3: Oh, Angie, it wasn't your day. I'm sorry.

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Speaker 5: That's all right.

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Speaker 1: We had the pants together, Angie.

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Speaker 5: All right, you guys have a great day. Thank you too.

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Speaker 3: Thanks Angie.

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Speaker 1: It'll be back next week.

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Speaker 3: Five for your flashback, the songs we choose to enter

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Speaker 3: the boxing ring.

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Speaker 1: Yeah, I've got a banger, have you? Yes, I have

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Speaker 1: Fight for your Flashback. Two songs end to one song leaves.

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Speaker 1: This week we saw Justice Hoodie beat Paul Gallon in

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Speaker 1: the ring. Like today's Fight for Your Flashback. Walk in songs,

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Speaker 1: What song would you choose if you were to walk

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Speaker 1: into the boxing room? Play? Well the management.

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Speaker 3: It creates an atmosphere. We see Connor McGregor walk into

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Speaker 3: the kick in the face ring. He just his arms

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Speaker 3: of flowing and he's got his wearing a flag and

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Speaker 3: he's looking arrogant and it's all happening.

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Speaker 1: Yep. Well for me, okay, here it is there's Jonesy

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Speaker 1: out backstage doing the conor mcgre what do you got

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Speaker 1: my dressing gown on?

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Speaker 3: My dressing gown down the front.

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Speaker 1: I've got like a silky sexy gown okay that you

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Speaker 1: know shows a bit of mohievage man cleavage. And then

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Speaker 1: I'm there and I'm doing.

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Speaker 3: That and walking towards the ring. Who are you taking on?

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Speaker 1: The announcer goes, no, the master of disaster. The minder

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Speaker 1: notes no introduction, pighing in and something already should show day.

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Speaker 1: And then there's like Stu and Bernasa's chicks and cozies,

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Speaker 1: and I've got my arms in the air going yeah

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Speaker 1: to this Mutley crew, who are.

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Speaker 3: You taking on? Like an injured Koala or a pop

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Speaker 3: lyar White the car pop packs a punch.

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Speaker 1: It's got to be head though.

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Speaker 3: You can duck and weave.

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Speaker 1: That's me. I'd be exhausted by the time I go

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Speaker 1: to the ring. Yeah, okay, everyone loves the crew.

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Speaker 3: I've got a different way because you know, I'm a lover,

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Speaker 3: not a fighter. So I do have a cup of

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Speaker 3: tea maybe in my hand.

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Speaker 1: You get your dressing get on.

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Speaker 3: I'd probably be my actual dressing gown, my ugs walking

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Speaker 3: towards the ring. Who will I be taking on? Maybe

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Speaker 3: one of the girls from Bardo? You sense, I don't

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Speaker 3: know what?

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Speaker 1: What about the thief?

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Speaker 3: The thief from Bardo? I'm taking her on?

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Speaker 1: Take the thief fight and.

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Speaker 3: You hear this, Cliff Richard, we don't talk anymore. She

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Speaker 3: won't take my call, so we have to punch it

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Speaker 3: out in the ring. I love this song right here.

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Speaker 3: That would be my Brian Earl on dressing gown. Yeah,

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Speaker 3: bring it on.

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Speaker 1: Fight types and burnouts and girls with eumetic breasts.

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Speaker 3: And they'd love this, Cliffridge, Guys don't talk anymore. This

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Speaker 3: is the only way you can resolve it is in

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Speaker 3: the ring.

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Speaker 1: Oh my god, that Amanda, She's so amazing.

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Speaker 3: Talk getting more. That's where I really start punching on it.

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Speaker 1: Can we have a more mismatch about They are our songs?

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Speaker 3: Who would you like to hear? Thirteen ws is the

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Speaker 3: number to call or you converte on her Instagram story

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Speaker 3: at jones In Amanda.

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Speaker 1: Fight for your flashback.

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Speaker 4: Jonesy and Amanda in the morning one on one point

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Speaker 4: seven WSFN.

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Speaker 1: I expect what song would you choose if you were

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Speaker 1: to walk into the boxing ring. So there's Jonesy standing

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Speaker 1: by undefeated champion of the world. God, he's dressing gown on. God,

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00:20:09,000 --> 00:20:11,800
Speaker 1: he's entourage. All those dudes that walk past. You know

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Speaker 1: those dudes, they always look a little bit dodgy, don't

429
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Speaker 1: know what they actually do. And the ring announcer says,

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Speaker 1: at are very nice, eighty one kilograms.

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Speaker 3: Oh really, the master of disaster.

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Speaker 1: And then a bike does a big burn out.

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Speaker 3: Well you've gone with Motley Crue. I see, my boxing

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Speaker 3: day is a different event. I'd have it in the day,

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Speaker 3: so it's over early, and I don't us go to

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Speaker 3: bed early. Ladies would just be sitting around eating cheese plates.

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Speaker 3: And that's that's who the audience.

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Speaker 1: Would you have an entourage, a slightly dangerous looking entourage?

439
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Speaker 3: Shall I just have my friends from book club? And

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Speaker 3: as I make my way to the stage, this is

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Speaker 3: what you'd hear? How we don't, Cliff Richard, Words can't

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Speaker 3: always solve it. Sometimes you need to punch on.

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Speaker 1: Matt has joined us. Hello, Matt has things in Gordon plase.

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Speaker 2: So it's very good, excellent.

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Speaker 3: Matt, Hello. What would you like to hear today?

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Speaker 2: Oh?

447
00:21:15,960 --> 00:21:17,760
Speaker 1: I definitely Jones, Thank you, Matt.

448
00:21:17,800 --> 00:21:20,159
Speaker 3: I couldn't hear you, thank you. I couldn't hear it

449
00:21:20,160 --> 00:21:21,280
Speaker 3: over the cheers, over the cheese.

450
00:21:21,280 --> 00:21:25,040
Speaker 1: Play Matt's trash talking, I mean Amanda's trash talking. You're man?

451
00:21:25,400 --> 00:21:25,760
Speaker 2: All right?

452
00:21:25,840 --> 00:21:28,520
Speaker 3: Well that's a vote for Jonesy fearful of that. Plenty

453
00:21:28,520 --> 00:21:31,800
Speaker 3: of time to get on the Amanda bandwagon thirteen WSFM

454
00:21:31,920 --> 00:21:39,000
Speaker 3: or go to our Instagram story it Jones in Amanda.

455
00:21:36,520 --> 00:21:39,879
Speaker 1: Podcast five Fear Flashback, two songs, Enter one song, Lea,

456
00:21:39,960 --> 00:21:43,199
Speaker 1: It's just twenty beat Paul Gallon in the ring this

457
00:21:43,320 --> 00:21:47,160
Speaker 1: week Today's five Fear Flashback Walking Songs. What song would

458
00:21:47,160 --> 00:21:49,200
Speaker 1: you choose if you were to walk into the boxing ring?

459
00:21:49,320 --> 00:21:51,800
Speaker 1: Play well the management. I walk into that boxing ring,

460
00:21:51,920 --> 00:21:55,679
Speaker 1: I've got the crew, kicks out my heart, everyone's loving it.

461
00:21:57,520 --> 00:22:00,560
Speaker 1: My opponent would be quaking in their boots? Would that be?

462
00:22:00,800 --> 00:22:01,200
Speaker 2: I think?

463
00:22:01,480 --> 00:22:03,600
Speaker 1: I tag on anyone who I don't know.

464
00:22:05,720 --> 00:22:05,920
Speaker 2: Who?

465
00:22:05,960 --> 00:22:06,520
Speaker 3: Would it be?

466
00:22:08,720 --> 00:22:10,600
Speaker 1: Fat cat? Big dog?

467
00:22:11,000 --> 00:22:13,040
Speaker 3: Big get you, big dog and get you?

468
00:22:14,280 --> 00:22:15,399
Speaker 1: How would big dog get me?

469
00:22:15,960 --> 00:22:17,760
Speaker 3: Have you ever been savage by a dog?

470
00:22:18,119 --> 00:22:18,399
Speaker 5: I do?

471
00:22:18,520 --> 00:22:20,159
Speaker 1: I put the fire at an eight o'clock at night,

472
00:22:20,200 --> 00:22:21,120
Speaker 1: he'd be well in bed.

473
00:22:23,600 --> 00:22:26,600
Speaker 3: All right, you've gone with that? I have gone with

474
00:22:26,920 --> 00:22:30,280
Speaker 3: a more rational song when things, you know, we tried

475
00:22:30,280 --> 00:22:32,720
Speaker 3: to talk it out just didn't happen. So people think, okay,

476
00:22:32,800 --> 00:22:35,720
Speaker 3: fair enough. Now they go to punch on Cliff Richard,

477
00:22:35,800 --> 00:22:40,560
Speaker 3: we don't talk anymore. Sweet, I like this song is

478
00:22:40,640 --> 00:22:44,000
Speaker 3: the thing we were subd He's one of the nicest

479
00:22:44,000 --> 00:22:44,680
Speaker 3: men I've ever met.

480
00:22:44,680 --> 00:22:45,679
Speaker 1: Cliff Cliff.

481
00:22:45,720 --> 00:22:47,560
Speaker 3: When I was weak on the Midday Show and we

482
00:22:47,600 --> 00:22:50,480
Speaker 3: went to England to cover Fergie and Andrew's wedding, I

483
00:22:50,520 --> 00:22:55,080
Speaker 3: don't mention he we interviewed him. He was turned up

484
00:22:55,080 --> 00:22:57,720
Speaker 3: in his parachute material track suit.

485
00:22:57,760 --> 00:22:59,600
Speaker 1: Oh that was of the time, though he was a

486
00:22:59,640 --> 00:23:04,080
Speaker 1: big proponent of pants and top. It was like a

487
00:23:04,119 --> 00:23:04,639
Speaker 1: wind cheater.

488
00:23:04,880 --> 00:23:08,399
Speaker 3: Well, do you know his first band was called the

489
00:23:08,520 --> 00:23:10,240
Speaker 3: Dicktig Skiffle Group.

490
00:23:10,200 --> 00:23:11,760
Speaker 1: The Dicktigue skiffle Group.

491
00:23:11,960 --> 00:23:14,879
Speaker 3: It's like the Fartigue which when you get tired, but

492
00:23:15,000 --> 00:23:18,639
Speaker 3: this was Dick Tig the skiffle Group, the Fatigue skiffle Group.

493
00:23:19,960 --> 00:23:21,480
Speaker 1: Is that why he became celibate?

494
00:23:22,200 --> 00:23:25,320
Speaker 3: No, I don't know if he became celibate. He became religious.

495
00:23:25,359 --> 00:23:28,320
Speaker 3: He became a Christian, active Christian in nineteen sixty four.

496
00:23:29,359 --> 00:23:32,160
Speaker 3: I don't know if that is why he is celibate

497
00:23:32,240 --> 00:23:34,240
Speaker 3: or maybe somebody to do with the parachute pants. I'm

498
00:23:34,280 --> 00:23:36,400
Speaker 3: not sure that's a very good A.

499
00:23:36,320 --> 00:23:38,719
Speaker 1: Lot of movement around there, so you can still get

500
00:23:38,720 --> 00:23:40,960
Speaker 1: the high notes. Ryan is in Kolara.

501
00:23:41,000 --> 00:23:45,560
Speaker 3: Hell, Ryan, very well, fight for your flashback.

502
00:23:46,880 --> 00:23:49,320
Speaker 1: It's got to be Moty Krue this one. It's going

503
00:23:49,400 --> 00:23:51,440
Speaker 1: to be the all right, we've got the Ryan's part

504
00:23:51,440 --> 00:23:55,000
Speaker 1: of the jones yonderage. Now we've all got our to

505
00:23:55,040 --> 00:23:58,080
Speaker 1: you know, those strange haircuts, gold chains.

506
00:23:57,760 --> 00:24:01,639
Speaker 3: Everywhere Leann's and Guildford High undiscernible employment.

507
00:24:03,960 --> 00:24:07,680
Speaker 2: Good morning and Amanda, Amanda, you called for your bandwagon,

508
00:24:08,119 --> 00:24:09,360
Speaker 2: so I have to vote.

509
00:24:09,119 --> 00:24:11,000
Speaker 6: For Joe Ah.

510
00:24:11,160 --> 00:24:12,960
Speaker 3: You're voting for Jonesy.

511
00:24:14,400 --> 00:24:17,840
Speaker 5: Your bandwagon, so I have to get in and vote.

512
00:24:17,880 --> 00:24:20,240
Speaker 1: I don't understand what you stand, but that's part of

513
00:24:20,280 --> 00:24:22,760
Speaker 1: my entourage and I'm happy to take it with a.

514
00:24:22,800 --> 00:24:28,160
Speaker 3: Haircut Jane, with my presumption of my bandwagon getting on board.

515
00:24:28,560 --> 00:24:31,520
Speaker 3: Come on, ladies, you like a cheeseplate, join me. That's

516
00:24:31,560 --> 00:24:34,440
Speaker 3: the event. I will be putting on a.

517
00:24:34,440 --> 00:24:37,159
Speaker 1: Wedding song coming up. After the news Paradoire is going

518
00:24:37,200 --> 00:24:39,159
Speaker 1: to be on the show today, he asked his agent. Well,

519
00:24:39,200 --> 00:24:41,359
Speaker 1: his agent said, to us, can he come in his

520
00:24:42,160 --> 00:24:42,680
Speaker 1: dressing gain?

521
00:24:42,720 --> 00:24:44,200
Speaker 3: You know it's alarming, and we said.

522
00:24:44,000 --> 00:24:45,520
Speaker 1: What you do in your own time, Barry is your

523
00:24:45,520 --> 00:24:46,080
Speaker 1: own business.

524
00:24:46,119 --> 00:24:47,879
Speaker 3: He doesn't even have an agent here. That was his

525
00:24:48,000 --> 00:24:49,040
Speaker 3: voice on the phone.

526
00:24:49,400 --> 00:24:52,960
Speaker 1: He pretends to be his own agent. Barry can't make

527
00:24:53,000 --> 00:24:53,399
Speaker 1: it today.

528
00:24:53,600 --> 00:24:57,040
Speaker 3: So many questions. Am I have a winner? Of course,

529
00:24:57,040 --> 00:25:00,359
Speaker 3: A Fight for Your Flashback? Jones and Amanda the.

530
00:25:00,400 --> 00:25:12,640
Speaker 1: Podcast Fight for Your Flashback Two songs, enterl one song

531
00:25:12,760 --> 00:25:15,960
Speaker 1: leaves management rights. This week we saw Justice Wheney beat

532
00:25:16,000 --> 00:25:19,280
Speaker 1: Paul Gallon in the ring. Ow today's Fight for your Flashback?

533
00:25:19,520 --> 00:25:22,520
Speaker 1: Walk in Songs? What song would you choose if you

534
00:25:22,560 --> 00:25:25,040
Speaker 1: were to walk into the boxing ring? Play well the management.

535
00:25:25,160 --> 00:25:27,959
Speaker 1: There's me, I remember my silky dressing gown. I'm standing

536
00:25:28,000 --> 00:25:32,120
Speaker 1: there backstage. All of a sudden, this kicks out the announcer.

537
00:25:32,840 --> 00:25:37,600
Speaker 1: One Gillows one give all too, undefeateded champion on the.

538
00:25:37,800 --> 00:25:40,200
Speaker 2: World dol.

539
00:25:41,480 --> 00:25:45,880
Speaker 1: Fireworks, fikes do in, burn out, chicks and bikinis.

540
00:25:47,359 --> 00:25:48,199
Speaker 3: Is that thing you're taking on?

541
00:25:51,359 --> 00:25:54,520
Speaker 1: I'll take on anything when I hear this, Well, I

542
00:25:54,640 --> 00:25:58,080
Speaker 1: obviously would refuse the wigh in, okay, but you would

543
00:25:58,080 --> 00:25:59,719
Speaker 1: trash talk people in your underpants.

544
00:26:01,440 --> 00:26:04,439
Speaker 3: I walk out in a very genteel fashion. Bring my

545
00:26:04,560 --> 00:26:06,520
Speaker 3: actual dressing gown, which is more like a Brian eil

546
00:26:06,600 --> 00:26:09,040
Speaker 3: On brunch cot and some eggstains on it. The audience

547
00:26:09,080 --> 00:26:11,280
Speaker 3: are just women who are just enjoying a cheese plate

548
00:26:11,440 --> 00:26:13,800
Speaker 3: in the middle of the afternoon. This is my dream

549
00:26:14,400 --> 00:26:17,720
Speaker 3: and this is the song that is here than good, Richard,

550
00:26:18,680 --> 00:26:19,480
Speaker 3: we don't talk, NYM.

551
00:26:21,960 --> 00:26:25,160
Speaker 1: Would you have your entourage of large men with strange

552
00:26:25,200 --> 00:26:28,240
Speaker 1: haircuts and expensive gold jewelry that doesn't have any sort

553
00:26:28,280 --> 00:26:29,640
Speaker 1: of receipts or anything like that.

554
00:26:29,760 --> 00:26:31,640
Speaker 3: No, I just have them a book club, book club,

555
00:26:31,720 --> 00:26:33,399
Speaker 3: but they know not to make eye contact with me.

556
00:26:33,600 --> 00:26:34,399
Speaker 1: Oh my good, Amanda.

557
00:26:34,440 --> 00:26:38,119
Speaker 3: You are so good when you know I've tried to

558
00:26:38,200 --> 00:26:40,359
Speaker 3: talk it through. I've tried to do it, and when

559
00:26:40,400 --> 00:26:41,840
Speaker 3: it doesn't work, you end the ring.

560
00:26:43,200 --> 00:26:44,959
Speaker 1: Sure he has. Rudy Hill has joined us.

561
00:26:44,960 --> 00:26:47,560
Speaker 2: Hello, Chari, good morning, Jonesy.

562
00:26:47,600 --> 00:26:48,800
Speaker 5: How are you, hell, Amanda?

563
00:26:48,840 --> 00:26:49,840
Speaker 7: How are you very well?

564
00:26:49,840 --> 00:26:52,119
Speaker 3: Sharifa for your flashback? What would you like to hear today?

565
00:26:52,760 --> 00:26:54,600
Speaker 5: Of course I'm going for you, Amanda.

566
00:26:54,720 --> 00:26:58,400
Speaker 3: I hardly go for Jonesy because he annoys me sometimes

567
00:26:58,400 --> 00:26:59,119
Speaker 3: with these songs.

568
00:26:59,160 --> 00:27:01,840
Speaker 5: But I Cliff Richard.

569
00:27:01,640 --> 00:27:04,880
Speaker 3: I'm very pleased to hear she is joining the book

570
00:27:04,920 --> 00:27:06,560
Speaker 3: club and the cheese plate Club.

571
00:27:07,040 --> 00:27:08,240
Speaker 1: Amelia's in Camden.

572
00:27:08,320 --> 00:27:13,879
Speaker 3: Fight for your flashback, Amelia. I think Jonie would be

573
00:27:14,160 --> 00:27:17,840
Speaker 3: exhausted by the time he went into the ring. Amanda

574
00:27:17,880 --> 00:27:19,720
Speaker 3: would be so relaxed.

575
00:27:19,800 --> 00:27:21,920
Speaker 4: You know, you'd get in there and give him an avocado.

576
00:27:22,040 --> 00:27:24,879
Speaker 1: Remember, Yeah, And who do you see, Amanda? Who do

577
00:27:24,880 --> 00:27:26,480
Speaker 1: you see Amanda taking on? In this sense?

578
00:27:26,800 --> 00:27:30,359
Speaker 3: You maybe you and me fighting each other. So I

579
00:27:30,480 --> 00:27:34,720
Speaker 3: think I'll still go for Jonesie. Oh that's a flipper,

580
00:27:36,000 --> 00:27:39,040
Speaker 3: confusing morning. Julie is in north right, Hello, Julie, fight

581
00:27:39,080 --> 00:27:39,800
Speaker 3: for your flashback.

582
00:27:40,760 --> 00:27:41,600
Speaker 5: Oh, it's going to.

583
00:27:41,520 --> 00:27:42,320
Speaker 1: Be your Amanda.

584
00:27:42,400 --> 00:27:43,080
Speaker 5: That's great.

585
00:27:43,200 --> 00:27:45,280
Speaker 3: Songs love Cliff Richard, excellent.

586
00:27:45,320 --> 00:27:48,000
Speaker 1: But do you want to beat someone senseless while you're

587
00:27:48,000 --> 00:27:48,520
Speaker 1: listening to it?

588
00:27:48,600 --> 00:27:51,119
Speaker 3: That's my point is you don't have to beat someone

589
00:27:51,240 --> 00:27:54,600
Speaker 3: senseless to punch on. Actually, I don't know what I'm saying.

590
00:27:54,920 --> 00:27:57,200
Speaker 3: I would probably just go into the ring and share

591
00:27:57,440 --> 00:28:01,520
Speaker 3: share a glass of nice light white wine with my opponent,

592
00:28:01,560 --> 00:28:03,879
Speaker 3: and you know what, we'd sort out our differences just

593
00:28:03,920 --> 00:28:04,520
Speaker 3: by chatting.

594
00:28:04,560 --> 00:28:06,600
Speaker 1: I could see the paved view numbers going.

595
00:28:06,480 --> 00:28:09,600
Speaker 3: Through the roof for that, just me and Quentin, Bryce.

596
00:28:11,080 --> 00:28:15,200
Speaker 1: Debbie's in spring Wood. Hello, Debbie, Hello, Jonesy and Amanda?

597
00:28:16,119 --> 00:28:16,359
Speaker 2: Great?

598
00:28:16,480 --> 00:28:17,479
Speaker 3: What song would you like to hear?

599
00:28:17,560 --> 00:28:20,160
Speaker 1: Deb Are you Amanda?

600
00:28:20,680 --> 00:28:21,000
Speaker 3: Thank you?

601
00:28:24,400 --> 00:28:24,760
Speaker 2: Indeed you?

602
00:28:24,880 --> 00:28:27,080
Speaker 1: Cobb still there? Look, Debbie, you're still there?

603
00:28:27,680 --> 00:28:31,360
Speaker 3: Hi heo, Hello, thank you deb Thank you for your vote.

604
00:28:31,680 --> 00:28:33,520
Speaker 1: Jim, I'm glad I put that fader back up again.

605
00:28:33,960 --> 00:28:34,880
Speaker 1: Kim's in Plumpton.

606
00:28:34,960 --> 00:28:40,440
Speaker 3: Hello, Kim, guys, how are you? It comes down to you?

607
00:28:40,640 --> 00:28:41,280
Speaker 1: Come on, Kim?

608
00:28:41,400 --> 00:28:43,200
Speaker 3: What song are you fighting for today?

609
00:28:43,840 --> 00:28:44,000
Speaker 2: Oh?

610
00:28:44,120 --> 00:28:47,160
Speaker 1: I'm going for Amanda because quite frankly, there's not enough

611
00:28:47,200 --> 00:28:49,200
Speaker 1: coffee in the world to deal with Motley Crewe at

612
00:28:49,200 --> 00:28:52,600
Speaker 1: this hour. The whole Yes, what the world?

613
00:28:52,960 --> 00:28:54,959
Speaker 10: Jones We're not your door crew mate?

614
00:28:55,440 --> 00:28:55,680
Speaker 2: Good?

615
00:28:55,840 --> 00:28:58,040
Speaker 1: Are you part of montras You?

616
00:28:58,480 --> 00:29:00,920
Speaker 3: Jonesy were so confident and he was going with.

617
00:29:01,040 --> 00:29:03,239
Speaker 1: The wee look cozy on and just joining out.

618
00:29:03,720 --> 00:29:04,840
Speaker 3: How great is this we're going to hear?

619
00:29:04,880 --> 00:29:05,680
Speaker 2: Called Richard?

620
00:29:05,920 --> 00:29:08,280
Speaker 3: If everyone got a glass of wine and a cheese plate.

621
00:29:08,800 --> 00:29:09,560
Speaker 1: Good, you got.

622
00:29:09,400 --> 00:29:11,440
Speaker 3: One, you got one, You got one. You don't have

623
00:29:11,440 --> 00:29:13,000
Speaker 3: to finish the book to be member of the book club.

624
00:29:13,080 --> 00:29:14,600
Speaker 3: I okay, you're ready. Let's let's listen.

625
00:29:14,600 --> 00:29:18,080
Speaker 1: We're going to punch myself in the ring of pay

626
00:29:18,160 --> 00:29:28,200
Speaker 1: to watch that WSFM. Okay, you know he steam halfway

627
00:29:28,200 --> 00:29:30,560
Speaker 1: through the song as well. It's almost like, is it.

628
00:29:30,560 --> 00:29:31,560
Speaker 3: It's a great song.

629
00:29:31,680 --> 00:29:34,040
Speaker 1: Home now for a light out. We don't talk anymore.

630
00:29:34,040 --> 00:29:37,120
Speaker 1: I can't believe that that song beat Motley Cruz kicks

631
00:29:37,200 --> 00:29:39,200
Speaker 1: out my heart? What is wrong with the world?

632
00:29:39,240 --> 00:29:40,840
Speaker 3: Can I ask you this? What is wrong for me

633
00:29:40,880 --> 00:29:43,720
Speaker 3: to say something? You put up that song for any

634
00:29:43,880 --> 00:29:46,320
Speaker 3: any excuse you get, you put up Motley Crue kicks

635
00:29:46,320 --> 00:29:47,680
Speaker 3: out my heart, and it's never one.

636
00:29:47,720 --> 00:29:50,800
Speaker 1: Any excuse I get to entertain and rock out I

637
00:29:50,840 --> 00:29:52,560
Speaker 1: will do. I'm an apology.

638
00:29:52,680 --> 00:29:54,800
Speaker 3: The category could be a flavor of ice cream and

639
00:29:54,800 --> 00:29:57,000
Speaker 3: you'd put that one kicked out my heart and it

640
00:29:57,200 --> 00:30:00,760
Speaker 3: never wins in your own time.

641
00:30:01,960 --> 00:30:04,880
Speaker 1: I just don't know. I don't understand. I don't understand.

642
00:30:05,360 --> 00:30:07,280
Speaker 1: I need to drink. Let's get down to the Jonesy

643
00:30:07,320 --> 00:30:10,560
Speaker 1: demanded arms for the pub test. Craft beer does it

644
00:30:10,640 --> 00:30:11,560
Speaker 1: pass the pub Test?

645
00:30:11,640 --> 00:30:13,560
Speaker 3: An article on the paper this week saying that the

646
00:30:13,680 --> 00:30:17,560
Speaker 3: craze for craft beer is going flat, that during the pandemic,

647
00:30:18,440 --> 00:30:23,200
Speaker 3: people have returned to classics VB. Carlton, although sold sales

648
00:30:23,320 --> 00:30:27,320
Speaker 3: have surged. I mean you you know more about beer

649
00:30:27,360 --> 00:30:28,320
Speaker 3: than I do. What do you?

650
00:30:28,600 --> 00:30:28,800
Speaker 2: Oh?

651
00:30:28,880 --> 00:30:29,959
Speaker 1: No, really? Please?

652
00:30:30,720 --> 00:30:35,840
Speaker 3: Well then you talk? Yeah, I know, But do you

653
00:30:35,920 --> 00:30:36,880
Speaker 3: drink craft I've.

654
00:30:36,680 --> 00:30:40,280
Speaker 1: Got no time for craft beer, no time whatsoever. The

655
00:30:40,360 --> 00:30:43,120
Speaker 1: crafty of a beer I get is possibly Cooper's, which

656
00:30:43,160 --> 00:30:45,440
Speaker 1: is like homebrew more or less. And then if I'm

657
00:30:45,440 --> 00:30:46,760
Speaker 1: really desperate, I'll drink at Coopers.

658
00:30:46,840 --> 00:30:49,880
Speaker 3: I mean you you drink along neck? Do you guys

659
00:30:49,920 --> 00:30:51,160
Speaker 3: all have just come back from the.

660
00:30:51,080 --> 00:30:54,640
Speaker 1: Front my trifector of beers. I love a Melbourne beitter

661
00:30:54,680 --> 00:30:57,760
Speaker 1: on tap, that's always great. I love a schooner of Rashes.

662
00:30:57,920 --> 00:31:01,000
Speaker 1: I like a two he's new on top. VB gives

663
00:31:01,000 --> 00:31:02,560
Speaker 1: me a hell headache. I do like it on tap.

664
00:31:02,560 --> 00:31:04,000
Speaker 1: I won't drink it out of a can because it

665
00:31:04,000 --> 00:31:06,040
Speaker 1: gives me a headache. But you get it on the

666
00:31:06,040 --> 00:31:07,880
Speaker 1: tap at the pub. But I went to my local

667
00:31:07,920 --> 00:31:09,840
Speaker 1: pub and this is one of those old school pubs

668
00:31:10,000 --> 00:31:11,720
Speaker 1: that's got tiles on the wall so they used to

669
00:31:11,720 --> 00:31:13,280
Speaker 1: be able to hose the blood out of the place.

670
00:31:13,600 --> 00:31:15,320
Speaker 1: And I said, I make can I have a schooner

671
00:31:15,360 --> 00:31:17,320
Speaker 1: of you? I know we don't have that on tap.

672
00:31:17,480 --> 00:31:19,520
Speaker 1: I said, what do you go, Oh, we've got bearded hipster.

673
00:31:19,600 --> 00:31:21,120
Speaker 1: Would you like some of that, it's going to those

674
00:31:21,160 --> 00:31:24,240
Speaker 1: fruity tastes. No, I'll have a Westa Cast cooler, thanks, mate.

675
00:31:24,600 --> 00:31:25,360
Speaker 1: So I'm glad.

676
00:31:25,480 --> 00:31:26,720
Speaker 3: Why do you sneer at craft beers?

677
00:31:26,760 --> 00:31:29,040
Speaker 1: That's terrible because it's all tastes like fruit. It all

678
00:31:29,080 --> 00:31:30,800
Speaker 1: tastes like passion for it. And when I was a

679
00:31:30,880 --> 00:31:33,880
Speaker 1: kid starting out to drink beer, beer taste, kid. When

680
00:31:33,880 --> 00:31:36,600
Speaker 1: I was a young man, beer tasted terrible, but you

681
00:31:36,600 --> 00:31:38,520
Speaker 1: know what, you got used to it, you developed a taste.

682
00:31:38,640 --> 00:31:42,240
Speaker 1: So what happens now? What happens now? Boast about the

683
00:31:42,320 --> 00:31:45,200
Speaker 1: kids these days? Oh, I don't like beers, so they're

684
00:31:45,200 --> 00:31:48,040
Speaker 1: making our beer taste or fruit. I don't want to.

685
00:31:48,080 --> 00:31:52,560
Speaker 1: I don't want a fruit. You can be a passionate about.

686
00:31:52,680 --> 00:31:55,400
Speaker 3: You can have any beer you like. This isn't sold

687
00:31:55,440 --> 00:31:57,320
Speaker 3: instead of the classic beers it is.

688
00:31:57,840 --> 00:32:00,160
Speaker 1: My local prob just said that it's not on tap.

689
00:32:00,560 --> 00:32:03,360
Speaker 1: Knew wasn't on tap. Twoes knew wasn't on tap. They

690
00:32:03,400 --> 00:32:06,560
Speaker 1: had some hipster beerd things of stone and wood or

691
00:32:06,600 --> 00:32:09,680
Speaker 1: whatever on tap, and I said, give me a two.

692
00:32:10,000 --> 00:32:11,320
Speaker 1: We've only got it in bottles, mate.

693
00:32:11,640 --> 00:32:15,520
Speaker 3: Well, maybe maybe you're all the dinosaur. Maybe you're the dinosaur.

694
00:32:16,360 --> 00:32:20,760
Speaker 1: The kids are buying cars. Is sixty bucks at because

695
00:32:20,800 --> 00:32:21,240
Speaker 1: it's good.

696
00:32:22,600 --> 00:32:27,000
Speaker 3: Why are men pushed into liking beer. It's not to

697
00:32:27,080 --> 00:32:30,719
Speaker 3: everyone's taste, and the craft beers cater for people who

698
00:32:30,800 --> 00:32:33,960
Speaker 3: don't want that classic beer taste. I have some of

699
00:32:34,000 --> 00:32:36,960
Speaker 3: Miguel's El Toro Loco pale ale the other day.

700
00:32:37,200 --> 00:32:39,280
Speaker 1: That tastes like delicious.

701
00:32:39,280 --> 00:32:41,800
Speaker 3: I'm not a beer drinker, and I really liked it.

702
00:32:41,840 --> 00:32:45,160
Speaker 1: If you like it, then that speaks volumes to me,

703
00:32:45,320 --> 00:32:47,440
Speaker 1: because it'll I bet you would taste fruity.

704
00:32:47,880 --> 00:32:51,400
Speaker 3: It's quite, it's light, but I didn't taste it wasn't fruity.

705
00:32:52,000 --> 00:32:55,120
Speaker 3: I really liked it because I don't like beer. So

706
00:32:55,360 --> 00:32:57,800
Speaker 3: maybe there's a market for these beers for people who

707
00:32:57,800 --> 00:33:01,680
Speaker 3: aren't into that old school petrol down your throat.

708
00:33:03,040 --> 00:33:05,360
Speaker 1: As a matter of fact, I got it now.

709
00:33:05,400 --> 00:33:11,360
Speaker 3: This is exhausted. You're exhausting, all right? Craft beer? Does

710
00:33:11,360 --> 00:33:12,320
Speaker 3: it pass the pub test?

711
00:33:14,560 --> 00:33:19,800
Speaker 4: Comcast Jonesy and Amanda in the Morning one oh one

712
00:33:19,800 --> 00:33:22,000
Speaker 4: point seven WSFN it.

713
00:33:23,840 --> 00:33:28,920
Speaker 3: Here's a story that appeared in an American newspaper, Tom

714
00:33:29,000 --> 00:33:35,920
Speaker 3: Young's Lester Tiger's prostitute charged by the Rugby Federation after

715
00:33:35,960 --> 00:33:40,240
Speaker 3: Bristol incident in the Rugby Union news makes no sense.

716
00:33:40,400 --> 00:33:43,000
Speaker 3: Why would there be a prostitute? You know this is

717
00:33:43,080 --> 00:33:46,400
Speaker 3: lost in translation. The real story is he's their hooker.

718
00:33:47,240 --> 00:33:49,680
Speaker 3: Americans don't understand rugby union.

719
00:33:49,920 --> 00:33:52,120
Speaker 1: Yeah, yeah, yeah.

720
00:33:51,520 --> 00:33:52,800
Speaker 3: That's your story right there.

721
00:33:52,880 --> 00:33:53,680
Speaker 1: That is a great story.

722
00:33:53,720 --> 00:33:55,920
Speaker 3: You don't often hear the word prostitute in rugby union.

723
00:33:55,920 --> 00:33:56,200
Speaker 2: Do you know?

724
00:33:56,520 --> 00:33:58,560
Speaker 1: That's more of like a legal Well it might have been.

725
00:33:58,440 --> 00:34:00,840
Speaker 3: So interesting, we can clear it up up. There wasn't

726
00:34:00,840 --> 00:34:02,080
Speaker 3: a prostitute on the field.

727
00:34:02,160 --> 00:34:03,880
Speaker 1: Don't even get me started on fanny.

728
00:34:04,160 --> 00:34:10,920
Speaker 3: Who's that American pack? It's a bum bag?

729
00:34:11,160 --> 00:34:14,239
Speaker 1: Well here it is over there? Now, over there it is.

730
00:34:14,239 --> 00:34:15,040
Speaker 1: Here's something else?

731
00:34:15,160 --> 00:34:17,640
Speaker 3: Is it? You don't know where do you wear your

732
00:34:17,680 --> 00:34:19,680
Speaker 3: bum bag? What do you put in it?

733
00:34:21,760 --> 00:34:22,000
Speaker 2: Where?

734
00:34:22,600 --> 00:34:23,880
Speaker 1: God?

735
00:34:23,960 --> 00:34:29,560
Speaker 3: I want you to get on right now, your windows,

736
00:34:29,880 --> 00:34:30,360
Speaker 3: your head on.

737
00:34:30,480 --> 00:34:31,040
Speaker 2: A yell.

738
00:34:35,000 --> 00:34:37,000
Speaker 1: Down of the jonesy de Man arounds the pub test

739
00:34:37,120 --> 00:34:39,200
Speaker 1: craft beer Does it pass the pub Test?

740
00:34:39,360 --> 00:34:42,080
Speaker 3: Article on the paper this week saying that the trend

741
00:34:42,160 --> 00:34:45,440
Speaker 3: for craft beer is going a bit flat. During the pandemic.

742
00:34:45,800 --> 00:34:49,760
Speaker 3: It's been a resurgence for classic beer brands VB and Carlton,

743
00:34:50,480 --> 00:34:54,640
Speaker 3: but according to Brendan Jones, those are the only beers

744
00:34:54,719 --> 00:34:56,479
Speaker 3: that matter for a long time.

745
00:34:56,560 --> 00:34:59,960
Speaker 1: Now, for a long time, craft beer has dominated everything

746
00:35:00,480 --> 00:35:03,000
Speaker 1: and now the old favorite's coming back and I'm hap

747
00:35:03,040 --> 00:35:05,680
Speaker 1: before it. In my day, a Kraft beer was Heineken,

748
00:35:05,840 --> 00:35:07,760
Speaker 1: and now that's a staple beer.

749
00:35:07,840 --> 00:35:09,040
Speaker 3: They're different market for the.

750
00:35:09,000 --> 00:35:11,320
Speaker 1: Asai guys talking about how great a say that's a

751
00:35:11,400 --> 00:35:13,560
Speaker 1: Japanese beer. Not that I have a problem with the Sahi,

752
00:35:13,640 --> 00:35:16,799
Speaker 1: but I'd rather drink a Sai than hipster through a

753
00:35:16,800 --> 00:35:18,359
Speaker 1: beer beer that they serve.

754
00:35:18,560 --> 00:35:22,200
Speaker 3: The chief executive of Australian Craft Beer Association has said

755
00:35:22,239 --> 00:35:24,640
Speaker 3: the craft beers are targeting a different demographic to the

756
00:35:24,680 --> 00:35:28,160
Speaker 3: traditional beer drinker. I eu Brendan Jones. They're saying that

757
00:35:28,239 --> 00:35:30,040
Speaker 3: going out and drinking a lot of beer is generally

758
00:35:30,080 --> 00:35:32,160
Speaker 3: not part of what the industry is selling. It's all

759
00:35:32,160 --> 00:35:35,680
Speaker 3: about drinking for flavor and drinking local. It says here

760
00:35:35,680 --> 00:35:38,440
Speaker 3: that they're cashed up, clued up and cultured and pretty

761
00:35:38,480 --> 00:35:42,240
Speaker 3: much age below fifty. So you're none of those things.

762
00:35:42,560 --> 00:35:46,440
Speaker 1: But I've been drinking. I've been drinking Man's beer since

763
00:35:46,960 --> 00:35:49,320
Speaker 1: I was could drink. No one's going to enjoyed that

764
00:35:49,520 --> 00:35:53,319
Speaker 1: doing that. All this, I went to my local pub

765
00:35:53,360 --> 00:35:55,520
Speaker 1: and this is sort of an old school Sydney pub.

766
00:35:55,760 --> 00:35:57,760
Speaker 1: Walked in there? Can I get a schooner? A new mate?

767
00:35:57,920 --> 00:36:00,840
Speaker 1: S we don't have nu on tap? Really, what have

768
00:36:00,960 --> 00:36:02,680
Speaker 1: you got? I've got this thing here that tastes like

769
00:36:02,719 --> 00:36:04,560
Speaker 1: passion fruit. I got this other one over here that

770
00:36:04,600 --> 00:36:06,759
Speaker 1: tastes like passion fruit. And the one I've here was

771
00:36:06,800 --> 00:36:10,080
Speaker 1: that tastes like passion fruit. Yes, you'll have to get

772
00:36:10,080 --> 00:36:12,759
Speaker 1: a new out of the bottom. What's happened to them?

773
00:36:12,960 --> 00:36:15,439
Speaker 3: Kraft beer? Does it pass the pub test?

774
00:36:15,960 --> 00:36:16,000
Speaker 4: No?

775
00:36:16,200 --> 00:36:16,760
Speaker 5: It doesn't.

776
00:36:16,760 --> 00:36:20,880
Speaker 2: I get agree with joy. You shouldn't taste work for fruit.

777
00:36:21,160 --> 00:36:23,440
Speaker 3: No, it doesn't give me real be and bring back

778
00:36:23,480 --> 00:36:23,840
Speaker 3: real be.

779
00:36:24,000 --> 00:36:26,280
Speaker 2: You can't see through anymore stick of this kind of stuff,

780
00:36:26,280 --> 00:36:28,320
Speaker 2: and every time you pick up a glass there's.

781
00:36:28,160 --> 00:36:28,840
Speaker 5: Nothing to it.

782
00:36:29,120 --> 00:36:32,360
Speaker 2: Bring back something dark black and got some goodness in it.

783
00:36:32,640 --> 00:36:36,680
Speaker 5: No, too many ip as and hazes and crap.

784
00:36:36,800 --> 00:36:38,760
Speaker 6: Give me an old school stay out any day.

785
00:36:39,040 --> 00:36:40,400
Speaker 3: And not not at all.

786
00:36:40,600 --> 00:36:42,320
Speaker 10: I agree with James hundred percent.

787
00:36:42,680 --> 00:36:45,279
Speaker 5: No, Mike, give me a Cotton Draft or a Great

788
00:36:45,360 --> 00:36:49,239
Speaker 5: Norman any day craft get rid of those two.

789
00:36:50,360 --> 00:36:52,360
Speaker 3: Doesn't that one tyste of it?

790
00:36:52,920 --> 00:36:55,520
Speaker 5: And or drink black bee and you know you've had

791
00:36:55,640 --> 00:36:59,600
Speaker 5: enough when it's running at Yes, craft Bee is thing

792
00:36:59,680 --> 00:37:00,799
Speaker 5: funny sold at all.

793
00:37:01,440 --> 00:37:02,279
Speaker 1: It's just not meant.

794
00:37:03,000 --> 00:37:05,520
Speaker 2: Just give us an old and new mate all the way.

795
00:37:05,640 --> 00:37:06,759
Speaker 2: I'd rather drink water.

796
00:37:08,960 --> 00:37:11,120
Speaker 1: That's a hips to beer water through a dirty natty.

797
00:37:11,160 --> 00:37:13,080
Speaker 3: Did you make all those calls yourself?

798
00:37:13,560 --> 00:37:15,400
Speaker 1: Where were those guys for five for your flash?

799
00:37:15,560 --> 00:37:17,160
Speaker 7: Those calls were all you.

800
00:37:17,719 --> 00:37:20,640
Speaker 1: Surely that's the silent majority, and they have spoken.

801
00:37:20,680 --> 00:37:23,200
Speaker 3: I'll tell you what, if I was a traditional brewer,

802
00:37:24,040 --> 00:37:25,800
Speaker 3: don't I changed my campaign. I don't know if I

803
00:37:25,920 --> 00:37:26,319
Speaker 3: want that.

804
00:37:26,760 --> 00:37:30,040
Speaker 1: You want that? You know. I was feeling pretty good

805
00:37:30,040 --> 00:37:33,799
Speaker 1: about the astrosenica vaccine shot that I took four weeks now.

806
00:37:34,280 --> 00:37:36,560
Speaker 1: I was feeling really good about that until Greg Hunt

807
00:37:36,680 --> 00:37:39,440
Speaker 1: went on the radio and said, oh you we're now

808
00:37:39,480 --> 00:37:41,840
Speaker 1: we're going to move it to people that are under sixty.

809
00:37:41,960 --> 00:37:44,160
Speaker 1: Oh id, stop shifting the gold place.

810
00:37:44,840 --> 00:37:47,160
Speaker 3: You have to be over sixty now, Well, what they're saying,

811
00:37:47,200 --> 00:37:48,400
Speaker 3: the chief.

812
00:37:48,680 --> 00:37:50,040
Speaker 1: Have the Yeah.

813
00:37:50,120 --> 00:37:57,320
Speaker 3: So here's the news. Doctors have said that the cases

814
00:37:57,520 --> 00:38:00,920
Speaker 3: of blood clotting and side effects in fifty to fifty

815
00:38:01,000 --> 00:38:03,840
Speaker 3: nine year olds has changed the risk profile for that group.

816
00:38:04,400 --> 00:38:07,880
Speaker 3: The risk now outweighs the benefit. Great, that's what they're saying,

817
00:38:08,000 --> 00:38:11,359
Speaker 3: so now they're suggesting that you have fiser unless sure

818
00:38:11,400 --> 00:38:12,480
Speaker 3: over sixty.

819
00:38:13,640 --> 00:38:15,840
Speaker 1: Well, that's the bit of a bit too late for me,

820
00:38:15,920 --> 00:38:16,279
Speaker 1: you and I.

821
00:38:16,400 --> 00:38:19,359
Speaker 3: Well, and that's what they're finding now is that people

822
00:38:19,440 --> 00:38:24,040
Speaker 3: are canceling their second doses of the astrosenica. So they're saying,

823
00:38:24,120 --> 00:38:29,760
Speaker 3: don't do that. The second dose of astrosenica has far

824
00:38:29,880 --> 00:38:33,840
Speaker 3: less risks with it, far less risk of the clotting disorder,

825
00:38:34,120 --> 00:38:37,360
Speaker 3: so it's lower for the second dose, less side effects

826
00:38:37,400 --> 00:38:43,120
Speaker 3: for your second dose. The Bondi Junction Respiratory Clinics astrosenica appointments,

827
00:38:43,400 --> 00:38:46,920
Speaker 3: they found twenty percent of people had canceled them on Thursday,

828
00:38:47,000 --> 00:38:49,800
Speaker 3: even though there are newly acquired cases in Bondi Junction.

829
00:38:50,040 --> 00:38:52,080
Speaker 3: You think you'd want to get vaccinated. That's where I

830
00:38:52,120 --> 00:38:53,879
Speaker 3: got mine done, and I'm going back in a couple

831
00:38:53,920 --> 00:38:55,680
Speaker 3: of weeks to have my second, because if you don't

832
00:38:55,680 --> 00:38:58,160
Speaker 3: have your second, you're not vaccinated. And not all the

833
00:38:58,200 --> 00:39:00,279
Speaker 3: science is in as to whether you get astrazen a

834
00:39:00,320 --> 00:39:02,160
Speaker 3: first and a file as a second will give you

835
00:39:02,280 --> 00:39:05,960
Speaker 3: complete protection match. I don't think they have. I don't

836
00:39:06,000 --> 00:39:09,120
Speaker 3: think the science is in for that. So they're saying,

837
00:39:09,920 --> 00:39:12,640
Speaker 3: if you have had your first astrosenica, Even if you're

838
00:39:12,680 --> 00:39:17,160
Speaker 3: under sixty, go for your second one. Chances of blood

839
00:39:17,200 --> 00:39:21,000
Speaker 3: clots and side effects are less, and unless you have both,

840
00:39:21,080 --> 00:39:23,160
Speaker 3: you won't be immunized against it.

841
00:39:23,280 --> 00:39:24,840
Speaker 1: Do you know? How do you know you've got a

842
00:39:24,840 --> 00:39:26,839
Speaker 1: blood clot? That's the other question I would ask.

843
00:39:28,280 --> 00:39:28,719
Speaker 3: I don't know.

844
00:39:28,920 --> 00:39:30,560
Speaker 1: Is there anything that there's any symptoms?

845
00:39:30,760 --> 00:39:33,040
Speaker 3: Well, there would be symptoms, but you feel like.

846
00:39:33,040 --> 00:39:35,279
Speaker 1: You feel pain somewhere? Do you feel pain?

847
00:39:35,280 --> 00:39:37,640
Speaker 3: I don't want to tell you acus your hypochondria, but

848
00:39:37,719 --> 00:39:40,560
Speaker 3: can I say this? And Lee Sales tweeted this yesterday.

849
00:39:41,000 --> 00:39:42,960
Speaker 1: Lee speaks spades of sense.

850
00:39:43,080 --> 00:39:45,880
Speaker 3: Based on current Australian data, your chance of death in

851
00:39:45,920 --> 00:39:49,800
Speaker 3: Australia from astrozenica vaccine is one in one point nine million.

852
00:39:50,680 --> 00:39:53,120
Speaker 3: For context, the Strange geographic puts your odds being struck

853
00:39:53,120 --> 00:39:55,359
Speaker 3: by lightning at one in one point six. You're more

854
00:39:55,440 --> 00:39:59,360
Speaker 3: likely to be struck by lightning than die from the vaccine.

855
00:39:59,520 --> 00:40:02,880
Speaker 3: Don't fear of vaccination. Of course, huge sympathy for the

856
00:40:02,880 --> 00:40:06,680
Speaker 3: families who have lost somebody, but let's keep these statistics

857
00:40:06,760 --> 00:40:10,160
Speaker 3: in context. We don't hear all the stories about people

858
00:40:10,160 --> 00:40:12,600
Speaker 3: who have blood clots every day from other stuff well.

859
00:40:12,520 --> 00:40:14,880
Speaker 1: Because of the Privacy Act, we don't hear about those

860
00:40:14,960 --> 00:40:18,200
Speaker 1: underlying health or pre existing health issues that those people

861
00:40:18,280 --> 00:40:19,719
Speaker 1: have died have, or.

862
00:40:19,760 --> 00:40:22,440
Speaker 3: Heart disease one in six, cancer one in seven, heavy

863
00:40:22,480 --> 00:40:25,120
Speaker 3: drinking one in forty nine. You know. And yet these

864
00:40:25,160 --> 00:40:27,520
Speaker 3: are the things you know. Our diet, our lack of

865
00:40:27,520 --> 00:40:30,799
Speaker 3: exercise that we take, we willingly do, knowing the risk.

866
00:40:30,920 --> 00:40:33,080
Speaker 1: I'm just going to stick to my safe old motorcycle

867
00:40:33,160 --> 00:40:35,840
Speaker 1: riding that each day in Sydney traffic and I'll be five.

868
00:40:35,920 --> 00:40:39,239
Speaker 3: We all choose our risks, but don't don't let it

869
00:40:39,320 --> 00:40:40,600
Speaker 3: stop you being vaccinated.

870
00:40:40,680 --> 00:40:42,520
Speaker 1: And if you concerned, talk to your doctor. That's what

871
00:40:42,560 --> 00:40:44,480
Speaker 1: I did. I spoke to my doctor and he outweighed

872
00:40:44,560 --> 00:40:49,399
Speaker 1: everything between the fires and the astrosenica and he made

873
00:40:49,440 --> 00:40:51,239
Speaker 1: me feel good about it. And the big news is

874
00:40:51,320 --> 00:40:52,680
Speaker 1: and they know they went to university.

875
00:40:52,760 --> 00:40:55,120
Speaker 3: If you've or so of I so listen to my

876
00:40:55,280 --> 00:40:56,920
Speaker 3: met my magic, that's you.

877
00:40:57,000 --> 00:40:57,359
Speaker 1: Thank you.

878
00:40:57,400 --> 00:41:00,239
Speaker 3: But if you've had your first vaccine astra zen, it

879
00:41:00,239 --> 00:41:02,040
Speaker 3: doesn't matter how old you are, if you're under sixty,

880
00:41:02,400 --> 00:41:05,000
Speaker 3: have the second one because your chances of side effets

881
00:41:05,000 --> 00:41:07,440
Speaker 3: are less, and unless you get both, it's not worth it.

882
00:41:07,480 --> 00:41:10,040
Speaker 1: At all, and he gives me a lollipop.

883
00:41:10,280 --> 00:41:10,719
Speaker 3: Does he.

884
00:41:13,360 --> 00:41:18,440
Speaker 4: Podcast Jonesy and Amanda in the morning one oh one

885
00:41:18,480 --> 00:41:19,360
Speaker 4: point seven.

886
00:41:19,560 --> 00:41:21,440
Speaker 1: WSF twenty past Days.

887
00:41:22,080 --> 00:41:27,200
Speaker 3: Well, here he is. Barry Dubois has entered the building

888
00:41:27,960 --> 00:41:30,000
Speaker 3: in his robe and slippers.

889
00:41:30,040 --> 00:41:32,760
Speaker 2: Hello, Barry Emmeling style is this style?

890
00:41:32,960 --> 00:41:36,600
Speaker 1: Well, it's interesting request Your agent rang and said Barry

891
00:41:36,640 --> 00:41:38,400
Speaker 1: wants to come, and he's dressing out. And I said, well,

892
00:41:38,440 --> 00:41:40,680
Speaker 1: what Barry does on the weekend in his own business.

893
00:41:41,040 --> 00:41:41,799
Speaker 1: But here you are.

894
00:41:42,000 --> 00:41:43,399
Speaker 2: I'm sure they didn't say I wanted to come.

895
00:41:43,880 --> 00:41:46,200
Speaker 1: That's what they said. Can he come? And he's dressing out?

896
00:41:47,280 --> 00:41:48,640
Speaker 3: I know you've set Barry off.

897
00:41:49,520 --> 00:41:51,840
Speaker 2: I want to arrive in my d anyway.

898
00:41:51,920 --> 00:41:55,400
Speaker 3: Well, Barry, is this like asking a gentleman, a Scottish gentleman,

899
00:41:55,440 --> 00:41:57,759
Speaker 3: what he wears under the kilt? What's going on under there?

900
00:41:58,560 --> 00:42:01,040
Speaker 2: Not a lot? But no, I'm just relax. It's a

901
00:42:01,120 --> 00:42:04,240
Speaker 2: luxury episode tonight. You know that A man an amazing

902
00:42:04,320 --> 00:42:06,359
Speaker 2: bathroom in the living room, having a lot of fun

903
00:42:06,360 --> 00:42:09,319
Speaker 2: with that. But they said, come in style, come as

904
00:42:09,400 --> 00:42:11,719
Speaker 2: you would if you could do anything you want. And

905
00:42:11,760 --> 00:42:14,600
Speaker 2: I said, in a robe in front of Jersey.

906
00:42:14,960 --> 00:42:15,719
Speaker 3: That's everything.

907
00:42:15,840 --> 00:42:17,160
Speaker 1: That's everything.

908
00:42:17,239 --> 00:42:20,080
Speaker 3: So what tell us about the bathroom that you do tonight.

909
00:42:20,160 --> 00:42:22,000
Speaker 2: It's beautiful, it's one of the I mean, many of

910
00:42:22,040 --> 00:42:24,920
Speaker 2: your listeners will know the seventy style three way bathroom.

911
00:42:25,120 --> 00:42:26,040
Speaker 3: What's three way means?

912
00:42:26,120 --> 00:42:28,720
Speaker 2: It means that you can sort of use the functionality

913
00:42:28,880 --> 00:42:30,759
Speaker 2: of the wet room all the time.

914
00:42:31,120 --> 00:42:33,680
Speaker 1: Stop this talk a three way wet room?

915
00:42:34,320 --> 00:42:38,560
Speaker 3: What does it mean? What does that mean? Through line here?

916
00:42:38,600 --> 00:42:40,719
Speaker 2: Yeah, you've got the little door so that someone can

917
00:42:40,760 --> 00:42:42,920
Speaker 2: be in the toilet while someone's using the vanity, and

918
00:42:42,920 --> 00:42:44,960
Speaker 2: then someone around the corner in the shower. We know

919
00:42:45,080 --> 00:42:46,120
Speaker 2: the three way bathroom.

920
00:42:46,640 --> 00:42:47,880
Speaker 1: I didn't realize it was called that.

921
00:42:48,040 --> 00:42:50,239
Speaker 2: Yeah, yeah, a great because I call it.

922
00:42:50,120 --> 00:42:52,960
Speaker 1: The exposure toilet. You know when you go bathroom and

923
00:42:53,000 --> 00:42:55,319
Speaker 1: the toilet's right there, the showers there. Yeah, but you

924
00:42:55,360 --> 00:42:57,719
Speaker 1: know that's not that's not convenient.

925
00:42:58,120 --> 00:43:01,120
Speaker 2: Well, it's functional. You get things done in there, that's

926
00:43:01,160 --> 00:43:03,959
Speaker 2: for sure. But this bathroom was on trend thirty years ago,

927
00:43:04,280 --> 00:43:07,080
Speaker 2: so I wanted to put it into trend today. And

928
00:43:07,280 --> 00:43:09,960
Speaker 2: what I love about this is we use a few

929
00:43:10,040 --> 00:43:12,960
Speaker 2: different colored tiles, and a lot of people wouldn't do that.

930
00:43:13,080 --> 00:43:15,040
Speaker 2: It's just too scary when you're spending that sort of

931
00:43:15,080 --> 00:43:17,840
Speaker 2: money in a bathroom. But we really have a shot

932
00:43:17,920 --> 00:43:21,800
Speaker 2: at some exciting, luxurious styles in a bathroom, and I

933
00:43:21,840 --> 00:43:24,839
Speaker 2: think it really it really pays off, and a good

934
00:43:24,880 --> 00:43:26,879
Speaker 2: one if you think about doing a bathroom, that's for sure.

935
00:43:27,000 --> 00:43:29,839
Speaker 1: Yeah, because what about those bathrooms they have and they've

936
00:43:29,880 --> 00:43:32,960
Speaker 1: got nothing. They've got no shield for the toilet, it's

937
00:43:33,000 --> 00:43:36,479
Speaker 1: all into an open drain, no shower screen. Even what's

938
00:43:36,520 --> 00:43:37,440
Speaker 1: with that?

939
00:43:37,600 --> 00:43:38,399
Speaker 2: Yeah, that's what I did.

940
00:43:39,880 --> 00:43:42,360
Speaker 1: Has that trend finished though? Please tell me that trend

941
00:43:42,440 --> 00:43:42,840
Speaker 1: is finished?

942
00:43:43,040 --> 00:43:43,120
Speaker 5: No.

943
00:43:43,480 --> 00:43:45,799
Speaker 2: The trend for basrooms now, if you're looking for trend

944
00:43:45,920 --> 00:43:49,040
Speaker 2: is natural light and ventilation. So again we bring skylights

945
00:43:49,080 --> 00:43:52,279
Speaker 2: into this bathroom because you know we're lacking envitamin DS.

946
00:43:52,320 --> 00:43:53,759
Speaker 2: So you can get a bit of sunshine on your

947
00:43:53,760 --> 00:43:55,560
Speaker 2: body while you're in the shower. That's a great.

948
00:43:55,360 --> 00:43:57,160
Speaker 3: Idea without frightening the neighbors.

949
00:43:57,600 --> 00:43:59,200
Speaker 2: Well some might not say frightened.

950
00:43:59,440 --> 00:44:03,400
Speaker 3: Well I would. And what about those toilets and sometimes

951
00:44:03,400 --> 00:44:08,759
Speaker 3: fancy hotels have them where they turn opake when you

952
00:44:08,800 --> 00:44:12,080
Speaker 3: sit down, and I never trust them. Have you seen those.

953
00:44:12,040 --> 00:44:13,520
Speaker 1: Glass it's glass.

954
00:44:14,680 --> 00:44:16,360
Speaker 2: Visualized you're sitting down in the bathroom.

955
00:44:17,400 --> 00:44:19,040
Speaker 1: Remember has done that many times? He goes into the

956
00:44:19,040 --> 00:44:21,120
Speaker 1: bathroom and the glass turns outpake, but it has no

957
00:44:21,239 --> 00:44:22,640
Speaker 1: sort of chemical that makes it do that.

958
00:44:22,719 --> 00:44:27,200
Speaker 3: It just my unfortunate diet. But the thing is, sometimes

959
00:44:27,239 --> 00:44:30,040
Speaker 3: we over a jusia bathroom. It doesn't need to have

960
00:44:31,080 --> 00:44:33,719
Speaker 3: glass that changes once you sit down and all of that.

961
00:44:34,440 --> 00:44:36,360
Speaker 2: It doesn't have to be boring either. It's going to

962
00:44:36,400 --> 00:44:38,799
Speaker 2: be a space where you can move around a little bit,

963
00:44:39,080 --> 00:44:40,360
Speaker 2: where you feel comfortable.

964
00:44:40,400 --> 00:44:42,200
Speaker 3: It makes you feel good when you go in there.

965
00:44:43,120 --> 00:44:44,960
Speaker 2: The mirror is there, so it's a place for a

966
00:44:45,040 --> 00:44:45,920
Speaker 2: moment of reflection.

967
00:44:46,080 --> 00:44:48,720
Speaker 1: Can I ask a question? I went to a friend's

968
00:44:48,760 --> 00:44:53,040
Speaker 1: house that's recently been built, one of those nice development things,

969
00:44:53,560 --> 00:44:56,960
Speaker 1: and the mirror had The toilet has a mirror, so

970
00:44:57,000 --> 00:44:59,759
Speaker 1: when you're as a man going to the toilet, there's

971
00:44:59,760 --> 00:45:03,439
Speaker 1: a mis are right there as you're and then that's

972
00:45:03,520 --> 00:45:05,560
Speaker 1: That's not the first place I've been to that's got that.

973
00:45:05,640 --> 00:45:08,759
Speaker 1: There's more and more places they're putting mirror behind the

974
00:45:08,800 --> 00:45:11,560
Speaker 1: toilet by an assistance. So for a woman you wouldn't

975
00:45:11,560 --> 00:45:13,239
Speaker 1: notice because you sit on the toilet, but a man,

976
00:45:13,280 --> 00:45:15,239
Speaker 1: you're standing there, it's all there. Well for a woman.

977
00:45:15,920 --> 00:45:17,880
Speaker 3: For women in hotels, we have to put up with

978
00:45:17,960 --> 00:45:20,600
Speaker 3: you close the door and there's a floor length mirror.

979
00:45:20,880 --> 00:45:22,880
Speaker 3: Well do you see when you're sitting on the loop.

980
00:45:23,000 --> 00:45:25,600
Speaker 2: You guys put a lot of thought into what you

981
00:45:25,719 --> 00:45:26,560
Speaker 2: do when you're doing it.

982
00:45:26,800 --> 00:45:27,840
Speaker 7: Well, you don't want to see it.

983
00:45:28,360 --> 00:45:29,200
Speaker 1: You know what to see.

984
00:45:29,000 --> 00:45:31,480
Speaker 2: It if you got it and it looks that good.

985
00:45:31,520 --> 00:45:31,839
Speaker 2: I don't.

986
00:45:32,280 --> 00:45:33,400
Speaker 3: But you're on the toilet.

987
00:45:34,160 --> 00:45:36,640
Speaker 1: What about the days of the mirror on the bedroom

988
00:45:36,760 --> 00:45:39,600
Speaker 1: ceiling and you lying? Then you think of naked skyd.

989
00:45:41,920 --> 00:45:43,560
Speaker 3: Did you have that in the eighties burrying the big

990
00:45:43,640 --> 00:45:44,200
Speaker 3: round bed?

991
00:45:44,360 --> 00:45:45,960
Speaker 2: You know? I had it in my panel van. I

992
00:45:46,000 --> 00:45:47,640
Speaker 2: had a mirror on the roof of my panel van.

993
00:45:48,280 --> 00:45:52,880
Speaker 2: Really crawl through the paddied heart mirror on the roof.

994
00:45:54,040 --> 00:45:55,759
Speaker 1: And then to the three way wet room.

995
00:45:55,800 --> 00:45:58,680
Speaker 2: And who wants to go to the driving.

996
00:46:00,360 --> 00:46:03,080
Speaker 1: Dressing game is going to need a wash anyway. I'll

997
00:46:03,120 --> 00:46:05,319
Speaker 1: be watching in the living room tonight at seven thirty

998
00:46:05,320 --> 00:46:07,520
Speaker 1: on Channel ten. Amanda will be there, Buried Wow will

999
00:46:07,520 --> 00:46:09,759
Speaker 1: be there. Chris and Miguel of course, of course we'll

1000
00:46:09,800 --> 00:46:10,200
Speaker 1: see you then.

1001
00:46:10,640 --> 00:46:15,880
Speaker 3: Thank you, Baz Jonesy and Amanda Germ podcast. Let's not

1002
00:46:16,040 --> 00:46:16,279
Speaker 3: keep on.

1003
00:46:20,960 --> 00:46:23,040
Speaker 1: I don't often go to protest things. I've been to

1004
00:46:23,200 --> 00:46:27,240
Speaker 1: protest rides for motorcycle rides and stuff, chip green slips

1005
00:46:27,280 --> 00:46:29,840
Speaker 1: and all that. I did go to another protest for

1006
00:46:29,960 --> 00:46:33,680
Speaker 1: the Serious Building in you know, the brutalist building that's

1007
00:46:33,719 --> 00:46:35,160
Speaker 1: just right near the Harbor Bridge.

1008
00:46:34,920 --> 00:46:36,719
Speaker 3: And what were you protesting that they were going to

1009
00:46:37,320 --> 00:46:38,000
Speaker 3: clic housing.

1010
00:46:38,080 --> 00:46:39,719
Speaker 1: Developers were going to buy it and they're going to

1011
00:46:39,800 --> 00:46:42,680
Speaker 1: knock it down. And I think it's a great part

1012
00:46:42,719 --> 00:46:46,440
Speaker 1: of Sydney's landscape. And Tim Ross, you know Tim, he

1013
00:46:46,520 --> 00:46:48,440
Speaker 1: was quite passionate about it. So we went along there.

1014
00:46:48,520 --> 00:46:50,960
Speaker 1: It feels kind of empowering, you know, people with megaphones

1015
00:46:51,920 --> 00:46:54,600
Speaker 1: doing a bit of a chant save the Serious and

1016
00:46:54,680 --> 00:46:55,960
Speaker 1: you buy a tea towel.

1017
00:46:55,840 --> 00:46:58,880
Speaker 3: And interesting though the Serious Building has been saved, it's.

1018
00:46:58,760 --> 00:47:01,160
Speaker 1: Been and this is great part of our's part of

1019
00:47:01,160 --> 00:47:01,840
Speaker 1: our landscape.

1020
00:47:01,920 --> 00:47:04,400
Speaker 3: Yes, but it's no longer public housing.

1021
00:47:04,560 --> 00:47:04,759
Speaker 1: No.

1022
00:47:04,960 --> 00:47:07,120
Speaker 3: And Jack Munday and all that incredible work that was

1023
00:47:07,160 --> 00:47:10,600
Speaker 3: done in the seventies to keep also to keep the

1024
00:47:10,640 --> 00:47:13,560
Speaker 3: green that was there too, and to not let developers

1025
00:47:14,080 --> 00:47:17,160
Speaker 3: take the rocks and the inner that that part of Sydney.

1026
00:47:17,440 --> 00:47:19,960
Speaker 3: They did incredible work to keep that. The people who

1027
00:47:20,000 --> 00:47:21,680
Speaker 3: were living there, well.

1028
00:47:21,600 --> 00:47:23,920
Speaker 1: They protested about the Serious Building when they built that

1029
00:47:23,960 --> 00:47:25,120
Speaker 1: in the seventies.

1030
00:47:24,680 --> 00:47:28,000
Speaker 3: As well, but it was public housing and now hasn't

1031
00:47:28,040 --> 00:47:30,080
Speaker 3: they just sold the penthouse for thirty four million.

1032
00:47:29,960 --> 00:47:31,800
Speaker 1: Or something thirty five million dollars?

1033
00:47:31,840 --> 00:47:33,320
Speaker 3: Sorry I misspoke thirty five.

1034
00:47:33,719 --> 00:47:37,520
Speaker 1: Forty years ago it was for public housing, social housing.

1035
00:47:37,840 --> 00:47:39,759
Speaker 1: Now some big richie is going to be living there.

1036
00:47:40,080 --> 00:47:41,920
Speaker 1: I hope he can put an Australian flag in the

1037
00:47:41,960 --> 00:47:44,680
Speaker 1: window and maybe some gym Bean bottles empty ones in

1038
00:47:44,680 --> 00:47:46,880
Speaker 1: the window as well on the best of block shelving.

1039
00:47:46,960 --> 00:47:48,560
Speaker 1: That'd be good. Be a nice touch.

1040
00:47:49,360 --> 00:47:49,760
Speaker 3: Wow.

1041
00:47:50,520 --> 00:48:02,640
Speaker 7: Sure our favorite goodie of the year.

1042
00:48:02,680 --> 00:48:05,279
Speaker 3: When's ten thousand dollars cash and a brand new spinally

1043
00:48:05,320 --> 00:48:07,920
Speaker 3: is mattress valued at over sixteen thousand dollars. So if

1044
00:48:07,960 --> 00:48:10,880
Speaker 3: you sick of neck pain, headaches or snoring, by Spinaly's

1045
00:48:10,920 --> 00:48:13,480
Speaker 3: pillow with after pay and get free delivery at Spinalies

1046
00:48:13,480 --> 00:48:14,359
Speaker 3: dot Comedy.

1047
00:48:14,400 --> 00:48:16,480
Speaker 1: Six seven four is the hotline number.

1048
00:48:16,520 --> 00:48:20,240
Speaker 5: What have we got hey, James and Amanda. My bully

1049
00:48:20,440 --> 00:48:23,439
Speaker 5: is I drive public transport in Sydney and you see

1050
00:48:23,480 --> 00:48:26,800
Speaker 5: someone sitting at the bus stop on their phone. You

1051
00:48:26,960 --> 00:48:29,400
Speaker 5: slow down, you give them a bit before you flash

1052
00:48:29,440 --> 00:48:31,240
Speaker 5: your lights at and then let them know you coming

1053
00:48:31,560 --> 00:48:34,320
Speaker 5: and they don't look at you until the last minute,

1054
00:48:34,400 --> 00:48:37,880
Speaker 5: and then they finally stick the hand out. You manage

1055
00:48:37,920 --> 00:48:41,160
Speaker 5: to stop. Then they give you the look that you're late.

1056
00:48:41,400 --> 00:48:44,319
Speaker 5: But while they're given you the look that you're all late,

1057
00:48:45,200 --> 00:48:49,439
Speaker 5: they're standing there trying to find their Opal card, which

1058
00:48:49,480 --> 00:48:51,640
Speaker 5: they could have had ready while while I was sitting

1059
00:48:51,680 --> 00:48:54,000
Speaker 5: there on the phone at the bus stop. Thanks guys,

1060
00:48:54,360 --> 00:48:55,759
Speaker 5: spread the word you just did.

1061
00:48:55,840 --> 00:48:58,719
Speaker 1: That's true. You have you have you s together when

1062
00:48:58,760 --> 00:48:59,680
Speaker 1: you're at the bus stop.

1063
00:49:00,239 --> 00:49:03,920
Speaker 10: What else we got, Hi, Jonesy and Amanda. What gets

1064
00:49:03,960 --> 00:49:08,040
Speaker 10: my gulies, and this really gets my goolies is print

1065
00:49:08,040 --> 00:49:12,000
Speaker 10: at home tickets that have a great sway of color

1066
00:49:12,120 --> 00:49:15,520
Speaker 10: or a photograph down the bottom, so that when you

1067
00:49:15,600 --> 00:49:18,200
Speaker 10: try to print them out, you're wasting all these ink.

1068
00:49:18,480 --> 00:49:21,759
Speaker 10: Get your act together, ticket Master, ticket Teck, a whole

1069
00:49:21,760 --> 00:49:23,240
Speaker 10: lot of you get your act together.

1070
00:49:23,680 --> 00:49:27,200
Speaker 1: Thanks, Yeah, you waste all your printer co Yeah yeah.

1071
00:49:27,000 --> 00:49:29,040
Speaker 3: It's true. Just give me the little bit I need

1072
00:49:29,080 --> 00:49:29,440
Speaker 3: and that's it.

1073
00:49:29,600 --> 00:49:31,000
Speaker 1: Just give me the barca. That's all you need.

1074
00:49:31,120 --> 00:49:33,040
Speaker 3: That's all I can look up the terms and conditions.

1075
00:49:33,360 --> 00:49:35,680
Speaker 1: Just give me that ticket. People are in cahoots with

1076
00:49:35,680 --> 00:49:36,360
Speaker 1: the print people.

1077
00:49:37,080 --> 00:49:39,920
Speaker 3: Ah, really imagine that a deal at office works.

1078
00:49:40,000 --> 00:49:41,000
Speaker 1: Yeah, they could be.

1079
00:49:41,640 --> 00:49:44,239
Speaker 3: Well, you've heard that conspiracy here flowing.

1080
00:49:44,040 --> 00:49:48,360
Speaker 1: That wide open w c FM. Hello there, it's Jonesy

1081
00:49:48,400 --> 00:49:50,400
Speaker 1: to Mandy. You know, Jim Dollan has been working harder

1082
00:49:50,400 --> 00:49:53,200
Speaker 1: than Scott Morrison's small talk cards for his chat with

1083
00:49:53,280 --> 00:49:54,880
Speaker 1: the Queen and he's come up with this.

1084
00:49:55,120 --> 00:49:55,319
Speaker 5: Jim.

1085
00:49:59,239 --> 00:50:01,760
Speaker 9: It may seem like a long time away, but Brisbane

1086
00:50:01,880 --> 00:50:03,879
Speaker 9: has put his hand up for the twenty thirty two

1087
00:50:04,080 --> 00:50:05,080
Speaker 9: Olympic Games.

1088
00:50:05,200 --> 00:50:08,800
Speaker 3: Twenty thirty two. That's the future, man. The future is

1089
00:50:08,840 --> 00:50:14,200
Speaker 3: that eleven years from now, I in eleven years, I

1090
00:50:14,320 --> 00:50:15,360
Speaker 3: will be seventy.

1091
00:50:15,600 --> 00:50:18,759
Speaker 1: No, you're not seven. No I'm not now, but you're

1092
00:50:18,800 --> 00:50:19,520
Speaker 1: not seven.

1093
00:50:19,640 --> 00:50:22,600
Speaker 3: I'm not now. It's what i'll be if I'm seventy.

1094
00:50:22,600 --> 00:50:25,160
Speaker 3: How old were you been eleven years? You're fifty three,

1095
00:50:25,440 --> 00:50:28,960
Speaker 3: so you will be sixty two, sixty sixty four, sixty

1096
00:50:29,000 --> 00:50:31,040
Speaker 3: four in eleven years we'll.

1097
00:50:30,920 --> 00:50:34,760
Speaker 1: Probably still be doing this show. Can you imagine something

1098
00:50:34,760 --> 00:50:35,640
Speaker 1: for the small package?

1099
00:50:36,160 --> 00:50:39,040
Speaker 3: Oh it's small package. It's a big package. Who left

1100
00:50:39,080 --> 00:50:40,800
Speaker 3: that in the tupperware? That's discussed?

1101
00:50:40,960 --> 00:50:42,200
Speaker 1: A large package?

1102
00:50:42,360 --> 00:50:43,759
Speaker 3: That's my lunch, I hope.

1103
00:50:43,760 --> 00:50:45,799
Speaker 9: Apparently if you see you mate naked and you can

1104
00:50:45,920 --> 00:50:46,880
Speaker 9: rip the hell out of them.

1105
00:50:47,080 --> 00:50:48,640
Speaker 1: This is a rule according to Jonesy.

1106
00:50:48,920 --> 00:50:52,440
Speaker 9: Take for example, this crack at Shane Jacobson, so called

1107
00:50:52,680 --> 00:50:54,440
Speaker 9: over exposure.

1108
00:50:53,880 --> 00:50:54,839
Speaker 1: Says a lad on the TB.

1109
00:50:56,680 --> 00:50:57,640
Speaker 3: He was in a shower.

1110
00:50:57,800 --> 00:51:00,600
Speaker 1: One might say, what is Shane Jacobson not doing? And

1111
00:51:00,640 --> 00:51:02,959
Speaker 1: you know what, I say, You're gonna make hay while

1112
00:51:02,960 --> 00:51:05,320
Speaker 1: the sun shines. Actually, I think he's doing an adverse

1113
00:51:05,680 --> 00:51:08,319
Speaker 1: advertisement campaign for they people as.

1114
00:51:08,280 --> 00:51:10,840
Speaker 3: Well, and the Sunshine people and the Sunshine people.

1115
00:51:11,000 --> 00:51:13,880
Speaker 1: He's got that whole market corner. But he's got a

1116
00:51:13,880 --> 00:51:15,400
Speaker 1: lot of stuff. He's got a big shed full of

1117
00:51:15,400 --> 00:51:16,879
Speaker 1: cars and stuff, so he's going to pay the red

1118
00:51:16,920 --> 00:51:17,359
Speaker 1: Jo's for that.

1119
00:51:17,560 --> 00:51:19,440
Speaker 3: He's the questions. You're going to ask him what he's in.

1120
00:51:19,600 --> 00:51:22,200
Speaker 1: I don't tell him myself anything. This gives me sensitive man,

1121
00:51:22,360 --> 00:51:23,160
Speaker 1: well as.

1122
00:51:23,120 --> 00:51:24,920
Speaker 3: I would do if you spoke about me like that, boll.

1123
00:51:24,920 --> 00:51:27,560
Speaker 1: We're good mates. We've seen each other nudes, so it's okay.

1124
00:51:27,880 --> 00:51:30,279
Speaker 9: What do you do with the portrait of yourself if

1125
00:51:30,280 --> 00:51:32,800
Speaker 9: an artist gives it to you, like the time Arndeau

1126
00:51:32,960 --> 00:51:34,160
Speaker 9: paid it, Amanda.

1127
00:51:34,080 --> 00:51:36,919
Speaker 3: The great honor being painted by Arndau for his television show.

1128
00:51:36,960 --> 00:51:39,200
Speaker 3: And it's a massive portrait and you get to take

1129
00:51:39,200 --> 00:51:41,759
Speaker 3: it home at the end. It freaks my children out.

1130
00:51:41,760 --> 00:51:43,160
Speaker 3: I had it up for a little while because it's

1131
00:51:43,200 --> 00:51:43,520
Speaker 3: what was.

1132
00:51:43,520 --> 00:51:46,960
Speaker 1: Such a beautiful sounds what Amalian dictator with this giant

1133
00:51:47,040 --> 00:51:48,560
Speaker 1: picture of yourself in the lounge?

1134
00:51:48,640 --> 00:51:51,400
Speaker 3: Yeah, and I'll say, don't listen to me, listen to that, lady.

1135
00:51:52,080 --> 00:51:55,359
Speaker 9: Our cooking segment TikTok Mark deals with those recipes seed

1136
00:51:55,400 --> 00:51:58,360
Speaker 9: on TikTok. This week it was five MUCKs given for

1137
00:51:58,520 --> 00:52:02,239
Speaker 9: pizza shaped chicken. I don't think those much supply though

1138
00:52:02,280 --> 00:52:03,400
Speaker 9: to how it was prepared.

1139
00:52:03,640 --> 00:52:07,320
Speaker 3: This is chicken cooked. You dip it in some flour,

1140
00:52:07,360 --> 00:52:09,839
Speaker 3: dip it in egg, but the crumb that you use

1141
00:52:10,320 --> 00:52:13,480
Speaker 3: are crushed up pizza shapes the barbecue flavor.

1142
00:52:13,640 --> 00:52:16,000
Speaker 1: That sounds reasonable, It does, doesn't it? So you have

1143
00:52:16,160 --> 00:52:17,080
Speaker 1: cook fish in the oven?

1144
00:52:17,239 --> 00:52:19,080
Speaker 3: No, I put it under my arm and heated it up,

1145
00:52:20,120 --> 00:52:20,480
Speaker 3: all right.

1146
00:52:21,640 --> 00:52:24,960
Speaker 9: Hair And the latest from the world of fetishes, this

1147
00:52:25,120 --> 00:52:27,200
Speaker 9: time stuck fetishes.

1148
00:52:27,480 --> 00:52:31,160
Speaker 3: She makes videos the case for people who have stuck fetishes.

1149
00:52:31,200 --> 00:52:31,960
Speaker 3: Have you ever heard of this?

1150
00:52:32,160 --> 00:52:32,359
Speaker 2: No?

1151
00:52:33,120 --> 00:52:35,520
Speaker 3: No, These are people who get off watching people trying

1152
00:52:35,520 --> 00:52:39,800
Speaker 3: to get out of various jams, like there's a sticky

1153
00:52:39,800 --> 00:52:44,400
Speaker 3: and non sticky substance of mobilization fetishes. Like quicksand fetishes,

1154
00:52:45,080 --> 00:52:48,560
Speaker 3: there are different kinds. It's perceived situational and mobilization fetish.

1155
00:52:49,239 --> 00:52:51,960
Speaker 3: It's it's all very specific, different kinds.

1156
00:52:52,040 --> 00:52:53,360
Speaker 1: What about Whinnie the Pooh?

1157
00:52:53,560 --> 00:53:03,960
Speaker 8: What Key God Suck, Big Time Open Dictionary, Witty the Pooh?

1158
00:53:03,960 --> 00:53:07,279
Speaker 1: Please? Well, thanks, mister ruin my childhood. This has been

1159
00:53:07,360 --> 00:53:13,040
Speaker 1: Jimbo's Jim You Jimmy d Podcast.

1160
00:53:14,480 --> 00:53:17,319
Speaker 3: Our favorite caller email of Facebook. Friend wins a five

1161
00:53:17,400 --> 00:53:21,719
Speaker 3: hundred dollars tvsen voucher Love Shopping Love TV Send.

1162
00:53:21,520 --> 00:53:23,359
Speaker 1: You also get the Jonesi demand of t towel and

1163
00:53:23,400 --> 00:53:24,400
Speaker 1: branded bobblehead.

1164
00:53:24,520 --> 00:53:29,080
Speaker 3: Now the Magnificent Seven are early morning trivia quiz. Some

1165
00:53:29,080 --> 00:53:31,160
Speaker 3: some people are slow to wake up, shall we say

1166
00:53:31,239 --> 00:53:33,440
Speaker 3: when they play this early in the morning. We have

1167
00:53:33,560 --> 00:53:35,279
Speaker 3: Kevin from Lithgow this morning.

1168
00:53:35,080 --> 00:53:37,880
Speaker 1: And bearing in mind, the not so Secret sound is

1169
00:53:37,920 --> 00:53:40,640
Speaker 1: as simple as that we want this to not be

1170
00:53:40,719 --> 00:53:42,799
Speaker 1: a challenge at that time and morning. We see your

1171
00:53:42,880 --> 00:53:45,319
Speaker 1: need and we feel that we can accommodate.

1172
00:53:44,800 --> 00:53:46,400
Speaker 3: That and it's kind of a joke as opposed to

1173
00:53:46,440 --> 00:53:49,840
Speaker 3: a tricky secret sound. It's called the not so Secret sound.

1174
00:53:49,840 --> 00:53:52,040
Speaker 3: It was question three, what do you think this sound is?

1175
00:53:53,840 --> 00:53:54,200
Speaker 1: What's that?

1176
00:53:56,520 --> 00:53:56,719
Speaker 2: Oh?

1177
00:54:01,880 --> 00:54:04,640
Speaker 3: No, I don't know.

1178
00:54:05,400 --> 00:54:06,120
Speaker 2: Just listen.

1179
00:54:12,080 --> 00:54:16,760
Speaker 3: Enough, sorry, having a lead of us a big gasol

1180
00:54:16,800 --> 00:54:21,279
Speaker 3: it somehow it's our car horn. No, it's a bicycle bell.

1181
00:54:21,760 --> 00:54:25,200
Speaker 3: It's a bicycle right as you think that's enough, I

1182
00:54:25,239 --> 00:54:25,480
Speaker 3: think he.

1183
00:54:25,600 --> 00:54:27,640
Speaker 1: Was just buying for Man of the match. Just frankly,

1184
00:54:27,960 --> 00:54:29,600
Speaker 1: Kevin is backed a genius.

1185
00:54:29,880 --> 00:54:33,560
Speaker 3: Never assume with magnificent seven Brendan holiday here and holiday

1186
00:54:33,560 --> 00:54:35,239
Speaker 3: there is back a chance we're not one but two

1187
00:54:35,239 --> 00:54:40,640
Speaker 3: amazing holidays today. Bannister's Pavilain in Molly Mook very nice

1188
00:54:40,760 --> 00:54:42,920
Speaker 3: and a chance to go in the drawerhead to Queenstown.

1189
00:54:42,960 --> 00:54:44,680
Speaker 1: That's all coming up with a field. Will be back

1190
00:54:44,680 --> 00:54:47,640
Speaker 1: from six to night for jam Nation. Good day to you, well,

1191
00:54:47,840 --> 00:54:49,040
Speaker 1: thank god that's over.

1192
00:54:49,200 --> 00:54:51,239
Speaker 2: Good good.

1193
00:54:54,600 --> 00:54:55,280
Speaker 3: A podcaster.

1194
00:54:55,440 --> 00:54:59,360
Speaker 4: Today's show is available to download from the iHeartRadio app.

1195
00:54:59,400 --> 00:55:03,160
Speaker 3: All the cool Kids are doing it, Thank you.

1196
00:55:09,480 --> 00:55:13,320
Speaker 6: Jonesy and Amanda podcast. Catch up on what you've missed

1197
00:55:13,360 --> 00:55:15,120
Speaker 6: on a free iHeartRadio app.