1 00:00:00,120 --> 00:00:04,160 Speaker 1: The Christian O'Connell Breakfast Show Podcast Melbourne's Gold one oh 2 00:00:04,200 --> 00:00:04,960 Speaker 1: four point three. 3 00:00:05,440 --> 00:00:11,320 Speaker 2: Why from Richmond Gold four point three HQG, Melbourne, Australia. 4 00:00:11,680 --> 00:00:15,200 Speaker 3: We'recusting to the world, Christian. I remember once naked frying bacon. 5 00:00:15,320 --> 00:00:16,720 Speaker 3: Don't do that, oh ConL. 6 00:00:16,960 --> 00:00:20,040 Speaker 2: Sometimes I'll just brin to night years So Breakfast. 7 00:00:19,480 --> 00:00:27,160 Speaker 4: Show and I got through a whole wheel of Canumbilly 8 00:00:27,200 --> 00:00:27,640 Speaker 4: Good Morning. 9 00:00:27,680 --> 00:00:31,800 Speaker 3: It's a Christian O'Connell Breakfast Show Show number two hundred 10 00:00:31,800 --> 00:00:34,559 Speaker 3: and three. We got a busy show today. The big 11 00:00:34,560 --> 00:00:36,320 Speaker 3: thing happened on today's show is we're all off to 12 00:00:36,400 --> 00:00:39,400 Speaker 3: the movies tonight and you can come with us. After 13 00:00:39,479 --> 00:00:42,440 Speaker 3: reading all the reviews this weekend of Rocketman, the big 14 00:00:42,440 --> 00:00:45,920 Speaker 3: new Elton John movie, I cannot wait for tonight. Pat's 15 00:00:45,920 --> 00:00:48,600 Speaker 3: you're already there. If there's a red carpet in Melbourne, 16 00:00:48,640 --> 00:00:51,720 Speaker 3: Pats is on it. And this was actually something decent 17 00:00:51,760 --> 00:00:53,280 Speaker 3: that you went to Saturday night. You went to the 18 00:00:53,800 --> 00:00:55,680 Speaker 3: Australian Is it the Australian Premier ONU? 19 00:00:55,720 --> 00:00:58,280 Speaker 4: Yeah, the Aussie Premier and it was brilliant. You'll love 20 00:00:58,320 --> 00:01:01,760 Speaker 4: it tonight. It's as amazing excites us. 21 00:01:01,800 --> 00:01:04,160 Speaker 3: What's great about it. Why is it so good? 22 00:01:04,480 --> 00:01:09,160 Speaker 4: Everything about it is great? Tearing Egerton's performance, how do 23 00:01:09,240 --> 00:01:11,720 Speaker 4: you pronounce his Edgerton? Thank you? 24 00:01:12,360 --> 00:01:12,880 Speaker 3: Who's called? 25 00:01:14,360 --> 00:01:14,720 Speaker 4: Sorry? 26 00:01:15,400 --> 00:01:16,960 Speaker 3: He must have been hard to see his name when 27 00:01:17,000 --> 00:01:19,440 Speaker 3: it's written in fifty foot high letters. 28 00:01:20,640 --> 00:01:24,800 Speaker 4: Last week as well, he is amazing, He is brilliant. Definitely. 29 00:01:24,920 --> 00:01:27,640 Speaker 4: I reckon he'll get an Oscar Nord next year, next March. 30 00:01:28,600 --> 00:01:31,680 Speaker 4: He was amazing as Elton John in such a sad. 31 00:01:31,440 --> 00:01:34,920 Speaker 3: Life, a tough, tough, tough, lonely childhood. 32 00:01:34,959 --> 00:01:40,399 Speaker 4: Wow. Wow, wow. His parents were atrocious. But it's also 33 00:01:40,440 --> 00:01:42,959 Speaker 4: a story of hope as well and redemption, I think. 34 00:01:43,000 --> 00:01:44,920 Speaker 4: And it's just beautifully done. 35 00:01:45,200 --> 00:01:47,120 Speaker 3: Yeah, I heard the real star it as the directors. 36 00:01:47,120 --> 00:01:49,400 Speaker 3: The British director Dexter Fletcher was the gun that they 37 00:01:49,440 --> 00:01:52,960 Speaker 3: called in to fix Bohemian Rhapsody when Brian Singer got 38 00:01:53,240 --> 00:01:53,880 Speaker 3: kicked off. 39 00:01:54,120 --> 00:01:54,360 Speaker 5: Yeah. 40 00:01:54,400 --> 00:01:56,920 Speaker 3: And I hear a lot of these biopics they get 41 00:01:56,920 --> 00:01:59,360 Speaker 3: weighed down sometimes and trying to be authentic and get 42 00:01:59,400 --> 00:02:02,120 Speaker 3: all the dates right in the timeline right, and that's boring. 43 00:02:02,400 --> 00:02:04,000 Speaker 3: I hear that this one they haven't worried about any 44 00:02:04,000 --> 00:02:07,040 Speaker 3: of that. They're just tining a great, joyous, big story. Yeah, 45 00:02:07,040 --> 00:02:10,200 Speaker 3: that's a proper, full on, unashamed musical as well better 46 00:02:10,200 --> 00:02:10,480 Speaker 3: for it. 47 00:02:10,600 --> 00:02:13,359 Speaker 4: Yeah, and no holds barred, and it's just it's out 48 00:02:13,400 --> 00:02:16,480 Speaker 4: there and just the way it's told is I don't 49 00:02:16,480 --> 00:02:19,160 Speaker 4: want to give too much away, but the way that yeah, 50 00:02:19,200 --> 00:02:20,880 Speaker 4: that it flows is justiler. 51 00:02:20,960 --> 00:02:23,000 Speaker 3: He turns into an alien at the end. Is that right? 52 00:02:23,360 --> 00:02:23,639 Speaker 3: He does? 53 00:02:23,760 --> 00:02:23,799 Speaker 6: Not? 54 00:02:24,040 --> 00:02:25,600 Speaker 3: Oh okay, change that? 55 00:02:27,600 --> 00:02:28,560 Speaker 4: No, but you'll love it. 56 00:02:28,560 --> 00:02:32,639 Speaker 3: It's it's right, can't wait? Yeah? So your same parts? 57 00:02:32,840 --> 00:02:38,040 Speaker 4: Ah, very close? Maybe like a nine point seven. 58 00:02:38,600 --> 00:02:41,400 Speaker 2: I mean for Patsy that actually is a huge that's 59 00:02:41,440 --> 00:02:43,160 Speaker 2: a huge Scots. 60 00:02:42,760 --> 00:02:44,959 Speaker 3: Like, Yes, it's like Roger e. But her movie of you, 61 00:02:45,440 --> 00:02:47,000 Speaker 3: what's the first one we've had an almost a year 62 00:02:47,040 --> 00:02:51,280 Speaker 3: of the show. Bear in mind she hates Leonardo DiCaprio, 63 00:02:51,360 --> 00:02:51,720 Speaker 3: I do. 64 00:02:53,840 --> 00:02:54,960 Speaker 2: Hates Tarantino? 65 00:02:55,520 --> 00:02:57,480 Speaker 3: Does it like the singing of Frank Sinach? I think 66 00:02:57,520 --> 00:03:02,080 Speaker 3: she just talks? Ye, she's actually a hard please on Friday? 67 00:03:02,080 --> 00:03:04,040 Speaker 2: As so what movie she likes? Do you remember how 68 00:03:04,280 --> 00:03:06,760 Speaker 2: time pacing back and forth? 69 00:03:07,840 --> 00:03:10,440 Speaker 4: You don't ask me anything on a Friday? Jack, the 70 00:03:10,520 --> 00:03:12,080 Speaker 4: blinds are down shops. 71 00:03:12,680 --> 00:03:16,560 Speaker 3: I like, what, hang on a minute, did you? What 72 00:03:16,600 --> 00:03:17,440 Speaker 3: does like mean? 73 00:03:18,160 --> 00:03:18,200 Speaker 6: You? 74 00:03:18,440 --> 00:03:21,200 Speaker 3: The actor Talon Pegganton. 75 00:03:21,360 --> 00:03:21,880 Speaker 4: Stop it. 76 00:03:23,880 --> 00:03:25,799 Speaker 3: Quick question for you all. Then, how do you guys 77 00:03:25,840 --> 00:03:28,720 Speaker 3: wake up? What's the alarm system that you have? Because 78 00:03:28,760 --> 00:03:30,799 Speaker 3: these days a lot of people wake up with their phones, 79 00:03:30,840 --> 00:03:33,600 Speaker 3: don't they. The phone is everything. The phones rule us. 80 00:03:33,600 --> 00:03:36,560 Speaker 3: We work for our phones, don't if they need oxygen 81 00:03:36,680 --> 00:03:39,120 Speaker 3: or they're running low. You feel like you're running low 82 00:03:39,160 --> 00:03:41,520 Speaker 3: that when you see it, get that angry red battery sign. 83 00:03:41,720 --> 00:03:46,760 Speaker 3: You actually feel like I'm weakening, fading out of existence. 84 00:03:47,040 --> 00:03:48,800 Speaker 3: No one will find me or know where I am. 85 00:03:49,080 --> 00:03:52,480 Speaker 3: I must recharge. What's waking you up in the morning. 86 00:03:52,640 --> 00:03:55,320 Speaker 2: I go for music so it plays through the on 87 00:03:55,480 --> 00:03:56,520 Speaker 2: us speakers. 88 00:03:56,880 --> 00:03:59,720 Speaker 3: Think mad King would do your poor wife. She doesn't 89 00:03:59,720 --> 00:04:01,440 Speaker 3: need to get up early, and she's doing a rifle 90 00:04:01,440 --> 00:04:02,640 Speaker 3: breakfast show. We don't know about it. 91 00:04:02,680 --> 00:04:05,320 Speaker 2: It's that with me. She makes me pancakes. I told you, 92 00:04:07,200 --> 00:04:07,760 Speaker 2: I thought that. 93 00:04:07,720 --> 00:04:10,160 Speaker 3: Would have gone out after week one of you starting 94 00:04:10,160 --> 00:04:12,960 Speaker 3: a breakfast show. Your wife still gets up. I think 95 00:04:12,960 --> 00:04:17,000 Speaker 3: that's so sweet and makes you pancakes. 96 00:04:16,560 --> 00:04:22,080 Speaker 4: And packs you a little snack post his sandwich. 97 00:04:22,240 --> 00:04:24,640 Speaker 3: He has a little sandwich in a lunchbox with a 98 00:04:24,720 --> 00:04:25,680 Speaker 3: napkin that she's giving. 99 00:04:27,200 --> 00:04:29,520 Speaker 4: I bet she puts a little love miss and I. 100 00:04:29,520 --> 00:04:32,000 Speaker 3: Recog there's a little post it as well. Remember to 101 00:04:32,080 --> 00:04:33,160 Speaker 3: drink water, have. 102 00:04:33,160 --> 00:04:36,640 Speaker 4: A good day. 103 00:04:37,080 --> 00:04:39,000 Speaker 3: What's what wakes you up is at the barman throwing 104 00:04:39,040 --> 00:04:39,320 Speaker 3: you out? 105 00:04:40,800 --> 00:04:42,880 Speaker 4: I have like a harp. I don't know what it's cool, 106 00:04:42,960 --> 00:04:43,920 Speaker 4: but like harp. 107 00:04:44,360 --> 00:04:50,400 Speaker 3: Like a full time harper. But I have Trina the 108 00:04:50,520 --> 00:04:51,440 Speaker 3: news a word. 109 00:04:52,800 --> 00:04:57,320 Speaker 4: I have like six alarms on my clock, like a backup. 110 00:04:57,520 --> 00:05:00,480 Speaker 3: One goes off, several backup, two minutes later, another one 111 00:05:00,520 --> 00:05:02,320 Speaker 3: goes up. Who wants to wake up? 112 00:05:03,160 --> 00:05:03,400 Speaker 2: Minutes? 113 00:05:03,560 --> 00:05:06,200 Speaker 3: Aggressive manner, someone constantly shaking you. 114 00:05:06,240 --> 00:05:08,680 Speaker 4: They're in five minute increments. 115 00:05:08,680 --> 00:05:11,120 Speaker 3: Oh, I see, So it's kind of like a snooze thing. 116 00:05:11,120 --> 00:05:13,200 Speaker 3: It goes off and then But doesn't that wake Chris 117 00:05:13,320 --> 00:05:13,800 Speaker 3: up as well? 118 00:05:13,880 --> 00:05:16,320 Speaker 4: Yeah, but he's all right, he doesn't care, all right. 119 00:05:16,400 --> 00:05:18,160 Speaker 3: Do you know what I'd love to speak to someone 120 00:05:18,200 --> 00:05:21,840 Speaker 3: this morning whose old school actually still uses a proper 121 00:05:22,000 --> 00:05:25,120 Speaker 3: old school alarm clock? Do you remember those with the 122 00:05:25,240 --> 00:05:27,360 Speaker 3: I don't know if anyone in Melbourn will have at 123 00:05:27,360 --> 00:05:28,880 Speaker 3: the ringing bell? Do you mean like that the bell 124 00:05:28,960 --> 00:05:29,400 Speaker 3: between them? 125 00:05:31,600 --> 00:05:35,080 Speaker 1: Like that the Christian O'Connell breakfast show, Melbourne's gold one 126 00:05:35,080 --> 00:05:36,160 Speaker 1: oh four point three. 127 00:05:36,320 --> 00:05:38,400 Speaker 3: So this morning I want to know who is being 128 00:05:38,440 --> 00:05:41,520 Speaker 3: woken up in the morning by an old school alarm clock. 129 00:05:41,880 --> 00:05:43,880 Speaker 3: Jack Hughes's music Is it the same song? 130 00:05:44,520 --> 00:05:48,680 Speaker 2: No Spotify playlist on shuffle? It was the Darkness, the. 131 00:05:48,839 --> 00:05:51,919 Speaker 3: Sub such hips stuff. You know. I've been working up 132 00:05:51,920 --> 00:05:54,960 Speaker 3: with a song a flip him playlist. Who's got that 133 00:05:55,040 --> 00:05:58,480 Speaker 3: much time and energy? I just wants to get out 134 00:05:58,480 --> 00:06:00,720 Speaker 3: of bed and go to work and pay the bills. 135 00:06:02,360 --> 00:06:03,720 Speaker 3: Wish darkness song that name. 136 00:06:04,040 --> 00:06:05,279 Speaker 2: I believe in a thing called. 137 00:06:05,279 --> 00:06:07,960 Speaker 3: That's a nice, big up, joyous song that's actually quite nice. 138 00:06:08,040 --> 00:06:11,400 Speaker 3: And perhaps you've got the several backup alarms. Yeah, huh, 139 00:06:11,680 --> 00:06:14,280 Speaker 3: when do you actually get out of bed? What alarm our? 140 00:06:14,320 --> 00:06:17,200 Speaker 4: First alarm goes off at two forty five. But I'm 141 00:06:17,240 --> 00:06:20,520 Speaker 4: always awake, always awake. I wake up from about two. 142 00:06:20,320 --> 00:06:23,159 Speaker 3: Thirty, and you're always awake like a crookeodile. I wake 143 00:06:23,240 --> 00:06:24,719 Speaker 3: up the news, eye. 144 00:06:24,720 --> 00:06:28,560 Speaker 4: Open always, and then I because our seven year old 145 00:06:28,640 --> 00:06:31,920 Speaker 4: still sleeps in our bed, so I rollize. 146 00:06:31,839 --> 00:06:32,920 Speaker 3: You've got to sort that out. 147 00:06:32,920 --> 00:06:35,599 Speaker 4: You can't be having then I know we've tried. 148 00:06:35,800 --> 00:06:38,960 Speaker 3: Believe me, seven year olds in the bed come, I 149 00:06:39,000 --> 00:06:42,400 Speaker 3: know it. And Christian husband he's in her crib. 150 00:06:43,040 --> 00:06:44,799 Speaker 4: Well if she's been. 151 00:06:44,640 --> 00:06:46,359 Speaker 3: Pushed in a little rom pursuit. 152 00:06:46,720 --> 00:06:49,200 Speaker 4: He's been pushed out by her. He's in her bed. 153 00:06:49,839 --> 00:06:51,440 Speaker 4: It's like musical beds. 154 00:06:51,800 --> 00:06:54,400 Speaker 3: But he's like six worths of something for his little 155 00:06:54,400 --> 00:06:56,240 Speaker 3: feet going to be dangling over of some kind of 156 00:06:56,279 --> 00:06:56,960 Speaker 3: racing carpet. 157 00:06:57,000 --> 00:06:59,800 Speaker 4: I've got a super king, all right. 158 00:06:59,839 --> 00:07:02,120 Speaker 3: So I've got one of these alarm clocks where it's 159 00:07:02,240 --> 00:07:04,120 Speaker 3: you know, you've got to press the button and I 160 00:07:04,160 --> 00:07:06,119 Speaker 3: always have to check it about fifty seven. It brings 161 00:07:06,120 --> 00:07:07,880 Speaker 3: out OCD and even doesn't it check it out your 162 00:07:07,960 --> 00:07:10,840 Speaker 3: arm clock, and like then you turn it off on again, 163 00:07:10,960 --> 00:07:12,440 Speaker 3: off on again, then you go good night, turn the 164 00:07:12,520 --> 00:07:14,080 Speaker 3: lights off, then you turn it lot on again to 165 00:07:14,160 --> 00:07:16,760 Speaker 3: check it. That's me every single night for out the 166 00:07:16,840 --> 00:07:19,560 Speaker 3: last twenty years. And phaps should I said it is 167 00:07:19,600 --> 00:07:22,880 Speaker 3: it on? Its blaguing my mind. I've got no backup. 168 00:07:23,240 --> 00:07:25,320 Speaker 3: And but what it does do is I've got this button. 169 00:07:25,400 --> 00:07:27,160 Speaker 3: During the night, I can press a button and it 170 00:07:27,200 --> 00:07:30,880 Speaker 3: beams the time onto the ceiling and infra red and 171 00:07:30,880 --> 00:07:33,000 Speaker 3: it's a great way to depress yourself. So just three 172 00:07:33,080 --> 00:07:36,000 Speaker 3: twenty two going, oh no, I should be asleep right now. 173 00:07:36,240 --> 00:07:38,120 Speaker 3: So I'm trying to find someone who's gone old school 174 00:07:38,240 --> 00:07:42,720 Speaker 3: alarm clock? This morning erin good morning, Morning Christian, Now 175 00:07:42,840 --> 00:07:44,720 Speaker 3: morning Aaron. I hope you had a great weekend, mate, 176 00:07:45,680 --> 00:07:48,000 Speaker 3: Yes I did good. Tell me about your alarm clock. 177 00:07:48,040 --> 00:07:50,640 Speaker 7: Old school Okay, it's very old school. 178 00:07:50,720 --> 00:07:54,280 Speaker 5: It used to be my grandfather's so it's literally one 179 00:07:54,320 --> 00:07:57,400 Speaker 5: of those old wind up and like I've had to 180 00:07:57,440 --> 00:08:01,760 Speaker 5: have it repaired once because the springs were getting a 181 00:08:01,800 --> 00:08:04,320 Speaker 5: little bit old. But I think it's from when he 182 00:08:04,400 --> 00:08:05,160 Speaker 5: came home from. 183 00:08:05,080 --> 00:08:07,480 Speaker 8: The wall, so it would the early fifties. 184 00:08:07,800 --> 00:08:13,720 Speaker 3: Wow, that might be the oldest thing in Australia. Get it, 185 00:08:13,800 --> 00:08:16,280 Speaker 3: Get it? Value that and your mom, take your mom 186 00:08:16,360 --> 00:08:18,840 Speaker 3: and that on Antiques Roadshow if they ever come back. 187 00:08:19,120 --> 00:08:23,200 Speaker 3: That is and the oldest, the oldest object in Australia. 188 00:08:23,280 --> 00:08:24,760 Speaker 3: Now it needs to be in a museum, that's it. 189 00:08:24,800 --> 00:08:26,840 Speaker 3: So it's a probable one with the bells and the little. 190 00:08:27,640 --> 00:08:30,320 Speaker 9: Yeah yeah, with the little hammer in the middle. 191 00:08:30,440 --> 00:08:30,680 Speaker 3: Yeah. 192 00:08:31,560 --> 00:08:34,520 Speaker 9: And then I've got an old winky mouse when that 193 00:08:34,559 --> 00:08:37,680 Speaker 9: moment got up from Europe when she did a big 194 00:08:37,720 --> 00:08:42,080 Speaker 9: troop after she retired. And I also have, like Pats, 195 00:08:42,200 --> 00:08:45,800 Speaker 9: I've got about fifteen alarms on my phone. I'm renowned 196 00:08:45,920 --> 00:08:47,240 Speaker 9: for not waking up very well. 197 00:08:47,320 --> 00:08:48,800 Speaker 3: Well you're did well this morning. Yeah. 198 00:08:49,120 --> 00:08:51,680 Speaker 9: Now listen, I'm actually on my way home to work. 199 00:08:52,200 --> 00:08:55,199 Speaker 3: Oh I see right, okay, when you get when when 200 00:08:55,240 --> 00:08:56,959 Speaker 3: you get back home? What time? 201 00:08:58,280 --> 00:09:01,000 Speaker 9: Well I just stops at the market, so I'll probably 202 00:09:01,120 --> 00:09:02,240 Speaker 9: home in about fifteen minutes. 203 00:09:02,520 --> 00:09:04,559 Speaker 3: Can you do me a favorite call back? I want 204 00:09:04,600 --> 00:09:07,600 Speaker 3: to hear this. We'll be reminded what those alarms used 205 00:09:07,600 --> 00:09:09,959 Speaker 3: to sound like, so called us back. You better set 206 00:09:10,000 --> 00:09:12,640 Speaker 3: it so we can hopefully hear it go off that 207 00:09:12,760 --> 00:09:15,400 Speaker 3: classic old ringing sound. I haven't heard that in decades. 208 00:09:15,679 --> 00:09:16,640 Speaker 3: Could you do that? Worry? 209 00:09:16,880 --> 00:09:18,000 Speaker 9: Yeah, yeah, no worries? 210 00:09:18,000 --> 00:09:19,640 Speaker 3: All right, you start airing A catch up with you 211 00:09:19,640 --> 00:09:21,000 Speaker 3: in fifteen minutes, save chip home? 212 00:09:21,080 --> 00:09:21,640 Speaker 9: Okay? Cool? 213 00:09:21,679 --> 00:09:22,040 Speaker 3: So yeah. 214 00:09:22,120 --> 00:09:25,520 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 215 00:09:25,520 --> 00:09:26,760 Speaker 1: point three right now. 216 00:09:26,840 --> 00:09:28,640 Speaker 3: Jack this morning is in charge of On This Day 217 00:09:28,679 --> 00:09:31,400 Speaker 3: in History as we wind down May this week heading 218 00:09:31,400 --> 00:09:33,920 Speaker 3: to June, May the twenty seventh, This Morning, what happened 219 00:09:33,960 --> 00:09:34,840 Speaker 3: on this day in history? 220 00:09:34,880 --> 00:09:38,199 Speaker 2: On the Day in History twenty seventh of May, which 221 00:09:38,240 --> 00:09:41,040 Speaker 2: band performed on the roof of a store in Los Angeles, 222 00:09:41,440 --> 00:09:46,080 Speaker 2: attracting thousands of spectators and bringing traffic to a standstill? 223 00:09:47,640 --> 00:09:50,320 Speaker 2: What's the band? What song were they playing? 224 00:09:52,679 --> 00:09:56,960 Speaker 3: What was the wind direction? Answer all those three questions 225 00:09:57,040 --> 00:09:59,080 Speaker 3: that you can come and see rocket Man tonight with 226 00:09:59,200 --> 00:10:01,439 Speaker 3: us all right? Line to open nine four one four 227 00:10:01,600 --> 00:10:12,120 Speaker 3: one four three The Christian o'connells, good morning, how you going? 228 00:10:13,600 --> 00:10:15,600 Speaker 3: Rays on the line's got a guest for us, coome oning. 229 00:10:15,480 --> 00:10:17,400 Speaker 7: Ray, good morning, how are you going? 230 00:10:17,480 --> 00:10:18,880 Speaker 3: I'm good Ray? You had a good weekend? 231 00:10:19,440 --> 00:10:20,440 Speaker 7: Oh yeah, pretty good? 232 00:10:21,240 --> 00:10:23,439 Speaker 3: Ray? What do you think the song is? What's the band? 233 00:10:24,160 --> 00:10:24,480 Speaker 9: It is? 234 00:10:24,559 --> 00:10:24,599 Speaker 6: You? 235 00:10:24,760 --> 00:10:26,400 Speaker 7: Two with streets have no name? 236 00:10:27,040 --> 00:10:27,400 Speaker 2: Bingo? 237 00:10:27,559 --> 00:10:27,760 Speaker 5: Ray? 238 00:10:27,920 --> 00:10:35,440 Speaker 3: Wow? Done? Great song was its late eighties? 239 00:10:35,520 --> 00:10:39,160 Speaker 2: Is off Joshua Tree nineteen eighty seven. The film clip 240 00:10:39,440 --> 00:10:42,840 Speaker 2: was footage of the actual performance where they played live. 241 00:10:42,960 --> 00:10:45,600 Speaker 2: They didn't get a permit to play there. They wanted 242 00:10:45,640 --> 00:10:47,640 Speaker 2: they actually wanted the police to shut them down so 243 00:10:47,720 --> 00:10:49,880 Speaker 2: the video would have them, you know, getting cuffed and 244 00:10:49,880 --> 00:10:52,560 Speaker 2: getting dragged off the roof, and the police kept giving 245 00:10:52,600 --> 00:10:54,520 Speaker 2: him an extension to film the video clip, so they 246 00:10:54,559 --> 00:10:55,240 Speaker 2: keep playing. 247 00:10:55,040 --> 00:10:58,120 Speaker 3: Nay, great videos up there. It's one of my favorite 248 00:10:58,200 --> 00:11:01,120 Speaker 3: music videos. It's normal obviously the tools rooftop gig and 249 00:11:01,160 --> 00:11:03,160 Speaker 3: I remember I was looking enough to interview the band 250 00:11:03,160 --> 00:11:05,120 Speaker 3: a couple of times. I remember speaking to them about that, 251 00:11:05,320 --> 00:11:08,080 Speaker 3: and Bono said exactly that the hope was had no 252 00:11:08,080 --> 00:11:10,240 Speaker 3: permission to do it. They wanted to get it shut 253 00:11:10,240 --> 00:11:11,760 Speaker 3: down and thought it could make it a better video. 254 00:11:12,080 --> 00:11:14,720 Speaker 3: And he said the police did keep threatening to shut 255 00:11:14,760 --> 00:11:16,960 Speaker 3: it down, but they never actually shut it down. They 256 00:11:17,040 --> 00:11:18,840 Speaker 3: just kept saying another five minutes and they got to 257 00:11:18,840 --> 00:11:21,080 Speaker 3: do another retake. In the retake, it's a great one, 258 00:11:21,520 --> 00:11:24,280 Speaker 3: one of my favorite. It's as a big bomb bashtick 259 00:11:24,320 --> 00:11:26,360 Speaker 3: Michael Jackson video, but it's one of my favorite music 260 00:11:26,440 --> 00:11:29,080 Speaker 3: videos from the eighties or wherever. I love that, and 261 00:11:29,120 --> 00:11:31,920 Speaker 3: it's such a great U two song as well. All right, 262 00:11:31,960 --> 00:11:34,480 Speaker 3: so let's go back to Erin Now. Earlier on during 263 00:11:34,480 --> 00:11:36,760 Speaker 3: this Golden Hour, we were talking about how you wake 264 00:11:36,840 --> 00:11:38,600 Speaker 3: up in the morning, and I was trying to find 265 00:11:38,640 --> 00:11:42,360 Speaker 3: anyone's got one of those old school alarm clocks, you know, 266 00:11:42,440 --> 00:11:44,600 Speaker 3: the one with the with the two bells and little 267 00:11:44,600 --> 00:11:47,600 Speaker 3: tiny hammer in the middle. And we found erin, who 268 00:11:47,640 --> 00:11:51,400 Speaker 3: does have one? Erin? All right? So you work very 269 00:11:51,440 --> 00:11:53,600 Speaker 3: hard through the night. What do you do by the way? Erin? 270 00:11:54,320 --> 00:11:55,960 Speaker 9: I worknight? 271 00:11:56,320 --> 00:12:01,240 Speaker 3: Okay? So what yah? One of the one the drive throughs. 272 00:12:02,360 --> 00:12:06,440 Speaker 9: Yeah, the whole restaurant and the drive through is open 273 00:12:06,520 --> 00:12:07,400 Speaker 9: for hours. 274 00:12:07,440 --> 00:12:09,240 Speaker 3: And also the people that turn up in the middle 275 00:12:09,240 --> 00:12:10,720 Speaker 3: of light one to in the morning, that must be. 276 00:12:10,840 --> 00:12:16,640 Speaker 9: Part sometimes what's up? Sometimes they're very pleasant, are they? 277 00:12:16,679 --> 00:12:18,320 Speaker 3: All right? Okay? I always though it'll be like drunk 278 00:12:18,320 --> 00:12:24,160 Speaker 3: people stones right, And I guess breakfast do you ever 279 00:12:24,160 --> 00:12:26,240 Speaker 3: get any breakfast? Show teams are out on the way 280 00:12:26,240 --> 00:12:29,640 Speaker 3: into what is Eddie Maguire getting a big old macas. 281 00:12:29,760 --> 00:12:34,440 Speaker 9: Someone on the Morning Peninsula? So I don't get anyone look. 282 00:12:34,360 --> 00:12:36,760 Speaker 3: At morning to peninsulas a little bit past for a macas, 283 00:12:36,800 --> 00:12:37,320 Speaker 3: isn't it. Wow? 284 00:12:38,760 --> 00:12:41,040 Speaker 9: I'm beinging for you a couple of times. But you 285 00:12:41,080 --> 00:12:45,000 Speaker 9: know that's about l stardom down here. 286 00:12:45,600 --> 00:12:47,839 Speaker 3: Who's been through a couple of times? 287 00:12:48,640 --> 00:12:49,240 Speaker 6: James n. 288 00:12:51,080 --> 00:12:54,280 Speaker 7: A James, Oh yeah, all right. 289 00:12:54,280 --> 00:12:55,800 Speaker 3: Now, have you got the alarm clock there? 290 00:12:56,720 --> 00:12:59,400 Speaker 9: I do. Now it's very templetive because it's been on 291 00:12:59,440 --> 00:13:01,200 Speaker 9: the same time on for the last five years. But 292 00:13:01,240 --> 00:13:02,320 Speaker 9: I'll try to make it ring. 293 00:13:02,200 --> 00:13:04,760 Speaker 3: Again, okay, okay, So you're going to need to set 294 00:13:04,760 --> 00:13:07,079 Speaker 3: it for like five to seven somehow with that tiny 295 00:13:07,080 --> 00:13:08,000 Speaker 3: little band. 296 00:13:08,440 --> 00:13:10,960 Speaker 9: Yeah, yeah, is it. 297 00:13:12,600 --> 00:13:13,480 Speaker 3: Because it disappeared? 298 00:13:16,040 --> 00:13:19,800 Speaker 9: It just did it for your just before for your producer. 299 00:13:21,520 --> 00:13:31,240 Speaker 3: It's like a jack camera, isn't it. Yeah? I don't 300 00:13:31,280 --> 00:13:33,120 Speaker 3: got the technology has moved on now from that. I 301 00:13:33,120 --> 00:13:35,680 Speaker 3: couldn't be doing with that, working me up every single morning? 302 00:13:35,840 --> 00:13:37,599 Speaker 3: Are you trying to silence it? Now? You didn't have 303 00:13:37,640 --> 00:13:39,640 Speaker 3: a snooze button? Those things? I don't think they had snooze. 304 00:13:40,000 --> 00:13:42,280 Speaker 9: It does have a little a little one that you 305 00:13:42,320 --> 00:13:45,200 Speaker 9: can PRESSNOZ but it just sort of stops. It doesn't 306 00:13:45,520 --> 00:13:49,120 Speaker 9: put it into snooze, right, okay, Yeah, But the funny 307 00:13:49,120 --> 00:13:51,120 Speaker 9: thing is that I also had that on my phone. 308 00:13:51,240 --> 00:13:52,160 Speaker 8: Me up as well. 309 00:13:52,000 --> 00:13:56,000 Speaker 3: Well, that's not that same noise, the same noise. That's amazing. 310 00:13:56,040 --> 00:13:58,960 Speaker 3: You got that old school technology or new technology. Brilliant? 311 00:13:59,120 --> 00:14:00,800 Speaker 3: All right, eron you in a great sport. Do you 312 00:14:00,840 --> 00:14:02,760 Speaker 3: want to pay tickets to come and see rocket Man tonight? 313 00:14:03,480 --> 00:14:05,440 Speaker 9: Oh my god, I would love to, but I'm working. 314 00:14:05,880 --> 00:14:07,960 Speaker 3: No, you're not. Back up Macca's at the drive through. 315 00:14:08,440 --> 00:14:12,160 Speaker 9: Yeah, and also my mom promised not to see it. 316 00:14:12,480 --> 00:14:14,640 Speaker 3: Gets back, bring your mom, bring your mum and chuck 317 00:14:14,640 --> 00:14:16,959 Speaker 3: a sickie hey d D. 318 00:14:17,840 --> 00:14:20,240 Speaker 9: And she told me maybe promised not to go and 319 00:14:20,240 --> 00:14:22,440 Speaker 9: see it on Thursday until she gets back next week. 320 00:14:22,480 --> 00:14:24,800 Speaker 3: Yeah, but listen, she would love to. Why didn't you 321 00:14:24,800 --> 00:14:27,000 Speaker 3: come chuck a sicky from the old drive through? Right? 322 00:14:27,360 --> 00:14:29,040 Speaker 3: Come and see your mom's not going to know that 323 00:14:29,080 --> 00:14:29,960 Speaker 3: you've seen it already. 324 00:14:31,080 --> 00:14:34,920 Speaker 9: I would love to, Christian, can't you know what? 325 00:14:34,920 --> 00:14:37,000 Speaker 3: There's a lot of ungrateful mood houts out there, this one. 326 00:14:37,320 --> 00:14:39,720 Speaker 3: All right? Eron, good on, you have a good day. Okay, 327 00:14:40,280 --> 00:14:42,760 Speaker 3: forget it. I won't ask again. Eron, I won't ask 328 00:14:42,800 --> 00:14:45,000 Speaker 3: you again. I'm joking, I will all right, erin. Thanks 329 00:14:45,040 --> 00:14:46,120 Speaker 3: for helping us out this morning. 330 00:14:46,720 --> 00:14:47,760 Speaker 9: Thank you. Bye. 331 00:14:47,960 --> 00:14:51,320 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 332 00:14:51,360 --> 00:14:51,840 Speaker 1: point three. 333 00:14:52,080 --> 00:14:55,720 Speaker 3: All right, So over the weekend yesterday dreaded day, got 334 00:14:55,720 --> 00:14:58,360 Speaker 3: to start to pack up. Lucky enough, we're we're moving 335 00:14:58,400 --> 00:15:00,600 Speaker 3: house in three week time. Super excited. We're buying our 336 00:15:00,640 --> 00:15:03,040 Speaker 3: first home, probably laying down routes here and straight. It's 337 00:15:03,040 --> 00:15:06,440 Speaker 3: really exciting. Not so exciting is the packing. My wife 338 00:15:06,480 --> 00:15:09,960 Speaker 3: is still recovering from this ACL surgery, so she says 339 00:15:09,960 --> 00:15:13,480 Speaker 3: to me, and so she's literally sat on a chair 340 00:15:14,160 --> 00:15:18,160 Speaker 3: pointing at the butler pack that. No, not like that, 341 00:15:18,400 --> 00:15:20,720 Speaker 3: and it is testing me. It is hard to pack 342 00:15:20,760 --> 00:15:24,360 Speaker 3: up a house for a one legged lady. And by 343 00:15:24,400 --> 00:15:29,840 Speaker 3: the way, this injury, this ACL recovery. Yesterday we were 344 00:15:29,840 --> 00:15:32,480 Speaker 3: heading back from a night away and we stopped and 345 00:15:32,480 --> 00:15:34,000 Speaker 3: I said, I just need to get a drink, so 346 00:15:34,080 --> 00:15:36,080 Speaker 3: I's going to pop in get it. We're to get 347 00:15:36,120 --> 00:15:38,200 Speaker 3: some coffees for us and a bacon roll. I must 348 00:15:38,240 --> 00:15:40,120 Speaker 3: have been gone three to four minutes. I want to 349 00:15:40,160 --> 00:15:42,360 Speaker 3: come back out with everything. This one legged woman is 350 00:15:42,440 --> 00:15:45,080 Speaker 3: my Actually, get out of the car, go find a 351 00:15:45,120 --> 00:15:51,880 Speaker 3: clothes shop, amaya jumper in that time, in that time, 352 00:15:52,360 --> 00:15:55,200 Speaker 3: try it on. At the time, I'm going to get 353 00:15:55,200 --> 00:15:58,600 Speaker 3: two drinks and a baker row went the knees doing well. Huh. 354 00:15:58,680 --> 00:16:01,960 Speaker 3: Then she started hobbling going again. It's bad again. Anyway, 355 00:16:02,120 --> 00:16:05,520 Speaker 3: So yesterday we're packing and it's a nightmare. I must 356 00:16:05,520 --> 00:16:08,160 Speaker 3: just stand out. A very lovely listener called Tony who 357 00:16:08,480 --> 00:16:10,920 Speaker 3: heard our best of show that started the other weekend, 358 00:16:10,960 --> 00:16:13,080 Speaker 3: and I was saying, oh, I need packing boxes, and 359 00:16:13,360 --> 00:16:16,080 Speaker 3: he drove out to my house Saturday morning. Former teacher. 360 00:16:16,120 --> 00:16:18,000 Speaker 3: He sat up his own little business. It's just him 361 00:16:18,200 --> 00:16:21,040 Speaker 3: and it's called E Moving, which stands for Environmental and 362 00:16:21,080 --> 00:16:22,840 Speaker 3: he's given me, he's lent me a load of you 363 00:16:22,920 --> 00:16:26,560 Speaker 3: hire out plastic moving boxes. It's more vice to environmentally 364 00:16:26,560 --> 00:16:29,120 Speaker 3: friendly than using cardboard and then just trashing. 365 00:16:28,800 --> 00:16:30,040 Speaker 2: It all right, and then you give him on to 366 00:16:30,080 --> 00:16:30,640 Speaker 2: the next person. 367 00:16:30,800 --> 00:16:33,520 Speaker 3: Yeah, or he comes and collects it. So Tony his 368 00:16:33,600 --> 00:16:35,520 Speaker 3: name is is he's a lovely guy. I know that 369 00:16:35,560 --> 00:16:36,840 Speaker 3: he's got a little two year old boy and we'd 370 00:16:36,880 --> 00:16:39,200 Speaker 3: lovely chat. Saturday. Drove out to see me to make 371 00:16:39,240 --> 00:16:40,800 Speaker 3: it easier because you know, we've got a lot on 372 00:16:40,840 --> 00:16:42,320 Speaker 3: the moment. He listens to the show, So gorn it 373 00:16:42,320 --> 00:16:44,360 Speaker 3: to Tony from E Moving if you want to hire 374 00:16:44,440 --> 00:16:48,160 Speaker 3: him E Moving dot com dot au. That's it. It's 375 00:16:48,200 --> 00:16:49,560 Speaker 3: on the side of his van. He's got a little 376 00:16:49,560 --> 00:16:52,120 Speaker 3: two year old boy. Great name called Salvador who they 377 00:16:52,200 --> 00:16:55,360 Speaker 3: called Salvage. Great name, isn't it anyway? And he's a 378 00:16:55,360 --> 00:16:57,600 Speaker 3: Hawks fan. That's what you're covering this town, isn't you 379 00:16:57,640 --> 00:17:00,000 Speaker 3: get down to basics? I asked him about hohe barriss 380 00:17:00,040 --> 00:17:02,960 Speaker 3: will before. By the way, what's the name of his kid? Anyway? 381 00:17:03,040 --> 00:17:05,600 Speaker 3: So yesterday we're packing and my wife goes, get rid 382 00:17:05,640 --> 00:17:07,480 Speaker 3: of that, is get rid of that? And you got 383 00:17:07,520 --> 00:17:09,560 Speaker 3: to be kidding, No, want to get rid of this. 384 00:17:09,960 --> 00:17:14,639 Speaker 3: I'm holding my framed Evil Canevil print that is signed 385 00:17:14,640 --> 00:17:18,000 Speaker 3: by the Great Man as well. It's it's it's, it's, 386 00:17:18,040 --> 00:17:20,800 Speaker 3: it's me. We didn't start having an argument about it. 387 00:17:20,960 --> 00:17:22,840 Speaker 3: That's going. You need to get withri of that. We've 388 00:17:22,880 --> 00:17:25,640 Speaker 3: got too much clutter that needs to go now and 389 00:17:25,800 --> 00:17:28,879 Speaker 3: we have a Bob arguing about this beautiful signed Evil 390 00:17:28,920 --> 00:17:32,479 Speaker 3: can Eevil print I put up on on my Instagram page, 391 00:17:32,480 --> 00:17:35,240 Speaker 3: and even Bob Murphy sent me a text going, I've 392 00:17:35,280 --> 00:17:37,080 Speaker 3: just seen your text. If you really have to get 393 00:17:37,080 --> 00:17:38,879 Speaker 3: with it that I will buy it off you. That 394 00:17:39,000 --> 00:17:41,200 Speaker 3: is a thing of art. I want to keep it. 395 00:17:41,200 --> 00:17:42,520 Speaker 3: It's a great if you've seen the photo. 396 00:17:42,600 --> 00:17:44,720 Speaker 2: I've seen it. It does look good. Your frame could 397 00:17:44,720 --> 00:17:45,800 Speaker 2: be a bit. 398 00:17:45,800 --> 00:17:47,280 Speaker 3: Was saying that. I never thought about. That's the thing 399 00:17:47,280 --> 00:17:49,400 Speaker 3: when you put someone on social media, I just want 400 00:17:49,440 --> 00:17:51,159 Speaker 3: them to sort of say, yeah, it's Evil Caneve. You've 401 00:17:51,160 --> 00:17:52,880 Speaker 3: got to keep that. None of the people going it's 402 00:17:52,920 --> 00:17:57,159 Speaker 3: lovely but tatty old chip frame. Christian gets something decent though. 403 00:17:57,760 --> 00:18:03,040 Speaker 4: It's so the frame, where does it live on the wall? 404 00:18:04,080 --> 00:18:05,240 Speaker 4: Where though above me? 405 00:18:06,040 --> 00:18:06,840 Speaker 2: Like in the living room? 406 00:18:06,920 --> 00:18:07,840 Speaker 4: Do you put it in your dinner? 407 00:18:08,400 --> 00:18:10,119 Speaker 3: Tell you what it's on the bedroom ceiling and look up 408 00:18:10,119 --> 00:18:12,920 Speaker 3: at that. I think of old Evil when I get 409 00:18:12,960 --> 00:18:15,159 Speaker 3: in the right move and start revving myself up to 410 00:18:15,160 --> 00:18:17,520 Speaker 3: make get another jump that might break bones. But what 411 00:18:17,680 --> 00:18:18,720 Speaker 3: a ride. 412 00:18:19,040 --> 00:18:21,880 Speaker 4: Now you need to get rid of that. I agree 413 00:18:21,920 --> 00:18:22,800 Speaker 4: with Sarah, but. 414 00:18:22,800 --> 00:18:24,240 Speaker 2: It's sign paths. It's not just that. 415 00:18:24,400 --> 00:18:26,199 Speaker 3: Do you know what evil can Evil did with the 416 00:18:26,280 --> 00:18:29,320 Speaker 3: Wall greatest stuntman and Daredevil? 417 00:18:29,480 --> 00:18:32,320 Speaker 4: No, no, I made Chris get rid of Well, all 418 00:18:32,359 --> 00:18:34,600 Speaker 4: the Elvis prints that we had are in the garage. 419 00:18:34,680 --> 00:18:37,520 Speaker 4: Now there's no place for those inside the house. 420 00:18:37,840 --> 00:18:39,679 Speaker 3: Two things that did not get put in the corner. 421 00:18:40,160 --> 00:18:44,879 Speaker 3: Elvis and Evil can heal Neither of these great icons, 422 00:18:44,880 --> 00:18:47,080 Speaker 3: these legend deserve to be shoved out in a garage. 423 00:18:48,119 --> 00:18:51,080 Speaker 4: Nice for the man's room that goes to the men's room, 424 00:18:51,320 --> 00:18:52,480 Speaker 4: not inside the house. 425 00:18:52,680 --> 00:18:56,160 Speaker 3: So what's he that's a garage to look at the king? Yep. No, 426 00:18:57,119 --> 00:19:01,040 Speaker 3: you don't like popular culture. You like Hitler trying to 427 00:19:01,080 --> 00:19:03,320 Speaker 3: burn the books, Patsy Hitler. 428 00:19:04,760 --> 00:19:08,160 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 429 00:19:08,200 --> 00:19:08,840 Speaker 1: point three. 430 00:19:09,000 --> 00:19:10,960 Speaker 3: We are moving in just three weeks time. Got a 431 00:19:10,960 --> 00:19:13,320 Speaker 3: lot of stuff to get rid of and we're packing 432 00:19:13,359 --> 00:19:15,280 Speaker 3: at the moment and my wife said, you've got to 433 00:19:15,280 --> 00:19:17,200 Speaker 3: get rid of that. And what she was talking about 434 00:19:17,600 --> 00:19:22,640 Speaker 3: was this beautiful signed evil Canievil picture I've got. It's 435 00:19:22,720 --> 00:19:26,240 Speaker 3: him doing the Caesars Palace jump. It's an amazing photo 436 00:19:26,640 --> 00:19:29,159 Speaker 3: signed by him. And I was saying, I can't. I 437 00:19:29,200 --> 00:19:30,800 Speaker 3: actually said to at one point, you know, you just 438 00:19:30,840 --> 00:19:32,960 Speaker 3: say stuff in an argument. I actually said one point 439 00:19:33,200 --> 00:19:37,640 Speaker 3: even as in me it's actually quite Freudian slip there. 440 00:19:38,600 --> 00:19:41,000 Speaker 3: You know, I'm an ev e l as in his spells? 441 00:19:41,080 --> 00:19:43,640 Speaker 3: Is they not evil? Like good bad? And she wants 442 00:19:43,640 --> 00:19:45,440 Speaker 3: me to get rid of it. Burn in mind. It's 443 00:19:45,480 --> 00:19:47,639 Speaker 3: a beautiful thing that she got me for my fortieth 444 00:19:47,800 --> 00:19:51,200 Speaker 3: last year. So it's a really really nice year. Sorry 445 00:19:51,600 --> 00:19:55,200 Speaker 3: fortieth last year you had. And it's a lovely, lovely print. 446 00:19:55,520 --> 00:19:57,480 Speaker 3: So a lot of you are going on Facebook right now, 447 00:19:58,160 --> 00:20:02,480 Speaker 3: stop having a guy about the eat frayin Okay, that's 448 00:20:02,520 --> 00:20:05,040 Speaker 3: not the thing. I'm asking for your support on Melbourne, Okay. 449 00:20:05,040 --> 00:20:06,840 Speaker 3: I want you to get behind me and say keep 450 00:20:06,880 --> 00:20:08,600 Speaker 3: it okay, because then I could go to her and 451 00:20:08,640 --> 00:20:11,360 Speaker 3: say the public have spoken bad for the radio show, 452 00:20:11,440 --> 00:20:13,320 Speaker 3: bad for the career. We went to afford the house. 453 00:20:13,680 --> 00:20:16,560 Speaker 3: If people believe that I can't own such a beautiful 454 00:20:16,560 --> 00:20:17,600 Speaker 3: thing and evil canevil print? 455 00:20:17,640 --> 00:20:19,880 Speaker 2: Now did he make the Casar's Palace Jump? I thought 456 00:20:19,880 --> 00:20:20,240 Speaker 2: he fell. 457 00:20:20,800 --> 00:20:23,560 Speaker 3: I would have. I told you about not bringing up 458 00:20:23,600 --> 00:20:25,520 Speaker 3: his track record. It's not about whether or not he 459 00:20:25,640 --> 00:20:27,600 Speaker 3: made it. Same with this radio show. It's not about 460 00:20:27,600 --> 00:20:30,480 Speaker 3: whether or not I make it successfully each link, it's 461 00:20:30,480 --> 00:20:33,800 Speaker 3: about I try it And they were like, yeah maybe 462 00:20:33,840 --> 00:20:38,119 Speaker 3: this one. Ah, guys crashed. Has he ever actually landed 463 00:20:38,119 --> 00:20:40,800 Speaker 3: well without breaking more bones? It's the joy of the 464 00:20:40,880 --> 00:20:43,240 Speaker 3: jump jack, It's the joy of the jump now, Rio 465 00:20:43,280 --> 00:20:46,399 Speaker 3: who runs all our social stuff on the on the show, 466 00:20:46,640 --> 00:20:52,840 Speaker 3: Facebook and Instagram? Snapchat? Are we on Snapchat? Rio is 467 00:20:52,840 --> 00:20:54,840 Speaker 3: on Snapchat the weekend. But that's a different thing trying 468 00:20:54,840 --> 00:20:57,400 Speaker 3: to find someone for that layer of his Rio. What 469 00:20:57,520 --> 00:20:59,960 Speaker 3: are the good people of Melbourne said about that beautiful 470 00:21:00,040 --> 00:21:00,960 Speaker 3: evil can evil print? 471 00:21:01,600 --> 00:21:04,800 Speaker 10: The good people of Melbourne have voted and they've declared 472 00:21:05,040 --> 00:21:08,240 Speaker 10: keep it eighty six percent and only fourteen percent to 473 00:21:08,280 --> 00:21:08,560 Speaker 10: bin it. 474 00:21:08,840 --> 00:21:11,800 Speaker 3: No need for a coalition. This is an overwhelming majority. 475 00:21:11,880 --> 00:21:14,119 Speaker 3: That's great. Any other interesting stuff on that people, but 476 00:21:14,119 --> 00:21:16,760 Speaker 3: been in this situation before where there are other half 477 00:21:16,760 --> 00:21:17,879 Speaker 3: a said get rid of something. 478 00:21:18,640 --> 00:21:21,320 Speaker 10: Reese has written in, he said in caps locks so 479 00:21:21,640 --> 00:21:22,240 Speaker 10: very important. 480 00:21:22,320 --> 00:21:23,960 Speaker 3: Do not do it, Do not do it. 481 00:21:24,080 --> 00:21:27,159 Speaker 10: I gave up my Kurt Cobains signed Nirvana ticket stubbed 482 00:21:27,200 --> 00:21:29,959 Speaker 10: to my ex partner, and he's never stopped regretting it. 483 00:21:30,040 --> 00:21:32,240 Speaker 3: That's great. I love the the capsulet though as well. 484 00:21:32,280 --> 00:21:34,360 Speaker 3: Thanks Royer. All right, let's go to a line here, Ben, 485 00:21:34,480 --> 00:21:34,960 Speaker 3: good morning. 486 00:21:35,680 --> 00:21:36,680 Speaker 8: Hey guys there are going. 487 00:21:36,720 --> 00:21:38,040 Speaker 3: We're good, Ben, What do you reckon? 488 00:21:39,040 --> 00:21:41,159 Speaker 6: No, you got to keep it, even if you've got 489 00:21:41,200 --> 00:21:45,159 Speaker 6: a look, I've got a signed Michael Jordan jersey that 490 00:21:45,240 --> 00:21:45,920 Speaker 6: I've got. 491 00:21:46,119 --> 00:21:49,080 Speaker 8: Or five years ago. I think it's ever been hung 492 00:21:49,119 --> 00:21:49,879 Speaker 8: on the wall. 493 00:21:51,240 --> 00:21:56,679 Speaker 6: Because my wife said no, because apparently a giant picture 494 00:21:56,720 --> 00:21:59,040 Speaker 6: of a man dragging a canoe is more important. 495 00:22:03,520 --> 00:22:05,400 Speaker 3: I can imagine that picture right now. 496 00:22:05,440 --> 00:22:07,720 Speaker 2: We're all there, and it's huge. 497 00:22:07,760 --> 00:22:11,000 Speaker 8: It's on one wall in our bedroom and it's like literally. 498 00:22:10,680 --> 00:22:11,720 Speaker 7: Six foot tall. 499 00:22:13,280 --> 00:22:15,760 Speaker 8: Like the man. It intimidates me. It's a picture of 500 00:22:15,800 --> 00:22:17,040 Speaker 8: a man and he's bigger than I am. 501 00:22:18,560 --> 00:22:18,879 Speaker 2: I don't know. 502 00:22:19,280 --> 00:22:21,080 Speaker 8: I don't know why she insisted on a being in. 503 00:22:21,000 --> 00:22:29,080 Speaker 3: The bedroom, but he's a whole other phone in. I 504 00:22:29,119 --> 00:22:29,680 Speaker 3: think this is. 505 00:22:29,800 --> 00:22:33,000 Speaker 8: Yeah, like, you've got to keep it. And Michael Jordan's thin. 506 00:22:33,080 --> 00:22:35,000 Speaker 6: That's like one of my prize possessions. Every now and 507 00:22:35,000 --> 00:22:39,879 Speaker 6: then we've got like this family shipping container that's like 508 00:22:39,880 --> 00:22:42,840 Speaker 6: our storage container. Every now and then I'll have to 509 00:22:42,840 --> 00:22:44,679 Speaker 6: go get something other container, drag it out and have 510 00:22:44,720 --> 00:22:46,520 Speaker 6: a bit of a look, and then it's okay. 511 00:22:48,240 --> 00:22:51,399 Speaker 3: One thing that women don't really like is sports memorabilia. 512 00:22:52,080 --> 00:22:57,280 Speaker 3: They don't want to see some sweat shirt when Jordan 513 00:22:57,720 --> 00:23:01,560 Speaker 3: he's the best, the world's greatest dared devil. 514 00:23:02,720 --> 00:23:04,679 Speaker 8: And then they hate things like mirrors. It's like, if 515 00:23:04,720 --> 00:23:06,600 Speaker 8: you want to look at the wall, just turn around 516 00:23:06,600 --> 00:23:09,480 Speaker 8: and look at that wall mirror hanging. 517 00:23:09,280 --> 00:23:10,080 Speaker 7: Here up. 518 00:23:11,480 --> 00:23:14,880 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 519 00:23:14,880 --> 00:23:15,360 Speaker 1: point three. 520 00:23:15,640 --> 00:23:17,720 Speaker 3: Thank you very much for all the people who are 521 00:23:17,960 --> 00:23:20,480 Speaker 3: checking out the Evil Can Evil print. My while's saying 522 00:23:20,480 --> 00:23:22,520 Speaker 3: it needs to go. Can't go to our new place, 523 00:23:22,600 --> 00:23:26,120 Speaker 3: I'm saying, and absolutely can a musco with us. It's 524 00:23:26,160 --> 00:23:30,000 Speaker 3: a work of art of a legend. And sadly other 525 00:23:30,040 --> 00:23:34,119 Speaker 3: people now follow Jack's rinkle. Don't be looking up Evil 526 00:23:34,160 --> 00:23:38,119 Speaker 3: Can Evil's track record World's greatest Daredevil. That's all we 527 00:23:38,160 --> 00:23:40,679 Speaker 3: need to know. Did he make it successfully to the 528 00:23:40,680 --> 00:23:43,040 Speaker 3: other side of various things, not the concern of any 529 00:23:43,080 --> 00:23:43,280 Speaker 3: of you. 530 00:23:44,240 --> 00:23:46,400 Speaker 2: If it's there to inspire you. I just wonder about 531 00:23:46,400 --> 00:23:49,240 Speaker 2: what the story is really saying. He's in the air 532 00:23:49,280 --> 00:23:51,240 Speaker 2: and he's he's not going to land on the ramp 533 00:23:51,280 --> 00:23:51,960 Speaker 2: at the other end. 534 00:23:53,200 --> 00:23:56,240 Speaker 3: It's deep for this. Tummeelrawn and Jack. All right, Dave's 535 00:23:56,240 --> 00:24:00,280 Speaker 3: on the line right now, Come on and Dave, Dave there, 536 00:24:00,359 --> 00:24:02,520 Speaker 3: he's gone all right, days not there anymore coming up 537 00:24:02,560 --> 00:24:07,560 Speaker 3: after eight o'clocks on. Then we've got your Monday misheard lyrics, bumpredition, 538 00:24:07,680 --> 00:24:09,560 Speaker 3: some brilliant once have coming over the last seven days, 539 00:24:09,600 --> 00:24:11,440 Speaker 3: so we've got those coming up after it's got some 540 00:24:11,480 --> 00:24:16,919 Speaker 3: one days back David Young all right, Dave, good listen. 541 00:24:17,400 --> 00:24:20,160 Speaker 3: Day just emailed me and I emailed you back saying 542 00:24:20,680 --> 00:24:22,760 Speaker 3: you've got to come on and talk about this. Please 543 00:24:22,840 --> 00:24:25,280 Speaker 3: tell everyone what is in your shed in your backyard? 544 00:24:26,480 --> 00:24:27,200 Speaker 7: Model trained. 545 00:24:28,200 --> 00:24:30,680 Speaker 3: You've got a YouTube video that you've sent us, and 546 00:24:30,840 --> 00:24:33,800 Speaker 3: it is amazing. I was just showing Jacket. It's an 547 00:24:33,800 --> 00:24:37,000 Speaker 3: incredible setup. The detail there, it's not it's more than 548 00:24:37,040 --> 00:24:39,760 Speaker 3: a train set. It's like a town you've built there. 549 00:24:40,600 --> 00:24:41,320 Speaker 7: Yeah, pretty much. 550 00:24:41,480 --> 00:24:43,080 Speaker 3: Yeah, And what do you go out there. How many 551 00:24:43,119 --> 00:24:44,320 Speaker 3: times a week will you go out there play with 552 00:24:44,359 --> 00:24:46,400 Speaker 3: the trains? 553 00:24:47,840 --> 00:24:51,520 Speaker 7: I just it's just a bit of fun, something to 554 00:24:51,560 --> 00:24:54,200 Speaker 7: do it relaxed, a bit of fun. 555 00:24:54,400 --> 00:24:56,200 Speaker 3: I think right now Melbourne needs you to actually go 556 00:24:56,240 --> 00:24:58,680 Speaker 3: and run the proper trains with all the various todays 557 00:24:58,680 --> 00:25:00,800 Speaker 3: and work's going on, because you're one, looks like it's 558 00:25:00,800 --> 00:25:03,600 Speaker 3: properly set up. And also could you help redesign now 559 00:25:03,680 --> 00:25:06,080 Speaker 3: Punt Road as well because that petern or is or 560 00:25:06,160 --> 00:25:09,040 Speaker 3: Z turn isn't working very well. So do you do 561 00:25:09,080 --> 00:25:11,760 Speaker 3: this relevant? Do you design sheds and make man caves? 562 00:25:11,960 --> 00:25:12,120 Speaker 9: Yeah? 563 00:25:12,160 --> 00:25:18,280 Speaker 7: No, I work myself, but this kind of thing is 564 00:25:18,320 --> 00:25:19,360 Speaker 7: just getting the hobby foram. 565 00:25:19,600 --> 00:25:23,600 Speaker 3: Just so you're saying that Dave I should basically build 566 00:25:23,720 --> 00:25:26,280 Speaker 3: some kind of evil can eevil shrine out the back 567 00:25:26,920 --> 00:25:27,399 Speaker 3: pretty much? 568 00:25:27,480 --> 00:25:29,879 Speaker 7: Well, that's what having me trained. Because we're inside, I 569 00:25:30,080 --> 00:25:32,359 Speaker 7: got to fall, so I was told to make a 570 00:25:32,400 --> 00:25:34,320 Speaker 7: shd and pull them ound the back and it's sort 571 00:25:34,320 --> 00:25:36,120 Speaker 7: of wait for your episode. 572 00:25:36,640 --> 00:25:38,919 Speaker 3: And how easy is it to make a shed? Did 573 00:25:38,920 --> 00:25:39,800 Speaker 3: you make your own shed? 574 00:25:40,680 --> 00:25:42,920 Speaker 7: It was just a three made gad those years by 575 00:25:43,000 --> 00:25:45,359 Speaker 7: from wherever Hardway store and put it together. 576 00:25:45,520 --> 00:25:47,119 Speaker 3: Yeah, I think I need to hire a guy to 577 00:25:47,119 --> 00:25:48,720 Speaker 3: do that. I don't think I'm the going can actually 578 00:25:48,760 --> 00:25:51,520 Speaker 3: put something of that together. That's way above my pay grade. 579 00:25:51,760 --> 00:25:53,639 Speaker 3: Maybe you and Jack could come around. Have you got 580 00:25:53,680 --> 00:25:54,800 Speaker 3: a shed? 581 00:25:54,880 --> 00:25:58,200 Speaker 2: Yeah? I got to remember I sold Brad shed im 582 00:25:58,280 --> 00:26:00,640 Speaker 2: try to buy the new color proper one. 583 00:26:00,680 --> 00:26:01,520 Speaker 3: Have you put yours up? 584 00:26:02,040 --> 00:26:04,520 Speaker 2: Yeah? I mean I didn't do it. Yeah, what have 585 00:26:04,560 --> 00:26:06,960 Speaker 2: you got in there? It's pretty much already full to 586 00:26:07,000 --> 00:26:10,480 Speaker 2: the Brillian paint junk. And yeah, there's a door in there. 587 00:26:10,720 --> 00:26:12,639 Speaker 2: There's a whole door that should be on the on 588 00:26:12,680 --> 00:26:13,240 Speaker 2: the spare bed. 589 00:26:13,440 --> 00:26:16,320 Speaker 3: I think it's a law that in every single shed 590 00:26:16,400 --> 00:26:18,879 Speaker 3: all over the world, this is where paint goes to die, 591 00:26:19,040 --> 00:26:21,280 Speaker 3: isn't it. It just goes to dry and hard enough. 592 00:26:21,440 --> 00:26:22,320 Speaker 3: All right, Thanks David. 593 00:26:22,400 --> 00:26:25,800 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 594 00:26:25,800 --> 00:26:26,280 Speaker 1: point three. 595 00:26:26,560 --> 00:26:28,520 Speaker 3: All right, that's going to the top five. First of all, 596 00:26:28,520 --> 00:26:35,160 Speaker 3: misheard lyrics Avril Levine. Remember Avril Levine? Yeah, complicated this track. 597 00:26:38,160 --> 00:26:40,560 Speaker 3: Lyrics should be never going to find you fake it? 598 00:26:40,880 --> 00:26:48,040 Speaker 3: Or is it never going to find your bacon? Is there? Yeah? 599 00:26:48,119 --> 00:26:55,400 Speaker 3: Never going to find your bacon? Tavaris great seventy song 600 00:26:55,480 --> 00:26:58,840 Speaker 3: More than a Woman So I just said more than 601 00:26:58,840 --> 00:27:13,720 Speaker 3: a woman, or is it bald headed woman? Tom Petty 602 00:27:14,000 --> 00:27:20,280 Speaker 3: running down a dream? Love this track? Yeah, running down 603 00:27:20,280 --> 00:27:24,159 Speaker 3: a dream? Or is it running down the drain down? 604 00:27:26,240 --> 00:27:26,480 Speaker 1: Oh? 605 00:27:26,560 --> 00:27:39,080 Speaker 3: I'm sorry, Big dun Madonna express yourself mag is saying 606 00:27:39,080 --> 00:27:41,880 Speaker 3: what you need is a big strong hand to lift 607 00:27:41,920 --> 00:27:43,919 Speaker 3: you to your higher ground. Or is it what you 608 00:27:43,960 --> 00:27:46,639 Speaker 3: need is a big strong ham to lift you to 609 00:27:46,680 --> 00:27:54,360 Speaker 3: your higher ground? Yes, yeah, I hear Ham. Anyone else here, 610 00:27:54,640 --> 00:28:03,879 Speaker 3: big strong but tocky ham at last? John word up, 611 00:28:05,240 --> 00:28:14,760 Speaker 3: he needed that, Stevie Nicks. Leather and lace. Ja, give 612 00:28:14,880 --> 00:28:17,359 Speaker 3: to me your leather, Take from me my lace. So 613 00:28:17,400 --> 00:28:20,439 Speaker 3: many times I've said that to my wife. Or is 614 00:28:20,480 --> 00:28:24,360 Speaker 3: it give to me your liver, take me take from 615 00:28:24,400 --> 00:28:35,560 Speaker 3: me my legs. Japer, It's not quite there. We hearing it, 616 00:28:35,640 --> 00:28:38,800 Speaker 3: mishearing it. Give to me your liver, take from me 617 00:28:38,960 --> 00:28:48,240 Speaker 3: my legs. The first of a well go to tell 618 00:28:48,320 --> 00:28:51,520 Speaker 3: Marine and Linda, Good morning Linda Whinney Houston and the classic. 619 00:28:51,520 --> 00:28:58,440 Speaker 3: How will I know? I'm asking you cause you know 620 00:28:58,520 --> 00:29:01,200 Speaker 3: about these things? Or is it I'm asking you because 621 00:29:01,240 --> 00:29:04,760 Speaker 3: you know about beastings? 622 00:29:08,400 --> 00:29:08,720 Speaker 10: Yes? 623 00:29:09,880 --> 00:29:14,920 Speaker 3: What's up? What's up with you too? Stan And Moldolf. 624 00:29:16,160 --> 00:29:23,800 Speaker 3: She's saying beastings, wasn't you because you know, yeah, I 625 00:29:23,840 --> 00:29:28,520 Speaker 3: know master producers. Producers here, guys, are you hearing beastings? 626 00:29:29,000 --> 00:29:30,160 Speaker 2: Definitely hearing bestings? 627 00:29:30,360 --> 00:29:38,480 Speaker 3: Yes, yes, all right, So that's from Linda. I likes that, Linda. 628 00:29:38,520 --> 00:29:43,160 Speaker 3: You can have this. This is from Lucy. 629 00:29:43,280 --> 00:29:43,400 Speaker 6: Now. 630 00:29:43,440 --> 00:29:45,880 Speaker 3: I never thought we'd Morrissey would make it onto the 631 00:29:45,920 --> 00:29:48,160 Speaker 3: miss her lyrics and this is a great song, Big 632 00:29:48,200 --> 00:29:57,520 Speaker 3: Mouth Strikes again by the Smiths. Now, some of you 633 00:29:57,600 --> 00:30:00,520 Speaker 3: might not be familiar with the man Cunian singer songwriter 634 00:30:00,800 --> 00:30:04,000 Speaker 3: Mosa or Morrissey from the Smiths. The lyric here is 635 00:30:04,400 --> 00:30:08,000 Speaker 3: as the flames rose to her Roman nose and her 636 00:30:08,040 --> 00:30:12,560 Speaker 3: hearing aid started to melt. It's quite a unique lyricist, 637 00:30:13,080 --> 00:30:15,960 Speaker 3: or is it. As the flames rose to her Roman nose, 638 00:30:16,520 --> 00:30:28,360 Speaker 3: her hairy mate started to melt. That is a great spot. 639 00:30:29,040 --> 00:30:41,720 Speaker 3: Her hairy mate started to melt. The clash Rock the 640 00:30:41,760 --> 00:30:45,840 Speaker 3: Kaws Bar we just played it. 641 00:30:46,800 --> 00:30:48,600 Speaker 11: I love the clash. I'm not going to enjoys telling 642 00:30:48,600 --> 00:30:50,880 Speaker 11: you this one, but I think it's there. Rock the 643 00:30:50,960 --> 00:31:00,320 Speaker 11: Cat spa Rock the Cat, Rock the Cats are. 644 00:31:02,200 --> 00:31:12,280 Speaker 3: Jason. Then we go to Robbie Williams Oh before I die. 645 00:31:13,080 --> 00:31:15,320 Speaker 3: I hope I'm old before I die. Or is it 646 00:31:15,480 --> 00:31:25,959 Speaker 3: I hope I'm mold before I die? Yes, Ingo, he 647 00:31:26,080 --> 00:31:37,520 Speaker 3: wants to get moldy before he gets oldy. Jackie Barnett 648 00:31:37,560 --> 00:31:39,760 Speaker 3: listens with the kids on the school run. They know 649 00:31:39,800 --> 00:31:47,480 Speaker 3: that I love this song. Holder notes man eater christ 650 00:31:47,560 --> 00:31:49,960 Speaker 3: and I'm miss hearing as the woman is wild and 651 00:31:50,000 --> 00:31:58,800 Speaker 3: she is tamed by a purple jaguar. That's a great 652 00:31:58,880 --> 00:32:00,640 Speaker 3: spat team, Jacky Barnett. 653 00:32:02,440 --> 00:32:06,360 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four point. 654 00:32:06,120 --> 00:32:09,200 Speaker 3: Three Lates La Party picking up on podcasts. You just 655 00:32:09,200 --> 00:32:11,560 Speaker 3: found the show. It's all great. We call it Late 656 00:32:11,680 --> 00:32:20,800 Speaker 3: La Party. Love getting these emails late. We go to 657 00:32:20,840 --> 00:32:24,120 Speaker 3: one of our international listeners on the podcast, Simon over 658 00:32:24,200 --> 00:32:28,000 Speaker 3: in Belfast, Northern Island. Christian, this is your story on 659 00:32:28,040 --> 00:32:31,600 Speaker 3: the podcast last week about ripping trousers. Immediately thought of 660 00:32:31,600 --> 00:32:33,560 Speaker 3: Arilli embarrass who won involved in my dad and our 661 00:32:33,600 --> 00:32:36,320 Speaker 3: family holiday. I'm forty six now, but I still remember 662 00:32:36,400 --> 00:32:38,640 Speaker 3: when I was sixteen, we went on our family holiday 663 00:32:38,680 --> 00:32:41,360 Speaker 3: to the Spanish island of Mayorka. After a meal, my 664 00:32:41,440 --> 00:32:44,960 Speaker 3: younger brother and I spotted a wild West theme bar 665 00:32:45,400 --> 00:32:48,760 Speaker 3: close by with wooden swing doors. When we were in there, 666 00:32:48,760 --> 00:32:52,040 Speaker 3: there was a giant bucking Bronco mechanical will with an 667 00:32:52,080 --> 00:32:54,480 Speaker 3: inflatable around it, and the DJ was asking if we 668 00:32:54,520 --> 00:32:56,520 Speaker 3: would give the bronco a go and see how long 669 00:32:56,520 --> 00:32:57,280 Speaker 3: they could stay on. 670 00:32:57,440 --> 00:32:58,480 Speaker 2: Have you ever done one of those? 671 00:32:58,640 --> 00:33:02,800 Speaker 3: Yes, yep, they're hard, aren't they drinking as well? 672 00:33:02,840 --> 00:33:03,440 Speaker 2: Half a second? 673 00:33:03,480 --> 00:33:06,520 Speaker 3: Only they're far hard. And you think after it, is 674 00:33:06,560 --> 00:33:07,880 Speaker 3: there anywhere in Melbourne with. 675 00:33:08,200 --> 00:33:10,000 Speaker 2: Off freaking bronco we should find. 676 00:33:09,960 --> 00:33:12,280 Speaker 3: You know what we should do it? Put cash on it. 677 00:33:12,640 --> 00:33:14,640 Speaker 3: Stay on the wrong coo. You know they've all done 678 00:33:14,680 --> 00:33:17,120 Speaker 3: touched the truck and all this kind of stuff. How 679 00:33:17,160 --> 00:33:18,840 Speaker 3: long can you stay on the wrong coo? I bet 680 00:33:18,840 --> 00:33:21,760 Speaker 3: Pats could stay in there a while. Seen that way. 681 00:33:21,840 --> 00:33:25,000 Speaker 3: She grabs the microphone in this studio in strong hands. 682 00:33:25,800 --> 00:33:27,800 Speaker 3: After a few beers and not of nagging for my mum, 683 00:33:27,880 --> 00:33:30,040 Speaker 3: my brother and I, my dad gave in and put 684 00:33:30,040 --> 00:33:33,160 Speaker 3: his hand up. The DJ stopped the music and immediately 685 00:33:33,200 --> 00:33:35,240 Speaker 3: start taking the mickey out the size of my dad. 686 00:33:35,800 --> 00:33:37,600 Speaker 3: My dad took a while to get on the ball 687 00:33:38,000 --> 00:33:41,200 Speaker 3: start spinning around and round. As my dad started sliding 688 00:33:41,200 --> 00:33:44,520 Speaker 3: over to one side, his Chino's ripped the whole way 689 00:33:44,680 --> 00:33:47,280 Speaker 3: up the back of them south to north, and as 690 00:33:47,320 --> 00:33:50,880 Speaker 3: we gasped, we realize, oh my god, he's got no underwear. 691 00:33:51,880 --> 00:33:57,360 Speaker 3: He's gone commando. Worse still, the Bronco operator did not 692 00:33:57,440 --> 00:33:59,920 Speaker 3: stop the spinning ball due to the huge fits of 693 00:34:00,120 --> 00:34:02,720 Speaker 3: laughter all around the bar. Now everyone is putting their 694 00:34:02,760 --> 00:34:05,240 Speaker 3: drink down, and his watching and pointing out my poor 695 00:34:05,320 --> 00:34:07,760 Speaker 3: dad trying to cling on for what seemed like an 696 00:34:07,800 --> 00:34:11,600 Speaker 3: eternity until he was head off Christian. If this wasn't 697 00:34:11,600 --> 00:34:14,120 Speaker 3: bad enough, we were a good mile or two from 698 00:34:14,160 --> 00:34:16,000 Speaker 3: our apartment, so my dad had to take off his 699 00:34:16,080 --> 00:34:18,200 Speaker 3: shirt and tie it around his waist to hide his 700 00:34:18,239 --> 00:34:20,640 Speaker 3: modesty from the walk home. He tried to start it 701 00:34:20,640 --> 00:34:24,320 Speaker 3: out while confused families walked past us on this promenade, 702 00:34:24,360 --> 00:34:27,000 Speaker 3: staring at a middle aged, portly man with a hairy 703 00:34:27,080 --> 00:34:29,480 Speaker 3: chest with no shirt on, strolling down the prom with 704 00:34:29,560 --> 00:34:32,719 Speaker 3: his family five yards behind him, pointing at his backside 705 00:34:32,719 --> 00:34:37,319 Speaker 3: and laughing, Simon, that's a great one, Thank you very 706 00:34:37,400 --> 00:34:39,560 Speaker 3: much for that. And then this email here comes in. 707 00:34:39,640 --> 00:34:43,400 Speaker 3: This is from Darren Edwards here in Melbourne. Darren was 708 00:34:43,440 --> 00:34:45,720 Speaker 3: listening to us last week. We're talking about older brothers. 709 00:34:46,200 --> 00:34:49,239 Speaker 3: Christian and the Scooby Gang are referred to everybody as 710 00:34:49,239 --> 00:34:51,680 Speaker 3: the Scooby Gang because I was watching an old episode 711 00:34:51,680 --> 00:34:54,000 Speaker 3: of Scooby Doo with my son last week and it 712 00:34:54,080 --> 00:34:56,719 Speaker 3: struck me that the show, all the cast members on 713 00:34:56,760 --> 00:35:01,760 Speaker 3: this show, it's a bit like Scooby Doo, Scooby Doomy Christian, 714 00:35:01,800 --> 00:35:05,400 Speaker 3: I think your friend the leader, strong, fearless, brave, Velma Is, 715 00:35:05,440 --> 00:35:09,960 Speaker 3: Pats the clever, slightly odd one. Daphne is producer, Becks 716 00:35:10,080 --> 00:35:12,880 Speaker 3: thinks she's the boss, a little bit overwhelmed at times, 717 00:35:13,520 --> 00:35:16,279 Speaker 3: manages to come through in the end. Shaggy you can 718 00:35:16,320 --> 00:35:20,000 Speaker 3: probably guess. Jack a bit of a weird stoner bloke 719 00:35:20,320 --> 00:35:25,879 Speaker 3: whose best friend is a doc producer. Brad the old caretaker, 720 00:35:26,000 --> 00:35:28,640 Speaker 3: the creepy one who always looks like he's done the cry. 721 00:35:28,719 --> 00:35:29,440 Speaker 3: We're about to do. 722 00:35:31,239 --> 00:35:35,200 Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four point. 723 00:35:34,920 --> 00:35:37,239 Speaker 3: Three make us say wow. It's as simple as that. 724 00:35:37,320 --> 00:35:39,439 Speaker 3: Yet to touch the story that would make me. Jack 725 00:35:39,480 --> 00:35:42,160 Speaker 3: and Pats, all three of us say wow. Not one 726 00:35:42,239 --> 00:35:45,359 Speaker 3: or two of us, but the trifector all three got 727 00:35:45,400 --> 00:35:47,480 Speaker 3: someone that are coming over the weekend. You ready with 728 00:35:47,520 --> 00:35:52,359 Speaker 3: your parts wells. Yep, this is from Shane Davis Douglas 729 00:35:52,760 --> 00:35:55,440 Speaker 3: double Barron name Christian. I'm not sure the wild competition 730 00:35:55,520 --> 00:35:57,400 Speaker 3: is over. No, No, it's still running. When I was sixteen, 731 00:35:57,440 --> 00:36:01,440 Speaker 3: I became legally blind. My corny were scarred and not smooth, 732 00:36:01,680 --> 00:36:03,840 Speaker 3: round shaped like most so at the age of twenty nine, 733 00:36:04,000 --> 00:36:07,000 Speaker 3: I had a cornea transplant on my right eye. I 734 00:36:07,000 --> 00:36:09,160 Speaker 3: didn't know that could even happen. My vision was still 735 00:36:09,160 --> 00:36:10,560 Speaker 3: a little fuzzy, but not a lot better. A few 736 00:36:10,560 --> 00:36:13,799 Speaker 3: months later, I watched the Sydney, New York New Year's 737 00:36:13,800 --> 00:36:17,120 Speaker 3: Eve fireworks and I could see each fireworks shimmer in 738 00:36:17,160 --> 00:36:19,200 Speaker 3: the sky first time my life, not I admit to 739 00:36:19,400 --> 00:36:20,840 Speaker 3: I'm ashamed to admit to you. Actually she had a 740 00:36:20,840 --> 00:36:22,520 Speaker 3: little tear, didn't I. I don't need to be ashamed 741 00:36:22,560 --> 00:36:25,120 Speaker 3: of that's amazing. February later on, I was able to 742 00:36:25,120 --> 00:36:27,439 Speaker 3: get a pair of RX glasses and I was able 743 00:36:27,480 --> 00:36:30,800 Speaker 3: to see my beautiful partner's face clearly for the first time. 744 00:36:31,160 --> 00:36:32,560 Speaker 3: That must have been a big risk for her. I 745 00:36:32,680 --> 00:36:36,839 Speaker 3: got to wonder, what is my thing? My eyesight's coming back. 746 00:36:36,960 --> 00:36:39,600 Speaker 3: Remind me of what you said he looked like Swedish 747 00:36:39,880 --> 00:36:49,560 Speaker 3: six What A year later, I had a corneal transplant 748 00:36:49,560 --> 00:36:52,520 Speaker 3: on my left eye. I was at Bunnings munching on 749 00:36:52,560 --> 00:36:55,040 Speaker 3: a sanger onions on top of course, tam right, because 750 00:36:55,080 --> 00:36:57,040 Speaker 3: you're a gentleman, not a savage, And I got the 751 00:36:57,040 --> 00:36:59,880 Speaker 3: call from the hospital saying that a donor cornea was ready. 752 00:37:00,200 --> 00:37:02,520 Speaker 3: Because I'd eaten a few hours before the operation having 753 00:37:02,560 --> 00:37:05,239 Speaker 3: my sanger, I had to have it under local anesthetic. 754 00:37:06,920 --> 00:37:12,440 Speaker 3: Someone cornea transplant under a local Yes. Halfway through the surgery, 755 00:37:12,480 --> 00:37:14,680 Speaker 3: the anesthetics started to wear off and I could feel 756 00:37:14,719 --> 00:37:18,360 Speaker 3: the surgeon slicing. I started to I finished slicing into 757 00:37:18,400 --> 00:37:21,759 Speaker 3: my cornea as they were removing it. Ha, what do 758 00:37:21,840 --> 00:37:25,239 Speaker 3: we meant to say? Wow? I STU started getting a 759 00:37:25,239 --> 00:37:29,360 Speaker 3: cold sweat. Anything to do with eyes anyway, Christian and 760 00:37:29,400 --> 00:37:32,000 Speaker 3: the team. My world has completely changed since the transplants. 761 00:37:32,040 --> 00:37:34,920 Speaker 3: I went for my driver's license, got my full license 762 00:37:34,960 --> 00:37:38,319 Speaker 3: about three months ago. It's incredible. In my third year 763 00:37:38,320 --> 00:37:41,440 Speaker 3: studying psychology at Deacon and I'm trying to find my 764 00:37:41,480 --> 00:37:43,960 Speaker 3: first ever real job so I can go for my 765 00:37:44,440 --> 00:37:47,760 Speaker 3: third major goal in life, and that is getting a car. 766 00:37:48,280 --> 00:37:50,160 Speaker 3: I sort of have some pretty big challenges. My depth 767 00:37:50,200 --> 00:37:54,960 Speaker 3: perception is balked? Is that an Australian phrase? I'm up 768 00:37:55,040 --> 00:37:57,319 Speaker 3: just beating most of them in my year? Balked as 769 00:37:57,360 --> 00:38:00,799 Speaker 3: a brand new one. What does that mean? It's not 770 00:38:01,040 --> 00:38:04,839 Speaker 3: what it's made up of? What what country on earth 771 00:38:04,880 --> 00:38:07,520 Speaker 3: can do that to the English language? Balked? So what 772 00:38:07,560 --> 00:38:09,080 Speaker 3: does it mean? Screwed crab? 773 00:38:09,280 --> 00:38:10,279 Speaker 2: Yeah, mucked up right? 774 00:38:11,160 --> 00:38:12,520 Speaker 3: And then he's stuck it every time I have to 775 00:38:12,600 --> 00:38:14,520 Speaker 3: use the stairs when I've learned to write again, and 776 00:38:14,600 --> 00:38:17,200 Speaker 3: five years last five is my handwriting has graduated from 777 00:38:17,400 --> 00:38:21,560 Speaker 3: dr scribble to half legible Christian Justice all make you 778 00:38:21,600 --> 00:38:22,040 Speaker 3: say wow? 779 00:38:22,840 --> 00:38:26,400 Speaker 2: I mean the part about waking up halfway through the anesthetic, 780 00:38:27,080 --> 00:38:27,840 Speaker 2: that's wow for me? 781 00:38:28,040 --> 00:38:28,279 Speaker 3: Wow? 782 00:38:29,239 --> 00:38:32,719 Speaker 4: Yeah, I think that's a wow. Definitely, that's not a wow. 783 00:38:32,880 --> 00:38:35,719 Speaker 3: You've got to either say it's got to move, say well, just. 784 00:38:35,680 --> 00:38:38,799 Speaker 4: Thinking of the impact, Like he's seeing things for the 785 00:38:38,840 --> 00:38:40,440 Speaker 4: first time and that doesn't wait. 786 00:38:40,480 --> 00:38:43,080 Speaker 3: You say, well, imagine the first time you see a wow, 787 00:38:43,280 --> 00:38:45,920 Speaker 3: and then he seeses his partner's beautiful face. 788 00:38:46,120 --> 00:38:48,759 Speaker 4: It's amazing, But you didn't say wow. 789 00:38:48,880 --> 00:38:52,799 Speaker 3: You went, I guess it's wow. You say that's a Chris, Yeah, 790 00:38:52,800 --> 00:38:57,759 Speaker 3: I guess it's a wow. We've got to have Shane there. 791 00:38:58,239 --> 00:39:00,560 Speaker 2: Yeah, yeah, will it be amazing? 792 00:39:00,840 --> 00:39:03,520 Speaker 3: Don't go there. I was about to say that and 793 00:39:03,560 --> 00:39:05,279 Speaker 3: I thought, I'm not going to cheapen this, but you 794 00:39:05,320 --> 00:39:06,040 Speaker 3: actually went there. 795 00:39:06,239 --> 00:39:09,640 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 796 00:39:09,640 --> 00:39:10,120 Speaker 1: point three. 797 00:39:10,400 --> 00:39:12,680 Speaker 3: Over the weekend we went away from my wife and 798 00:39:12,719 --> 00:39:15,160 Speaker 3: I for our twenty first wedding anniversary. 799 00:39:15,880 --> 00:39:17,839 Speaker 2: And hey, what did you end up getting her? By 800 00:39:17,880 --> 00:39:21,160 Speaker 2: the way, because you were you're talking about getting her trumpet. 801 00:39:21,360 --> 00:39:23,399 Speaker 3: I didn't get the trumpet. In the end. I got 802 00:39:23,400 --> 00:39:26,360 Speaker 3: her a paint. I've got a picture Evil and Evil 803 00:39:28,840 --> 00:39:33,040 Speaker 3: the Caesars Palace. She's got on one. Now we've got 804 00:39:33,080 --> 00:39:40,080 Speaker 3: his in hers. So we went away Saturday night. We 805 00:39:40,160 --> 00:39:43,560 Speaker 3: went to uh, what's it called Crown and it's very 806 00:39:43,640 --> 00:39:46,120 Speaker 3: nice there, isn't it? Great service there? I love you 807 00:39:46,160 --> 00:39:48,600 Speaker 3: playing some nice dinner as well. And obviously if you're 808 00:39:48,719 --> 00:39:51,880 Speaker 3: if you if you have kids, there's one big bonus 809 00:39:51,920 --> 00:39:54,840 Speaker 3: as well about going away for night. If you know, 810 00:39:54,880 --> 00:39:57,279 Speaker 3: you get to hang out together. You've got kids, you 811 00:39:57,280 --> 00:40:02,600 Speaker 3: haven't got to worry about kids interrupting, you know. So yeah, 812 00:40:02,680 --> 00:40:05,120 Speaker 3: so it was a nice chance to go away, hang 813 00:40:05,160 --> 00:40:10,000 Speaker 3: out together, catch up after we caught up. You know, 814 00:40:10,600 --> 00:40:11,840 Speaker 3: we went to have a little nap. 815 00:40:11,960 --> 00:40:14,040 Speaker 2: Okay, you caught up in the afternoon. 816 00:40:14,120 --> 00:40:16,200 Speaker 3: It's the best time to catch up, no time to 817 00:40:16,200 --> 00:40:18,440 Speaker 3: hang around. My wife was always like, she gets so 818 00:40:18,480 --> 00:40:21,480 Speaker 3: anxious when we go away, because I'm very excitable. The 819 00:40:21,560 --> 00:40:23,680 Speaker 3: moment I get in the hotel room, I'm like a 820 00:40:23,760 --> 00:40:26,480 Speaker 3: dog that knows is about to walk. I'm literally running 821 00:40:26,480 --> 00:40:28,800 Speaker 3: in circles, sometimes humping my wife's leg. And she's like, 822 00:40:29,120 --> 00:40:34,600 Speaker 3: can we can we just settle for a bit? Sure, Sure, 823 00:40:34,680 --> 00:40:37,640 Speaker 3: we sell five minutes and then we'll catch up. Anyway, 824 00:40:37,719 --> 00:40:40,640 Speaker 3: so we caught up. Then it's nap time, so put 825 00:40:40,640 --> 00:40:43,040 Speaker 3: the old do not disturb sign on a coop and 826 00:40:43,120 --> 00:40:45,200 Speaker 3: they wait. Five minutes into a nap. I'm just starting 827 00:40:45,239 --> 00:40:47,680 Speaker 3: to hear myself snay, you know when he sounds snor 828 00:40:47,800 --> 00:40:50,120 Speaker 3: and it's a delicious The sleeper is dragging you down 829 00:40:50,160 --> 00:40:54,080 Speaker 3: and it's great. The phone goes, Why they I've got 830 00:40:54,080 --> 00:40:55,960 Speaker 3: to put do not my wife, because you putner a 831 00:40:56,000 --> 00:40:58,960 Speaker 3: disturb on. I did pick up the phone. It's lady, 832 00:40:59,000 --> 00:41:03,439 Speaker 3: goes mister can and I was asleep do not disturb sign, 833 00:41:03,560 --> 00:41:06,680 Speaker 3: she goes, Mister O'Connor went, yes, I said, we've got 834 00:41:06,680 --> 00:41:09,560 Speaker 3: to do not disturbed. Sign on. She goes just cunning 835 00:41:09,920 --> 00:41:15,800 Speaker 3: to say, a happy anniversary, right, do not DISTURBEDI anyway? 836 00:41:15,840 --> 00:41:18,359 Speaker 3: Thank you? Yes, anyway. Whilst we were catching up over 837 00:41:18,400 --> 00:41:21,720 Speaker 3: the weekend, my wife has discovered this new technology find 838 00:41:21,800 --> 00:41:22,800 Speaker 3: my friends. 839 00:41:23,400 --> 00:41:25,320 Speaker 2: Are they at God? 840 00:41:25,520 --> 00:41:29,319 Speaker 3: Who invented that? Not a man? Why do we need 841 00:41:29,440 --> 00:41:32,239 Speaker 3: find my friends for kids? Great idea catch up where 842 00:41:32,239 --> 00:41:35,120 Speaker 3: the kids are safe. Yep, got that, and find my 843 00:41:35,200 --> 00:41:38,600 Speaker 3: phone already. However, my wife kept sending me this think 844 00:41:38,640 --> 00:41:40,759 Speaker 3: and I could put you here. I know where you are. 845 00:41:41,640 --> 00:41:43,399 Speaker 2: It's real time, isn't it? So you give you real 846 00:41:43,440 --> 00:41:44,759 Speaker 2: time updates where your phone is. 847 00:41:44,800 --> 00:41:46,439 Speaker 3: I know what I'm thinking is. At times, I said 848 00:41:46,440 --> 00:41:48,560 Speaker 3: to her, I've left the pub. I'm just I'm just 849 00:41:48,600 --> 00:41:50,840 Speaker 3: getting a taxi. Now, I'm at the bar getting a 850 00:41:50,920 --> 00:41:53,640 Speaker 3: quick last round in. She's going to nice when my 851 00:41:53,680 --> 00:41:56,920 Speaker 3: life's over. By times, I I'm stuck in some meeting, 852 00:41:56,960 --> 00:41:59,320 Speaker 3: I'm in the gym, or I think a secret boxing lesson. 853 00:41:59,600 --> 00:42:02,879 Speaker 3: I just need the freedom she got. I said, why 854 00:42:02,880 --> 00:42:04,600 Speaker 3: do you need to do you need to know who 855 00:42:04,640 --> 00:42:05,759 Speaker 3: I am? She was like, why do you need to 856 00:42:05,840 --> 00:42:08,840 Speaker 3: keep at sea? I'm like, yeah, good, good, question, good question, 857 00:42:09,280 --> 00:42:11,759 Speaker 3: said below the kids understand safety. I have forty six 858 00:42:11,840 --> 00:42:13,680 Speaker 3: year old man. You don't need to worry. You don't 859 00:42:13,719 --> 00:42:15,960 Speaker 3: need to worry so much about my safety. And she 860 00:42:16,080 --> 00:42:18,040 Speaker 3: kept saying that thing, you know, a request you join, 861 00:42:18,600 --> 00:42:21,839 Speaker 3: and I kept kept secretly sort of just hitting decline. 862 00:42:22,040 --> 00:42:23,920 Speaker 3: She was going, I said, it's got fine out. Don't 863 00:42:23,960 --> 00:42:25,759 Speaker 3: think I have you locked into a Wi fi. It's 864 00:42:25,760 --> 00:42:27,960 Speaker 3: the bottom of the hotel WiFi. In the end, I've 865 00:42:28,000 --> 00:42:30,640 Speaker 3: had to join it now and my life is over. 866 00:42:30,800 --> 00:42:32,439 Speaker 2: Well, you can just keep your phone here, I guess, 867 00:42:32,480 --> 00:42:34,319 Speaker 2: and pretend you're working twelve hour days and then. 868 00:42:34,880 --> 00:42:37,480 Speaker 3: Just like just pay work experience, keeping go and take 869 00:42:37,520 --> 00:42:41,360 Speaker 3: them start to walk the phone. It's slowly home, so 870 00:42:41,440 --> 00:42:43,239 Speaker 3: I can still stay in the bar as well, but 871 00:42:43,640 --> 00:42:45,080 Speaker 3: not needed. Five my friends. 872 00:42:45,239 --> 00:42:49,040 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point. 873 00:42:48,920 --> 00:42:51,600 Speaker 3: Three curse your gold one I four point three. Good morning, 874 00:42:51,600 --> 00:42:54,120 Speaker 3: it's the Christian O'Connor Breakfast Show. Eleven minutes past eight 875 00:42:54,920 --> 00:42:59,480 Speaker 3: eight nine. Like I said, might not make it to 876 00:42:59,520 --> 00:43:01,919 Speaker 3: next year. Done a year of the show. You can't 877 00:43:01,960 --> 00:43:05,759 Speaker 3: even tell the time, all right, all right, today's that 878 00:43:05,880 --> 00:43:08,920 Speaker 3: work time wast we're looking for you to make a 879 00:43:09,000 --> 00:43:12,439 Speaker 3: movie a prequel. Prequel movies, make up a prequel. I've 880 00:43:12,480 --> 00:43:17,240 Speaker 3: got Ferris Bueller's first day at school. I want mail 881 00:43:18,320 --> 00:43:21,279 Speaker 3: think a yeah, yeah, figure, I don't know what you're 882 00:43:21,320 --> 00:43:29,520 Speaker 3: doing this summer snakes at the check in desk. They're 883 00:43:29,640 --> 00:43:34,160 Speaker 3: on the plane yet really? Oh yeah, and finding Shindler 884 00:43:34,280 --> 00:43:34,600 Speaker 3: a pen. 885 00:43:34,840 --> 00:43:36,680 Speaker 2: Yeah so he can start the listening. 886 00:43:37,520 --> 00:43:38,359 Speaker 3: Okay, what have you got? 887 00:43:38,400 --> 00:43:46,560 Speaker 2: Then prequels muriels hens night. Oh yes, the thirty year 888 00:43:46,600 --> 00:43:49,480 Speaker 2: old virgin still sad, not as sad as the. 889 00:43:49,440 --> 00:43:51,320 Speaker 3: Forty year old. Yeah, it's gonna get worse, isn't it? 890 00:43:52,280 --> 00:43:58,040 Speaker 2: The social network? Part one MySpace because it's about Facebook. 891 00:43:58,920 --> 00:44:00,239 Speaker 2: Wait wait, I'm not finished over it. 892 00:44:00,280 --> 00:44:00,520 Speaker 3: The end. 893 00:44:00,800 --> 00:44:03,360 Speaker 2: I got my best one. You got to ten seconds 894 00:44:04,000 --> 00:44:06,040 Speaker 2: conceived on the fourth of October. 895 00:44:09,800 --> 00:44:11,880 Speaker 3: God blush, you saved it. There, you saved it there. 896 00:44:11,920 --> 00:44:14,200 Speaker 3: All right, we're looking for your make up a prequel. 897 00:44:14,840 --> 00:44:17,440 Speaker 3: Text him in oh four seven five O three one 898 00:44:17,560 --> 00:44:20,080 Speaker 3: O four three oh four seven five O three one 899 00:44:20,160 --> 00:44:23,560 Speaker 3: oh four three. Ria, can we take out the podcast 900 00:44:23,600 --> 00:44:25,520 Speaker 3: a bit where he just did about the social network. 901 00:44:25,520 --> 00:44:26,800 Speaker 3: I don't want my name to that. 902 00:44:27,520 --> 00:44:31,360 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point. 903 00:44:31,239 --> 00:44:33,680 Speaker 3: Three God one oh four point three nine twenty, Christian 904 00:44:33,680 --> 00:44:38,600 Speaker 3: O'Connell Breakfast Show, Wilson Phillips and hold on all right, 905 00:44:38,640 --> 00:44:43,240 Speaker 3: turn out to mark today's at work time waster Today 906 00:44:43,320 --> 00:44:47,239 Speaker 3: it's Prequels looking for you to make up a movie prequel, dude, 907 00:44:47,239 --> 00:44:53,200 Speaker 3: where's my license? Good Gold and Dukes and Croydon, Beverty Hills, Cadet, 908 00:44:54,920 --> 00:44:59,359 Speaker 3: Sivil plus a Star is conceived. Hey, Yeah, that's clever, Gold, 909 00:44:59,520 --> 00:45:01,640 Speaker 3: Kelly and so Shoe, well done. The Girl with No Tattoo, 910 00:45:03,680 --> 00:45:09,520 Speaker 3: Gold Plus and Dave Triassic Park. 911 00:45:10,960 --> 00:45:13,919 Speaker 2: Clever is the Triassic period really before Jurassic. 912 00:45:13,760 --> 00:45:17,320 Speaker 3: She's been brackets here, Harley has Triassic is the period 913 00:45:17,360 --> 00:45:20,160 Speaker 3: before Jurassic Gold, I did not know that. We've all known. 914 00:45:20,880 --> 00:45:23,439 Speaker 3: Very smart. Thank you Harley for the history of Listen 915 00:45:23,640 --> 00:45:28,080 Speaker 3: Oceans too for Danny got the restaurant Gold Apocalypse soon 916 00:45:29,400 --> 00:45:33,920 Speaker 3: Hair Gold, Richard and Hawthorne. Well done. When Harry swiped 917 00:45:33,920 --> 00:45:36,240 Speaker 3: it right on Sally prequel. 918 00:45:36,360 --> 00:45:37,920 Speaker 2: Yes, Silver Plus. 919 00:45:39,239 --> 00:45:45,920 Speaker 3: Prince con it's before he came Gold dude, check out 920 00:45:45,960 --> 00:45:46,440 Speaker 3: my new car. 921 00:45:48,120 --> 00:45:49,040 Speaker 2: Yeah, Silver. 922 00:45:50,560 --> 00:45:54,600 Speaker 3: W men, it took me a while. Gold and Dinking 923 00:45:54,640 --> 00:45:56,800 Speaker 3: Miss Daisy Gold. 924 00:45:56,840 --> 00:45:58,760 Speaker 1: All right, thank you very much for those The Christian 925 00:45:58,840 --> 00:46:02,160 Speaker 1: O'Connell Breakfast Shore, Melbourne's Gold one four point three. 926 00:46:02,440 --> 00:46:05,800 Speaker 2: The anchor and I are expecting a guest baby in 927 00:46:05,880 --> 00:46:08,480 Speaker 2: the house tonight, and it's. 928 00:46:08,320 --> 00:46:11,000 Speaker 3: Like a ruin announcement. Guest baby. Well, I almost ever 929 00:46:11,080 --> 00:46:13,759 Speaker 3: expected any I was coming with it, or it's just 930 00:46:13,840 --> 00:46:16,399 Speaker 3: part of some new side business you've got tooking after 931 00:46:16,520 --> 00:46:19,799 Speaker 3: guest babies. It's like how many nights you staying? Baby? 932 00:46:20,440 --> 00:46:23,120 Speaker 2: It will come with my cousin and his wife. They 933 00:46:23,440 --> 00:46:26,520 Speaker 2: are doing a bathroom renovation and they live around the corner, 934 00:46:26,640 --> 00:46:29,800 Speaker 2: so we offered our spare room, which still doesn't have 935 00:46:29,880 --> 00:46:31,480 Speaker 2: a door on it. I wasn't lying about the door 936 00:46:31,520 --> 00:46:32,600 Speaker 2: being on the ship. 937 00:46:32,760 --> 00:46:34,879 Speaker 3: I've been around there and you said I came around 938 00:46:34,920 --> 00:46:36,399 Speaker 3: a couple of months ago and you said the door 939 00:46:36,520 --> 00:46:36,920 Speaker 3: was going on. 940 00:46:37,160 --> 00:46:38,239 Speaker 2: Yes, the door is going on. 941 00:46:38,400 --> 00:46:39,319 Speaker 3: Yeah it needs to. Yeah. 942 00:46:39,760 --> 00:46:41,960 Speaker 2: So that's a job for today. Got to get the 943 00:46:42,080 --> 00:46:42,680 Speaker 2: old drill out. 944 00:46:42,719 --> 00:46:44,120 Speaker 3: And how long is the baby's staying. 945 00:46:44,200 --> 00:46:45,760 Speaker 2: That's the problem. 946 00:46:45,920 --> 00:46:48,880 Speaker 3: Sorry problem, not so very nice, But it's the people 947 00:46:48,920 --> 00:46:49,840 Speaker 3: on the short fine. 948 00:46:50,000 --> 00:46:54,560 Speaker 2: Babies, That's what I'm worried about. I'm a sensitive sleeper and. 949 00:46:56,080 --> 00:47:01,879 Speaker 3: End it with just sensitive. You are sensitive liver. Let alone. 950 00:47:01,880 --> 00:47:04,040 Speaker 3: When you're sleeping, you're right when you're sleep and you're asleep. 951 00:47:04,280 --> 00:47:06,160 Speaker 3: It's the bit when you're awake you've got a problem with. 952 00:47:06,320 --> 00:47:11,800 Speaker 2: I'm worried about the baby making noise. She's about sixteen 953 00:47:11,880 --> 00:47:12,359 Speaker 2: months old. 954 00:47:12,920 --> 00:47:13,600 Speaker 4: That's the worst. 955 00:47:14,560 --> 00:47:16,080 Speaker 2: Yes, I thought it'd be. 956 00:47:16,160 --> 00:47:18,160 Speaker 3: How long is baby staying for three nights? 957 00:47:19,480 --> 00:47:19,760 Speaker 9: Ruined? 958 00:47:21,000 --> 00:47:23,920 Speaker 3: Honestly? I laughed out loud when her dispatch. Yeah, it's 959 00:47:24,000 --> 00:47:25,480 Speaker 3: actually cheered me up, knowing that you've got this. 960 00:47:25,560 --> 00:47:27,439 Speaker 4: Coming, and you know what, you won't want kids after 961 00:47:27,480 --> 00:47:29,640 Speaker 4: you know that bad. 962 00:47:29,719 --> 00:47:32,800 Speaker 2: I thought now that she started walking, they tire themselves 963 00:47:32,840 --> 00:47:34,319 Speaker 2: out more sleep through the night. 964 00:47:34,440 --> 00:47:36,359 Speaker 3: No, they recharged. That's when they're walking like that. It's 965 00:47:36,440 --> 00:47:39,000 Speaker 3: they recharged in their batteries to keep you up all 966 00:47:39,120 --> 00:47:42,120 Speaker 3: night with the teething, the noise, that noise, it goes 967 00:47:42,239 --> 00:47:42,759 Speaker 3: right through you. 968 00:47:43,200 --> 00:47:45,160 Speaker 2: All right, Well, what's some tips like ear plugs in 969 00:47:45,200 --> 00:47:45,560 Speaker 2: my ears? 970 00:47:45,640 --> 00:47:46,120 Speaker 3: Or what do you do? 971 00:47:46,320 --> 00:47:47,040 Speaker 4: Sleep at work? 972 00:47:50,120 --> 00:47:50,319 Speaker 6: Yeah? 973 00:47:50,520 --> 00:47:53,400 Speaker 2: Seriously, sleep under the desk here unless I'll be on 974 00:47:53,480 --> 00:47:54,000 Speaker 2: time tomorrow. 975 00:47:54,239 --> 00:47:58,040 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four point. 976 00:47:57,920 --> 00:48:00,839 Speaker 3: Three God one A four point three of today's show 977 00:48:01,040 --> 00:48:05,759 Speaker 3: is who is John Spurs? We're after the cinema. If 978 00:48:05,760 --> 00:48:08,359 Speaker 3: you're coming down tonight, we will see you tonight. We're 979 00:48:08,640 --> 00:48:11,759 Speaker 3: hosting you at Hoyts at Chadston. We're all going to 980 00:48:11,800 --> 00:48:14,640 Speaker 3: be watching an advanced screening of Rocket Man. Obviously Pats 981 00:48:14,680 --> 00:48:17,160 Speaker 3: because she's the most showbized member of the team, she's 982 00:48:17,200 --> 00:48:20,480 Speaker 3: already seen it. Elton actually showed it to her. It 983 00:48:20,600 --> 00:48:21,480 Speaker 3: went out to Werribee. 984 00:48:21,760 --> 00:48:23,520 Speaker 2: Thought it was Karen Egerton that showed of. 985 00:48:23,520 --> 00:48:26,560 Speaker 3: Course, yes, that's it. Yeah, so it's nine point seven 986 00:48:26,640 --> 00:48:27,040 Speaker 3: out of ten. 987 00:48:27,200 --> 00:48:29,440 Speaker 4: Yeah, you love it. It's brilliant that way. 988 00:48:29,520 --> 00:48:29,719 Speaker 6: Yeah. 989 00:48:29,920 --> 00:48:31,120 Speaker 3: Wait, so if you're coming down to that, we will 990 00:48:31,120 --> 00:48:32,560 Speaker 3: see you tonight. Thanks for listening. 991 00:48:32,719 --> 00:48:36,080 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 992 00:48:36,160 --> 00:48:36,640 Speaker 1: point three