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Speaker 1: The Will and Woody podcast.

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Speaker 2: We are currently trying to sell some very important A

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Speaker 2: couple of wine merchants.

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Speaker 3: That's what we are, well, a couple of dogs.

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Speaker 1: Yeah, we're dogs as well. So basically I was I

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Speaker 1: was at my in law's house.

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Speaker 2: I was going through the garage to the other day

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Speaker 2: and I have found a limited edition bottle of wine, sorry,

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Speaker 2: two bottles of wine celebrating the wedding of Prince Charles

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Speaker 2: and Lady die He is now the king. She is

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Speaker 2: one of the most loved people on this planet. So

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Speaker 2: I knew I was sitting on a gold mine.

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Speaker 4: Now.

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Speaker 2: Unfortunately, we got a man called Darren on the show yesterday.

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Speaker 5: Unfortunately, I think it was due procedure. You were lying

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Speaker 5: through your teeth. Then we needed to find out whether

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Speaker 5: you whether what you were talking about was real or not.

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Speaker 2: Well, I think Darren actually doesn't know wine. That's where

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Speaker 2: I'm at. He's apparently an official wine value, that's right,

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Speaker 2: And this is what he had to say about the

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Speaker 2: very special wine that I've got in my possession.

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Speaker 6: It's a forty five wine, which is what we used

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Speaker 6: to call port in Australia. Still drinking well bang to

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Speaker 6: nineteen seventy nine vintage, so it's a proper port. So

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Speaker 6: there's another big tick for you. And because they were

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Speaker 6: so expensive back in the day, everyone was too afraid

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Speaker 6: to open them. So that's why there's still a lot

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Speaker 6: of these old collectible ports. Nobody is really drinking collectible

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Speaker 6: ports anymore. Their value has dropped to the floor, and

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Speaker 6: you're probably sitting on about twenty bucks there.

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Speaker 1: I need a second opinion.

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Speaker 2: There's no way it's twenty bugs.

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Speaker 1: Yeah, incorrect, Darren.

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Speaker 3: I've confirmed that online, well.

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Speaker 1: The internet, and Darren can shove it.

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Speaker 2: Because we opened the phone lines here on the show

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Speaker 2: yesterday and a woman hungry for a deal named Cassandra.

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Speaker 1: She made it very healthy.

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Speaker 2: Offers back at you, Cassandra, and sixty sixty take it.

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Speaker 1: I'll take sixty two.

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Speaker 2: Can we pencil that offer in and I'll get back

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Speaker 2: to you in twenty four hours.

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Speaker 1: Oh can we just call it even at seventy for

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Speaker 1: the two?

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Speaker 7: Yeah?

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Speaker 5: Because with pencil pencil, may we can give a way

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Speaker 5: to increase the value of the wine.

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Speaker 1: I love what you said there, will I love what

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Speaker 1: you said there.

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Speaker 2: We need to think about how he can make it

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Speaker 2: more appealing to Cassandra.

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Speaker 1: Who is currently sitting on a sixty two dollars offer.

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Speaker 3: Yeah, she's got it on hold, I'm not happy.

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Speaker 1: I've thought about it.

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Speaker 5: I've already got a professional value to come and tell

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Speaker 5: you that. By the way, the wine you found at

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Speaker 5: your parents in law, yep, so zero costomer was worth

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Speaker 5: twenty dollars. You've now got an offer for three times that.

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Speaker 3: You want more.

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Speaker 2: Most people would be happy with that. Most people would

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Speaker 2: look at an investment and go, oh, tripling my money.

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Speaker 2: That's pretty good.

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Speaker 5: I think most would just feel unethical about making money

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Speaker 5: or something they found in their parents in laws garage.

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Speaker 2: Ethics are long gone for me, my friend, I'm all

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Speaker 2: about the green. So here's the idea I've got right.

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Speaker 2: There's no one on this planet who likes to deal

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Speaker 2: more than my dad.

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Speaker 3: That's true.

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Speaker 2: He's a massive tight ars, but he gets excited investments.

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Speaker 1: And value is going to make money off it? Yeah

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Speaker 1: he does.

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Speaker 2: So I'm a businessman and I don't care who I'm

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Speaker 2: ripping off as long as I'm coming up on top.

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Speaker 5: So cruel sense of irony about the fight that you've

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Speaker 5: stolen this from your parents in law and now you're

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Speaker 5: actually going to be selling it to your own family.

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Speaker 5: I'm going at both sides's like skullduggery of the highest order.

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Speaker 3: Everyone's getting is real like dirt bag behavior.

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Speaker 2: And I would hope that in years to come, they'll

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Speaker 2: respect me more because of her debauchery, both sets of parents. Anyway,

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Speaker 2: So my dad, look, he's a massive tight ass, let's

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Speaker 2: be honest.

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Speaker 1: Yeah, but it's interesting.

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Speaker 2: The thing with tight asses is they like the idea

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Speaker 2: of buying things at the like seller prices, at basement prices,

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Speaker 2: with the dream that maybe they're landing on a great investment. Now,

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Speaker 2: my dad stumbles into this.

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Speaker 3: A lot, right.

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Speaker 2: He just goes like, oh now, I'm going to go

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Speaker 2: full hustle here on Dad, right now. I need you

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Speaker 2: to promise me that you're not going to let him

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Speaker 2: know that a wine value of his heads worth twenty dollars. Fine, okay,

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Speaker 2: And he can't know that we've also received an offer

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Speaker 2: for sixty two dollars. Yes, okay, because I'm thinking we

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Speaker 2: get four figures off him. I want a thousand of him.

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Speaker 1: He's your father, and he'd trust me, he'll respect me because.

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Speaker 3: Of what's our relationship. Let's call him.

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Speaker 1: Let's get some cash. Hello, dad, it's what he what

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Speaker 1: a how are you very good? Very good? How are

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Speaker 1: you going?

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Speaker 7: Have you over the top with the enthusiasm?

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Speaker 3: I must admit no, I like it.

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Speaker 2: I've got you a good time, got you a good time.

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Speaker 2: Reason for my call, I've come into possession of like

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Speaker 2: this limited edition King Charles and Princess Diana wedding wine.

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Speaker 8: Wedding wine.

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Speaker 2: Yes, like it's like it was like the celebratory wine.

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Speaker 1: For their wedding.

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Speaker 8: Oh okay, yeah, pretty cool.

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Speaker 1: So it's port.

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Speaker 8: It's port.

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Speaker 1: It's port from nineteen seventy nine.

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Speaker 8: Wow.

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Speaker 1: Yeah, and it's like in this purple felt box.

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Speaker 2: So anyway, so we're having a little bit of fun

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Speaker 2: talking about it on King's birthday, and now the teams

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Speaker 2: wanting me to like do like a like an auction

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Speaker 2: thing on air effectively, so we had this wine evaluator on.

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Speaker 2: He was basically saying, it's hard to put a price

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Speaker 2: on what it's worth.

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Speaker 1: You would you want this wine?

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Speaker 2: Because I reckon it'd be an absolute steal for a couple,

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Speaker 2: for a couple of.

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Speaker 8: Grand a steal for a couple of sounds like you're

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Speaker 8: the one doing this. Well, sorry, I wouldn't shouldn't accused

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Speaker 8: myself of taking.

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Speaker 2: I don't want to give it away on the radio show.

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Speaker 2: And then I just thought like, maybe you'd want to

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Speaker 2: hang on to it.

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Speaker 7: Yeah, I think I'll pass wo'ds.

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Speaker 1: So what would you pay?

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Speaker 8: Oh, twenty five bucks? Forty fifty?

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Speaker 1: You pay fifty bucks against myself?

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Speaker 7: It was silly. I'm another royalist, though, where's mum?

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Speaker 9: There?

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Speaker 8: Great gift for mum, A great gift?

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Speaker 7: Would I know? She would probably be a person who

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Speaker 7: would appreciate it.

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Speaker 1: Can you check her on? Please?

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Speaker 7: What do you just want to speak to you?

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Speaker 1: I can hear her. I can if she's saying I'm

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Speaker 1: not here?

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Speaker 8: He would you want to come to the phone?

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Speaker 1: Mom?

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Speaker 8: Make an effort. Come on, this is something big. You're

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Speaker 8: always in the middle of doing something.

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Speaker 7: This is bigger than whatever you're doing.

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Speaker 2: Mam, Mama at the phone, Mum. I've come into possession

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Speaker 2: of this. These two bottles of wine that celebrate the

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Speaker 2: wedding of Princess Dinah and Prince Charles from nineteen seventy

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Speaker 2: nine limited edition comes in this awesome purple box.

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Speaker 1: It's got their portraits on each bottle of wine.

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Speaker 2: Anyway, the radio teams won't even to auction it off

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Speaker 2: on air. But I just thought i'd like call a

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Speaker 2: few people just to make sure that there's no one

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Speaker 2: who'd want to make an offer to me before I

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Speaker 2: put it on air.

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Speaker 10: No, not interested since you told me it was Princess

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Speaker 10: Diana's jewelry. Aren't be interested?

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Speaker 7: Or some nicer earrings or something.

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Speaker 2: Yeah, like the ones I bought in Tri Lanka. Check

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Speaker 2: Dad back on the phone then.

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Speaker 7: But how'd you go?

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Speaker 3: Not?

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Speaker 1: Good?

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Speaker 7: Okay, that's for shame. That good?

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Speaker 1: Okay? So one hundred bucks? Dad, you're out.

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Speaker 7: One hundred bucks. I'd pay a hundred bucks for.

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Speaker 1: It, would you really? Okay? Great, that's an official offer.

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Speaker 7: There's it official as you could possibly get. Yes.

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Speaker 2: Well, between you and me, Dad, the wine valuator said

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Speaker 2: it was worth twenty bucks, so you've just twenty bucks.

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Speaker 2: You've just duffed me one hundred though, and he said

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Speaker 2: that you were one of that, so you haven't won

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Speaker 2: it yet.

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Speaker 8: Wins your birthday you.

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Speaker 1: That's a trap.

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Speaker 2: But I an offer out of you, the tightest man

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Speaker 2: in Australia for.

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Speaker 1: One hundred dollars.

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Speaker 7: Was absolute.

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Speaker 1: You were so easy to hassle. I feel physically you

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Speaker 1: should be disgusted from myself.

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Speaker 3: One hundred bucks.

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Speaker 1: When's the last time he's been on a hundred bucks

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Speaker 1: on anything?

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Speaker 8: One hundred bucks off your inheritance.

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Speaker 2: I do have an OFFICI lovel from you for a

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Speaker 2: hundred dollars and I'll be in touch. So here's the

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Speaker 2: good news. Up next, we speak to Cassandra. She offered,

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Speaker 2: She offered sixty two dollars. All of a sudden, sorry,

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Speaker 2: there's another fish, Cassandra. We just got a number for

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Speaker 2: one hundred. Let's see if up next Cassandra will go

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Speaker 2: above a hundred.

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Speaker 1: Okay, we're talking business, baby.

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Speaker 3: A bidding war.

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Speaker 5: Fitzwilland Woody we are on the same team, much as

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Speaker 5: it looked like Glenn Powell and Sydney Sweeney were during

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Speaker 5: the filming of the movie.

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Speaker 3: Anyone but you would I mean, we all remember the promo.

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Speaker 5: We all remember the I mean, apparently absolute stinker of

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Speaker 5: a movie like Shock. Wouldn't piss on of it? It

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Speaker 5: was on fire sort of stuff. Frank and junior producer

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Speaker 5: Aroundale seemed to think.

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Speaker 3: That you like today, b it was so good. Yeah,

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Speaker 3: I think you were the one in Australia that liked it.

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Speaker 2: In Australia Brian Brown was fantastic. He's always good. Outside

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Speaker 2: of that. Outside of that, it falls away pretty quick.

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Speaker 3: Falls away pretty quick.

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Speaker 5: I mean, the whole premise of the movie was, let's

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Speaker 5: get the two sexiest people with their with their rigs out,

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Speaker 5: with their rigs out and tick well done, very good,

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Speaker 5: very appealing, and then let's get them hanging out together.

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Speaker 3: I tell you what would be a great smoke screen

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Speaker 3: slat would be I magined if everybody thought they actually

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Speaker 3: hooked up, because they do have chemistry.

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Speaker 1: They've got They've got a genuine chemistry.

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Speaker 5: I haven't seen that. I couldn't comment. You are starting

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Speaker 5: to show that maybe you have seen it.

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Speaker 1: I have seen it. Yeah, yea, absolutely right twice.

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Speaker 3: Wo I just went down significantly in my books.

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Speaker 1: So they definitely do have good chemistry.

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Speaker 2: But I feel like we saw that, like in all

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Speaker 2: the interviews and stuff as well, and that's why all

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Speaker 2: these rumors started coming out of like what's going on here?

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Speaker 5: Yeah, which has been fun conjecture, I mean, and it's

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Speaker 5: worked before. I mean, they did it with eyes wide

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Speaker 5: shot with Tom Cruise and Nicole Kimmen, but they are

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Speaker 5: where they were.

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Speaker 3: Married when they did that movie.

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Speaker 2: Well, mister Missus Smith is the other very well known

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Speaker 2: one where it was like bradon Angelina that's right, that's.

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Speaker 1: Right, and something was going on.

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Speaker 5: Yeah yeah, So this whole Glenn power sinish when I

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Speaker 5: think it was just fun conjecture. But I think we

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Speaker 5: I didn't know this at the time. I didn't know

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Speaker 5: that Glenn Powell was in a relationship. I had no idea.

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Speaker 2: I knew Sydney was engaged to a guy, is that right?

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Speaker 3: Yeah?

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Speaker 2: Yeah, so she was in a relationship okay, confirmation outside

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Speaker 2: which she was engaged during the film.

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Speaker 1: I didn't know, Glen.

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Speaker 3: You know way too much about this movie.

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Speaker 1: I love this stuff.

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Speaker 5: So I think that the sad thing though, is that

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Speaker 5: you know, so he's in a seven he's in this

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Speaker 5: relationship with this woman called gg Harris.

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Speaker 2: Okay, so they both got partners. When all of these

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Speaker 2: rumors are swirling into the.

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Speaker 5: Tool, that's right, and Gig just today or yesterday has

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Speaker 5: gone on this podcast it's called what every podcast is

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Speaker 5: called these days, everything but sure too Much caught me

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Speaker 5: or sugar Girl whatever it's called.

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Speaker 3: She's gone on that podcast and she said this.

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Speaker 11: I could either pretend like I was going along with

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Speaker 11: everything and have everyone wonder like are they hooking up

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Speaker 11: or are they not hooking up? Is she okay with this?

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Speaker 11: Or stand up for myself and say no, I'm actually

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Speaker 11: not okay with this and I'm walking away. So that's

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Speaker 11: what I decided to do. It wasn't a way to

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Speaker 11: like monetize the breakup. I was shattered.

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Speaker 3: Yes, So that's her on they Can't Handle Life podcast, And.

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Speaker 5: I mean, the first thing I would say about that

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Speaker 5: is like, who is surprised that Glenn Powell potentially is

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Speaker 5: a bit of flog? I mean, we all saw him

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Speaker 5: in Top Gun and as you, as you and I

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Speaker 5: have discussed many of times, you just can't play a

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Speaker 5: toss of that well unless you're toss in real life, guys,

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Speaker 5: I'm vincent he plays it, plays it very well, plays

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Speaker 5: it very very well.

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Speaker 1: He's a great actor.

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Speaker 5: The other part about it, which I think is really interesting,

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Speaker 5: and I've got some more audio from from Gigi on

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Speaker 5: Call Me Your Little Girl the podcast where she says

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Speaker 5: this about it.

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Speaker 11: I got a phone call from him right when I

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Speaker 11: was about to go to Australia to work. The producers

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Speaker 11: and I have discussed that. I think it's best that

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Speaker 11: you don't come to visit. And that's when I hung

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Speaker 11: up and I was like this, mother, who.

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Speaker 5: So interesting question for you, and I think for everyone

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Speaker 5: else in the first instance, is he's playing the work

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Speaker 5: card here. He's going, this is my job, you're my relationship,

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Speaker 5: Like I'm going to lose my job unless I play

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Speaker 5: ball here, as in.

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Speaker 2: I need to buy I need to make people thinking

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Speaker 2: that we're together is good to promote this film and

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Speaker 2: this is work. And that's why I'm not going to

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Speaker 2: come out and say, hey, nothing's happening, that's right.

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Speaker 5: And he's also said even that phone call there he

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Speaker 5: goes like, hey, the producers.

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Speaker 3: And I think that it's not a good idea. So

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Speaker 3: where do you sit on that?

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Speaker 5: Because you know, there are lots of people who you know,

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Speaker 5: have to work overseas. They might not necessarily their job,

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Speaker 5: might not necessarily be a faker relationship. I think that

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Speaker 5: might be a step too far. But it was often

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Speaker 5: a point where you have to go, hey, look, this

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Speaker 5: is my job and if you don't like that, then

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Speaker 5: we can't be together.

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Speaker 2: Let's live in the world where say, if it was

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Speaker 2: going to be great for our radio ratings, if people

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Speaker 2: started thinking that you and me were hooking up.

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Speaker 1: Let's just go there. I know it's weird, but let's

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Speaker 1: go there.

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Speaker 2: The way that I would deal with that now, certain

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Speaker 2: say the producers are going like, this is great for ratings, guys.

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Speaker 2: Everyone thinks you guys are hooking up, right, we need

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Speaker 2: to keep putting petrol on this fire.

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Speaker 1: Right, Well, we have my multiple times.

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Speaker 2: But so my response to that would be to go

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Speaker 2: home to my wife and I would say, hey, here's

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Speaker 2: what everyone's saying at work that Will and I are

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Speaker 2: going to have to start, you know, being flirting in public.

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Speaker 1: And stuff, so people start thinking we're hooking up. That

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Speaker 1: sounds ridiculous, but this is what happened between Sydney and

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Speaker 1: Glenn Powell.

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Speaker 2: Right, That's a conversation with me and my wife, and

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Speaker 2: I would be if she said that makes me uncomfortable,

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Speaker 2: I would go.

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Speaker 1: I'm not doing that. I don't want you to feel uncomfortable.

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Speaker 2: It sounds like his ex Gigi was uncomfortable with it,

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Speaker 2: and he has still gone on and done it, so

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Speaker 2: then that's wrong.

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Speaker 3: But then okay, so that's fine.

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Speaker 5: And then the other side of that argument is, let's

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Speaker 5: say he's earning thirty million dollars from this movie.

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Speaker 1: It's good cheese and jeesus, you flip quickly.

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Speaker 2: Cheese and let's say let's get My wife would say,

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Speaker 2: let's let's say make a tape for I like it.

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Speaker 1: Well, this is the thing.

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Speaker 5: Let's say he owns thirty million dollars from this movie,

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Speaker 5: and he goes, I tell you what, I'm only getting

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Speaker 5: fifteen of that. If the public believe that I'm in

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Speaker 5: a relationship with Sydney Sweeney, because that's part of the

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Speaker 5: pr The movie goes on to be one of the

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Speaker 5: highest grossing films of tween twenty four.

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Speaker 2: Yeah, yeah, I mean it's part of the conversation with

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Speaker 2: your part, right it a sudden Yeah, yeah, but again,

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Speaker 2: I'm still not doing it. If my wife says, I'm sorry,

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Speaker 2: I can't and I think handle people.

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Speaker 5: It also comes down to the way that he does

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Speaker 5: it right. So he goes away. He doesn't tell her

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Speaker 5: that this is what's going on. He doesn't say anything publicly,

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Speaker 5: and then he calls her while he's filming, right before

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Speaker 5: she's about to fly over and see him, and goes, hey,

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Speaker 5: the producers and I think you shouldn't come over.

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Speaker 1: Yeah, it's yucky.

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Speaker 3: He sucks.

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Speaker 1: Yeah, if it's true, that's that's a bit yaky.

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Speaker 3: He sucks.

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Speaker 2: I mean, you know, if Glenn was to come on

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Speaker 2: the show, though obviously more than welcome at any.

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Speaker 5: Time, turns out they didn't physically cheat though, Oh sorr. Yeah,

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Speaker 5: we had to say analyst one of us to say

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Speaker 5: that I didn't. He's allegedly a flog and we'd love

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Speaker 5: him on the show.

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Speaker 3: Turns out he didn't physically cheat, that's what he says. Yeah.

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Speaker 5: She's still annoyed though, because there's emotional cheating that's going

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Speaker 5: on there. Third one six five. What's worse emotional cheating

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Speaker 5: or physical cheating?

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Speaker 2: I've always thought like if if you're hiding some sort

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Speaker 2: of physicality with someone else from your partner, then you cheating,

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Speaker 2: Whereas if you're comfortably telling your partner you did something

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Speaker 2: and it's not cheating.

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Speaker 3: Yeah, I agree, So that's the physical side.

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Speaker 5: I think emotions, no matter how you define it, I

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Speaker 5: reckon there's the way that I think. For the research

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Speaker 5: I just did, one gender finds emotional cheating worse and

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Speaker 5: one gender finds physical cheating worse. We'll find out, Jody, Hi,

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Speaker 5: which one do you think is worse?

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Speaker 12: I think emotional cheating is way worse.

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Speaker 1: What's and what is emotional cheating to you? Jody?

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Speaker 12: H just any kind of connection that a secret from

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Speaker 12: your actual partner.

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Speaker 2: So there's that word secret again, right yep? Okay, So, Jodey,

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Speaker 2: do you mind me asking let me know he's too personal?

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Speaker 1: Have you have you been emotionally cheated on?

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Speaker 11: I have.

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Speaker 12: I've been both by the same person, but it was

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Speaker 12: an emotional affair before it was a physical.

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Speaker 5: One, and.

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Speaker 12: It hurt me way more that he was confiding in

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Speaker 12: her than when he actually had.

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Speaker 9: Sex with y.

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Speaker 5: It's very good, thank you, Eric and confirming what physical

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Speaker 5: cheating is?

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Speaker 2: So and what were the what were the science? So

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Speaker 2: did you when did you first realize he was emotionally.

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Speaker 1: Cheating on your Jodey?

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Speaker 12: He confessed eventually it was a work made and they

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Speaker 12: just you know, were supposedly friends, but it turned into

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Speaker 12: a full blown affair, which did not hurt as much

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Speaker 12: as what it did you know to the leader like the.

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Speaker 3: Leader the speculation. Yeah, yeah, so Jody, thanks to the call, Jody,

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Speaker 3: I hope you don't. Okay.

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Speaker 5: By the way, so the research of the ideas suggests

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Speaker 5: that women find emotional cheating to be far worse than

400
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Speaker 5: physical cheating. Men find physical cheating to be far worse

401
00:17:32,920 --> 00:17:37,440
Speaker 5: than emotional cheating. That is apparently because biologically, if you're

402
00:17:37,480 --> 00:17:41,480
Speaker 5: a male and a woman physically cheats on you right

403
00:17:41,520 --> 00:17:43,920
Speaker 5: and gets pregnant, then you can't get a pregnant again,

404
00:17:44,359 --> 00:17:47,760
Speaker 5: So you have like a biological response to that being

405
00:17:47,880 --> 00:17:50,520
Speaker 5: way worse for you if your partner has mated with

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Speaker 5: somebody else, because then you can't procreate with them, whereas

407
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Speaker 5: if we put it through the same lens of procreation.

408
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Speaker 5: That's why women find emotional cheating worse is because when

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Speaker 5: they are pregnant, they actually need the security of their

410
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Speaker 5: man to look after them. So if a man starts

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Speaker 5: confiding in another person, there's a chance more of a

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Speaker 5: chance that he will leave her to be with someone else,

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Speaker 5: which means you can't look after her anymore. So the

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Speaker 5: physical cheating, as Joj you said, and we can ask

415
00:18:14,680 --> 00:18:18,320
Speaker 5: Shanade right now, doesn't mean as much because it's like, well,

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Speaker 5: you can physically cheat with other people, but you can

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Speaker 5: still look after me.

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Speaker 1: As long as you're emotionally.

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Speaker 5: As long as you're emotionally with me, we can get

420
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Speaker 5: through this. Shanade is Is that the same for you?

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Speaker 13: Yeah, it's similar, Like I think if you're emotionally involved

422
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Speaker 13: with someone, it's harder to get over that betrayal than

423
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Speaker 13: a physical betrayal. I think for women, like you need

424
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Speaker 13: that emotional support to be able to sleep with people,

425
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Speaker 13: Like it's so easy to slip around and then forget

426
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Speaker 13: about that person, But when you're emotionally involved, like they're

427
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Speaker 13: small at stake. So for me emotionally it's like.

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Speaker 3: Yeah, the security and the supporter of having the person there.

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Speaker 2: I feel like emotional cheating as well, like they've thought

430
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Speaker 2: about it, like there's time. It's like they're making conscious

431
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Speaker 2: decisions too, Whereas you're right with a physical cheating thing,

432
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Speaker 2: it's like you can just like spur of the moment,

433
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Speaker 2: make a mistake. It's still bad, but it's probably worse

434
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Speaker 2: to know that there was time and ever put into

435
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Speaker 2: emotional cheating.

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Speaker 13: Shannade, Yeah right, I think you're on every single relationship.

437
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Speaker 13: It's fine.

438
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Speaker 5: Not surprisingly, I'm sorry. I'm sure that would make you

439
00:19:20,480 --> 00:19:22,840
Speaker 5: incredibly insecure. So I hope you're the guy now who

440
00:19:22,840 --> 00:19:23,440
Speaker 5: looks after.

441
00:19:23,240 --> 00:19:28,720
Speaker 13: You said, I'm engaged and got two beautiful babies.

442
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Speaker 5: Cheating thing of the past, and not surprisingly no men

443
00:19:32,440 --> 00:19:37,840
Speaker 5: called because it's it's it's embarrassing as guys don't want

444
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Speaker 5: to admit to being physically jeeted on the last thing

445
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Speaker 5: they want to admit to cuckold.

446
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Speaker 2: I think is the word excuse me family friendly shown along.

447
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Speaker 1: Irish edition. So I phone a line if you don't

448
00:20:05,320 --> 00:20:06,000
Speaker 1: know it, there's.

449
00:20:05,880 --> 00:20:11,959
Speaker 5: So much going on, why don't tell me the dumbest thing.

450
00:20:12,000 --> 00:20:13,400
Speaker 3: That's the dumbest thing I've heard all year?

451
00:20:13,440 --> 00:20:14,760
Speaker 1: Can I say that's the dumbest thing you've heard?

452
00:20:15,160 --> 00:20:17,640
Speaker 3: Ed Sheeran identifies culturally as Irish.

453
00:20:18,119 --> 00:20:22,040
Speaker 2: It's great, okay, it's great, born and raised in England,

454
00:20:22,240 --> 00:20:26,119
Speaker 2: but he is for all intents and purposes culturally Irish.

455
00:20:26,160 --> 00:20:28,640
Speaker 3: Seriously pissed off Irish people if they heard that.

456
00:20:28,600 --> 00:20:31,440
Speaker 1: Could call him tomorrow was Caul Ireland? What do you reckon?

457
00:20:32,680 --> 00:20:33,240
Speaker 1: It's one of you.

458
00:20:33,280 --> 00:20:35,600
Speaker 3: I think we should find out you're taking him in.

459
00:20:36,040 --> 00:20:36,760
Speaker 1: You're taking him in.

460
00:20:37,080 --> 00:20:37,800
Speaker 3: I think that's great.

461
00:20:37,800 --> 00:20:38,880
Speaker 1: I'll do that on tomorrow shape.

462
00:20:38,880 --> 00:20:41,679
Speaker 2: But right now you guys are trying to convince us

463
00:20:41,720 --> 00:20:44,199
Speaker 2: that you are in the car with someone who is

464
00:20:44,280 --> 00:20:48,959
Speaker 2: Irish culturally or literally. We decide is someone else actually

465
00:20:49,000 --> 00:20:51,400
Speaker 2: there or you're just putting on a voice. I'll tell

466
00:20:51,400 --> 00:20:53,760
Speaker 2: you what if you pull our pants down today, I'm

467
00:20:53,760 --> 00:20:55,359
Speaker 2: going to give you two tickets to Brad Pitts new

468
00:20:55,400 --> 00:21:02,240
Speaker 2: one f one coming out Soonlawrence read that credit?

469
00:21:03,119 --> 00:21:06,880
Speaker 1: Sorry, sorry, Lawrence. Who are you in the car with?

470
00:21:07,680 --> 00:21:10,600
Speaker 4: I'm here with my friend party. I'm Scottish and parties

471
00:21:10,600 --> 00:21:15,879
Speaker 4: from Ireland Cocktail. Just to confuse you guys.

472
00:21:16,800 --> 00:21:22,560
Speaker 2: Nice, all right, So can you check Patty on the phone.

473
00:21:23,440 --> 00:21:24,880
Speaker 4: Well, it's the card man at all.

474
00:21:25,480 --> 00:21:28,760
Speaker 1: Hello, Patty? Where are you and Lawrence? Are you and

475
00:21:28,800 --> 00:21:29,480
Speaker 1: Lawrence off to.

476
00:21:30,200 --> 00:21:31,960
Speaker 4: We're just heading home and we're just finished working on

477
00:21:32,000 --> 00:21:32,480
Speaker 4: the late wheel.

478
00:21:32,520 --> 00:21:35,240
Speaker 3: It's been a big d right nice.

479
00:21:35,320 --> 00:21:37,240
Speaker 2: What are your thoughts on it? Sheeran, saying that he

480
00:21:37,320 --> 00:21:39,320
Speaker 2: culturally identifies as Irish.

481
00:21:39,760 --> 00:21:41,760
Speaker 4: Oh, i'd have to disagree. Now I don't disagree. It

482
00:21:41,760 --> 00:21:43,359
Speaker 4: doesn't sound like because he looks like just know, but

483
00:21:43,400 --> 00:21:44,440
Speaker 4: it doesn't at all?

484
00:21:45,040 --> 00:21:47,919
Speaker 2: God, this is this is sounding good? Sorry, Patty? Can

485
00:21:47,920 --> 00:21:49,280
Speaker 2: you check Lawrence back on the phone?

486
00:21:49,320 --> 00:21:50,800
Speaker 3: Place coming right up?

487
00:21:52,400 --> 00:21:55,280
Speaker 1: Hello, Hey Lawrence, I.

488
00:21:55,960 --> 00:21:59,280
Speaker 3: Reckon, it's still Lawrence. Now. That's not based on the accent,

489
00:22:00,119 --> 00:22:03,760
Speaker 3: and that's based on the tone in the voice. Great,

490
00:22:03,840 --> 00:22:04,520
Speaker 3: great accent.

491
00:22:04,840 --> 00:22:07,840
Speaker 4: Yeah, I do choose to be an Irish on the

492
00:22:07,880 --> 00:22:09,840
Speaker 4: other basis, that's.

493
00:22:09,760 --> 00:22:12,320
Speaker 2: Lawrence speaking Lawrence.

494
00:22:12,320 --> 00:22:14,920
Speaker 1: What's what's a classic Scottish meal?

495
00:22:16,280 --> 00:22:21,080
Speaker 4: A classic Scottish meal would be and mashed potatoes. They

496
00:22:21,119 --> 00:22:23,840
Speaker 4: call it tartis has neeps and tartis. That's a traditional

497
00:22:23,840 --> 00:22:26,919
Speaker 4: Scottish meal. Doesn't own very advertising, but I assure you

498
00:22:26,920 --> 00:22:28,280
Speaker 4: it's lovely.

499
00:22:28,160 --> 00:22:32,400
Speaker 2: That that is definitely a real persons.

500
00:22:32,720 --> 00:22:33,480
Speaker 3: We've identify that.

501
00:22:33,560 --> 00:22:35,760
Speaker 2: Yeah, he's not lying about it. Sometimes they flip it,

502
00:22:35,840 --> 00:22:37,960
Speaker 2: sometimes they go the other white, Lawrence. I want to

503
00:22:37,960 --> 00:22:39,680
Speaker 2: hear from Patty before we go.

504
00:22:39,600 --> 00:22:42,000
Speaker 3: Back to Patty. Do you know between the Scottan and

505
00:22:42,000 --> 00:22:43,440
Speaker 3: irishman woods? No, I don't.

506
00:22:43,560 --> 00:22:46,080
Speaker 2: Yeah, I want to hear from Patty again, Patty, Patty

507
00:22:46,200 --> 00:22:48,439
Speaker 2: real quick mate, what's what's a delicacy within Ireland?

508
00:22:48,520 --> 00:22:49,000
Speaker 1: Run me through?

509
00:22:49,040 --> 00:22:52,160
Speaker 4: It would have to be an Irish shooler. My my

510
00:22:52,280 --> 00:22:54,200
Speaker 4: granny does make a great Irish shoe.

511
00:22:55,359 --> 00:22:56,159
Speaker 3: God, that's it's been.

512
00:22:56,160 --> 00:22:57,240
Speaker 1: It's pretty good as well.

513
00:22:57,440 --> 00:23:01,240
Speaker 4: I didn't so definitely, I don't think.

514
00:23:01,119 --> 00:23:04,240
Speaker 5: You know the difference between the two of them, totally fair.

515
00:23:04,640 --> 00:23:06,480
Speaker 1: Find that out quickly. So what do you reckon?

516
00:23:06,880 --> 00:23:08,960
Speaker 3: I think it's the same person I've told you.

517
00:23:08,920 --> 00:23:10,440
Speaker 1: I like it, Lawrence. I think you're in the car

518
00:23:10,480 --> 00:23:10,960
Speaker 1: by yourself.

519
00:23:11,000 --> 00:23:21,879
Speaker 2: But great work, nice, good fun good hey mate, have

520
00:23:22,480 --> 00:23:23,480
Speaker 2: two tickets to F one.

521
00:23:23,480 --> 00:23:25,440
Speaker 1: I love you, I like your Lawrence. I like you.

522
00:23:25,600 --> 00:23:28,840
Speaker 5: All right, let's go, Eddie ways to Brad pittsdew movie

523
00:23:29,119 --> 00:23:31,040
Speaker 5: F one, by the way, not the actual F one.

524
00:23:31,280 --> 00:23:31,719
Speaker 9: Oh no?

525
00:23:31,800 --> 00:23:32,920
Speaker 1: Yeah, yeahs.

526
00:23:34,000 --> 00:23:34,280
Speaker 9: Eddie.

527
00:23:34,840 --> 00:23:35,879
Speaker 1: Who are you in the car with ed?

528
00:23:36,800 --> 00:23:36,960
Speaker 8: Good?

529
00:23:36,960 --> 00:23:40,399
Speaker 9: Ay, boys, I'm I'm in the car with Paul.

530
00:23:40,880 --> 00:23:43,360
Speaker 1: With Paul. Paul's irish.

531
00:23:43,720 --> 00:23:44,680
Speaker 3: You sound quite Paul.

532
00:23:44,960 --> 00:23:49,240
Speaker 5: You sound quite Irish yourself, Eddie, mate, I'm I'm ALLDI.

533
00:23:49,480 --> 00:23:56,840
Speaker 3: Is right, he said with Paul. Yeah, Paul, increasingly irish.

534
00:23:56,880 --> 00:23:57,760
Speaker 3: But let's chuck your on.

535
00:23:58,200 --> 00:23:59,200
Speaker 1: Yeah, let's see from Paul.

536
00:24:00,600 --> 00:24:03,600
Speaker 9: Oh good a, boys, here you go.

537
00:24:05,119 --> 00:24:06,359
Speaker 1: You from you? You arish?

538
00:24:06,440 --> 00:24:08,760
Speaker 9: Paul? Yeah, yeah, I'm Irish.

539
00:24:09,800 --> 00:24:15,680
Speaker 1: Yeah right, okay, subtle Irish. I like it, Lawyer.

540
00:24:15,760 --> 00:24:17,520
Speaker 4: Did you say or short?

541
00:24:17,920 --> 00:24:18,920
Speaker 1: I said subtle?

542
00:24:19,560 --> 00:24:23,320
Speaker 2: But now it's really coming through favorite Irish actor.

543
00:24:23,400 --> 00:24:29,720
Speaker 9: Paul favorite famous or favorite favorite these understand?

544
00:24:29,920 --> 00:24:31,280
Speaker 1: Sorry, sorry, Paul.

545
00:24:32,040 --> 00:24:34,879
Speaker 9: You're my favorite? Yeah column column meanie.

546
00:24:35,760 --> 00:24:38,160
Speaker 2: Yeah, I don't know him, but I believe you. Okay,

547
00:24:38,720 --> 00:24:40,400
Speaker 2: can I hear from Eddie again.

548
00:24:40,280 --> 00:24:43,000
Speaker 9: Please, yeah, hold on a minute, Eddie.

549
00:24:45,160 --> 00:24:49,280
Speaker 7: Good boys, I like it.

550
00:24:49,320 --> 00:24:50,000
Speaker 3: I like it's good.

551
00:24:50,720 --> 00:24:51,040
Speaker 7: Eddie.

552
00:24:51,080 --> 00:24:53,560
Speaker 1: How do you shortened chicken Parmesiana?

553
00:24:54,880 --> 00:24:55,720
Speaker 9: Hey shortly?

554
00:24:55,880 --> 00:24:58,760
Speaker 1: Yeah, that was pretty good.

555
00:24:58,840 --> 00:24:59,440
Speaker 3: That's pretty good.

556
00:24:59,480 --> 00:25:02,439
Speaker 1: It's pretty good. Oh okay, do you.

557
00:25:02,480 --> 00:25:04,600
Speaker 3: Want to check Patti back? Paul back? So Paul back

558
00:25:04,640 --> 00:25:05,119
Speaker 3: on the phone.

559
00:25:05,240 --> 00:25:06,879
Speaker 1: He's just between you and me. Yeah, well, this is

560
00:25:06,880 --> 00:25:09,000
Speaker 1: what I think is going on. I think that.

561
00:25:09,119 --> 00:25:12,320
Speaker 2: He's really put this person's real voice is what we're

562
00:25:12,359 --> 00:25:13,120
Speaker 2: hearing from Paul.

563
00:25:13,520 --> 00:25:14,439
Speaker 1: I think he's Irish.

564
00:25:14,480 --> 00:25:16,840
Speaker 2: I think he's got an Irish guy here who's putting

565
00:25:16,880 --> 00:25:18,119
Speaker 2: on an Australian accent.

566
00:25:19,080 --> 00:25:22,280
Speaker 5: He sounded Irish, Yes, Eddie sounded Irish at the start.

567
00:25:22,359 --> 00:25:23,680
Speaker 2: Now I think what we need to do is ask

568
00:25:23,760 --> 00:25:34,000
Speaker 2: Eddie a quintessentially Australian questions such as, oh, yes, ah, yes, Eddie.

569
00:25:31,840 --> 00:25:33,320
Speaker 1: Who's Bob Hawk?

570
00:25:35,040 --> 00:25:35,840
Speaker 7: Is the ill?

571
00:25:36,640 --> 00:25:36,919
Speaker 9: Isn't he?

572
00:25:37,040 --> 00:25:38,520
Speaker 1: What was he? What was he famous for doing?

573
00:25:39,720 --> 00:25:40,560
Speaker 9: Oh? Drinking beers?

574
00:25:43,880 --> 00:25:45,280
Speaker 1: Eddie?

575
00:25:45,359 --> 00:25:47,880
Speaker 3: Gee? Whiz? You want to chuck Paul back on the phone.

576
00:25:47,960 --> 00:25:50,000
Speaker 3: Let's from last chat with Paul, because we've got to

577
00:25:50,080 --> 00:25:50,680
Speaker 3: keep moving here.

578
00:25:50,760 --> 00:25:52,080
Speaker 1: God, there's good Paul.

579
00:25:52,920 --> 00:25:55,480
Speaker 8: Yeah, yeah, hello, Paul.

580
00:25:55,600 --> 00:25:58,440
Speaker 1: What's Eddie wearing just describe the's the outfit.

581
00:26:00,080 --> 00:26:06,040
Speaker 9: Orange floral short and some shorts just what you called

582
00:26:06,080 --> 00:26:09,040
Speaker 9: them walk wear shorts.

583
00:26:09,440 --> 00:26:13,159
Speaker 5: I reckon, that's boots. That's hard, that's hard to pull off.

584
00:26:13,240 --> 00:26:17,040
Speaker 5: If that's any putting on an Irish accent, sorry, sorry, sorry,

585
00:26:17,160 --> 00:26:19,399
Speaker 5: I think he's proved that he's Australian.

586
00:26:19,520 --> 00:26:20,760
Speaker 1: I tend to agree with you, all right.

587
00:26:20,800 --> 00:26:22,840
Speaker 5: So if that's Eddie putting on an Irish accent, that's

588
00:26:22,840 --> 00:26:24,600
Speaker 5: the best Irish accent I reckon I've heard.

589
00:26:24,600 --> 00:26:26,680
Speaker 3: And he deserves. He deserves the tickets to go and

590
00:26:26,720 --> 00:26:28,320
Speaker 3: see if Brad Pitt.

591
00:26:28,720 --> 00:26:31,359
Speaker 2: Hey, Eddie, we think Paul is real. There's two of

592
00:26:31,359 --> 00:26:40,040
Speaker 2: you in the car. Gotcha, boys, all right, have a

593
00:26:40,080 --> 00:26:43,359
Speaker 2: double pass to go and say, Brad pitts new are.

594
00:26:43,280 --> 00:26:45,400
Speaker 3: We talking to idiot? Are we talking to Paul right now?

595
00:26:45,880 --> 00:26:48,160
Speaker 9: It's actually Eddie and I'm Irish.

596
00:26:48,240 --> 00:26:56,520
Speaker 1: Yeah, this is bad news. Martha Stewart Martha Stewart hated Sydney.

597
00:26:56,960 --> 00:26:57,800
Speaker 1: I didn't like it.

598
00:26:58,600 --> 00:26:59,920
Speaker 2: So if you don't If you don't know whom Martha

599
00:27:00,119 --> 00:27:03,160
Speaker 2: Stewart is, by the way, she's pretty famous, but basically

600
00:27:03,200 --> 00:27:06,480
Speaker 2: she's like this lifestyle icon from America.

601
00:27:06,560 --> 00:27:09,760
Speaker 1: She's doing like lifestyle shows. She's doing cookbooks right.

602
00:27:10,040 --> 00:27:12,440
Speaker 2: Bigger than Ben her Martha Stewart, and then all of

603
00:27:12,480 --> 00:27:16,560
Speaker 2: a sudden, she goes to jail for insider training, spent

604
00:27:16,680 --> 00:27:20,640
Speaker 2: some time in the clinking. What did I say, training

605
00:27:21,520 --> 00:27:24,800
Speaker 2: inside of trading anyway, Anyway, she comes out of the

606
00:27:24,840 --> 00:27:27,960
Speaker 2: clink and then you know, obviously she's brushing up with

607
00:27:28,200 --> 00:27:29,119
Speaker 2: a couple of bad boys.

608
00:27:29,240 --> 00:27:30,880
Speaker 1: She's now like best mates with Snoop Dogg.

609
00:27:31,000 --> 00:27:31,200
Speaker 14: Wow.

610
00:27:31,400 --> 00:27:34,040
Speaker 2: She makes cameos in music videos like drop It like

611
00:27:34,080 --> 00:27:37,960
Speaker 2: It's hard. You know, she's just gangster kind of wow. Anyway,

612
00:27:38,080 --> 00:27:40,800
Speaker 2: and this all makes sense because the barometer for cool

613
00:27:40,880 --> 00:27:43,240
Speaker 2: isn't he Snoop exactly? So you know Martha's Stewart is

614
00:27:43,240 --> 00:27:45,280
Speaker 2: cool because she's hanging out with Snoop Dogg.

615
00:27:46,200 --> 00:27:46,600
Speaker 3: Questions.

616
00:27:46,760 --> 00:27:51,320
Speaker 2: She comes to Sydney's Vivid Festival last month, right for

617
00:27:51,600 --> 00:27:54,840
Speaker 2: she's making an appearance there. Okay, but it's come out

618
00:27:54,840 --> 00:27:56,960
Speaker 2: that she absolutely hated her time.

619
00:27:57,040 --> 00:27:59,920
Speaker 1: But for so many reasons. Here's a few of them.

620
00:28:00,200 --> 00:28:03,040
Speaker 2: So she was very unhappy that she had to use

621
00:28:03,080 --> 00:28:09,800
Speaker 2: a handheld microphone them. It had a ninety minute talk

622
00:28:09,840 --> 00:28:11,320
Speaker 2: and she was devastated that she had.

623
00:28:11,240 --> 00:28:14,439
Speaker 3: To hold her own microphone, the Brittany. Also, how's this

624
00:28:14,760 --> 00:28:15,159
Speaker 3: the Brittany.

625
00:28:15,200 --> 00:28:17,040
Speaker 2: So they said to her, we can give you a

626
00:28:17,080 --> 00:28:19,399
Speaker 2: headset so you don't have to hold your microphone, and

627
00:28:19,440 --> 00:28:22,840
Speaker 2: she said, mmmm, that'll mess up Martha's hair.

628
00:28:25,560 --> 00:28:25,720
Speaker 11: Cut.

629
00:28:25,720 --> 00:28:26,200
Speaker 1: I've been here.

630
00:28:26,640 --> 00:28:28,920
Speaker 2: So what did she want?

631
00:28:28,000 --> 00:28:30,560
Speaker 3: So the headset and you can't have the handheld.

632
00:28:30,680 --> 00:28:32,439
Speaker 1: Then they said to her, okay, we can give you

633
00:28:32,480 --> 00:28:36,400
Speaker 1: a lapel mop Yeah, okay, we'll genius. And Martha said,

634
00:28:37,240 --> 00:28:38,800
Speaker 1: do you know how much I paid for this jacket?

635
00:28:39,160 --> 00:28:42,720
Speaker 1: Damage it? She's a gangster.

636
00:28:43,280 --> 00:28:46,560
Speaker 2: She's like, Nah, you can't do it.

637
00:28:47,280 --> 00:28:50,160
Speaker 5: To hold it anyway, She's gonna hamstring yourself a little

638
00:28:50,160 --> 00:28:51,600
Speaker 5: bit if you're giving you a public talk without it

639
00:28:51,680 --> 00:28:52,520
Speaker 5: sound amplification.

640
00:28:52,520 --> 00:28:54,320
Speaker 1: I couldn't agree more. She's been very petty, a lot

641
00:28:54,320 --> 00:28:55,880
Speaker 1: of petty complaints. Here's some more those.

642
00:28:55,920 --> 00:28:59,360
Speaker 2: She gets picked up in a car to transport her

643
00:28:59,360 --> 00:29:02,520
Speaker 2: back to her home. Tell and she goes, I hate this.

644
00:29:02,920 --> 00:29:05,000
Speaker 2: The window tinting not dark enough.

645
00:29:06,600 --> 00:29:07,640
Speaker 11: To cross.

646
00:29:07,680 --> 00:29:10,880
Speaker 1: The people can see me, people can see me through

647
00:29:10,920 --> 00:29:12,920
Speaker 1: the window. I don't like it. Darken the tin. She

648
00:29:13,040 --> 00:29:15,360
Speaker 1: hates that. And then how's this one? This is my favorite?

649
00:29:15,400 --> 00:29:15,640
Speaker 11: Yeah.

650
00:29:15,760 --> 00:29:17,440
Speaker 1: She then gets dropped off at the airport.

651
00:29:17,600 --> 00:29:19,800
Speaker 2: Yeah, you know, she wants to go back home and

652
00:29:19,880 --> 00:29:21,520
Speaker 2: she goes, I hate this airport.

653
00:29:21,840 --> 00:29:23,920
Speaker 1: It's too big. I had to walk too far.

654
00:29:24,480 --> 00:29:24,840
Speaker 3: Wow.

655
00:29:25,600 --> 00:29:28,800
Speaker 1: She's gangster, right, wow. But here's she's inspired me.

656
00:29:28,920 --> 00:29:30,600
Speaker 5: Did you turn out of gangster songs? By the way,

657
00:29:30,600 --> 00:29:31,720
Speaker 5: because I was expecting one?

658
00:29:31,760 --> 00:29:31,920
Speaker 8: There?

659
00:29:32,000 --> 00:29:32,400
Speaker 1: Yep, there was.

660
00:29:32,720 --> 00:29:33,000
Speaker 11: She won.

661
00:29:33,040 --> 00:29:35,440
Speaker 2: Too many complaints she made, unfortunately, let's go to the

662
00:29:35,440 --> 00:29:36,160
Speaker 2: first one.

663
00:29:37,480 --> 00:29:43,200
Speaker 1: Yeah, I miscounted. I didn't miscount. But she's inspired me.

664
00:29:43,240 --> 00:29:46,280
Speaker 2: So these are like five of the pettiest complaints I

665
00:29:46,320 --> 00:29:47,880
Speaker 2: have ever heard in my life.

666
00:29:48,000 --> 00:29:50,000
Speaker 1: Thirteen one oh sixty five is our number.

667
00:29:50,520 --> 00:29:55,640
Speaker 2: What is the pettiest complaint you have heard from a customer? Okay,

668
00:29:56,440 --> 00:29:59,640
Speaker 2: in your line of work, what is the pettiest complaint

669
00:29:59,760 --> 00:30:00,560
Speaker 2: that you've received?

670
00:30:00,560 --> 00:30:01,400
Speaker 1: Ill kick things off.

671
00:30:01,880 --> 00:30:03,960
Speaker 2: I was once a personal trainer in a formal life

672
00:30:05,040 --> 00:30:09,080
Speaker 2: late teens, early twenties, doesn't matter, And I had a

673
00:30:09,160 --> 00:30:13,440
Speaker 2: client who complains to my boss because during our session

674
00:30:13,520 --> 00:30:18,800
Speaker 2: she was very unhappy because I made her sweat and

675
00:30:18,840 --> 00:30:20,480
Speaker 2: he actually had to give me like a talking to

676
00:30:20,560 --> 00:30:22,640
Speaker 2: him was like, listen, she wants to work out, but

677
00:30:22,640 --> 00:30:23,840
Speaker 2: she doesn't like sweating.

678
00:30:25,840 --> 00:30:28,200
Speaker 1: Back it offugs.

679
00:30:28,480 --> 00:30:30,400
Speaker 2: I just love that she hates the airport too big,

680
00:30:30,440 --> 00:30:33,520
Speaker 2: I had to walk too far. That's just awesome. Let's

681
00:30:33,560 --> 00:30:37,120
Speaker 2: go to Sophia here, Sofia, okay, you work in hospital,

682
00:30:37,600 --> 00:30:38,040
Speaker 2: no doubt.

683
00:30:38,120 --> 00:30:41,680
Speaker 1: Some petty complaints in this field. What was the pettiest?

684
00:30:42,640 --> 00:30:47,360
Speaker 10: So hey, boys, hope you're doing well. Yeah, so many

685
00:30:47,440 --> 00:30:50,640
Speaker 10: petty complaints, But the most pettious one I have had

686
00:30:50,840 --> 00:30:55,120
Speaker 10: experienced was a customer complaining that her colliflower was too

687
00:30:55,160 --> 00:30:58,120
Speaker 10: deep fried when she ordered deep fried coliflower.

688
00:30:58,240 --> 00:31:01,080
Speaker 1: Brilliant, Wow, brilliant. So how do you react to that?

689
00:31:01,160 --> 00:31:04,640
Speaker 2: Because you know she's ordered deep fried cauliflower, you've delivered that.

690
00:31:04,680 --> 00:31:06,280
Speaker 1: What did you what did you go back to the

691
00:31:06,360 --> 00:31:07,920
Speaker 1: kitchen and say to the cook?

692
00:31:09,280 --> 00:31:09,760
Speaker 14: Yeah?

693
00:31:09,800 --> 00:31:13,880
Speaker 10: So I obviously apologized and asked her what she was expecting.

694
00:31:14,280 --> 00:31:16,960
Speaker 10: She just wanted something that wasn't too deep fried. So

695
00:31:17,480 --> 00:31:19,280
Speaker 10: I told the chef, and the chef just said, give

696
00:31:19,320 --> 00:31:21,760
Speaker 10: this to her and it was RAWI brilliant.

697
00:31:21,800 --> 00:31:24,560
Speaker 1: Yeah, well, brilliant, chef. I love that you helpful.

698
00:31:24,800 --> 00:31:28,080
Speaker 3: Love it when chefs get like that. Mate, Thank you

699
00:31:28,160 --> 00:31:28,840
Speaker 3: so much for that.

700
00:31:28,920 --> 00:31:32,480
Speaker 5: Yeah, that's exactly what I'll go out and lambasad customer beautiful.

701
00:31:32,880 --> 00:31:36,320
Speaker 3: That'll do wonders for our rating she is. I don't

702
00:31:36,360 --> 00:31:38,680
Speaker 3: think that's so outrageous. By the way, Oh, you think

703
00:31:38,680 --> 00:31:41,040
Speaker 3: a light deep frying, it's going to put it out there.

704
00:31:41,080 --> 00:31:43,200
Speaker 1: Have you ever complained about the level of deep frying.

705
00:31:44,320 --> 00:31:47,200
Speaker 5: No, but I would say that I think if you

706
00:31:47,360 --> 00:31:53,560
Speaker 5: order like a battered or a tempora style vegetable, I

707
00:31:54,480 --> 00:31:59,480
Speaker 5: wouldn't want too much better on that. The steward about

708
00:31:59,520 --> 00:32:04,320
Speaker 5: your will a zucchini flower or any sort of vegetable

709
00:32:04,320 --> 00:32:04,840
Speaker 5: that's battered.

710
00:32:04,920 --> 00:32:07,960
Speaker 3: Yeah, deep, deep, deep battering. That would ruin it for me.

711
00:32:08,280 --> 00:32:10,080
Speaker 3: There you go, And honestly that's common sense.

712
00:32:10,120 --> 00:32:14,080
Speaker 1: That's just too much deep frying there will. Okay, don't

713
00:32:14,120 --> 00:32:15,320
Speaker 1: have another deep frying guys.

714
00:32:16,080 --> 00:32:19,440
Speaker 5: Kay, you can, for example, on a piece of fish anyway,

715
00:32:19,520 --> 00:32:21,000
Speaker 5: Kate's cooled, Well, you can.

716
00:32:21,240 --> 00:32:24,680
Speaker 3: It's an level of batter depends on what you're battering.

717
00:32:25,480 --> 00:32:25,680
Speaker 9: Kate.

718
00:32:26,720 --> 00:32:29,560
Speaker 1: Kate petty complaint from a customer, what happened?

719
00:32:30,360 --> 00:32:33,240
Speaker 14: Yeah, my complaint. I'm a school teacher and I had

720
00:32:33,280 --> 00:32:37,200
Speaker 14: a kindergarten student who was a selective mute. Spent a

721
00:32:37,240 --> 00:32:40,160
Speaker 14: whole year trying to get selective mute, so it didn't talk,

722
00:32:40,320 --> 00:32:44,920
Speaker 14: was very shy. You can talk, can talk in certain situations.

723
00:32:45,000 --> 00:32:48,400
Speaker 14: But chose not to it and that was it, and

724
00:32:48,600 --> 00:32:50,800
Speaker 14: spent the whole year working with her, trying to encourage

725
00:32:50,800 --> 00:32:52,680
Speaker 14: her to come out of a shell build a confidence.

726
00:32:53,320 --> 00:32:55,959
Speaker 14: That did a great job. She was talking in the classroom,

727
00:32:56,320 --> 00:32:59,320
Speaker 14: started talking at home to the parents and to the family,

728
00:33:00,040 --> 00:33:02,320
Speaker 14: and then the parents complained because she wouldn't shut up

729
00:33:02,360 --> 00:33:03,240
Speaker 14: in the house with her longer.

730
00:33:18,560 --> 00:33:19,959
Speaker 3: It's a hundred bucks a can.

731
00:33:20,960 --> 00:33:22,360
Speaker 8: I'm going to the soft drink.

732
00:33:23,960 --> 00:33:29,480
Speaker 5: Beer, Darcy, no, Darcy nod?

733
00:33:33,240 --> 00:33:35,640
Speaker 2: Can you tell the difference between beer and soft drink

734
00:33:36,520 --> 00:33:39,040
Speaker 2: based only on the sound of the can opening?

735
00:33:39,520 --> 00:33:40,440
Speaker 1: And again, you just.

736
00:33:40,480 --> 00:33:43,040
Speaker 2: Keep going here, You keep going until you get a

737
00:33:43,120 --> 00:33:45,640
Speaker 2: can wrong, So technically you could be going home with

738
00:33:45,720 --> 00:33:47,520
Speaker 2: hundreds of thousands of dollars tonight.

739
00:33:48,520 --> 00:33:51,280
Speaker 1: Natalie, How does that is hundreds of thousands of dollars?

740
00:33:51,280 --> 00:33:52,120
Speaker 1: Sounds Natalie?

741
00:33:53,160 --> 00:33:55,400
Speaker 12: Oh, don't you sounds terrific.

742
00:33:55,480 --> 00:33:56,320
Speaker 14: Let's see how we go.

743
00:33:56,560 --> 00:33:58,600
Speaker 1: Okay, first step is one hundred bucks. Here it is

744
00:33:58,640 --> 00:33:59,120
Speaker 1: can one.

745
00:34:08,280 --> 00:34:08,560
Speaker 9: Beer?

746
00:34:10,280 --> 00:34:13,080
Speaker 1: Sorry, Nat, sorry, a soft drink?

747
00:34:15,400 --> 00:34:17,279
Speaker 3: You know, thanks to playing Natalie, Nice to meet you.

748
00:34:17,360 --> 00:34:18,839
Speaker 3: Troy is called that end when I was six'.

749
00:34:18,960 --> 00:34:21,240
Speaker 2: Five we're cruel to bring up one hundreds of thousands

750
00:34:21,280 --> 00:34:23,400
Speaker 2: of dollars before she even got one, Can.

751
00:34:24,080 --> 00:34:26,200
Speaker 5: Troy and technically she does have to get a thousand

752
00:34:26,280 --> 00:34:28,360
Speaker 5: cans there as. Well we're just we're not going to

753
00:34:28,400 --> 00:34:30,120
Speaker 5: crack a thousand cans in twenty, minutes but we.

754
00:34:30,160 --> 00:34:32,759
Speaker 1: Could we'd bring her back. Tomorrow there's no rules, Here.

755
00:34:34,080 --> 00:34:36,560
Speaker 2: Troy you want to crack some. Cans you want some?

756
00:34:36,600 --> 00:34:38,479
Speaker 2: CASH i was going to give you can One. Troy

757
00:34:38,480 --> 00:34:39,040
Speaker 2: here it is.

758
00:34:45,960 --> 00:34:53,040
Speaker 15: Yeah, Wow Sorry, Troy Sorry troy had soft.

759
00:34:53,080 --> 00:35:00,960
Speaker 3: Drink troy is Getting remy. Here we just cannot take

760
00:35:01,000 --> 00:35:02,359
Speaker 3: a trick at the. Moment great Name.

761
00:35:02,440 --> 00:35:07,680
Speaker 1: Remy yeah here we got damn.

762
00:35:07,719 --> 00:35:22,240
Speaker 5: It give me my, Money give me my money and one.

763
00:35:18,120 --> 00:35:24,880
Speaker 3: Uh hundreds and you you're going to kill you in

764
00:35:24,920 --> 00:35:26,240
Speaker 3: the car with rimed dog.

765
00:35:28,680 --> 00:35:29,040
Speaker 4: One of my.

766
00:35:29,120 --> 00:35:32,759
Speaker 1: Friends here we, go nic you real you can?

767
00:35:32,880 --> 00:35:33,040
Speaker 8: Too?

768
00:35:34,000 --> 00:35:35,040
Speaker 3: Yeah oh here were?

769
00:35:35,040 --> 00:35:42,399
Speaker 5: Gay that's to be.

770
00:35:44,560 --> 00:35:45,279
Speaker 3: Did sound like?

771
00:35:45,520 --> 00:35:46,879
Speaker 1: Me it is a soft.

772
00:35:46,960 --> 00:35:47,520
Speaker 3: Drink, now.

773
00:35:50,120 --> 00:35:50,400
Speaker 7: Hundred?

774
00:35:50,440 --> 00:35:51,800
Speaker 1: Bucks where are you in your best? Make go on

775
00:35:51,840 --> 00:35:53,399
Speaker 1: and spend your hundred bucks, Still but that's good.

776
00:35:53,440 --> 00:35:56,160
Speaker 12: Cash i'm gonna go fill out my.

777
00:35:56,200 --> 00:36:01,880
Speaker 3: Car that's just my that's. Smart does he make want to?

778
00:36:01,880 --> 00:36:02,400
Speaker 1: Play?

779
00:36:02,880 --> 00:36:04,920
Speaker 3: Professors does your mate want to?

780
00:36:04,960 --> 00:36:06,440
Speaker 13: Play she wants to?

781
00:36:06,440 --> 00:36:15,960
Speaker 3: Play? Jagger, no do your? Mate what's your, Name, Taitlan Kaitlan?

782
00:36:16,160 --> 00:36:19,759
Speaker 1: Kaitler did you agree With remy's last? Guess?

783
00:36:21,280 --> 00:36:23,239
Speaker 3: No, okay well there we.

784
00:36:23,280 --> 00:36:27,640
Speaker 12: Go all, right, okay soft drink?

785
00:36:27,640 --> 00:36:28,000
Speaker 4: Copy all?

786
00:36:28,080 --> 00:36:29,040
Speaker 9: Right, okay you.

787
00:36:29,440 --> 00:36:34,279
Speaker 1: Understanding the game? Now, okay super, easy it's super. Easy Al.

788
00:36:34,360 --> 00:36:39,399
Speaker 1: Right here's can one for a hundred. BUCKS i get.

789
00:36:39,440 --> 00:36:40,240
Speaker 6: It jesus.

790
00:36:55,000 --> 00:36:59,959
Speaker 3: Jesz the adrenaline rush hundred, girls it's a hundred bucks.

791
00:37:00,040 --> 00:37:03,279
Speaker 3: Each here we. Go you ready for can't To? Caitlin i'm?

792
00:37:03,360 --> 00:37:05,480
Speaker 5: Ready, okay, YEAH.

793
00:37:13,200 --> 00:37:13,680
Speaker 12: I reckon?

794
00:37:13,760 --> 00:37:13,960
Speaker 8: Beer?

795
00:37:22,120 --> 00:37:26,480
Speaker 3: Wow the energy in this? Car are you guys pulled

796
00:37:26,520 --> 00:37:34,920
Speaker 3: over and a sick? An come?

797
00:37:34,960 --> 00:37:35,719
Speaker 9: On going?

798
00:37:35,760 --> 00:37:35,840
Speaker 11: On?

799
00:37:35,960 --> 00:37:40,239
Speaker 12: Here bump, Bumper, trusty it's.

800
00:37:40,280 --> 00:37:42,280
Speaker 3: Okay you're in a Driving.

801
00:37:42,360 --> 00:37:43,920
Speaker 4: Caitlin, No i'm.

802
00:37:44,000 --> 00:37:45,560
Speaker 8: Passenger, okay so is?

803
00:37:45,600 --> 00:37:48,160
Speaker 3: Driving all, right that's, Fine, okay we're.

804
00:37:48,280 --> 00:37:50,879
Speaker 1: Good you're on two hundred bars on the, RIDE.

805
00:37:50,920 --> 00:37:54,800
Speaker 2: Remi this takes you to takes you to three hundred

806
00:37:54,840 --> 00:37:55,920
Speaker 2: bucks on A wednesday.

807
00:37:56,040 --> 00:37:58,319
Speaker 3: Night here we, go where you guys off?

808
00:37:58,320 --> 00:38:00,600
Speaker 1: To by the, way we're going.

809
00:38:00,640 --> 00:38:03,640
Speaker 12: Home we've been AT uni all?

810
00:38:03,719 --> 00:38:04,600
Speaker 10: Day all?

811
00:38:04,719 --> 00:38:04,919
Speaker 9: Right?

812
00:38:05,080 --> 00:38:07,400
Speaker 3: Nice, okay great.

813
00:38:06,640 --> 00:38:07,520
Speaker 12: Way to finish my.

814
00:38:07,640 --> 00:38:11,719
Speaker 1: Day let me tell, yeah, alright for three hundred, bucks

815
00:38:11,719 --> 00:38:12,160
Speaker 1: here is can.

816
00:38:12,280 --> 00:38:19,560
Speaker 13: Three, hmmm let's go with soft.

817
00:38:19,600 --> 00:38:29,319
Speaker 9: Drink, yeah what what do.

818
00:38:29,320 --> 00:38:31,480
Speaker 2: You need to get to? To, like not go home

819
00:38:31,520 --> 00:38:33,360
Speaker 2: and just go straight to a fancy restaurant or?

820
00:38:33,360 --> 00:38:36,640
Speaker 7: Something, oh five hundred bucks from we're.

821
00:38:36,680 --> 00:38:37,680
Speaker 12: Going we're, going.

822
00:38:38,280 --> 00:38:41,719
Speaker 1: All, right so let's go for four hundred. First here

823
00:38:41,719 --> 00:38:42,040
Speaker 1: it is.

824
00:38:42,040 --> 00:38:42,440
Speaker 9: Can for.

825
00:38:52,560 --> 00:38:52,799
Speaker 14: Saft.

826
00:38:52,880 --> 00:39:01,719
Speaker 2: Drink it's a by when did?

827
00:39:02,000 --> 00:39:02,480
Speaker 13: Amazing?

828
00:39:02,640 --> 00:39:05,120
Speaker 3: Yeah one hundred bucks on A wednesday night on the

829
00:39:05,160 --> 00:39:06,160
Speaker 3: way home From? Unity where are?

830
00:39:06,160 --> 00:39:06,640
Speaker 8: You where are you?

831
00:39:06,719 --> 00:39:07,440
Speaker 3: Guys what road do you?

832
00:39:07,480 --> 00:39:08,600
Speaker 7: Want?

833
00:39:09,239 --> 00:39:09,439
Speaker 3: Yeah?

834
00:39:09,560 --> 00:39:12,719
Speaker 5: Righty, well if you said two nineteen year olds screaming

835
00:39:12,760 --> 00:39:17,440
Speaker 5: their asses, off don't call triple. O, no.

836
00:39:17,480 --> 00:39:19,800
Speaker 3: We're just, playing can you hear? It good on you,

837
00:39:19,880 --> 00:39:25,279
Speaker 3: guys have a great, Ye Pritt hockley's out next time with, Them.

838
00:39:25,160 --> 00:39:26,080
Speaker 1: Moody that'll be back.

839
00:39:26,120 --> 00:39:29,400
Speaker 5: Tomorrow by the, way one hundred bucks of Candy Gee whiz?

840
00:39:29,560 --> 00:39:32,920
Speaker 3: Electric isn't? It you forget how much more one hundred

841
00:39:32,920 --> 00:39:33,680
Speaker 3: bucks means when you're?

842
00:39:33,760 --> 00:39:38,920
Speaker 5: Nineteen that Is Gee Whiz it's life made life mate Is?

843
00:39:39,160 --> 00:39:40,440
Speaker 1: Yeah maybe the year maybe the