1 00:00:00,120 --> 00:00:01,720 Speaker 1: How did you feel about this one? 2 00:00:02,160 --> 00:00:05,680 Speaker 2: I felt okay, and I felt increasingly okay, so we 3 00:00:05,720 --> 00:00:06,080 Speaker 2: went along. 4 00:00:06,080 --> 00:00:08,600 Speaker 1: I was feeling mellow about it and then I haven't 5 00:00:08,600 --> 00:00:10,040 Speaker 1: listened how it turned out. 6 00:00:12,200 --> 00:00:15,840 Speaker 3: An envelope contains the music topic to discuss this. 7 00:00:16,040 --> 00:00:18,960 Speaker 1: Five minutes on the clock to feel and this no 8 00:00:19,280 --> 00:00:24,840 Speaker 1: time to prep This is banter with Clezy and Lisa. Ready, yeah, 9 00:00:24,920 --> 00:00:28,400 Speaker 1: ready to go out the envelope and we have why 10 00:00:28,440 --> 00:00:29,680 Speaker 1: do you go? And I've at the time, are ready 11 00:00:29,720 --> 00:00:31,360 Speaker 1: to go for five minutes on the clock for the band? 12 00:00:32,360 --> 00:00:36,680 Speaker 1: You've got set? Time has begun. 13 00:00:37,320 --> 00:00:43,159 Speaker 2: To ours to s's t to tease you just one because. 14 00:00:43,000 --> 00:00:44,760 Speaker 1: It was spelling thing I said to you recently? 15 00:00:44,800 --> 00:00:52,640 Speaker 2: Oh okay, yeah, Alanas Morris set Well she burst onto 16 00:00:52,680 --> 00:00:55,960 Speaker 2: the scene with one of the angriest albums. Well, it 17 00:00:56,040 --> 00:00:58,200 Speaker 2: was because of the first release single off it, You 18 00:00:58,240 --> 00:01:02,120 Speaker 2: want to know, Jagged Little per All was. I mean, 19 00:01:02,120 --> 00:01:05,240 Speaker 2: it's an excellent album and that's why we're still talking 20 00:01:05,280 --> 00:01:07,800 Speaker 2: about it twenty five years on. It's why they've even 21 00:01:07,880 --> 00:01:11,840 Speaker 2: made a musical of it, A story of Jagged Little. 22 00:01:11,640 --> 00:01:12,520 Speaker 1: Field A better album. 23 00:01:12,560 --> 00:01:14,319 Speaker 3: But how angry was she when she came on with 24 00:01:14,400 --> 00:01:14,880 Speaker 3: you ort to Know? 25 00:01:14,959 --> 00:01:15,920 Speaker 1: And she was twenty one. 26 00:01:16,400 --> 00:01:19,720 Speaker 2: People's backs with their nails and all that stuff, ripping 27 00:01:19,760 --> 00:01:22,720 Speaker 2: their teeth out, She didn't do that. 28 00:01:22,800 --> 00:01:24,520 Speaker 1: What was she singing about and doing in the theater? 29 00:01:25,040 --> 00:01:26,160 Speaker 3: Exactly all of that stuff. 30 00:01:26,280 --> 00:01:28,559 Speaker 1: Yes, that was pretty fired up. She's twenty or twenty 31 00:01:28,560 --> 00:01:31,200 Speaker 1: one years old, just Canadian who just came out and fellow. 32 00:01:31,480 --> 00:01:33,000 Speaker 3: Felt like she came out of nowhere. 33 00:01:33,160 --> 00:01:33,280 Speaker 2: Yea. 34 00:01:34,520 --> 00:01:36,679 Speaker 1: And what an album was we were. 35 00:01:36,600 --> 00:01:38,960 Speaker 3: Talking about how we were routing it up recently. 36 00:01:39,000 --> 00:01:41,480 Speaker 2: There was you ought to Know, Ironic, hand in pocket, 37 00:01:41,680 --> 00:01:45,720 Speaker 2: you Learn, you Live, you Learn, and the other one 38 00:01:46,280 --> 00:01:49,200 Speaker 2: there was five, there was five songs on it. Of 39 00:01:49,240 --> 00:01:53,520 Speaker 2: course there was a little bit yes, head over feet. 40 00:01:53,800 --> 00:01:56,800 Speaker 1: Feet, head ever feet with the other one that was 41 00:01:56,800 --> 00:01:57,320 Speaker 1: the other one. 42 00:01:57,480 --> 00:01:59,840 Speaker 3: There was that little. 43 00:01:59,400 --> 00:02:02,920 Speaker 2: Embarrassing moment when everyone had to point out that none of. 44 00:02:02,880 --> 00:02:07,440 Speaker 3: The examples in Ironic were really irony. There were a 45 00:02:07,480 --> 00:02:07,960 Speaker 3: series of. 46 00:02:07,880 --> 00:02:13,120 Speaker 2: Bummers, Yeah, series of unfortunate coincidences. 47 00:02:13,240 --> 00:02:18,480 Speaker 1: Yeah, the old guy really ironic. Nope, yeah, No, plane 48 00:02:18,520 --> 00:02:20,480 Speaker 1: goes down and isn't this nice? Yeah? 49 00:02:20,600 --> 00:02:23,160 Speaker 2: No, not nice at all, but not really irony? No, 50 00:02:24,240 --> 00:02:28,359 Speaker 2: she did too, but you a flying chard not really irony. 51 00:02:28,800 --> 00:02:29,480 Speaker 1: Didn't really matter. 52 00:02:29,560 --> 00:02:30,559 Speaker 3: It's unfortunate. 53 00:02:30,960 --> 00:02:33,360 Speaker 1: Some plenty good songs and good good players when she 54 00:02:33,440 --> 00:02:35,040 Speaker 1: toured and she came here to played the entertainment so 55 00:02:35,200 --> 00:02:37,800 Speaker 1: I've not seen it. Yeah, And she played with Taylor 56 00:02:37,840 --> 00:02:40,119 Speaker 1: Hawks playing drums band years ago. 57 00:02:40,320 --> 00:02:41,880 Speaker 2: She's one of the people on the bill for the 58 00:02:41,960 --> 00:02:44,520 Speaker 2: Taylor Hawkins tribute shows that are coming up. 59 00:02:44,520 --> 00:02:47,000 Speaker 3: She's going to do the l a pretty good I 60 00:02:47,080 --> 00:02:48,919 Speaker 3: think I would say so. Well. 61 00:02:48,919 --> 00:02:51,400 Speaker 1: He Taylor did say he gave him the chance to 62 00:02:51,440 --> 00:02:53,160 Speaker 1: actually be in a touring band coming around the world. 63 00:02:53,200 --> 00:02:55,120 Speaker 1: He thought it was this with an album that was 64 00:02:55,160 --> 00:02:57,680 Speaker 1: selling millions of copies, and millions it did. But I 65 00:02:57,680 --> 00:03:00,679 Speaker 1: was lucky enough to interview a Lanas backstage and said, 66 00:03:01,080 --> 00:03:02,919 Speaker 1: and so I rock up at They said ten thirty. 67 00:03:02,960 --> 00:03:05,120 Speaker 1: You're talking to Lantace Morisett and I went, okay, so 68 00:03:05,160 --> 00:03:06,480 Speaker 1: I rock up at ten thirty. I'm sitting in the 69 00:03:06,480 --> 00:03:09,000 Speaker 1: crowd at the Old Entertainment Center. Yeah. Two hours later, 70 00:03:09,040 --> 00:03:11,760 Speaker 1: she's still doing sound check with the band, like literally, 71 00:03:11,800 --> 00:03:12,799 Speaker 1: she was working them. 72 00:03:12,680 --> 00:03:14,720 Speaker 3: Like this is ten thirty in the morning, thirty in the. 73 00:03:14,639 --> 00:03:17,760 Speaker 1: Morning, and this is an The gig was on that night, 74 00:03:18,000 --> 00:03:20,760 Speaker 1: so she worked the band. She was writing songs. That's 75 00:03:20,800 --> 00:03:22,919 Speaker 1: a creative thing. Yeah, she's writing songs. She's telling these 76 00:03:23,040 --> 00:03:25,600 Speaker 1: big burly blokes and little Taylor what to do and 77 00:03:25,639 --> 00:03:27,040 Speaker 1: pushing them around, saying, no, I want to do it 78 00:03:27,080 --> 00:03:28,800 Speaker 1: this way, and we'll do that tonight. But this is 79 00:03:28,800 --> 00:03:30,239 Speaker 1: for this new song. She was writing a song and 80 00:03:30,320 --> 00:03:33,760 Speaker 1: she's going amazing. Interviewed at backstage. She was tiny. She 81 00:03:33,800 --> 00:03:35,080 Speaker 1: wouldn't have been much more than that. It is. 82 00:03:35,280 --> 00:03:36,680 Speaker 3: She's like Kylie. 83 00:03:36,440 --> 00:03:39,320 Speaker 1: Minogua, tiny but absolutely beautiful. 84 00:03:39,360 --> 00:03:41,120 Speaker 3: Yeah, she is little, and I wouldn't. 85 00:03:40,800 --> 00:03:42,320 Speaker 1: Tolerate a fool. I could tell from the interview you 86 00:03:42,360 --> 00:03:44,720 Speaker 1: had to be well researched. No, no idiot. 87 00:03:44,840 --> 00:03:47,680 Speaker 2: She was wiley now jagged little pill of course you 88 00:03:47,680 --> 00:03:51,640 Speaker 2: ought to know, clearly a breakup song and angry about it. 89 00:03:51,880 --> 00:03:55,120 Speaker 2: And she was totally open about how she really needed 90 00:03:55,120 --> 00:03:57,480 Speaker 2: to cleanse herself of her and it still went on 91 00:03:57,520 --> 00:03:59,560 Speaker 2: for a little bit longer it was. And then she 92 00:03:59,560 --> 00:04:01,760 Speaker 2: went to in Yeah, and she did a bit of 93 00:04:01,760 --> 00:04:05,640 Speaker 2: our shramp staff and got meditating. She mellowed, and she 94 00:04:05,720 --> 00:04:08,400 Speaker 2: came out with that song, Thank You India. 95 00:04:08,600 --> 00:04:11,160 Speaker 3: That is my favorite Elanas Morrissette song. 96 00:04:11,320 --> 00:04:12,440 Speaker 1: You could tell there was a maturity. 97 00:04:13,120 --> 00:04:16,240 Speaker 2: Fantastic and also during that time. She went out with 98 00:04:16,360 --> 00:04:20,159 Speaker 2: Ryan Reynolds, who's a pretty calm dude, and I think 99 00:04:20,200 --> 00:04:22,600 Speaker 2: he probably would be a very cool boyfriend to have 100 00:04:22,920 --> 00:04:24,840 Speaker 2: us Blake Lively. I don't know if they're married, but 101 00:04:24,880 --> 00:04:27,240 Speaker 2: they were together for quite a while. They were engaged, 102 00:04:27,839 --> 00:04:29,160 Speaker 2: but then they split. 103 00:04:29,320 --> 00:04:31,080 Speaker 1: Well you could ask you, Jackman, because they got a 104 00:04:31,120 --> 00:04:32,240 Speaker 1: romance those two, haven't they really? 105 00:04:33,160 --> 00:04:36,920 Speaker 3: You and Ryan six degrees are separation. 106 00:04:37,960 --> 00:04:40,480 Speaker 1: Made a couple of movies together become good? Romance? Is 107 00:04:40,480 --> 00:04:43,880 Speaker 1: nothing with that. Alana's now, you know, she was in 108 00:04:43,920 --> 00:04:46,320 Speaker 1: the news, not only for the musical. There was something 109 00:04:46,360 --> 00:04:49,320 Speaker 1: that was being done. Was that a documentary she was 110 00:04:49,640 --> 00:04:50,480 Speaker 1: She wasn't stoked about it. 111 00:04:50,720 --> 00:04:53,240 Speaker 2: She's all on board for the musical, but she wasn't 112 00:04:53,240 --> 00:04:55,200 Speaker 2: happy about the documentary. And I think she might have 113 00:04:55,240 --> 00:04:59,640 Speaker 2: taken some people to court, you know, and fair enough too. 114 00:04:59,720 --> 00:05:02,960 Speaker 2: I think things should be your intellectual property. You shouldn't 115 00:05:02,960 --> 00:05:06,680 Speaker 2: have to fight for, you know, to keep what parts 116 00:05:06,720 --> 00:05:09,279 Speaker 2: of your life and your story you want to be 117 00:05:09,320 --> 00:05:14,560 Speaker 2: told from your perspective. That always it's like an unauthorized biography. 118 00:05:15,400 --> 00:05:17,640 Speaker 2: You can't just take it upon yourself to write someone's 119 00:05:17,640 --> 00:05:19,280 Speaker 2: life story without the permission. 120 00:05:19,440 --> 00:05:21,400 Speaker 1: I don't like it and a trusted source said. 121 00:05:22,839 --> 00:05:23,119 Speaker 3: Yes. 122 00:05:23,360 --> 00:05:25,200 Speaker 1: And also she is a Canadian. She cleaned up at 123 00:05:25,240 --> 00:05:27,440 Speaker 1: the Juno Awards, but she won Grammys. She did, and 124 00:05:27,480 --> 00:05:29,320 Speaker 1: sold so many. That's what we're still talking about. That 125 00:05:29,400 --> 00:05:33,360 Speaker 1: album in particular, all these years later. Quick, there you go, 126 00:05:35,320 --> 00:05:38,800 Speaker 1: Dansid time is over. Oh it's ironic. No, no, it's not. 127 00:05:40,160 --> 00:05:44,440 Speaker 1: Ninety six a FM Clezie and Lisa