1 00:00:00,480 --> 00:00:03,840 Speaker 1: This is the Will and Woody Podcast. 2 00:00:05,960 --> 00:00:11,800 Speaker 2: The King's Coronation, King's Charles is getting coronated, not collinated. 3 00:00:12,080 --> 00:00:12,680 Speaker 1: We're not going there. 4 00:00:12,680 --> 00:00:14,760 Speaker 2: We're not going there. We're not going we'd all agree, 5 00:00:14,800 --> 00:00:19,600 Speaker 2: scepter orb too hard as the chosen instrument. Now Woods, 6 00:00:19,640 --> 00:00:22,480 Speaker 2: before we get into the coronation, not the coronation of 7 00:00:22,800 --> 00:00:25,919 Speaker 2: King Charles. There's a few words here. I've got the 8 00:00:26,160 --> 00:00:29,440 Speaker 2: actual procedure set out for me here. I'd love for 9 00:00:29,480 --> 00:00:32,040 Speaker 2: you to try and guess what they mean. What do 10 00:00:32,080 --> 00:00:33,800 Speaker 2: you think the anointing involves? 11 00:00:34,280 --> 00:00:38,320 Speaker 1: So to anoint would be to call him, to call 12 00:00:38,360 --> 00:00:40,080 Speaker 1: him up when he when he is anointed, that is, 13 00:00:40,120 --> 00:00:42,120 Speaker 1: called him out from the crowd. Would the king please 14 00:00:42,120 --> 00:00:47,519 Speaker 1: step forward? No, I'm just trying to logically run it 15 00:00:47,600 --> 00:00:50,200 Speaker 1: through to annoy to someone, and I'm thinking of a point. 16 00:00:53,360 --> 00:00:54,840 Speaker 1: Put his jacket on, put his coat. 17 00:00:54,760 --> 00:00:55,880 Speaker 2: On, put on. 18 00:00:56,520 --> 00:00:56,760 Speaker 3: No. 19 00:00:57,120 --> 00:00:59,800 Speaker 2: Anointing someone is when you put oil or liquid on 20 00:00:59,800 --> 00:01:03,160 Speaker 2: their head. Yeah, the archbishop will pour a special oil 21 00:01:03,240 --> 00:01:06,880 Speaker 2: from a gold flask from the coronation spoon. 22 00:01:06,720 --> 00:01:10,399 Speaker 1: A little facial on his head, breast, on his breast. 23 00:01:11,640 --> 00:01:19,920 Speaker 1: They oil when it was the queen, Oh god, I mean, 24 00:01:20,080 --> 00:01:24,120 Speaker 1: just get with the times. Royal family. You can't be chest, 25 00:01:24,520 --> 00:01:25,319 Speaker 1: you just can't be. 26 00:01:27,560 --> 00:01:31,880 Speaker 2: Doesn't find the chest. It's a get in there, all right. 27 00:01:31,959 --> 00:01:34,920 Speaker 2: So next one presentation of regalia. 28 00:01:36,160 --> 00:01:38,120 Speaker 1: So I reckon, They've got him behind some sort of curtain. 29 00:01:38,400 --> 00:01:40,399 Speaker 1: I reckon, and then it's like drop the curtain, and 30 00:01:40,400 --> 00:01:42,120 Speaker 1: then it's like bang there I am in all my 31 00:01:42,240 --> 00:01:42,880 Speaker 1: royal guard. 32 00:01:43,880 --> 00:01:50,200 Speaker 2: He's oiled. No, no, no, no, He's presented with a 33 00:01:50,280 --> 00:01:52,920 Speaker 2: number of very valuable royal pieces. So this is the 34 00:01:52,920 --> 00:01:58,080 Speaker 2: crown jerk, the spurs, the swords, the amals, all those things. 35 00:01:59,280 --> 00:02:01,560 Speaker 2: What do you think The investitures is my favorite part 36 00:02:01,560 --> 00:02:03,000 Speaker 2: of the song. By the way, listen to this. This is. 37 00:02:06,240 --> 00:02:08,680 Speaker 1: Spy game anyone the movie Spy Game? 38 00:02:09,000 --> 00:02:10,680 Speaker 2: Why are we playing? This is awesome? 39 00:02:11,080 --> 00:02:11,680 Speaker 1: Brad Pitt? 40 00:02:11,960 --> 00:02:14,360 Speaker 2: Anyway, Investiture, what do you think that is? 41 00:02:14,520 --> 00:02:18,280 Speaker 1: Investure would be sparta. I think it is makes He 42 00:02:18,320 --> 00:02:21,120 Speaker 1: makes his first investment with royal cash. So like, you're 43 00:02:21,160 --> 00:02:23,959 Speaker 1: now the owner of money in the world. What do 44 00:02:24,000 --> 00:02:24,560 Speaker 1: you want to invest in? 45 00:02:24,639 --> 00:02:27,520 Speaker 2: It's Valdi? Sorry, it's the Four Seasons. God. Classical music 46 00:02:27,520 --> 00:02:29,440 Speaker 2: fans are dying. Sorry, what are you so wrong? Back 47 00:02:29,480 --> 00:02:31,520 Speaker 2: on you? No, no, he doesn't just sit there. Where 48 00:02:31,520 --> 00:02:33,160 Speaker 2: do you want to put your cash first, mate, I'm 49 00:02:33,160 --> 00:02:37,000 Speaker 2: going to go for bonds, beautiful, great calls, ten million pounds. 50 00:02:37,040 --> 00:02:40,520 Speaker 2: Will it be? No? The investiture the bell rings for 51 00:02:40,520 --> 00:02:42,920 Speaker 2: two minutes, trumpets sound and the gun salote is the 52 00:02:42,919 --> 00:02:47,040 Speaker 2: investiture and confusing titles, mate, I'm not done the homage. 53 00:02:47,080 --> 00:02:48,880 Speaker 2: That's the other part of it. Oh god, hey on 54 00:02:48,919 --> 00:02:52,200 Speaker 2: to see again Govaldi. I think it's spring in the 55 00:02:52,280 --> 00:02:54,560 Speaker 2: Quatro stati first part of it. 56 00:02:54,840 --> 00:03:01,160 Speaker 1: Anyway, that's violin there, I think, so yeah, oh, take me, 57 00:03:02,120 --> 00:03:02,440 Speaker 1: take me. 58 00:03:02,600 --> 00:03:04,919 Speaker 2: It's the four Seasons, the Quadra Stagioni. It's one of 59 00:03:04,960 --> 00:03:06,560 Speaker 2: the most famous pieces of music on the planet. 60 00:03:06,600 --> 00:03:10,320 Speaker 1: It's in heaps of movies. Would be he gives a 61 00:03:10,360 --> 00:03:13,560 Speaker 1: brief speech about the previous person who was on the chair, 62 00:03:13,600 --> 00:03:15,600 Speaker 1: so he'll be giving a beautiful speech about his mother. 63 00:03:15,919 --> 00:03:17,760 Speaker 1: Oh to his mom. 64 00:03:17,880 --> 00:03:21,360 Speaker 2: No. The senior officials all ben denee and they kiss 65 00:03:21,360 --> 00:03:23,959 Speaker 2: his hand. They kiss his hand yet. 66 00:03:23,800 --> 00:03:24,919 Speaker 1: Bare hand or gloved. 67 00:03:25,360 --> 00:03:26,800 Speaker 2: I think it's with the ring, with the royal ring. 68 00:03:26,840 --> 00:03:29,920 Speaker 2: They kissed the royal ring. Yeah, bloody yeah, isn't that amazing? 69 00:03:30,040 --> 00:03:31,840 Speaker 2: So look, you and I know nothing about this, and 70 00:03:31,880 --> 00:03:33,880 Speaker 2: as is proven by that, we were probably more interested 71 00:03:33,880 --> 00:03:35,920 Speaker 2: in the backing track than we were the actual coronation. 72 00:03:36,160 --> 00:03:38,840 Speaker 2: But there are lots of people who are very, very 73 00:03:38,880 --> 00:03:41,360 Speaker 2: pumped about this, and I really I know your mum 74 00:03:41,480 --> 00:03:42,920 Speaker 2: is one of them, so I'd love to hear from her. 75 00:03:43,240 --> 00:03:45,200 Speaker 1: We'll call her up next as well, because. 76 00:03:44,960 --> 00:03:46,800 Speaker 2: I'm currently in the position where there's this big news 77 00:03:46,880 --> 00:03:49,080 Speaker 2: point going on. It's on the weekends in all the papers. 78 00:03:49,120 --> 00:03:50,760 Speaker 2: This is what's happening. This is what's happening. You can't 79 00:03:50,880 --> 00:03:55,160 Speaker 2: escape it. I don't give a rats ass, I don't. 80 00:03:55,280 --> 00:03:57,920 Speaker 2: I just don't care, and I kind of would like 81 00:03:58,040 --> 00:03:59,840 Speaker 2: to do, you know what I mean. I'm always at 82 00:03:59,840 --> 00:04:04,040 Speaker 2: the I'm like, intrigue me, investor make me want to 83 00:04:04,080 --> 00:04:06,000 Speaker 2: watch this thing because I feel like currently I'm missing 84 00:04:06,000 --> 00:04:08,560 Speaker 2: out on a big bit. I want to know from 85 00:04:08,560 --> 00:04:11,040 Speaker 2: you guys thirty one and six five, is there someone 86 00:04:11,040 --> 00:04:13,240 Speaker 2: out there who can convince me to watch tomorrow night? 87 00:04:13,640 --> 00:04:14,880 Speaker 1: And we'll see if Mum can do it as well. 88 00:04:15,120 --> 00:04:16,479 Speaker 1: Because Mum will watch the en. 89 00:04:16,560 --> 00:04:19,560 Speaker 2: She'll have a yeah for all those nasayers out there, 90 00:04:19,600 --> 00:04:21,599 Speaker 2: this might be good therapy for you as well. Why 91 00:04:21,640 --> 00:04:24,920 Speaker 2: should we watch the coronation toorrow night? Convinces that it's 92 00:04:24,960 --> 00:04:28,560 Speaker 2: a worthwhile operation, like even our producer l J who's 93 00:04:28,600 --> 00:04:31,000 Speaker 2: a brit and she's an absolute mad Royal fan. Elg, 94 00:04:31,040 --> 00:04:32,120 Speaker 2: why do you like the coronation? 95 00:04:34,440 --> 00:04:37,280 Speaker 1: Just the pump, that glitz, the glabor, all of that. 96 00:04:37,440 --> 00:04:41,080 Speaker 2: So that's just not getting me to chat. So there's 97 00:04:41,080 --> 00:04:42,800 Speaker 2: good there's a good game for footy on Saturday night. 98 00:04:42,880 --> 00:04:45,000 Speaker 2: So let's get me over the line here, Jess on 99 00:04:45,040 --> 00:04:47,720 Speaker 2: thirty one and six five. You're pumped about it? 100 00:04:48,600 --> 00:04:51,440 Speaker 4: Oh, absolutely, It's a historical event. 101 00:04:51,480 --> 00:04:56,159 Speaker 5: If nothing else, this hasn't happened since Betty, like we've 102 00:04:56,240 --> 00:04:57,880 Speaker 5: It's been so many years. 103 00:04:57,600 --> 00:04:59,080 Speaker 4: It's a big deal. 104 00:04:59,120 --> 00:05:03,640 Speaker 6: I'm we're having a party scone finger sandwiches. 105 00:05:06,080 --> 00:05:09,520 Speaker 1: That sounds actually quite nice. Excuse to have ten scones. 106 00:05:11,640 --> 00:05:13,800 Speaker 2: Again, I'd rather just have everyone around for teen SCons. 107 00:05:13,839 --> 00:05:16,400 Speaker 2: It's going to go for five hours? Yeah yeah, yeah, 108 00:05:16,400 --> 00:05:18,520 Speaker 2: So I'm just not there yet. 109 00:05:18,600 --> 00:05:20,279 Speaker 1: A number one fan, or the number one fan of 110 00:05:20,279 --> 00:05:22,520 Speaker 1: the royal family is my mother. She sat through the 111 00:05:22,680 --> 00:05:24,640 Speaker 1: entire funeral of the Queen, which I'm going to say 112 00:05:24,720 --> 00:05:26,760 Speaker 1: was probably more interesting than the currente. 113 00:05:26,760 --> 00:05:28,599 Speaker 2: The Queen's funeral one hundred percent. 114 00:05:29,000 --> 00:05:31,440 Speaker 1: Mum didn't miss a minute of it, and I'm pretty 115 00:05:31,440 --> 00:05:33,320 Speaker 1: sure she watched it again, so she watched. 116 00:05:33,120 --> 00:05:34,440 Speaker 2: It twice when for six hours. 117 00:05:34,560 --> 00:05:37,000 Speaker 1: Yeah, she loves it. So I wouldn't mind calling mum 118 00:05:37,120 --> 00:05:39,600 Speaker 1: right now and just on what Elge said before, our 119 00:05:39,640 --> 00:05:43,840 Speaker 1: producer like, my mum's also thrown around around the word glitzlits. 120 00:05:43,920 --> 00:05:44,080 Speaker 2: Yeah. 121 00:05:44,279 --> 00:05:45,680 Speaker 1: I spoke to earlier in the week and she's like, oh, 122 00:05:45,680 --> 00:05:46,479 Speaker 1: I just can't watch it, but. 123 00:05:46,600 --> 00:05:48,360 Speaker 2: Just said it as well. She was like, it's the glitz, 124 00:05:48,360 --> 00:05:50,400 Speaker 2: it's the pomp glit. What is glitz? 125 00:05:50,760 --> 00:05:51,960 Speaker 1: To say the mum, I was like, what is glitz? 126 00:05:51,960 --> 00:05:53,600 Speaker 1: And she's like, well, just watch it on Saturday night 127 00:05:53,600 --> 00:05:55,680 Speaker 1: and you'll be thinking glitz. And I just love all 128 00:05:55,680 --> 00:05:58,279 Speaker 1: the glitz. So I think what'd be quite funny is 129 00:05:58,320 --> 00:06:00,960 Speaker 1: what don't we call mum right now? And the exactly 130 00:06:01,000 --> 00:06:02,359 Speaker 1: the sounds we've been doing. I'm like, m'um, why do 131 00:06:02,400 --> 00:06:05,320 Speaker 1: you think I should watch it? Let's see how many 132 00:06:05,360 --> 00:06:09,040 Speaker 1: times she says the word glitz without any explanation. Can 133 00:06:09,040 --> 00:06:14,840 Speaker 1: we get a ding or something? Hey, moment's woody? Oh 134 00:06:14,920 --> 00:06:20,039 Speaker 1: hi quick one coronation tomorrow night? Are you watching that? 135 00:06:20,080 --> 00:06:20,880 Speaker 1: Are you going to be watching that? 136 00:06:21,360 --> 00:06:21,560 Speaker 2: Yeah? 137 00:06:22,200 --> 00:06:25,080 Speaker 1: Of course I love it. Why do you reckon I 138 00:06:25,120 --> 00:06:26,600 Speaker 1: should watch it? Or what would be a good reason 139 00:06:26,640 --> 00:06:27,120 Speaker 1: to watch it. 140 00:06:27,560 --> 00:06:33,239 Speaker 4: Well, it's a very significant historical event. All the pomp 141 00:06:33,360 --> 00:06:38,480 Speaker 4: and ceremony and the beautiful dresses and all the glips. Okay, 142 00:06:38,560 --> 00:06:41,240 Speaker 4: it will be exciting, just the sort of stuff you love. 143 00:06:42,640 --> 00:06:44,560 Speaker 1: Yeah, okay, you genuinely think I'll love it because of 144 00:06:44,600 --> 00:06:47,640 Speaker 1: the glitz and the dresses. So what part of it 145 00:06:47,640 --> 00:06:48,760 Speaker 1: are you most looking forward to? 146 00:06:49,040 --> 00:06:53,400 Speaker 4: The music? The music, so yeah, the music, the glitz, 147 00:06:53,839 --> 00:06:59,240 Speaker 4: the body language with Harry, it's going to. 148 00:06:59,240 --> 00:07:04,360 Speaker 1: Be right, okay. And what do you think Harry's body 149 00:07:04,440 --> 00:07:05,000 Speaker 1: language will be? 150 00:07:05,040 --> 00:07:08,039 Speaker 4: Like, mam, grumpy, very grumpy. 151 00:07:08,360 --> 00:07:10,960 Speaker 1: And you're a fan of Charles. 152 00:07:10,120 --> 00:07:12,080 Speaker 4: And I want to see all the tour and the 153 00:07:12,080 --> 00:07:15,240 Speaker 4: glips that he has to wear, the fur and the glitz. 154 00:07:15,320 --> 00:07:17,080 Speaker 1: Yeah, that's real. 155 00:07:17,640 --> 00:07:20,880 Speaker 4: The glipse is to go. I love you gliit the glitz. 156 00:07:21,400 --> 00:07:24,240 Speaker 1: So the glitz, the fur, the dresses and what about 157 00:07:24,240 --> 00:07:25,760 Speaker 1: the horses, mum, let me guess the. 158 00:07:25,720 --> 00:07:31,200 Speaker 4: Glitz glid, you know, trotting in time with each other. 159 00:07:32,480 --> 00:07:34,200 Speaker 1: Well, I've actually got Will here as well. 160 00:07:34,360 --> 00:07:39,080 Speaker 4: I'm sure he'll be enjoying it too, and his mum, Yeah. 161 00:07:38,000 --> 00:07:39,280 Speaker 2: Yeah, mum, or mum's watching it. 162 00:07:39,400 --> 00:07:42,440 Speaker 1: It was a pretty good cell mum, the dresses, the glitz. 163 00:07:44,720 --> 00:07:47,040 Speaker 2: Horses, don't forget the glitz. 164 00:07:46,880 --> 00:07:47,280 Speaker 4: The glid. 165 00:07:47,600 --> 00:07:48,520 Speaker 1: Yeah, the glitz of course. 166 00:07:48,760 --> 00:07:49,480 Speaker 4: Now I'm just. 167 00:07:49,440 --> 00:07:51,760 Speaker 7: At the shop fair enough. 168 00:07:53,880 --> 00:07:55,640 Speaker 2: You know you can wind you wind yourself up. You 169 00:07:55,640 --> 00:07:57,360 Speaker 2: normally wind yourself up. You don't have any invitation. 170 00:07:58,280 --> 00:08:00,960 Speaker 4: I look forward to hearing what you guys think of it, anyway, 171 00:08:01,000 --> 00:08:02,160 Speaker 4: that'll be pretty interesting. 172 00:08:02,320 --> 00:08:06,080 Speaker 2: Yeah, we've blocked out Monday's show for a full review. Yeah. 173 00:08:06,080 --> 00:08:11,760 Speaker 4: Oh yes, okay, let's chat thence. Yeah, anyway, on Monday. 174 00:08:12,280 --> 00:08:16,040 Speaker 1: In front of the shops, usually I'm the lamb. Usually 175 00:08:16,080 --> 00:08:18,560 Speaker 1: i'm the lamb dislaughter because I say stupid things. But you, 176 00:08:18,680 --> 00:08:22,240 Speaker 1: my friend William, have slipped up. You didn't realize, did bub. 177 00:08:22,280 --> 00:08:23,800 Speaker 2: I thought I was just practicing in front of some 178 00:08:23,840 --> 00:08:25,840 Speaker 2: other trusted professionals who have got my back. 179 00:08:26,640 --> 00:08:31,080 Speaker 1: How wrong you are, How wrong you are? So basically 180 00:08:31,200 --> 00:08:33,800 Speaker 1: you were preparing for a prank call. You're a beautiful pranker, 181 00:08:33,840 --> 00:08:36,559 Speaker 1: a beautiful prank Your voice work is impeccable. 182 00:08:36,559 --> 00:08:37,400 Speaker 2: Don't talk me out. 183 00:08:39,240 --> 00:08:40,959 Speaker 1: Because the four will be greater when I talk you 184 00:08:41,000 --> 00:08:43,520 Speaker 1: about But obviously this is this voice work that you 185 00:08:43,640 --> 00:08:47,200 Speaker 1: do on prank calls. It needs rehearsal, but stupidly, Will 186 00:08:47,280 --> 00:08:50,480 Speaker 1: you were rehearsing in front of a microphone which is 187 00:08:50,559 --> 00:08:54,040 Speaker 1: always recording. My friends, So you wanted to do a 188 00:08:54,080 --> 00:08:58,200 Speaker 1: prank call as former UK Prime Minister Boris Johnson, this. 189 00:08:58,120 --> 00:09:04,320 Speaker 5: Guy, I'm very much in favor of powerful mayors in 190 00:09:04,320 --> 00:09:05,480 Speaker 5: the West of England and elsewhere. 191 00:09:05,800 --> 00:09:06,839 Speaker 2: Speaker, can you hear me? 192 00:09:07,559 --> 00:09:08,680 Speaker 1: Do you want me to give that answer? 193 00:09:08,720 --> 00:09:09,240 Speaker 2: A guest? 194 00:09:09,360 --> 00:09:09,560 Speaker 1: Yeah? 195 00:09:09,559 --> 00:09:14,160 Speaker 2: I went, as we all must, to pepper Pig World, 196 00:09:15,000 --> 00:09:17,400 Speaker 2: pe Pig World. Who's been the pads mean, who's been 197 00:09:17,400 --> 00:09:19,679 Speaker 2: to pepper Pig World? I was worse. I was a 198 00:09:19,679 --> 00:09:21,640 Speaker 2: bit hazy when I would find the pepper Pig World, 199 00:09:22,120 --> 00:09:24,400 Speaker 2: but I loved it. Pepper Pig World is very much 200 00:09:24,440 --> 00:09:25,320 Speaker 2: my kind of place. 201 00:09:25,920 --> 00:09:30,400 Speaker 1: So we're there further Ato, you obviously listen to that 202 00:09:30,480 --> 00:09:33,800 Speaker 1: audio day, listen to that and you're like, I can 203 00:09:33,920 --> 00:09:37,880 Speaker 1: do that. And here you are Will doing Boris Johnson. 204 00:09:37,880 --> 00:09:41,120 Speaker 2: This historic moment. Right, you have to reach into my Warran. 205 00:09:42,559 --> 00:09:45,080 Speaker 2: I discovered there's absolutely nothing in there. Do you have 206 00:09:45,440 --> 00:09:47,680 Speaker 2: do you have some do you have some chap whose 207 00:09:47,800 --> 00:09:51,400 Speaker 2: dresses off? Was Warring walking around the out campaigny for 208 00:09:51,400 --> 00:09:54,040 Speaker 2: the West of England Mayor and all conservative candidates throughout 209 00:09:54,040 --> 00:09:57,840 Speaker 2: the weeks. Sixty six thousand sausages, missus bigger? Can you 210 00:09:57,920 --> 00:10:00,240 Speaker 2: hear me? Do you want me to give that answer again? Yeah? 211 00:10:00,960 --> 00:10:05,600 Speaker 2: It has dozens of about thirty sixty six thousand sausages. 212 00:10:05,760 --> 00:10:08,920 Speaker 2: And I went, as we all must, to pepper Pig World. 213 00:10:09,720 --> 00:10:12,000 Speaker 2: Who've been to pepper Pig World? Who's been to pepper 214 00:10:12,000 --> 00:10:16,040 Speaker 2: Pig World? Not enough? Clearly I was a bit eazy 215 00:10:16,040 --> 00:10:17,960 Speaker 2: about what I would find at pepper Pickle World, but 216 00:10:18,840 --> 00:10:22,280 Speaker 2: very much my kind of place. Sixty six thousand sausages, 217 00:10:24,120 --> 00:10:28,520 Speaker 2: you know, let's go. After Robin Williams died, they released 218 00:10:28,520 --> 00:10:31,240 Speaker 2: that like footage of him doing the genie in a 219 00:10:31,320 --> 00:10:35,080 Speaker 2: voice booth. Yeah, you know, really rare audio. Yeah, that's 220 00:10:35,120 --> 00:10:40,960 Speaker 2: what's gonna happen audio. It's will And what did they 221 00:10:41,160 --> 00:10:45,320 Speaker 2: try and fix with flowers? Because look, I'm of the 222 00:10:45,400 --> 00:10:49,440 Speaker 2: opinions as a man, and probably a stupid man, but 223 00:10:49,600 --> 00:10:52,360 Speaker 2: also a man that is stuffed up as many times 224 00:10:52,400 --> 00:10:55,840 Speaker 2: as most men, that a bunch of flowers normally gets 225 00:10:55,880 --> 00:10:58,000 Speaker 2: you out of jail normally. 226 00:10:58,120 --> 00:10:59,920 Speaker 1: You know that time when we went out on Friday 227 00:11:00,120 --> 00:11:02,680 Speaker 1: night and then you were going away with your girlfriend 228 00:11:02,679 --> 00:11:05,600 Speaker 1: at the time on Saturday, and then at some point 229 00:11:06,840 --> 00:11:09,920 Speaker 1: on Sunday you were like, I think it's Saturday. By 230 00:11:09,960 --> 00:11:11,559 Speaker 1: the way, this was a long time ago, guys, but 231 00:11:11,559 --> 00:11:13,960 Speaker 1: we're not we're not those guys anymore, in their mid twenties, 232 00:11:13,960 --> 00:11:16,000 Speaker 1: and you genuinely got confused about whether it was Saturday 233 00:11:16,080 --> 00:11:18,920 Speaker 1: or Sunday. And I informed you that no, mate, that 234 00:11:19,040 --> 00:11:22,240 Speaker 1: wasn't just a very long night. We've we've been out 235 00:11:22,240 --> 00:11:24,240 Speaker 1: for a while. And I think you did get her 236 00:11:24,280 --> 00:11:26,320 Speaker 1: flowers because then you missed the day you were supposed 237 00:11:26,320 --> 00:11:27,679 Speaker 1: to go away for the weekend, and you obviously couldn't 238 00:11:27,679 --> 00:11:30,760 Speaker 1: anymore because it was Sunday. Did you try flowers? 239 00:11:30,800 --> 00:11:32,439 Speaker 2: Then? 240 00:11:33,880 --> 00:11:39,920 Speaker 1: How did you go? 241 00:11:39,679 --> 00:11:42,599 Speaker 2: We've got about that. Yeah, I came home and I 242 00:11:42,640 --> 00:11:46,200 Speaker 2: didn't think I didn't come home with flowers. You thought 243 00:11:46,200 --> 00:11:48,800 Speaker 2: it was Saturday, Saturday. 244 00:11:48,880 --> 00:11:50,120 Speaker 1: I didn't realize you've done anything wrong. 245 00:11:50,160 --> 00:11:51,839 Speaker 2: I got over and she was sitting on the bed 246 00:11:51,880 --> 00:11:56,920 Speaker 2: with a suitcase. Anyway. Yeah, no, I didn't try flowers, no, 247 00:11:57,000 --> 00:11:59,600 Speaker 2: because I thought I thought, no, No, you know what 248 00:11:59,679 --> 00:12:01,720 Speaker 2: I think that week I did buy flowers. 249 00:12:01,760 --> 00:12:02,439 Speaker 1: And well, of. 250 00:12:02,400 --> 00:12:06,840 Speaker 2: Course, because it's it's the last it's the last bastion 251 00:12:07,480 --> 00:12:11,679 Speaker 2: of somebody who's really stuffed up is buying flowers. It 252 00:12:11,760 --> 00:12:14,280 Speaker 2: really is. It's like, you know, your backs against the wall. 253 00:12:14,360 --> 00:12:17,160 Speaker 2: It's like this automated switch that goes on in a 254 00:12:17,160 --> 00:12:19,720 Speaker 2: man's brain that like, for some reason, they can't do 255 00:12:19,800 --> 00:12:22,160 Speaker 2: it on a normal in a normal setting, Like for 256 00:12:22,160 --> 00:12:24,440 Speaker 2: some reason, when things are going well and you you know, 257 00:12:24,600 --> 00:12:27,120 Speaker 2: life's happy, you never go home on a Wednesday night 258 00:12:27,120 --> 00:12:29,920 Speaker 2: with flowers. It just does like you just don't. You 259 00:12:30,000 --> 00:12:32,120 Speaker 2: probably should, like it's going to get you a lot 260 00:12:32,120 --> 00:12:35,080 Speaker 2: of brownie points, but for some reason, the flower switch 261 00:12:35,559 --> 00:12:38,560 Speaker 2: only flicks when you really stuffed up. 262 00:12:38,559 --> 00:12:40,000 Speaker 1: It's a band aid. We do it as a band aid. 263 00:12:40,120 --> 00:12:43,840 Speaker 2: Yes, I always enjoy seeing a guy, particularly a very 264 00:12:43,960 --> 00:12:45,920 Speaker 2: mass guy, walk down the street with flowers, because I 265 00:12:45,920 --> 00:12:52,520 Speaker 2: always think itself, what have you done? And the thing is, 266 00:12:52,559 --> 00:12:54,560 Speaker 2: because often it is so rare. I think we set 267 00:12:54,559 --> 00:12:57,080 Speaker 2: the bar so low with flowers that when you do 268 00:12:57,240 --> 00:12:59,440 Speaker 2: rock up with the flowers, I mean, I haven't received 269 00:12:59,440 --> 00:13:02,600 Speaker 2: flowers before, but I imagine it's really hard to hate them 270 00:13:02,640 --> 00:13:05,480 Speaker 2: because you're like, I never get flowers. He's gone and 271 00:13:05,520 --> 00:13:06,520 Speaker 2: got me flowers. 272 00:13:07,120 --> 00:13:09,920 Speaker 1: It's a big deal, and generally speaking, it does fix 273 00:13:12,040 --> 00:13:14,960 Speaker 1: you have committed exactly. 274 00:13:14,640 --> 00:13:17,920 Speaker 2: So I would love to know if they've tried to 275 00:13:18,000 --> 00:13:22,200 Speaker 2: fix something with flowers, which which was unfixable with flowers. Yeah, 276 00:13:22,760 --> 00:13:26,160 Speaker 2: And the reason the reason I'm talking about this is, look, 277 00:13:26,160 --> 00:13:28,040 Speaker 2: i'll tell you up next. But a guy rocked up 278 00:13:28,320 --> 00:13:33,040 Speaker 2: at Sophie Monk's house with flowers, and I'll tell you 279 00:13:33,120 --> 00:13:36,680 Speaker 2: why right at her partner, No, it's not her partner. 280 00:13:37,080 --> 00:13:39,880 Speaker 2: Third end one six five? Have they tried to fix 281 00:13:39,920 --> 00:13:41,000 Speaker 2: something with flowers? 282 00:13:41,559 --> 00:13:44,400 Speaker 3: I should have got your flowers. 283 00:13:47,840 --> 00:13:49,920 Speaker 2: All right now. The reason we are talking about this 284 00:13:50,200 --> 00:13:54,320 Speaker 2: is because it's actually really sad. So a guy was 285 00:13:54,360 --> 00:14:00,760 Speaker 2: apprehended out the front of Sophie Monk's house. We love 286 00:14:00,840 --> 00:14:05,400 Speaker 2: Sophie and it's really those guys's Brian And effectively he 287 00:14:05,440 --> 00:14:07,400 Speaker 2: was treated as a stalker because he's rocked up with 288 00:14:07,440 --> 00:14:12,680 Speaker 2: a single rose for her. And it turns out he 289 00:14:13,000 --> 00:14:16,880 Speaker 2: is well, he is the victim of a cat fishing scam, 290 00:14:17,960 --> 00:14:21,560 Speaker 2: so he's coughed up. So there's a fake Sophie Monk 291 00:14:21,600 --> 00:14:28,160 Speaker 2: account on Instagram who just started messaging this bloke and 292 00:14:28,360 --> 00:14:33,320 Speaker 2: convinced him that it was Sophie Monk got seven thousand 293 00:14:33,320 --> 00:14:35,080 Speaker 2: bucks out of him, And then. 294 00:14:35,160 --> 00:14:37,600 Speaker 1: Why would Sophie Monk want seven grand of someone. 295 00:14:37,640 --> 00:14:40,080 Speaker 2: I don't know, why would sopemunk be messaging this bloke 296 00:14:40,600 --> 00:14:44,040 Speaker 2: he's married? Yeah, no, I know there's more than that 297 00:14:44,080 --> 00:14:48,520 Speaker 2: once you see the guy. Yeah, anyway, I mean he's 298 00:14:48,560 --> 00:14:50,800 Speaker 2: actually got the messages from her as well. 299 00:14:51,480 --> 00:14:53,040 Speaker 1: From a fake account from the craakers. 300 00:14:53,240 --> 00:14:56,320 Speaker 2: The fake acount is called Sophie Monk, and you know, 301 00:14:56,520 --> 00:14:59,440 Speaker 2: it's actually quite disgusting how she's lured him in messages 302 00:14:59,560 --> 00:15:02,520 Speaker 2: like you know, and did you have a good sleep baby? 303 00:15:02,640 --> 00:15:06,840 Speaker 2: I miss you? Yeah? Really hectic. He actually wrote back 304 00:15:06,880 --> 00:15:09,520 Speaker 2: for his first message, sorry, you've got to see the 305 00:15:09,520 --> 00:15:12,720 Speaker 2: guy to see the contrast. But his first he wouldn't 306 00:15:13,440 --> 00:15:17,240 Speaker 2: hit him. Sophie Bug's messaging him. His first message to 307 00:15:17,280 --> 00:15:22,480 Speaker 2: it was are you serious? Because he was just like, 308 00:15:23,360 --> 00:15:26,760 Speaker 2: why me? But they've got the fully lured him in 309 00:15:26,880 --> 00:15:28,800 Speaker 2: past that to the boy where he rocked out with 310 00:15:28,840 --> 00:15:32,120 Speaker 2: a rose to Sophie's house. Anyway, he actually said I 311 00:15:32,160 --> 00:15:34,720 Speaker 2: look like an idiot, and he said the truth is 312 00:15:34,760 --> 00:15:38,280 Speaker 2: I'm just really lonely, which is just so sad, and 313 00:15:38,320 --> 00:15:40,480 Speaker 2: I would loved him. Can we send him something? Can 314 00:15:40,520 --> 00:15:42,160 Speaker 2: we send this dude something? I think we. 315 00:15:42,120 --> 00:15:44,680 Speaker 1: Should flowers. 316 00:15:45,920 --> 00:15:47,680 Speaker 2: Nice not bad? All right, Well, look if he calls 317 00:15:47,720 --> 00:15:52,760 Speaker 2: the honest mister Ian Rapley. Is that his name, whatever, 318 00:15:52,880 --> 00:15:56,000 Speaker 2: Bryan Bryant, Well, that's it's in the newspaper. Give us 319 00:15:56,000 --> 00:15:57,760 Speaker 2: a call, mate, one and six five. We'll give you 320 00:15:57,800 --> 00:16:00,720 Speaker 2: some flowers, honestly, because that sucks. Danny is called though. 321 00:16:00,720 --> 00:16:02,480 Speaker 2: What did he try and fix with flowers? 322 00:16:02,520 --> 00:16:04,760 Speaker 7: Danny L Hi, guys, are you going good? 323 00:16:04,800 --> 00:16:05,160 Speaker 1: Thank you? 324 00:16:05,840 --> 00:16:09,800 Speaker 7: That's good. Oh well, mine's a bit of a funny one. 325 00:16:09,880 --> 00:16:12,400 Speaker 7: So I had an appointment to have my eyebrows one 326 00:16:12,800 --> 00:16:14,760 Speaker 7: on the Sunday Monday. I was starting a new job 327 00:16:14,800 --> 00:16:17,000 Speaker 7: and we're doing it like a training, a four week 328 00:16:17,040 --> 00:16:22,720 Speaker 7: training since so on the Sunday, my then husband got 329 00:16:22,720 --> 00:16:25,560 Speaker 7: home late, missed my appointment that was already not happy, 330 00:16:25,920 --> 00:16:28,160 Speaker 7: and he said, look, this can't be too hard, and 331 00:16:28,920 --> 00:16:31,680 Speaker 7: we kind of said, I said, I'll just tweet because no, no, no, 332 00:16:31,840 --> 00:16:34,880 Speaker 7: let's give it a go with the wet right anyway, 333 00:16:35,080 --> 00:16:38,720 Speaker 7: So on one of them he put the wets on. 334 00:16:38,880 --> 00:16:41,200 Speaker 7: It was all fine, and then he goes to pulled off, 335 00:16:41,240 --> 00:16:43,160 Speaker 7: but he still had a little bit on his finger 336 00:16:43,320 --> 00:16:45,800 Speaker 7: and he leaned on my other part of my brow, 337 00:16:45,880 --> 00:16:48,600 Speaker 7: and like half the three quarters of my eyebrow came up. 338 00:16:48,720 --> 00:16:55,760 Speaker 2: Oh, he gave me flowers to try and soothe it. 339 00:16:54,960 --> 00:16:57,560 Speaker 7: For training, but it looked really bad, Like I can't 340 00:16:57,560 --> 00:16:59,600 Speaker 7: tell you, it looked really bad. And the worst thing 341 00:16:59,720 --> 00:17:03,240 Speaker 7: was sent me flowers to my training where I was training, 342 00:17:03,760 --> 00:17:06,280 Speaker 7: and all the guys in the group are like saying, oh, wow, 343 00:17:06,359 --> 00:17:09,480 Speaker 7: we must have done something really bad, like wow, what 344 00:17:09,600 --> 00:17:11,600 Speaker 7: a great guy. And I'm like, I'm not going to 345 00:17:11,680 --> 00:17:14,040 Speaker 7: go into what he did, and I'm thinking, what an idiot? 346 00:17:14,040 --> 00:17:14,520 Speaker 7: Why would he? 347 00:17:15,920 --> 00:17:19,560 Speaker 1: Yeah, well, that's actually quite smart day sending them publicly 348 00:17:19,680 --> 00:17:23,880 Speaker 1: as well, because then every run around the person, she's 349 00:17:23,920 --> 00:17:24,480 Speaker 1: only got. 350 00:17:24,359 --> 00:17:26,560 Speaker 2: Half an eyebrow. Though, can't you already see that. 351 00:17:26,920 --> 00:17:29,479 Speaker 1: Women are quite good at drawing them on drawing on 352 00:17:29,520 --> 00:17:29,920 Speaker 1: the brow? 353 00:17:30,119 --> 00:17:30,320 Speaker 2: Yeah? 354 00:17:30,720 --> 00:17:32,080 Speaker 1: Yeah, I learn about it quite recently. 355 00:17:32,160 --> 00:17:35,399 Speaker 2: Taylor's called. I'd love to go into that, but Taylor, 356 00:17:36,640 --> 00:17:38,600 Speaker 2: talk to me, what did you try and fix your flowers? 357 00:17:39,240 --> 00:17:42,919 Speaker 8: Okay, a bit of a sad one. I inherited. I 358 00:17:43,000 --> 00:17:44,520 Speaker 8: inherited a snake from. 359 00:17:44,359 --> 00:17:47,800 Speaker 6: My grandfather who passed away, and it was very sentimental 360 00:17:48,400 --> 00:17:50,840 Speaker 6: and he decided to have babies with the boys and 361 00:17:50,880 --> 00:17:52,640 Speaker 6: get the snake out when I wasn't there. 362 00:17:53,040 --> 00:17:56,720 Speaker 2: Oh well, that sounds like something else. Yeah, yeah, yeah, yeah, yeah. 363 00:17:56,840 --> 00:17:59,320 Speaker 8: I got to close the enclosure and the cat got in. 364 00:17:59,560 --> 00:18:03,720 Speaker 2: Oh oh wow watch that. Yeah, and. 365 00:18:06,320 --> 00:18:08,879 Speaker 6: Obviously the snake didn't make it. To fix it, he 366 00:18:09,000 --> 00:18:11,480 Speaker 6: sent me a bunch of green roses. 367 00:18:12,119 --> 00:18:14,280 Speaker 2: Green roses, right, okay. 368 00:18:14,160 --> 00:18:17,600 Speaker 6: Get him died, and I was like, I kept the roses. 369 00:18:17,720 --> 00:18:18,440 Speaker 6: Ditched the guy. 370 00:18:19,040 --> 00:18:22,080 Speaker 2: Oh you got rid of it? Really up for killing 371 00:18:22,119 --> 00:18:23,320 Speaker 2: your grandfather's snake? 372 00:18:23,440 --> 00:18:25,159 Speaker 1: Totally want I think I'll tell you what I was 373 00:18:25,160 --> 00:18:27,320 Speaker 1: money on snake there today? Cat right, I. 374 00:18:27,320 --> 00:18:28,760 Speaker 2: Think a little part of you would have to have 375 00:18:28,800 --> 00:18:31,000 Speaker 2: been impressed. I'd just get around the cat there. 376 00:18:32,960 --> 00:18:33,720 Speaker 1: That's a great victory. 377 00:18:33,800 --> 00:18:34,560 Speaker 2: Enslaved the serpent. 378 00:18:34,840 --> 00:18:38,159 Speaker 1: David Viglid's story. Let's go to Beck here, Beck, what 379 00:18:38,200 --> 00:18:38,720 Speaker 1: are you trying? 380 00:18:39,000 --> 00:18:43,040 Speaker 2: Before we go to Beck, these are the stranger stories? 381 00:18:43,080 --> 00:18:49,040 Speaker 2: What who are these people? Six five? What are you 382 00:18:49,080 --> 00:18:51,679 Speaker 2: try and fix your flowers? Well? 383 00:18:51,920 --> 00:18:54,439 Speaker 5: I was seeing a guy for about six months, you know, 384 00:18:54,600 --> 00:18:57,840 Speaker 5: doing everything right. Obviously thought that we were almost you know, 385 00:18:58,800 --> 00:19:01,360 Speaker 5: basically in a relationship ship. And then I found out 386 00:19:01,440 --> 00:19:04,760 Speaker 5: he had a wife, and then he that was sending 387 00:19:04,760 --> 00:19:07,520 Speaker 5: me flowers, you know, fixing my car. 388 00:19:07,640 --> 00:19:11,159 Speaker 4: But yeah, it was there was trying to fix that 389 00:19:11,280 --> 00:19:11,840 Speaker 4: with flowers. 390 00:19:11,880 --> 00:19:12,679 Speaker 3: I don't understand it. 391 00:19:13,040 --> 00:19:16,800 Speaker 2: Yeah, he said flowers because he had a wife, and 392 00:19:16,800 --> 00:19:20,000 Speaker 2: he's definitely what I'm talking about. He's definitely one dimensional. 393 00:19:20,080 --> 00:19:21,560 Speaker 1: He's definitely on the two for one deal as well 394 00:19:21,560 --> 00:19:25,600 Speaker 1: when he organized the flowers one for the real wife women. 395 00:19:26,160 --> 00:19:29,760 Speaker 1: More after this, it's Will and Woody. 396 00:19:30,119 --> 00:19:31,920 Speaker 2: There's a whole bunch of people we could have got 397 00:19:31,960 --> 00:19:32,400 Speaker 2: on for this. 398 00:19:32,760 --> 00:19:35,200 Speaker 1: Yeah, Number one. 399 00:19:35,080 --> 00:19:36,480 Speaker 2: Well, people that are there. I would have liked to 400 00:19:36,560 --> 00:19:38,520 Speaker 2: spoking to Charles himself to be honest, are you feeling? 401 00:19:39,640 --> 00:19:44,119 Speaker 2: And then would have been my question says you know 402 00:19:44,160 --> 00:19:48,520 Speaker 2: a reporter over there, for example, stranded royal family, an 403 00:19:48,520 --> 00:19:51,560 Speaker 2: ex royal butler. There are loads of people we could 404 00:19:51,560 --> 00:19:57,440 Speaker 2: have spoken about. We decided to speak to a middle 405 00:19:57,480 --> 00:19:59,920 Speaker 2: aged woman who is also a banker and likes writing song. 406 00:20:00,000 --> 00:20:02,600 Speaker 2: Parody is in her spare time. She's a parody. 407 00:20:02,760 --> 00:20:09,760 Speaker 1: Please Garante to blow your mind. 408 00:20:13,359 --> 00:20:16,639 Speaker 2: The parody Queen Dina joined and I called her a 409 00:20:16,680 --> 00:20:18,120 Speaker 2: middle aged before, and I don't know I think that's 410 00:20:18,119 --> 00:20:21,199 Speaker 2: appropriate because Dina, I don't know how old you are 411 00:20:21,240 --> 00:20:24,320 Speaker 2: and I definitely shouldn't have assumed that. I'm sorry about that. Mate. 412 00:20:25,119 --> 00:20:27,920 Speaker 3: Oh look, apology accepted. Yeah, but you know, a woman 413 00:20:28,000 --> 00:20:29,480 Speaker 3: never discloses her age. 414 00:20:29,680 --> 00:20:33,080 Speaker 1: No, nothing rattles you, though, Dina, nothing rattles you. How 415 00:20:33,119 --> 00:20:33,600 Speaker 1: can I ask you? 416 00:20:33,720 --> 00:20:36,199 Speaker 2: Dana does have a ballpark though, Dina, like I was, 417 00:20:36,240 --> 00:20:38,840 Speaker 2: I was thinking, well, I was doubling down. He's thinking 418 00:20:38,840 --> 00:20:40,520 Speaker 2: twenty three, twenty four sort of vibe. 419 00:20:41,200 --> 00:20:44,159 Speaker 3: Yeah, maybe double it, and then adds. 420 00:20:43,880 --> 00:20:48,000 Speaker 1: Some Okay, there you go. Well you have a very 421 00:20:48,040 --> 00:20:49,639 Speaker 1: youthful voice. 422 00:20:49,160 --> 00:20:50,200 Speaker 2: Great. 423 00:20:50,240 --> 00:20:50,400 Speaker 5: Yeah. 424 00:20:50,800 --> 00:20:53,159 Speaker 2: Before we get into the parodies, though, Dina, can we 425 00:20:53,200 --> 00:20:56,720 Speaker 2: just talk quickly because obviously you're you're also our ear 426 00:20:56,760 --> 00:20:58,280 Speaker 2: on the ground when it comes to banking, because you 427 00:20:58,320 --> 00:20:58,879 Speaker 2: are a banker. 428 00:20:59,320 --> 00:21:03,400 Speaker 3: Interest rate yeah, yeah, I mean, what can I say? 429 00:21:03,440 --> 00:21:03,720 Speaker 2: Guys? 430 00:21:03,720 --> 00:21:06,600 Speaker 3: Another rates are you know, increased by the RBA. So 431 00:21:07,400 --> 00:21:09,800 Speaker 3: hopefully they'll call it quizza so this one for a while, 432 00:21:09,840 --> 00:21:10,480 Speaker 3: give us a breather. 433 00:21:10,920 --> 00:21:14,000 Speaker 1: Yeah okay, and that's the official word from that's the 434 00:21:14,000 --> 00:21:19,560 Speaker 1: official word from the bank. No, just me, yeah, yeahge Dina, 435 00:21:20,119 --> 00:21:20,720 Speaker 1: bloody love it. 436 00:21:21,359 --> 00:21:23,360 Speaker 2: I don't know what she does in the bank, Dinna either. 437 00:21:23,400 --> 00:21:25,760 Speaker 2: We've got no idea, but she's up there. She is 438 00:21:25,840 --> 00:21:28,440 Speaker 2: up there. Now, d let's get down to the parodies, mate. 439 00:21:28,480 --> 00:21:30,880 Speaker 2: So obviously the producers hit you out. I know again 440 00:21:30,960 --> 00:21:35,040 Speaker 2: as always very late. Notice, but you have written two parodies. 441 00:21:35,040 --> 00:21:37,640 Speaker 2: I'm being told about Charles being coronated this Saturday. 442 00:21:38,480 --> 00:21:41,720 Speaker 3: Yes, correct, Yes, okay, I had to. It's a big event. 443 00:21:41,960 --> 00:21:44,879 Speaker 2: That's you, of course. I mean, yeah, I imagine you 444 00:21:45,000 --> 00:21:47,320 Speaker 2: the same sort of feeling that great writers get when 445 00:21:47,359 --> 00:21:48,640 Speaker 2: something happens and they feel. 446 00:21:48,400 --> 00:21:53,480 Speaker 5: Like the inspiration came flowing, beautiful, great to hear. A. 447 00:21:53,560 --> 00:21:54,800 Speaker 2: Right, well this is your first song. 448 00:21:59,000 --> 00:22:04,000 Speaker 1: I say, lying mean I said you've done here. 449 00:22:04,040 --> 00:22:05,720 Speaker 2: All right? Well, well the floors you mate? 450 00:22:06,480 --> 00:22:11,119 Speaker 3: Okay a may A cheer? Why am I not listening 451 00:22:12,040 --> 00:22:18,440 Speaker 3: a may cheer? Wearing lots of brings, He's laded his 452 00:22:18,640 --> 00:22:23,520 Speaker 3: whole life Whisker Miller as his wife to see and say. 453 00:22:24,920 --> 00:22:25,720 Speaker 5: What our day? 454 00:22:27,240 --> 00:22:28,480 Speaker 3: I'm sitting in my chea. 455 00:22:33,040 --> 00:22:36,720 Speaker 2: Yeah, ageah with with you. I think it's it's the 456 00:22:36,880 --> 00:22:40,159 Speaker 2: it's the vocal range that really gets me. That's thet 457 00:22:40,800 --> 00:22:45,920 Speaker 2: was quite astonished by. There's just unbelievable. It's the full scale, 458 00:22:45,960 --> 00:22:49,520 Speaker 2: isn't it amazing? Dina? Again, no rhymes in there? I 459 00:22:49,600 --> 00:22:53,280 Speaker 2: didn't I didn't feel just ah, A couple, A couple 460 00:22:53,320 --> 00:22:56,720 Speaker 2: of couple there you had to listen out for a 461 00:22:56,720 --> 00:23:00,400 Speaker 2: couple of lines. The rhyme at the end there, well 462 00:23:00,520 --> 00:23:03,000 Speaker 2: it was the what are they? 463 00:23:03,640 --> 00:23:04,520 Speaker 3: It's to see and. 464 00:23:04,760 --> 00:23:10,400 Speaker 2: Say, oh day and say and again very good? Yeah? 465 00:23:10,480 --> 00:23:11,199 Speaker 2: I love it all right? 466 00:23:11,280 --> 00:23:11,880 Speaker 1: No gooding? 467 00:23:12,119 --> 00:23:13,440 Speaker 2: Second song then shall. 468 00:23:15,760 --> 00:23:16,680 Speaker 3: Oh yeah? 469 00:23:16,840 --> 00:23:20,080 Speaker 2: Nice? All right? Great? 470 00:23:21,160 --> 00:23:22,960 Speaker 1: Hard to follow that one, Dana of good luck to you. 471 00:23:23,920 --> 00:23:27,639 Speaker 3: Okay, here we go. Charmy's going to be the king's 472 00:23:27,720 --> 00:23:31,440 Speaker 3: But do we really care? I don't think we give 473 00:23:31,480 --> 00:23:36,320 Speaker 3: a sheep. He doesn't have much hair, he said gage pension, 474 00:23:36,440 --> 00:23:41,400 Speaker 3: I said, with their crown driver, catch up on Netflix 475 00:23:41,520 --> 00:23:43,320 Speaker 3: and sit my dressing gown. 476 00:23:45,960 --> 00:23:46,200 Speaker 2: Again? 477 00:23:47,080 --> 00:23:50,320 Speaker 1: Who went whack there? Day? 478 00:23:51,640 --> 00:23:54,800 Speaker 2: And the crown and gown there as well. I really 479 00:23:54,920 --> 00:23:57,480 Speaker 2: brought it home with a bank. Are you gonna watch it? Obviously? 480 00:23:57,520 --> 00:23:59,280 Speaker 2: You sound passionate about it. Are you going to watch 481 00:23:59,320 --> 00:24:01,080 Speaker 2: it on the weekend? Uh? 482 00:24:01,320 --> 00:24:05,879 Speaker 3: Probably not, guys. Yeah, ok, I'm in and out of it, 483 00:24:06,080 --> 00:24:08,000 Speaker 3: but yeah, I don't think I'll be glued to the shed. 484 00:24:08,280 --> 00:24:09,200 Speaker 1: No, fair enough. 485 00:24:09,359 --> 00:24:11,520 Speaker 2: I'm glad we got one for it anyway. Day of 486 00:24:11,640 --> 00:24:14,560 Speaker 2: all the authorities we could have had on the coronation 487 00:24:14,760 --> 00:24:17,280 Speaker 2: this weekend, the one and only Queen and parodies Dina, 488 00:24:17,359 --> 00:24:21,120 Speaker 2: Thanks for joining us, mate right to everyone. 489 00:24:21,359 --> 00:24:26,960 Speaker 1: As always, it's will and Woody Lip Kisses Social lip 490 00:24:27,080 --> 00:24:30,120 Speaker 1: Kisses thirteen one oh six five is our number. Give 491 00:24:30,200 --> 00:24:32,600 Speaker 1: us the call if you want to name and shame 492 00:24:32,720 --> 00:24:38,879 Speaker 1: a lip kisser cheers. Personally, I can't have them. It 493 00:24:39,000 --> 00:24:40,879 Speaker 1: makes me feel a bit uncomfortable when I'm when I'm 494 00:24:40,920 --> 00:24:43,840 Speaker 1: greeting a friend and that friend is trying to seek 495 00:24:43,840 --> 00:24:44,440 Speaker 1: out your lips. 496 00:24:44,640 --> 00:24:47,040 Speaker 2: Yeah, and they're trying. They're They're like homing pigeons, aren't 497 00:24:47,040 --> 00:24:47,640 Speaker 2: they all Right. 498 00:24:47,760 --> 00:24:49,840 Speaker 1: You try and balk them, and it's like they anticipate 499 00:24:49,920 --> 00:24:52,560 Speaker 1: the book. They know the book's coming, so they over 500 00:24:52,640 --> 00:24:55,960 Speaker 1: commit to the way the smack bang on the middle. 501 00:24:56,480 --> 00:24:59,560 Speaker 1: My aunt are kind of like it, though, no, because 502 00:24:59,600 --> 00:25:05,520 Speaker 1: sometimes my like Mim wouldn't care. It's a if someone's 503 00:25:05,600 --> 00:25:08,360 Speaker 1: lip kissing me, Ither'd be like, oh, I'm in front 504 00:25:08,359 --> 00:25:10,480 Speaker 1: of my beautiful fiance, Like, is she gonna think something's 505 00:25:10,520 --> 00:25:10,760 Speaker 1: going on? 506 00:25:10,880 --> 00:25:13,840 Speaker 2: No, come on, I don't know. Let's not put words 507 00:25:13,880 --> 00:25:15,280 Speaker 2: in MIM's mouth doesn't care. 508 00:25:15,400 --> 00:25:17,639 Speaker 1: She probably doesn't care. But I okay, I feel like 509 00:25:17,640 --> 00:25:19,880 Speaker 1: I don't like it. I don't like my lips being kissed. 510 00:25:19,920 --> 00:25:21,480 Speaker 1: I'll give you a cheek. You can have the cheek 511 00:25:21,480 --> 00:25:23,240 Speaker 1: all day. You can choose which cheek you want? 512 00:25:23,400 --> 00:25:24,240 Speaker 2: Oh, that's very kind. 513 00:25:24,640 --> 00:25:26,760 Speaker 1: Even the French when they kissed both checks go for 514 00:25:26,840 --> 00:25:27,200 Speaker 1: your life? 515 00:25:27,240 --> 00:25:33,920 Speaker 2: What about the neck? I'm just kiss Jesus made it 516 00:25:33,960 --> 00:25:35,320 Speaker 2: sounds like, you know, you're trying to sell it like 517 00:25:35,359 --> 00:25:37,160 Speaker 2: there's a lot of real estate there. But ultimately you're 518 00:25:37,240 --> 00:25:38,119 Speaker 2: quite picky, aren't you. 519 00:25:38,400 --> 00:25:39,960 Speaker 1: Well, Yeah, I guess I am. I guess I am. 520 00:25:40,000 --> 00:25:40,600 Speaker 1: I'm just a cheek. 521 00:25:40,880 --> 00:25:43,120 Speaker 2: Do you feel about Schnow's kiss? 522 00:25:44,080 --> 00:25:48,120 Speaker 1: A Schnow's kiss. I'm not uncomfortable because I'm insecure about 523 00:25:48,160 --> 00:25:50,520 Speaker 1: my schnoves. Now, why am I talking about kiss? I 524 00:25:50,560 --> 00:25:53,080 Speaker 1: should talk about why I'm talking about. Don't you talk 525 00:25:53,119 --> 00:25:56,200 Speaker 1: about my big n aircraft carrier. I'm talking about lip 526 00:25:56,240 --> 00:25:59,680 Speaker 1: kissing because a guy who Taylor Swift used to date. 527 00:26:01,840 --> 00:26:03,679 Speaker 1: She had a very small deally once with a guy 528 00:26:03,760 --> 00:26:07,400 Speaker 1: called Matty Healy who's the lead singer of nineteen seventy five. 529 00:26:07,600 --> 00:26:09,600 Speaker 2: I think she's seeing him now. I don't think she's 530 00:26:09,640 --> 00:26:11,359 Speaker 2: having a small galions for them. No. 531 00:26:11,440 --> 00:26:14,119 Speaker 1: I think they're doing a reunion on stage. But they 532 00:26:14,320 --> 00:26:17,480 Speaker 1: used to day anyway. He one of the things he 533 00:26:17,560 --> 00:26:19,480 Speaker 1: does at his concerts is he lip kisses people. He 534 00:26:19,600 --> 00:26:21,720 Speaker 1: just gets out there and kisses. Everyone love that, But 535 00:26:22,440 --> 00:26:24,920 Speaker 1: out of respect for Taylor Swift, he stopped doing that 536 00:26:25,080 --> 00:26:27,040 Speaker 1: when they were seeing each other. That's why we're talking 537 00:26:27,119 --> 00:26:32,040 Speaker 1: about lip kissing. We've got George here now, George, let's 538 00:26:32,080 --> 00:26:33,760 Speaker 1: talk about the lip kisser in your life. 539 00:26:35,400 --> 00:26:40,680 Speaker 7: So, my missus every time she says hello and birth 540 00:26:40,800 --> 00:26:42,920 Speaker 7: grandma's house, she says bye, they. 541 00:26:43,200 --> 00:26:46,199 Speaker 2: Give a bit of a liks your missus and your grandma. 542 00:26:47,440 --> 00:26:48,000 Speaker 7: She kisses me. 543 00:26:48,200 --> 00:26:51,920 Speaker 2: So he name gissing your nan? Yeah? 544 00:26:51,960 --> 00:26:54,960 Speaker 1: Yeah does she? So does? She does she jump a generation? 545 00:26:55,119 --> 00:26:55,199 Speaker 2: Then? 546 00:26:55,240 --> 00:26:57,080 Speaker 1: Then does she kiss her mum on the lips? 547 00:26:58,840 --> 00:26:59,760 Speaker 7: Not the mums nan? 548 00:27:00,080 --> 00:27:04,359 Speaker 1: That's odd, that's trying miss missus generation, that's her her 549 00:27:04,440 --> 00:27:04,800 Speaker 1: own net. 550 00:27:05,760 --> 00:27:07,440 Speaker 2: I thought she was kissing Georgie's nan. 551 00:27:08,359 --> 00:27:12,359 Speaker 1: No, yeah, right, okay, you and your mom kiss on 552 00:27:12,440 --> 00:27:12,800 Speaker 1: the lips. 553 00:27:12,840 --> 00:27:14,920 Speaker 2: Well, my mum occasionally goes for that occasion. 554 00:27:15,160 --> 00:27:17,480 Speaker 1: Every every kiss I have seen, every interaction I have 555 00:27:17,640 --> 00:27:23,840 Speaker 1: seen who's watching? Because I get uncomfortable? Uncomfort The producer 556 00:27:23,960 --> 00:27:25,480 Speaker 1: l J she's a lip kiss I wasn't going to 557 00:27:25,480 --> 00:27:25,919 Speaker 1: bring that up. 558 00:27:26,080 --> 00:27:27,879 Speaker 2: I'm happy to bring it up. She's she's happy to 559 00:27:27,920 --> 00:27:32,520 Speaker 2: bring it up. She loves it. No, I'm a. 560 00:27:32,600 --> 00:27:35,480 Speaker 1: Receiver of a lip kissing if someone's coming for me, 561 00:27:36,119 --> 00:27:38,640 Speaker 1: rude movie in my head, like I feel like I'm 562 00:27:38,680 --> 00:27:39,560 Speaker 1: the bud person. 563 00:27:39,600 --> 00:27:43,160 Speaker 2: Absolutely on the lips. 564 00:27:43,200 --> 00:27:43,760 Speaker 1: It's no doubt. 565 00:27:43,880 --> 00:27:46,080 Speaker 2: It's not a bad thing. It's not a bad thing. 566 00:27:46,119 --> 00:27:47,560 Speaker 2: I want you to know it's not a bad thing. 567 00:27:47,600 --> 00:27:50,520 Speaker 2: But yeah, it's I mean, sometimes you know, I feel 568 00:27:50,520 --> 00:27:52,120 Speaker 2: like the clown at the fair and I'm like trying 569 00:27:52,119 --> 00:27:53,600 Speaker 2: to go out of the way, you know, like and 570 00:27:53,720 --> 00:27:56,639 Speaker 2: you're you've got the ball and you're like in there 571 00:27:56,640 --> 00:28:01,320 Speaker 2: around the side. It's hard to avoid you. Sometimes you 572 00:28:01,480 --> 00:28:03,960 Speaker 2: go for him, and what he said, there's this like, 573 00:28:04,119 --> 00:28:05,600 Speaker 2: there's this honing ability. 574 00:28:05,920 --> 00:28:09,760 Speaker 1: I've got an Auntie, Antie Auntie, She'll see you from 575 00:28:09,760 --> 00:28:11,720 Speaker 1: across the room and she'll be going for those lips. 576 00:28:11,760 --> 00:28:14,760 Speaker 1: It's right off. Now let's go to Lily here, Lily, 577 00:28:14,800 --> 00:28:16,639 Speaker 1: here we go. You've got a member of your family 578 00:28:16,680 --> 00:28:17,720 Speaker 1: who is a lib kisser. 579 00:28:18,640 --> 00:28:22,680 Speaker 9: Yeah, I do. He's like a great uncle friend. I 580 00:28:22,800 --> 00:28:25,200 Speaker 9: haven't seen him in like a really long time, probably 581 00:28:25,240 --> 00:28:28,200 Speaker 9: not since I was really young. And we he came 582 00:28:28,240 --> 00:28:29,480 Speaker 9: to my sister's twenty first. 583 00:28:29,560 --> 00:28:31,840 Speaker 8: He flew in because he lives in England. 584 00:28:32,640 --> 00:28:35,760 Speaker 9: Came to my sister's twenty thirst. And my sister had 585 00:28:35,800 --> 00:28:38,640 Speaker 9: a brand new boyfriend that hadn't met the family yet. Oh, 586 00:28:39,720 --> 00:28:41,880 Speaker 9: right in front of her new boyfriend, he kissed her 587 00:28:42,000 --> 00:28:42,920 Speaker 9: straight on the lip. 588 00:28:43,120 --> 00:28:44,520 Speaker 1: Oh right off, that's right. 589 00:28:44,920 --> 00:28:47,719 Speaker 2: Was so so awkward. Has anyone said anything to him? 590 00:28:49,040 --> 00:28:51,120 Speaker 9: No, because I think our family are a little bit 591 00:28:51,200 --> 00:28:53,400 Speaker 9: used to it. But like a teenage girls, we were 592 00:28:53,440 --> 00:28:57,400 Speaker 9: sort of like, WHOA, Yeah, he doesn't mean it in 593 00:28:57,480 --> 00:28:59,200 Speaker 9: like a creepy way. I don't like. I just think 594 00:28:59,320 --> 00:29:01,640 Speaker 9: he's just older, and I think that must be what 595 00:29:01,760 --> 00:29:02,000 Speaker 9: they do. 596 00:29:02,640 --> 00:29:03,520 Speaker 1: Do you find. 597 00:29:06,720 --> 00:29:08,600 Speaker 2: It doesn't mean in an a grieving way. That's what 598 00:29:08,800 --> 00:29:11,960 Speaker 2: they told her, and that's what they do. Wow, Lily, 599 00:29:12,200 --> 00:29:13,360 Speaker 2: never be a defense attorney. 600 00:29:13,520 --> 00:29:14,880 Speaker 4: Poor Will and Woody goodness. 601 00:29:15,280 --> 00:29:18,640 Speaker 1: After this, it's the Women Woody Podcast. 602 00:29:19,200 --> 00:29:21,040 Speaker 2: Well, Joe, right now, we'd love to hear from you, guys. 603 00:29:21,120 --> 00:29:23,080 Speaker 2: Third end one and six y five. You're driving home. 604 00:29:23,160 --> 00:29:25,640 Speaker 2: If you think you can impersonate someone, well, if you 605 00:29:25,720 --> 00:29:28,120 Speaker 2: got a good voice in your back pocket, or maybe 606 00:29:28,680 --> 00:29:31,680 Speaker 2: you actually sound similar to the person who's in the 607 00:29:31,720 --> 00:29:34,440 Speaker 2: car with you. Either way convinces you're in the car 608 00:29:34,520 --> 00:29:36,920 Speaker 2: with somebody else. Third end one and six five. It's 609 00:29:36,960 --> 00:29:39,360 Speaker 2: fine alone, Wiland Woodies. 610 00:29:40,440 --> 00:29:43,920 Speaker 1: Alone I love it. You gotta be good, though, I'll 611 00:29:43,960 --> 00:29:46,000 Speaker 1: tell you, like, we've done this now for how long? 612 00:29:46,040 --> 00:29:49,040 Speaker 2: Will ah? Five years? 613 00:29:49,760 --> 00:29:50,680 Speaker 1: I don't think of that long. 614 00:29:50,720 --> 00:29:53,040 Speaker 2: Well, you asked me, how do you think we've done 615 00:29:53,080 --> 00:29:54,080 Speaker 2: it for the two years? 616 00:29:54,720 --> 00:29:57,040 Speaker 1: For two years? And I think to get the past 617 00:29:57,120 --> 00:29:59,360 Speaker 1: us now with a fake voice is bloody hard to do. 618 00:29:59,520 --> 00:30:02,640 Speaker 2: Be an elite sportsman that we are as good at 619 00:30:02,680 --> 00:30:07,920 Speaker 2: this as as they are there Brontie Campbell, Bronti Campbell, 620 00:30:07,960 --> 00:30:08,800 Speaker 2: the Olympic swimmer. 621 00:30:09,000 --> 00:30:11,600 Speaker 1: Yeah wow, also a friend of ours. A little to Bronti, 622 00:30:11,880 --> 00:30:13,800 Speaker 1: but we are the Brogie Campbell of this game. 623 00:30:13,880 --> 00:30:16,120 Speaker 2: Well, she bore a record holder, gold medalist. 624 00:30:16,280 --> 00:30:16,800 Speaker 1: All those things. 625 00:30:16,880 --> 00:30:19,480 Speaker 2: Yeah, let's go to Michelle I and she'd be offended 626 00:30:19,560 --> 00:30:23,440 Speaker 2: by that. No, that was equating her career to our 627 00:30:23,960 --> 00:30:24,760 Speaker 2: game of radio. 628 00:30:24,920 --> 00:30:27,320 Speaker 1: No, no, no, no, no, I'm equating her career in 629 00:30:27,360 --> 00:30:31,200 Speaker 1: swimming to our ability in a small radio game. 630 00:30:31,400 --> 00:30:33,560 Speaker 2: I wouldn't have gone for someone that we know. 631 00:30:33,760 --> 00:30:37,440 Speaker 1: Let's go to Michelle, Michelle, who are you in the 632 00:30:37,560 --> 00:30:37,840 Speaker 1: car with? 633 00:30:38,680 --> 00:30:40,960 Speaker 8: Hey, guys, I'm with my sister sister. 634 00:30:41,000 --> 00:30:43,560 Speaker 1: Okay, so give us the specs their older sister, younger 635 00:30:43,600 --> 00:30:44,840 Speaker 1: sister or what's her name? 636 00:30:45,600 --> 00:30:48,520 Speaker 8: So this is my younger sister. She's twenty two. 637 00:30:49,400 --> 00:30:50,520 Speaker 1: Okay, cool. What's her name? 638 00:30:50,560 --> 00:30:52,640 Speaker 8: I would say my most favorite sister. 639 00:30:53,600 --> 00:30:55,480 Speaker 2: Okay, we don't actually care about that. 640 00:30:56,160 --> 00:30:56,760 Speaker 1: What's her name? 641 00:30:57,680 --> 00:30:58,840 Speaker 8: Oh, her name's Tiffany. 642 00:30:59,040 --> 00:31:02,680 Speaker 1: Okay, Tiffany, Okay, throw tiff on the phone please. Okay, 643 00:31:05,000 --> 00:31:10,160 Speaker 1: Hey guys, Hi, Tiffany, why do you think you're Michelle's 644 00:31:10,200 --> 00:31:10,840 Speaker 1: favorite sister? 645 00:31:12,680 --> 00:31:17,440 Speaker 8: So recently I just bought her a brand new Tiffany 646 00:31:17,520 --> 00:31:19,720 Speaker 8: necklace for her thirty first birthday. 647 00:31:20,280 --> 00:31:24,080 Speaker 1: Tiffany, you bought a Tiffany bracelet. It's all seen a 648 00:31:24,120 --> 00:31:24,800 Speaker 1: little bit too. 649 00:31:25,680 --> 00:31:28,040 Speaker 2: Can you chuck Michelle back on, please, Tiffany. 650 00:31:28,440 --> 00:31:34,240 Speaker 1: Yeah, hold on, hello, it doesn't even sound like you're 651 00:31:34,240 --> 00:31:35,840 Speaker 1: in a car. I'm gonna be honest, Michelle. 652 00:31:35,920 --> 00:31:37,480 Speaker 2: Yeah, that's how you have. His dreaming is on the 653 00:31:37,520 --> 00:31:38,400 Speaker 2: iHeartRadio app. 654 00:31:38,440 --> 00:31:42,040 Speaker 1: Baby, So let's have a guest woods where you I'm saying, no, 655 00:31:42,120 --> 00:31:44,440 Speaker 1: I think, Michelle, you're making up the fact that there's 656 00:31:44,480 --> 00:31:46,520 Speaker 1: a woman called Tiffany who got you a Tiffany bracelet. 657 00:31:46,560 --> 00:31:48,400 Speaker 1: Who's your favorite sister? Michelle, I'm going to say, you're 658 00:31:48,440 --> 00:31:48,920 Speaker 1: by yourself. 659 00:31:50,920 --> 00:31:53,880 Speaker 8: You are right there? 660 00:31:53,960 --> 00:31:56,280 Speaker 1: Yeah, thank you. Whether Brontie Campbell the phone a line, 661 00:31:56,280 --> 00:31:58,560 Speaker 1: there's no doubt about it. Let's go to Ellie here 662 00:31:58,720 --> 00:32:01,000 Speaker 1: on thirteen one sixty five. Ellie, who are you in 663 00:32:01,080 --> 00:32:01,480 Speaker 1: the car with? 664 00:32:02,400 --> 00:32:04,600 Speaker 2: Hey, guys, thank you very well. 665 00:32:04,640 --> 00:32:07,320 Speaker 8: Here in the car with I'm just driving home with 666 00:32:07,440 --> 00:32:08,160 Speaker 8: my friend Jack. 667 00:32:08,480 --> 00:32:10,800 Speaker 2: Oh Jack, right, Jack, all right? Jack him on? 668 00:32:13,600 --> 00:32:15,880 Speaker 8: You get a boys, what's up? 669 00:32:16,400 --> 00:32:18,160 Speaker 2: Yeah? Okay, I think of myself there, l thanks. 670 00:32:18,920 --> 00:32:21,440 Speaker 1: I don't think we've ever had a female successfully pull 671 00:32:21,480 --> 00:32:26,000 Speaker 1: off fake male No, because no, no we haven't. 672 00:32:26,080 --> 00:32:28,200 Speaker 2: That's a I think I personally. 673 00:32:28,280 --> 00:32:28,440 Speaker 4: Yeah. 674 00:32:28,520 --> 00:32:30,600 Speaker 2: Yeah, it's it's the depth and the voice, isn't it. 675 00:32:31,640 --> 00:32:33,840 Speaker 2: There was a time when you thought that they were 676 00:32:33,840 --> 00:32:36,120 Speaker 2: impersonating a woman and then turned out it was just 677 00:32:36,160 --> 00:32:38,000 Speaker 2: a woman with a very deep voice, and that was awkward. 678 00:32:38,440 --> 00:32:48,080 Speaker 2: That was We'll go to Ash here on Hi, Ash, Hey, guys, 679 00:32:48,120 --> 00:32:50,840 Speaker 2: there's a going yeah, good good. 680 00:32:52,080 --> 00:32:52,920 Speaker 1: Who are you in the car with? 681 00:32:53,040 --> 00:32:53,200 Speaker 5: Ash? 682 00:32:53,360 --> 00:32:54,080 Speaker 1: Who are you in the car with? 683 00:32:54,320 --> 00:32:55,880 Speaker 4: I'm actually was an old friend of mine. 684 00:32:56,400 --> 00:33:00,760 Speaker 2: Gladders gladders right, okay, so here we go. This is again, guys, 685 00:33:00,840 --> 00:33:03,400 Speaker 2: this is this is what we're like to call a 686 00:33:04,200 --> 00:33:08,200 Speaker 2: perfect phone line. If you can change if Ash might 687 00:33:08,240 --> 00:33:10,040 Speaker 2: be in the car with gladys happy to accept that 688 00:33:10,080 --> 00:33:12,400 Speaker 2: We're about to find that out. But if he manages 689 00:33:12,440 --> 00:33:15,480 Speaker 2: to Bamburzlers here woulds this is This is a Hoi 690 00:33:15,520 --> 00:33:18,479 Speaker 2: its lux double pass and one hundred dollars a red 691 00:33:18,560 --> 00:33:20,720 Speaker 2: roaster in a in one clean swait. As far as 692 00:33:20,760 --> 00:33:23,440 Speaker 2: I'm concerned, I don't know about you any objections. 693 00:33:23,000 --> 00:33:24,840 Speaker 1: There absolutely not the hard thing to do in the game. 694 00:33:24,880 --> 00:33:28,240 Speaker 1: As you said, Wilbur across the genders. Ash, put Gladys 695 00:33:28,360 --> 00:33:29,560 Speaker 1: on the phone, please. 696 00:33:30,160 --> 00:33:32,800 Speaker 9: Yes, this is for you to speak now. 697 00:33:33,320 --> 00:33:35,480 Speaker 7: Oh hello DearS, Hi. 698 00:33:35,520 --> 00:33:38,080 Speaker 1: Gladys, Yes it is. 699 00:33:40,720 --> 00:33:40,920 Speaker 2: Boy. 700 00:33:41,680 --> 00:33:44,800 Speaker 1: Yeah, I did just get out of the jungle, missus Talbot. 701 00:33:44,840 --> 00:33:48,280 Speaker 1: Sure if anyone referred to me as jungle boy. But 702 00:33:48,400 --> 00:33:51,840 Speaker 1: what do you do with yourself, Gladys? Not a lot, dear. 703 00:33:51,920 --> 00:33:56,040 Speaker 4: I'm just in the very good friend's many younger. Oh 704 00:33:56,120 --> 00:33:56,920 Speaker 4: this is young boy. 705 00:33:58,280 --> 00:34:00,440 Speaker 2: Is there anything going on between you and Ash Gladys. 706 00:34:01,640 --> 00:34:03,200 Speaker 8: No, it's truly platonic. 707 00:34:03,320 --> 00:34:06,840 Speaker 2: Deal, don't be so ridiculous. Okay, okay, So how did 708 00:34:06,880 --> 00:34:07,520 Speaker 2: you get to know him? 709 00:34:07,520 --> 00:34:09,960 Speaker 1: Then here's my caro. 710 00:34:10,680 --> 00:34:13,600 Speaker 2: He's your Cara lovely all right? So what sort of 711 00:34:13,640 --> 00:34:14,400 Speaker 2: thing does he do for you? 712 00:34:15,640 --> 00:34:17,400 Speaker 1: Well, he's driving me to the supermarket. 713 00:34:17,480 --> 00:34:20,680 Speaker 2: Deal, oh lovely, and he's just driving you around as 714 00:34:20,680 --> 00:34:21,759 Speaker 2: you do things around the house for you. 715 00:34:23,280 --> 00:34:24,799 Speaker 3: Well, really, he doesn't do much. 716 00:34:25,400 --> 00:34:26,719 Speaker 1: I got it to him. 717 00:34:26,719 --> 00:34:28,759 Speaker 3: He doesn't do much, it's told, dear, But you know 718 00:34:29,320 --> 00:34:30,800 Speaker 3: he's a lovely young gentleman. 719 00:34:31,800 --> 00:34:32,800 Speaker 2: Wow, that was awesome. 720 00:34:32,920 --> 00:34:33,719 Speaker 1: You're getting better. 721 00:34:33,920 --> 00:34:36,520 Speaker 2: That was really impressive. I mean to what you think 722 00:34:36,520 --> 00:34:40,640 Speaker 2: it's real talk like you not real. Wait on a second, 723 00:34:41,760 --> 00:34:43,799 Speaker 2: but that was good. That was really good. The jut 724 00:34:44,000 --> 00:34:45,520 Speaker 2: out of character was amazing. 725 00:34:46,120 --> 00:34:50,719 Speaker 1: Gladys, is there a special person in your life? My 726 00:34:50,920 --> 00:34:52,400 Speaker 1: husband both he passed. 727 00:34:52,120 --> 00:34:55,080 Speaker 4: Away man, he used to go dear, guy's gidding. 728 00:34:58,120 --> 00:35:00,360 Speaker 5: He oh, he and I had some f Let me 729 00:35:00,440 --> 00:35:00,680 Speaker 5: tell you. 730 00:35:01,160 --> 00:35:02,200 Speaker 1: We'll tell us about it. Then. 731 00:35:03,600 --> 00:35:04,840 Speaker 2: I don't think it's appropriate. 732 00:35:04,960 --> 00:35:14,480 Speaker 1: He quickly. Could you throw your carry back on the phone, please, Gladys. Yes, certainly, 733 00:35:14,760 --> 00:35:15,160 Speaker 1: there I go. 734 00:35:17,280 --> 00:35:20,759 Speaker 2: As quick as the transition is good, I mean for me, 735 00:35:21,560 --> 00:35:24,759 Speaker 2: for me that Gladys is not there, but it's it's 736 00:35:24,960 --> 00:35:27,080 Speaker 2: it's near a perfect voice. He's got himself, the roosters 737 00:35:27,080 --> 00:35:29,480 Speaker 2: calling him, and he's got double tickets to Holts even 738 00:35:29,520 --> 00:35:35,719 Speaker 2: if he's celebrated. So you are buy yourself ash, Well, yeah, 739 00:35:35,840 --> 00:35:37,640 Speaker 2: me and myself and I am the rest of us. 740 00:35:38,239 --> 00:35:45,040 Speaker 2: Well done, Ash, great voice, well done, got better? Well done? 741 00:35:45,080 --> 00:35:45,319 Speaker 5: Mate? 742 00:35:46,480 --> 00:35:48,800 Speaker 2: Gee whiz that was amazing. 743 00:35:48,520 --> 00:35:50,400 Speaker 1: The beautiful relationship between Ash and Gladys. 744 00:35:51,640 --> 00:35:53,920 Speaker 2: I agree. Right up next, Diana, the Queen of Parodies, 745 00:35:54,000 --> 00:35:55,279 Speaker 2: joins us. It's Will and Woody. 746 00:35:55,080 --> 00:36:13,799 Speaker 1: Kiss right now, it's Will and Woody. What you think 747 00:36:13,840 --> 00:36:16,359 Speaker 1: you're doing? You're getting carrot cake? You're getting carro cake? 748 00:36:16,520 --> 00:36:17,040 Speaker 2: What's he doing? 749 00:36:17,200 --> 00:36:20,080 Speaker 1: Is he getting carrot cake? We've got carrot cake? Here 750 00:36:20,640 --> 00:36:21,360 Speaker 1: live narration? 751 00:36:21,520 --> 00:36:23,520 Speaker 2: What's he doing? He's getting caricake? 752 00:36:24,160 --> 00:36:25,720 Speaker 1: So Will has been on a sugar fast. 753 00:36:26,200 --> 00:36:26,960 Speaker 2: He's broken up. 754 00:36:28,440 --> 00:36:30,640 Speaker 1: Oh my god, was that was that? That was the 755 00:36:30,760 --> 00:36:31,360 Speaker 1: end of the fast? 756 00:36:31,880 --> 00:36:32,040 Speaker 2: Oh? 757 00:36:32,200 --> 00:36:35,239 Speaker 1: You he is going to be hypo. I thought you 758 00:36:35,280 --> 00:36:37,440 Speaker 1: were going to say. Was that what you said? Like 759 00:36:37,640 --> 00:36:39,120 Speaker 1: six p m sugar fart. 760 00:36:42,120 --> 00:36:43,080 Speaker 2: All cream, cheese icy? 761 00:36:44,080 --> 00:36:46,200 Speaker 1: But do you feel quite hypo now? Because how long 762 00:36:46,239 --> 00:36:48,080 Speaker 1: has been sugar? How long has it been? 763 00:36:51,160 --> 00:36:56,000 Speaker 2: Oh? You are going to be bad? Really? Yeah? Good? 764 00:36:56,560 --> 00:36:58,000 Speaker 1: How's the flavor? How's the flavor? 765 00:36:58,239 --> 00:36:58,960 Speaker 2: And ready to go? 766 00:36:59,360 --> 00:36:59,560 Speaker 3: Yeah? 767 00:37:00,960 --> 00:37:02,759 Speaker 1: Talk me through the flavor though, because because when you 768 00:37:02,840 --> 00:37:04,239 Speaker 1: have you and you haven't had sugar for so long? 769 00:37:04,320 --> 00:37:05,400 Speaker 1: How sweet is sugar? 770 00:37:05,680 --> 00:37:11,759 Speaker 2: It's very good? It's like it's like, yeah, like lots 771 00:37:11,800 --> 00:37:15,759 Speaker 2: of other good things that you might have that is amazing. Yeah, fantastic. 772 00:37:16,480 --> 00:37:20,200 Speaker 1: Has your energy great? Yeah you look you're standing up 773 00:37:20,239 --> 00:37:21,400 Speaker 1: now you were sitting. 774 00:37:21,120 --> 00:37:23,480 Speaker 2: Down the entire She's actually quite a phenomenal, isn't I 775 00:37:23,520 --> 00:37:24,880 Speaker 2: feel like Popeye after spinach? 776 00:37:25,120 --> 00:37:27,120 Speaker 1: Yeah, it's that immediate. 777 00:37:27,760 --> 00:37:30,960 Speaker 2: Yeah, because sugar is sugar into your blood. Yeah oh yeah, 778 00:37:31,680 --> 00:37:36,279 Speaker 2: red hot, Yeah, I'm like tingling. Yeah, more of that. 779 00:37:36,600 --> 00:37:38,480 Speaker 1: You might go for a jog or something. Yeah. 780 00:37:38,880 --> 00:37:41,759 Speaker 2: Yeah. The chef must be good. Who made them? They're amazing? God? 781 00:37:41,840 --> 00:37:45,080 Speaker 2: What a gun? Oh it must have been a digital 782 00:37:45,120 --> 00:37:50,839 Speaker 2: producer gave. She's good, unbelievable aparently great cook. She's really good. 783 00:37:51,200 --> 00:37:52,680 Speaker 1: It was me actually analy. 784 00:37:55,239 --> 00:37:56,400 Speaker 2: Oh we had no idea. 785 00:37:57,040 --> 00:37:57,320 Speaker 1: Thank you. 786 00:37:57,840 --> 00:37:59,040 Speaker 2: I'm sorry about the slipper there. 787 00:37:59,120 --> 00:38:01,640 Speaker 1: They were delicious. I was so good she taught me. 788 00:38:03,200 --> 00:38:04,840 Speaker 2: Is I just realized them off the lead, I've got 789 00:38:04,880 --> 00:38:07,120 Speaker 2: to move this weekend. It's good timing. It's good timing. 790 00:38:07,760 --> 00:38:09,759 Speaker 1: Are you back on everything all of a sudden, Yeah, 791 00:38:09,760 --> 00:38:13,120 Speaker 1: surely you wean things back, don't go back into sugar booze. 792 00:38:13,160 --> 00:38:17,400 Speaker 2: And I realized I realized that I'm a I realized 793 00:38:17,480 --> 00:38:20,640 Speaker 2: recently that I'm an all or nothing person. Yeah, yeah, yeah, 794 00:38:20,719 --> 00:38:22,799 Speaker 2: so what you alreadynew that you didn't break it all? 795 00:38:23,480 --> 00:38:25,920 Speaker 2: Just like prior to that, I had a couple of brakes. 796 00:38:25,960 --> 00:38:27,800 Speaker 2: I had a couple of breaks and alcohol. Yes I 797 00:38:27,880 --> 00:38:29,239 Speaker 2: did you know this time and you know that that's 798 00:38:29,280 --> 00:38:31,040 Speaker 2: what you've set me up with this question, you bastard. 799 00:38:31,120 --> 00:38:32,640 Speaker 2: But yes, I had, I've had. I've had a couple 800 00:38:32,640 --> 00:38:34,360 Speaker 2: of slips. Just a couple of slips of the booze. 801 00:38:34,400 --> 00:38:35,040 Speaker 2: That's it, that's it. 802 00:38:35,280 --> 00:38:39,160 Speaker 1: Okay, yeah, no, nothing like you haven't. 803 00:38:39,600 --> 00:38:43,160 Speaker 2: You're off vaping as well, vaping slipped back in. But 804 00:38:43,719 --> 00:38:46,600 Speaker 2: yeah at the window, just staring out in just today, 805 00:38:46,880 --> 00:38:49,520 Speaker 2: just moving tomorrow. And I went and saw the builders 806 00:38:50,000 --> 00:38:51,360 Speaker 2: today and there are a few things. 807 00:38:51,320 --> 00:38:54,320 Speaker 1: Someone last weekend. 808 00:38:54,680 --> 00:39:00,279 Speaker 2: Yeah, I up there earlier. But the sugar, we don't 809 00:39:00,280 --> 00:39:02,280 Speaker 2: want to be an all or nothing person, to be honest, 810 00:39:02,400 --> 00:39:04,320 Speaker 2: but today was the day that it was like everything 811 00:39:04,480 --> 00:39:05,320 Speaker 2: you know, he's back on. 812 00:39:05,920 --> 00:39:06,160 Speaker 6: Wow. 813 00:39:06,920 --> 00:39:08,919 Speaker 2: But it's good that I'm moving this weekend because because 814 00:39:09,000 --> 00:39:11,480 Speaker 2: as you know, would you know, if I was all 815 00:39:11,600 --> 00:39:13,440 Speaker 2: or nothing this weekend and I had a month off, 816 00:39:13,440 --> 00:39:15,279 Speaker 2: it would have been interesting. So I'm really glad there's 817 00:39:15,320 --> 00:39:15,799 Speaker 2: that kind. 818 00:39:15,760 --> 00:39:18,880 Speaker 1: Of like you're still a Saturday night, and you probably 819 00:39:18,920 --> 00:39:19,080 Speaker 1: want to. 820 00:39:19,120 --> 00:39:21,400 Speaker 2: I'll be exhausted, celebrated, I'll be exhausted. Yeah, I'll have 821 00:39:21,400 --> 00:39:23,239 Speaker 2: a glass champagne on Saturday night for sure. 822 00:39:23,320 --> 00:39:24,799 Speaker 1: But that's just one all or nothing boy. 823 00:39:25,800 --> 00:39:29,879 Speaker 2: Last time, last time seven, I moved house. Last time seven, 824 00:39:29,920 --> 00:39:31,600 Speaker 2: I moved house. We moved in and we got so 825 00:39:31,800 --> 00:39:34,719 Speaker 2: excited that yeah we yeah we we saw it through 826 00:39:34,719 --> 00:39:37,440 Speaker 2: it Sunday sent Yeah, no, yeah you did. Remember that 827 00:39:37,560 --> 00:39:38,960 Speaker 2: night you think you might have dropped in and I 828 00:39:39,120 --> 00:39:41,040 Speaker 2: flung the doors open and then we gave and then 829 00:39:41,080 --> 00:39:43,319 Speaker 2: we gave everyone that came over that night a key. 830 00:39:44,320 --> 00:39:47,399 Speaker 2: It was rumped about the fact that they were there. 831 00:39:48,560 --> 00:39:50,919 Speaker 2: We gave out seven keys, and a friend of mine 832 00:39:50,960 --> 00:39:52,759 Speaker 2: I forgot. I gave him the key, and then he 833 00:39:52,840 --> 00:39:55,520 Speaker 2: took a photo of himself in my house like a 834 00:39:55,600 --> 00:39:57,960 Speaker 2: few months later while we're away and I'd forgotten, and 835 00:39:58,040 --> 00:40:00,279 Speaker 2: I was like, fuck are you doing? He's like, you 836 00:40:00,360 --> 00:40:02,600 Speaker 2: get me keys. I didn't think I was going to 837 00:40:02,719 --> 00:40:03,320 Speaker 2: use that, did you. 838 00:40:04,760 --> 00:40:06,799 Speaker 1: I'm here, so you're on tomorrow night? 839 00:40:06,880 --> 00:40:09,880 Speaker 2: No, No, I'm not. I'm not because yet I'm not. No, 840 00:40:09,960 --> 00:40:12,239 Speaker 2: I'm not. I just told you I'm not. Can you 841 00:40:12,320 --> 00:40:15,400 Speaker 2: stop playing on the devil. What is this do you 842 00:40:15,400 --> 00:40:19,440 Speaker 2: want to think psychologically manipulate me? Gas lighting? Motherfucker? You 843 00:40:19,640 --> 00:40:22,600 Speaker 2: actually took me over to the edge before. Yes, you 844 00:40:22,760 --> 00:40:24,840 Speaker 2: make me admit that I was fucking vaping and now 845 00:40:24,920 --> 00:40:26,080 Speaker 2: all I was. Fuck off? 846 00:40:26,880 --> 00:40:28,719 Speaker 1: He running down these beats, by the way, or are you. 847 00:40:30,280 --> 00:40:36,920 Speaker 2: He's not it's the podcast anyway, Yeah, he's not podcast. 848 00:40:37,560 --> 00:40:39,000 Speaker 1: You're looking outside. You're looking for more sugar. 849 00:40:39,040 --> 00:40:39,440 Speaker 3: I don't like. 850 00:40:41,160 --> 00:40:43,480 Speaker 2: Stop picking on me. Seriously. 851 00:40:44,360 --> 00:40:47,240 Speaker 1: Clean the carrot cakes, really scary, clean the carrot cakes. 852 00:40:47,239 --> 00:40:48,080 Speaker 1: It's really scary. 853 00:40:48,239 --> 00:40:50,600 Speaker 2: I'm not scary. It's just you've been going me and 854 00:40:50,719 --> 00:40:53,960 Speaker 2: I'm allowed. I've fun fucking well, all right, had a 855 00:40:54,040 --> 00:40:56,879 Speaker 2: month of no, I've had a month and like I've 856 00:40:56,920 --> 00:41:03,520 Speaker 2: done really well. So just back off anyway? Is that 857 00:41:03,560 --> 00:41:10,080 Speaker 2: all to be? What do you need to be? I 858 00:41:10,239 --> 00:41:13,200 Speaker 2: just want to leave. I want to leave and get 859 00:41:13,239 --> 00:41:16,120 Speaker 2: some more sugar, more sugar, I'm going that's the deal. 860 00:41:16,200 --> 00:41:17,840 Speaker 1: I don't think you're going to be here on Monday. 861 00:41:17,719 --> 00:41:19,800 Speaker 2: Well, no, I will be, I promise. I've got to 862 00:41:19,880 --> 00:41:22,880 Speaker 2: move on the weekend's a big job anyway, coronation this weekend, 863 00:41:23,640 --> 00:41:31,160 Speaker 2: enjoy that. Oh kiss off. I actually would like a 864 00:41:31,200 --> 00:41:35,399 Speaker 2: little bit of loving. Actually, yeah, hug would be good. 865 00:41:35,440 --> 00:41:41,879 Speaker 2: Maybe not from LJ because your lip kiss me. All right, Yeah, 866 00:41:41,880 --> 00:41:44,600 Speaker 2: we're gonna go, guys, see you on Monday away. It's 867 00:41:44,640 --> 00:41:49,399 Speaker 2: giving me when your way don't care.