1 00:00:00,800 --> 00:00:04,520 Speaker 1: Power Bobby my radio app from ninety six air VM 2 00:00:04,680 --> 00:00:06,520 Speaker 1: to where abb You're listening today? 3 00:00:06,880 --> 00:00:09,560 Speaker 2: This is Clezy and Lisa's podcast. 4 00:00:09,760 --> 00:00:13,360 Speaker 3: Coming up on the podcast the incomparable Stephen Frye, who's 5 00:00:13,400 --> 00:00:15,160 Speaker 3: in town for a couple of shows this weekend. 6 00:00:15,360 --> 00:00:17,520 Speaker 4: And fittingly we asked in the lead up to that interview, 7 00:00:17,640 --> 00:00:19,239 Speaker 4: who was your favorite comedy duo? 8 00:00:19,400 --> 00:00:24,960 Speaker 3: Beno'chet reviews Venom The Last Dance I Wish. 9 00:00:25,040 --> 00:00:27,760 Speaker 4: In the show report, could Chris Hemsworth play the next 10 00:00:27,760 --> 00:00:28,720 Speaker 4: Disney Prince Charming? 11 00:00:28,840 --> 00:00:29,640 Speaker 2: I don't see why not? 12 00:00:29,880 --> 00:00:32,880 Speaker 3: And in the story behind the album Billy Joels the Stranger, 13 00:00:33,240 --> 00:00:40,840 Speaker 3: he Don't be one. Stephen Frye is an English actor, screenwriter, author, playwright, journalist, poet, comedian, 14 00:00:40,840 --> 00:00:45,479 Speaker 3: television presenter, film director and all round international treasure. 15 00:00:45,760 --> 00:00:48,120 Speaker 2: That's all this morning, Thank you, good. 16 00:00:48,080 --> 00:00:50,479 Speaker 3: Much, and an Evening with Stephen fry is on at 17 00:00:50,479 --> 00:00:53,600 Speaker 3: the First Concert Hall this Sunday and Monday. Sunday is 18 00:00:53,640 --> 00:00:56,800 Speaker 3: sold out, but there are a handful of tickets to 19 00:00:56,840 --> 00:00:59,840 Speaker 3: spend the evening with Stephen fry on Monday. I would 20 00:00:59,880 --> 00:01:05,400 Speaker 3: be getting into Ticketmaster to sweet Stephen Frye, good morning. 21 00:01:05,160 --> 00:01:09,679 Speaker 5: Welcome, well, thank you for that glorious, glorious introduction. I 22 00:01:09,680 --> 00:01:13,200 Speaker 5: feel like basking in it like an iguana. It's just one. 23 00:01:13,920 --> 00:01:15,600 Speaker 4: It was magnificent but well justified. 24 00:01:16,160 --> 00:01:17,240 Speaker 2: Welcome back to Perth. 25 00:01:18,080 --> 00:01:25,000 Speaker 5: Thank you, delight always to be in Western Australia. Remote possibly, Yes, definitely, 26 00:01:25,840 --> 00:01:28,000 Speaker 5: isn't that a good thing? I think it probably is. 27 00:01:28,120 --> 00:01:31,880 Speaker 5: It was through COVID, we think, gosh, yes, absolutely you 28 00:01:31,959 --> 00:01:35,840 Speaker 5: were the winners there, weren't you. Melbourne, Poor Melbourne. 29 00:01:34,959 --> 00:01:37,800 Speaker 4: There's a lot of people who are still affected by 30 00:01:37,800 --> 00:01:39,160 Speaker 4: that lockdown, I think from Melville. 31 00:01:39,240 --> 00:01:43,600 Speaker 5: Yeah, I think so anyway, good so and I gathered 32 00:01:44,360 --> 00:01:47,360 Speaker 5: you know that indeed that people have been very kind 33 00:01:47,400 --> 00:01:51,040 Speaker 5: and have sold out the first the first performance on Sunday, 34 00:01:51,120 --> 00:01:53,400 Speaker 5: so yeah, a lot a new one on Monday, which 35 00:01:54,120 --> 00:01:56,840 Speaker 5: is really nice. But do you know it's the first 36 00:01:56,840 --> 00:01:58,920 Speaker 5: place I ever came to in Australia was Perth back 37 00:01:58,920 --> 00:02:00,960 Speaker 5: in nineteen eighty one. 38 00:02:01,240 --> 00:02:01,480 Speaker 6: Yeah. 39 00:02:01,600 --> 00:02:05,360 Speaker 5: When you were it was like entering a sort of 40 00:02:06,680 --> 00:02:10,880 Speaker 5: double a double identity city because half of it was 41 00:02:11,639 --> 00:02:15,959 Speaker 5: basically nineteen fifty two. Yes, the other half was being 42 00:02:16,240 --> 00:02:19,480 Speaker 5: I think the phrase is probably what would you say, bondified? 43 00:02:22,320 --> 00:02:25,800 Speaker 5: That's right. The America's Cup was about to be one, 44 00:02:25,880 --> 00:02:31,919 Speaker 5: and there was a whole new spirits abroad and obviously 45 00:02:32,000 --> 00:02:36,280 Speaker 5: now it's a totally modern, amazing place. So it was 46 00:02:36,480 --> 00:02:39,040 Speaker 5: last a few years ago and it was done there. 47 00:02:39,040 --> 00:02:42,480 Speaker 5: There are always new buildings. You arrive and you think, my goodness, 48 00:02:43,080 --> 00:02:45,480 Speaker 5: but obviously we know where you get all the building 49 00:02:45,520 --> 00:02:49,800 Speaker 5: aggregates from, because it's a it's a state that tears 50 00:02:49,840 --> 00:02:54,000 Speaker 5: itself apart for minerals. 51 00:02:54,000 --> 00:02:58,080 Speaker 3: Sure it was bondified the eighties. Perth loved along launchingly 52 00:02:59,560 --> 00:03:01,440 Speaker 3: the eighties were good to put well and often. 53 00:03:01,320 --> 00:03:05,240 Speaker 4: Used other people's money. But he did have business. 54 00:03:05,280 --> 00:03:05,720 Speaker 2: Steven. 55 00:03:05,760 --> 00:03:09,359 Speaker 3: It's an evening with and people can ask you questions. 56 00:03:09,560 --> 00:03:13,480 Speaker 3: Can you think what an example of one of the 57 00:03:13,480 --> 00:03:15,919 Speaker 3: more surprising questions that you've been asked? 58 00:03:17,720 --> 00:03:24,320 Speaker 5: Well, I mean they are interested. The cliche ones are 59 00:03:24,400 --> 00:03:27,960 Speaker 5: always to any British person, who are always about, you know, 60 00:03:28,680 --> 00:03:30,880 Speaker 5: used to be have you met the queen? 61 00:03:30,919 --> 00:03:31,079 Speaker 7: Now? 62 00:03:31,080 --> 00:03:34,880 Speaker 5: I suppose did you meet the queen? Then there are 63 00:03:35,440 --> 00:03:39,120 Speaker 5: strange ones about what's the weirdest thing a fan has 64 00:03:39,160 --> 00:03:39,920 Speaker 5: ever said to you? 65 00:03:40,200 --> 00:03:40,600 Speaker 7: Or whatever? 66 00:03:41,280 --> 00:03:46,000 Speaker 5: And you know the answers to that are pretty strange, 67 00:03:46,080 --> 00:03:51,320 Speaker 5: of course, because you know, sometimes I'm not suggesting that 68 00:03:51,400 --> 00:03:54,440 Speaker 5: I am in any way Harry Styles or anything on 69 00:03:54,840 --> 00:03:58,520 Speaker 5: that level. But for some reason, some people when they 70 00:03:58,520 --> 00:04:01,800 Speaker 5: see you in the street, their brain takes a little 71 00:04:01,840 --> 00:04:06,160 Speaker 5: bit of a hiccup. And we'll ask something strange like 72 00:04:06,320 --> 00:04:07,120 Speaker 5: you know, what kind. 73 00:04:06,960 --> 00:04:08,000 Speaker 2: Of underwear are you wearing? 74 00:04:08,200 --> 00:04:12,640 Speaker 5: And you go, what, No, I just meant because I 75 00:04:12,640 --> 00:04:17,600 Speaker 5: don't think if you as someone who wears underwear or something, you. 76 00:04:17,560 --> 00:04:21,000 Speaker 4: Know, they just their mouth runs away with probably get 77 00:04:21,040 --> 00:04:22,000 Speaker 4: very nervous around you. 78 00:04:22,320 --> 00:04:22,920 Speaker 2: Yeah, it is. 79 00:04:23,080 --> 00:04:25,880 Speaker 5: And of course the mistake you make, which I discovered 80 00:04:25,880 --> 00:04:30,120 Speaker 5: early on, because you know, you naturally think that a 81 00:04:30,200 --> 00:04:35,960 Speaker 5: witty response, or at least a not too cruelly sarcastic 82 00:04:36,040 --> 00:04:39,599 Speaker 5: response would amuse them. So if you're in a supermarket 83 00:04:39,880 --> 00:04:45,080 Speaker 5: and sometimes people say what are you doing here? And 84 00:04:45,120 --> 00:04:47,880 Speaker 5: so I'll say something like, well, I'm just waiting. It's 85 00:04:47,920 --> 00:04:51,200 Speaker 5: the world finals of the badminton and I'm about to 86 00:04:51,320 --> 00:04:56,560 Speaker 5: umpire them in L three and They'll go, really, no, 87 00:04:57,400 --> 00:04:58,160 Speaker 5: I'm shopping. 88 00:04:58,320 --> 00:04:59,600 Speaker 2: What does anyone do? 89 00:05:02,120 --> 00:05:05,599 Speaker 5: But it's very understandable, and I remember once it is 90 00:05:05,720 --> 00:05:07,599 Speaker 5: very early on. It was a lesson. Actually I was 91 00:05:07,640 --> 00:05:09,840 Speaker 5: walking along the street with Rowan Atkinson and this was 92 00:05:10,160 --> 00:05:12,520 Speaker 5: I was still at university and we'd just become friends. 93 00:05:12,839 --> 00:05:18,000 Speaker 5: And he'd been c our University show with Hugh Laurian 94 00:05:18,560 --> 00:05:21,960 Speaker 5: Emma Thompson, and he had been very kind about it. 95 00:05:22,200 --> 00:05:25,600 Speaker 5: And he'd been sent by his agent who wanted to 96 00:05:25,640 --> 00:05:29,359 Speaker 5: know whether he agreed that we should be on this 97 00:05:29,480 --> 00:05:32,359 Speaker 5: agent's books, and so he was like a scout, but 98 00:05:32,480 --> 00:05:35,960 Speaker 5: he'd come around to the stage draw and was very kind, 99 00:05:36,240 --> 00:05:38,000 Speaker 5: and he was a star at the time. There was 100 00:05:38,040 --> 00:05:40,039 Speaker 5: a series called Not the Nine o'clock News that he 101 00:05:40,200 --> 00:05:44,160 Speaker 5: was kind of breakout brilliant on. And so when we 102 00:05:44,200 --> 00:05:45,800 Speaker 5: walked down the street to get a cup of tea 103 00:05:46,400 --> 00:05:50,240 Speaker 5: and someone said to him, I suppose you get fed 104 00:05:50,320 --> 00:05:53,640 Speaker 5: up with people stopping you and he said, no, I 105 00:05:53,720 --> 00:05:57,040 Speaker 5: get fed up with people saying I expect you get 106 00:05:57,080 --> 00:06:03,080 Speaker 5: fed up, which I thought was quite funny. They went 107 00:06:03,279 --> 00:06:05,840 Speaker 5: bright red and well, oh sorry, I won't bother you then, 108 00:06:06,040 --> 00:06:10,480 Speaker 5: and off they went, and Roan said, oh dear, and 109 00:06:10,520 --> 00:06:11,720 Speaker 5: I said, well maybe they would. 110 00:06:12,160 --> 00:06:12,360 Speaker 2: Yeah. 111 00:06:12,600 --> 00:06:16,360 Speaker 5: So that was a kind of lesson in that you 112 00:06:16,480 --> 00:06:20,480 Speaker 5: have to understand that people are sometimes a bit they've 113 00:06:21,360 --> 00:06:26,120 Speaker 5: built up their courage to say hello and yeah exactly. 114 00:06:26,440 --> 00:06:29,520 Speaker 5: And also you mustn't say no, I'm not This was 115 00:06:29,600 --> 00:06:34,200 Speaker 5: again to name drop this time even bigger. I was 116 00:06:34,320 --> 00:06:37,520 Speaker 5: with John Clee and we've been doing. 117 00:06:37,320 --> 00:06:40,000 Speaker 2: It exactly way. 118 00:06:40,640 --> 00:06:46,920 Speaker 5: And someone came up and to us both and John 119 00:06:47,040 --> 00:06:49,840 Speaker 5: Lee said all these amazing things, and he signed a 120 00:06:49,880 --> 00:06:52,520 Speaker 5: piece of paper. This was in the days before selfies. 121 00:06:52,960 --> 00:06:55,640 Speaker 5: And they said, oh, I really like you, Stephen. And 122 00:06:56,960 --> 00:06:59,880 Speaker 5: I said, oh, nonsense, I said, you know, there's John 123 00:07:00,320 --> 00:07:03,160 Speaker 5: They'd be ridiculous. And they said, no, no, I think 124 00:07:03,200 --> 00:07:05,520 Speaker 5: you're very funny. I said, no, I'm not. Anyway, I 125 00:07:05,680 --> 00:07:09,240 Speaker 5: signed the thing, and John Klee said a word of advice. 126 00:07:09,400 --> 00:07:12,640 Speaker 5: He said, don't disagree with people if they say that 127 00:07:12,960 --> 00:07:14,920 Speaker 5: they like you and that they're good. Don't just say 128 00:07:14,920 --> 00:07:23,000 Speaker 5: oh no, I'm hopeless. Just say thank you, yes, thank you. 129 00:07:23,400 --> 00:07:26,440 Speaker 5: It's so obvious. You know, you one kind of works 130 00:07:26,480 --> 00:07:29,200 Speaker 5: oneself up into a lother about how not to sound, 131 00:07:30,360 --> 00:07:33,040 Speaker 5: you know, too pleased with oneself or whatever, and you 132 00:07:33,520 --> 00:07:35,320 Speaker 5: end up kind of being ridiculous. 133 00:07:35,400 --> 00:07:39,640 Speaker 4: Yeah, yeah, that's it exactly. 134 00:07:39,680 --> 00:07:43,000 Speaker 3: That's the great This is a little related to a 135 00:07:43,000 --> 00:07:45,720 Speaker 3: couple of the names that you just ran down earlier 136 00:07:45,760 --> 00:07:48,680 Speaker 3: this morning, Stephen. We were talking with our listeners about 137 00:07:48,680 --> 00:07:51,480 Speaker 3: great comedy duos and a bit of Frian Laurie came 138 00:07:51,560 --> 00:07:54,119 Speaker 3: up more than a couple of times. And I feel 139 00:07:54,160 --> 00:07:56,440 Speaker 3: as though you've made it a thing over the years 140 00:07:56,480 --> 00:07:59,640 Speaker 3: to work with great friends. What a wonderful caper that. 141 00:08:00,920 --> 00:08:03,840 Speaker 5: Oh, I've been so lucky. It's absolutely right. And Hugh 142 00:08:04,320 --> 00:08:08,120 Speaker 5: premus into paras as the women said first amongst equells. 143 00:08:08,120 --> 00:08:09,960 Speaker 2: What that means? It sounds be lovers. 144 00:08:14,080 --> 00:08:16,880 Speaker 5: He you know, Hugh Hugh. I mean when I first 145 00:08:16,920 --> 00:08:19,400 Speaker 5: met Hugh, it was Emma Thompson who introduced us at 146 00:08:19,440 --> 00:08:24,880 Speaker 5: the university and the name dropping. I didn't imagine when I. 147 00:08:24,800 --> 00:08:27,800 Speaker 2: Was called Steven's friends, you know. 148 00:08:31,360 --> 00:08:34,960 Speaker 5: I just remember Hugh was sitting on a on a bed. 149 00:08:35,720 --> 00:08:38,120 Speaker 5: She took me around to his rooms at his college 150 00:08:38,120 --> 00:08:41,199 Speaker 5: at Cambridge, and his girlfriend was there making a cup 151 00:08:41,240 --> 00:08:44,480 Speaker 5: of coffee and knocked on the door and she had 152 00:08:44,520 --> 00:08:46,480 Speaker 5: opened it and there was Hugh sitting on a bed 153 00:08:46,520 --> 00:08:49,320 Speaker 5: and he just said hello, and I said hello, And 154 00:08:50,080 --> 00:08:52,560 Speaker 5: he had a guitar on his lap and he was 155 00:08:52,800 --> 00:08:55,199 Speaker 5: he said, I've just been writing this song and he 156 00:08:56,160 --> 00:08:58,720 Speaker 5: sang a verse of a chorus and he said, I 157 00:08:58,720 --> 00:09:00,160 Speaker 5: don't know how it should go on, and I it 158 00:09:00,200 --> 00:09:02,520 Speaker 5: was a very funny song. So I sat next to him. 159 00:09:02,600 --> 00:09:05,560 Speaker 5: We started adding lyrics to it, and then we finished 160 00:09:05,600 --> 00:09:10,080 Speaker 5: the song and started writing a sketch and Emma and 161 00:09:10,440 --> 00:09:13,400 Speaker 5: Katie his friend just staring at us because we hadn't 162 00:09:13,800 --> 00:09:18,640 Speaker 5: basically said anything except this comedy writing, and it had 163 00:09:18,720 --> 00:09:21,840 Speaker 5: just we'd just fallen into it. It was the weirdest thing. 164 00:09:22,440 --> 00:09:26,160 Speaker 5: It's sort of like if musicians can do this. You know, 165 00:09:26,520 --> 00:09:31,000 Speaker 5: someone has has a guitar, someone else has a you know, 166 00:09:31,120 --> 00:09:35,160 Speaker 5: a piano, and they just join each other and start 167 00:09:35,200 --> 00:09:39,280 Speaker 5: playing chords and star and it's less common with with 168 00:09:39,280 --> 00:09:43,000 Speaker 5: with comedy, I suppose, But it was like an instant romance. 169 00:09:43,080 --> 00:09:47,920 Speaker 5: And I mean we did in that I suppose cliche way. 170 00:09:47,960 --> 00:09:52,599 Speaker 5: We fitted different parts of each other. I'm an intensely 171 00:09:52,760 --> 00:10:01,920 Speaker 5: verbal person and Hugh is brilliant physically and I, oh dear, 172 00:10:02,320 --> 00:10:04,880 Speaker 5: I got unhealthy. Well it's because all the other pubs 173 00:10:05,000 --> 00:10:08,080 Speaker 5: we are missing. I'm not musical like you, and I'm 174 00:10:08,080 --> 00:10:11,880 Speaker 5: not athletic like him. All I have are my words, 175 00:10:12,000 --> 00:10:12,920 Speaker 5: my poor words. 176 00:10:13,120 --> 00:10:15,880 Speaker 4: Yeah, Stavid, more syllable, think about John and stop putting 177 00:10:15,880 --> 00:10:21,040 Speaker 4: yourself down. Yes, thank yous a fellow cricket tragic. I 178 00:10:21,040 --> 00:10:23,520 Speaker 4: need to ask you to get your take on something right. 179 00:10:23,559 --> 00:10:26,880 Speaker 4: So retired Australian opening batsman David Waterer said this week 180 00:10:27,160 --> 00:10:29,440 Speaker 4: to the Australian selectors, I'm here if you need me, 181 00:10:29,559 --> 00:10:32,720 Speaker 4: despite the fact that he's retired. Once they're retired, should 182 00:10:32,720 --> 00:10:34,240 Speaker 4: they be gone forever or should they do a bit 183 00:10:34,280 --> 00:10:36,400 Speaker 4: of a column Cowdry and say I'm here anytime you 184 00:10:36,480 --> 00:10:36,760 Speaker 4: need me. 185 00:10:38,120 --> 00:10:42,679 Speaker 5: It's an interesting question, isn't it. I mean, it's in 186 00:10:42,679 --> 00:10:45,640 Speaker 5: the case of Colin Cowdry and a few others like 187 00:10:45,679 --> 00:10:50,480 Speaker 5: Brian Closed, David Steele, it's because Australia and the West 188 00:10:50,480 --> 00:10:54,079 Speaker 5: Indies had these unbelievable fast bowlers and none of our 189 00:10:54,080 --> 00:10:57,240 Speaker 5: batsman seemed able to face up to them, and so 190 00:10:57,360 --> 00:11:00,000 Speaker 5: we pulled out the old brigade, thinking there might be 191 00:11:00,040 --> 00:11:04,080 Speaker 5: fraver and more sensible than you know, not took, or 192 00:11:04,120 --> 00:11:07,760 Speaker 5: more robust. But I don't think I mean, I mean 193 00:11:07,840 --> 00:11:11,240 Speaker 5: brilliant obviously in all regards, unless he's facing stew abroad, 194 00:11:11,240 --> 00:11:16,800 Speaker 5: in which case he collapses. But yeah, I suppose I 195 00:11:16,880 --> 00:11:19,360 Speaker 5: can't blame them though that you know, you would do that, 196 00:11:19,400 --> 00:11:21,400 Speaker 5: you would think maybe it's time for me to go 197 00:11:21,520 --> 00:11:24,560 Speaker 5: and I'll have my you know, final match and everybody 198 00:11:24,559 --> 00:11:28,319 Speaker 5: will stand at the you know, the mcg or wherever 199 00:11:28,400 --> 00:11:30,800 Speaker 5: my last match will be. I'll have this huge evasion 200 00:11:30,800 --> 00:11:32,840 Speaker 5: and I'll go off in tears to the you know, 201 00:11:33,080 --> 00:11:36,480 Speaker 5: to the dressing room and all the rest of it. 202 00:11:36,800 --> 00:11:39,840 Speaker 5: But then a few months later you think, oh god, 203 00:11:39,880 --> 00:11:42,480 Speaker 5: I should be out there, especially if you see that 204 00:11:42,559 --> 00:11:46,080 Speaker 5: they haven't got a good opener, and you think, well, 205 00:11:46,120 --> 00:11:48,800 Speaker 5: if you want to recall me, I might consider it. 206 00:11:48,880 --> 00:11:51,360 Speaker 5: You know, I can just imagine it. It's very hard 207 00:11:51,440 --> 00:11:56,440 Speaker 5: to you know, but to have the courage not to 208 00:11:56,520 --> 00:12:01,480 Speaker 5: be that overweight heavyweight that trips over as back into 209 00:12:01,520 --> 00:12:06,880 Speaker 5: the ring for that final purse, I don't know. But no, 210 00:12:08,880 --> 00:12:11,400 Speaker 5: it's the thing about if I can bring it back 211 00:12:11,440 --> 00:12:16,520 Speaker 5: to Greek myths, one of the most beloved of the 212 00:12:16,520 --> 00:12:21,360 Speaker 5: Greek heroes was Achilles Golden Achilles, and his mother was 213 00:12:21,400 --> 00:12:23,920 Speaker 5: told that there was a prophecy that he would be 214 00:12:24,000 --> 00:12:26,520 Speaker 5: a glorious hero, and that more glorious than any that 215 00:12:26,559 --> 00:12:29,680 Speaker 5: had ever lived, but that he would die young, or 216 00:12:29,720 --> 00:12:35,239 Speaker 5: he could have a long, happy, serene life in obscurity, 217 00:12:35,440 --> 00:12:37,640 Speaker 5: no one ever having heard of him. And she wanted 218 00:12:37,640 --> 00:12:39,320 Speaker 5: that for him, which is why she dipped him in 219 00:12:39,360 --> 00:12:44,560 Speaker 5: the river Lethy, so that he would be invincible. She 220 00:12:44,640 --> 00:12:47,080 Speaker 5: held him by the ankle and dipped him in the words. 221 00:12:48,760 --> 00:12:51,600 Speaker 5: And that bit which her fingers held on the ankle 222 00:12:51,720 --> 00:12:55,640 Speaker 5: was his literal Achilles heel, and that's where he died 223 00:12:56,040 --> 00:12:58,600 Speaker 5: when he was young in the Trojan War. Paris got 224 00:12:58,679 --> 00:13:04,160 Speaker 5: him with a arrow, but he was in that sense. 225 00:13:04,200 --> 00:13:06,800 Speaker 5: I think Achilles was if you like the patron hero 226 00:13:07,520 --> 00:13:11,400 Speaker 5: of athletes, because they have the same thing. You can 227 00:13:11,520 --> 00:13:15,359 Speaker 5: have glory, you can have sun, you can have golden 228 00:13:15,920 --> 00:13:19,840 Speaker 5: wonder in your life, but only until you're thirty two, 229 00:13:20,040 --> 00:13:23,480 Speaker 5: thirty four, yeah, depending on the sports. And from then 230 00:13:23,520 --> 00:13:27,199 Speaker 5: on it's a pop belly and a rising hairline and 231 00:13:27,840 --> 00:13:33,800 Speaker 5: disappointment and bitterness and rancor and obscurity. But that time 232 00:13:33,840 --> 00:13:36,199 Speaker 5: in the sun would have been like nothing on earth. 233 00:13:36,960 --> 00:13:39,119 Speaker 5: And you know, and those of us who are not Achilles, 234 00:13:39,200 --> 00:13:42,720 Speaker 5: we look at those glorious figures in those men and 235 00:13:42,720 --> 00:13:47,480 Speaker 5: women of unbelievable supreme athletic ability, and we think, oh, 236 00:13:47,800 --> 00:13:51,360 Speaker 5: just for half an hour being them, But in fact 237 00:13:51,400 --> 00:13:53,560 Speaker 5: it is like half an hour and then they have 238 00:13:53,679 --> 00:13:55,360 Speaker 5: to end it. And if some of them are lucky, 239 00:13:55,400 --> 00:13:58,600 Speaker 5: they've got careers of you know, in the sport as 240 00:13:58,679 --> 00:14:03,480 Speaker 5: journalists and commentation, yeah on analysts. But others. You know, 241 00:14:03,800 --> 00:14:06,440 Speaker 5: they open a sports shop in Rockhampton or whatever, and 242 00:14:06,480 --> 00:14:09,040 Speaker 5: so you know they'll do very well, and they sell 243 00:14:09,080 --> 00:14:13,240 Speaker 5: a few rackets and bats and they sign a few autographs. 244 00:14:13,280 --> 00:14:16,400 Speaker 5: But it's it must be hard to deal with. I suppose, 245 00:14:16,440 --> 00:14:18,760 Speaker 5: that's all I'm saying. Really, I can understand why dovery 246 00:14:18,840 --> 00:14:21,400 Speaker 5: Wanner would want to put off the day when he's 247 00:14:21,480 --> 00:14:23,280 Speaker 5: no longer out there in the. 248 00:14:23,200 --> 00:14:27,120 Speaker 3: Middle before we be gradually let you go. If I 249 00:14:27,200 --> 00:14:29,640 Speaker 3: may fawned for just a moment. One of my favorite 250 00:14:29,640 --> 00:14:33,640 Speaker 3: books ever is The Hippopotamus and it turns. It turns 251 00:14:33,720 --> 00:14:36,760 Speaker 3: thirty this year, and you know, I really just discovered 252 00:14:36,800 --> 00:14:38,720 Speaker 3: in the last couple of years that a movie had 253 00:14:38,720 --> 00:14:40,680 Speaker 3: been made of it back around twenty seventeen. 254 00:14:40,920 --> 00:14:45,120 Speaker 5: Really, yes, and it won't. I'm so pleased you did. 255 00:14:45,280 --> 00:14:47,560 Speaker 5: I mean it is. It is my favorite of my novels. 256 00:14:47,600 --> 00:14:49,320 Speaker 5: I think is the second one, which is always the 257 00:14:49,400 --> 00:14:52,760 Speaker 5: problematic one. Yes, oh, thank you. That means the world 258 00:14:52,760 --> 00:14:53,080 Speaker 5: to me. 259 00:14:53,120 --> 00:14:55,720 Speaker 2: You know, the thirtieth birthday to the Hippopotamus. 260 00:14:56,360 --> 00:14:58,600 Speaker 5: Thank you so much. And I believe it's still in 261 00:14:58,600 --> 00:14:59,479 Speaker 5: print Australia. 262 00:14:59,600 --> 00:15:01,840 Speaker 4: Oh yeah, I haven't. 263 00:15:01,560 --> 00:15:06,080 Speaker 2: Got it back from the last person. I am murderous. 264 00:15:06,640 --> 00:15:10,400 Speaker 5: Bring along, bring along a copy on Sunday or Monday 265 00:15:10,400 --> 00:15:13,360 Speaker 5: when you come and see my show. I will. 266 00:15:15,400 --> 00:15:18,760 Speaker 3: Stephen fry there was there as I said, get in 267 00:15:18,840 --> 00:15:22,120 Speaker 3: quick at Ticketmaster to get the precious few tickets left 268 00:15:22,200 --> 00:15:25,200 Speaker 3: for the Monday show. To spend an evening with Stephen Frye. 269 00:15:25,840 --> 00:15:27,960 Speaker 3: Thank you so much this morning. 270 00:15:28,040 --> 00:15:32,600 Speaker 4: Could have had it all day and had lunch. Thank you, Steve, 271 00:15:35,080 --> 00:15:36,880 Speaker 4: you Doe more. 272 00:15:37,560 --> 00:15:40,000 Speaker 5: More, Lisa, more podcasts soon. 273 00:15:42,040 --> 00:15:46,520 Speaker 3: Back in the day, Stephen Frye was a duo with 274 00:15:46,640 --> 00:15:50,720 Speaker 3: his very very good mate Hugh Laurie, and between eighty 275 00:15:50,840 --> 00:15:54,320 Speaker 3: nine and ninety five they did a fabulous sketch show 276 00:15:55,360 --> 00:15:58,640 Speaker 3: because they were formerly the Cambridge foot Lights. Yes, a 277 00:15:58,720 --> 00:16:04,240 Speaker 3: bit of a Mondy Python sort of later, yes, and 278 00:16:04,360 --> 00:16:05,600 Speaker 3: a bit of Brian Laurie. 279 00:16:05,800 --> 00:16:06,800 Speaker 2: This is this is them. 280 00:16:07,000 --> 00:16:10,120 Speaker 4: So David, I understand the choice is yours sword or 281 00:16:10,160 --> 00:16:12,640 Speaker 4: pistol sald as you wish. 282 00:16:12,960 --> 00:16:14,320 Speaker 2: Is the only weapon for a gentleman. 283 00:16:14,720 --> 00:16:19,200 Speaker 4: Just so that means, mister van Hoyle, that you have this. 284 00:16:22,200 --> 00:16:23,760 Speaker 2: And you are both grace and ready. 285 00:16:24,080 --> 00:16:28,640 Speaker 5: I shall drop where Wait a minute, is that something wrong, 286 00:16:28,680 --> 00:16:30,280 Speaker 5: so David, well, quick. 287 00:16:30,160 --> 00:16:31,360 Speaker 2: Man, they are gros late. 288 00:16:31,480 --> 00:16:33,240 Speaker 5: Well, it's it's just all I sort of assumed, you know, 289 00:16:33,240 --> 00:16:36,320 Speaker 5: when you said sword or pistol, we both have the 290 00:16:36,320 --> 00:16:37,160 Speaker 5: same one. 291 00:16:38,160 --> 00:16:40,960 Speaker 4: I'm I'm not with you. It's just you know, I 292 00:16:41,000 --> 00:16:43,600 Speaker 4: said swords, thinking that wouldn't mean we would both have 293 00:16:43,640 --> 00:16:51,040 Speaker 4: a sword? Is I only brought one of each? 294 00:16:51,120 --> 00:16:52,760 Speaker 5: Unfortunately, ship. 295 00:16:55,360 --> 00:16:56,840 Speaker 4: Even a couple of the words thrown in. 296 00:16:58,600 --> 00:17:00,400 Speaker 2: So it was very munchy back love it. 297 00:17:00,480 --> 00:17:04,199 Speaker 3: Anything the Cambridge foot Lights up produced was always going 298 00:17:04,240 --> 00:17:05,720 Speaker 3: to have a touch of the Python about it. 299 00:17:05,840 --> 00:17:09,080 Speaker 2: Absolutely great British humor. 300 00:17:09,440 --> 00:17:11,560 Speaker 4: Absolutely speaking of great British but one of my favorite 301 00:17:11,600 --> 00:17:14,560 Speaker 4: shows ever was a less Smith and Jones another The 302 00:17:14,640 --> 00:17:16,120 Speaker 4: Lady Smith. And of course. 303 00:17:18,080 --> 00:17:19,720 Speaker 2: You remember that swinging London. 304 00:17:20,160 --> 00:17:20,840 Speaker 7: Where was there. 305 00:17:25,520 --> 00:17:27,440 Speaker 2: Swing like a pendulum? 306 00:17:27,640 --> 00:17:27,680 Speaker 8: Do? 307 00:17:28,160 --> 00:17:29,960 Speaker 2: Yes? The center of the universe? 308 00:17:30,040 --> 00:17:35,240 Speaker 9: It was, yes, center youth cultures, far music and fashions, 309 00:17:35,720 --> 00:17:40,399 Speaker 9: from the King's Road in Chelsea to Colomby Street in 310 00:17:40,520 --> 00:17:45,320 Speaker 9: just off Boxford Streets. I mean, London was the place 311 00:17:45,400 --> 00:17:46,320 Speaker 9: to boot right? 312 00:17:47,240 --> 00:17:48,160 Speaker 2: Where were you living? 313 00:17:52,080 --> 00:17:53,520 Speaker 4: All of that funny stuff? 314 00:17:53,520 --> 00:17:59,080 Speaker 3: Funny duo Michael in Butler, Hello Michael, are you Michael? 315 00:17:59,440 --> 00:18:03,800 Speaker 1: Sorry? I like Fry and I also like the Monty 316 00:18:03,840 --> 00:18:06,800 Speaker 1: Python team as well, Like I've seen him in a 317 00:18:06,840 --> 00:18:10,040 Speaker 1: few skids, but I'm older, I can hardly remember most 318 00:18:10,040 --> 00:18:13,920 Speaker 1: of them. But I like the Monty Python type of 319 00:18:14,280 --> 00:18:15,440 Speaker 1: style of the comedies. 320 00:18:17,480 --> 00:18:21,160 Speaker 4: Yeah, and sometimes you catch yourself laughing at something so 321 00:18:21,200 --> 00:18:22,600 Speaker 4: silly makes it even funny. 322 00:18:22,920 --> 00:18:24,520 Speaker 1: Well, it's all I look at the mirror, I laugh 323 00:18:24,560 --> 00:18:25,080 Speaker 1: on myself. 324 00:18:25,200 --> 00:18:33,800 Speaker 4: Yeah exactly, thanks Michael morning here you good, you go. 325 00:18:34,600 --> 00:18:41,880 Speaker 5: I like the Biblical brothers. It's just so stupid, it's ridiculous. 326 00:18:41,920 --> 00:18:47,800 Speaker 4: Yeah, yeah, at times, maybe blessed them. 327 00:18:50,680 --> 00:18:52,760 Speaker 2: Yeah, yeah they are also. 328 00:18:52,920 --> 00:18:56,479 Speaker 5: Yeah, you'd enjoy going to work if that was your 329 00:18:56,560 --> 00:18:57,360 Speaker 5: job and earning. 330 00:18:57,160 --> 00:18:57,919 Speaker 2: The money, wouldn't you? 331 00:18:58,920 --> 00:19:03,640 Speaker 5: Just Australian, it's not funny. 332 00:19:03,800 --> 00:19:08,760 Speaker 2: It is funny. Thanks Paul, all right, we're you. 333 00:19:09,040 --> 00:19:11,560 Speaker 3: We got text from Sally and forestle who agrees Smith 334 00:19:11,560 --> 00:19:15,320 Speaker 3: and giants Mel Smith and Griffith Jones. 335 00:19:16,440 --> 00:19:17,560 Speaker 2: That's why you just say Jones. 336 00:19:19,600 --> 00:19:21,480 Speaker 4: When we lost Mel Smith, it was very said a 337 00:19:21,480 --> 00:19:23,960 Speaker 4: few years ago. I was thinking about Ozzie's John Clark 338 00:19:24,000 --> 00:19:27,440 Speaker 4: and Brian Door speaking of someone who's lost in recent years. Johnny. 339 00:19:27,480 --> 00:19:30,639 Speaker 2: Yeah, gesu clever though, that's very clever. Yeah, that's Friday. 340 00:19:30,680 --> 00:19:31,679 Speaker 2: Know it's on a current affair. 341 00:19:31,720 --> 00:19:34,399 Speaker 4: We're just I didn't just know how to how to 342 00:19:34,440 --> 00:19:36,400 Speaker 4: write it. But the weather presented it was just good, 343 00:19:37,119 --> 00:19:37,560 Speaker 4: very cool. 344 00:19:37,760 --> 00:19:40,000 Speaker 2: Jessica is in Byford, says Royan. 345 00:19:40,160 --> 00:19:40,320 Speaker 7: HG. 346 00:19:41,359 --> 00:19:42,400 Speaker 2: They're fantastic. 347 00:19:43,440 --> 00:19:46,560 Speaker 3: We're forget to leave you your name and your suburbs. 348 00:19:46,680 --> 00:19:50,439 Speaker 3: Sander's text lots of lots of anonymous. Oh, here we go, 349 00:19:50,480 --> 00:19:53,159 Speaker 3: here's Malcolm Malcomb and Wise. 350 00:19:53,920 --> 00:19:56,760 Speaker 4: He likes so many great duos over the years. 351 00:19:57,720 --> 00:20:00,000 Speaker 2: Russell, how are you. 352 00:19:59,600 --> 00:20:01,080 Speaker 4: Very well mate? Having a bit of a laugh. 353 00:20:01,200 --> 00:20:06,440 Speaker 2: Here you go for us mother and son, say Arthur. 354 00:20:06,640 --> 00:20:07,920 Speaker 4: Yeah, I had to be the original. 355 00:20:11,520 --> 00:20:18,480 Speaker 3: It's just one of Australian television's funniest moments ever. I 356 00:20:18,520 --> 00:20:21,120 Speaker 3: think Gary McDonald's one of the funniest people to ever 357 00:20:21,200 --> 00:20:22,040 Speaker 3: have existed. 358 00:20:22,640 --> 00:20:26,200 Speaker 2: Definitely that show. Yeah, thanks Russell. 359 00:20:28,480 --> 00:20:30,520 Speaker 4: Gary McDonald, Paul Litle's here out. I think doing that 360 00:20:30,640 --> 00:20:32,520 Speaker 4: role didn't that much to start with. 361 00:20:32,720 --> 00:20:37,919 Speaker 2: Susie, isn't the CBD? Hello? Running guys, who's yours? 362 00:20:38,400 --> 00:20:39,879 Speaker 10: I'm Green Martin and Jerry Lewis. 363 00:20:40,000 --> 00:20:41,760 Speaker 2: Oh do you want me to sing a song? 364 00:20:42,160 --> 00:20:42,320 Speaker 8: Oh? 365 00:20:42,400 --> 00:20:43,800 Speaker 4: Yeah, but I thought you and I could do a 366 00:20:43,800 --> 00:20:44,240 Speaker 4: song to. 367 00:20:44,160 --> 00:20:45,639 Speaker 1: Get a boat, to get a boat? 368 00:20:45,880 --> 00:20:47,200 Speaker 10: Yeah, wouldn't that be splendid? 369 00:20:49,080 --> 00:20:50,800 Speaker 2: That would be pitchy. Oh shall we do one? 370 00:20:51,160 --> 00:20:51,360 Speaker 8: Oh? 371 00:20:51,440 --> 00:20:58,879 Speaker 2: Thank you Breadway Barno. What would you do without me? 372 00:20:59,040 --> 00:20:59,639 Speaker 6: What would you do? 373 00:21:01,320 --> 00:21:03,639 Speaker 2: What would you do when I'm gone? 374 00:21:04,680 --> 00:21:07,320 Speaker 10: I down my car and my wing and go right 375 00:21:07,400 --> 00:21:08,480 Speaker 10: out and hire a booking. 376 00:21:09,080 --> 00:21:15,800 Speaker 2: I know way out your you. Do you have a favorite, 377 00:21:16,000 --> 00:21:18,919 Speaker 2: because we watched them all on Sunday? So do you 378 00:21:18,960 --> 00:21:19,640 Speaker 2: have a favorite? 379 00:21:19,800 --> 00:21:22,560 Speaker 10: Martin and Lewis. I used to have every one of 380 00:21:22,600 --> 00:21:26,960 Speaker 10: them movies on the old cassette deck. But that's a 381 00:21:27,040 --> 00:21:29,520 Speaker 10: more when they think that's a more serving out. 382 00:21:29,680 --> 00:21:32,040 Speaker 4: Yeah, yeah's right. 383 00:21:32,520 --> 00:21:36,679 Speaker 3: My favorite was Hollywood or Bust. They both want the 384 00:21:36,760 --> 00:21:37,920 Speaker 3: car and had to drive. 385 00:21:37,720 --> 00:21:41,760 Speaker 10: Across the country with mister b I think they're all wonderful. 386 00:21:41,880 --> 00:21:44,600 Speaker 2: Yeah, I need to watch them again. 387 00:21:46,280 --> 00:21:48,800 Speaker 4: Why she's one thing? Yeah, you really missed the old 388 00:21:48,800 --> 00:21:49,440 Speaker 4: movies like that. 389 00:21:49,920 --> 00:21:52,800 Speaker 2: Lots of texts. So we've got one for French and Saunders. 390 00:21:53,520 --> 00:21:56,080 Speaker 3: We got one for the Empty Pockets, matt Parkinson and 391 00:21:56,119 --> 00:21:59,800 Speaker 3: Matthew Corterman. We caught up with Maddie Parkinson's telephone. 392 00:22:00,119 --> 00:22:00,679 Speaker 8: I was there. 393 00:22:02,040 --> 00:22:04,440 Speaker 2: Because of course he's the big guy on the chase. 394 00:22:04,480 --> 00:22:05,400 Speaker 4: One of the chases here. 395 00:22:06,200 --> 00:22:09,200 Speaker 3: Lena on Woodley, Lana and Woodley is actually from person 396 00:22:09,320 --> 00:22:09,919 Speaker 3: Lena and Woodley. 397 00:22:10,000 --> 00:22:11,719 Speaker 2: Lana Woodley totally one of my favorites too. 398 00:22:11,720 --> 00:22:16,160 Speaker 3: I think that Frank Woodley is one of the funniest 399 00:22:16,200 --> 00:22:18,920 Speaker 3: physical comedy people that I've ever seen. 400 00:22:19,080 --> 00:22:22,200 Speaker 2: He just has that yeah, incredible, It's like it's like 401 00:22:22,320 --> 00:22:23,320 Speaker 2: he's made out of rubbers. 402 00:22:23,480 --> 00:22:25,560 Speaker 4: Yeah, I'm sure he's got the bruises and injuries to 403 00:22:25,600 --> 00:22:28,320 Speaker 4: show for show it as well. After all, great to 404 00:22:28,480 --> 00:22:34,639 Speaker 4: flick with ben o'she mister telephone mate, still still recovering, recovery, 405 00:22:35,520 --> 00:22:36,640 Speaker 4: well done, well done. 406 00:22:36,800 --> 00:22:37,000 Speaker 8: Yeah. 407 00:22:37,119 --> 00:22:39,520 Speaker 7: I'm probably about ten hours ten hours of sleep shorts 408 00:22:39,600 --> 00:22:43,040 Speaker 7: so far this week, catching up, catching up, what a 409 00:22:43,080 --> 00:22:45,800 Speaker 7: weekend it was, and now this movie I've got to 410 00:22:45,800 --> 00:22:47,960 Speaker 7: talk to about today. There's some movies that I bring 411 00:22:48,400 --> 00:22:51,120 Speaker 7: to you guys, and I know straight away that maybe 412 00:22:51,160 --> 00:22:56,399 Speaker 7: it's not going to be Lisa's Alley Venom and comic 413 00:22:56,440 --> 00:23:02,280 Speaker 7: book movies. I know, don't don't float your boat generally, No, 414 00:23:02,520 --> 00:23:06,879 Speaker 7: and the Venom franchise. Look, I don't have high hopes 415 00:23:06,960 --> 00:23:09,160 Speaker 7: that you're going to go along and see this lun Lace. 416 00:23:09,320 --> 00:23:09,359 Speaker 8: No. 417 00:23:10,280 --> 00:23:13,280 Speaker 7: The first film. The first film came out in twenty eighteen. 418 00:23:13,840 --> 00:23:18,560 Speaker 7: It starred Tom Hardy as an investigative journalist, which is 419 00:23:18,560 --> 00:23:20,440 Speaker 7: where they went wrong in the first place. Tom Hardy 420 00:23:20,480 --> 00:23:23,440 Speaker 7: has got a lot of qualities. Playing a sort of 421 00:23:23,480 --> 00:23:27,280 Speaker 7: an intellectual investigative journalist is definitely not one of that. 422 00:23:28,000 --> 00:23:31,720 Speaker 7: He's not really within his not within his wheelhouse. But 423 00:23:32,280 --> 00:23:34,280 Speaker 7: he's very good at the physical stuff. We know that, 424 00:23:34,840 --> 00:23:39,800 Speaker 7: and so in this film, an alien symbiote attaches itself 425 00:23:39,920 --> 00:23:44,280 Speaker 7: to his character Eddie Brock, giving him these superpowers. The 426 00:23:44,400 --> 00:23:48,879 Speaker 7: only catch is this alien symbiote, Venom, is not necessarily 427 00:23:48,960 --> 00:23:52,800 Speaker 7: a really good creature like it's pretty manevolent. It likes 428 00:23:52,840 --> 00:23:55,639 Speaker 7: to feast on human brain, for example, and it doesn't 429 00:23:55,680 --> 00:23:58,280 Speaker 7: care which human it is. And so Eddie does a 430 00:23:58,359 --> 00:24:01,160 Speaker 7: deal with Venom that, okay, I will let you eat 431 00:24:01,200 --> 00:24:02,359 Speaker 7: the brains, but they have. 432 00:24:02,480 --> 00:24:06,320 Speaker 2: To be bad guys, and so they products. 433 00:24:07,560 --> 00:24:11,320 Speaker 7: Yeah, exactly the same. And Venom in the comic book 434 00:24:11,400 --> 00:24:13,320 Speaker 7: universe is one of the most is one of the 435 00:24:13,400 --> 00:24:17,320 Speaker 7: most beloved anti heroes of the Spider Man universe, and 436 00:24:17,400 --> 00:24:19,040 Speaker 7: so there was a lot of excitement when this film 437 00:24:19,119 --> 00:24:22,880 Speaker 7: came out in twenty eighteen. It was unfortunately borderline unwatchable. 438 00:24:22,960 --> 00:24:27,080 Speaker 7: The script made no sense. Tom Hardy's performance was bizarre, 439 00:24:28,240 --> 00:24:31,280 Speaker 7: and it just didn't work with this kind of CG 440 00:24:31,520 --> 00:24:35,560 Speaker 7: creature sort of covering his skin and then disappearing and 441 00:24:35,640 --> 00:24:38,640 Speaker 7: then appearing, and it was very, very hard to watch. 442 00:24:39,560 --> 00:24:43,000 Speaker 7: The sequel in twenty twenty one, Venom Let there Be Carnage, 443 00:24:43,800 --> 00:24:47,119 Speaker 7: was a little bit better. It was directed by Andy Serkis, 444 00:24:47,160 --> 00:24:50,680 Speaker 7: who of course played Golum, and it had Weuy Halson 445 00:24:51,000 --> 00:24:54,080 Speaker 7: as another sort of a person who had been possessed 446 00:24:54,119 --> 00:24:57,680 Speaker 7: by a different alien symbiote, and you know, like it 447 00:24:57,840 --> 00:24:59,920 Speaker 7: was still a lot of the same problems. Tom Hardy 448 00:25:00,040 --> 00:25:02,560 Speaker 7: performance was a bit weird. The CG was a bit 449 00:25:02,600 --> 00:25:04,600 Speaker 7: hard to watch, but you go, okay, so that's like 450 00:25:04,920 --> 00:25:08,920 Speaker 7: marginally better. And now along comes Venom the Last Dance, 451 00:25:09,240 --> 00:25:12,320 Speaker 7: which purports to be the final film in this trilogy. 452 00:25:13,040 --> 00:25:15,240 Speaker 7: We get a sort of a conclusion. That's the point, 453 00:25:16,480 --> 00:25:21,320 Speaker 7: because Eddie and Venom realize there is this big bad 454 00:25:21,400 --> 00:25:25,400 Speaker 7: guy somewhere else in the universe who's discovered their existence 455 00:25:25,480 --> 00:25:28,399 Speaker 7: on Earth and wants to kill them to gain possession of, 456 00:25:28,880 --> 00:25:31,320 Speaker 7: you know, something called a codex. It's just a classic 457 00:25:31,400 --> 00:25:36,320 Speaker 7: MacGuffin situation, and so they go on the run while 458 00:25:36,359 --> 00:25:39,639 Speaker 7: this alien creature is hunting them all pretty standard stuff, 459 00:25:40,520 --> 00:25:46,040 Speaker 7: but they get some of the most poignant, funny moments 460 00:25:46,280 --> 00:25:48,719 Speaker 7: of the franchise in this film. But that is an 461 00:25:48,760 --> 00:25:52,280 Speaker 7: extremely low bar to clear. And then right at the 462 00:25:52,359 --> 00:25:54,640 Speaker 7: very and then right at the very end, when you go, okay, well, 463 00:25:55,280 --> 00:25:58,760 Speaker 7: the stakes are kind of a bit real. There's something 464 00:25:58,800 --> 00:26:00,600 Speaker 7: about to happen. Maybe not every body is going to 465 00:26:00,640 --> 00:26:02,800 Speaker 7: walk away from this film, and so there's a chance 466 00:26:02,840 --> 00:26:05,159 Speaker 7: to give it like a little bit more meaning than 467 00:26:05,359 --> 00:26:08,080 Speaker 7: perhaps you sometimes get in these comic book movies. But 468 00:26:08,440 --> 00:26:13,440 Speaker 7: they absolutely stuffed up by trying to set up for 469 00:26:13,760 --> 00:26:17,840 Speaker 7: future sequels that are apparently going to start Juno Temple 470 00:26:17,960 --> 00:26:21,920 Speaker 7: from Ted Lasso as you know, as someone else is 471 00:26:21,960 --> 00:26:25,160 Speaker 7: possessed by an alien symbiot and just whatever, these future 472 00:26:25,240 --> 00:26:27,760 Speaker 7: movies look like. They look like the worst thing that 473 00:26:27,840 --> 00:26:32,359 Speaker 7: I've ever seen, and so you basically go, you just 474 00:26:32,520 --> 00:26:35,639 Speaker 7: wasted all of my time watching the previous two movies, 475 00:26:35,800 --> 00:26:36,960 Speaker 7: and this one as well. 476 00:26:38,119 --> 00:26:38,879 Speaker 2: I don't know, it's one of. 477 00:26:38,880 --> 00:26:44,119 Speaker 7: The most egregiously shameless setups for future films that has 478 00:26:44,440 --> 00:26:47,480 Speaker 7: just completely undercuts this current film. Then in the last 479 00:26:47,560 --> 00:26:50,920 Speaker 7: Dance doesn't do Tom Hardy any favors, And as to 480 00:26:51,000 --> 00:26:52,720 Speaker 7: the character of Venom, which a lot of nerd love, 481 00:26:53,440 --> 00:26:56,760 Speaker 7: you know, is a really, really shameful way to treat 482 00:26:56,840 --> 00:26:59,440 Speaker 7: this character, even though the previous couple of movies weren't 483 00:26:59,440 --> 00:26:59,879 Speaker 7: that amazing. 484 00:27:00,640 --> 00:27:02,840 Speaker 4: What this was meant to be the last supper for 485 00:27:02,880 --> 00:27:05,960 Speaker 4: the alien parasite? How disappointing symbia sound. 486 00:27:06,240 --> 00:27:07,720 Speaker 7: Let's get a couple of other gags? 487 00:27:07,880 --> 00:27:11,400 Speaker 2: Yeah, okay, well how many? 488 00:27:11,720 --> 00:27:14,720 Speaker 3: It's such a shame because I really like Stephen Graham's 489 00:27:14,840 --> 00:27:16,480 Speaker 3: Are You Giving You do? 490 00:27:17,440 --> 00:27:20,000 Speaker 2: I love Stephen's great. 491 00:27:21,600 --> 00:27:24,280 Speaker 7: It would actually be more enjoyable, I think, to take 492 00:27:24,359 --> 00:27:27,640 Speaker 7: you to this movie and just watch your Oh yes, 493 00:27:27,840 --> 00:27:30,760 Speaker 7: let's do that if we could, if I would give 494 00:27:30,840 --> 00:27:34,760 Speaker 7: that yeah, straight out of the game. But as the 495 00:27:34,880 --> 00:27:36,439 Speaker 7: Venom the last dand two. 496 00:27:36,320 --> 00:27:39,159 Speaker 4: And a half two and a half alrighty yeah, Well 497 00:27:39,200 --> 00:27:41,280 Speaker 4: take Lisa a long and our later brains while we're watching. 498 00:27:42,119 --> 00:27:44,440 Speaker 2: Thanks, Thanks Ben, you next week. 499 00:27:44,600 --> 00:27:45,160 Speaker 7: Thanks guys. 500 00:27:45,240 --> 00:27:49,440 Speaker 2: Here It's more Clezy, more Lisa, More podcasts soon. 501 00:27:52,400 --> 00:27:54,680 Speaker 4: The Sure Report on ninety six. 502 00:27:54,560 --> 00:27:59,960 Speaker 3: Airm two part documentary series about the Jerry Springer Show, 503 00:28:00,160 --> 00:28:03,880 Speaker 3: coming to Netflix in early January. Jerry Springer fights camera action. 504 00:28:04,480 --> 00:28:07,480 Speaker 3: We'll explore how the long running tablaid talk show became 505 00:28:07,600 --> 00:28:10,560 Speaker 3: one of the most outrageous television hits of the nineteen 506 00:28:10,640 --> 00:28:14,240 Speaker 3: nineties have ever really It'll feature first hand testimony in 507 00:28:14,320 --> 00:28:17,800 Speaker 3: revelations from show insiders, as well as interviews with producers 508 00:28:17,920 --> 00:28:21,320 Speaker 3: and former guests. It promises to raise questions about who 509 00:28:21,440 --> 00:28:24,240 Speaker 3: was responsible and how far things should go in the 510 00:28:24,320 --> 00:28:27,640 Speaker 3: name of entertainment, because that show ran for twenty seven 511 00:28:27,720 --> 00:28:34,080 Speaker 3: seasons from nineteen ninety one to twenty eighteen. Lacey Shavert, 512 00:28:34,119 --> 00:28:36,480 Speaker 3: who used to be in Party of Five and nowadays 513 00:28:36,480 --> 00:28:39,720 Speaker 3: she's known as the Queen of Christmas Movies, brings a 514 00:28:40,000 --> 00:28:44,240 Speaker 3: hot snowman to life in Netflix's new holiday film Hot. 515 00:28:44,120 --> 00:28:49,440 Speaker 2: Frosty, Oh really Hot Frosty. See Severa's Kathy, a. 516 00:28:49,560 --> 00:28:52,240 Speaker 3: Down on her luck widow who meets, of course she is, 517 00:28:52,600 --> 00:28:56,080 Speaker 3: who meets a well chiseled fellow played by Dustin Milligan. 518 00:28:56,160 --> 00:28:59,280 Speaker 3: He was ted the vesh on Shit's Creek, claiming to 519 00:28:59,320 --> 00:29:02,160 Speaker 3: be a snowman who's come to life a snowman. There's 520 00:29:02,280 --> 00:29:04,840 Speaker 3: a funny bit in the trailer where Lacey's character is 521 00:29:04,880 --> 00:29:07,080 Speaker 3: watching a holiday movie on TV and it happens to 522 00:29:07,160 --> 00:29:10,480 Speaker 3: be last year's Falling for Christmas, starring her Mean Girls 523 00:29:10,560 --> 00:29:11,680 Speaker 3: co star Lindsay Loho. 524 00:29:13,280 --> 00:29:15,200 Speaker 7: I know that's so funny. 525 00:29:16,240 --> 00:29:17,640 Speaker 2: That looks just like a girl I went to high 526 00:29:17,640 --> 00:29:20,440 Speaker 2: school with. If you know, you know. 527 00:29:21,000 --> 00:29:23,320 Speaker 3: Chris Amsworth is in talks to star as Prince Charming 528 00:29:23,440 --> 00:29:27,120 Speaker 3: in Disney's upcoming Prince Charming film. Plot details are under wraps, 529 00:29:27,360 --> 00:29:29,000 Speaker 3: and it's not clear yet if the film will be 530 00:29:29,080 --> 00:29:32,000 Speaker 3: live action or animated. All we know is Paul King, 531 00:29:32,080 --> 00:29:34,480 Speaker 3: who made Wonka, is going to direct it. And it's 532 00:29:34,560 --> 00:29:37,920 Speaker 3: not specifically going to be linked to the story of Cinderella. 533 00:29:38,480 --> 00:29:41,880 Speaker 3: It's like Prince Charming gets his ken moment. All right, Okay, 534 00:29:42,040 --> 00:29:43,320 Speaker 3: maybe middle twist. 535 00:29:43,120 --> 00:29:43,560 Speaker 2: Now, I don't know. 536 00:29:43,760 --> 00:29:46,120 Speaker 3: The producers of Blade Runner are suing Elon Musk and 537 00:29:46,160 --> 00:29:50,280 Speaker 3: Tesla for copyright infringement, alleging Musk used ai imagery to 538 00:29:50,480 --> 00:29:52,880 Speaker 3: create scenes from the movie to promote his new self 539 00:29:53,000 --> 00:29:58,000 Speaker 3: driving Robotaxi. The producers had previously denied Musk's request to 540 00:29:58,120 --> 00:30:01,040 Speaker 3: use film put in due to his extreme political and 541 00:30:01,200 --> 00:30:01,880 Speaker 3: social views. 542 00:30:02,080 --> 00:30:04,760 Speaker 2: Don't you love the cheek of these people? Can I 543 00:30:05,000 --> 00:30:06,080 Speaker 2: use your movie? 544 00:30:06,280 --> 00:30:06,320 Speaker 8: No? 545 00:30:06,480 --> 00:30:08,400 Speaker 2: You can't. I'm going to use your movie. 546 00:30:08,440 --> 00:30:11,560 Speaker 4: Sounds like a political natives, doesn't it. He doesn't ask 547 00:30:11,600 --> 00:30:13,360 Speaker 4: me talking we were just. 548 00:30:13,400 --> 00:30:16,640 Speaker 3: Talking about amazing comedy duo. Yeah, we were actually Trump 549 00:30:16,680 --> 00:30:20,360 Speaker 3: and Musk. Trump actually a little bit of Trump and Musk. 550 00:30:20,600 --> 00:30:22,760 Speaker 3: The show's down there. You're far from fired. That's a 551 00:30:22,880 --> 00:30:23,320 Speaker 3: your point. 552 00:30:34,880 --> 00:30:37,480 Speaker 2: Releases The story behind the album. 553 00:30:37,760 --> 00:30:42,240 Speaker 3: Well the Stranger is Billy Joel's fifth studio album. It 554 00:30:42,360 --> 00:30:45,440 Speaker 3: came out in September nineteen seventy seven. It was the 555 00:30:45,640 --> 00:30:48,920 Speaker 3: first of Joel's albums to be produced by Phil Ramone, 556 00:30:49,520 --> 00:30:52,840 Speaker 3: with whom he would work for five subsequent albums. 557 00:30:53,000 --> 00:30:53,960 Speaker 4: Incredible his peel. 558 00:30:54,160 --> 00:30:57,760 Speaker 2: I was so determined to capture everything about this guy. 559 00:30:58,200 --> 00:31:01,160 Speaker 2: It wasn't about anybody who read these through the simple ditties. 560 00:31:01,520 --> 00:31:04,040 Speaker 4: He wanted to be the rock and roll stone geesus 561 00:31:04,080 --> 00:31:05,560 Speaker 4: had a success together. Those two, were they? 562 00:31:05,600 --> 00:31:08,600 Speaker 3: They certainly were. He's not one of the Ramones, though 563 00:31:09,560 --> 00:31:12,800 Speaker 3: he's not as well, not that I know of a 564 00:31:12,880 --> 00:31:14,840 Speaker 3: different unrelated. 565 00:31:14,360 --> 00:31:16,760 Speaker 4: I don't think he went to rock and roll high school. 566 00:31:16,920 --> 00:31:17,040 Speaker 6: Now. 567 00:31:17,200 --> 00:31:18,040 Speaker 2: It's just as well. 568 00:31:18,080 --> 00:31:22,120 Speaker 3: It did good because Joel's previous album, Turnstiles, had sold 569 00:31:22,400 --> 00:31:25,600 Speaker 3: very modestly and peked very low on the charts, and 570 00:31:25,680 --> 00:31:29,560 Speaker 3: it prompted Columbia, which was the label, to consider dropping 571 00:31:29,640 --> 00:31:31,480 Speaker 3: him if his next release had sold poorly. 572 00:31:31,600 --> 00:31:33,560 Speaker 4: Yeah, it's incredible, wasn't it, Because like that album, as 573 00:31:33,600 --> 00:31:35,800 Speaker 4: you mentioned, the first one, Cold Spring, Harbor and Street 574 00:31:35,840 --> 00:31:38,720 Speaker 4: Life Serenade. These previous albums, they had some great songs on, 575 00:31:38,960 --> 00:31:41,400 Speaker 4: but they just didn't sell. It's Billy talking about it. 576 00:31:41,480 --> 00:31:42,880 Speaker 8: I didn't know this at the time, but had it 577 00:31:43,040 --> 00:31:45,160 Speaker 8: not been a successful album, the label clubly would have 578 00:31:45,240 --> 00:31:47,320 Speaker 8: dropped me, because you have to remember, this was my 579 00:31:47,480 --> 00:31:51,960 Speaker 8: fifth album without having had a major hit. But now, Yeahlindside, 580 00:31:51,960 --> 00:31:53,960 Speaker 8: I could see it was a really quick album because 581 00:31:54,040 --> 00:31:54,360 Speaker 8: I might. 582 00:31:57,520 --> 00:31:58,520 Speaker 2: Sliding doors moments. 583 00:31:59,040 --> 00:32:00,720 Speaker 4: He didn't know at the time the pressure. If you've 584 00:32:00,720 --> 00:32:02,400 Speaker 4: known that, it probably wouldn't have been you would ad 585 00:32:02,480 --> 00:32:03,880 Speaker 4: writer's block it was. 586 00:32:04,240 --> 00:32:07,800 Speaker 3: It ended up being considered his critical and commercial breakthrough, 587 00:32:08,000 --> 00:32:11,760 Speaker 3: really and that was five in four singles were released 588 00:32:11,880 --> 00:32:14,880 Speaker 3: off this album, all of which became top forty hits 589 00:32:14,920 --> 00:32:17,479 Speaker 3: on the Billboard Hot one hundred chart. Moving Out Anthony 590 00:32:17,600 --> 00:32:20,000 Speaker 3: song that we just played, She's always a woman. Only 591 00:32:20,080 --> 00:32:23,320 Speaker 3: the good die young, and of course just the way 592 00:32:23,560 --> 00:32:23,959 Speaker 3: you are. 593 00:32:24,120 --> 00:32:26,480 Speaker 4: It's a funny way we see in hindsight and they say, oh, 594 00:32:26,600 --> 00:32:29,240 Speaker 4: this song nearly didn't get on. We did really sure 595 00:32:29,640 --> 00:32:32,360 Speaker 4: a lot and sometimes you need to get clarification from others. 596 00:32:32,480 --> 00:32:33,920 Speaker 4: He's billy talking about just where you are. 597 00:32:34,200 --> 00:32:36,760 Speaker 2: We were sitting around a bunch of guys here. 598 00:32:36,840 --> 00:32:37,880 Speaker 4: We're not girl in the band. 599 00:32:37,960 --> 00:32:40,360 Speaker 8: It was just the guys and we're listening back on 600 00:32:41,360 --> 00:32:41,800 Speaker 8: you like it. 601 00:32:41,880 --> 00:32:43,000 Speaker 2: I don't know. It's a check song. 602 00:32:43,800 --> 00:32:45,600 Speaker 6: You know, none of us were all the hard to 603 00:32:45,680 --> 00:32:56,640 Speaker 6: put it on the albums. 604 00:32:59,480 --> 00:33:02,520 Speaker 2: Phoebe Now came by with Linda Ronstad and they said, 605 00:33:02,560 --> 00:33:04,800 Speaker 2: you're crazy, You've got to put that song on the A. 606 00:33:07,240 --> 00:33:09,080 Speaker 2: These girls liked the song. I guess we should put 607 00:33:09,120 --> 00:33:10,640 Speaker 2: it on the album. So we kept it on. 608 00:33:10,800 --> 00:33:15,720 Speaker 3: So thanks to them, chick salted Chicks so love song, 609 00:33:16,000 --> 00:33:18,040 Speaker 3: although a couple of chicks didn't tell her to make sure. 610 00:33:17,960 --> 00:33:18,680 Speaker 2: You did it. 611 00:33:18,760 --> 00:33:20,680 Speaker 4: E want to be great. The Phoebe Snow and Linda 612 00:33:20,720 --> 00:33:25,360 Speaker 4: Ronstadt just sort of woke well, yes, okay, well yeah, yeah, 613 00:33:25,800 --> 00:33:29,080 Speaker 4: I love that caught a bit of cred, didn't I unreal? 614 00:33:29,400 --> 00:33:31,360 Speaker 4: And another song on the album list was a Beauty, 615 00:33:32,000 --> 00:33:34,800 Speaker 4: only the Legendary, only the good die young that's ever 616 00:33:34,880 --> 00:33:36,040 Speaker 4: listened to a little bit about that? 617 00:33:36,120 --> 00:33:37,320 Speaker 8: You know, when I was a kid, I mean I 618 00:33:37,400 --> 00:33:39,440 Speaker 8: wasn't Catholic, but all my friends were, and I used 619 00:33:39,480 --> 00:33:41,960 Speaker 8: to go to Mass with my friends, thinking that's what 620 00:33:42,040 --> 00:33:44,160 Speaker 8: you did on a Sunday, And I came up with 621 00:33:44,280 --> 00:33:47,920 Speaker 8: this song about a guy trying to seduce a Catholic girl. 622 00:33:48,280 --> 00:33:51,560 Speaker 2: They got the sand season the whole university radio. 623 00:33:52,040 --> 00:33:54,440 Speaker 8: Some arch diocese I think or Saint Louis said that 624 00:33:54,720 --> 00:33:57,120 Speaker 8: people shouldn't buy the record. And as soon as you 625 00:33:57,160 --> 00:33:59,640 Speaker 8: tell people they shouldn't hear something and they shouldn't have something, 626 00:34:00,360 --> 00:34:01,200 Speaker 8: people wanted. 627 00:34:03,680 --> 00:34:05,520 Speaker 2: And they went out and bought it and drove and 628 00:34:05,760 --> 00:34:07,200 Speaker 2: drove the record way up the tropes. 629 00:34:07,400 --> 00:34:08,279 Speaker 4: So I remember writing a. 630 00:34:08,320 --> 00:34:11,640 Speaker 8: Letter and saying, please band my next record, thank. 631 00:34:11,520 --> 00:34:12,120 Speaker 2: You very much. 632 00:34:12,440 --> 00:34:16,000 Speaker 3: By Joel, I think writing that in nineteen seventies New York. 633 00:34:17,000 --> 00:34:18,920 Speaker 3: He makes a very good point. It would have been 634 00:34:19,080 --> 00:34:22,600 Speaker 3: they would have been looking at banning it. Absolutely controversy. Yeah, 635 00:34:22,800 --> 00:34:24,120 Speaker 3: and diocese is right. 636 00:34:24,160 --> 00:34:26,400 Speaker 4: We've seen it over the years where the song becomes 637 00:34:26,400 --> 00:34:28,360 Speaker 4: a hit or an album because people say, well, you 638 00:34:28,400 --> 00:34:31,279 Speaker 4: can't go near that. You know, the themes or the 639 00:34:31,400 --> 00:34:33,120 Speaker 4: lyrics on it, But that one worked a treat. 640 00:34:33,480 --> 00:34:38,480 Speaker 3: The Stranger Billy, Joel, Clezie and Lisa ninety six