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Speaker 1: Hello, can you hear us? Okay, ready for a book

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Speaker 1: club and.

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Speaker 2: Welcome to book club?

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Speaker 1: Hello? Everyone, Hello, how are you today? I'm very well,

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Speaker 1: thank you.

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Speaker 3: I think this is number nine, number nine love potion

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Speaker 3: number nine. This, if you've just joined us, is our

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Speaker 3: book club. We only read from two books, our own.

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Speaker 2: Books, yep, which is pretty up yourself. Sure, But then again,

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Speaker 2: how many people have written.

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Speaker 1: A book millions upon million?

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Speaker 2: How many people do a podcast about millions?

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Speaker 1: Okay, how many people have a book club? Millions?

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Speaker 2: Yeah, but how many people do a podcast about reading

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Speaker 2: their own book?

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Speaker 1: None? And that's our.

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Speaker 2: Point of difference, that's our niche.

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Speaker 3: All right, Well, when we last left off, I think

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Speaker 3: I was working at the Midday Show with Ray Martin.

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Speaker 2: Yes, well it was.

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Speaker 3: When I was working on that show I met Richard Neville,

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Speaker 3: who passed away last year. Richard was an extraordinary thinker.

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Speaker 3: He was a man who thought out side of the box.

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Speaker 3: And he used to come on to the midday Show

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Speaker 3: as a guest and he talked about really interesting things

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Speaker 3: for the Midday Show audience. He'd gone through all that

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Speaker 3: sort of the hippie take drugs and explore your mind

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Speaker 3: phase and was now looking at how you can explore

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Speaker 3: your human potential without having to be a drug taking hippie.

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Speaker 3: Pretty much, very forward thinking. So he then had a

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Speaker 3: television show on Channel nine called Extra Dimensions. So I

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Speaker 3: had been just doing a story every now and then

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Speaker 3: as a segment producer on the midday show. But I

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Speaker 3: was asked to be a full time reporter on Extra Dimensions. WHOA,

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Speaker 3: so I'll read from page eighty two.

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Speaker 2: Big deal.

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Speaker 1: Well terrifying too.

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Speaker 3: When Richard and his wife Julie began developing a new

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Speaker 3: show for Channel ten called Extra Dimensions, I was flattered

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Speaker 3: to be asked to join the reporting team. I was

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Speaker 3: hugely conflicted. I love my job with Ray on the

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Speaker 3: midday Show. While I was considering the move, Ray to

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Speaker 3: his credit approach Channel nine's boss, the legendary Sam Chisholm,

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Speaker 3: to ask me to stay. In the end, the opportunity

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Speaker 3: to be a full time reporter was too good to

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Speaker 3: turn down, and off I went to what was undoubtedly.

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Speaker 1: The wackiest period of my life.

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Speaker 3: Extra Dimensions explored issues that were perhaps ahead of their time,

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Speaker 3: such as the quest for sustainability, the limits or otherwise

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Speaker 3: of human potential, the search for meaning in a modern

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Speaker 3: world on paper. It sounded amazing. What I wasn't expecting

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Speaker 3: was that so many of the people we filmed were

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Speaker 3: going to be so quirky. I can't remember if I

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Speaker 3: lied about my own spiritual endeavors i e. None, or

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Speaker 3: if my lack of higher consciousness was seen as in

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Speaker 3: every man as asset. But I was out of my

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Speaker 3: depth from day one on the very first Extra Dimension story,

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Speaker 3: I attended a workshop, Oh Dear in Sydney, where I

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Speaker 3: had to participate in a range of activities to explore

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Speaker 3: and supposedly ease my universal angst.

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Speaker 1: Hell WHOA.

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Speaker 3: I caught on all my university acting skills to make

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Speaker 3: it look like I was into it, But as the

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Speaker 3: day wore on, it became clear I was going to

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Speaker 3: be outed as a non believer. After draw bring our

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Speaker 3: pain on paper with crayons, we had to perform the

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Speaker 3: dance of our pain, and you can imagine we then

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Speaker 3: had to act out a ritual to.

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Speaker 1: Rid us of the pain. My sphincter is tightly just reading.

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Speaker 2: You are the least person that does that stuff terrible.

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Speaker 3: One of the participants in the workshop was the next Nun,

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Speaker 3: who felt she needed to become whole Her ritual involved

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Speaker 3: calling out for us to take her imaginary body parts,

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Speaker 3: then returning them when she lay with her arms outstretched

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Speaker 3: to the floor. Bring me my arm, et cetera, Then

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Speaker 3: bring me my vagina.

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Speaker 2: Who got that job?

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Speaker 3: Some poor guy with scoop up invisible bits and hand

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Speaker 3: them back.

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Speaker 2: You didn't get to carry the nuts for giant nuns.

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Speaker 1: Vagina is my new village of one.

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Speaker 3: Another guy wanted us all to form a giant tunnel.

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Speaker 1: Bring it back tomorrow.

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Speaker 2: I just wanted to test it out, and you I.

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Speaker 1: Just sat there and pulled a face all day.

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Speaker 3: Another guy wanted us to form a giant tunnel through

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Speaker 3: which he could crawl and be reborn. You're the intestine

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Speaker 3: and I'm a giant shitty, explained, No, protested the nun.

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Speaker 3: It's already said I need to do this. She said, no,

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Speaker 3: it's a colon, not an intesta. I found this so

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Speaker 3: crazily hysterical.

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Speaker 2: And who when you're as the colon, someone would have

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Speaker 2: had to be in the rectum and the anus.

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Speaker 1: Well he wasn't that specific, So we just filmed.

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Speaker 3: We just formed a giant tunnel with our arms through

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Speaker 3: which he crawled.

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Speaker 2: How could you not have laughed at that.

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Speaker 1: I was inside, but I was also terrified.

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Speaker 2: But it was my turn. But you were surrounded by nutbats.

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Speaker 1: Oh that's right, but we had a film crew. Awful.

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Speaker 1: I found this crazily hysterical.

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Speaker 3: I didn't know how to set my face, but I

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Speaker 3: was still panicking as my turn loomed.

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Speaker 1: I just even hate reading. Finally, all eyes are on me. Ah,

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Speaker 1: I feel the need to be free.

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Speaker 3: Maybe you could time you up with string and then

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Speaker 3: I unravel me, I stammered.

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Speaker 1: I thought my idea was pretty good. The others didn't.

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Speaker 3: They knew an impostor when they saw one, and they

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Speaker 3: turned on me in unison. I burst into tears. This

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Speaker 3: was clearly what they wanted. A wave of sympathy rolled

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Speaker 3: my way, and I was forgiven. I hope the footage

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Speaker 3: of that day has been burned.

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Speaker 2: So how do they call you out?

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Speaker 3: Well, they knew when I just said, oh, maybe just

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Speaker 3: put some string around me and I unravel and I'm

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Speaker 3: feeling a whole And they said, I don't think you're

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Speaker 3: taking this seriously.

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Speaker 2: Said the woman that just handed over of a giant.

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Speaker 1: And a man who was a giant.

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Speaker 3: Pooh, So I yes, I so I was so filled

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Speaker 3: with anxiety. I burst into tears and they all felt

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Speaker 3: sorry for me. And that was then my catharsis. You

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Speaker 3: had to have some kind of catharsis, which I thought

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Speaker 3: was the name of a car.

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Speaker 2: I've got it out that and are you poor? Tho.

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Speaker 1: It was terrible. It was terrible.

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Speaker 3: I mean there were a lot of tangible stories which

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Speaker 3: were great, but then there'd be a man who'd play

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Speaker 3: a harp to access the Akashic records, a compendium of

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Speaker 3: mystical knowledge. Tell me about my past lives. One was

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Speaker 3: as a Pennsylvanian housewife. If only I'd kept the recipes,

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Speaker 3: you know. During one show, I met a trio of

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Speaker 3: San Francisco Groovers who were immortalists. Easy for them to say,

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Speaker 3: they're only in their forties. They insisted they were quote

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Speaker 3: grocking on a cellular level and they live forever.

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Speaker 1: I should look them up on faithbook.

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Speaker 2: Yeah, let's check those guys out.

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Speaker 1: How they're going.

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Speaker 3: One of the great stories I covered was in the States,

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Speaker 3: a group of car company executives doing a rope's course,

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Speaker 3: and this was all new in the eighties. This involved

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Speaker 3: them climbing trees and swinging on trapezas, which were designed

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Speaker 3: to push their limits and build team's spirit. I know

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Speaker 3: that ropes, courses, and the whole idea of challenging isself

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Speaker 3: physically to help you become more open to new ways

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Speaker 3: of thinking has become parse. In the eighties, this concept

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Speaker 3: was new. Executives were passing out in Indian sweat lodgers,

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Speaker 3: consulting shamans, and visiting people who channeled all kinds of

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Speaker 3: ancient beings in search for wisdom. I met a man

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Speaker 3: who channeled a dolphin. It was interesting to me that dolphins,

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Speaker 3: ancient spirits, and modern gurus all spoke the same way,

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Speaker 3: uttering the same platitudes about the need to nurture the

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Speaker 3: earth and our fellow man blah blah blah.

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Speaker 1: I was hoping the.

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Speaker 3: Dolphin would be more fun catch a ball at least.

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Speaker 3: But as wacky as some of these things were, the

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Speaker 3: need for them was real. American industries were crumbling and

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Speaker 3: being overtaken by Asian companies with new and improved technologies

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Speaker 3: and methodologies. New energy is required to teach old dogs

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Speaker 3: new tricks and think outside the square. I'm writing all

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Speaker 3: this with the hindsight of a fifty three year old

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Speaker 3: at the time, I enjoyed the challenge of the Rope's course,

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Speaker 3: but saw no bigger picture. The words of my producer

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Speaker 3: Tony stung me when he said, you need to know

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Speaker 3: more about the world, you need life experience.

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Speaker 1: How right he was? I mean, forget old dogs. How

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Speaker 1: do you teach new dogs new tricks?

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Speaker 2: Good point?

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Speaker 1: You only can do it by living it.

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Speaker 2: Really yeah, but you'd be so heart broken in those

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Speaker 2: times when someone said that to you.

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Speaker 3: Well, I thought, how can I have more experience? I'm

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Speaker 3: twenty five, I'm an idiot.

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Speaker 2: I kind of get it now, though, at the fifty

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Speaker 2: two I get what that means, because you look at

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Speaker 2: the stuff you know. Do you find that once you

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Speaker 2: got past fifty, all of a sudden another It's like

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Speaker 2: playing a game on a computer. You're a gamer and

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Speaker 2: you've unlocked another another level.

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Speaker 3: I think that's called perspective, and I think it's called

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Speaker 3: grace in a way of being kinder to how you

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Speaker 3: see other people in the world, but you don't know

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Speaker 3: when you're on the path. It's almost like it's hindsight

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Speaker 3: that puts everything in its place, and you don't know

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Speaker 3: that two a year older.

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Speaker 2: How would you go with the nuns Vagina.

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Speaker 1: Now I go, oh yeah, look, so I've got my

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Speaker 1: cathastest waiting out, So I do you mind if I

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Speaker 1: just drive off?

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Speaker 2: Well from my book, I'm going to get a chapter four.

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Speaker 1: Also called nuns Vagina.

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Speaker 2: On are the chances? This is before I got into

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Speaker 2: all of this. I became a mobile this DJ. One

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Speaker 2: of those mot wasn't Moby Disc. It was another company

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Speaker 2: called No Sounds.

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Speaker 1: This would have been so you still would be. If

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Speaker 1: you're looking for a side hustle, I'll read along to you.

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Speaker 2: In the casual employment section of the newspapers was an

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Speaker 2: ad wanted DJs weddings parties, anything full training and equipment

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Speaker 2: provided no X necessary experience abbreviation, you know print ads

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Speaker 2: in the newspaper. You'd get less. You'd have to pay sure.

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Speaker 2: The business was called Night Sounds and they were a

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Speaker 2: mobile disco operation, not to be confused with Maybe Disc,

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Speaker 2: which was more the established operation.

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Speaker 1: So this was a shonky side.

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Speaker 2: That's not to say the Night Sounds were any less,

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Speaker 2: they were just newer. The owner, Michael Jordan, not the basketballer,

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Speaker 2: was the coolest dude I'd ever met. He was tanned

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Speaker 2: and wore shoes without socks. But what really made him

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Speaker 2: cool was a picture over his desk of him with

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Speaker 2: Doug Moulray. Wow. In the eighties there was a thing

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Speaker 2: where DJ's radio DJs would roam the earth. They were

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Speaker 2: the big celebrities, they were the influences of and Doug

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Speaker 2: Morray was that. Doug Morrow is the reason I do

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Speaker 2: this now. And what radio DJs would do on the weekend,

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Speaker 2: they make a celebrity appearance at any of the disco

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Speaker 2: or the venues around the city.

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Speaker 3: People did when I worked on Simon Town's End's Wonderworld,

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Speaker 3: those kid reporters were constantly doing disco appearances and you.

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Speaker 2: Could make a lot of money in those days. In

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Speaker 2: the ages you get Doug would get five thousand dollars

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Speaker 2: for an appearance. Really, he'd go to Carmen's and Miranda

224
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Speaker 2: and he wouldn't have to do anything. You'd just show

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Speaker 2: up there, have a few drinks and get on the

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Speaker 2: microphone goog Who's won? And that was it. It was.

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Speaker 2: It was easy money. So I was instantly in an

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Speaker 2: onboard Michael's team. Michael took on my details and he

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Speaker 2: said he'd be in touch, and I sort of thought

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Speaker 2: that I wasn't ever going to hear from him again.

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Speaker 1: How old were you?

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Speaker 2: I would have been nineteen. So anyway, out of nowhere,

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Speaker 2: my mum comes out one day goes, oh, there someone

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Speaker 2: on the phone for you. It's a Michael Jordan. And

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Speaker 2: I didn't know who it was. I've gone back in

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Speaker 2: because a bit of a fair bit of time, and

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Speaker 2: he said, it's Michael Jordan at Night Sounds and he said,

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Speaker 2: we'd like you to come in for a few test runs.

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Speaker 2: So a test run meant going out on some practice

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Speaker 2: rounds with some DJs, which more or less became you

241
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Speaker 2: became their roadie, carried along their turntable concerts for free, Yeah,

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Speaker 2: for free, and you'd watch how to Do Everything and

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Speaker 2: all these DJs, all they'd ever do. You couldn't understand

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Speaker 2: a word they said. When they're on the microphone. It

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Speaker 2: was like being on city rail. That's what they do.

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Speaker 1: My favorite song, that's what they.

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Speaker 2: Would do in the thing.

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Speaker 1: And was it at parties? It was twenty first it

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Speaker 1: was anything yeah.

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Speaker 2: And after that I was proved to be Night Sounds material.

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Speaker 2: Many I wasn't. I wasn't a complete dickhead. The other

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Speaker 2: thing was I had a van my father's probably not

253
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Speaker 2: correctly named mental bus as we used to call.

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Speaker 1: Sure, But of course what other people called family.

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Speaker 2: They used to they used to. And I remember when

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Speaker 2: I went for the interview with Michael as well. I

257
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Speaker 2: showed up in the van and he said, so tell

258
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Speaker 2: me the story about the van. It was like he

259
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Speaker 2: was interviewing the van and not me. I get you. All.

260
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Speaker 2: The equipment was pretty cool. You got an AMP to

261
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Speaker 2: j B L Bins. They're big speakers, two light boxes

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Speaker 2: with four different lights, a chaser with a sensor that

263
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Speaker 2: made the lights running time with the music, and a console.

264
00:12:35,800 --> 00:12:38,240
Speaker 2: The console was more or less a miss mixed test

265
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Speaker 2: from Dick Smith that included two turntables which looked they

266
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Speaker 2: could have come like from any home system. And finally,

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Speaker 2: the most important piece of equipment was a microphone. That

268
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Speaker 2: was only a waiting game for my first gig, which

269
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Speaker 2: didn't take long, probably because the company invested a couple

270
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Speaker 2: of thousand bucks worth of equipment so they wanted to

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Speaker 2: return on their investment. So how it would work. Wendy,

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Speaker 2: Michael's second in command, would as sign the DJ for

273
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Speaker 2: the gig in nineteen eighty six. There are only are

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Speaker 2: two genres of music that anyone needed. You could be

275
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Speaker 2: a rock DJ or a disco one yeah, or a

276
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Speaker 2: funk DJ as they call it. I hated funk like

277
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Speaker 2: I hate R and B and rap, so I was

278
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Speaker 2: going to be a rock DJ. Choosing to be a

279
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Speaker 2: rock DJ probably bit me on the bum a little

280
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Speaker 2: bit later on with a story that's coming up. This

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Speaker 2: is before mobile phones. So what I had to do

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Speaker 2: was contact Wendy in the office before when, before midday

283
00:13:33,120 --> 00:13:36,120
Speaker 2: on a Wednesday to get all the details. So there

284
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Speaker 2: was a phone on Canterbury Road and I used to

285
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Speaker 2: drive a truck at this time, and I'd have to

286
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Speaker 2: be there at one o'clock in the afternoon. You're on

287
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Speaker 2: parole on Wednesday and ring up to get through to Wendy.

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Speaker 2: That phone in its time was never out of service.

289
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Speaker 2: It never broke down because it meant I was working

290
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Speaker 2: effectively pretty much six days or seven days a week,

291
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Speaker 2: up work Friday night doing the disco and Saturday night

292
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Speaker 2: one day was my only day off, and driving the

293
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Speaker 2: truck all through the week. I remember my first client though,

294
00:14:06,000 --> 00:14:08,440
Speaker 2: it was a young man called Darren in bass Hill,

295
00:14:08,920 --> 00:14:12,400
Speaker 2: and that's a suburb in south By Sydney. He'd chosen

296
00:14:12,480 --> 00:14:17,640
Speaker 2: the aforementioned rock DJ status. I spoke to Darren's mum,

297
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Speaker 2: who informed me that Darren was a nice young man. Yes,

298
00:14:20,600 --> 00:14:23,200
Speaker 2: he likes rock, but there's a lot of aunts and

299
00:14:23,400 --> 00:14:26,720
Speaker 2: uncles that would appreciate something a bit more soothing. Do

300
00:14:26,800 --> 00:14:31,080
Speaker 2: you have any ROBERTA Flack? After a visit to Palings

301
00:14:31,320 --> 00:14:34,520
Speaker 2: to buy ROBERTA. Flack's Greatest Hits, you got the whole album.

302
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Speaker 2: I wouldn't just get a single. I loaded up the

303
00:14:37,240 --> 00:14:40,400
Speaker 2: mental bus with my gear and headed off for Basil.

304
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Speaker 2: On the way, I picked up my friend oz Mother, because,

305
00:14:43,440 --> 00:14:45,160
Speaker 2: to be frank, I was a bit nervous and I

306
00:14:45,280 --> 00:14:50,240
Speaker 2: needed some moral support setting up the gear in Darren's backyard,

307
00:14:50,360 --> 00:14:52,160
Speaker 2: I took in the surroundings. It was pretty much your

308
00:14:52,240 --> 00:14:55,760
Speaker 2: run of the mill suburban backyard. Clothesline, concrete path that

309
00:14:55,880 --> 00:14:58,200
Speaker 2: led to a garage, a patch of grass attached to

310
00:14:58,280 --> 00:15:01,320
Speaker 2: a three bedroom firebrough house. We're about an hour early

311
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Speaker 2: and the only people there were Darren and his mum.

312
00:15:04,680 --> 00:15:07,040
Speaker 2: Darren was three years older than me, but he looked

313
00:15:07,080 --> 00:15:09,440
Speaker 2: like and acted like a sixteen year old. Oz Mother

314
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Speaker 2: made conversation while I got the equipment set up a

315
00:15:12,920 --> 00:15:15,640
Speaker 2: good thing. It didn't take long, as oz mother wasn't

316
00:15:15,680 --> 00:15:18,440
Speaker 2: that great at the small talk. The nerves were soon

317
00:15:18,560 --> 00:15:22,760
Speaker 2: replaced by boredom. The party's official starting time was seven o'clock,

318
00:15:23,040 --> 00:15:25,520
Speaker 2: but by seven forty five the only people who had

319
00:15:25,600 --> 00:15:29,000
Speaker 2: arrived were his immediate family, which are about three people,

320
00:15:29,280 --> 00:15:31,680
Speaker 2: his mum and dad and of course Darren. By eight,

321
00:15:31,800 --> 00:15:34,200
Speaker 2: his ratty uncle, who would have been only about thirty

322
00:15:34,280 --> 00:15:36,520
Speaker 2: showed up, and the next door aba who'd come over

323
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Speaker 2: for an unrelated matter about an hour and so of ROBERTA.

324
00:15:43,480 --> 00:15:46,640
Speaker 2: Flack and Middle of the Road Elton John Triple play.

325
00:15:46,880 --> 00:15:49,680
Speaker 2: Thirty something uncle comes over to me and says, surely

326
00:15:49,800 --> 00:15:53,320
Speaker 2: got something more lively than this shit. I pointed out

327
00:15:53,600 --> 00:15:56,560
Speaker 2: that had been requested by the birthday boy's mother, and

328
00:15:56,680 --> 00:15:59,120
Speaker 2: he said, I don'ven know why I'm here. Have you

329
00:15:59,240 --> 00:16:03,320
Speaker 2: got any angels? I said, sure, sure I did, And

330
00:16:03,440 --> 00:16:05,640
Speaker 2: I asked one particular, what do you want? You want

331
00:16:05,680 --> 00:16:07,480
Speaker 2: no secrets? Am I ever going to see your face again?

332
00:16:08,000 --> 00:16:11,640
Speaker 2: Thirty something said to me, stuff that commercial shit? What

333
00:16:11,800 --> 00:16:14,800
Speaker 2: about some real angels on some album tracks? What about

334
00:16:14,880 --> 00:16:17,880
Speaker 2: some decent music? You and I will know from being

335
00:16:17,920 --> 00:16:21,120
Speaker 2: in this business for a long time the phrase decent music.

336
00:16:21,520 --> 00:16:25,560
Speaker 2: What is someone's idea of decent music? So I looked

337
00:16:25,560 --> 00:16:27,640
Speaker 2: at Ozmother's and he looked at me, and I said,

338
00:16:27,680 --> 00:16:30,640
Speaker 2: oz Mother, go out to the van and get my crate.

339
00:16:31,400 --> 00:16:34,160
Speaker 2: Being and bobil DJ, you had music that the general

340
00:16:34,200 --> 00:16:37,160
Speaker 2: public wanted to hear. Then you had your own collection,

341
00:16:37,720 --> 00:16:41,480
Speaker 2: which season's professionals had told me would hardly ever be

342
00:16:41,720 --> 00:16:44,840
Speaker 2: asked for. But here I am on my first gig

343
00:16:45,160 --> 00:16:47,600
Speaker 2: and someone was asking for my favorite band in the

344
00:16:47,680 --> 00:16:50,640
Speaker 2: whole wide world. All the records, by the way, would

345
00:16:50,640 --> 00:16:53,600
Speaker 2: be in milk crates, and in my personal crate. Not

346
00:16:53,760 --> 00:16:56,480
Speaker 2: only did I have the whole back catalog of the Angels,

347
00:16:56,720 --> 00:17:00,520
Speaker 2: I also had the sex Pistols, Iron Maiden, Dead Kennedy's

348
00:17:00,720 --> 00:17:04,679
Speaker 2: and a new metal act called Metallica that create can

349
00:17:04,760 --> 00:17:06,800
Speaker 2: I just say, would save my bacon. A couple of

350
00:17:06,840 --> 00:17:09,360
Speaker 2: times I did a Biki's gig in Peahurst. One time

351
00:17:10,320 --> 00:17:12,840
Speaker 2: how a roberta flat gut? There was no roberta flak.

352
00:17:12,840 --> 00:17:15,120
Speaker 2: And this is the problem about being the rock DJ.

353
00:17:15,640 --> 00:17:17,800
Speaker 2: You just get all these rough gigs. So I did

354
00:17:17,840 --> 00:17:20,639
Speaker 2: this gig at Peakurst and they had a policy at

355
00:17:20,720 --> 00:17:23,359
Speaker 2: night sands once you got past midnight. Then you were

356
00:17:23,400 --> 00:17:27,040
Speaker 2: into overtime, so you could stop the party and say

357
00:17:27,200 --> 00:17:30,880
Speaker 2: I'm not doing anymore until I get paid overtime money,

358
00:17:30,880 --> 00:17:33,119
Speaker 2: which was twenty five dollars an hour, which is a

359
00:17:33,119 --> 00:17:35,760
Speaker 2: good bit of money. So I'm sitting there at Scots

360
00:17:35,800 --> 00:17:40,280
Speaker 2: to midnight and I'm thinking, so I got on the microphigure. Well, thanks,

361
00:17:40,440 --> 00:17:43,439
Speaker 2: thanks for coming along, guys to Choppers Barbecue and twenty

362
00:17:43,520 --> 00:17:46,919
Speaker 2: first anyway, that's me for the night. Brendan Jone's signing out.

363
00:17:47,160 --> 00:17:49,960
Speaker 2: This guy comes out and he's got like two eyes

364
00:17:50,080 --> 00:17:52,760
Speaker 2: rolling in his head. He's drunk as anything. He grabs

365
00:17:52,840 --> 00:17:55,480
Speaker 2: me by the shirt and he says, if you stop playing,

366
00:17:55,520 --> 00:17:58,040
Speaker 2: I'm going to put you in the ground. Then this

367
00:17:58,200 --> 00:18:00,680
Speaker 2: other guy comes out, this massive, even bigger bike. You

368
00:18:00,760 --> 00:18:03,640
Speaker 2: go with a red beard whose name was funnily enough,

369
00:18:03,960 --> 00:18:07,879
Speaker 2: red Beard punched this guy fair in the head, dead center.

370
00:18:08,200 --> 00:18:11,680
Speaker 2: The guy's eyes for a moment lining up and he said,

371
00:18:11,720 --> 00:18:15,560
Speaker 2: what's the problem, And I said, I'll explain, explain the

372
00:18:15,680 --> 00:18:18,680
Speaker 2: night Sounds policy. I was, you know, nineteen years of

373
00:18:18,720 --> 00:18:21,159
Speaker 2: that age, and I looked like my son Dominic, you know,

374
00:18:21,280 --> 00:18:23,720
Speaker 2: sort of slender and slight, no hair on the face

375
00:18:23,840 --> 00:18:27,280
Speaker 2: or anything. Like that. And then so Red Red Beard

376
00:18:27,359 --> 00:18:29,680
Speaker 2: rather got onto the microphone and said.

377
00:18:29,560 --> 00:18:30,560
Speaker 1: Ok are you mothers.

378
00:18:31,000 --> 00:18:33,200
Speaker 2: The dtail man's going to stuff first stay for the

379
00:18:33,280 --> 00:18:35,080
Speaker 2: next hour, but you've got to pay him twenty five

380
00:18:35,119 --> 00:18:38,000
Speaker 2: bucks an hour. The hat's coming around. So this hat

381
00:18:38,119 --> 00:18:41,000
Speaker 2: came around. There was five hundred bucks in the hand.

382
00:18:41,160 --> 00:18:41,440
Speaker 1: Wow.

383
00:18:42,040 --> 00:18:45,600
Speaker 2: I played till nine o'clock the next morning. Wow man.

384
00:18:45,760 --> 00:18:47,920
Speaker 2: So it was a that was part of the policy.

385
00:18:48,240 --> 00:18:51,560
Speaker 2: But back to Darren's part, please oz mother brought back

386
00:18:51,640 --> 00:18:54,280
Speaker 2: my crate and Uncle thirty something started going through all

387
00:18:54,320 --> 00:18:56,880
Speaker 2: my records. He then looked at us and he said,

388
00:18:56,880 --> 00:18:59,399
Speaker 2: do you guys smoke? I pulled out my cigarettes. He ges, na,

389
00:18:59,520 --> 00:19:02,280
Speaker 2: nah this and pulled out this big fat joint.

390
00:19:02,320 --> 00:19:03,479
Speaker 1: And how did the night play out?

391
00:19:03,520 --> 00:19:08,959
Speaker 2: For both scoops under the console smoking away? And then

392
00:19:10,000 --> 00:19:13,720
Speaker 2: the dad comes over and says, it's time for the speeches.

393
00:19:14,040 --> 00:19:16,639
Speaker 2: This was my big moment to shine. So I pretty

394
00:19:16,680 --> 00:19:19,440
Speaker 2: much go, you know, I'm palming the this is my

395
00:19:19,560 --> 00:19:22,480
Speaker 2: first night on the job, palming the joint off over

396
00:19:22,560 --> 00:19:26,159
Speaker 2: to Ozma and then they get on the microphone and go, okay,

397
00:19:26,240 --> 00:19:31,680
Speaker 2: ladies and gentlemen, it's time for the speeches. So Dad

398
00:19:31,800 --> 00:19:35,240
Speaker 2: comes out Darren's dad, who looked like a bawling version

399
00:19:35,320 --> 00:19:37,320
Speaker 2: of Darren. He said, I want to thank you all

400
00:19:37,359 --> 00:19:40,920
Speaker 2: for coming, and Darren spoke his piece and he said

401
00:19:40,960 --> 00:19:43,199
Speaker 2: exactly the same thing, except he changed it up by

402
00:19:43,240 --> 00:19:47,720
Speaker 2: saying yazor for coming. Oh. Then the champ became skull skull,

403
00:19:47,800 --> 00:19:51,800
Speaker 2: skull scale skull. They hand so you did hand? No,

404
00:19:51,920 --> 00:19:55,840
Speaker 2: I was a professional. Come on. They handed Darren a

405
00:19:56,160 --> 00:19:59,399
Speaker 2: half yard glass, which you made a fair fist off.

406
00:19:59,760 --> 00:20:01,919
Speaker 2: So I was bent down to queue up the next record,

407
00:20:02,200 --> 00:20:04,480
Speaker 2: and then I hear oz mother go, oh, oh jeez,

408
00:20:04,520 --> 00:20:07,800
Speaker 2: that's not good. What about that? Apparently Darren had chucked

409
00:20:07,880 --> 00:20:10,359
Speaker 2: up the contents of his yard glass and a mixture

410
00:20:10,400 --> 00:20:13,240
Speaker 2: of spit roast and potato bake when all over his

411
00:20:13,400 --> 00:20:19,040
Speaker 2: only work mate that bothered the sharp. By ten o'clock,

412
00:20:19,200 --> 00:20:22,200
Speaker 2: pretty much everyone had gone, Darren had been tucked into bed,

413
00:20:22,520 --> 00:20:25,560
Speaker 2: and missus Darren came over. I after she would be

414
00:20:25,640 --> 00:20:29,400
Speaker 2: interested in any home time, which the United Sounds Handbook

415
00:20:29,440 --> 00:20:32,600
Speaker 2: had specified, and she declined. She said no, boys, she

416
00:20:32,640 --> 00:20:34,399
Speaker 2: could probably we could probably wrap it up, pack up

417
00:20:34,440 --> 00:20:38,240
Speaker 2: and head on home. Anyway. On the way home, we're

418
00:20:38,320 --> 00:20:41,600
Speaker 2: driving along and a police car pulls us up here

419
00:20:41,640 --> 00:20:44,920
Speaker 2: a siren in the background, and I'm quite proud of

420
00:20:44,960 --> 00:20:47,159
Speaker 2: myself because I haven't I've had one two point two

421
00:20:47,280 --> 00:20:50,960
Speaker 2: beer all night. I've smoked more drugs than Bob Marley,

422
00:20:51,240 --> 00:20:53,840
Speaker 2: but back in the eighties it didn't matter. So the

423
00:20:53,920 --> 00:20:55,439
Speaker 2: copper pulls is over. He gets out of the car,

424
00:20:55,720 --> 00:20:59,080
Speaker 2: walks up to my van. The Toyota hias fan. The

425
00:20:59,160 --> 00:21:02,720
Speaker 2: seat is above the wheel, and unbeknownst to me, I'd

426
00:21:02,760 --> 00:21:06,439
Speaker 2: put them my seat belt over my shirt, but then

427
00:21:06,440 --> 00:21:09,960
Speaker 2: I put my jumper over my seat belt. So I've

428
00:21:10,000 --> 00:21:13,719
Speaker 2: gone to get out of the car and I'm hung up,

429
00:21:14,119 --> 00:21:17,440
Speaker 2: so I couldn't. I'm stuck on the side of the car.

430
00:21:18,080 --> 00:21:20,879
Speaker 2: And the copper sees this and he goes, geez, man,

431
00:21:20,920 --> 00:21:23,119
Speaker 2: you're a bit stuck there, and I'm laughing in my

432
00:21:23,200 --> 00:21:26,359
Speaker 2: head off oz Mother's laughing, and the CoP's laughing, and

433
00:21:26,440 --> 00:21:29,320
Speaker 2: so oz Mother has to try and undo the seat belt,

434
00:21:29,359 --> 00:21:31,000
Speaker 2: but he can't undo it because I've got all my

435
00:21:31,080 --> 00:21:32,840
Speaker 2: weight on it and my feet are kind of off

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00:21:32,880 --> 00:21:35,280
Speaker 2: the ground. So the copper had to boost me up

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00:21:35,800 --> 00:21:38,680
Speaker 2: to lift me up. And after all that, after I

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00:21:38,680 --> 00:21:40,320
Speaker 2: get unclipped, he says, so, what are you blokes? Up

439
00:21:40,359 --> 00:21:43,879
Speaker 2: to tonight. You haven't been drinking And I said, no, no, no,

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00:21:44,000 --> 00:21:48,600
Speaker 2: I haven't taken anything. Totally, it's totally. I have no

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00:21:48,720 --> 00:21:50,520
Speaker 2: concept of the fact that, like you know, I've been

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00:21:50,640 --> 00:21:53,600
Speaker 2: smoking all this wheat. And he goes, I said, I'm

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00:21:53,640 --> 00:21:57,080
Speaker 2: a mobile DJ, and he said all right, okay, and

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00:21:57,359 --> 00:21:58,680
Speaker 2: I said, I have a look at my equipment. So

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00:21:58,680 --> 00:22:00,080
Speaker 2: I take around to the back of the vent and

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00:22:00,160 --> 00:22:02,080
Speaker 2: he's checking out all my equipment. He's going, well, my

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00:22:02,200 --> 00:22:03,560
Speaker 2: daughter's twenty first just coming out.

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00:22:03,560 --> 00:22:04,960
Speaker 1: Oh, really got a booking from it.

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00:22:05,080 --> 00:22:06,800
Speaker 2: Well now I never heard from him again, but just

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00:22:06,920 --> 00:22:09,880
Speaker 2: as well these days if that happened, I'd be on RBT.

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Speaker 1: How amusing?

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00:22:11,720 --> 00:22:12,200
Speaker 3: Do Do Do?

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00:22:12,400 --> 00:22:16,320
Speaker 2: Do Do Do? I'd be in the Star Attraction.

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Speaker 1: Oh, time to have a cup of tea.

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Speaker 2: See you next time, as we turn the pages of

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00:22:22,840 --> 00:22:24,080
Speaker 2: our lives yet again.

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Speaker 3: Yes, in another episode of Jones and Amanda's book Club.

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Speaker 2: Jonesy anders Hi book. For more Jonesy and Demanded podcasts,

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00:22:34,760 --> 00:22:37,800
Speaker 2: download the free iHeartRadio app Papa