1
00:00:01,080 --> 00:00:04,760
Speaker 1: Powered by the IR Radio WAB from ninety six AIRFM.

2
00:00:04,960 --> 00:00:09,840
Speaker 2: So wherever you're listening today, this is Clearzy and Lisa's podcast.

3
00:00:10,039 --> 00:00:12,880
Speaker 3: Coming up on the podcast today Ursula Carlson, who's in

4
00:00:12,880 --> 00:00:13,720
Speaker 3: town this weekend.

5
00:00:14,000 --> 00:00:16,599
Speaker 1: Ow movie man Benochet said, the Little Mermaid goes for

6
00:00:16,600 --> 00:00:18,079
Speaker 1: an hour longer than the last one.

7
00:00:18,239 --> 00:00:20,400
Speaker 4: Helusia I report, we asked you what a buy Princess

8
00:00:20,480 --> 00:00:21,320
Speaker 4: Lairs dress.

9
00:00:21,200 --> 00:00:23,439
Speaker 1: And we pay tribute to the one and only Tina

10
00:00:23,520 --> 00:00:27,560
Speaker 1: Turner read the flick with ben o'she on ninety six AFM.

11
00:00:28,240 --> 00:00:32,519
Speaker 4: Ben oh Shay, good morning, Good.

12
00:00:32,280 --> 00:00:34,880
Speaker 2: Morning guys, got a fun one to talk about today.

13
00:00:34,960 --> 00:00:36,560
Speaker 4: Yes, I've been looking forward to this.

14
00:00:40,200 --> 00:00:45,920
Speaker 2: So let's just dive straight in. It's a Little Mermaid Now.

15
00:00:46,120 --> 00:00:50,600
Speaker 2: This was Disney's beloved nineteen eighty nine animated classic, one

16
00:00:50,640 --> 00:00:56,840
Speaker 2: of their their best everybody's favorite animated film. But the

17
00:00:56,920 --> 00:00:59,600
Speaker 2: studio has made a habit of remaking all of their

18
00:00:59,600 --> 00:01:02,320
Speaker 2: classic animated films in recent years, of seeing Beauty in

19
00:01:02,360 --> 00:01:04,759
Speaker 2: the Beast, the Lion King, even though that was all

20
00:01:04,800 --> 00:01:10,760
Speaker 2: cgi kind of live action Cinderella, they haven't really got

21
00:01:10,760 --> 00:01:14,280
Speaker 2: a great track record of doing a good job on

22
00:01:14,360 --> 00:01:18,680
Speaker 2: these live action remakes, and I and The Little Mermaid

23
00:01:18,800 --> 00:01:21,920
Speaker 2: certainly doesn't change that. But before we get into it,

24
00:01:21,959 --> 00:01:23,720
Speaker 2: I just want to say that's not a reflection on

25
00:01:23,760 --> 00:01:28,280
Speaker 2: the performance of Hallie Bailey as Ariel the Little Mermaid herself,

26
00:01:28,840 --> 00:01:31,800
Speaker 2: because she was the center of some controversy when it

27
00:01:31,840 --> 00:01:34,119
Speaker 2: was announced that she was cast in the role because

28
00:01:34,280 --> 00:01:36,880
Speaker 2: in the animated film, obviously Ariel is white, she has

29
00:01:36,920 --> 00:01:41,200
Speaker 2: red hair. Hallie Bailey is a Grammy nominated singer and

30
00:01:41,280 --> 00:01:45,319
Speaker 2: actor of color, and so there was social media outcry,

31
00:01:45,400 --> 00:01:47,119
Speaker 2: which is really racist.

32
00:01:46,720 --> 00:01:52,520
Speaker 4: And exactly she's a mermaid. Yes, that doesn't.

33
00:01:52,280 --> 00:01:56,880
Speaker 2: Exist, like exactly, like how it was so so absolutely ridiculous.

34
00:01:57,200 --> 00:02:00,200
Speaker 2: And she's great, And Halle Bailey is great in THISLM.

35
00:02:00,240 --> 00:02:02,240
Speaker 2: She's the best bit about the new film, There's no

36
00:02:02,280 --> 00:02:05,240
Speaker 2: doubt about it. Singing is amazing, her acting is great.

37
00:02:06,040 --> 00:02:10,600
Speaker 2: But everything else around her that's not so good. The

38
00:02:10,720 --> 00:02:13,600
Speaker 2: new film is nearly an hour longer than the original,

39
00:02:14,840 --> 00:02:19,440
Speaker 2: and so yeah, it's two hours long and you feel

40
00:02:19,520 --> 00:02:22,400
Speaker 2: every minute of it. You just go, gosh, when is

41
00:02:22,400 --> 00:02:23,480
Speaker 2: this thing going to end?

42
00:02:23,600 --> 00:02:25,680
Speaker 4: The kids are going to see it, don't.

43
00:02:26,120 --> 00:02:29,480
Speaker 2: Yeah, Well, they've added a couple of new songs, which

44
00:02:29,560 --> 00:02:32,280
Speaker 2: is why the runtime has blown out a little bit

45
00:02:32,360 --> 00:02:34,400
Speaker 2: and everything is dragged out to kind of pump up

46
00:02:34,400 --> 00:02:36,600
Speaker 2: the drama. In the end, it has the opposite effect.

47
00:02:36,840 --> 00:02:40,360
Speaker 2: The songs were written by Hamilton creator lin Manuel Miranda,

48
00:02:40,400 --> 00:02:45,280
Speaker 2: who is a literal genius, so he's fantastic, but the

49
00:02:45,320 --> 00:02:49,239
Speaker 2: songs are all terrible, Like it's actually the worst thing

50
00:02:49,280 --> 00:02:52,639
Speaker 2: that lin Manuel Miranda has ever been involved in. And

51
00:02:53,360 --> 00:02:55,480
Speaker 2: I don't know whether it's his work or it's just

52
00:02:55,520 --> 00:02:58,079
Speaker 2: because you want the movie to be over and you're going, oh,

53
00:02:58,280 --> 00:03:02,040
Speaker 2: just finish singing for Christ's sake. And the other other

54
00:03:02,040 --> 00:03:05,359
Speaker 2: big problem is the bloke they've got playing Prince Eric,

55
00:03:05,520 --> 00:03:13,840
Speaker 2: English actor Jonah Howard King. He's so ridiculously earnest, but honestly,

56
00:03:14,200 --> 00:03:17,239
Speaker 2: he has about as much appeal as a jellyfish that's

57
00:03:17,240 --> 00:03:18,120
Speaker 2: being washed up on the.

58
00:03:18,040 --> 00:03:20,560
Speaker 1: Beach blowing on the jetty. Not good.

59
00:03:20,639 --> 00:03:24,840
Speaker 2: Yeah, basically, basically it's like and it's a little mermaid.

60
00:03:24,840 --> 00:03:26,880
Speaker 2: It's like she's pulled up a blowy. You really should

61
00:03:26,880 --> 00:03:29,760
Speaker 2: throw it back in. And you've got you've got all

62
00:03:29,760 --> 00:03:32,040
Speaker 2: the all of the great characters from the original film,

63
00:03:32,520 --> 00:03:37,200
Speaker 2: Ariel's mates, the Bastion and the Crab, who was portrayaling

64
00:03:37,240 --> 00:03:40,640
Speaker 2: the original cartoon was a bit racist. Perhaps this time around,

65
00:03:41,320 --> 00:03:44,560
Speaker 2: it's played by Davd Diggs, who was in Hamilton with

66
00:03:44,680 --> 00:03:48,520
Speaker 2: Lin Mawel Miranda. He's fantastic. Scuttle the Bird is played

67
00:03:48,520 --> 00:03:53,840
Speaker 2: by the Asian American comedian Aquafina, and Little Flounder, the

68
00:03:53,920 --> 00:03:57,400
Speaker 2: cute fish who was Ariel's good mate, is played by

69
00:03:57,520 --> 00:04:01,080
Speaker 2: Jacob Tremblay, the young actor who was in Wonder and

70
00:04:01,160 --> 00:04:04,119
Speaker 2: Good Boys and a bunch of other films, and they're

71
00:04:04,160 --> 00:04:04,640
Speaker 2: pretty good.

72
00:04:04,680 --> 00:04:04,840
Speaker 5: You know.

73
00:04:04,880 --> 00:04:07,120
Speaker 2: They team up for the original song kiss the Girl,

74
00:04:07,360 --> 00:04:10,320
Speaker 2: which is fantastic, but you're kind of hoping that Eric

75
00:04:10,360 --> 00:04:13,480
Speaker 2: doesn't kiss her and Ariel finds something better to do

76
00:04:13,520 --> 00:04:16,520
Speaker 2: with her time. There's really no reason the film turned

77
00:04:16,560 --> 00:04:18,280
Speaker 2: out as bad as it did. It was directed by

78
00:04:18,360 --> 00:04:22,280
Speaker 2: Rob Marshall, who previously gave us Mary Poppins's Returns, which

79
00:04:22,360 --> 00:04:26,359
Speaker 2: was pretty good. He did the Oscar winning musical Chicago,

80
00:04:27,360 --> 00:04:30,440
Speaker 2: he did parts of the Caribbean on Strange at Tides,

81
00:04:31,800 --> 00:04:34,880
Speaker 2: Memoirs of a Geisha. He's got a great track record,

82
00:04:35,720 --> 00:04:37,880
Speaker 2: but he just lost the plot on this film, like

83
00:04:38,000 --> 00:04:40,720
Speaker 2: literally lost the plot. And even though some of the

84
00:04:40,800 --> 00:04:43,120
Speaker 2: some of the original songs like under the Sea and

85
00:04:43,240 --> 00:04:46,080
Speaker 2: Poor Unfortunate Souls are pretty good. The rest of the

86
00:04:46,080 --> 00:04:49,960
Speaker 2: film is a mess. Melissa McCarthy as the sea Witch

87
00:04:50,040 --> 00:04:52,960
Speaker 2: Ursula is kind of fun though, like she's she really

88
00:04:53,040 --> 00:04:56,599
Speaker 2: leans into the into the sort of the evil villain

89
00:04:56,720 --> 00:05:01,039
Speaker 2: vibe as a sort of octopus witch. But the big

90
00:05:01,040 --> 00:05:03,599
Speaker 2: problem with this film is it's so dimly lit, Like

91
00:05:03,640 --> 00:05:06,840
Speaker 2: it's dark, like you can hardly see what's going on

92
00:05:06,880 --> 00:05:10,040
Speaker 2: most of the time, and like there are honestly creatures

93
00:05:10,040 --> 00:05:12,480
Speaker 2: living in the bottom of the Marianna Trench that see

94
00:05:12,560 --> 00:05:14,279
Speaker 2: more light than the actors in this film.

95
00:05:14,279 --> 00:05:16,240
Speaker 1: Your sunny's on at one stage, bendy.

96
00:05:17,920 --> 00:05:19,800
Speaker 2: It's how they do it these days, I guess to

97
00:05:19,800 --> 00:05:22,760
Speaker 2: make it seem a bit more gritty and realistic, but

98
00:05:23,240 --> 00:05:29,360
Speaker 2: it's just dark, miserable. Harvey Badam plays Ariel Dad King Trifa.

99
00:05:30,520 --> 00:05:32,760
Speaker 2: I know, I know. It's one of the one of

100
00:05:32,760 --> 00:05:36,040
Speaker 2: the creepiest performances of his career, and he's played actual

101
00:05:36,080 --> 00:05:42,240
Speaker 2: serial killers. It's another live action dud. And the scary

102
00:05:42,240 --> 00:05:44,120
Speaker 2: thing is it'll make a ton of money in the

103
00:05:44,120 --> 00:05:47,080
Speaker 2: box office, even you know, the really bad ones like

104
00:05:47,120 --> 00:05:49,120
Speaker 2: The Lion King and Beauty and the Beast still made

105
00:05:49,160 --> 00:05:52,520
Speaker 2: a billion dollars at the worldwide box office. This one

106
00:05:52,600 --> 00:05:55,680
Speaker 2: will probably make a billion dollars, which is why Disney

107
00:05:55,800 --> 00:05:57,800
Speaker 2: keeps making more of them. Do you want to know

108
00:05:57,839 --> 00:06:00,960
Speaker 2: some of the other live action remakes on the way

109
00:06:03,160 --> 00:06:04,560
Speaker 2: is going to it's going to be depressing to hisar

110
00:06:04,600 --> 00:06:07,159
Speaker 2: of them. They're going to do a remake of snow White.

111
00:06:07,880 --> 00:06:10,119
Speaker 2: They're going to do a remake of Lilo and Stitch.

112
00:06:10,160 --> 00:06:14,400
Speaker 2: I don't even know why Hercules, the Hunchback of Notre

113
00:06:14,520 --> 00:06:20,120
Speaker 2: Dame Bamby. They're going to remake Bamby the Aristocats. I

114
00:06:20,160 --> 00:06:24,159
Speaker 2: don't know who was asking for an Aristocats remake. And

115
00:06:24,160 --> 00:06:26,440
Speaker 2: and Moana, which is really wasn't out that long ago,

116
00:06:27,680 --> 00:06:28,560
Speaker 2: but they're going to remake that.

117
00:06:28,680 --> 00:06:31,159
Speaker 3: Her snow Ided be on only fans now, wouldn't she?

118
00:06:32,200 --> 00:06:33,960
Speaker 3: Single woman living with seven little men?

119
00:06:34,520 --> 00:06:39,240
Speaker 4: A billboard? How many clam bakes? You're going to have

120
00:06:39,240 --> 00:06:39,839
Speaker 4: a clam bake?

121
00:06:39,920 --> 00:06:43,040
Speaker 2: Are you giving that? I'm giving this too?

122
00:06:43,400 --> 00:06:45,800
Speaker 1: Okay, too been generous?

123
00:06:46,200 --> 00:06:51,400
Speaker 3: It might have got Thank you, Thank you more more Lisa,

124
00:06:52,040 --> 00:06:58,200
Speaker 3: More podcasts soon. Ogel Carlson's in town this weekend, two

125
00:06:58,279 --> 00:07:01,760
Speaker 3: shows at HbF Stadium Friday and Saturday night. You can

126
00:07:01,800 --> 00:07:05,040
Speaker 3: get your tickets through Ticketmaster. The show is just Know

127
00:07:05,680 --> 00:07:08,440
Speaker 3: and Ursula is with us. Now, good morning, good morning,

128
00:07:08,520 --> 00:07:09,240
Speaker 3: How are you good?

129
00:07:09,320 --> 00:07:10,360
Speaker 4: Did I say it rush?

130
00:07:10,800 --> 00:07:15,080
Speaker 5: Just just no? Just yeah, just no?

131
00:07:16,560 --> 00:07:18,080
Speaker 1: Is that for everything? Look what's going on?

132
00:07:18,320 --> 00:07:18,520
Speaker 2: Yeah?

133
00:07:18,600 --> 00:07:22,239
Speaker 5: Honestly, I was just so frustrated after all this COVID stuff,

134
00:07:22,360 --> 00:07:26,560
Speaker 5: and after everyone's frustrated, everyone's annoyed at everything. And we

135
00:07:26,680 --> 00:07:29,280
Speaker 5: think that there's so many things, like people go, COVID

136
00:07:29,320 --> 00:07:31,560
Speaker 5: really united us, that we that's the one thing we

137
00:07:31,640 --> 00:07:33,920
Speaker 5: all have in common. That's not what you'night at us.

138
00:07:33,920 --> 00:07:37,640
Speaker 5: Our frustration is what you're know everything about. Like you'll

139
00:07:37,680 --> 00:07:40,560
Speaker 5: see a more road rage now, more people being vocal

140
00:07:40,560 --> 00:07:43,640
Speaker 5: about people cutting in line in front of them. We

141
00:07:43,720 --> 00:07:46,480
Speaker 5: have had enough of each other. So yeah, I just

142
00:07:46,680 --> 00:07:48,920
Speaker 5: I mean to be fair. Initially, there was a bit

143
00:07:48,920 --> 00:07:51,840
Speaker 5: of a misunderstanding when I wrote this show because I

144
00:07:51,880 --> 00:07:54,440
Speaker 5: said my manager audio note, I said, I'll do a

145
00:07:54,440 --> 00:07:57,000
Speaker 5: show called just No, but I mean k and owly

146
00:07:57,200 --> 00:08:00,040
Speaker 5: is and the stuff you should know. But then and

147
00:08:00,120 --> 00:08:02,760
Speaker 5: the artwork came back, it was just no and oh,

148
00:08:02,840 --> 00:08:05,480
Speaker 5: and I said, I think that's better. We've got a

149
00:08:05,480 --> 00:08:09,280
Speaker 5: lot more anger than knowledge, you know, because of the

150
00:08:09,320 --> 00:08:12,240
Speaker 5: mispread wasn't a massive rewriter.

151
00:08:13,080 --> 00:08:16,080
Speaker 3: I feel like COVID united US until it didn't and

152
00:08:16,120 --> 00:08:19,560
Speaker 3: then oh yeah, and then cut off.

153
00:08:19,800 --> 00:08:22,440
Speaker 5: The first week we were all like, this is amazing,

154
00:08:22,520 --> 00:08:24,880
Speaker 5: we can do this. And then we started eating everything,

155
00:08:24,960 --> 00:08:27,160
Speaker 5: and then the second week we drank everything, and the

156
00:08:27,240 --> 00:08:29,480
Speaker 5: third week we were like, okay, now what and then

157
00:08:29,520 --> 00:08:30,800
Speaker 5: we started turning on each other.

158
00:08:31,920 --> 00:08:34,320
Speaker 3: No toilet paper and the other half out of you know,

159
00:08:34,480 --> 00:08:35,200
Speaker 3: that's ridiculous.

160
00:08:35,520 --> 00:08:37,800
Speaker 5: Oh yeah, that was. That was definitely the haves and

161
00:08:37,840 --> 00:08:40,199
Speaker 5: the have not was toilet proper.

162
00:08:40,480 --> 00:08:40,720
Speaker 6: Yeah.

163
00:08:41,480 --> 00:08:44,080
Speaker 5: I was looking at my neighbors going, Okay, no one

164
00:08:44,240 --> 00:08:46,760
Speaker 5: else has brought the kids outside to hose them down

165
00:08:46,840 --> 00:08:48,640
Speaker 5: because they didn't have enough toilet paper.

166
00:08:49,440 --> 00:08:52,080
Speaker 1: That's true. It's funny because you're just no Lisa and

167
00:08:52,120 --> 00:08:52,360
Speaker 1: I have.

168
00:08:52,800 --> 00:08:52,959
Speaker 2: Yeah.

169
00:08:53,000 --> 00:08:54,839
Speaker 1: The one thing that we've come together on is I'm

170
00:08:54,880 --> 00:08:57,160
Speaker 1: too old for this, So we've been throwing that one

171
00:08:57,160 --> 00:08:57,720
Speaker 1: around lately.

172
00:08:57,800 --> 00:09:00,400
Speaker 4: It's just no good, is it?

173
00:09:00,520 --> 00:09:03,000
Speaker 5: How good is it to just go no, I'm not No?

174
00:09:03,440 --> 00:09:04,679
Speaker 4: It's somewhat liberating.

175
00:09:05,000 --> 00:09:07,120
Speaker 5: Yeah, I love it.

176
00:09:07,240 --> 00:09:10,319
Speaker 3: Freedom comedy is getting harder and harder to navigate because

177
00:09:10,360 --> 00:09:12,920
Speaker 3: these days you're always going to upset someone. Does that

178
00:09:12,960 --> 00:09:16,840
Speaker 3: frustrate you or are you just going to embrace it

179
00:09:16,960 --> 00:09:18,719
Speaker 3: and give it a just no, you.

180
00:09:18,720 --> 00:09:21,199
Speaker 5: Know, I just I still do whatever I do. I mean,

181
00:09:21,280 --> 00:09:23,880
Speaker 5: I've never been one to punch down anyway, and I

182
00:09:23,920 --> 00:09:26,280
Speaker 5: never think on my audience, so that immediately puts me

183
00:09:26,320 --> 00:09:29,680
Speaker 5: in a safer zone. But okay, No, I still talk

184
00:09:29,720 --> 00:09:31,920
Speaker 5: about whatever I want to talk about. And like you say,

185
00:09:31,920 --> 00:09:35,640
Speaker 5: it's impossible, like even if you take ci friends and

186
00:09:35,640 --> 00:09:37,920
Speaker 5: you're going out for dinner to keep all five of

187
00:09:37,960 --> 00:09:41,120
Speaker 5: those friends happy. So I reckon if you want to

188
00:09:41,280 --> 00:09:44,360
Speaker 5: upset someone, then upset them. You know, it's good to

189
00:09:44,400 --> 00:09:47,040
Speaker 5: sort of look at yourself afterwards and go why did

190
00:09:47,080 --> 00:09:48,920
Speaker 5: I get upsets? And if you're all good at that

191
00:09:49,040 --> 00:09:51,200
Speaker 5: and send me an angry email, it's cool. I'm good

192
00:09:51,200 --> 00:09:52,360
Speaker 5: for it, read it.

193
00:09:52,760 --> 00:09:55,600
Speaker 1: Some feedback, you're okay. Well, so you don't need like

194
00:09:55,640 --> 00:09:57,880
Speaker 1: a radio company, you don't need to have a lawyer

195
00:09:57,920 --> 00:10:00,720
Speaker 1: on hand just in case these days people get pretty sensitive.

196
00:10:01,559 --> 00:10:03,959
Speaker 5: Yeah, no, I mean I do have one if anyone's

197
00:10:04,040 --> 00:10:06,120
Speaker 5: listening and you think of coming for me.

198
00:10:07,679 --> 00:10:08,240
Speaker 4: Help here.

199
00:10:11,000 --> 00:10:14,200
Speaker 3: So you do two shows at HbF Stadium and it's

200
00:10:14,320 --> 00:10:16,640
Speaker 3: not a small venue. Does it surprise you that people

201
00:10:16,679 --> 00:10:18,560
Speaker 3: are coming to see you? And drives at larger venues,

202
00:10:18,600 --> 00:10:22,000
Speaker 3: and how does it differ from the more intimate audience

203
00:10:22,040 --> 00:10:23,240
Speaker 3: the more intimate venue.

204
00:10:23,360 --> 00:10:25,679
Speaker 5: Well, I mean it does. It does surprise me, and

205
00:10:26,080 --> 00:10:28,040
Speaker 5: it's sort of and I just had a very young

206
00:10:28,080 --> 00:10:31,560
Speaker 5: and yang experiences here because I've just toured the UK

207
00:10:31,679 --> 00:10:34,599
Speaker 5: and Ireland and I was playing smaller venues. I was

208
00:10:34,640 --> 00:10:38,160
Speaker 5: playing four hundred seaters and which is quite intimate for me,

209
00:10:38,840 --> 00:10:41,640
Speaker 5: and now in a stadium where there's thousands of people,

210
00:10:41,720 --> 00:10:44,080
Speaker 5: but it still feels like because I'm just having a

211
00:10:44,120 --> 00:10:46,920
Speaker 5: conversation with my audience, so they don't feel that big.

212
00:10:46,960 --> 00:10:48,880
Speaker 5: And also they're sitting in the dark, so I think

213
00:10:48,920 --> 00:10:51,199
Speaker 5: it's easy to forget how many of them they are.

214
00:10:51,280 --> 00:10:54,240
Speaker 5: I actually just had in Brisbane one night at four

215
00:10:54,280 --> 00:10:56,959
Speaker 5: thousand people, and I had a photographer there and when

216
00:10:57,000 --> 00:10:59,000
Speaker 5: I looked at the photos, I'm like, wow, there's a

217
00:10:59,000 --> 00:11:01,640
Speaker 5: lot of people I didn't While I'm on stage, I

218
00:11:01,640 --> 00:11:04,520
Speaker 5: don't think about that. I just think I'm having this conversation.

219
00:11:04,720 --> 00:11:07,560
Speaker 5: It's like having a barbecue at my house or dinner,

220
00:11:07,720 --> 00:11:10,160
Speaker 5: and I'm doing all of the talking and I'm not

221
00:11:10,240 --> 00:11:12,640
Speaker 5: giving anyone else a chance to speak, which is one

222
00:11:12,760 --> 00:11:15,959
Speaker 5: hundred percent what it's like. Yeah, and then afterwards, I'm like,

223
00:11:16,000 --> 00:11:19,120
Speaker 5: I'm sure everyone had a good time, whether it's four

224
00:11:19,240 --> 00:11:23,440
Speaker 5: or four thousand, exactly exactly, because I do feel like

225
00:11:23,480 --> 00:11:25,920
Speaker 5: it's just a personal thing. It's like to dance. I'm

226
00:11:25,960 --> 00:11:28,280
Speaker 5: just having a chat with a friend, and there just

227
00:11:28,320 --> 00:11:30,359
Speaker 5: happens to be thousands of friends.

228
00:11:30,640 --> 00:11:30,840
Speaker 1: You know.

229
00:11:30,920 --> 00:11:34,160
Speaker 3: One thing covid gave us the spotlight on the Netflix

230
00:11:34,200 --> 00:11:37,440
Speaker 3: comedy special and Overqualified Loser was a huge hit for you.

231
00:11:37,480 --> 00:11:38,600
Speaker 4: Any plans for another one?

232
00:11:38,720 --> 00:11:41,200
Speaker 5: Yeah, I've got a special that I just uploaded onto

233
00:11:41,280 --> 00:11:44,440
Speaker 5: YouTube because so many people don't have Netflex, and I

234
00:11:44,480 --> 00:11:46,760
Speaker 5: thought if I put it out for free to people,

235
00:11:47,040 --> 00:11:49,520
Speaker 5: it gives more people an opportunity to get always on it.

236
00:11:49,679 --> 00:11:52,360
Speaker 5: I'm going to record another special soon, I don't know yet.

237
00:11:52,360 --> 00:11:55,480
Speaker 5: Well put it. If it's Netflix, it's Netflix. If it's

238
00:11:55,480 --> 00:11:57,640
Speaker 5: Paramount or one of the other ones. I'm not loyal

239
00:11:57,720 --> 00:11:58,960
Speaker 5: to anyone.

240
00:12:01,520 --> 00:12:02,960
Speaker 4: Yeah, they're all inclusive.

241
00:12:03,559 --> 00:12:06,440
Speaker 5: Yeah, I just think, you know, like when I did

242
00:12:06,520 --> 00:12:08,719
Speaker 5: the latest one, I just said, instead of loading it

243
00:12:08,840 --> 00:12:11,160
Speaker 5: somewhere where people have to have a subscription, let's just

244
00:12:11,160 --> 00:12:13,360
Speaker 5: put one on YouTube so people can just watch it.

245
00:12:13,960 --> 00:12:17,800
Speaker 5: So I put pokn Africans on YouTube now and I'm yeah,

246
00:12:17,920 --> 00:12:20,400
Speaker 5: it's amazing. The feedback has been so good, and he's

247
00:12:20,480 --> 00:12:23,240
Speaker 5: people who have either you know, during lockdown, a lot

248
00:12:23,240 --> 00:12:25,920
Speaker 5: of people took head economically and they're like one of

249
00:12:25,920 --> 00:12:28,480
Speaker 5: the things where to let go is netflace, which is

250
00:12:28,520 --> 00:12:30,360
Speaker 5: the point when you're at home here have nothing to do.

251
00:12:31,760 --> 00:12:33,760
Speaker 5: So then I try to do every day. I would

252
00:12:33,800 --> 00:12:36,560
Speaker 5: do a little documentary for people, and then it basically

253
00:12:36,679 --> 00:12:38,160
Speaker 5: just culminated.

254
00:12:37,559 --> 00:12:39,880
Speaker 4: And a lot out.

255
00:12:40,920 --> 00:12:44,920
Speaker 3: Love that lock you mery like for people with bortom,

256
00:12:44,960 --> 00:12:46,120
Speaker 3: how what do you do?

257
00:12:46,160 --> 00:12:47,520
Speaker 1: You get time to watch much telling? And are you

258
00:12:47,559 --> 00:12:48,800
Speaker 1: binging anything? What do you love?

259
00:12:49,520 --> 00:12:49,959
Speaker 7: You know what?

260
00:12:50,040 --> 00:12:53,720
Speaker 5: I just watched a lot of murdered docos and you

261
00:12:53,800 --> 00:12:54,560
Speaker 5: know all that.

262
00:12:55,840 --> 00:12:57,120
Speaker 4: Yeah, yeah, right, I.

263
00:12:57,200 --> 00:12:59,640
Speaker 5: Fall asleep to it at night where I'm like and

264
00:12:59,720 --> 00:13:02,120
Speaker 5: then she chopped them up and shabbed them in the

265
00:13:02,960 --> 00:13:05,040
Speaker 5: and I'm like, oh.

266
00:13:05,440 --> 00:13:07,880
Speaker 4: I can't get enough of them. The first forty eight

267
00:13:07,920 --> 00:13:10,680
Speaker 4: it's my favorite. Where they go and it's like, yeah,

268
00:13:10,760 --> 00:13:11,800
Speaker 4: it's real.

269
00:13:11,679 --> 00:13:15,280
Speaker 3: Time because as we know, if you don't find them

270
00:13:15,280 --> 00:13:17,120
Speaker 3: in the first forty eight hours, you're probably not going

271
00:13:17,160 --> 00:13:17,679
Speaker 3: to find them.

272
00:13:18,800 --> 00:13:19,040
Speaker 2: Yeah.

273
00:13:19,440 --> 00:13:22,200
Speaker 5: I just watch Missing Dinner or Alive on net Flix.

274
00:13:23,640 --> 00:13:24,960
Speaker 5: What a roller coaster.

275
00:13:25,120 --> 00:13:26,760
Speaker 1: Is it really last night?

276
00:13:26,840 --> 00:13:27,040
Speaker 5: Yeah?

277
00:13:27,040 --> 00:13:28,400
Speaker 1: Okay, watch it.

278
00:13:28,400 --> 00:13:31,719
Speaker 5: It's really you will not see it coming. It's really good.

279
00:13:32,280 --> 00:13:33,840
Speaker 1: Okay, I'm going to looking for that one the best.

280
00:13:33,880 --> 00:13:35,600
Speaker 4: You can't write that stuff well.

281
00:13:36,640 --> 00:13:39,920
Speaker 3: This weekend you can get tickets through Ticketmaster for Friday

282
00:13:39,960 --> 00:13:44,480
Speaker 3: and Saturday night at HbF Stadium. Just no with Ursuler Carlson.

283
00:13:44,840 --> 00:13:45,600
Speaker 3: We'll see you there.

284
00:13:45,880 --> 00:13:46,240
Speaker 5: Awesome.

285
00:13:46,280 --> 00:13:53,000
Speaker 1: Thanks to thank you the Sure Report. On ninety six airm.

286
00:13:54,800 --> 00:13:57,240
Speaker 3: Star Wars fans with a spare one or two million

287
00:13:57,559 --> 00:14:01,120
Speaker 3: will have a shot a quite the iconic piece of

288
00:14:01,160 --> 00:14:04,880
Speaker 3: Star Wars history. Next month, Princess Leiah's dress is about

289
00:14:04,880 --> 00:14:07,440
Speaker 3: to hit the auction block. Carrie Fisher wore the costume

290
00:14:07,480 --> 00:14:11,199
Speaker 3: in the original nineteen seventy seven film Original and Best,

291
00:14:11,600 --> 00:14:14,640
Speaker 3: and the auction house estimates it will fetch between one

292
00:14:14,720 --> 00:14:16,400
Speaker 3: and two million dollars.

293
00:14:17,240 --> 00:14:22,200
Speaker 4: This is our most desperate hour. Help me, Obi one Kenobi, you're.

294
00:14:22,200 --> 00:14:26,720
Speaker 1: Only yes, that's baby?

295
00:14:26,920 --> 00:14:28,480
Speaker 4: Then what she was a little baby? It was nineteen

296
00:14:28,520 --> 00:14:29,880
Speaker 4: seventy seven. We were all little baby.

297
00:14:29,920 --> 00:14:33,120
Speaker 3: Of course were the three Day Prop Store auctions also

298
00:14:33,120 --> 00:14:36,240
Speaker 3: selling Batman's batpot, used by Christian Bale in the Dark

299
00:14:36,320 --> 00:14:38,640
Speaker 3: Knight and The Dark Knight Rice is also likely to

300
00:14:38,680 --> 00:14:41,560
Speaker 3: go for up to two million dollars, and the evil

301
00:14:41,600 --> 00:14:45,040
Speaker 3: clown doll from Poltergeist is also going under the hammer,

302
00:14:45,200 --> 00:14:48,080
Speaker 3: and it's likely to fetch around half a million dollars.

303
00:14:48,720 --> 00:14:51,080
Speaker 3: Half a million dollars for the joy of having that

304
00:14:51,120 --> 00:14:53,040
Speaker 3: thing sitting on the chair in the corner of your room.

305
00:14:53,080 --> 00:14:57,560
Speaker 3: Book Dinner Where the World Things Are has been named

306
00:14:57,600 --> 00:15:00,840
Speaker 3: the greatest children's book of all time, according to a

307
00:15:00,880 --> 00:15:07,160
Speaker 3: poll by the BBC. Children's Authors, illustrators, editors, publishers, academics, librarians,

308
00:15:07,200 --> 00:15:10,680
Speaker 3: writers and readers from across the world voted for the

309
00:15:10,720 --> 00:15:14,920
Speaker 3: top one hundred. They voted Alice's Adventures in Wonderland runner up,

310
00:15:15,160 --> 00:15:18,600
Speaker 3: Pippi Longstocking, The Little Prince and The Hobbit made up

311
00:15:18,640 --> 00:15:21,280
Speaker 3: the top five. They're all good books, but I don't

312
00:15:21,280 --> 00:15:23,840
Speaker 3: know what kind of childhood these people voting had because

313
00:15:23,840 --> 00:15:30,480
Speaker 3: there's not a single inid blatant book in the whole hundred, So.

314
00:15:31,600 --> 00:15:32,440
Speaker 1: Yeah, they're still going.

315
00:15:32,960 --> 00:15:40,480
Speaker 3: Apparently, Shakira, whose hips don't like, has been begging, begging,

316
00:15:40,600 --> 00:15:44,120
Speaker 3: who's the word has been used? Begging Tom Cruise to

317
00:15:44,320 --> 00:15:48,320
Speaker 3: stop hitting on her after she caught his eye during

318
00:15:48,360 --> 00:15:51,200
Speaker 3: a recent meeting at the f one Grand Prix in Miami.

319
00:15:51,600 --> 00:15:56,920
Speaker 3: Evidently Tom has been flirting up a storm or trying

320
00:15:56,920 --> 00:15:58,320
Speaker 3: to anyway, you're.

321
00:15:58,040 --> 00:16:00,600
Speaker 4: Trying hard not to show wit.

322
00:16:15,800 --> 00:16:20,040
Speaker 3: Chum's been acting all giddy, Yeah, having like a gidda

323
00:16:20,120 --> 00:16:23,920
Speaker 3: sideologist and sending her flowers. And word on the street

324
00:16:24,200 --> 00:16:27,520
Speaker 3: is it's just giving Shakira the ick. Is it time

325
00:16:27,560 --> 00:16:29,680
Speaker 3: for a dude wears My Car? Sequel? I would be

326
00:16:29,760 --> 00:16:34,400
Speaker 3: leading towards no. But Sean William Scott, who started alongside

327
00:16:34,440 --> 00:16:37,680
Speaker 3: Ashton Kutcher, reckons not only is it time, but after

328
00:16:37,760 --> 00:16:40,600
Speaker 3: Conan O'Brien suggested they do a sequel and call it No.

329
00:16:40,760 --> 00:16:42,520
Speaker 4: Seriously, dude, where's my car?

330
00:16:42,920 --> 00:16:46,080
Speaker 3: Yeah, just to be sure, he thinks they should make

331
00:16:46,120 --> 00:16:47,440
Speaker 3: it just to use the title.

332
00:16:47,880 --> 00:16:50,120
Speaker 4: It is a great name. There's movies out there based

333
00:16:50,120 --> 00:16:50,560
Speaker 4: on less.

334
00:16:50,640 --> 00:16:50,920
Speaker 2: Yeah.

335
00:16:50,960 --> 00:16:54,280
Speaker 1: Absolutely leave anything alone. They have to remake them. Bringing

336
00:16:54,360 --> 00:16:54,840
Speaker 1: anything back?

337
00:16:55,040 --> 00:16:55,240
Speaker 5: Yep.

338
00:16:55,680 --> 00:16:59,720
Speaker 1: More Crazy Moor Lisa Poor podcasts soon.

339
00:17:02,600 --> 00:17:02,920
Speaker 4: Well.

340
00:17:03,040 --> 00:17:06,720
Speaker 3: An interesting story out of the UK. Three siblings are

341
00:17:06,760 --> 00:17:09,439
Speaker 3: about to battle it out in the High Court for

342
00:17:09,480 --> 00:17:13,639
Speaker 3: a slice of their late step mum's five hundred and

343
00:17:13,720 --> 00:17:16,919
Speaker 3: seventy thousand dollars estate after she cut them out of

344
00:17:16,960 --> 00:17:20,399
Speaker 3: the will in favor of her pet parrot and also

345
00:17:20,440 --> 00:17:23,600
Speaker 3: her one biological child who's been tasked with the role

346
00:17:23,680 --> 00:17:27,399
Speaker 3: of looking after said pet parrot. When couple Reg and

347
00:17:27,480 --> 00:17:30,040
Speaker 3: Maureen originally wrote up their wills in twenty seventeen, they

348
00:17:30,040 --> 00:17:33,000
Speaker 3: had organized their wealth to be split four ways between

349
00:17:33,080 --> 00:17:38,000
Speaker 3: the kids, the breat the one that's going to look

350
00:17:38,000 --> 00:17:42,200
Speaker 3: after the parrot, and the step siblings from Redge's previous marriage.

351
00:17:42,560 --> 00:17:47,280
Speaker 3: But as soon as Reg fell off Polly's perch, it

352
00:17:47,440 --> 00:17:50,000
Speaker 3: was saying Maureen was straight to the lawyer to update

353
00:17:50,040 --> 00:17:53,399
Speaker 3: that will and cut out the step kids entirely and

354
00:17:53,520 --> 00:17:56,399
Speaker 3: include Polly instead. I don't know if it's home with

355
00:17:57,000 --> 00:18:01,240
Speaker 3: making it now the siblings are going to sue the

356
00:18:01,240 --> 00:18:04,159
Speaker 3: step brother brat right, who goes by the self imposed

357
00:18:04,200 --> 00:18:06,760
Speaker 3: title of Lord of Hastings. Okay, I don't know why

358
00:18:07,440 --> 00:18:09,840
Speaker 3: in a bid to reinstate the original will and get

359
00:18:09,840 --> 00:18:12,040
Speaker 3: a slice of the inheritance.

360
00:18:12,400 --> 00:18:13,919
Speaker 1: Always gets ugly, doesn't it.

361
00:18:14,000 --> 00:18:14,800
Speaker 4: That gets ugly.

362
00:18:14,840 --> 00:18:18,560
Speaker 1: It all come out of the woodwork when wheels are read.

363
00:18:18,960 --> 00:18:20,159
Speaker 1: It looks like no one got to crack it.

364
00:18:20,160 --> 00:18:25,520
Speaker 3: It's not exactly like Carl Lagerfeld living millions to his cat,

365
00:18:25,720 --> 00:18:28,280
Speaker 3: but you know, it is what it.

366
00:18:28,200 --> 00:18:31,159
Speaker 1: Is Mickey Rooney, righty, I lived to ninety three, was

367
00:18:31,160 --> 00:18:34,520
Speaker 1: in the mi showbiz for eighty eight years or something and.

368
00:18:36,600 --> 00:18:39,400
Speaker 4: Least incredible. But he got a show.

369
00:18:39,480 --> 00:18:41,119
Speaker 1: But when he died he made three hundred movies.

370
00:18:41,200 --> 00:18:41,400
Speaker 2: Right.

371
00:18:41,440 --> 00:18:43,280
Speaker 1: But he died he had eighteen grand in the bank

372
00:18:43,680 --> 00:18:46,000
Speaker 1: and so no one got anything because he had back texes.

373
00:18:46,160 --> 00:18:48,480
Speaker 1: So his eight kid's got nothing in his ex wife.

374
00:18:49,440 --> 00:18:51,080
Speaker 1: So what's Mickey living in?

375
00:18:52,600 --> 00:18:52,800
Speaker 5: Yeah?

376
00:18:52,840 --> 00:18:54,159
Speaker 1: Absolutely, all right, Well.

377
00:18:54,000 --> 00:18:56,680
Speaker 4: We'll open the phones. Was there something weird in.

378
00:18:56,640 --> 00:18:57,880
Speaker 1: The will to be strange?

379
00:18:58,000 --> 00:19:00,159
Speaker 3: Don't know if you know anything was being left the

380
00:19:00,160 --> 00:19:01,480
Speaker 3: parrot or the catt or the dogs.

381
00:19:01,560 --> 00:19:04,760
Speaker 1: Yeah, yeah, some relatives who hadn't been around for a while, or.

382
00:19:04,680 --> 00:19:08,320
Speaker 4: Maybe something weird was left to you in the will.

383
00:19:08,440 --> 00:19:09,600
Speaker 1: Something Yeah, some oddity.

384
00:19:09,920 --> 00:19:10,840
Speaker 4: Just tales from.

385
00:19:10,640 --> 00:19:14,320
Speaker 3: The will reading Troy in sevil Grove, Hello, hey, yah good?

386
00:19:14,440 --> 00:19:15,680
Speaker 4: Was there something weird in the will?

387
00:19:15,960 --> 00:19:16,200
Speaker 1: Yeah?

388
00:19:16,280 --> 00:19:18,280
Speaker 8: I didn't get left with anything else. My old man

389
00:19:18,400 --> 00:19:21,320
Speaker 8: he put me down as his person in his will.

390
00:19:21,840 --> 00:19:23,760
Speaker 1: See that's a bit hush, oh gosh.

391
00:19:23,880 --> 00:19:26,280
Speaker 8: Yeah, yeah, so I didn't end up. I was still

392
00:19:26,280 --> 00:19:28,840
Speaker 8: went fight to go improve the fact that I was alive.

393
00:19:29,320 --> 00:19:29,840
Speaker 4: Oh really?

394
00:19:29,880 --> 00:19:35,800
Speaker 3: So there were brothers and sisters that did get Yeah.

395
00:19:34,760 --> 00:19:36,440
Speaker 1: That's weird, isn't it have to go to authorities to

396
00:19:36,480 --> 00:19:37,880
Speaker 1: prove that you're alive? How bizarre?

397
00:19:38,080 --> 00:19:40,720
Speaker 8: Yes, I did to go the police station, yep.

398
00:19:41,160 --> 00:19:42,480
Speaker 1: And how did you find out Troy did to get

399
00:19:42,680 --> 00:19:44,639
Speaker 1: like a random letter or an email or something? No,

400
00:19:45,720 --> 00:19:47,960
Speaker 1: my old lady got a phone call because he hadn't

401
00:19:47,960 --> 00:19:49,480
Speaker 1: paid bacon for the last.

402
00:19:49,240 --> 00:19:54,640
Speaker 4: However long my see. Okay, so did you were successful.

403
00:19:54,200 --> 00:19:56,320
Speaker 8: Try to manage to get some money? Yeah?

404
00:19:56,400 --> 00:19:57,280
Speaker 2: Yeah, I could go.

405
00:19:57,320 --> 00:19:57,959
Speaker 8: Caught over it.

406
00:19:58,160 --> 00:19:59,560
Speaker 1: It's a bit sad and you have to fight for it.

407
00:19:59,600 --> 00:20:01,280
Speaker 4: And well, yeah, it must have been a bit of

408
00:20:01,320 --> 00:20:03,280
Speaker 4: a slap in the face to find out that you've

409
00:20:03,280 --> 00:20:05,000
Speaker 4: been listed as a deceased.

410
00:20:04,640 --> 00:20:10,840
Speaker 3: Yeah, absolutely, Yeah, yeah, your dad, thanks trying your honesty.

411
00:20:10,880 --> 00:20:14,080
Speaker 4: Mate, you're going by Aaron in Wellard Hello.

412
00:20:14,840 --> 00:20:15,480
Speaker 5: Hello, hello.

413
00:20:17,080 --> 00:20:20,120
Speaker 9: Yeah. So it's a laughable matter now. But I haven't

414
00:20:20,160 --> 00:20:22,919
Speaker 9: shared this with anyone besides my family. But when it

415
00:20:22,960 --> 00:20:26,800
Speaker 9: came to reading out the wheel to the siblings and myself,

416
00:20:27,320 --> 00:20:29,919
Speaker 9: it came up as non biological daughter.

417
00:20:30,000 --> 00:20:33,000
Speaker 1: Oh as in yourself as in myself?

418
00:20:33,119 --> 00:20:36,120
Speaker 4: Yes, right, And we sort of looked at.

419
00:20:36,040 --> 00:20:38,440
Speaker 9: Each other and I'm like, I knew it. I knew

420
00:20:38,480 --> 00:20:41,440
Speaker 9: I was born into a richer family by lot of it,

421
00:20:41,480 --> 00:20:44,880
Speaker 9: but I was like really burning on the inside, even

422
00:20:44,920 --> 00:20:47,879
Speaker 9: though it was fine, like I still got my inheritance

423
00:20:47,880 --> 00:20:49,879
Speaker 9: and everything like that. I thought, no, no, no, I

424
00:20:50,000 --> 00:20:52,760
Speaker 9: want to get this change because obviously we knew it

425
00:20:52,800 --> 00:20:55,720
Speaker 9: wasn't right. But the law firm was like, our apologies,

426
00:20:55,760 --> 00:20:56,840
Speaker 9: it's the TYPHO.

427
00:20:57,600 --> 00:20:59,880
Speaker 1: You were but you were adopted.

428
00:21:00,240 --> 00:21:04,840
Speaker 4: You went, this would have been you on the day.

429
00:21:04,840 --> 00:21:12,720
Speaker 9: Absolutely, absolutely, so that was very apologetic. A point of

430
00:21:12,800 --> 00:21:15,520
Speaker 9: a second, yeah, I thought, what if I was born

431
00:21:15,560 --> 00:21:16,840
Speaker 9: into a richer family.

432
00:21:17,359 --> 00:21:18,600
Speaker 1: You're like a Murdoch or something.

433
00:21:19,119 --> 00:21:22,840
Speaker 3: But I mean exactly, you know he's sitting there. You're

434
00:21:22,840 --> 00:21:26,600
Speaker 3: already emotional and then someone tells you you're not actually

435
00:21:26,680 --> 00:21:27,840
Speaker 3: relating to these people.

436
00:21:28,119 --> 00:21:31,120
Speaker 9: Wow, Because I said, can you read that sentence again?

437
00:21:32,320 --> 00:21:34,840
Speaker 5: Black nor On biological daughter went hold.

438
00:21:34,680 --> 00:21:35,639
Speaker 8: Up, what's going on?

439
00:21:35,680 --> 00:21:37,520
Speaker 1: I'll tell you what. You paid lawyers so much for

440
00:21:37,520 --> 00:21:40,560
Speaker 1: those letters, every line and they done. They all come

441
00:21:40,600 --> 00:21:41,640
Speaker 1: and placed.

442
00:21:41,880 --> 00:21:45,560
Speaker 3: Thanks Eric, no worries. We were asking this morning, was

443
00:21:45,600 --> 00:21:50,639
Speaker 3: there something weird in the will? Anthony Impierra Waters, what

444
00:21:50,720 --> 00:21:51,159
Speaker 3: you got for us?

445
00:21:51,320 --> 00:21:53,919
Speaker 8: So I got a weird one today. When I was younger,

446
00:21:54,000 --> 00:21:56,520
Speaker 8: my grandfather left me a bag of wool.

447
00:21:56,760 --> 00:21:58,960
Speaker 4: A sheep sleep, Okay, right.

448
00:21:59,000 --> 00:22:01,240
Speaker 8: He has nothing to do with sharing, nothing at all.

449
00:22:01,320 --> 00:22:03,399
Speaker 8: No one knows till this day. No one got no

450
00:22:03,440 --> 00:22:04,240
Speaker 8: one else got nothing.

451
00:22:04,280 --> 00:22:06,040
Speaker 1: But I've got a bag of wool and that's all.

452
00:22:06,119 --> 00:22:09,000
Speaker 1: That's all you got, Anthony. It was just a yep.

453
00:22:08,840 --> 00:22:11,040
Speaker 8: And I've got a little noteing and said, I hope

454
00:22:11,040 --> 00:22:14,040
Speaker 8: you use this your advantage, but you have a great life.

455
00:22:14,040 --> 00:22:20,240
Speaker 4: And yeah, and that was very curious. Maybe maybe I

456
00:22:20,240 --> 00:22:22,240
Speaker 4: don't know that the spin at first, don't you.

457
00:22:22,359 --> 00:22:24,119
Speaker 1: Yeah, yeah, it's a bit of work, whatever it is

458
00:22:24,160 --> 00:22:28,880
Speaker 1: you do to it. Degrees. That's very odd.

459
00:22:30,880 --> 00:22:32,800
Speaker 4: Now I'm going to be thinking all day what it may.

460
00:22:32,960 --> 00:22:34,600
Speaker 1: Anthony, before you go, what did you do? What did

461
00:22:34,600 --> 00:22:35,160
Speaker 1: you do with it?

462
00:22:36,080 --> 00:22:36,159
Speaker 6: No?

463
00:22:36,280 --> 00:22:38,280
Speaker 8: I don't actually, well I think my mum got rid

464
00:22:38,359 --> 00:22:40,320
Speaker 8: of it. I'm pretty young at that stage.

465
00:22:40,400 --> 00:22:43,000
Speaker 1: Yeah, yeah, yeah.

466
00:22:42,280 --> 00:22:44,199
Speaker 8: Like it was just a weird one. And if you do, fine,

467
00:22:44,320 --> 00:22:48,240
Speaker 8: we'll have some idea my head.

468
00:22:48,520 --> 00:22:49,399
Speaker 4: Very strategy.

469
00:22:49,600 --> 00:22:52,800
Speaker 1: How bizarre, Thanks Anthony. Here we are. We lost Tina

470
00:22:52,840 --> 00:22:53,439
Speaker 1: Turner every.

471
00:22:53,359 --> 00:22:54,679
Speaker 4: Night Anime Bullock.

472
00:22:55,200 --> 00:23:00,840
Speaker 3: From very very humble beginnings in that bush, Tennessee, this

473
00:23:00,880 --> 00:23:04,520
Speaker 3: woman became just a force known as the queen of

474
00:23:04,560 --> 00:23:05,920
Speaker 3: rock and roll and soul.

475
00:23:06,280 --> 00:23:08,760
Speaker 1: Yeah, absolutely was it. A dozen Grammys and over one

476
00:23:08,800 --> 00:23:09,840
Speaker 1: hundred million sold, a.

477
00:23:09,800 --> 00:23:14,360
Speaker 3: Dozen Grammys, three Grammy Hall of Fame Awards, a Grammy

478
00:23:14,400 --> 00:23:20,080
Speaker 3: Lifetime Achievement Award, sold over one hundred million records.

479
00:23:20,080 --> 00:23:20,679
Speaker 1: Phenomenal.

480
00:23:21,640 --> 00:23:22,679
Speaker 4: She's incredible.

481
00:23:22,680 --> 00:23:26,600
Speaker 3: And we were talking earlier about the Christmas Eve nineteen

482
00:23:26,640 --> 00:23:29,719
Speaker 3: eighty four concert that so many of us remember at

483
00:23:29,720 --> 00:23:33,560
Speaker 3: the Perth Entertainment Center. One of the greatest shows that

484
00:23:33,640 --> 00:23:34,600
Speaker 3: I've ever seen.

485
00:23:34,840 --> 00:23:37,040
Speaker 1: Were both this day. I remember there's a moment in

486
00:23:37,040 --> 00:23:39,560
Speaker 1: that gig where she went from Nutbush and the crowd

487
00:23:39,600 --> 00:23:41,959
Speaker 1: went nuts. She went from Nutbush into that huge hit

488
00:23:42,000 --> 00:23:43,639
Speaker 1: at the time, which was what I've got to do

489
00:23:43,720 --> 00:23:45,760
Speaker 1: with it, and I think that people were about to explode.

490
00:23:45,800 --> 00:23:48,760
Speaker 3: It was one of those kind of nights during off

491
00:23:48,800 --> 00:23:52,560
Speaker 3: the back of the Private Dancer out which was just phenomenal.

492
00:23:52,600 --> 00:23:54,560
Speaker 1: It was an absolute phenomenon, wasn't it. And there was

493
00:23:54,600 --> 00:23:56,920
Speaker 1: a stage where people forget that Tina was always a legend,

494
00:23:57,000 --> 00:23:59,359
Speaker 1: always really good at what she did dancing in that

495
00:23:59,400 --> 00:24:01,160
Speaker 1: as well. There was a stage lot we talk about

496
00:24:01,240 --> 00:24:03,800
Speaker 1: John Farnham, who was sort of like not selling a

497
00:24:03,800 --> 00:24:05,920
Speaker 1: lot of tickets, not selling a lot of music. There

498
00:24:05,920 --> 00:24:07,840
Speaker 1: was a stage there after she broke her away from Mike,

499
00:24:07,920 --> 00:24:10,639
Speaker 1: she was doing smaller venues to much smaller crowds, and

500
00:24:10,640 --> 00:24:12,920
Speaker 1: then Rod Stewart said, Tina, what are you doing? Come

501
00:24:12,960 --> 00:24:15,040
Speaker 1: and tour with me. It took her around the world

502
00:24:15,080 --> 00:24:16,520
Speaker 1: and then she ended up touring with the Stones. That

503
00:24:16,560 --> 00:24:19,359
Speaker 1: was nineteen eighty one, and then it just exploded the.

504
00:24:19,400 --> 00:24:21,080
Speaker 4: Career, all like Mick Jagger.

505
00:24:21,119 --> 00:24:23,680
Speaker 3: Of course today I have had amazing things to say

506
00:24:23,720 --> 00:24:27,359
Speaker 3: about it. I must get hold of her memoir which

507
00:24:27,440 --> 00:24:30,399
Speaker 3: came out in twenty eighteen called My Love Story. I

508
00:24:30,400 --> 00:24:33,800
Speaker 3: think now I've hadn't read that.

509
00:24:33,920 --> 00:24:36,679
Speaker 1: Yeah, and the influence of an Australian manager of a

510
00:24:36,720 --> 00:24:39,639
Speaker 1: young girl called Roger Davies who was so influential and

511
00:24:39,680 --> 00:24:42,160
Speaker 1: helping her to rebuild her career AND's become the start

512
00:24:42,240 --> 00:24:44,680
Speaker 1: she always deserved to be. And we've got a little

513
00:24:44,680 --> 00:24:47,320
Speaker 1: bit here about Tina to talking with Oprah and a

514
00:24:47,359 --> 00:24:49,920
Speaker 1: good friend Oprah, being on stage and making the fans

515
00:24:49,920 --> 00:24:50,760
Speaker 1: happy and inspired.

516
00:24:50,840 --> 00:24:52,080
Speaker 4: What ever's time for me to be?

517
00:24:52,160 --> 00:24:52,440
Speaker 2: Gina?

518
00:24:52,840 --> 00:24:55,720
Speaker 6: Something turned and that's that professional site and I became

519
00:24:55,760 --> 00:24:58,399
Speaker 6: no matter what I felt, how sick I was, or

520
00:24:59,280 --> 00:25:02,560
Speaker 6: aching toe. I did it because I wanted to leave

521
00:25:02,560 --> 00:25:04,760
Speaker 6: that stage knowing that everybody had a wonderful time.

522
00:25:05,000 --> 00:25:06,960
Speaker 4: And I believe that's what happened again.

523
00:25:06,800 --> 00:25:08,760
Speaker 7: Every time I've seen you perform, and I've seen you

524
00:25:08,800 --> 00:25:11,439
Speaker 7: perform more than anybody else on earth. But I remember

525
00:25:11,480 --> 00:25:14,240
Speaker 7: standing in Houston with a woman who was crying and said,

526
00:25:14,400 --> 00:25:17,560
Speaker 7: I now know I can do anything just from watching

527
00:25:17,680 --> 00:25:20,440
Speaker 7: you on stage. And that's what you wanted every time.

528
00:25:20,680 --> 00:25:22,200
Speaker 6: And I got letters saying it was.

529
00:25:22,160 --> 00:25:24,320
Speaker 7: More than singing and more than a rock and roll star.

530
00:25:24,640 --> 00:25:27,960
Speaker 6: I didn't know how my style of work on stage

531
00:25:28,119 --> 00:25:30,440
Speaker 6: could give people hope and make them go out and

532
00:25:30,480 --> 00:25:33,160
Speaker 6: make it happen for themselves. And all of the male

533
00:25:33,280 --> 00:25:35,920
Speaker 6: that came in to me said, after seeing your show,

534
00:25:37,119 --> 00:25:39,200
Speaker 6: I went out and I made my life happen.

535
00:25:39,320 --> 00:25:42,080
Speaker 4: Yeah, that is what I achieved. Tina Turner, thank you

536
00:25:42,119 --> 00:25:42,720
Speaker 4: for the music.

537
00:25:43,280 --> 00:25:46,320
Speaker 2: Crazy and Lisa fam