1 00:00:01,080 --> 00:00:05,040 Speaker 1: Dowered by the radio wapp from ninety six AIRFM to 2 00:00:05,080 --> 00:00:06,960 Speaker 1: whereever you're listening today. 3 00:00:07,160 --> 00:00:09,840 Speaker 2: This is Clearzy and Lisa's podcast. 4 00:00:10,160 --> 00:00:13,400 Speaker 3: Coming up on the podcast today, beno'chet reviews the heavily 5 00:00:13,680 --> 00:00:15,880 Speaker 3: star studded Asteroid City. 6 00:00:16,120 --> 00:00:19,120 Speaker 1: Speaking of movies, local filmmaker Calenderley spoke about his one 7 00:00:19,160 --> 00:00:20,079 Speaker 1: It Only Takes a Night. 8 00:00:20,400 --> 00:00:22,960 Speaker 4: We took your calls on what Came over the Fence and. 9 00:00:22,920 --> 00:00:25,200 Speaker 1: We played tribute to the late great band member and 10 00:00:25,280 --> 00:00:26,880 Speaker 1: solo star Robbie Robinson. 11 00:00:27,160 --> 00:00:29,760 Speaker 3: I know a lot of people have a drawer full 12 00:00:29,800 --> 00:00:33,280 Speaker 3: of old techy bits at home, in old Nokia phones, 13 00:00:33,760 --> 00:00:37,600 Speaker 3: redundant chords, you know, switch into a cables. That's what 14 00:00:37,720 --> 00:00:39,960 Speaker 3: I was looking for, you know, and I like like that. Well, 15 00:00:40,080 --> 00:00:42,240 Speaker 3: you might want to have a rifle through to see 16 00:00:42,240 --> 00:00:45,840 Speaker 3: what you've got, because a first generation Apple iPod has 17 00:00:45,960 --> 00:00:49,440 Speaker 3: just sold for a little over forty four grand. 18 00:00:51,040 --> 00:00:51,479 Speaker 2: Wow. 19 00:00:51,640 --> 00:00:54,080 Speaker 3: Yeah, I mean, you know, still in its packaging. But 20 00:00:54,240 --> 00:00:56,680 Speaker 3: the iPod was originally bought by the parents of a 21 00:00:56,680 --> 00:00:58,480 Speaker 3: teenager in two thousand and one. 22 00:00:58,520 --> 00:00:59,600 Speaker 4: It was his Christmas present. 23 00:00:59,840 --> 00:01:02,560 Speaker 3: Was bought it an Apple store in Plano, Texas, for 24 00:01:02,600 --> 00:01:05,240 Speaker 3: the price of about six hundred and ten dollars, and 25 00:01:05,360 --> 00:01:09,920 Speaker 3: it remained untouched in its original packaging until its recent rediscovery. 26 00:01:10,200 --> 00:01:12,200 Speaker 3: He wasn't this kid had got it for Christmas, wasn't 27 00:01:12,200 --> 00:01:15,639 Speaker 3: sure what he wanted to do with it, play it, 28 00:01:16,840 --> 00:01:21,240 Speaker 3: so he put it on a shelf and inevitably time passed, 29 00:01:21,880 --> 00:01:24,880 Speaker 3: and then he just found the iPod in the original 30 00:01:24,920 --> 00:01:29,479 Speaker 3: blue Apple bag while cleaning out his childhood home after 31 00:01:29,800 --> 00:01:32,959 Speaker 3: the death of his father, and he thought time to 32 00:01:33,040 --> 00:01:37,679 Speaker 3: sell well. The sale was orchestrated by Rally Alternative Asset Investment, 33 00:01:38,240 --> 00:01:41,680 Speaker 3: a platform known for enabling shared ownership of unique assets 34 00:01:41,760 --> 00:01:46,240 Speaker 3: like tech memorabilia. How old are we clazy that we 35 00:01:46,319 --> 00:01:50,160 Speaker 3: are now talking in terms of tech memorabilia? 36 00:01:50,480 --> 00:01:52,440 Speaker 2: Yes? And what was this two thousand and one? 37 00:01:52,520 --> 00:01:54,680 Speaker 3: This model, this is from This is the very original 38 00:01:55,040 --> 00:01:56,240 Speaker 3: from two thousand and one. 39 00:01:56,360 --> 00:01:57,040 Speaker 2: What have you got? 40 00:01:57,560 --> 00:01:59,960 Speaker 1: I've got one of those, but it's the very original. 41 00:02:00,040 --> 00:02:01,560 Speaker 1: I'm pretty sure it is. It's one of the all 42 00:02:01,560 --> 00:02:02,680 Speaker 1: black ones with the wheel on the front. 43 00:02:02,800 --> 00:02:03,400 Speaker 4: That's what I've got. 44 00:02:03,400 --> 00:02:05,760 Speaker 3: I'm sure that theory is maybe not like a two 45 00:02:05,800 --> 00:02:07,560 Speaker 3: thousand and three two thousand it might have been, but you. 46 00:02:07,560 --> 00:02:09,200 Speaker 1: Know, part of that thing why I got so much 47 00:02:09,200 --> 00:02:11,400 Speaker 1: money is people love the original packaging. 48 00:02:11,720 --> 00:02:13,480 Speaker 2: It's never been used, and the. 49 00:02:13,440 --> 00:02:15,200 Speaker 1: Apple bag would be part of it as well, because 50 00:02:15,480 --> 00:02:16,600 Speaker 1: nerds love that stuff. 51 00:02:16,720 --> 00:02:19,120 Speaker 3: It's surprising that not more of us have it in 52 00:02:19,160 --> 00:02:22,840 Speaker 3: the original packaging, considering how difficult it is to get 53 00:02:22,880 --> 00:02:25,200 Speaker 3: that stuff out of the packaging. 54 00:02:25,360 --> 00:02:27,560 Speaker 1: Kee put apple stuff all the design and that sliced 55 00:02:27,560 --> 00:02:30,359 Speaker 1: a finger off save jobs. It was a genius at marketing. 56 00:02:30,360 --> 00:02:32,600 Speaker 1: But that design of all that stuff, that packaging, in 57 00:02:32,639 --> 00:02:34,680 Speaker 1: the way things were presented in all those Apple products, 58 00:02:34,720 --> 00:02:35,640 Speaker 1: I was so sexy. 59 00:02:36,400 --> 00:02:38,680 Speaker 3: I've got one of those iPods with the wheels and 60 00:02:38,720 --> 00:02:40,560 Speaker 3: it's sitting in one of those speaker dock things. 61 00:02:41,240 --> 00:02:42,680 Speaker 4: Yeah you know. 62 00:02:42,720 --> 00:02:44,600 Speaker 3: I mean, now you just put your telly on, put 63 00:02:44,600 --> 00:02:47,880 Speaker 3: the speaker on, and it's all on your on the screen. 64 00:02:47,600 --> 00:02:50,000 Speaker 2: Trying to recall which boxes it's in my office at home. 65 00:02:50,400 --> 00:02:51,920 Speaker 2: You are a box keeper I have. 66 00:02:52,000 --> 00:02:54,640 Speaker 1: I have got a few boxes of tragic stuff, but 67 00:02:54,680 --> 00:02:55,960 Speaker 1: I don't know if I've got the right cable. 68 00:02:55,960 --> 00:02:56,880 Speaker 2: You only spare cables. 69 00:02:56,960 --> 00:02:59,600 Speaker 3: Yeah, I've got one of those, like the fat the 70 00:02:59,600 --> 00:03:03,679 Speaker 3: fat one, the skinnu. 71 00:03:02,200 --> 00:03:02,800 Speaker 2: They change him. 72 00:03:04,680 --> 00:03:04,880 Speaker 4: One. 73 00:03:05,000 --> 00:03:08,239 Speaker 2: Yeah awesome, Yeah, thank you. Let me make a note, Okay, 74 00:03:08,600 --> 00:03:10,040 Speaker 2: don't mean if I sell it. 75 00:03:10,040 --> 00:03:10,720 Speaker 4: For clears. 76 00:03:12,720 --> 00:03:13,280 Speaker 2: The first time. 77 00:03:14,280 --> 00:03:15,040 Speaker 4: That's my text. 78 00:03:15,320 --> 00:03:21,720 Speaker 2: Take that anyway? You like that? You're so steep lay Yeah. 79 00:03:22,160 --> 00:03:27,000 Speaker 3: Local filmmaker Callanderlka, you may know for writing The Naked Wanderer, 80 00:03:27,000 --> 00:03:30,639 Speaker 3: which starred John Cleese, is back first time directing too, 81 00:03:30,880 --> 00:03:33,800 Speaker 3: with It Only Takes a Night, which is in Cinema's 82 00:03:34,360 --> 00:03:36,480 Speaker 3: August fifteen, and he's with us now, good. 83 00:03:36,280 --> 00:03:38,760 Speaker 2: Morning, thanks very much for having me. 84 00:03:39,520 --> 00:03:41,840 Speaker 3: Now this film, it Only Takes a Night, It's set 85 00:03:41,880 --> 00:03:46,080 Speaker 3: in London, it is but filmed entirely here. Was that 86 00:03:46,640 --> 00:03:49,160 Speaker 3: part of the plan or did COVID have something to 87 00:03:49,200 --> 00:03:50,800 Speaker 3: do with where it got filmed. 88 00:03:50,920 --> 00:03:54,240 Speaker 5: I think we kind of had a thought for about 89 00:03:54,240 --> 00:03:55,960 Speaker 5: three seconds that we were going to go to London 90 00:03:56,000 --> 00:03:57,680 Speaker 5: and film it, and then realized how much that was 91 00:03:57,720 --> 00:03:59,480 Speaker 5: all going to cost, and then thought, no, let's just 92 00:03:59,480 --> 00:04:02,200 Speaker 5: do it. Yeah, cost is a big thing, doable. Yeah, 93 00:04:02,240 --> 00:04:04,400 Speaker 5: but no, Look it worked out really really well. I mean, 94 00:04:04,760 --> 00:04:06,600 Speaker 5: you know, we've sold the film to England now and 95 00:04:06,640 --> 00:04:08,440 Speaker 5: everyone keeps asking when did you come over here and 96 00:04:08,480 --> 00:04:11,680 Speaker 5: film it? So, yeah, Perth looks exactly like London if 97 00:04:11,680 --> 00:04:12,800 Speaker 5: you shoot it in the right angler. 98 00:04:14,200 --> 00:04:19,160 Speaker 1: Did you spend about fourteen weeks in London? Court pretty much. 99 00:04:19,200 --> 00:04:21,960 Speaker 5: There's a lot of like Prince Lane, King Street, Freeman 100 00:04:22,040 --> 00:04:24,400 Speaker 5: all places like that. So yeah, the City of Perth 101 00:04:24,480 --> 00:04:26,440 Speaker 5: was very helpful, City Freemantle very helpful. 102 00:04:26,480 --> 00:04:27,839 Speaker 2: So yeah we're pretty stoked, all right. 103 00:04:27,920 --> 00:04:29,040 Speaker 4: So what is the film about? 104 00:04:29,240 --> 00:04:31,720 Speaker 5: In a nutshell, so it's a look, it's a rom 105 00:04:31,800 --> 00:04:34,800 Speaker 5: com at heart, it's a breakup story. You know, a 106 00:04:34,880 --> 00:04:37,960 Speaker 5: girl sort of gets dumped at a very unfortunate time 107 00:04:38,000 --> 00:04:40,120 Speaker 5: in her life and she's down in the dumps and 108 00:04:40,120 --> 00:04:41,920 Speaker 5: then her four friends take her out one night. 109 00:04:42,000 --> 00:04:43,800 Speaker 2: So it sort of comes from that thing. 110 00:04:43,839 --> 00:04:46,479 Speaker 5: It only takes one night to change your life, you know, 111 00:04:46,640 --> 00:04:49,200 Speaker 5: it all takes place over one night and things go down. 112 00:04:49,440 --> 00:04:50,200 Speaker 2: Let's just say. 113 00:04:50,120 --> 00:04:54,560 Speaker 1: Okay, all right, you mentioned the word finance or budgets, 114 00:04:54,560 --> 00:04:57,200 Speaker 1: and in moving making and TV making, that's what it's 115 00:04:57,240 --> 00:04:59,039 Speaker 1: all about, is yeah, to try and get there and 116 00:04:59,040 --> 00:05:00,600 Speaker 1: you've got to get the right light in the right 117 00:05:00,600 --> 00:05:01,680 Speaker 1: time and all that kind of stuff. 118 00:05:01,880 --> 00:05:02,880 Speaker 2: But how did you go with that? 119 00:05:02,880 --> 00:05:04,719 Speaker 1: Because if you walk onto a movie set and you 120 00:05:04,720 --> 00:05:06,839 Speaker 1: see the catering and it's really soggy sandwiches, you know 121 00:05:06,880 --> 00:05:07,960 Speaker 1: this struggling Yeah. 122 00:05:07,760 --> 00:05:10,040 Speaker 5: Well this is the thing, right, Like, you know, we 123 00:05:10,080 --> 00:05:13,679 Speaker 5: had really great support from all of Perth, all our crew, 124 00:05:13,800 --> 00:05:15,880 Speaker 5: all our casts. They sort of knew what they were 125 00:05:15,880 --> 00:05:18,599 Speaker 5: getting into. You know, we shot it in May twenty 126 00:05:18,640 --> 00:05:21,200 Speaker 5: twenty one, which was obviously the height of the pandemic. 127 00:05:21,440 --> 00:05:24,880 Speaker 5: In fact, our shoot was literally between two lockdowns, I think. Yeah, 128 00:05:25,040 --> 00:05:27,279 Speaker 5: we took our masks off the first day of filming 129 00:05:27,400 --> 00:05:30,360 Speaker 5: and then four days after we wrapped there was another lockdown. 130 00:05:30,400 --> 00:05:31,840 Speaker 2: So it was all pretty hardcore. 131 00:05:31,880 --> 00:05:33,600 Speaker 5: But everyone sort of wanted to do this and wanted 132 00:05:33,640 --> 00:05:36,320 Speaker 5: to work, so yeah, look, everybody showed up for it. 133 00:05:36,360 --> 00:05:38,360 Speaker 5: But you know, we made sure we fed people well 134 00:05:38,440 --> 00:05:40,760 Speaker 5: because you know, you feed them well at least you know, 135 00:05:41,200 --> 00:05:43,760 Speaker 5: hopefully they're happy, hopefully that. 136 00:05:45,160 --> 00:05:46,000 Speaker 4: I don't mind admitting. 137 00:05:46,480 --> 00:05:49,800 Speaker 3: I'm such a parochial Perth person, and I also love movies, 138 00:05:49,839 --> 00:05:51,560 Speaker 3: so I love it when I see a movie where 139 00:05:51,600 --> 00:05:54,720 Speaker 3: I recognized, you know stuff nice. What are some of 140 00:05:54,760 --> 00:05:56,719 Speaker 3: the locations that people are going to recognize in this 141 00:05:56,760 --> 00:05:58,080 Speaker 3: because I know a lot of it is filmed in 142 00:05:58,080 --> 00:05:58,640 Speaker 3: a nightclub. 143 00:05:58,839 --> 00:06:01,680 Speaker 5: Yes, if you're a big nightclubber and you go to 144 00:06:01,760 --> 00:06:04,320 Speaker 5: Magnet House quite a lot, you'll recognize that because we 145 00:06:04,360 --> 00:06:06,640 Speaker 5: spend quite a lot of time in there. 146 00:06:06,720 --> 00:06:07,279 Speaker 2: And I'll tell you. 147 00:06:07,320 --> 00:06:10,520 Speaker 5: What filming in a nightclub during the day, that is 148 00:06:10,600 --> 00:06:11,320 Speaker 5: an experience. 149 00:06:13,000 --> 00:06:14,000 Speaker 4: You can see too much. 150 00:06:14,320 --> 00:06:16,719 Speaker 5: So there's a certain smell that's there you don't sort 151 00:06:16,720 --> 00:06:18,880 Speaker 5: of recognize, and you're there at nighttime. 152 00:06:18,920 --> 00:06:20,600 Speaker 2: You're sort of having too much fun at night, even 153 00:06:20,640 --> 00:06:23,520 Speaker 2: in the pandemic. Yeah exactly. I might have edit out. 154 00:06:24,040 --> 00:06:25,840 Speaker 2: You don't want to see why the carpets sticky, do you? 155 00:06:26,320 --> 00:06:29,240 Speaker 2: Yeah exactly. Yeah, you're sort of picking up your feet 156 00:06:29,279 --> 00:06:31,080 Speaker 2: a bit much. But yeah, that was great. So we 157 00:06:31,080 --> 00:06:32,120 Speaker 2: filmed Magnet House. 158 00:06:32,160 --> 00:06:37,159 Speaker 5: Yeah, like I said, some streets of Fremantle, Yeah, Prince Lane, 159 00:06:37,240 --> 00:06:41,080 Speaker 5: King Street all around, sort of that Belgian beer cafe area, 160 00:06:42,160 --> 00:06:43,880 Speaker 5: a little bit of stuff in East Perth. The League 161 00:06:43,920 --> 00:06:47,080 Speaker 5: girl Ruby who was played by Eliza Taylor, her apartments 162 00:06:47,120 --> 00:06:48,279 Speaker 5: in East Perth. 163 00:06:49,240 --> 00:06:50,400 Speaker 2: You just sort of blur out. 164 00:06:50,320 --> 00:06:52,520 Speaker 5: The background and yeah, yeah, that's not the whack I 165 00:06:52,520 --> 00:06:57,400 Speaker 5: don't know, stadium, yeah exactly. So yeah, look, I think 166 00:06:57,400 --> 00:07:00,359 Speaker 5: people will recognize quite a few places. And you know, 167 00:07:00,360 --> 00:07:02,280 Speaker 5: if you've seen the trailer, you probably think that there's 168 00:07:02,400 --> 00:07:04,880 Speaker 5: you know, it's just your standard rom com, but there's 169 00:07:04,920 --> 00:07:07,080 Speaker 5: a few twists and turns and you might actually see 170 00:07:07,120 --> 00:07:09,080 Speaker 5: a little bit more of Perth than you're expecting to. 171 00:07:09,040 --> 00:07:11,239 Speaker 4: See in that way, and a great cast. 172 00:07:11,320 --> 00:07:16,200 Speaker 3: You just mentioned Eliza Taylor, George Pulas, who I just 173 00:07:16,240 --> 00:07:18,400 Speaker 3: saw in Barons and I loved him in that, and 174 00:07:18,640 --> 00:07:19,840 Speaker 3: he was also in Playing for Keeps. 175 00:07:19,880 --> 00:07:22,000 Speaker 4: You know, I'm from there. He's terrific. 176 00:07:22,080 --> 00:07:23,040 Speaker 2: Yeah, he's great. 177 00:07:23,120 --> 00:07:23,360 Speaker 6: Yeah. 178 00:07:23,400 --> 00:07:25,920 Speaker 5: So I met George ages ago while he was at 179 00:07:25,920 --> 00:07:28,840 Speaker 5: Whopper and he read some stuff for The Naked Wanderer 180 00:07:28,880 --> 00:07:30,600 Speaker 5: and yeah, we kept in touch and I sort of 181 00:07:30,600 --> 00:07:33,600 Speaker 5: always had him in mind for this one. And yeah, 182 00:07:33,640 --> 00:07:37,160 Speaker 5: we also had Anna Ker who was still at Wopper 183 00:07:37,640 --> 00:07:40,120 Speaker 5: at the time that we filmed it, so she literally 184 00:07:40,120 --> 00:07:42,320 Speaker 5: did her audition while she was still a third year, 185 00:07:42,600 --> 00:07:44,200 Speaker 5: and yeah, she was perfect for the role. 186 00:07:44,240 --> 00:07:46,080 Speaker 2: So we got here. That's yeah. 187 00:07:46,160 --> 00:07:47,720 Speaker 5: Yeah, so I think, you know, sort of her last 188 00:07:47,720 --> 00:07:49,800 Speaker 5: couple of months of Whopper were on set for us, 189 00:07:49,840 --> 00:07:53,160 Speaker 5: and yeah, she's amazing. And you know, given that she 190 00:07:53,200 --> 00:07:55,400 Speaker 5: was still at acting school, you kind of go wow, like. 191 00:07:55,320 --> 00:07:57,960 Speaker 1: That's similar thing happened to Hugh Jack when he was 192 00:07:58,200 --> 00:08:00,360 Speaker 1: or all of a sudden on a TV set. 193 00:08:00,800 --> 00:08:04,480 Speaker 2: Absolutely, So yeah, that's what before you. Yeah, is great. 194 00:08:04,520 --> 00:08:07,160 Speaker 4: It is the great theater school. 195 00:08:07,880 --> 00:08:11,280 Speaker 5: Well, look, the whole cast was amazing, you know, Aril Carver, 196 00:08:11,400 --> 00:08:14,160 Speaker 5: O'Neil SNAr Shik. You know, they're all sort of coming 197 00:08:14,200 --> 00:08:15,800 Speaker 5: up and doing things at the moment. So I was 198 00:08:15,880 --> 00:08:19,480 Speaker 5: in class of seven on Amazon, and yet you know 199 00:08:19,600 --> 00:08:21,480 Speaker 5: they just the whole thing about this film was the 200 00:08:21,560 --> 00:08:24,400 Speaker 5: chemistry that you know that this was sposed four best 201 00:08:24,440 --> 00:08:26,920 Speaker 5: friends and so you know they were best friends by 202 00:08:27,080 --> 00:08:28,400 Speaker 5: basically the first week film. 203 00:08:28,920 --> 00:08:31,240 Speaker 1: Station and then naked wondering there just quickly did you 204 00:08:31,360 --> 00:08:32,960 Speaker 1: get to meet or spend any time with John Clee? 205 00:08:32,960 --> 00:08:35,120 Speaker 2: So when I interviewed him John Clees, we had to spend. 206 00:08:35,720 --> 00:08:38,199 Speaker 5: It's like cheese please, yeah, yeah, Yeah. I spent a 207 00:08:38,240 --> 00:08:40,880 Speaker 5: couple of weeks in London filming with him, and yeah, 208 00:08:40,880 --> 00:08:41,080 Speaker 5: it was. 209 00:08:41,120 --> 00:08:43,240 Speaker 2: It was amazing. He's everything you want him to be. 210 00:08:43,400 --> 00:08:43,559 Speaker 7: You know. 211 00:08:43,600 --> 00:08:45,199 Speaker 5: We sort of had this like one little bit where 212 00:08:45,200 --> 00:08:47,079 Speaker 5: we filmed in the back of a limo with him 213 00:08:47,080 --> 00:08:48,920 Speaker 5: and he did it in two seconds, so we had 214 00:08:48,960 --> 00:08:50,920 Speaker 5: to drive back to the studio and he was quoting 215 00:08:51,960 --> 00:08:53,160 Speaker 5: Monty Python the entire. 216 00:08:54,640 --> 00:08:56,240 Speaker 2: Yeah, my father was a Hampstead and. 217 00:08:56,240 --> 00:08:59,200 Speaker 4: Your mother Berry. I love the week you put that. 218 00:08:59,240 --> 00:09:01,400 Speaker 3: It was everything you want to want to because it's 219 00:09:01,440 --> 00:09:04,720 Speaker 3: like please, please, please, please do I'm an. 220 00:09:04,600 --> 00:09:08,360 Speaker 2: Idiot, you talk about cricket. He's happy. Yeah, yeah, loves 221 00:09:08,400 --> 00:09:09,640 Speaker 2: limas he's named after him. 222 00:09:10,760 --> 00:09:13,360 Speaker 4: Yeah yeah, Lima cheese. 223 00:09:14,600 --> 00:09:17,640 Speaker 3: It's your first time directing, so there's more of that 224 00:09:17,679 --> 00:09:20,040 Speaker 3: to come, I expect. Yeah, where that came from, hope. 225 00:09:20,080 --> 00:09:23,840 Speaker 3: So that's the plan in cinemas August fifteen. Lovely to 226 00:09:23,880 --> 00:09:24,480 Speaker 3: have you come in. 227 00:09:24,520 --> 00:09:26,440 Speaker 1: Thank you very much, appreciate it. Can't let's just see 228 00:09:26,440 --> 00:09:29,400 Speaker 1: it and start spotting spots. Go check it out. 229 00:09:29,400 --> 00:09:30,480 Speaker 2: Thanks, thank you. 230 00:09:30,520 --> 00:09:34,280 Speaker 6: More more Lisa, More podcasts soon. 231 00:09:37,320 --> 00:09:37,640 Speaker 4: Well. 232 00:09:37,720 --> 00:09:41,920 Speaker 3: A Perth man his name is Peter, has shared a 233 00:09:41,960 --> 00:09:46,000 Speaker 3: blunt note with his neighbors after he claims kids, the 234 00:09:46,080 --> 00:09:48,760 Speaker 3: kids next door keeps throwing stuff into his yard and 235 00:09:48,800 --> 00:09:51,720 Speaker 3: it is annoying. There's only so many times it's coming back, 236 00:09:51,960 --> 00:09:54,559 Speaker 3: you know. And of course the note has been shared 237 00:09:54,600 --> 00:09:57,160 Speaker 3: on social media because that's how people roll this. That's good, 238 00:09:57,320 --> 00:10:01,080 Speaker 3: Peter says. Neighbors kids keep throwing stuff over the fence, balls, 239 00:10:01,120 --> 00:10:07,800 Speaker 3: toy cars, toy cars, shoes, shoes, shoes, bottles, rubbish keys. 240 00:10:08,320 --> 00:10:11,720 Speaker 3: Today they've thrown a ball over and smashed our side light. 241 00:10:12,160 --> 00:10:14,640 Speaker 3: I was pretty darn close to sending the ball back 242 00:10:14,679 --> 00:10:18,120 Speaker 3: over with a knife sticking in it. Instead, they got 243 00:10:18,120 --> 00:10:22,200 Speaker 3: a note and the note read high just letting you 244 00:10:22,280 --> 00:10:25,559 Speaker 3: know that this ball has smashed us side alli lightbulb. 245 00:10:25,840 --> 00:10:28,040 Speaker 3: If you could please let the kids know that this 246 00:10:28,120 --> 00:10:30,720 Speaker 3: will be the last time we will be returning the ball. 247 00:10:31,000 --> 00:10:35,320 Speaker 3: That would be appreciated. Thanks Peter from next door. Okay, 248 00:10:35,440 --> 00:10:40,240 Speaker 3: so after he did return the ball last time, I've 249 00:10:40,280 --> 00:10:45,040 Speaker 3: warned you, the parents told Peter sorry, but their child 250 00:10:45,120 --> 00:10:50,440 Speaker 3: had some attention deficit issues. But Peter could not empathize less, 251 00:10:50,960 --> 00:10:54,520 Speaker 3: he says, and I quote again the same kid who 252 00:10:54,520 --> 00:10:57,800 Speaker 3: constantly beeps the horn and is a general turd burglar. 253 00:10:58,640 --> 00:11:02,400 Speaker 3: I would like to empathize, but I was extremely adhd 254 00:11:02,480 --> 00:11:04,560 Speaker 3: as a child, and at least I still knew boundaries. 255 00:11:05,000 --> 00:11:07,680 Speaker 1: I love the third burglar, turd burg that's funny. So 256 00:11:07,720 --> 00:11:10,800 Speaker 1: the kids just thrown everything over, I think anything CARDI 257 00:11:11,120 --> 00:11:13,080 Speaker 1: there was something that was going on keeck check and stuff. 258 00:11:13,120 --> 00:11:15,400 Speaker 3: That's the only thing hasn't throated as a microphone microphone. 259 00:11:15,600 --> 00:11:19,000 Speaker 3: Of course, this is not a problem particular to Peter. 260 00:11:19,440 --> 00:11:24,080 Speaker 2: No, it was quite a few picked A pecker can 261 00:11:24,160 --> 00:11:24,640 Speaker 2: never do that. 262 00:11:25,760 --> 00:11:28,280 Speaker 4: So yeah, we were to offer the light and ask 263 00:11:28,760 --> 00:11:29,839 Speaker 4: what came over a fence? 264 00:11:29,880 --> 00:11:31,199 Speaker 2: What was it? That came over the fence. 265 00:11:31,280 --> 00:11:34,560 Speaker 1: And I know of a family who had he do 266 00:11:34,840 --> 00:11:37,880 Speaker 1: jump over the fence, who wanted to jump over the fence, 267 00:11:39,000 --> 00:11:41,559 Speaker 1: wanted a stoush, And I'm going he jumped the fence 268 00:11:41,600 --> 00:11:42,160 Speaker 1: to have a fight. 269 00:11:42,640 --> 00:11:47,160 Speaker 3: So ready to rock, I lean in Bibra Lake. What 270 00:11:47,320 --> 00:11:48,320 Speaker 3: came over your fence? 271 00:11:48,760 --> 00:11:51,240 Speaker 7: I was in the country and I was living in 272 00:11:51,280 --> 00:11:52,840 Speaker 7: between two feuding families. 273 00:11:52,960 --> 00:11:56,280 Speaker 2: And the final straw, the final straw because the. 274 00:11:56,280 --> 00:11:58,640 Speaker 8: Kids used to fight amongst each other, the parents used 275 00:11:58,640 --> 00:12:01,360 Speaker 8: to fight amongst each other, have cans and bottles and 276 00:12:01,400 --> 00:12:04,120 Speaker 8: all sorts of things coming across from their side. 277 00:12:04,200 --> 00:12:05,640 Speaker 2: On the other side in. 278 00:12:05,600 --> 00:12:12,000 Speaker 7: The middle, the last raw was a dead cat and 279 00:12:13,160 --> 00:12:15,840 Speaker 7: throwing it over and at lanted in my backyard. 280 00:12:15,920 --> 00:12:18,160 Speaker 8: So I had to dispose of this dead cat. 281 00:12:20,480 --> 00:12:22,280 Speaker 1: I realize you guys were piggy in the middle, because 282 00:12:22,320 --> 00:12:26,720 Speaker 1: that's horrible. 283 00:12:25,880 --> 00:12:27,600 Speaker 7: Complaint and I got shifted. 284 00:12:28,160 --> 00:12:29,160 Speaker 4: Thank God for that. 285 00:12:29,240 --> 00:12:32,839 Speaker 3: I just couldn't think of anything worse than living in 286 00:12:32,880 --> 00:12:33,760 Speaker 3: that situation. 287 00:12:33,840 --> 00:12:34,520 Speaker 2: You want to be. 288 00:12:34,400 --> 00:12:38,680 Speaker 3: Able to go home and be safe and calm. Yeah, 289 00:12:39,040 --> 00:12:41,120 Speaker 3: just and you've got idiots to the left of you, 290 00:12:41,400 --> 00:12:45,679 Speaker 3: idiots to the right, the right. Horrible You poor guy in. 291 00:12:45,640 --> 00:12:46,120 Speaker 2: The middle of you. 292 00:12:46,200 --> 00:12:50,120 Speaker 1: And that sounds like a that's a current affair. 293 00:12:50,360 --> 00:12:51,520 Speaker 2: Yeahlean in trouble. 294 00:12:51,760 --> 00:12:56,760 Speaker 3: Yeah not good, Thank goodness you got out Andrew in 295 00:12:56,880 --> 00:12:57,920 Speaker 3: Mount Helena? 296 00:12:58,040 --> 00:12:59,800 Speaker 4: What what came over your fence? 297 00:12:59,840 --> 00:13:02,840 Speaker 6: And when I was really young, I ould have been 298 00:13:02,880 --> 00:13:05,920 Speaker 6: about six, I had older brothers and sisters, and we 299 00:13:05,960 --> 00:13:07,640 Speaker 6: all used to have a little war going on with 300 00:13:07,720 --> 00:13:08,800 Speaker 6: the kids across the road. 301 00:13:08,920 --> 00:13:09,120 Speaker 2: Yep. 302 00:13:09,160 --> 00:13:10,880 Speaker 6: So we used to throw stuff back and forth all 303 00:13:10,880 --> 00:13:12,559 Speaker 6: the time. But the one thing that always stuck out 304 00:13:12,640 --> 00:13:18,160 Speaker 6: my mind was a cast iron alligator. Threw that over 305 00:13:18,280 --> 00:13:20,720 Speaker 6: at us and it came down and split my shit open. 306 00:13:21,600 --> 00:13:25,079 Speaker 2: Of course you remembered that then, Wow? 307 00:13:25,200 --> 00:13:27,280 Speaker 6: Oh no, no, she said, you guys started it. You 308 00:13:27,280 --> 00:13:31,959 Speaker 6: guys finished really appearance across the road were freedssus just 309 00:13:31,960 --> 00:13:32,880 Speaker 6: the kids that didn't get along. 310 00:13:33,000 --> 00:13:35,440 Speaker 3: Oh wow, So I did to throw your concrete kangaroo 311 00:13:35,520 --> 00:13:36,160 Speaker 3: or something at them? 312 00:13:36,200 --> 00:13:39,600 Speaker 6: I mean no, I kept that. I kept that alligator 313 00:13:39,640 --> 00:13:41,880 Speaker 6: for years though. Every I used to keep it in 314 00:13:41,880 --> 00:13:43,520 Speaker 6: my window so they could see you across the road 315 00:13:43,520 --> 00:13:44,920 Speaker 6: because they got in trouble for getting rid of it 316 00:13:44,920 --> 00:13:45,760 Speaker 6: because it was my appearance. 317 00:13:45,880 --> 00:13:48,680 Speaker 2: Oh right, right, that's cool? 318 00:13:48,800 --> 00:13:48,920 Speaker 9: Is that? 319 00:13:49,000 --> 00:13:51,319 Speaker 2: Profiting from crime? Though? In a way. 320 00:13:53,520 --> 00:13:56,319 Speaker 3: Split his shin open. He gets to keep it. Possessions 321 00:13:56,600 --> 00:14:02,280 Speaker 3: nine tenths of the look. Absolutely, thanks Andrew and the 322 00:14:02,360 --> 00:14:03,000 Speaker 3: kids blowing. 323 00:14:03,480 --> 00:14:05,600 Speaker 1: That sounds so much like a twenty twenty three parent, 324 00:14:06,080 --> 00:14:07,559 Speaker 1: not your kids working out. 325 00:14:07,880 --> 00:14:09,760 Speaker 4: Absolutely, that's how it was done. 326 00:14:10,000 --> 00:14:12,640 Speaker 3: It was definite, little bit guilty really that well, what 327 00:14:12,720 --> 00:14:13,720 Speaker 3: came over your fence? 328 00:14:14,440 --> 00:14:18,080 Speaker 8: Oh hi, guys, we came home from We came home 329 00:14:18,120 --> 00:14:22,280 Speaker 8: from work this particular day to find in our backyard 330 00:14:22,840 --> 00:14:29,160 Speaker 8: someone shed, someone's shed. Yes, a clothes line covered in 331 00:14:29,520 --> 00:14:38,040 Speaker 8: washing and a wheelbarrow, kids wheelbarrowchloag the fence. Oh my god, there, 332 00:14:39,360 --> 00:14:42,360 Speaker 8: oh no, no, it was if we had really really 333 00:14:42,400 --> 00:14:48,680 Speaker 8: come through Parmelia. We've lost we've lost the back fence. 334 00:14:49,600 --> 00:14:53,840 Speaker 8: Our clothes line had been cemented in, so we were lucky. 335 00:14:54,000 --> 00:14:57,160 Speaker 8: But the clothes were everywhere off of it. Everything was 336 00:14:57,160 --> 00:15:00,320 Speaker 8: wet and covered in sand. It was disgusting, but we 337 00:15:00,400 --> 00:15:01,920 Speaker 8: had to then try and work out you shed We 338 00:15:02,000 --> 00:15:03,080 Speaker 8: had yeah. 339 00:15:03,160 --> 00:15:05,360 Speaker 3: Tell me nickers were down the streets and someone else's 340 00:15:05,400 --> 00:15:08,120 Speaker 3: backyard because they on our line. 341 00:15:09,200 --> 00:15:12,560 Speaker 8: The clothes line that we inherited, with the clothes line 342 00:15:12,560 --> 00:15:17,200 Speaker 8: that we inherited was covered in baby clothes, right, Okay, 343 00:15:17,520 --> 00:15:20,800 Speaker 8: a little kids clothes. The wheelbarrow was you know, one 344 00:15:20,800 --> 00:15:24,720 Speaker 8: of those little plastic bloom come over the. 345 00:15:26,200 --> 00:15:26,400 Speaker 10: Down. 346 00:15:28,520 --> 00:15:31,880 Speaker 8: No, well, no one actually came forward for the clothes 347 00:15:32,520 --> 00:15:34,600 Speaker 8: shed for a few days. It turned out they came 348 00:15:34,640 --> 00:15:37,680 Speaker 8: from two streets. 349 00:15:38,000 --> 00:15:40,840 Speaker 4: Yes, it was terrible, Oh my god. 350 00:15:40,920 --> 00:15:43,240 Speaker 8: And yeah, no, you go out the front yard. There 351 00:15:43,320 --> 00:15:44,960 Speaker 8: was just litter everywhere. 352 00:15:45,000 --> 00:15:45,680 Speaker 4: It was terrible. 353 00:15:45,760 --> 00:15:47,080 Speaker 8: But yeah, this. 354 00:15:47,160 --> 00:15:48,080 Speaker 2: Was on the news, wasn't it. 355 00:15:48,120 --> 00:15:49,400 Speaker 4: This was like a mini tornado. 356 00:15:50,280 --> 00:15:52,360 Speaker 8: Yes, it would be the best to go. 357 00:15:52,640 --> 00:15:53,400 Speaker 4: I don't remember that one. 358 00:15:54,440 --> 00:15:59,600 Speaker 8: Sorry, hand was hit really hard. Yeah, okay, Rockingham and 359 00:15:59,640 --> 00:16:01,880 Speaker 8: parme Is seemed to get little pockets of air that 360 00:16:01,920 --> 00:16:05,520 Speaker 8: no one else gets for whatever reason. Yeah, we were 361 00:16:05,600 --> 00:16:06,600 Speaker 8: just special. 362 00:16:06,200 --> 00:16:09,160 Speaker 4: But yeah it is. I'd go with special. 363 00:16:09,400 --> 00:16:11,280 Speaker 1: And if you were there, you'd see a cow flying 364 00:16:11,320 --> 00:16:14,240 Speaker 1: around at my twister debris. 365 00:16:14,520 --> 00:16:15,880 Speaker 2: Thankfully we were at work. 366 00:16:16,080 --> 00:16:18,240 Speaker 8: But I can only imagine the next one Ober Suit 367 00:16:18,360 --> 00:16:19,200 Speaker 8: was pretty terrifying. 368 00:16:19,320 --> 00:16:22,760 Speaker 3: I bet it was thanks to el Vicki and meadow springs. 369 00:16:22,760 --> 00:16:23,840 Speaker 3: What came over your fence. 370 00:16:24,280 --> 00:16:26,720 Speaker 10: We lived in New Zealand and moved here about twelve 371 00:16:26,800 --> 00:16:29,560 Speaker 10: years ago, and just before we moved we lived quite 372 00:16:29,600 --> 00:16:36,200 Speaker 10: close to a teenage detention center. Right and one Saturday morning, 373 00:16:36,400 --> 00:16:39,320 Speaker 10: one of the tenants decided he was going to leave 374 00:16:39,920 --> 00:16:41,440 Speaker 10: and jumped our fence. 375 00:16:42,640 --> 00:16:43,840 Speaker 2: Unbeknown to him, my. 376 00:16:43,880 --> 00:16:50,400 Speaker 10: Two jet wrestles were outside. Danger danger Jack, Yes, and 377 00:16:50,440 --> 00:16:53,480 Speaker 10: they attached themselves to his bottom and came over. 378 00:16:57,760 --> 00:16:58,040 Speaker 4: A bo. 379 00:17:01,240 --> 00:17:04,600 Speaker 10: He absconded back over the fences quicker than he came home. 380 00:17:05,119 --> 00:17:07,639 Speaker 3: That was suddenly looking so much better. Let this be 381 00:17:07,680 --> 00:17:10,480 Speaker 3: a lesson. You do not mess with a Jack Russell. 382 00:17:11,880 --> 00:17:14,000 Speaker 10: She was the funniest thing I happened. I happened to 383 00:17:14,000 --> 00:17:15,760 Speaker 10: be in the kitchen and I could see. 384 00:17:15,800 --> 00:17:16,400 Speaker 4: As it was. 385 00:17:19,119 --> 00:17:19,359 Speaker 1: Better. 386 00:17:20,520 --> 00:17:22,360 Speaker 10: We still laugh about it twelve years later. 387 00:17:22,600 --> 00:17:24,080 Speaker 4: That is hilarious. 388 00:17:24,119 --> 00:17:28,960 Speaker 3: Thank you, Vicky wounds so funny. Yes, when detention is 389 00:17:29,000 --> 00:17:31,480 Speaker 3: looking better, Yes, better option Cat and the and Chip 390 00:17:31,520 --> 00:17:32,639 Speaker 3: what came over your fence? 391 00:17:33,240 --> 00:17:36,159 Speaker 7: I had a child come over my fans when I 392 00:17:36,280 --> 00:17:40,840 Speaker 7: first moved up to Yanks Chip where his bed about six, 393 00:17:41,000 --> 00:17:45,320 Speaker 7: This lovely blonde, blue eyed little child. We dead brother, 394 00:17:46,119 --> 00:17:51,960 Speaker 7: quaking him up, huaking him up. And then she came 395 00:17:52,760 --> 00:17:59,800 Speaker 7: and opened the back door and walked straight to my fridge. 396 00:18:00,080 --> 00:18:03,399 Speaker 7: In the fridge found some chocolates and I'm like, hello, 397 00:18:03,520 --> 00:18:07,400 Speaker 7: who are you? She's like, I'm from next door, chocolate 398 00:18:07,840 --> 00:18:11,240 Speaker 7: easy as you like, walk back, climb back over the fence, 399 00:18:11,240 --> 00:18:13,320 Speaker 7: and I to go and talk to her, Mum, your 400 00:18:13,440 --> 00:18:20,359 Speaker 7: kid was it was yeah, yeah right, practical was just 401 00:18:20,520 --> 00:18:23,960 Speaker 7: absolutely gob smoke. And then and then I was friends 402 00:18:24,000 --> 00:18:25,320 Speaker 7: with their months for years after that. 403 00:18:25,600 --> 00:18:27,480 Speaker 2: Because it's a great Yeah, that's hilarious. 404 00:18:27,720 --> 00:18:30,120 Speaker 4: Yes, yeah, And she. 405 00:18:30,200 --> 00:18:32,480 Speaker 7: Was very very pleased with herself, and so was her brother. 406 00:18:32,560 --> 00:18:34,800 Speaker 2: Well, they played that the week, so I reckon, Yeah, yeah. 407 00:18:35,080 --> 00:18:40,000 Speaker 4: I send you in because because if you're over, you're like. 408 00:18:39,960 --> 00:18:42,720 Speaker 2: A perfect man. They will split the spoil. Yeah. 409 00:18:42,760 --> 00:18:43,399 Speaker 4: Oh that's funny. 410 00:18:43,400 --> 00:18:44,919 Speaker 2: And I knew where the fridge. 411 00:18:44,560 --> 00:18:47,560 Speaker 7: Was, like bridge, No, she just found it. 412 00:18:47,800 --> 00:18:48,040 Speaker 8: Yeah. 413 00:18:49,359 --> 00:18:54,200 Speaker 4: Thanks Cat The Sure Report on ninety six am. 414 00:18:56,440 --> 00:18:59,520 Speaker 3: We are very sad this morning to hear of the 415 00:18:59,560 --> 00:19:03,080 Speaker 3: death of Robbie Robertson, guitarist and main songwriter in the 416 00:19:03,160 --> 00:19:06,200 Speaker 3: band the Canadian American group. The band was huge force 417 00:19:06,200 --> 00:19:08,160 Speaker 3: in music. They got their start in the mid sixties 418 00:19:08,160 --> 00:19:11,160 Speaker 3: backing Bob Dylan. They were Bob Dylan's band and then 419 00:19:11,200 --> 00:19:13,600 Speaker 3: they were the band. They went on to have huge 420 00:19:13,600 --> 00:19:16,320 Speaker 3: songs like The Weight and The Night They Drove. 421 00:19:16,160 --> 00:19:17,000 Speaker 4: Old Dixie Down. 422 00:19:17,119 --> 00:19:19,639 Speaker 3: Robinson left his Toronto home at sixteen to pursue his 423 00:19:19,760 --> 00:19:21,840 Speaker 3: rock and roll dreams. When he formed the band, they 424 00:19:21,880 --> 00:19:24,040 Speaker 3: actually based themselves in Woodstock in New York. I mean 425 00:19:24,320 --> 00:19:28,200 Speaker 3: living the life. The band's nineteen seventy six farewell concert 426 00:19:28,240 --> 00:19:31,640 Speaker 3: is for mine, the greatest concert film ever, the Last Waltz. 427 00:19:31,840 --> 00:19:34,639 Speaker 3: It's directed by Martin Scorsese, and if you've never seen it, 428 00:19:34,680 --> 00:19:37,680 Speaker 3: do yourself a favor. It features the likes of Bob Dylan, 429 00:19:37,760 --> 00:19:41,000 Speaker 3: Eric Clapton, Emilu Harris, Doctor John Jennie, Mitchell, Van Morrison, 430 00:19:41,080 --> 00:19:42,960 Speaker 3: Muddy Waters, Ronnie Wood, and Neil Young. 431 00:19:42,960 --> 00:19:43,880 Speaker 4: And that's just the name a few. 432 00:19:44,000 --> 00:19:44,680 Speaker 2: It's incredible. 433 00:19:44,800 --> 00:19:49,440 Speaker 3: Robbie Robertson was eighty Wow and more sad news overnight 434 00:19:49,680 --> 00:19:52,760 Speaker 3: Sister Rodriguez has died at the age of eighty one. 435 00:19:53,040 --> 00:19:56,160 Speaker 3: Rodriguez's legacy took off after the singer and songwriter became 436 00:19:56,200 --> 00:19:59,800 Speaker 3: the subject of the Oscar winning documentary Searching for Sugarman. 437 00:20:00,119 --> 00:20:02,359 Speaker 5: If ever there is an air of intrigue and mystery 438 00:20:02,400 --> 00:20:04,920 Speaker 5: around a pop artist, it is around the artist known 439 00:20:04,920 --> 00:20:05,719 Speaker 5: as Rodriguez. 440 00:20:07,840 --> 00:20:10,240 Speaker 2: We thought he was like the inner city poet. He 441 00:20:10,359 --> 00:20:13,359 Speaker 2: was this wandering spirit around the city. He say, I'm 442 00:20:13,400 --> 00:20:14,280 Speaker 2: a wives. 443 00:20:13,880 --> 00:20:17,399 Speaker 3: Man, prophet, Rodriguez was called the greatest protest singer and 444 00:20:17,440 --> 00:20:19,160 Speaker 3: songwriter that most people. 445 00:20:18,960 --> 00:20:19,679 Speaker 2: Never heard of. 446 00:20:19,840 --> 00:20:22,919 Speaker 3: Ye, so another movie to do yourself A favorite ys 447 00:20:22,960 --> 00:20:27,359 Speaker 3: beauty woman. Yes, this happens fairly often. Actors end up 448 00:20:27,400 --> 00:20:30,159 Speaker 3: on set together only to completely clash with one another, 449 00:20:30,240 --> 00:20:33,840 Speaker 3: leading to rough film experiences and fervent promises to never 450 00:20:33,920 --> 00:20:36,520 Speaker 3: work with each other again. For several reasons, it might 451 00:20:36,600 --> 00:20:40,000 Speaker 3: surprise you that Ryan Gosling may never work with Rachel 452 00:20:40,080 --> 00:20:44,440 Speaker 3: mccadams again, despite their chemistry in the classic The Notebook. 453 00:20:44,520 --> 00:20:48,120 Speaker 3: Evidently mccadams and Gosling did not get along at all 454 00:20:48,280 --> 00:20:52,119 Speaker 3: on set. The Notebooks director has been spilling some tea, 455 00:20:52,280 --> 00:20:54,479 Speaker 3: he says. One day they were doing a scene and 456 00:20:54,520 --> 00:20:57,840 Speaker 3: Gosling asked if another actress could read mccadam's part off 457 00:20:57,880 --> 00:21:02,399 Speaker 3: camera so he'd have something to react to. Really, after 458 00:21:02,440 --> 00:21:05,760 Speaker 3: The Notebook came out, they dated for two years, so 459 00:21:05,840 --> 00:21:11,400 Speaker 3: they clearly found some common ground somewhere. The Barbie movie 460 00:21:11,440 --> 00:21:13,800 Speaker 3: is not the only one breaking box office records. It's 461 00:21:13,880 --> 00:21:17,560 Speaker 3: released day opposites going Okay too. Oppenheimer is now the 462 00:21:17,600 --> 00:21:21,280 Speaker 3: most successful World War II movie ever, having just passed 463 00:21:21,280 --> 00:21:23,840 Speaker 3: the five hundred million dollar markt the Global Box. Off 464 00:21:23,880 --> 00:21:26,200 Speaker 3: of the course, Barbie's done more than a bill incredible. 465 00:21:26,840 --> 00:21:30,720 Speaker 3: That takes Oppenheimer beyond Dunkirk, saving Private Ruyn and Pearl Harber. 466 00:21:30,880 --> 00:21:32,000 Speaker 2: Wow, what a line up? 467 00:21:32,920 --> 00:21:40,960 Speaker 1: More Clezy, more Lisa Poor podcasts soon read the flick 468 00:21:41,160 --> 00:21:44,480 Speaker 1: with Ben o'she on ninety six a FM. 469 00:21:44,840 --> 00:21:45,880 Speaker 4: Good morning, Ben. 470 00:21:45,960 --> 00:21:47,040 Speaker 2: Good morning guys. 471 00:21:47,720 --> 00:21:49,920 Speaker 4: Now we weren't kidding about the cast in this were we. 472 00:21:49,920 --> 00:21:52,520 Speaker 9: Oh my gosh. We'll get into the details about the movie, 473 00:21:52,520 --> 00:21:55,159 Speaker 9: but I'll run through it. I'll run through the cast first. 474 00:21:55,200 --> 00:21:57,000 Speaker 9: And normally, you guys know, I don't have notes. I 475 00:21:57,119 --> 00:21:59,280 Speaker 9: do at the top of my head. But in the 476 00:21:59,320 --> 00:22:01,679 Speaker 9: case of this Wes Anderson movie, the cast is so 477 00:22:02,000 --> 00:22:04,840 Speaker 9: long that I would leave somebody out. So, in no 478 00:22:05,040 --> 00:22:09,879 Speaker 9: particular order, you've got Scarlett Johansson, Maya Hawk, Jason Schwartzman, 479 00:22:10,040 --> 00:22:15,000 Speaker 9: Margo Robbie, Tom Hanks, Adrian Brody. Let's see, We've got 480 00:22:15,160 --> 00:22:19,119 Speaker 9: Ed Norton, Brian Cranston, Tilda Swinton, Steve Carell, Matt Dillon, 481 00:22:19,480 --> 00:22:24,120 Speaker 9: A Jeff Goldblum, Jeffrey Wright, Rita Wilson, Leave Schreiber, Hong Chow, 482 00:22:24,800 --> 00:22:29,080 Speaker 9: Jarvis Cocker from POLP, Willem Dafoe and it just goes 483 00:22:29,240 --> 00:22:32,400 Speaker 9: Bob Balaban, it just goes on and on and on. 484 00:22:33,200 --> 00:22:35,640 Speaker 9: And it's because Where's Anderson has got this reputation as 485 00:22:35,640 --> 00:22:39,520 Speaker 9: a director. Everyone wants to be in his films. And 486 00:22:39,840 --> 00:22:41,960 Speaker 9: there was a time when a new We's Anderson film 487 00:22:42,000 --> 00:22:43,640 Speaker 9: would come along and it would feel like you've been 488 00:22:43,680 --> 00:22:46,320 Speaker 9: given a gift. It's this beautifully wrapped gift and you 489 00:22:46,320 --> 00:22:49,359 Speaker 9: get to unpack it and it's full of whimsy and 490 00:22:49,400 --> 00:22:52,760 Speaker 9: it's an event, right. And going back to really his 491 00:22:52,840 --> 00:22:55,679 Speaker 9: second movie, Rushmore, his first movie Bottle Rocket. No one 492 00:22:55,720 --> 00:22:58,879 Speaker 9: really saw that, but Rushmore is a classic. And then 493 00:22:58,920 --> 00:23:02,520 Speaker 9: he did The Royal tenem Bar, The Life Aquatic, the 494 00:23:02,600 --> 00:23:07,359 Speaker 9: Dad Deealing Limited, and then there was a fantastic Mister Fox, 495 00:23:08,600 --> 00:23:12,040 Speaker 9: the Grand Budapest Hotel, Isle of Dogs. There was so 496 00:23:12,160 --> 00:23:14,679 Speaker 9: many movies Moonrise Kingdom over a number of years, with 497 00:23:14,760 --> 00:23:17,000 Speaker 9: a lot of the same actors. He recycles them, from 498 00:23:17,000 --> 00:23:20,760 Speaker 9: Bill Murray to Jason Schwartzman, Adrian Brody, Ed Norton. They 499 00:23:20,800 --> 00:23:23,960 Speaker 9: keep popping up in his movies. And he's got the 500 00:23:24,040 --> 00:23:29,160 Speaker 9: Wes Anderson aesthetic right, like it's you know, quirky costumes, 501 00:23:29,880 --> 00:23:35,399 Speaker 9: symmetrical framing, yellow text on the titles. He's got this 502 00:23:35,560 --> 00:23:39,199 Speaker 9: vibe about him that everybody has come to love. But 503 00:23:39,359 --> 00:23:41,960 Speaker 9: over the years, you know, he's I guess he's leaning 504 00:23:42,000 --> 00:23:44,320 Speaker 9: more and more into that aesthetic to the point where 505 00:23:44,520 --> 00:23:47,560 Speaker 9: maybe it has become a little bit predictable. And his 506 00:23:47,680 --> 00:23:50,840 Speaker 9: last film, his previous film, The French Dispatch, was a 507 00:23:50,840 --> 00:23:53,399 Speaker 9: bit underwhelming, if we're being honest. It certainly compared to 508 00:23:53,400 --> 00:23:57,680 Speaker 9: The Grand Budapest Hotel. And so along comes his new film, 509 00:23:57,720 --> 00:24:00,320 Speaker 9: Asteroid City, and you can make the case this is 510 00:24:00,359 --> 00:24:04,440 Speaker 9: the most Where's Andersen film yet. It's symmetrical, it's quirky, 511 00:24:04,480 --> 00:24:07,720 Speaker 9: it's whimsical. There are there's the yellow text. It's got 512 00:24:07,760 --> 00:24:10,239 Speaker 9: all the same actors that we've seen him feature over 513 00:24:10,280 --> 00:24:14,120 Speaker 9: and over again. But I would say, personally, I think 514 00:24:14,119 --> 00:24:16,399 Speaker 9: it's better than The French Dispatch. But it's a film 515 00:24:16,440 --> 00:24:18,800 Speaker 9: that's not so easy to get your head around. It's 516 00:24:18,960 --> 00:24:23,760 Speaker 9: it's a meta exerciseta. It's meta which has got kind 517 00:24:23,800 --> 00:24:26,280 Speaker 9: of like, you know, a thing that's about another thing, 518 00:24:26,320 --> 00:24:28,960 Speaker 9: that references another thing. It's kind of like disappears in 519 00:24:29,000 --> 00:24:32,800 Speaker 9: its own belly button a little bit. So ostensibly it's 520 00:24:32,840 --> 00:24:37,679 Speaker 9: about a play, a theater, a stage production and a 521 00:24:37,760 --> 00:24:41,720 Speaker 9: screen a stage writer who has written a play. That 522 00:24:41,840 --> 00:24:44,560 Speaker 9: character is played by Ed Norton, and then it's the 523 00:24:44,560 --> 00:24:48,280 Speaker 9: production of this play becomes the actual movie, if you 524 00:24:48,320 --> 00:24:50,800 Speaker 9: know what I mean. So, so you're talking, you've got 525 00:24:50,800 --> 00:24:53,200 Speaker 9: people talking about the play, and then it cuts two 526 00:24:53,240 --> 00:24:57,280 Speaker 9: scenes that look like real life, but that's actually the play. 527 00:24:57,520 --> 00:24:59,280 Speaker 2: It is really quite confusing. 528 00:25:00,119 --> 00:25:03,840 Speaker 9: And the real life world, which is a highly stylized 529 00:25:04,480 --> 00:25:08,040 Speaker 9: kind of version of Wes Andersen's universe, is a small 530 00:25:08,080 --> 00:25:10,800 Speaker 9: town in the desert in America that's famous for having 531 00:25:10,840 --> 00:25:14,040 Speaker 9: this Metia righte crater, And all of a sudden, all 532 00:25:14,040 --> 00:25:16,280 Speaker 9: of these people gather in this town for you the 533 00:25:16,280 --> 00:25:19,679 Speaker 9: fiftieth anniversary of the media right crashing down, and then 534 00:25:19,680 --> 00:25:22,359 Speaker 9: all of a sudden, an alien appears and takes the 535 00:25:22,640 --> 00:25:26,760 Speaker 9: media right back. Alien played by Jeff Goldblum, and all 536 00:25:26,800 --> 00:25:28,440 Speaker 9: of the people in this town then have to deal 537 00:25:28,520 --> 00:25:30,840 Speaker 9: with the consequences of that, with the US government coming 538 00:25:30,840 --> 00:25:33,840 Speaker 9: in and holding them all in quarantine. And some of 539 00:25:33,840 --> 00:25:38,520 Speaker 9: those people include Scarlett Johansson who plays the play the play. 540 00:25:38,600 --> 00:25:40,400 Speaker 2: But you see this as if it's real life. 541 00:25:41,200 --> 00:25:42,719 Speaker 9: And then and then it turns out at the end 542 00:25:42,720 --> 00:25:44,200 Speaker 9: that oh no, this has been a play the whole 543 00:25:44,200 --> 00:25:47,240 Speaker 9: time situation, but it's kind of it jumps around. It's 544 00:25:47,240 --> 00:25:51,040 Speaker 9: not that easy to really understand what's happening, but fascinating 545 00:25:51,080 --> 00:25:54,680 Speaker 9: to watch though. At Scarlet Johnson plays an actress who's 546 00:25:54,760 --> 00:25:58,320 Speaker 9: kind of in the town by accident. Jason Schwartzman plays 547 00:25:58,320 --> 00:26:00,600 Speaker 9: a veteran war photographer getting over the death of his 548 00:26:00,640 --> 00:26:03,840 Speaker 9: wife with a couple of young daughters who's just passing 549 00:26:03,880 --> 00:26:06,520 Speaker 9: through but that car breaks down. Matt Dillon plays the 550 00:26:06,520 --> 00:26:09,080 Speaker 9: mechanic as trying to fix their car. Steve Carell plays 551 00:26:09,119 --> 00:26:12,120 Speaker 9: the hotel manager in this town and the town's one hotel, 552 00:26:13,160 --> 00:26:15,159 Speaker 9: and so it's kind of until the Swinton plays the 553 00:26:15,800 --> 00:26:19,639 Speaker 9: US government scientist who's investigating the alien situation, and so 554 00:26:19,680 --> 00:26:22,240 Speaker 9: it kind of unfolds from there and these characters start to, 555 00:26:23,560 --> 00:26:27,280 Speaker 9: I guess, interact with each other, develop relationships and deal 556 00:26:27,320 --> 00:26:31,320 Speaker 9: with their own insecurities and issues. So, whether that's the grief, 557 00:26:31,359 --> 00:26:34,680 Speaker 9: whether it's Skylars Johansson's actresses, kind of like career sort 558 00:26:34,720 --> 00:26:37,159 Speaker 9: of flaming out. There's a lot of stuff going on, 559 00:26:37,600 --> 00:26:39,520 Speaker 9: and then you've got the on the other side, you've 560 00:26:39,520 --> 00:26:42,200 Speaker 9: got the world of the theater and what's happening there 561 00:26:42,600 --> 00:26:45,040 Speaker 9: and how some of the actors in the theater are 562 00:26:45,040 --> 00:26:49,200 Speaker 9: then also these real life characters, and you know, how 563 00:26:49,240 --> 00:26:51,880 Speaker 9: you navigate that is not going to be to everybody's taste. 564 00:26:52,400 --> 00:26:54,199 Speaker 9: But in the end it kind of finishes with this 565 00:26:54,280 --> 00:26:58,040 Speaker 9: really thought provoking scene, probably one of the deepest things 566 00:26:58,080 --> 00:26:59,959 Speaker 9: Where's Anderson has ever done, because he's kind of been 567 00:27:00,119 --> 00:27:03,760 Speaker 9: accused of, you know, stylit a substance, and he really 568 00:27:03,840 --> 00:27:06,520 Speaker 9: leaves you thinking about, now, what. 569 00:27:06,400 --> 00:27:07,159 Speaker 2: Was this all about? 570 00:27:07,520 --> 00:27:11,359 Speaker 9: What does it mean? What is the meaning of life? Greed, loneliness, 571 00:27:11,400 --> 00:27:13,639 Speaker 9: all this kind of stuff. It does feel profound and 572 00:27:13,720 --> 00:27:16,600 Speaker 9: unlike a recent film that was very highly stylized, the 573 00:27:16,600 --> 00:27:19,200 Speaker 9: Barbie Movie, which sort of kind of forced its meaning 574 00:27:19,320 --> 00:27:21,399 Speaker 9: on you, was Anderson has really left it up to 575 00:27:21,400 --> 00:27:24,400 Speaker 9: the viewer to figure that out, and maybe not everybody 576 00:27:24,480 --> 00:27:27,160 Speaker 9: will be able to and there's maybe no right answer anyway. 577 00:27:27,600 --> 00:27:31,040 Speaker 3: All right, well, how many what's it all about? ALPHI 578 00:27:31,080 --> 00:27:31,719 Speaker 3: isy you giving it? 579 00:27:31,840 --> 00:27:34,320 Speaker 9: I have personally no idea what it's all about, but 580 00:27:34,359 --> 00:27:35,960 Speaker 9: it was very pretty to watch. It has a lot 581 00:27:36,000 --> 00:27:39,600 Speaker 9: of incredible actors, some amazing performances. I'm going to give 582 00:27:39,600 --> 00:27:41,879 Speaker 9: this one three and a half starts. 583 00:27:41,920 --> 00:27:43,760 Speaker 1: I had a dreamer and dream after a really big 584 00:27:43,840 --> 00:27:45,480 Speaker 1: meal or something, isn't it. 585 00:27:45,920 --> 00:27:48,320 Speaker 2: Indeed? Thanks so you guys. 586 00:27:48,600 --> 00:27:51,760 Speaker 1: One of the greats of rock, Canadian born and a 587 00:27:51,800 --> 00:27:54,480 Speaker 1: superstar with the band and Bob Dylan and solo, Robbie 588 00:27:54,560 --> 00:27:56,119 Speaker 1: Robinson has passed away at the age of eighty. 589 00:27:56,400 --> 00:27:59,840 Speaker 3: I'm just one of the most sort of not underrated 590 00:28:00,440 --> 00:28:06,000 Speaker 3: but under kind of talked about understands of understated. 591 00:28:06,080 --> 00:28:06,439 Speaker 2: Thank you. 592 00:28:06,520 --> 00:28:09,440 Speaker 3: That's the just everybody. I mean, everybody loves the band, 593 00:28:09,960 --> 00:28:12,159 Speaker 3: but I just didn't hear as much as perhaps she 594 00:28:12,160 --> 00:28:12,560 Speaker 3: should have. 595 00:28:12,600 --> 00:28:13,960 Speaker 1: Do you think that was part of the philosophy at 596 00:28:14,000 --> 00:28:15,959 Speaker 1: the start, because Robbie sort of said that we had 597 00:28:15,960 --> 00:28:17,640 Speaker 1: this beautiful turn of phrase, and I think he said 598 00:28:17,880 --> 00:28:19,359 Speaker 1: we were a young band who it was all about 599 00:28:19,359 --> 00:28:21,200 Speaker 1: the songs and the music. We didn't take our shirts 600 00:28:21,200 --> 00:28:24,320 Speaker 1: off to try and get me pop stars and get it. Yeah, 601 00:28:24,320 --> 00:28:25,959 Speaker 1: they didn't want to record. They didn't care that much 602 00:28:25,960 --> 00:28:28,119 Speaker 1: about a record deal. They had to get released, of course, 603 00:28:28,119 --> 00:28:30,480 Speaker 1: but it wasn't their prime motivator. It was all about 604 00:28:30,480 --> 00:28:30,960 Speaker 1: the music. 605 00:28:31,080 --> 00:28:32,960 Speaker 3: How much does it say that they used to be 606 00:28:33,000 --> 00:28:35,639 Speaker 3: Bob Dylan's band and when they said, let's you know, 607 00:28:35,680 --> 00:28:38,000 Speaker 3: we've got some pretty good tunes. Let's do our own thing. 608 00:28:38,080 --> 00:28:40,600 Speaker 3: They just called themselves the band, the band. I mean, 609 00:28:40,640 --> 00:28:44,440 Speaker 3: that's no you go there is that absolutely amazing. They 610 00:28:44,440 --> 00:28:47,200 Speaker 3: had this incredible building there in upstate New York. It 611 00:28:47,240 --> 00:28:49,040 Speaker 3: was a pink of an old pink house pretty much. 612 00:28:49,160 --> 00:28:51,280 Speaker 3: They made the album Music from Big Pink there, and 613 00:28:51,320 --> 00:28:53,160 Speaker 3: that was sort of like their sacred place where they 614 00:28:53,200 --> 00:28:54,400 Speaker 3: could just making. 615 00:28:54,480 --> 00:28:57,040 Speaker 4: That was a Woodstock Yeah, and that was before Woodstock 616 00:28:57,240 --> 00:28:58,760 Speaker 4: was it was Woodtock. 617 00:28:58,800 --> 00:29:01,560 Speaker 1: Yeah, exactly. Yeah, head of the co that's incredible. I'm 618 00:29:01,560 --> 00:29:03,640 Speaker 1: in the album Music from Big Pick is amazing. We 619 00:29:03,720 --> 00:29:06,320 Speaker 1: get the chance get that album today. Crank it up 620 00:29:06,320 --> 00:29:08,240 Speaker 1: with you got headphones. However, you listen to music loud, 621 00:29:08,360 --> 00:29:10,680 Speaker 1: listen to a song called chest Fever it will. It 622 00:29:10,800 --> 00:29:12,720 Speaker 1: changed my world, you know when I first heard that song. 623 00:29:12,720 --> 00:29:15,200 Speaker 3: Speaking of getting the chants, I did speak earlier in 624 00:29:15,240 --> 00:29:17,680 Speaker 3: the Shore Report about my love for the concert film 625 00:29:17,760 --> 00:29:20,600 Speaker 3: The Last Waltz, which is the band's nineteen seventy six 626 00:29:20,680 --> 00:29:24,320 Speaker 3: farewell concert. It's directed by Martin Scorsese and it's full 627 00:29:24,360 --> 00:29:27,600 Speaker 3: of amazing guests that come out on stage with them. 628 00:29:27,600 --> 00:29:31,600 Speaker 3: It was filmed at the amazing Winterlamd Ballroom in San Francisco, 629 00:29:31,720 --> 00:29:35,320 Speaker 3: and there's something about the venue that really adds to 630 00:29:35,360 --> 00:29:38,040 Speaker 3: how good the movie is. We gave a final concert, 631 00:29:38,280 --> 00:29:39,520 Speaker 3: the band's Final Cancer. 632 00:29:40,200 --> 00:29:41,520 Speaker 1: We call it the Last Hoss. 633 00:29:52,160 --> 00:29:53,600 Speaker 2: You're so drunk. 634 00:29:55,080 --> 00:29:55,680 Speaker 10: Lead on. 635 00:29:57,120 --> 00:30:01,520 Speaker 4: You of the Wildline. 636 00:30:16,320 --> 00:30:19,720 Speaker 3: I think I was scrolling around SBS on demand and 637 00:30:19,760 --> 00:30:22,880 Speaker 3: abciview the other day and I noticed the Last Waltz 638 00:30:23,120 --> 00:30:23,600 Speaker 3: is on one. 639 00:30:23,640 --> 00:30:24,840 Speaker 4: I think it was SBS. 640 00:30:25,160 --> 00:30:26,800 Speaker 3: If you don't find it on SBS on the ground, 641 00:30:26,920 --> 00:30:28,000 Speaker 3: it's on iView at the moment. 642 00:30:28,080 --> 00:30:29,840 Speaker 1: Just keep searching it. And you can't put your finger 643 00:30:29,880 --> 00:30:31,320 Speaker 1: on what style of the band were, could you? Because 644 00:30:31,320 --> 00:30:33,200 Speaker 1: they was sort of country, they were folks, they were rock, 645 00:30:33,240 --> 00:30:35,520 Speaker 1: they were R and B and soul and a whole 646 00:30:35,560 --> 00:30:38,520 Speaker 1: lot of other things. They were wonderful musicians, that incredible band. 647 00:30:38,520 --> 00:30:41,240 Speaker 1: But I remember at least in nineteen eighty six, Robbie 648 00:30:41,320 --> 00:30:43,640 Speaker 1: released this solo album called Robbie Robinson Again. 649 00:30:43,760 --> 00:30:45,959 Speaker 2: You know pretty soon yourself title will go with that. 650 00:30:46,280 --> 00:30:48,920 Speaker 1: He got producer Daniel Landoire, who'd recently worked with Peter 651 00:30:49,000 --> 00:30:52,960 Speaker 1: Gabriel and you too, this amazing, atmospheric, moody kind of sound, 652 00:30:53,400 --> 00:30:55,360 Speaker 1: and he had some beautiful songs on that album, Somewhere 653 00:30:55,400 --> 00:30:58,120 Speaker 1: Down the Crazy River Fallen Angel and I've always loved 654 00:30:58,160 --> 00:30:58,960 Speaker 1: Showdown at Big. 655 00:30:58,840 --> 00:31:01,560 Speaker 3: Sky Robbie Robertson was eighty Thank you for what you 656 00:31:01,600 --> 00:31:03,920 Speaker 3: did for music, mister Robertson, so incredible. 657 00:31:04,400 --> 00:31:07,440 Speaker 4: Clezie and Lisa thantasm