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Speaker 1: Walk in the podcast. Yeah, yeah, I have a fiance. Yeah,

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Speaker 1: I can't believe.

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Speaker 2: She said, yes, beautiful stuff. Yes you can No, I can't.

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Speaker 1: Yeah she said yeah, okay, she was thank you, thank you.

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Speaker 3: It was actually it was. It's a beautiful thing, isn't it?

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Speaker 3: Proposing that is?

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Speaker 2: Yeah, I mean I disagree. Actually I think it's a

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Speaker 2: horrible thing. But yeah, it's a very stressful thing.

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Speaker 1: It's just has anyone smoothly done it, and it's lovely.

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Speaker 2: I think it's I think it's more of a relieving thing. Oh,

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Speaker 2: it's just relief when you're like they said, yes it's over.

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Speaker 1: Please tell me, because I was. I was just shitting myself.

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Speaker 1: I couldn't. My leg was shaking.

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Speaker 4: When people had understand I was twenty five, I had

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Speaker 4: much more energy.

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Speaker 2: For the old concrete courtyard special.

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Speaker 4: I didn't involve my cat in a concrete courtyard.

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Speaker 2: People can say the video online with a look yourself,

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Speaker 2: by the way.

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Speaker 4: Took it very well that you proposed to her, filmed

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Speaker 4: her without any makeup on, in her rug boots with

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Speaker 4: a beanie on concrete.

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Speaker 3: So I was thinking about that, and in my mind

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Speaker 3: I was like, you're beautiful when you wake up in

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Speaker 3: the morning.

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Speaker 1: But again I know it.

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Speaker 3: For her, it was like, obviously I want to have

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Speaker 3: makeup on and be dressed and look nice and anyway,

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Speaker 3: Thankfully she said she didn't care and she loved that.

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Speaker 1: She was surprised.

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Speaker 4: And that's the thing, isn't it.

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Speaker 1: It's the surprise, that's all they want.

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Speaker 3: Exactly right, exactly she's because because she's very cluey, mim.

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Speaker 1: So I and I'm I'm not a booker. I'm not

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Speaker 1: an organizer. I'm not a booker.

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Speaker 3: If I bood a dinner or something, she would have

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Speaker 3: been very suss on it. As Will so eloquently puts

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Speaker 3: out in the show as well, I did. We did

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Speaker 3: just come back from a very romantic trip in w

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Speaker 3: way had engagement written all over it.

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Speaker 2: Yeah, I thought we were coming back. I thought you

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Speaker 2: were coming back engaged.

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Speaker 1: And to be clear, I did a good.

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Speaker 2: Chat with our ep cap and pants. We went on

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Speaker 2: break and he was like, what do we need to

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Speaker 2: get ready because he's coming back engaged.

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Speaker 1: And to be frank, that was the plan, but the

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Speaker 1: ringbod wasn't ready. In times can we hear?

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Speaker 2: And the Waterfront Table, the waterfront table down in Margaret

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Speaker 2: River was a little bit too exy six dollars a

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Speaker 2: pop down there. We all know they are.

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Speaker 1: We had a nice dinner at the Settler's tab. I

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Speaker 1: had order off the set menu. That would be a

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Speaker 1: great down to propos proposal of gone Margaret River again.

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Speaker 3: I probably would have done it in the place we

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Speaker 3: were staying, which probably would have been a foreign court yard.

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Speaker 3: I don't like the idea of public proposals. Yeah, I'm

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Speaker 3: not much terrifying. And also I think it's a very

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Speaker 3: special moment between two people to enjoy that moment.

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Speaker 4: But you did in a very public fifteen of my friends.

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Speaker 4: She's had a big love heart in the sand.

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Speaker 1: Oh nice, thank j G for k I've got a

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Speaker 1: video of it.

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Speaker 4: My friend. Actually what led him to go with a

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Speaker 4: career of videography is, oh, well he made the video.

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Speaker 1: It's amazing.

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Speaker 4: But yeah, it took her to a cliff and blindfolded her,

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Speaker 4: told her friends to take her to the casino for

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Speaker 4: a few cocktails and said, oh, your birthday presents arrived,

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Speaker 4: better go get it. Oh, well done, And she had

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Speaker 4: no idea where she was. They took it for a

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Speaker 4: and then she opened her eyes and it.

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Speaker 2: Sounds like the pretext to a hostage. Really drunk at

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Speaker 2: the cast blindfolder, take it to a cliff.

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Speaker 1: Had one cocktail and friends at all. She didn't want

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Speaker 1: to leave. She was actually pissed, a good time, having

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Speaker 1: a great time.

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Speaker 4: Then all of a sudden blindfold off. But this isn't

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Speaker 4: about me, this is about fifteen.

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Speaker 2: Friends the concrete courtyard.

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Speaker 3: Then I didn't even booked dinner looks good. Yeah, I've

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Speaker 3: heard my legs look good, which is massive. That's the

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Speaker 3: biggest thing to come out of particular.

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Speaker 2: The calves still little bit already ready down.

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Speaker 3: I think I've decided the calves that is that they're done.

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Speaker 3: I was trying to make them bigger. They're not going

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Speaker 3: to get bigger. Okay, if you do implants on calves,

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Speaker 3: I'm interested.

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Speaker 2: You were lucky to get down on one day. I

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Speaker 2: thought that snapped. I was like, I'm not on the concrete.

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Speaker 2: Not on the concrete.

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Speaker 3: Put my body on the line for my girl, for

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Speaker 3: my fiance, Yeah, for your field.

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Speaker 1: It's great to say that. Yeah, that's great to say beautiful.

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Speaker 5: Yeah.

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Speaker 2: Great. So he's still on my thunder give them I'm

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Speaker 2: a having a baby.

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Speaker 1: The baby hasn't popped out.

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Speaker 2: Yet Yeah, but you know the you know the afterglow.

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Speaker 1: What do you mean?

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Speaker 2: Oh, the baby could steal your thunder now?

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Speaker 6: Exactly perfect, perfect, perfect, perfect perfect.

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Speaker 1: Anyway, enjoyed the show over.

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Speaker 2: Great stuff made. Congratulations, This is the Will and Woody podcast.

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Speaker 2: We've got the one on the Hamish play and Join

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Speaker 2: the Boys.

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Speaker 7: What an honor, honor to be here as the only

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Speaker 7: I wanted to.

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Speaker 2: Have you on the show. Mate our Lego Masters tonight,

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Speaker 2: seven thirty nine and nine. Now we'll talk about that shortly,

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Speaker 2: but I really want to talk to you about the

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Speaker 2: camping trip you have with your little boy Sonny recently.

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Speaker 2: It looks like you were a child who was taken

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Speaker 2: on the trip, judging by some of the stuff on

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Speaker 2: your socials.

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Speaker 1: Here's some audio.

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Speaker 8: Radio check radio check check.

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Speaker 2: How often is your son the reluctant part uh in

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Speaker 2: the activities?

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Speaker 5: Yeah?

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Speaker 7: When I went, hey, guess what I got for the

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Speaker 7: camping trip?

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Speaker 2: Walk?

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Speaker 7: He talking like cool, it's very cool because now we

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Speaker 7: can chat from the front seat to the back seat.

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Speaker 7: He's like, but we could anywhere. I was like that

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Speaker 7: not in a fun way, and now we can.

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Speaker 3: And to be honest, I heard that Sunny missed a

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Speaker 3: bit of school, Uh to go on said camping trip again.

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Speaker 7: Yes, I took him out of cool.

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Speaker 1: This is just an excuse for you.

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Speaker 3: I feel like you've called a couple of mates and gone,

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Speaker 3: does anyone want to go camping midweek?

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Speaker 1: They've all got jobs, and then you decide to pull.

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Speaker 2: You kid out of school.

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Speaker 7: I got him sneaking out trying to drive back to school.

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Speaker 2: A little come back to the campsite.

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Speaker 7: You know, I did it one me in a because

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Speaker 7: with all due respect education, of course it's super important.

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Speaker 7: But I think you can take you and you can

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Speaker 7: take trade days off to camping. We do go to

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Speaker 7: We went to.

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Speaker 2: A lot of.

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Speaker 7: He's been more taught by Zoe and I at home

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Speaker 7: than he has been going for the COVID. So as

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Speaker 7: his main teacher, I was aver a given to mission.

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Speaker 1: And as the other main teacher. Then Zoe like, how

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Speaker 1: do you get this stuff past your wife?

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Speaker 2: Man?

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Speaker 7: I mean it was pretty it was I was like,

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Speaker 7: really right, why do you be sure you want to

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Speaker 7: go camping? Because those not big fans camping. Yeah, but

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Speaker 7: I honestly think like you. I blocked this in like

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Speaker 7: start of the year because I'm like, I think this

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Speaker 7: would be really fun. And of course, like camping is

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Speaker 7: a hassle. We all know there's more convenient ways to sleep,

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Speaker 7: like inside, but if you don't block it out, you

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Speaker 7: never I'm a big I'm a big believer if you've

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Speaker 7: got to just make the part. And we had a ball.

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Speaker 2: You said it was a year two. You said like

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Speaker 2: pulling him out of year two was easy? But like,

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Speaker 2: did you because I remember back in the day, if

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Speaker 2: you miss school it was always to be like music lessons.

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Speaker 2: Like you'd be like, I want to go to a

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Speaker 2: music lesson. The tender just roll their eyes at you

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Speaker 2: and be like, oh, you're going to miss so much?

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Speaker 2: Did they make you feel better? Do they guilt trip

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Speaker 2: to parents as well? Or is it like an.

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Speaker 7: I honestly didn't personally have a conversation. I'm like, I

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Speaker 7: wonder if those did, because.

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Speaker 2: You lift it to him to have the chat.

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Speaker 7: Where I was like, you have defend yourself.

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Speaker 9: Car trouble.

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Speaker 3: And hamish other than obviously pulling your kids out of

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Speaker 3: school to go on camping trips.

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Speaker 1: Will is about to become a father.

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Speaker 3: He's genuinely in the drop zone as we speak, so

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Speaker 3: you know, if he disappears all of a sudden, it's

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Speaker 3: because his wife is giving birth. But would you if

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Speaker 3: you give one piece of advice to Will going into parenthood?

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Speaker 1: What would it be?

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Speaker 8: Great?

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Speaker 7: I mean great question, because there really isn't. I mean,

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Speaker 7: all the all the all the advice you can give.

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Speaker 7: I mean, personally, who am I give advice? Second of all, no,

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Speaker 7: no one, you're.

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Speaker 2: Not even you're not even giving a legitimate excuse to.

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Speaker 7: Leave class exactly so, but mean you'll be just everyone

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Speaker 7: is genuinely, genuinely fine. It's all about figuring it out

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Speaker 7: as you go. It's some about knowing it in advance.

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Speaker 7: It's just it's amazing fun.

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Speaker 5: You'll love it.

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Speaker 7: So I would say, I would say that it's always

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Speaker 7: the thing of Like it's easy to make fun of

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Speaker 7: the bad stuff like no sleep and all that, but

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Speaker 7: it's also got to remember it's so good that you know,

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Speaker 7: you have this thing living in your house, that one

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Speaker 7: that you sleep and is crushing you and your exhausted stuff,

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Speaker 7: and you still love them. So imagine how great they

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Speaker 7: have to be. Imagine if you had Imagine if you

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Speaker 7: had a mate that woke you up all night, how

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Speaker 7: quickly you would get rid of that mate? That's how

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Speaker 7: much you love the kids, you let them stay.

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Speaker 1: Yeah, it's very true.

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Speaker 3: I sort of feel like I've been that to Will

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Speaker 3: before his child, coming.

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Speaker 2: Together in Perth for a few months and that ended quickly.

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Speaker 2: It did.

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Speaker 1: Yeah, that's that's a good point.

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Speaker 2: It was sober moment.

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Speaker 1: I did lovely enough right now. But I think you

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Speaker 1: have to run mate, Yes, a zoom call? Is that right?

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Speaker 2: Lego Masters Tonight seven thirty, Channel nine.

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Speaker 7: I'm going to pretend it so yeah, I've got to

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Speaker 7: sign off on tonight's episode. Please, perfect, Please, That's what

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Speaker 7: I'm doing right now, Channel nine headquarters with the full

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Speaker 7: board of Channel nine. Wow, and I'll give it. Yeah,

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Speaker 7: that's how important I am going.

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Speaker 10: Wow, word.

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Speaker 7: Not going. I'm not going to give the shopping so

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Speaker 7: spread the worst that I'm doing in a Channel nine

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Speaker 7: What we're.

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Speaker 2: Going to talk about the story which is on everybody's

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Speaker 2: tongues Johnny Depp amber and we're certainly not going to

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Speaker 2: talk about it because we're ill informed, ill educated and

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Speaker 2: arguably don't care enough. But Peter Ford certainly does astrain

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Speaker 2: gos colamus, bloody legend. This bloke I reckon the best

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Speaker 2: and the bes. Peter Ford absolutly pants you in the

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Speaker 2: gossip we did he did, Peter, thanks for joining us, mate,

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Speaker 2: Oh my pleasure.

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Speaker 9: This is absolute gold. This stuff. You literally could not

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Speaker 9: sit down and make it up because people would say,

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Speaker 9: I don't believe a word this. And it's all happening

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Speaker 9: right now in the United States Johnny versus Amber.

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Speaker 3: Yeah, and so this is like Americans or anyone can

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Speaker 3: watch this lie.

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Speaker 1: That's correct, isn't it, Peter?

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Speaker 9: Oh yeah, it's available. You can go on YouTube. You

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Speaker 9: can watch it for hours and hours every day. Johnny

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Speaker 9: was on the stand for several days last week, he

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Speaker 9: was on the stand again today. He's now finished. So

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Speaker 9: do you want me to explain this to you, like

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Speaker 9: your idiot that you understand what this is is a

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Speaker 9: defamation case. He is suing her personally. A few years

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Speaker 9: ago she wrote an article about being a victim of

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Speaker 9: domestic violence. Now, I know some people are thinking, oh,

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Speaker 9: didn't we go through all this last year? Well, we

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Speaker 9: sort of did, because last year he sued the Sun

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Speaker 9: newspaper in England and he lost because they called him

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Speaker 9: a wife beater. So we went through a lot of

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Speaker 9: this same time. This time around, he's suing her in America.

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Speaker 9: He's suing her personally, not suing the publication that published

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Speaker 9: the article. So it's very vicious and there's a lot

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Speaker 9: at stake. There's a lot of money at stake. He

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Speaker 9: wants fifty million US because he basically believes his career.

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Speaker 2: Has been destroyed.

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Speaker 9: Now, there's two things that are big factors in what

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Speaker 9: the outcome of this will be. Number one is last

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Speaker 9: year he lost when he sued in England, and the

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Speaker 9: paper is good to call him a wife beta. The

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Speaker 9: other thing that is relevant to take note of is

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Speaker 9: that in this what was the other thing relevant to

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Speaker 9: take note of? I want to get I'll come back

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Speaker 9: to that. But it's ugly stuff. I mean, this is

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Speaker 9: allegations of and please, I want to be really clear,

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Speaker 9: I'm not making light of domestic violence. This is a

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Speaker 9: defamation case. I don't think it is about domestic violence.

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Speaker 9: I think it's about two nut jobs who basically should

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Speaker 9: be locked up, and certainly their relationship was by anybody

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Speaker 9: estimation toxic.

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Speaker 2: The mudslinging that's gone on, it seems like it's just

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Speaker 2: it's current me if I'm wrong, Peter. But the footage

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Speaker 2: that I've seen is a lot of her filming him,

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Speaker 2: asking him questions about what's going on. But the weird

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Speaker 2: thing about the footage is it's almost seems like she

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Speaker 2: knew she was going to be in court with him, Yeah,

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Speaker 2: at a later date, or it seems like she's gathering

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Speaker 2: she had been gathering evidence for a long time, Like

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Speaker 2: why else would you film someone and ask him all these.

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Speaker 9: Well, that's it. I mean, it's weird. I mean he

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Speaker 9: seems to have been recording her a lot of the

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Speaker 9: time too. I mean, this is why I say that

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Speaker 9: this is a very toxic, weird relationship. You know, they

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Speaker 9: either should be both locked up in asylum or they

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Speaker 9: should go unmarried at first sight, you know, one or

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Speaker 9: the other, because it's I have to listen to this now.

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Speaker 9: This is a secret recording that Johnny did of a

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Speaker 9: conversation he had with Amber.

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Speaker 2: Okay, do you believe you abused me physically?

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Speaker 10: And that's not the question, that's not the question. You

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Speaker 10: started You started these.

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Speaker 8: And said she started it?

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Speaker 11: Really, I.

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Speaker 10: And you, why did you try?

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Speaker 6: That's the whole world and the.

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Speaker 12: Very big difference.

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Speaker 2: And wow, what was that last bit. I've never been

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Speaker 2: able to overpower you and that Yeah.

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Speaker 9: So she says that's because of besides, oh, I thought

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Speaker 9: of that thing I forgot, And that's because in the

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Speaker 9: article that she wrote about being a victim of domestic violence,

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Speaker 9: she never actually named him, but everybody.

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Speaker 2: Of course knew or assumed what.

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Speaker 9: She was talking about. But the other stuff, a lot

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Speaker 9: of this is playing out allegedly at what happened on

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Speaker 9: the Gold Coast. You know, we're so preoccupied at the

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Speaker 9: time with this whole pistol and boo story. Little did

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Speaker 9: we know that all this may Oh god, it was

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Speaker 9: all happening at Mick Doan's house. You know, he on Airbnb, the.

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Speaker 1: Former motorbile champion.

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Speaker 2: Yeah, yeah, yeah, he.

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Speaker 9: Had this beautiful hatch I think I think he sold

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Speaker 9: it subsequently, and he was renting it out and these

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Speaker 9: two moved in and it was chaos. I mean, there's

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Speaker 9: photographs that I've sent to you where he cut his finger. Now,

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Speaker 9: no one denies, well, he didn't cut his big he

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Speaker 9: severed his finger. He says she did it with a

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Speaker 9: glass bottle. She says he did it with a throwing

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Speaker 9: smashing a phone up. Either way, and no one disputes

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Speaker 9: the fact he did sever his finger. But the logical

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Speaker 9: thing would be if you severed your finger, you say,

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Speaker 9: oh oops, someone called me an ambulance. But no, he said,

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Speaker 9: get me black paint, because I'm now going to use

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Speaker 9: my stumpy finger and dip it in the black paint.

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Speaker 9: And then I'm going to scrawl on the walls all

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Speaker 9: over the house with a stump finger, you know, so

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Speaker 9: that what you're seeing there is a mixed sure of

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Speaker 9: black paint and blood and throw it into.

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Speaker 2: Why not for the palette? Wow, Peter Ford, mate, thanks

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Speaker 2: so much for joining us. Just a little bit of

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Speaker 2: a just a snapshot as to what is going on

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Speaker 2: between Johnny Depp and heard. It is extraordinary. This as

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Speaker 2: you said, would it's it's you know the laws in

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Speaker 2: America you can film the whole court case is extraordinary, Peter,

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Speaker 2: Thank you so much for joining us. As always your legend,

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Speaker 2: always so informat. I've really appreciate it, Mate.

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Speaker 9: Have I got weeks of it? To God?

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Speaker 1: This is your grand final, isn't it?

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Speaker 13: Peter?

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Speaker 1: For Christmases at once?

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Speaker 2: She is Hey, if anybody is a victim of domestic

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Speaker 2: violence or they are worried about some level of violence

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Speaker 2: within their home, call one hundred respect one hundred and seven

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Speaker 2: three seven seven three too if you need to call

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Speaker 2: him past. Well, let's get down to it. Let's get

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Speaker 2: it over with.

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Speaker 3: I've captured something pretty remarkable on camera in my courtyard. Look,

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Speaker 3: you seem negative, pessimistic that this isn't going to be entertained.

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Speaker 2: Do you forgive me? You forgive me, because you know

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Speaker 2: we've got two hours of a show, and you know

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Speaker 2: I like pulling the curtain down here, mate, we've got

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Speaker 2: two We have a two hour show.

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Speaker 1: Go and rip it down, right, We have a two

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Speaker 1: hour show.

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Speaker 2: Yeah, And I pitch a few ideas in the morning,

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Speaker 2: each of us. And then the time slot I'll give you, guys,

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Speaker 2: the hot tip commercial radio. Really time slot from five

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Speaker 2: till five thirty. That's what we call primetime. That's Hollywood Bulevard.

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Speaker 1: We're in it right now.

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Speaker 2: We're in it right now, and I'm choosing to pull

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Speaker 2: the curtain down. That's Hollywood Bulevard. That's when most people

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Speaker 2: are in their car. So right now is when we

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Speaker 2: have the most listeners we possibly have. Yes, So when

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Speaker 2: I look at the white board and I go five

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Speaker 2: to five thirty, right, what are we doing? I come

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Speaker 2: in come in this afternoon, what are we doing at

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Speaker 2: five thirty and I've pitched some good gear today you

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Speaker 2: have and it's it's been pretty good.

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Speaker 1: Get the podcast bell on Woody reveget a pretty good.

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Speaker 2: Gear and I come in five to five thirty. Just

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Speaker 2: in caps yep, woodies cat video Are you ready? And

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Speaker 2: I hate cats? Yeah, I hate videos with audio. We're

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Speaker 2: at an audible medium and it's in primetime. It had

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Speaker 2: better be bloody good.

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Speaker 1: Are you ready to watch?

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Speaker 2: Just your rep on the line here, it's the producers,

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Speaker 2: all of them.

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Speaker 1: That's fair. You could get fight if this is bad?

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Speaker 1: Now are you ready to watch it?

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Speaker 7: No?

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Speaker 3: Well explained Now, Look, because you're so negative. Actually, wouldn't

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Speaker 3: mind the entire team coming in just because I want

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Speaker 3: a good reaction, because you're just going to be negative.

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Speaker 2: I know you're going to be negative. I won't now.

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Speaker 3: Joel, you like cats, That whole team, everyone, even Tim,

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Speaker 3: Tim the audio guy, bring because I need a good

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Speaker 3: reaction to it. Because you're just negative. I know you're

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Speaker 3: going to give a negative I.

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Speaker 2: Remind you were in prime time. Well, we get everybody,

390
00:17:36,800 --> 00:17:39,920
Speaker 2: while we get everybody assembled here, what are you doing?

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Speaker 2: I'm just moving surely. And then this is the other thing,

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00:17:42,880 --> 00:17:47,600
Speaker 2: like it's actually amateur. It's prime time, mate, everyone stand behind.

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Speaker 2: Not very often you have the primetime spot. Obviously, this

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Speaker 2: is we're meant to be doing schlick gear here and

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Speaker 2: you're assembling the crew.

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Speaker 3: Okay, so everyone's going to be able to hear this.

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Speaker 3: As Will plays the video, says it's the first time.

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Speaker 3: If you do want to see the video, though, you

399
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Speaker 3: can go to our instagram, Will and Woody.

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00:18:07,560 --> 00:18:09,800
Speaker 2: Well it hasn't automatically gone up there, has it.

401
00:18:10,480 --> 00:18:14,439
Speaker 1: Yeah, Well it's a good d it's a hard vid. Okay, So.

402
00:18:17,880 --> 00:18:21,280
Speaker 2: Pressing plate three two one.

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Speaker 1: That's you in a courtyard.

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Speaker 12: Ye in your house, Alexa, please stand by me.

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00:18:30,119 --> 00:18:35,440
Speaker 2: Pay stand by me. That's your girlfriend Mimi dancing.

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Speaker 12: Right.

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Speaker 2: The cat's getting ushered onto the outdoor furniture. Can I

408
00:18:47,840 --> 00:18:49,520
Speaker 2: just stop and say this is ship house?

409
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Speaker 1: Well, hang on, this is.

410
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Speaker 2: Absolute ship I'm about to have a baby, and I

411
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Speaker 2: reckon my unborn child could make a better video than this.

412
00:18:57,680 --> 00:19:01,320
Speaker 2: It's building. This is crap, something of the highest order.

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Speaker 1: There's a moment we're about as a moment, Will getting

414
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Speaker 1: your eyes.

415
00:19:05,560 --> 00:19:08,040
Speaker 2: On the cat very angry currently.

416
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Speaker 12: Oh in mine, I love it very very very much.

417
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Speaker 2: Where the how's the cat? What's going on? Where's the

418
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Speaker 2: cat gone?

419
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Speaker 1: Maybe just keep playing it?

420
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Speaker 2: Ah right, okay, I'll just I.

421
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Speaker 3: Was just wondering if ah's of proposal.

422
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Speaker 2: In your backyard idiots.

423
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Speaker 11: Oh no, oh my guys, oh, oh my god, oh god,

424
00:20:26,720 --> 00:20:27,600
Speaker 11: that was so meet.

425
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Speaker 2: No, it was awful. But I'm very happy for you.

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Speaker 1: Say good engage I got every morning. Thank you, Wow,

427
00:20:36,760 --> 00:20:37,160
Speaker 1: thank you.

428
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Speaker 2: Oh well, let's go to a song.

429
00:20:39,640 --> 00:20:41,159
Speaker 1: Yeah, we can get mem on the funk about it

430
00:20:41,160 --> 00:20:42,600
Speaker 1: and get after it. You can get Mim on the

431
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Speaker 1: phone all right as well?

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Speaker 2: Yeah, congrats me God, that video was absolutely ship. I

433
00:20:49,920 --> 00:20:51,879
Speaker 2: want to say it. They could have cut out twenty

434
00:20:51,960 --> 00:20:55,840
Speaker 2: seconds at least. Lovely moment in the studio here for

435
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Speaker 2: was your engaged? Yes, holy wild.

436
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Speaker 3: I have it, Beyonce, Beyonce, I did propose on Saturday morning. Yes,

437
00:21:06,240 --> 00:21:09,520
Speaker 3: in the courtyard, which you've already identified. You don't think

438
00:21:09,520 --> 00:21:12,800
Speaker 3: that was very impressive? No, thank you, appreciate your right.

439
00:21:12,880 --> 00:21:14,440
Speaker 2: I think a lot of people would be thinking that though.

440
00:21:15,119 --> 00:21:19,480
Speaker 2: So it's interesting, isn't it on a Saturday morning.

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Speaker 1: I just thought, you know, low key casual if you

442
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Speaker 1: want to see.

443
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Speaker 3: Also the proposal, by the way, I did I set

444
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Speaker 3: up my phone in the corner of the courtyard, and

445
00:21:26,520 --> 00:21:28,800
Speaker 3: then the video goes for thirty minutes, if I'm being.

446
00:21:28,680 --> 00:21:30,840
Speaker 1: Honest, because she took a long time to come.

447
00:21:30,760 --> 00:21:32,520
Speaker 3: Out of the bedroom, and then she asked me to

448
00:21:32,560 --> 00:21:34,919
Speaker 3: do the washing, so that's all on the camera. So

449
00:21:35,200 --> 00:21:37,360
Speaker 3: it's it's like a three hour sort of Zack Snyder

450
00:21:37,440 --> 00:21:39,120
Speaker 3: epic the proposal video.

451
00:21:39,800 --> 00:21:40,760
Speaker 1: And then eventually I do.

452
00:21:40,880 --> 00:21:43,800
Speaker 3: Get down on one knee, but I do have my

453
00:21:44,600 --> 00:21:47,920
Speaker 3: fiance yes on the phone.

454
00:21:47,920 --> 00:21:51,439
Speaker 1: Now, Mim, how are we?

455
00:21:51,960 --> 00:21:52,760
Speaker 7: I know, I'm good.

456
00:21:53,520 --> 00:21:55,840
Speaker 2: Oh, congrats, Mem, it's huge.

457
00:21:56,119 --> 00:21:57,720
Speaker 8: Thank you, very exciting.

458
00:21:58,760 --> 00:21:59,400
Speaker 11: Princess.

459
00:21:59,600 --> 00:22:05,200
Speaker 2: Yeah, were you let down by the courtyard? No? Beautiful

460
00:22:06,640 --> 00:22:09,280
Speaker 2: went up a little bit, said two weeks in Australia

461
00:22:09,560 --> 00:22:12,680
Speaker 2: in the sun, that would have been beautiful, would be great,

462
00:22:12,680 --> 00:22:15,680
Speaker 2: couple of great spots, beaches, views, the works.

463
00:22:16,240 --> 00:22:16,800
Speaker 8: I guess see.

464
00:22:16,840 --> 00:22:19,000
Speaker 7: The biggest letdown was called the second I'm wearing no.

465
00:22:19,000 --> 00:22:20,960
Speaker 9: Make hap and jumping out.

466
00:22:21,040 --> 00:22:23,680
Speaker 8: But I mean, you know, beautiful no matter.

467
00:22:23,560 --> 00:22:26,400
Speaker 1: What, right, Yeah, that's what I think. That's what either

468
00:22:26,480 --> 00:22:27,959
Speaker 1: you were in a beanie and the half of your

469
00:22:28,000 --> 00:22:29,200
Speaker 1: eyes still look like a skater boy.

470
00:22:30,760 --> 00:22:33,040
Speaker 2: Ummy, it's very clearing.

471
00:22:33,359 --> 00:22:36,520
Speaker 1: And then of course to celebrate the engagement. I didn't.

472
00:22:36,520 --> 00:22:37,520
Speaker 1: I hadn't booked anything.

473
00:22:37,880 --> 00:22:41,119
Speaker 3: Yeah, so I we just we just went into the

474
00:22:41,160 --> 00:22:43,720
Speaker 3: city and we just went to really nice restaurants and

475
00:22:43,720 --> 00:22:44,960
Speaker 3: pretty much got knocked back.

476
00:22:44,840 --> 00:22:47,320
Speaker 7: By four or five Yeah, I think it was about

477
00:22:47,359 --> 00:22:50,520
Speaker 7: seven or eight. But hey, it's fine. We love each

478
00:22:50,520 --> 00:22:52,320
Speaker 7: other and it.

479
00:22:52,320 --> 00:22:54,639
Speaker 1: Was a great it was a great night, a beautiful

480
00:22:54,640 --> 00:22:55,560
Speaker 1: little Chinese restaurant.

481
00:22:55,560 --> 00:23:00,720
Speaker 2: Well, it was a beautiful surprise as congratulations. Honestly, very

482
00:23:00,920 --> 00:23:03,120
Speaker 2: very happy. Yeah, I know that's awesome. And I said,

483
00:23:03,119 --> 00:23:04,240
Speaker 2: if you guy want to see the video, it's on

484
00:23:04,280 --> 00:23:06,280
Speaker 2: Will and Woody on Instagram. You're going to cheat out

485
00:23:06,280 --> 00:23:07,879
Speaker 2: for yourself. But there has been a bit of an

486
00:23:07,920 --> 00:23:09,960
Speaker 2: inkling that this has been coming for a while.

487
00:23:11,080 --> 00:23:12,359
Speaker 1: This thought I was hiding it.

488
00:23:12,359 --> 00:23:15,480
Speaker 2: Pretty well, you're on the cusp for proposing on the cap.

489
00:23:15,520 --> 00:23:16,600
Speaker 2: I could smell it on you.

490
00:23:16,480 --> 00:23:17,480
Speaker 5: You're going to propose.

491
00:23:17,640 --> 00:23:18,080
Speaker 2: It's all over.

492
00:23:18,359 --> 00:23:20,680
Speaker 1: Yeah, right, thanks for the pep to or fellas, I'm

493
00:23:20,680 --> 00:23:21,359
Speaker 1: having a baby.

494
00:23:21,400 --> 00:23:23,639
Speaker 2: And if you're steal my thunder now there's an idea

495
00:23:24,800 --> 00:23:28,760
Speaker 2: I proposing March or may Well, you're over a fact

496
00:23:28,760 --> 00:23:30,439
Speaker 2: that I am you at any moment.

497
00:23:31,080 --> 00:23:34,359
Speaker 1: Sorry, mate, I'm sorry, you absolutely time you're going to

498
00:23:34,400 --> 00:23:36,080
Speaker 1: be on the homepage of news dot com. I'm looking

499
00:23:36,080 --> 00:23:39,200
Speaker 1: forward to him. Maybe you've been on the bottom there somewhere.

500
00:23:40,680 --> 00:23:42,880
Speaker 2: Guys, guys, you want to say Willing wood you Instagram?

501
00:23:42,880 --> 00:23:45,560
Speaker 7: Coming up next, we Will.

502
00:23:45,480 --> 00:23:48,440
Speaker 1: And Woody The Will and Woody Podcast.

503
00:23:48,640 --> 00:23:50,160
Speaker 2: Wards. You and I have been trying for a whole

504
00:23:50,160 --> 00:23:52,879
Speaker 2: week to figure out what is the perfect instruction to

505
00:23:52,960 --> 00:23:55,000
Speaker 2: give to someone to make veggimi toast. I think we

506
00:23:55,040 --> 00:23:59,200
Speaker 2: all agree, veggimi toast, there's a perfect spread. There's a

507
00:23:59,240 --> 00:24:02,320
Speaker 2: golden ratio to vegimite. We've all seen it. We all

508
00:24:02,359 --> 00:24:03,760
Speaker 2: know what it looks like in our head. But how

509
00:24:03,760 --> 00:24:06,720
Speaker 2: do you tell someone exactly how to do that? And look,

510
00:24:06,920 --> 00:24:11,200
Speaker 2: we're finding out very quickly that we got the instruction wrong.

511
00:24:11,359 --> 00:24:14,159
Speaker 2: It's been a journey. It's been a journey. We've tested

512
00:24:14,160 --> 00:24:18,640
Speaker 2: our instruction. Our junior producer, Analyse Martha califortatas nowhere, yeah,

513
00:24:19,040 --> 00:24:23,919
Speaker 2: and she was nowhere genuinely. And Joxon Fellow, I mean

514
00:24:23,920 --> 00:24:26,399
Speaker 2: he's a professional chef, he got nohey of it. Over time,

515
00:24:26,520 --> 00:24:29,000
Speaker 2: our definition has changed, our instruction has changed because we

516
00:24:29,200 --> 00:24:32,000
Speaker 2: just can't get it right. If you missed the journey,

517
00:24:32,440 --> 00:24:33,000
Speaker 2: have a listen.

518
00:24:33,960 --> 00:24:36,680
Speaker 6: This show has always been well respected in the media

519
00:24:36,760 --> 00:24:38,800
Speaker 6: circles for reporting the big news.

520
00:24:38,960 --> 00:24:41,040
Speaker 1: I've got to kidney, we did there.

521
00:24:41,080 --> 00:24:45,280
Speaker 6: You go, forget the Ukraine, forget the upcoming federal election.

522
00:24:45,680 --> 00:24:49,800
Speaker 6: Last week we reported the most important thing in the world, what's.

523
00:24:49,680 --> 00:24:51,600
Speaker 2: The perfect amount of vegimie on a piece.

524
00:24:51,400 --> 00:24:55,399
Speaker 8: Of test seventymite?

525
00:24:55,480 --> 00:24:57,760
Speaker 1: Those instructions proved insufficient.

526
00:24:58,040 --> 00:25:01,480
Speaker 6: The task was given to our junior juice analyse, who

527
00:25:02,040 --> 00:25:04,920
Speaker 6: how do I put this politely? Really up?

528
00:25:05,000 --> 00:25:09,560
Speaker 1: Analyst revealed the toast it's way too much veggimine.

529
00:25:09,840 --> 00:25:13,760
Speaker 6: Enter stage left. Martha Calipher Teitas aka Martha.

530
00:25:13,480 --> 00:25:15,920
Speaker 2: From Maps kind of just feel like it's just gonna

531
00:25:15,920 --> 00:25:17,960
Speaker 2: look like you kind of have dirtied the butter a

532
00:25:17,960 --> 00:25:23,440
Speaker 2: little bit, as she has cooked it way too much veggie.

533
00:25:23,440 --> 00:25:27,520
Speaker 6: What can we please get a professional involved with this process?

534
00:25:27,520 --> 00:25:29,560
Speaker 2: Please chop on through it back to percentages. I'm on

535
00:25:29,560 --> 00:25:30,800
Speaker 2: his team, and you guys are cooked.

536
00:25:32,840 --> 00:25:35,879
Speaker 6: Judging by Will's reaction, this didn't go well.

537
00:25:36,119 --> 00:25:37,359
Speaker 2: What have you done here?

538
00:25:37,720 --> 00:25:39,159
Speaker 1: That is easy?

539
00:25:39,240 --> 00:25:42,680
Speaker 4: Will, don't go too farm with the criticism much.

540
00:25:42,800 --> 00:25:46,000
Speaker 2: Okay, Donky, that's enough, Thank god you're judging that cooking competition.

541
00:25:46,640 --> 00:25:48,119
Speaker 3: Hey, we're gonna have to get you to make it

542
00:25:48,160 --> 00:25:49,800
Speaker 3: pace a toast judge.

543
00:25:51,560 --> 00:25:55,080
Speaker 6: After all of that, the question remains, Australia, can you

544
00:25:55,200 --> 00:25:57,879
Speaker 6: teach someone how to make the perfect veggimine?

545
00:25:57,960 --> 00:25:58,520
Speaker 1: On text?

546
00:25:58,840 --> 00:25:59,199
Speaker 2: Toast?

547
00:25:59,520 --> 00:25:59,879
Speaker 12: Toast?

548
00:26:00,320 --> 00:26:00,639
Speaker 5: Toast?

549
00:26:03,160 --> 00:26:06,960
Speaker 2: Good stuff? So the question remains, can you tell someone

550
00:26:07,040 --> 00:26:08,800
Speaker 2: how to make the pur pieces of vegiman toast? And

551
00:26:08,800 --> 00:26:10,879
Speaker 2: I want everybody in their cars right now listening to

552
00:26:10,880 --> 00:26:13,879
Speaker 2: put yourself in those shoes. You're lying in bed. You

553
00:26:13,920 --> 00:26:15,960
Speaker 2: can't get to the toast to yourself. You can't get

554
00:26:15,960 --> 00:26:18,080
Speaker 2: to the bread to yourself. There's only one other person

555
00:26:18,119 --> 00:26:19,919
Speaker 2: that can make the toast for you. What is the

556
00:26:19,920 --> 00:26:20,840
Speaker 2: instruction you give them?

557
00:26:20,920 --> 00:26:21,640
Speaker 1: You don't have arms.

558
00:26:21,720 --> 00:26:23,960
Speaker 3: Let's throw that in the hypothetical you have no arms,

559
00:26:24,160 --> 00:26:25,840
Speaker 3: we don't need you can have arms.

560
00:26:25,840 --> 00:26:27,400
Speaker 1: I think it's worth It's just that you can't get

561
00:26:27,440 --> 00:26:29,680
Speaker 1: to the toaster. No, okay? Cool?

562
00:26:30,040 --> 00:26:32,960
Speaker 2: Thirty one and six five? What is the instruction you

563
00:26:32,960 --> 00:26:34,879
Speaker 2: give to someone to make vegimi toast? To make the

564
00:26:34,880 --> 00:26:36,920
Speaker 2: perfect amount of vegemit tost? Some of the stuff coming

565
00:26:36,920 --> 00:26:40,800
Speaker 2: through online I'm a big fan of. There's so much

566
00:26:40,840 --> 00:26:43,280
Speaker 2: that's come through. People are really passionate about this. A

567
00:26:43,320 --> 00:26:46,040
Speaker 2: smidge is getting thrown around a lot. It's just smidge

568
00:26:46,080 --> 00:26:47,040
Speaker 2: too vag veggimi.

569
00:26:47,160 --> 00:26:49,040
Speaker 1: I think it's what is a smidge? It's too vague.

570
00:26:49,240 --> 00:26:50,840
Speaker 1: We need a clear direction.

571
00:26:50,880 --> 00:26:52,560
Speaker 3: I'm sorry to sound too fight up here, but I'm

572
00:26:52,560 --> 00:26:54,320
Speaker 3: sick of numbers and I'm sick.

573
00:26:54,119 --> 00:26:55,880
Speaker 2: Of these percentages have failed us.

574
00:26:55,960 --> 00:26:58,120
Speaker 3: And smidge as Oh, if you've put on too much,

575
00:26:58,160 --> 00:27:00,920
Speaker 3: it is too much, or if you think it's too it's esoteric.

576
00:27:01,240 --> 00:27:03,440
Speaker 3: Here's one of your phrases. Well, yeah, now you know what.

577
00:27:03,520 --> 00:27:07,639
Speaker 3: My girl's ambiguous. I'd say my girlfriend's brother actually made

578
00:27:07,680 --> 00:27:09,360
Speaker 3: her a piece of toast on the weekend. She said

579
00:27:09,359 --> 00:27:10,840
Speaker 3: it was perfect. I might get him on the phone

580
00:27:10,880 --> 00:27:12,600
Speaker 3: as well. Okay, I'll give him a call.

581
00:27:12,600 --> 00:27:14,360
Speaker 2: All right, Well we've got full phone lines, but yeah,

582
00:27:14,520 --> 00:27:18,000
Speaker 2: he might sneak through thirty. When I see people are

583
00:27:18,000 --> 00:27:20,040
Speaker 2: fight up about this, we need to nail it. I

584
00:27:20,040 --> 00:27:21,880
Speaker 2: think everyone's got an opinion on it, but no one

585
00:27:21,880 --> 00:27:23,720
Speaker 2: actually knows what it is. We're getting to the bottom

586
00:27:23,720 --> 00:27:26,439
Speaker 2: of it up next, perfect vegimi toast. What instruction do

587
00:27:26,480 --> 00:27:28,560
Speaker 2: you give someone to make the perfect piece of vegemi

588
00:27:28,600 --> 00:27:30,240
Speaker 2: toast that we all agree there is an amount that

589
00:27:30,320 --> 00:27:32,480
Speaker 2: we know what it looks like as you said before wards,

590
00:27:32,760 --> 00:27:35,399
Speaker 2: but how do you tell someone to make that? Instructions

591
00:27:35,440 --> 00:27:37,280
Speaker 2: are really hard. I've got a whole new appreciation of

592
00:27:37,320 --> 00:27:40,600
Speaker 2: people that do instruction manuals. This is really hard, It's

593
00:27:40,640 --> 00:27:42,320
Speaker 2: really really hard. We've spent a whole week trying to

594
00:27:42,320 --> 00:27:46,600
Speaker 2: figure it out. Floods of messages online, someone saying online

595
00:27:46,720 --> 00:27:50,640
Speaker 2: fifty percent but fifty percent Vegemi numbers. We've cann we've

596
00:27:50,640 --> 00:27:52,920
Speaker 2: canned the percentages. We just don't think they're doing it justice.

597
00:27:52,960 --> 00:27:55,639
Speaker 2: It gets two mechanical. Our jud producer, Analyse was just

598
00:27:55,680 --> 00:27:57,760
Speaker 2: focusing far too much on the spread. And then, can

599
00:27:57,800 --> 00:27:59,679
Speaker 2: I just say, I feel like I didn't think that

600
00:27:59,720 --> 00:28:02,680
Speaker 2: we have to say this to people, but I'm starting

601
00:28:02,760 --> 00:28:05,359
Speaker 2: I'm off now of the belief that we have to

602
00:28:05,440 --> 00:28:09,480
Speaker 2: instruct people. And it sickens me. It sickens me that

603
00:28:09,520 --> 00:28:11,520
Speaker 2: we have to instruct people would say to get it

604
00:28:11,760 --> 00:28:14,960
Speaker 2: sickens me. It sickens me that we have to instruct

605
00:28:15,040 --> 00:28:18,040
Speaker 2: people that the butter has to melt into the toast

606
00:28:18,600 --> 00:28:21,720
Speaker 2: before you apply the vegimi. I mean, Christ, do.

607
00:28:21,680 --> 00:28:23,440
Speaker 1: Youah jockson filler? He fell into that trap.

608
00:28:23,800 --> 00:28:27,440
Speaker 2: Not a trap, hardly a trap, mate. It's like going

609
00:28:27,480 --> 00:28:29,440
Speaker 2: wrong climbing and going, Hey, before you got that wall,

610
00:28:29,480 --> 00:28:32,000
Speaker 2: your minded to clip your carabiner onto your hardness because

611
00:28:32,040 --> 00:28:34,520
Speaker 2: if you're fall you'll die. Like it is the most

612
00:28:34,560 --> 00:28:37,879
Speaker 2: basic of instructions, but we have to that. For me,

613
00:28:38,000 --> 00:28:39,760
Speaker 2: that's got to be part of the instruction. Don't the

614
00:28:39,800 --> 00:28:42,080
Speaker 2: butter melt into the toast. Don't let the toast get

615
00:28:42,120 --> 00:28:44,120
Speaker 2: cold before you put the butter on, because it won't melt.

616
00:28:44,200 --> 00:28:46,520
Speaker 1: Yeah, I like this. Well, let's hear from Emma.

617
00:28:46,880 --> 00:28:49,200
Speaker 2: It's just it's basic stuff, and you know, I get it.

618
00:28:49,240 --> 00:28:51,560
Speaker 1: Will's fight up, so look out if this isn't good.

619
00:28:51,960 --> 00:28:54,760
Speaker 1: But what's your instruction for the perfect veggimi on toast?

620
00:28:55,320 --> 00:28:56,880
Speaker 8: I've solved it. I've solved it.

621
00:28:56,960 --> 00:28:59,320
Speaker 2: A please share far away.

622
00:28:59,640 --> 00:29:03,520
Speaker 8: Please, standard application of butter. Need to let it melt.

623
00:29:03,600 --> 00:29:06,800
Speaker 2: Yes, great, you're off to a good start.

624
00:29:07,240 --> 00:29:11,600
Speaker 8: Small piece of the piece, I don't know, small vegemite.

625
00:29:12,440 --> 00:29:18,640
Speaker 8: And you finally layer once and you then you smell

626
00:29:18,720 --> 00:29:23,560
Speaker 8: it and if you can still smell the butter, you

627
00:29:23,600 --> 00:29:25,520
Speaker 8: need to go again, and you do another.

628
00:29:27,120 --> 00:29:30,560
Speaker 3: So you're saying, so, lightly still smell the butter. Lightly

629
00:29:30,600 --> 00:29:33,920
Speaker 3: apply until you cannot smell butter.

630
00:29:34,960 --> 00:29:40,080
Speaker 8: So yeah, lightly apply until the Vegiemi smell overrides that

631
00:29:40,120 --> 00:29:42,680
Speaker 8: butter smell and you she's interesting.

632
00:29:42,720 --> 00:29:46,120
Speaker 2: She's using her nose. Emma, have you got a good

633
00:29:46,160 --> 00:29:46,560
Speaker 2: nose on you?

634
00:29:46,800 --> 00:29:49,920
Speaker 7: I mean, Veggie, might I do?

635
00:29:51,000 --> 00:29:53,160
Speaker 2: That's really interesting to call Emma. And I love the

636
00:29:53,160 --> 00:29:55,440
Speaker 2: fact that we're moving it away from a visual yes,

637
00:29:55,680 --> 00:29:56,800
Speaker 2: from a visual mess.

638
00:29:56,840 --> 00:29:58,120
Speaker 1: Why do you think outside the box?

639
00:29:58,200 --> 00:30:01,200
Speaker 2: Can you smell it? All the smells? Dave on thirty

640
00:30:01,280 --> 00:30:02,640
Speaker 2: one and sixty five, Dave.

641
00:30:03,280 --> 00:30:04,240
Speaker 7: How are you going boys?

642
00:30:04,400 --> 00:30:07,040
Speaker 2: Perfect instruction for perfect vegimi toast? What have you got?

643
00:30:07,720 --> 00:30:09,040
Speaker 9: Okay, Look, it's a ratio.

644
00:30:09,480 --> 00:30:10,760
Speaker 2: We don't like numbers, David.

645
00:30:11,880 --> 00:30:12,120
Speaker 5: Number.

646
00:30:12,360 --> 00:30:14,480
Speaker 2: Well, i'm an and you, mate, I'm an, And you

647
00:30:14,600 --> 00:30:16,600
Speaker 2: called the show knowing we don't like numbers. You went

648
00:30:16,640 --> 00:30:19,280
Speaker 2: for a number. Yeah, he did, Sam, And that's a

649
00:30:19,320 --> 00:30:22,520
Speaker 2: producer's fault there, Dave. They've let you in and we

650
00:30:22,600 --> 00:30:25,520
Speaker 2: had I'm sorry, I'm sorry, we've ended the number game.

651
00:30:25,440 --> 00:30:27,360
Speaker 1: To be honest, Mate, You're not sorry. That's nick. That's

652
00:30:27,400 --> 00:30:31,440
Speaker 1: Dave's fault. Yeh, producers fault and stuff and Sam.

653
00:30:31,240 --> 00:30:33,520
Speaker 2: On third and one and sixty five, Perfect instruction for

654
00:30:33,560 --> 00:30:34,720
Speaker 2: perfect vegemite toast.

655
00:30:35,480 --> 00:30:38,520
Speaker 8: Oh guys, that's the scraping of vegemite, and the amount

656
00:30:38,560 --> 00:30:41,880
Speaker 8: of vegemite has to be the circumference of a twenty

657
00:30:41,960 --> 00:30:42,560
Speaker 8: cent piece.

658
00:30:43,320 --> 00:30:46,680
Speaker 1: Hang on, hang on, slow down scaping.

659
00:30:46,800 --> 00:30:49,320
Speaker 2: So you you mean you mean the vult you mean

660
00:30:49,440 --> 00:30:51,360
Speaker 2: not the circumference fit within this.

661
00:30:51,440 --> 00:30:56,960
Speaker 8: Comference the same surface areas of.

662
00:31:03,720 --> 00:31:05,480
Speaker 2: Your bread, Sam, how big is your bread? I mean,

663
00:31:05,520 --> 00:31:08,160
Speaker 2: what if you're approaching an English muffin or a burgen

664
00:31:08,200 --> 00:31:08,680
Speaker 2: bread for.

665
00:31:08,600 --> 00:31:11,040
Speaker 8: Example, Well, you know, use your brain.

666
00:31:11,120 --> 00:31:14,160
Speaker 2: Guy, No, And I'm sorry, I won't. I won't accept that.

667
00:31:14,440 --> 00:31:16,400
Speaker 2: I won't. I will not. And that's why we've got

668
00:31:16,440 --> 00:31:18,680
Speaker 2: an issue. That were an issue in Australia. That's what

669
00:31:18,760 --> 00:31:20,920
Speaker 2: we're on an issue because the instruction is not clear

670
00:31:21,040 --> 00:31:23,880
Speaker 2: enough and we all just assume that it's implied that

671
00:31:23,960 --> 00:31:25,480
Speaker 2: you know how much to put on. But if I'm

672
00:31:25,480 --> 00:31:28,400
Speaker 2: approaching an English muffin or a crumpet, God for God,

673
00:31:28,560 --> 00:31:31,600
Speaker 2: for God save me woods. If I'm approaching him trumpet

674
00:31:31,880 --> 00:31:36,760
Speaker 2: or bread, as I instructed before it goes out the window,

675
00:31:37,120 --> 00:31:38,160
Speaker 2: ratio dies in the arm.

676
00:31:38,200 --> 00:31:39,920
Speaker 3: But emma still works, doesn't it. Because the end of

677
00:31:39,960 --> 00:31:44,880
Speaker 3: the day, whether or whatever other things, you're a muffin,

678
00:31:44,920 --> 00:31:47,920
Speaker 3: the smell remains. If you butter that and then put veggie.

679
00:31:47,960 --> 00:31:49,280
Speaker 3: You keep going until you cannot smell.

680
00:31:51,920 --> 00:31:53,960
Speaker 2: We can't have it. Let's go, Sean, have Dave either

681
00:31:54,000 --> 00:31:54,640
Speaker 2: for that matter.

682
00:31:54,480 --> 00:31:56,440
Speaker 1: Let's go. Dave hung up a long time ago and

683
00:31:56,560 --> 00:31:57,720
Speaker 1: he'll never listen to it again.

684
00:31:58,280 --> 00:32:03,000
Speaker 3: Shawnee, Sean, what a perfect way to describe putting veggiemite

685
00:32:03,040 --> 00:32:03,440
Speaker 3: on toes.

686
00:32:04,400 --> 00:32:05,160
Speaker 11: Boys, we've got.

687
00:32:05,000 --> 00:32:06,960
Speaker 5: One of the clock back to the old channel nine logo,

688
00:32:07,040 --> 00:32:07,920
Speaker 5: the channel nine dot.

689
00:32:08,200 --> 00:32:11,040
Speaker 1: Interesting, Now talk us through it, Sean.

690
00:32:11,760 --> 00:32:15,200
Speaker 5: Yeah, just a little smitch, just nine little dots straight

691
00:32:15,240 --> 00:32:20,000
Speaker 5: across the bread. However, trying to you both the nine

692
00:32:20,120 --> 00:32:20,800
Speaker 5: channel nine.

693
00:32:20,680 --> 00:32:22,880
Speaker 2: Dot, channel nine dots. So you put nine dots of

694
00:32:22,960 --> 00:32:26,360
Speaker 2: veggiemite and then you and then you scrape that across.

695
00:32:27,120 --> 00:32:29,840
Speaker 5: Yeah, Or do you leave that?

696
00:32:30,600 --> 00:32:32,160
Speaker 2: Do you leave it at dots or do you smear

697
00:32:32,200 --> 00:32:32,600
Speaker 2: the dots?

698
00:32:33,880 --> 00:32:35,120
Speaker 5: Just leave it at.

699
00:32:36,200 --> 00:32:38,440
Speaker 3: Hang on, Sean, do you use a spoon to create

700
00:32:38,480 --> 00:32:40,200
Speaker 3: the dots or do you use a knife.

701
00:32:40,080 --> 00:32:41,680
Speaker 2: Or do you use a syringe?

702
00:32:42,640 --> 00:32:44,560
Speaker 5: Here he is a knife straight on the knife in

703
00:32:44,880 --> 00:32:47,120
Speaker 5: the jar, and then just nine little dots straight across

704
00:32:47,120 --> 00:32:47,400
Speaker 5: the bread.

705
00:32:49,440 --> 00:32:51,640
Speaker 1: I should don't mind it. I actually don't mind it.

706
00:32:52,000 --> 00:32:54,400
Speaker 2: Yeah, because I'd be calling crime stoppers if Sean gave

707
00:32:54,440 --> 00:32:59,080
Speaker 2: me that he leaves it as the.

708
00:32:59,000 --> 00:33:01,840
Speaker 1: Dots watch your Sorry, I think I missed that.

709
00:33:01,840 --> 00:33:04,760
Speaker 3: That's completely out, Rachel Shawn, I never call this show again.

710
00:33:06,000 --> 00:33:08,040
Speaker 2: It's Will and Woody lost the plot.

711
00:33:09,680 --> 00:33:11,760
Speaker 1: There's Will and Woodies shut it down.

712
00:33:12,000 --> 00:33:19,520
Speaker 2: Lost the plot, all right. So all of the movies

713
00:33:19,600 --> 00:33:23,360
Speaker 2: today are movies that almost didn't get made, very famous

714
00:33:23,400 --> 00:33:25,080
Speaker 2: movies that almost didn't get made. And the reason we're

715
00:33:25,120 --> 00:33:28,440
Speaker 2: talking about these is because Drew Barrymore today was on

716
00:33:28,480 --> 00:33:33,400
Speaker 2: a podcast with Sarah and Jonathan, one of the famous

717
00:33:33,520 --> 00:33:34,480
Speaker 2: Hollywood jewo.

718
00:33:34,880 --> 00:33:37,320
Speaker 4: Oh yeah, David Spade and Dana Carvey.

719
00:33:37,400 --> 00:33:41,000
Speaker 2: David Carvey nowhere. As she was on the podcast with

720
00:33:41,040 --> 00:33:44,280
Speaker 2: them talking about how fifty First Dates almost didn't get made?

721
00:33:44,360 --> 00:33:44,880
Speaker 1: You kidding?

722
00:33:44,920 --> 00:33:47,400
Speaker 2: What Green Little, she found out that Adam Sandler had

723
00:33:47,400 --> 00:33:49,160
Speaker 2: the script and she wrote him a letter.

724
00:33:49,960 --> 00:33:52,080
Speaker 13: Found out the script went to him, and instead of

725
00:33:52,160 --> 00:33:53,960
Speaker 13: running over to his office, they thought, I'm going to

726
00:33:54,000 --> 00:33:58,600
Speaker 13: type out a letter for him, hysterically sobbing, and he

727
00:33:58,720 --> 00:34:02,719
Speaker 13: showed up at the trailer. Why do you like this movie?

728
00:34:03,000 --> 00:34:05,280
Speaker 13: We're trying to make it into a comedy, and we

729
00:34:05,320 --> 00:34:07,360
Speaker 13: know what guys want, I said, and you know what,

730
00:34:07,480 --> 00:34:10,480
Speaker 13: I know what girls want? He goes, well, obviously we've

731
00:34:10,520 --> 00:34:12,799
Speaker 13: got to make this movie together. And he was like,

732
00:34:12,880 --> 00:34:14,960
Speaker 13: so it's happening, and I'm like, is it happening?

733
00:34:15,040 --> 00:34:15,360
Speaker 11: Really?

734
00:34:15,880 --> 00:34:18,319
Speaker 2: Wow? There you go. Yeah. So that's how fifty first

735
00:34:18,400 --> 00:34:20,960
Speaker 2: date it's got off the ground. So each of these

736
00:34:21,000 --> 00:34:23,319
Speaker 2: stories is great movie, by the way, future first dates,

737
00:34:23,320 --> 00:34:24,719
Speaker 2: first one. I think they're in together and they have

738
00:34:24,760 --> 00:34:27,680
Speaker 2: a long romance on screen from there. But here we go.

739
00:34:27,760 --> 00:34:29,880
Speaker 2: Let's get into the lost of the plots for today.

740
00:34:31,280 --> 00:34:36,480
Speaker 2: All of these nearly didn't get made. Ready, great thing, great,

741
00:34:36,480 --> 00:34:37,319
Speaker 2: Thank you appreciate that.

742
00:34:37,320 --> 00:34:37,680
Speaker 1: That's great.

743
00:34:37,719 --> 00:34:41,600
Speaker 2: That's Joe. That's all Joe. Here we are, don't ing yourself, mate,

744
00:34:41,760 --> 00:34:44,560
Speaker 2: you know I Here we go. Sheriff thinks there's too

745
00:34:44,640 --> 00:34:47,480
Speaker 2: much space in the room. Third and one oh six five.

746
00:34:47,640 --> 00:34:49,239
Speaker 2: If you think you know what the film is, it's

747
00:34:49,280 --> 00:34:51,520
Speaker 2: a big movie that nearly didn't get made. We'll do

748
00:34:51,560 --> 00:34:54,600
Speaker 2: lost the plot right up next for sheriff. Sheriff thinks

749
00:34:54,640 --> 00:34:58,000
Speaker 2: there's too much space in the room. If you think

750
00:34:58,040 --> 00:34:59,439
Speaker 2: you know what the movie is, it's a big movie

751
00:34:59,480 --> 00:35:01,799
Speaker 2: and very new didn't get made. We'll take your calls.

752
00:35:01,840 --> 00:35:04,160
Speaker 2: On the other side, we are doing lost the plot.

753
00:35:04,520 --> 00:35:06,920
Speaker 2: Just horrible, just horrible.

754
00:35:06,600 --> 00:35:09,160
Speaker 4: Will and Woodies shut down, lost.

755
00:35:09,440 --> 00:35:13,759
Speaker 12: The plot, whatever the day.

756
00:35:14,760 --> 00:35:16,840
Speaker 2: All right, So today we are doing on thirty one

757
00:35:16,920 --> 00:35:21,120
Speaker 2: o six five movies that nearly didn't happen, big movies

758
00:35:21,160 --> 00:35:23,560
Speaker 2: that didn't nearly didn't happen. The first one, if you're

759
00:35:23,600 --> 00:35:26,799
Speaker 2: just joining us, the plot is Sheriff thinks there's too

760
00:35:26,920 --> 00:35:28,920
Speaker 2: much space in the room.

761
00:35:29,320 --> 00:35:34,839
Speaker 3: Space cowboys, clineeswood you're kidding, could confident.

762
00:35:36,200 --> 00:35:36,800
Speaker 1: You're kidding?

763
00:35:37,120 --> 00:35:37,839
Speaker 2: Shut from there?

764
00:35:38,600 --> 00:35:38,959
Speaker 12: It works.

765
00:35:39,000 --> 00:35:40,759
Speaker 2: I'm gonna go to Christy if I can. Christy, what's

766
00:35:40,800 --> 00:35:41,200
Speaker 2: the movie?

767
00:35:42,600 --> 00:35:46,040
Speaker 8: Sucker Woody? Sorry toy, Sorry.

768
00:35:45,800 --> 00:35:50,160
Speaker 2: CHRISTI damn it nice and cryptic. There wasn't it, Sheriff,

769
00:35:50,360 --> 00:35:51,840
Speaker 2: there's too much space in the road. Do you know

770
00:35:51,920 --> 00:35:54,200
Speaker 2: the story, Christy? That it nearly didn't get off the ground.

771
00:35:55,280 --> 00:35:55,480
Speaker 7: No.

772
00:35:55,600 --> 00:35:59,279
Speaker 2: Actually, so apparently Disney hated the original scripted it, so

773
00:35:59,320 --> 00:36:01,439
Speaker 2: Pixar wrote the script. They nearly shut the production down.

774
00:36:01,760 --> 00:36:04,239
Speaker 2: Apparently Tom Hanks waiting on it and was like, wood

775
00:36:04,280 --> 00:36:06,399
Speaker 2: he is actually a massive jerk, and I'll never play

776
00:36:06,440 --> 00:36:09,040
Speaker 2: him in a million years Hanks. Hanks said that hated,

777
00:36:09,160 --> 00:36:11,920
Speaker 2: hated the character, hated the whole thing. So the producer's

778
00:36:11,960 --> 00:36:14,000
Speaker 2: big Disney, for one more chance, they went away, they

779
00:36:14,000 --> 00:36:15,920
Speaker 2: had like a year to rewrite the whole feeling the

780
00:36:15,920 --> 00:36:17,440
Speaker 2: whole thing, gave it back to him and Disney gave

781
00:36:17,480 --> 00:36:18,840
Speaker 2: it the green light, and then it got off the ground.

782
00:36:19,000 --> 00:36:21,400
Speaker 1: And how did they get Hanks back? Well, they rewrote

783
00:36:21,440 --> 00:36:24,640
Speaker 1: the script so it became nicer. Yeah, so what he

784
00:36:24,719 --> 00:36:26,080
Speaker 1: was a prick in the first.

785
00:36:25,960 --> 00:36:27,279
Speaker 2: He's a bit of a prick of meaning, he's a

786
00:36:27,280 --> 00:36:28,160
Speaker 2: bit of a wet rag.

787
00:36:29,000 --> 00:36:29,400
Speaker 9: He is.

788
00:36:29,480 --> 00:36:30,719
Speaker 1: He's just worried about the other toys.

789
00:36:30,760 --> 00:36:32,040
Speaker 2: Will No, he's not.

790
00:36:32,600 --> 00:36:34,480
Speaker 1: He likes the crown of being the captain of those.

791
00:36:34,520 --> 00:36:37,040
Speaker 2: He's worried about the fact he's jealous about about Andy's

792
00:36:37,040 --> 00:36:38,200
Speaker 2: love for bus.

793
00:36:38,200 --> 00:36:40,000
Speaker 1: No, that's fair. Actually he's que vindictive.

794
00:36:40,040 --> 00:36:41,520
Speaker 2: Really kicks him out of the car, out of an

795
00:36:41,560 --> 00:36:42,080
Speaker 2: open window.

796
00:36:42,080 --> 00:36:44,080
Speaker 1: I stand corrected. A bit of a tool, thank you.

797
00:36:44,440 --> 00:36:46,799
Speaker 2: And a toy at that. All right, we are doing

798
00:36:47,040 --> 00:36:50,279
Speaker 2: lost the plot movies that nearly didn't happen. Next one,

799
00:36:50,320 --> 00:36:52,160
Speaker 2: are you ready? Thirty one O six ' five call

800
00:36:52,200 --> 00:36:55,080
Speaker 2: at any stage if you think you've got it. Natural

801
00:36:55,080 --> 00:37:00,960
Speaker 2: disaster causes women to crush her enemies on a golden

802
00:37:01,040 --> 00:37:02,520
Speaker 2: path to get home.

803
00:37:03,480 --> 00:37:07,440
Speaker 3: Uh no, not else In one of land the other

804
00:37:07,480 --> 00:37:10,480
Speaker 3: one We're off to find the Wizard Wizard of O.

805
00:37:10,800 --> 00:37:17,319
Speaker 2: Yes you had to sing it, but the Munchkins take

806
00:37:17,320 --> 00:37:21,600
Speaker 2: it away. I never know how they get to this note.

807
00:37:21,920 --> 00:37:27,680
Speaker 2: This one is coming up very high. Wow, yeah, very good.

808
00:37:27,680 --> 00:37:31,640
Speaker 2: The Munchkins, they are the Munchkin quiet. Yeah. Three directors

809
00:37:31,640 --> 00:37:33,200
Speaker 2: were fired and the making of The Wizard of Oz.

810
00:37:33,600 --> 00:37:35,960
Speaker 2: The original tin Man quit because the paint poisoned him,

811
00:37:36,880 --> 00:37:39,239
Speaker 2: and the Scarecrow was left scarred from his makeup, and

812
00:37:39,239 --> 00:37:41,440
Speaker 2: the Wicked Witch also had problems with her makeup. Not

813
00:37:41,560 --> 00:37:44,680
Speaker 2: to mention the fact that the producers forced Judy Garland

814
00:37:44,719 --> 00:37:46,680
Speaker 2: to take campetter means to keep her weight down, and

815
00:37:46,719 --> 00:37:48,719
Speaker 2: she later died from a drug addiction.

816
00:37:50,000 --> 00:37:50,759
Speaker 1: She had last one.

817
00:37:50,800 --> 00:37:51,600
Speaker 2: Really don't.

818
00:37:52,880 --> 00:37:53,440
Speaker 4: Are you serious?

819
00:37:54,600 --> 00:37:57,839
Speaker 2: There you go? That is final film.

820
00:37:58,080 --> 00:37:59,880
Speaker 1: So they have just a very small budget on that

821
00:38:00,040 --> 00:38:00,680
Speaker 1: of You or something.

822
00:38:00,760 --> 00:38:02,319
Speaker 2: No enormous one of the biggest films ever.

823
00:38:02,520 --> 00:38:05,239
Speaker 1: So why are they using house paint to paint tin Man?

824
00:38:06,239 --> 00:38:08,040
Speaker 2: But you know that the woman from Golden Girl, the

825
00:38:08,080 --> 00:38:11,080
Speaker 2: woman that played us so Goldfinger, the bond woman in Goldfinger,

826
00:38:11,440 --> 00:38:14,920
Speaker 2: she also died from paint poisoning. You can't cover someone's.

827
00:38:14,520 --> 00:38:16,200
Speaker 1: Skin in paint, n Yeah, you can't.

828
00:38:16,480 --> 00:38:19,520
Speaker 2: All right here we go. Look a couple of big facts,

829
00:38:19,560 --> 00:38:21,160
Speaker 2: heavy hitting facts. Over here, she is, I'll try and

830
00:38:21,200 --> 00:38:25,320
Speaker 2: lift the mood. Final films the way everyone for you

831
00:38:25,360 --> 00:38:26,799
Speaker 2: to win. We've got final plot.

832
00:38:26,840 --> 00:38:27,200
Speaker 5: Here we go.

833
00:38:27,880 --> 00:38:30,560
Speaker 2: A happy visitor descends from the clouds, and then they

834
00:38:30,560 --> 00:38:31,040
Speaker 2: all get.

835
00:38:30,960 --> 00:38:36,919
Speaker 1: High as kites et incorrect, not ban though, thank you.

836
00:38:37,080 --> 00:38:40,880
Speaker 2: Happy visitor descends from the clouds, and then they all

837
00:38:41,280 --> 00:38:47,200
Speaker 2: know and then they all get high as kites. Who's

838
00:38:47,200 --> 00:38:48,000
Speaker 2: the happy visitor?

839
00:38:48,040 --> 00:38:49,280
Speaker 1: And up the wife?

840
00:38:49,680 --> 00:38:51,320
Speaker 2: What she dies at the start?

841
00:38:51,520 --> 00:38:54,640
Speaker 1: Yeah, but then they go up in a balloon. Visitor

842
00:38:54,680 --> 00:38:56,480
Speaker 1: descends and then they go they get.

843
00:38:56,360 --> 00:39:01,280
Speaker 2: High, They get high as kites. God, God, Napoleon incorrect,

844
00:39:01,280 --> 00:39:06,439
Speaker 2: Dog move Napoleon. You're talking about the by office. There's

845
00:39:06,440 --> 00:39:08,280
Speaker 2: the dog movie. I'm gonna have to go to somebody

846
00:39:08,320 --> 00:39:10,960
Speaker 2: else because they're coming in thick and fast. No happy visitor,

847
00:39:11,040 --> 00:39:11,920
Speaker 2: A happy visitor?

848
00:39:11,960 --> 00:39:13,640
Speaker 1: Would he happy? Happy?

849
00:39:13,760 --> 00:39:18,439
Speaker 2: Gilmouth in correct? Anastasia's called Anastasia? What's the movie?

850
00:39:19,400 --> 00:39:25,560
Speaker 7: It's Mary Poppy, Yes, go fly Creig a job.

851
00:39:25,440 --> 00:39:32,680
Speaker 2: Pop Hi his cuts. There's that final clue, the happy visitor. Yeah,

852
00:39:32,719 --> 00:39:36,400
Speaker 2: I know Mary Poppins. It's in the name woods. She

853
00:39:36,520 --> 00:39:40,400
Speaker 2: does Mary Poppins and she's a happy visitor. She descends

854
00:39:40,440 --> 00:39:42,880
Speaker 2: in the clouds. I mean that was just red and

855
00:39:42,880 --> 00:39:43,520
Speaker 2: white all over.

856
00:39:43,640 --> 00:39:45,680
Speaker 1: G is, why did that almost not get made?

857
00:39:45,719 --> 00:39:49,640
Speaker 2: Pe L Travers, the female author great name, owned the

858
00:39:49,719 --> 00:39:52,640
Speaker 2: rights to Mary Poppins and famously didn't want a film

859
00:39:52,680 --> 00:39:54,600
Speaker 2: to be made. There's a movie called Saving Mister Banks

860
00:39:54,600 --> 00:39:56,960
Speaker 2: starring Tom Hanks, which is all about them trying to

861
00:39:57,000 --> 00:39:59,080
Speaker 2: convince her to let them do a movie out of it,

862
00:39:59,600 --> 00:40:02,560
Speaker 2: and she's said, you know what, I'll do a movie

863
00:40:02,719 --> 00:40:05,960
Speaker 2: but no singing, no animated characters, and no mis quoting

864
00:40:06,000 --> 00:40:07,719
Speaker 2: the original and they did all of them.

865
00:40:07,840 --> 00:40:11,600
Speaker 1: Hah. Copper Travers don't sign a deal with the devil.

866
00:40:12,480 --> 00:40:15,399
Speaker 2: Famously got Dick van Dyke in there as well. Get

867
00:40:15,440 --> 00:40:16,759
Speaker 2: it on the podcast if you want to know what

868
00:40:16,800 --> 00:40:19,760
Speaker 2: that GAG's about, outrageous callback.

869
00:40:20,160 --> 00:40:21,719
Speaker 1: That's a week long collbat it is.

870
00:40:22,239 --> 00:40:23,960
Speaker 2: I don't know what the Dick van Dyke gags about.

871
00:40:24,000 --> 00:40:24,560
Speaker 2: Get on the pod.

872
00:40:25,480 --> 00:40:25,880
Speaker 1: A loving that

873
00:40:27,640 --> 00:40:30,160
Speaker 2: The p Ones frothing in their cars