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Speaker 1: It's a Christian a Commons show podcast.

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Speaker 2: So I'm just trying to do hand signals to a

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Speaker 2: team that we're looking the other way. Something going wrong

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Speaker 2: on there. Let's how to look the other way.

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Speaker 3: Hey, good morning, jack You know, I don't think they

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Speaker 3: really listen out there half the time. They don't know

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Speaker 3: stuff that's happened on this.

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Speaker 2: I think they turn the speakers on when we walk

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Speaker 2: out there. There's like a fumbling turn the podcast off,

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Speaker 2: Turn the podcast off? What is it? How's it going

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Speaker 2: in there today?

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Speaker 3: Great show, guys, it's a show rating at.

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Speaker 2: The moment the way guys, Hey, good haircut, thank you.

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Speaker 2: That is a solid, good trim.

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Speaker 3: You know, this is a fifteen dollar haircut.

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Speaker 4: But there's no where's the fro? Gone?

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Speaker 3: The fro mullet. They can't cut it longer.

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Speaker 2: It's gonna mullets gone. Happened to my little Jackie.

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Speaker 4: I'm a bit concerned at the mullet's still.

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Speaker 2: There's mullet's And it's right for the season change. It's

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Speaker 2: a winter facing mulley.

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Speaker 3: Summer is as we all know, it's more party winter.

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Speaker 3: You have to conserve. You're going to bring it in.

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Speaker 2: You're going to bring it in. It's like a sheep.

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Speaker 2: You know, they've got to bring that little fairy fuzz

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Speaker 2: in a bit, you know, just to keep them nice

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Speaker 2: and warm and cozy. And where did you get it done?

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Speaker 2: It does genuinely look like a haircut again.

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Speaker 3: It's a new barber. I still haven't found my hairdresser

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Speaker 3: or barber do I'm going to constantly go to.

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Speaker 2: But this guy might be thirty two years of age.

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Speaker 2: I mean, it's like the amazing race and he's going

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Speaker 2: to go on and on and on.

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Speaker 3: I just never feel comfortable with my hairdresser. I've maybe

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Speaker 3: spent three sessions with one guy, but he's gone, and

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Speaker 3: this guy is.

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Speaker 2: I mean, they ready pack up. You don't. So he

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Speaker 2: goes to your hairdressers and they've just gone out of business,

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Speaker 2: so they're all boarded up.

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Speaker 3: He still works in Collingwood. I just don't go to

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Speaker 3: him anymore.

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Speaker 2: For now. You dumped to hairdresser.

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Speaker 3: I didn't dump him.

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Speaker 2: I just you don't go back.

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Speaker 3: You dump I ghosted him. I guess I just left

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Speaker 3: and I left.

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Speaker 2: The hairdresser once and he kept me. Actually it was

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Speaker 2: up the cable guy of had He kept messaging me

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Speaker 2: and then no. Now it gets worse. One day, my

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Speaker 2: producer goes, do you know a guy called Aaron Went

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Speaker 2: not the hanirddresser he's trying to get through, said, you're

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Speaker 2: not replying to his states, so it might be funny

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Speaker 2: for you and him to have a chat. I went,

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Speaker 2: don't put one air. You're not because you're like put

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Speaker 2: him on I went, do not put him on air?

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Speaker 2: Is he anywhere near the building? It turns really really bad.

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Speaker 2: Pack up the family Australia. It's over Aaron. So you're

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Speaker 2: going to every time you've got to go through the

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Speaker 2: rig roll of a brand new hairdresser.

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Speaker 3: Max might be the new one. Yeah, he was great.

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Speaker 3: The right level of chat only lasted about a minute

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Speaker 3: and then I was.

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Speaker 2: It's too light on the chat for me. I like

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Speaker 2: a little chat. Can you going?

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Speaker 5: Nah?

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Speaker 3: You get you get to know somebody with a couple

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Speaker 3: of sentences. That's enough for me.

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Speaker 2: People And what was the banter?

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Speaker 3: Where where I lived? Where he lived? He's been there

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Speaker 3: twenty one years in the same spot.

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Speaker 2: And then you shut it down for today, Max, anymore,

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Speaker 2: I'll be moving on. Jackie Boy's hair is out of here.

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Speaker 2: Asked what he.

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Speaker 3: Thought of the level crossing removal. The train's gone up.

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Speaker 2: Today for sure. Actually Max shut it down off to

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Speaker 2: didn't it anyway?

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Speaker 1: No more to Talking Jack The Christian O'Connell show podcast.

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Speaker 2: We all do the same trip in every day Monday

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Speaker 2: to Friday. Do you vary the root in anyway?

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Speaker 3: I throw a few extra blocks in sometimes.

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Speaker 2: This guy, this guy, he's turning up from the laft. Wow,

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Speaker 2: he's coming from the right. Oh lowie. This guy, you

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Speaker 2: show a rule book. He's going to tear up that

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Speaker 2: road rule book. The wild Man of radio.

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Speaker 3: Sometimes I look at what the GPS is telling me,

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Speaker 3: and I.

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Speaker 2: Think the man doesn't control this man, my friend, I'll

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Speaker 2: go off greed anyway I do Monday Friday is the

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Speaker 2: same route every single day. Okay, And there's a there's

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Speaker 2: a traffic light that is permanently it feels like it's

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Speaker 2: permanently on red, like it's actually broken. It's too long

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Speaker 2: on red. I'm timing it. It's four minutes. If you

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Speaker 2: know this list, Yeah, it's horrible.

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Speaker 3: If you can start and finish a song while you're

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Speaker 3: waiting at a red light.

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Speaker 2: Yes, yeah, exactly, it's it's horrendous. And it's always in

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Speaker 2: the last minute of my trip or ifore I get

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Speaker 2: into the Funhouse, which is what I call this place.

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Speaker 2: It's on my GPS take me to the Funhouse, and

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Speaker 2: it does. I'm going down Punt Road. Peo might one

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Speaker 2: to know. You won't want to take a detour today

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Speaker 2: and check it out for yourself. You're going down Punt

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Speaker 2: Road and you try and take a rite a little

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Speaker 2: cheeky right onto Rowena Parade to access to people's Republic

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Speaker 2: of Richmond.

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Speaker 3: I know why I reckon, It's because Rowena is not

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Speaker 3: a real it's not a major road, so they don't

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Speaker 3: care for people turning into the well.

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Speaker 2: They need to Why not. I'm on equal rights for

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Speaker 2: all all drivers, and the red lights were facing I

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Speaker 2: get tense every single day, know about coming into this place,

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Speaker 2: just sometimes Patsy, but it's mainly just that light every day.

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Speaker 2: I'm like, it's minutes and minutes.

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Speaker 4: I reckon, it's time like that because of the MCG

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Speaker 4: next door for the foot traffic. But they need to

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Speaker 4: change it through the week when.

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Speaker 2: You're trying to playing who's playing now exactly? They need

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Speaker 2: to change it. Yeah, who do you? I mean? I'm

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Speaker 2: talking right personally at Patsy who is the red light onwardsman? Well,

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Speaker 2: can I go to like a tribunal and get Paddy

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Speaker 2: danger Phil's law? Who can start quoting about silly definitions

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Speaker 2: of red lights?

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Speaker 4: I think you can report that to the Department of Transporter.

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Speaker 4: I know you used to be able to someone to say, look,

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Speaker 4: I think there's something wrong with the timing on this

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Speaker 4: traffic lights.

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Speaker 2: You know, there's a there's a line when you turn,

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Speaker 2: when you start to complain about traffic lights. It says

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Speaker 2: who you are in the world.

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Speaker 3: Right now four and a half minutes every morning. You

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Speaker 3: could be sleeping in that extra four minutes if.

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Speaker 2: That I saw it was getting to work an extra

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Speaker 2: four minutes more. There, that's the difference in Jack and

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Speaker 2: I in a enoughshell there.

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Speaker 1: The Christian O'Connell show podcast.

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Speaker 2: My journey to work is blighted, blighted by this traffic light.

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Speaker 2: I'm there every morning about four minutes. This wasting time, okay,

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Speaker 2: and there's hardly any traffic coming down the other way.

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Speaker 2: There's no reason why the sequence is at four minutes.

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Speaker 2: I get because it's on punk Road going into ruin

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Speaker 2: your parade and the other side is obviously the MCG

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Speaker 2: I get well on match day the sequence might be different.

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Speaker 2: But I actually don't think there should be any traffic

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Speaker 2: lights overnight. And I think you just turn them all

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Speaker 2: off insane because there's these people around you sort of

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Speaker 2: go you go here, Yeah, you come across here, there's

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Speaker 2: only there's less cars. Turn it off, or have a

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Speaker 2: happy hour. See how we get on. Have a happy

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Speaker 2: hour to see how we get on. Just give us

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Speaker 2: a month of a happy hour. No traffic lights for

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Speaker 2: a uth. Could we just do it for one hour,

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Speaker 2: say say four to five, see how everyone gets on?

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Speaker 3: The mad Max hour, Yes, the mad Max hour.

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Speaker 2: But anyway, there one rogue traffic light. Right, it's as

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Speaker 2: you're just trying to do a right from Punt Road

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Speaker 2: into Rowena Parade. You believe because it doesn't you think

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Speaker 2: the victors won't see it as a proper road.

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Speaker 3: Well, it's not a main road. It's actually quite a

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Speaker 3: small street that you're trying to get into. I think

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Speaker 3: it gives it less time because it's not a major artillery,

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Speaker 3: as they might say in the traffic report.

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Speaker 2: I think it's archery, not artillery.

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Speaker 3: I don't think it's archery.

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Speaker 2: Yes it is. It might make material road they called

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Speaker 2: it archery. So's imagine a heart. It has a smaller

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Speaker 2: sort of vein artillery. No, that's like ammunition, isn't it from.

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Speaker 3: Do we have time? Don't take our word for it, Jack, No.

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Speaker 2: Why would you take a trained journalist who studied.

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Speaker 3: You know, artery. I think we both got it wrong. No, exactly,

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Speaker 3: he's an archery like.

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Speaker 2: Patsy understood it two against one.

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Speaker 3: Pull up the clip anyway.

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Speaker 2: Look, what I'm trying to say is Okay, it's a

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Speaker 2: small little road. I want to know some morning, where

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Speaker 2: are the other red lights of Melbourne that are a nightmare?

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Speaker 2: Patsy's already put a message out to someone who runs

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Speaker 2: a Department of Transport media center to find out is

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Speaker 2: there an ombudsman of red lights? Imagine there is, you know,

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Speaker 2: he just sits on a desk. He's waiting for phone

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Speaker 2: calls all day nine to five of people moaning about

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Speaker 2: the sequence of their traffic lights in London where you

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Speaker 2: can imagine, right, you know, a city of eleven million

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Speaker 2: driving in the morning is just chaos, right, there are

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Speaker 2: millions of people on the roads. There used to be

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Speaker 2: a really bad sequence of like five sort of lanes

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Speaker 2: all going into each other and it was all sequence.

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Speaker 2: And I once saw a guy in front of me

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Speaker 2: get out of his car right while we sat a

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Speaker 2: red light, jog around across the road, press the lights,

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Speaker 2: so it obviously acts of at the secreens shop back

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Speaker 2: into his car and went, that is a pro level

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Speaker 2: to this. That is how you do it. He knows

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Speaker 2: this so well that this can't be the first time

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Speaker 2: he's just randomly thought with that. He does this every morning.

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Speaker 3: There's there's tricks that uber drivers and taxi drivers will use.

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Speaker 3: Have you also seen flash your headlights as here getting

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Speaker 3: to works?

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Speaker 1: Oh?

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Speaker 2: God, yeah, I guarantee people calling going it works. It

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Speaker 2: doesn't work.

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Speaker 3: It doesn't work. What does the traffic light think that

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Speaker 3: there's heaps of cars coming down the road?

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Speaker 2: Yes, a guys, I get it. Come on through, Come

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Speaker 2: on through. The other one is I was seeing with

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Speaker 2: drivers you start to reverse and then go forward again

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Speaker 2: the sense of things. There must be two thousand cars

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Speaker 2: and all these lights and all these people were going.

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Speaker 3: Actually I wouldn't open my green light, but this is circumstances.

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Speaker 2: A rush on today.

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Speaker 1: Chris Christian O'Connell show podcast.

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Speaker 2: Red Lights. What do you think are the worst red lights?

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Speaker 2: In Melbourne. Every morning on my way to work, it's

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Speaker 2: like four or five minutes this light is stuck on red.

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Speaker 2: It's the pane of my life. It's always the last

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Speaker 2: minute of a trip back before I turn it into Richmond.

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Speaker 2: I'm going from Punkch and I just innocently go up

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Speaker 2: my way. I'm from Punt Road into Rowena Parade and

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Speaker 2: there's this awful red light there. I just want them

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Speaker 2: to take a look into it. I will respect their

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Speaker 2: decision and think they're fair people.

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Speaker 3: A royal commission, thank you, jack An.

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Speaker 2: You want to say it, but it feels like it

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Speaker 2: needs a royal commission. I just had a quick look.

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Speaker 2: I know you guys have been taking calls there. I

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Speaker 2: just had a quick I can't believe I actually just

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Speaker 2: googled this history of traffic lights. Okay, spot quiz, spot quiz.

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Speaker 2: When do you think the world's first traffic light came

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Speaker 2: into being?

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Speaker 6: Oh?

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Speaker 3: Okay, well, the horse and car was around the turn

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Speaker 3: of last century? Was it so? Maybe nineteen oh.

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Speaker 2: One, nineteen oh one, Patsy, what's it? Put a year

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Speaker 2: on it?

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Speaker 4: I want to say about nineteen eighteen.

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Speaker 2: Eighteen sixty eight, Oh, traffic light, A gas the first

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Speaker 2: example of gas lighting in London. It would be a

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Speaker 2: gas lit system had to be used by a policeman,

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Speaker 2: just actual guide, just actually lighting out one color, then

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Speaker 2: snuffing out a cannle and lighting the other one. What

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Speaker 2: a long thing that was in nineteen sorry, eighteen sixty eight,

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Speaker 2: and then nineteen ten was the first automated one in Chicago.

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Speaker 2: In Australia it would be here. The first traffic lights

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Speaker 2: were Melbourne. Ah you we yeah, first hook ten Yeah,

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Speaker 2: first hook turn. Yes. Should have been the first and

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Speaker 2: last use of the hook turn as well. Australia's first

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Speaker 2: traffic lights installed in Melbourne City at the intersection not

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Speaker 2: far from me off Swanston and Flinders Street in nineteen

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Speaker 2: twenty eight. All right, so we're trying to plot. Now

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Speaker 2: you've got Google Maps up of Melbourne where are the

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Speaker 2: worst red lights? And also we do not believe the

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Speaker 2: system that some people still use its main I think

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Speaker 2: capter live by taxi drivers. They seem to think they've

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Speaker 2: got the inside knowledge of the sequence and they've got

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Speaker 2: a hack that us muggles don't know about. You know,

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Speaker 2: who aren't operating a silver cap that know that if

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Speaker 2: they flash the lights the traffic lights. It's like a

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Speaker 2: secret code. The traffic light goes. It's like a freemason

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Speaker 2: s thing. Okay, you may come through the night of

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Speaker 2: the road.

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Speaker 3: That's how you get to platform in nine and three quarters.

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Speaker 2: Yes, that's right. You flash your lights no four one

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Speaker 2: four one o four three. We've got AJ here, Come

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Speaker 2: on the AJ.

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Speaker 7: Morning, Christian. Yeah. I think my vote for the for

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Speaker 7: one of the worst ones is a top end of

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Speaker 7: Colin Street opposite the museum. You get you get the

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Speaker 7: trends able to go first. Then you actually get a

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Speaker 7: green light for push bikes. And sometimes that push light

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Speaker 7: bike you mistake for the green light itself.

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Speaker 3: It sounds like you've done that.

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Speaker 2: We're not judging.

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Speaker 7: No, no, no, I have done it, and I've got pulled

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Speaker 7: up for it for by another motorist. People as the horn, but.

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Speaker 2: With justice is done on the streets in a car,

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Speaker 2: is it's a horn horn review?

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Speaker 5: Right?

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Speaker 7: When I've been sitting there and I've been a few

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Speaker 7: cars back behind, I've seen other drivers actually do it

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Speaker 7: as well.

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Speaker 2: Do you tell them off with the horn?

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Speaker 8: Give them a quick to.

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Speaker 2: Justice?

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Speaker 9: Yeah?

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Speaker 2: Quick, you have to.

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Speaker 3: You have to, don't you think? Quick toot is the

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Speaker 3: nicest way to do a honk. It's almost like, okay,

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Speaker 3: I'm not I'm not having to go at you. I'm

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Speaker 3: just letting saying something.

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Speaker 2: Hey watch it. Okay, you're warning. That's it. I believe

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Speaker 2: there needs to be three different modes on a car horn,

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Speaker 2: doesn't it. You know, you just press the appropriate one.

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Speaker 2: This one the album it's basically idiot is that that's

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Speaker 2: the strongest Rebut you can use you know, you chuck

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Speaker 2: a tram into it and the whole sequence. Then it's

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Speaker 2: it's a code. You know, it's like a dangerous mind.

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Speaker 2: You need a whiteboard, you need a scientist to try

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Speaker 2: and decipher into code it whilst that tram gets involved.

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Speaker 2: What's the thing you were talking about, Elier about when

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Speaker 2: the tron just goes too slowly?

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Speaker 3: Listen my theory in the mornings that trams must have

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Speaker 3: a time they're meant to get to each stop. And

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Speaker 3: in the mornings there's no traffic on the road. So

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Speaker 3: the tram near me rolls at a three kilometer an

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Speaker 3: hour pace because he doesn't want to get to his

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Speaker 3: stop to it get.

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Speaker 2: A bonus if they get their only on time.

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Speaker 3: And I get stuck behind it. It's like it's honestly

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Speaker 3: like a tram looking for a park on the side

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Speaker 3: of the road. He's starving so slowly.

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Speaker 2: All right, AJ, we're plot You're one Oka.

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Speaker 7: No worries, thank you. Yeah, I actually think seeing sometimes

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Speaker 7: when I go through there, the trams aren't even operating.

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Speaker 7: Why do they bother having the light system working?

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Speaker 1: Well?

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Speaker 2: AJ? What do you think about my idea of a

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Speaker 2: happy hour where there's no traffic lights just sort of

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Speaker 2: run about this time of the day and then turn

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Speaker 2: them on at seven am in the morning. What do

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Speaker 2: you think?

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Speaker 8: Oh?

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Speaker 7: No, that could still be very congesting early in the morning.

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Speaker 2: Just try it. I just want I just want a

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Speaker 2: couple of chances. AJ, Thanks you, col might have a

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Speaker 2: good day.

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Speaker 7: No worries too.

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Speaker 3: It's ok.

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Speaker 2: Bye bye now AJ, bye bye, okay bye bye. AJ.

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Speaker 2: We're gonna have to say good bye.

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Speaker 3: A hang up.

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Speaker 2: Really, I really feel like we've connected me and Ah Peter,

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Speaker 2: good morning, Peter.

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Speaker 10: Hello? How are you?

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Speaker 2: Yeah? I'm good, Peter, Peter, Peter, red lights flashing them?

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Speaker 2: What do you think, Peter?

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Speaker 10: Yeah? What I swear? I hear you want there the

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Speaker 10: light if you step on the big white line that

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Speaker 10: actually work.

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Speaker 2: Does it?

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Speaker 10: It actually does work. But you can't step on a

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Speaker 10: wild line if it's a really like camera because it

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Speaker 10: activates a real like camera.

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Speaker 2: Yep.

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Speaker 3: And when you say step on, you may roll over

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Speaker 3: with the tie the car right.

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Speaker 10: Just you're in a cab by, you roll over very

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Speaker 10: very slowly every you're approaching him.

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Speaker 2: So but with a red light, that system doesn't work,

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Speaker 2: does it? Sort of just rolling over it with the car.

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Speaker 10: Now, if you've got a real like camera, if you

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Speaker 10: roll over, you got part of the white line, it activates,

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Speaker 10: real camera activates it.

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Speaker 2: And we said there's a camera, there's a red light camera,

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Speaker 2: So how does that work?

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Speaker 3: Yeah, if you go into the intersection with the like,

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Speaker 3: you're all take your photo and then you got a

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Speaker 3: three friend here.

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Speaker 2: Hi, Peter, thank you very much. You call and bye bye.

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Speaker 1: Christian, Hello Christian O'Connell Show podcast.

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Speaker 2: You can always email the show whatever we're talking about

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Speaker 2: and have talked about. No topic is left completely dead.

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Speaker 2: We called it late to the party your home for

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Speaker 2: all your emails to us. Late all right, lates the

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Speaker 2: party day. First up. Yesterday we were talking about losing

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Speaker 2: it all after my six year old daughter no backup

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Speaker 2: on her laptop lost. The two thousand word essays she'd

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Speaker 2: been working on had to start again yesterday's and from scratch.

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Speaker 2: It was really really good about it, just really happy

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Speaker 2: about it.

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Speaker 3: That's yesterday. After that segment, Christian said to me in

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Speaker 3: the song, I offered to write it for her, but

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Speaker 3: she didn't want me to do it. She wants you

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Speaker 3: to do a two thousand word book.

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Speaker 2: That okay, So yesterday we're too about losing all. We

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Speaker 2: have an email him from ten year old Luca Christian.

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Speaker 2: One time, when I was three years old, somebody did

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Speaker 2: reminisce when ten, isn't it you know, probably working on

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Speaker 2: a book right now, Volume one of VAH one told

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Speaker 2: you the one about when I was three. Have your week,

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Speaker 2: Bik's just reminiscing there about the old times. So this

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Speaker 2: is a ten year old Luca Christian. One time, when

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Speaker 2: I was three years old, I accidental need to leaded

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Speaker 2: the whole year of my dad's university lecture notes and tips.

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Speaker 2: He didn't get angry because he was just shocked and sad.

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Speaker 2: The keyword here sad. He ended up passing the exam,

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Speaker 2: but it definitely didn't help. I bet. The keyword I'm

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Speaker 2: not angry, I'm just sad. Sad dad. Well, lovely, Luca.

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Speaker 2: If you get any more Rush stories about the old years,

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Speaker 2: please email me. Thank you very much, Luca. Uh. These

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Speaker 2: are the two. Then about napping at work. Yesterday we're

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Speaker 2: talking about do you have a secret hiding place to

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Speaker 2: sleep at work? Turns out pretty most of some of

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Speaker 2: our listeners do.

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Speaker 3: It's not a job in Albourne that doesn't have a

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Speaker 3: sacred sleeper.

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Speaker 2: That's why. Probably the red lights are so bad in

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Speaker 2: the morning. The guy I Apprentice having little snooze. This

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Speaker 2: comes from Bruce many years ago. Christian I was an

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Speaker 2: it guy working at a large bank. We all know

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Speaker 2: one of the Big four, I guess. So he says

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Speaker 2: here that we all know, like you guys know, don't

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Speaker 2: muck around, we know right, you know the way. No,

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Speaker 2: I'm got into a little bit of anyway, he's with it.

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Speaker 2: This doesn't surprise me. How many times do we have

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Speaker 2: a problem with the studio and they come back a

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Speaker 2: day later? They've gone back to get a little bit

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Speaker 2: more shot out going here forget about then you stick

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Speaker 2: on Mondo rock. Bruce many years ago, he was an

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Speaker 2: it guy working at a large bank. We all know, Bruce,

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Speaker 2: you don't just say anything. One day I went straight

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Speaker 2: to work from a huge all night bender at the

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Speaker 2: local pub in the same close so or the day

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Speaker 2: before CARSI Bruce, I tried to work. We've all been

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Speaker 2: at you when you when you try, you think I

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Speaker 2: just I just have good incense. I tried to work,

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Speaker 2: but I was so trashed lunchtimas and I was just

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Speaker 2: in die need of sleep. This is amazing. It might

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Speaker 2: take us what I go through. This next bit. It

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Speaker 2: says quite a system he now builds. I had four

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Speaker 2: desks joined together which made up my work area, and

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Speaker 2: I placed computer boxes on top of each other and

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Speaker 2: arranged them under the desk so to make a sleep space.

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Speaker 2: My boss was a completely old scorn, a stickler for punctuality,

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Speaker 2: professionalism and grooming. I think you might say, I think

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Speaker 2: you just mean personal grooming. These days, we just need

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Speaker 2: clarity on so many words. He was a stickler. No,

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Speaker 2: let's I'll go do anymore. I'ay the you all know. Anyway,

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Speaker 2: I told him had to go in the city to

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Speaker 2: deal with an urgent IT issue. Instead, I crawled into

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Speaker 2: my new hiding place and crashed out. How later, I

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Speaker 2: worke cup on. My boss was now sitting at my

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Speaker 2: desk using my computer. He had kicked a couple of

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Speaker 2: the boxes out of the way, and his fine dress

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Speaker 2: shoe was about two inches from my face. I want

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Speaker 2: a man, Bruce, to come work on the show. Here.

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Speaker 2: Slowly and carefully, I ish backwards away from his foot. Brain,

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Speaker 2: you wouldn't recently kick me and look down if you did.

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Speaker 3: You were in the city.

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Speaker 2: Come on, man, I'm a stickler, as you know for

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Speaker 2: three things, Bruce. We all work at a bank. You

440
00:19:29,359 --> 00:19:33,320
Speaker 2: all know the one I'm I'm not sure if you

441
00:19:33,400 --> 00:19:37,680
Speaker 2: heard me snoring or saw me anyway, Christianie never caught me. Bruce.

442
00:19:37,720 --> 00:19:40,040
Speaker 2: Thank you very much. Your email as always the latest

443
00:19:40,040 --> 00:19:42,280
Speaker 2: the party. We love getting your emails. The email address

444
00:19:42,320 --> 00:19:45,200
Speaker 2: comes straight to me is Christian at Christian O'Connell dot

445
00:19:45,200 --> 00:19:46,119
Speaker 2: com dot au.

446
00:19:46,680 --> 00:19:49,720
Speaker 1: The Christian O'Connell Show podcast.

447
00:19:49,720 --> 00:19:51,960
Speaker 2: Wednesdays, the middle of the week we try and find

448
00:19:51,960 --> 00:19:54,400
Speaker 2: out whether we were losing or winning the week so far.

449
00:19:54,480 --> 00:19:56,200
Speaker 2: You can really tell how my week's going the fact

450
00:19:56,240 --> 00:19:59,280
Speaker 2: I said losing or winning the week so far? Patsy,

451
00:19:59,280 --> 00:20:00,640
Speaker 2: how's the week going for you so far?

452
00:20:00,840 --> 00:20:03,080
Speaker 4: It's not going real well, and I'll tell you why.

453
00:20:04,359 --> 00:20:07,080
Speaker 4: Last night the love gud got home from work, went

454
00:20:07,119 --> 00:20:10,000
Speaker 4: to change out of his suit into his casual gear

455
00:20:10,680 --> 00:20:14,480
Speaker 4: and comes out in my Brian Adam's T shirt.

456
00:20:14,800 --> 00:20:16,639
Speaker 2: So is that just your It's only just for you,

457
00:20:16,760 --> 00:20:17,320
Speaker 2: is it?

458
00:20:17,440 --> 00:20:21,280
Speaker 4: I just made me feel very uneasy, and I said, no,

459
00:20:21,440 --> 00:20:22,679
Speaker 4: you need to go and change that.

460
00:20:22,760 --> 00:20:23,200
Speaker 2: I don't.

461
00:20:23,320 --> 00:20:25,520
Speaker 4: You're going to misshape it. I've got it all the

462
00:20:25,560 --> 00:20:28,040
Speaker 4: bumps where I need all the bumps, and it.

463
00:20:28,000 --> 00:20:29,000
Speaker 3: Lives in the shrine as well.

464
00:20:29,040 --> 00:20:33,360
Speaker 2: It taken down from angels sing when I had that

465
00:20:33,400 --> 00:20:36,040
Speaker 2: batsuit behind that sort of thing that Michael Caine used to.

466
00:20:36,000 --> 00:20:38,919
Speaker 4: Get out, Yes, an angel sing when I get it

467
00:20:38,960 --> 00:20:41,920
Speaker 4: off the coat hanger, and he kept it on all night.

468
00:20:41,960 --> 00:20:44,240
Speaker 4: So I wasn't very impressed by that. But then I

469
00:20:44,280 --> 00:20:47,080
Speaker 4: remember that I do occasionally wear his Eagles ones to

470
00:20:47,160 --> 00:20:49,560
Speaker 4: bed as pajamas, So maybe we're even.

471
00:20:49,680 --> 00:20:52,200
Speaker 3: Banker wears my clothes more than I think she wears

472
00:20:52,200 --> 00:20:53,080
Speaker 3: her own clothes.

473
00:20:52,960 --> 00:20:54,679
Speaker 2: Sara doing, I what's to deal with that? I had

474
00:20:54,680 --> 00:20:56,640
Speaker 2: a nice shirt the other day that I brought last week,

475
00:20:56,840 --> 00:20:59,480
Speaker 2: haven't even worn it myself. My wife deliberately took me

476
00:21:00,119 --> 00:21:03,360
Speaker 2: selfie of herself wearing it right with her mates on Monday,

477
00:21:03,520 --> 00:21:06,040
Speaker 2: just to annoy me, going, oh saw this in the

478
00:21:06,480 --> 00:21:08,920
Speaker 2: in the cupboard. Didn't tell me you got a new

479
00:21:09,119 --> 00:21:12,200
Speaker 2: shirt and got it first wear.

480
00:21:12,520 --> 00:21:15,320
Speaker 3: Yeah, no, no, First War is not.

481
00:21:15,600 --> 00:21:17,720
Speaker 2: I'm kind of because I felt a bit of an idiot,

482
00:21:17,720 --> 00:21:20,080
Speaker 2: but I gotta be honest, I said a thirsty word

483
00:21:20,080 --> 00:21:25,480
Speaker 2: of replying, Oh, I was really upset because First War Jack.

484
00:21:25,680 --> 00:21:32,800
Speaker 3: Dear Sarah. Yes, that waste paper basket is filling up

485
00:21:32,920 --> 00:21:34,160
Speaker 3: because as you scrunched.

486
00:21:33,880 --> 00:21:38,560
Speaker 2: Up five minutes editing it and getting it right, because

487
00:21:38,560 --> 00:21:40,359
Speaker 2: you know what it's like, it's all about the tone.

488
00:21:40,400 --> 00:21:43,160
Speaker 2: I didn't like your tone. The tone, the tone, the tone.

489
00:21:43,160 --> 00:21:45,000
Speaker 2: It's all about the tone. But yeah, the first win

490
00:21:45,000 --> 00:21:47,840
Speaker 2: and I've noticed a sleeezer rolled up above the elbow.

491
00:21:48,119 --> 00:21:49,520
Speaker 2: It's now all going to be crinkling.

492
00:21:49,600 --> 00:21:51,439
Speaker 3: You only get one guy at the first wear, and

493
00:21:51,480 --> 00:21:52,480
Speaker 3: she's taken it from you.

494
00:21:52,640 --> 00:21:55,720
Speaker 2: Yeah, I was really really annoyed. So because I love

495
00:21:55,760 --> 00:21:57,840
Speaker 2: the idea, by the way, of you and Chris incident

496
00:21:57,880 --> 00:22:00,119
Speaker 2: and what an image. By the way, So he's in

497
00:22:00,160 --> 00:22:03,320
Speaker 2: a Brian Adams T shirt. You're in an Eagles T shirt.

498
00:22:03,560 --> 00:22:05,840
Speaker 2: That is you, t that's you too home. You need

499
00:22:05,880 --> 00:22:09,080
Speaker 2: your own TV show. I'm not interest I'm not interested

500
00:22:09,119 --> 00:22:12,040
Speaker 2: in the Kardashians. I just want Newman's the TV show.

501
00:22:12,320 --> 00:22:14,719
Speaker 2: All right, come on next. Then, now we're asking Jackie

502
00:22:14,760 --> 00:22:17,560
Speaker 2: Boy if he's winning or losing the week so far.

503
00:22:20,119 --> 00:22:23,239
Speaker 1: Christian O'Connell Show Podcast.

504
00:22:23,000 --> 00:22:24,520
Speaker 2: Jackie Boy, how are you getting on? What's going on

505
00:22:24,560 --> 00:22:25,840
Speaker 2: with the world of Jack post.

506
00:22:25,680 --> 00:22:28,440
Speaker 3: I'm losing at the moment with no real sign of

507
00:22:28,560 --> 00:22:30,600
Speaker 3: winning in the near future because I've.

508
00:22:30,440 --> 00:22:34,800
Speaker 2: Got oh yeah, tally before about the show. Keep it light, okay,

509
00:22:35,440 --> 00:22:37,320
Speaker 2: narrow it down, just say to the end of the

510
00:22:37,359 --> 00:22:41,800
Speaker 2: week in the future. Can't even imagine hope. You can't

511
00:22:41,880 --> 00:22:45,560
Speaker 2: even imagine Hope's going on the House of Jack.

512
00:22:45,680 --> 00:22:47,840
Speaker 3: I've got a nagging chore that has dragged on for

513
00:22:47,920 --> 00:22:51,280
Speaker 3: three weeks now. It's an old leather bean bag that

514
00:22:51,280 --> 00:22:54,000
Speaker 3: we have that Luna has turned into her dog. Beit

515
00:22:54,119 --> 00:22:57,159
Speaker 3: oh yeah, she's put a hole in it and now.

516
00:22:57,040 --> 00:22:59,600
Speaker 2: It's not surprise that's Snaggle too, belt dragon dog.

517
00:23:01,119 --> 00:23:03,679
Speaker 3: She's put all in it, and all the polystyrene balls

518
00:23:03,920 --> 00:23:06,960
Speaker 3: are spilling out of this the bean bag, and then

519
00:23:07,160 --> 00:23:09,600
Speaker 3: they get stuck to her hair and her body, and

520
00:23:09,640 --> 00:23:11,560
Speaker 3: then she trapes them around the rest of the house,

521
00:23:11,640 --> 00:23:14,919
Speaker 3: so there's just, you know, a dusting of polystyrene balls

522
00:23:14,960 --> 00:23:17,800
Speaker 3: at all times around the house. I promised Bianka that

523
00:23:17,800 --> 00:23:20,040
Speaker 3: I would fix the bean bag. But the problem is

524
00:23:20,080 --> 00:23:23,200
Speaker 3: I don't know it's it's leather, so you can't even

525
00:23:23,200 --> 00:23:25,320
Speaker 3: get a pin through it to like stitch it up,

526
00:23:25,440 --> 00:23:27,760
Speaker 3: you do, I don't know what to do to tape it.

527
00:23:28,080 --> 00:23:31,200
Speaker 2: No, well, no, because then when the dog sits on it,

528
00:23:31,200 --> 00:23:33,600
Speaker 2: it's gonna split the gaffer tape, because how does gaffet

529
00:23:33,760 --> 00:23:34,360
Speaker 2: stick to leather.

530
00:23:34,440 --> 00:23:36,359
Speaker 3: I put some tape on and what happens is it

531
00:23:36,440 --> 00:23:38,440
Speaker 3: just starts to peel and then the balls still find

532
00:23:38,480 --> 00:23:39,000
Speaker 3: a little.

533
00:23:38,920 --> 00:23:41,120
Speaker 2: I think would about me out here. I think it's cooled,

534
00:23:41,119 --> 00:23:43,520
Speaker 2: but it's not. It's low tack. It's not high attack

535
00:23:43,640 --> 00:23:45,280
Speaker 2: enough to stick to the leather.

536
00:23:46,119 --> 00:23:47,960
Speaker 3: I thought you were telling me a product called low tak.

537
00:23:48,000 --> 00:23:49,360
Speaker 3: You just mean the gaffer is low tack.

538
00:23:49,440 --> 00:23:52,080
Speaker 2: Yes, it won't be adhesive enough to stick to something

539
00:23:52,160 --> 00:23:52,720
Speaker 2: like leather.

540
00:23:52,920 --> 00:23:55,919
Speaker 3: I need to, like, would a shoe person know how

541
00:23:55,920 --> 00:23:56,720
Speaker 3: to do it like that?

542
00:23:56,840 --> 00:23:59,800
Speaker 2: You know there's a shoe person. I've got that laud

543
00:24:00,040 --> 00:24:05,159
Speaker 2: actually a cobbler sadder? Is it guess what they do saddles.

544
00:24:05,400 --> 00:24:07,480
Speaker 3: That's right, mister minute or the guy.

545
00:24:08,720 --> 00:24:11,560
Speaker 2: Yeah, there's a cue of people with bean bags going

546
00:24:11,840 --> 00:24:17,679
Speaker 2: another one of these what's he going to do with it?

547
00:24:17,760 --> 00:24:18,320
Speaker 2: Reheal it?

548
00:24:18,440 --> 00:24:19,399
Speaker 3: Well, that's where I was.

549
00:24:19,400 --> 00:24:22,399
Speaker 4: Going to take someone who does curtains, because you need lucky.

550
00:24:24,000 --> 00:24:28,520
Speaker 2: You can't shove a beanbag and one those big sewing machines.

551
00:24:29,400 --> 00:24:32,280
Speaker 4: A big like industrial sewing machine with a big needle

552
00:24:32,400 --> 00:24:33,200
Speaker 4: to get it through.

553
00:24:33,720 --> 00:24:38,960
Speaker 3: BIG's the needless. It's leather, So I've never really seen

554
00:24:39,040 --> 00:24:40,199
Speaker 3: leather curtains, so I don't know.

555
00:24:40,200 --> 00:24:44,000
Speaker 2: I just describe the hand move that Jack did. Then

556
00:24:44,280 --> 00:24:46,680
Speaker 2: you're more or less pushed Patsy away in the air

557
00:24:47,200 --> 00:24:52,199
Speaker 2: that you were shoving away danger. Take out a player

558
00:24:52,480 --> 00:24:53,560
Speaker 2: to defend himself.

559
00:24:53,800 --> 00:24:57,159
Speaker 3: I'm not taking into a cushion place. Wherever I take it,

560
00:24:57,200 --> 00:25:01,000
Speaker 3: then another problem exposes it to that. When I take

561
00:25:01,080 --> 00:25:03,399
Speaker 3: the bean bag somewhere, I've got to obviously have the

562
00:25:03,440 --> 00:25:07,000
Speaker 3: balls all out of it. So where do I safely get.

563
00:25:07,320 --> 00:25:10,119
Speaker 2: You just tuned in? You heard that phrase? Earth are

564
00:25:10,119 --> 00:25:12,760
Speaker 2: they talking about? Now? I've got to get my balls

565
00:25:12,800 --> 00:25:13,159
Speaker 2: out of it?

566
00:25:14,080 --> 00:25:16,399
Speaker 3: How do I safely get all the balls out of

567
00:25:16,400 --> 00:25:18,120
Speaker 3: it without them just going all over the he can.

568
00:25:18,040 --> 00:25:18,680
Speaker 2: I hoover system.

569
00:25:18,720 --> 00:25:21,600
Speaker 3: You're operating there, so you're recking straight into the vacuum cleaner. Yes,

570
00:25:21,600 --> 00:25:24,800
Speaker 3: but then the bag is the bag is the size

571
00:25:24,840 --> 00:25:27,280
Speaker 3: of a football, right, but the beanbag is the size

572
00:25:27,320 --> 00:25:28,920
Speaker 3: of a bean bag, So how is that going to

573
00:25:28,960 --> 00:25:30,119
Speaker 3: fit into the vacuum cleaner?

574
00:25:30,160 --> 00:25:34,240
Speaker 2: This might be why I failed mass of school. Tell

575
00:25:34,320 --> 00:25:36,400
Speaker 2: him what we need. We need smarter brains than us

576
00:25:36,400 --> 00:25:39,119
Speaker 2: on this. What do you think Jack's got this beanbag situation?

577
00:25:39,600 --> 00:25:41,240
Speaker 2: What does he need to do? Does he need to

578
00:25:41,280 --> 00:25:44,159
Speaker 2: take it to a shoe person or the saddlers?

579
00:25:44,920 --> 00:25:47,919
Speaker 1: The Christian O'Connell show podcast.

580
00:25:47,800 --> 00:25:51,399
Speaker 2: How do you mend a broken bean bag? Question of

581
00:25:51,440 --> 00:25:54,800
Speaker 2: the ages, isn't it? Thank you very much to Terry

582
00:25:55,400 --> 00:25:58,320
Speaker 2: listening to the show in Bermuda right now on the

583
00:25:58,359 --> 00:26:00,520
Speaker 2: iHeart platform, which just sent me a link to an

584
00:26:00,600 --> 00:26:04,680
Speaker 2: article about the world's largest bean bag two thousand kilograms.

585
00:26:04,800 --> 00:26:08,640
Speaker 2: It weighed two thousands thirty feet long. Terry, I don't

586
00:26:08,640 --> 00:26:10,760
Speaker 2: know how that helps us right now, but thank you

587
00:26:10,840 --> 00:26:13,160
Speaker 2: any for listening to us in Bermuda. All right, then,

588
00:26:13,160 --> 00:26:15,840
Speaker 2: how do you mend a broken bean bag? Let's go

589
00:26:15,840 --> 00:26:18,439
Speaker 2: to line see what you guys are saying andngs. Good morning,

590
00:26:19,119 --> 00:26:20,600
Speaker 2: good morning, good morning.

591
00:26:21,280 --> 00:26:26,320
Speaker 5: Yeap, simple, simple, simple, Go to Bunning, then get some

592
00:26:26,480 --> 00:26:28,200
Speaker 5: liquid nails.

593
00:26:28,760 --> 00:26:31,600
Speaker 3: Now liquid nails is not going to do the job.

594
00:26:32,160 --> 00:26:34,840
Speaker 5: It will, it will, just don't let the dogs sit

595
00:26:34,920 --> 00:26:35,240
Speaker 5: on it.

596
00:26:35,320 --> 00:26:37,120
Speaker 2: But dog, will you show them a bean bank. They're

597
00:26:37,119 --> 00:26:39,040
Speaker 2: getting on that beanbag. They'rerdwired.

598
00:26:39,160 --> 00:26:41,040
Speaker 3: Next thing, you know, the dog's glued to the beanbak.

599
00:26:41,119 --> 00:26:42,320
Speaker 2: Yes, exactly, it does.

600
00:26:42,240 --> 00:26:44,159
Speaker 3: Plug the whole. But now my dog's stuck in the

601
00:26:44,200 --> 00:26:44,520
Speaker 3: bean back.

602
00:26:44,600 --> 00:26:46,320
Speaker 2: Well, then the bean bank stunt a dog. It's like

603
00:26:46,359 --> 00:26:48,920
Speaker 2: a shell for it's like a little tortoise. It will

604
00:26:48,960 --> 00:26:51,159
Speaker 2: work all right, and thank you very much. She caught us.

605
00:26:51,200 --> 00:26:54,639
Speaker 2: Go to Roger, good morning, Roger morning.

606
00:26:54,760 --> 00:26:56,240
Speaker 7: Okay, go to the reject shop.

607
00:26:56,720 --> 00:26:58,280
Speaker 10: Why a small really.

608
00:26:57,960 --> 00:27:00,920
Speaker 7: Being a cheap one and they're pretty cheap there.

609
00:27:01,119 --> 00:27:02,119
Speaker 10: Put all the beans in it.

610
00:27:02,320 --> 00:27:04,440
Speaker 8: Take the bag to a motor trimmer or a carrapolster.

611
00:27:06,359 --> 00:27:07,000
Speaker 3: Take into the.

612
00:27:07,000 --> 00:27:10,439
Speaker 2: Car upholster wandering that sort of very intimidating sort of

613
00:27:10,440 --> 00:27:12,359
Speaker 2: four court. You know they've got anything jacked up with

614
00:27:12,400 --> 00:27:15,000
Speaker 2: the ode on the go.

615
00:27:15,560 --> 00:27:19,200
Speaker 3: Hi guys, bean bag.

616
00:27:24,520 --> 00:27:31,919
Speaker 2: My dogs. Otherwise I try no nails and good nails.

617
00:27:32,560 --> 00:27:34,760
Speaker 2: Not sure about that Roger, but thank you very much.

618
00:27:35,680 --> 00:27:37,600
Speaker 2: Imagine that scene actually if you did walk in, just

619
00:27:37,640 --> 00:27:39,560
Speaker 2: wasting their time with a beams.

620
00:27:39,640 --> 00:27:41,760
Speaker 3: So now we've got the settler, the cobbler and the

621
00:27:41,800 --> 00:27:43,119
Speaker 3: mechanics jumped in that.

622
00:27:43,119 --> 00:27:47,080
Speaker 2: We're going through the village people. Let's go to Janelle.

623
00:27:47,160 --> 00:27:50,200
Speaker 2: Come morning, good morning.

624
00:27:50,720 --> 00:27:53,359
Speaker 5: You should use a punch of repair kit from the pushbike.

625
00:27:54,160 --> 00:27:56,520
Speaker 3: That's not bad, Janell. One other thing about the whole

626
00:27:56,600 --> 00:27:58,800
Speaker 3: is it's on a scene. It's not in the middle

627
00:27:58,840 --> 00:28:00,000
Speaker 3: of the leather, it's on the seat.

628
00:28:00,160 --> 00:28:02,880
Speaker 2: Would you withhold this key information that's the weakest point.

629
00:28:03,000 --> 00:28:05,800
Speaker 5: Yes, I still think you punch a repair kit to work.

630
00:28:05,800 --> 00:28:10,280
Speaker 5: It worked on an inflatable mattress for me on the scene. Well,

631
00:28:10,359 --> 00:28:11,320
Speaker 5: I don't know about the same.

632
00:28:13,080 --> 00:28:14,200
Speaker 3: I'm worried about the scene.

633
00:28:14,560 --> 00:28:16,760
Speaker 2: And also I don't think it's I don't think it's

634
00:28:16,800 --> 00:28:19,720
Speaker 2: strong enough. That little bicycle repair kit. It's right for

635
00:28:19,800 --> 00:28:22,840
Speaker 2: small ties about Yeah, you beg this is a big

636
00:28:22,880 --> 00:28:23,400
Speaker 2: bean bag.

637
00:28:23,880 --> 00:28:26,840
Speaker 5: You go kick out. You've got other repair kits, you know,

638
00:28:26,920 --> 00:28:29,480
Speaker 5: all kinds of camping stuff uses those sorts of kids.

639
00:28:30,440 --> 00:28:31,760
Speaker 2: Janelle, thank you very much for help.

640
00:28:32,480 --> 00:28:32,960
Speaker 5: Thank you.

641
00:28:33,040 --> 00:28:34,400
Speaker 2: Yeah, we don't get in and she was not giving

642
00:28:34,480 --> 00:28:38,800
Speaker 2: up a bit easy on that one. Uh, tony hill,

643
00:28:39,040 --> 00:28:41,040
Speaker 2: Tony with an eye? How can we helt out with

644
00:28:41,040 --> 00:28:42,800
Speaker 2: this broken bean bag jack?

645
00:28:42,840 --> 00:28:45,000
Speaker 6: They're making it all too hard for your mate. All

646
00:28:45,040 --> 00:28:47,120
Speaker 6: you need to do is go to spotlight, get a

647
00:28:47,120 --> 00:28:50,960
Speaker 6: strip of vinyl or some sort of you know, fabric,

648
00:28:51,120 --> 00:28:54,080
Speaker 6: like it's like leather, but not leather because it'll be too.

649
00:28:55,480 --> 00:28:58,160
Speaker 3: Right or pley, just cut out my pleather jacket that

650
00:28:58,240 --> 00:29:02,040
Speaker 3: I bought old who know the difference?

651
00:29:02,120 --> 00:29:03,320
Speaker 2: Yeah, that's the one.

652
00:29:03,680 --> 00:29:05,520
Speaker 6: And then you just need to get something like a

653
00:29:05,560 --> 00:29:09,280
Speaker 6: tazan grip or gorilla grip or fabric glue, and then

654
00:29:09,400 --> 00:29:12,640
Speaker 6: just glue the one side, which is the material that

655
00:29:12,680 --> 00:29:16,800
Speaker 6: you bought. Yep, glue the bean bag. Stick them together.

656
00:29:17,840 --> 00:29:20,240
Speaker 6: Wait it like, put something on it to hold it

657
00:29:20,280 --> 00:29:22,000
Speaker 6: down and leave it there for a couple of and

658
00:29:22,080 --> 00:29:24,520
Speaker 6: yet to do that, but I doubt whether the dog

659
00:29:24,560 --> 00:29:27,600
Speaker 6: would like to smell. And then just leave it. Leave

660
00:29:27,640 --> 00:29:28,960
Speaker 6: it for a couple of hours and it should be

661
00:29:29,000 --> 00:29:30,800
Speaker 6: good to go. If you do it up the whole scene,

662
00:29:31,000 --> 00:29:33,080
Speaker 6: then you've covered all your bases as far as it's

663
00:29:33,080 --> 00:29:33,680
Speaker 6: coming apart.

664
00:29:33,680 --> 00:29:36,880
Speaker 3: Again, the whole scene goes around the whole bean bag.

665
00:29:37,280 --> 00:29:39,080
Speaker 6: Oh, we'll go as far as your record it's going

666
00:29:39,120 --> 00:29:41,000
Speaker 6: to go. But don't just do the hole go a

667
00:29:41,000 --> 00:29:43,000
Speaker 6: little bit pasted on either side.

668
00:29:43,480 --> 00:29:45,560
Speaker 2: So you hadn't kind of like a patchwork, sort of

669
00:29:45,560 --> 00:29:47,760
Speaker 2: fit the patch over it like a patch. But you

670
00:29:47,760 --> 00:29:49,040
Speaker 2: think you know what it's like at the bean bag,

671
00:29:49,080 --> 00:29:52,200
Speaker 2: The moment you sit in it is when it's that bob.

672
00:29:52,880 --> 00:29:54,720
Speaker 2: That is when that's just going to PLoP out.

673
00:29:55,320 --> 00:29:57,280
Speaker 6: Yeah, but you need to go that little bit bigger.

674
00:29:57,560 --> 00:29:59,360
Speaker 6: You know, you wouldn't do it just the width of

675
00:29:59,440 --> 00:30:02,640
Speaker 6: the of the split. You'd have to go like, you know,

676
00:30:02,680 --> 00:30:04,000
Speaker 6: a couple of inches either side.

677
00:30:04,360 --> 00:30:06,240
Speaker 3: All right, it's the closest one so far, Tony.

678
00:30:06,320 --> 00:30:07,840
Speaker 2: Yeah, thank you very much, Tony with and I have

679
00:30:07,880 --> 00:30:11,120
Speaker 2: a good day, No worried you take there. Bye bye, Danielle.

680
00:30:12,560 --> 00:30:17,920
Speaker 11: I'm high Christian. Hi Jack. If you get a normal

681
00:30:17,960 --> 00:30:20,280
Speaker 11: bean bag, you can put all your beans in the

682
00:30:20,320 --> 00:30:26,080
Speaker 11: beanbag and then go and get the bean bag your

683
00:30:26,120 --> 00:30:29,160
Speaker 11: bean bag fixed. Put the the new like the new

684
00:30:29,240 --> 00:30:33,280
Speaker 11: bean bag in the leather one, and you'll be able

685
00:30:33,360 --> 00:30:34,760
Speaker 11: to keep all your beans confined.

686
00:30:34,760 --> 00:30:36,080
Speaker 12: If won to happen.

687
00:30:37,320 --> 00:30:38,760
Speaker 3: You know what, daniel I don't even have to get

688
00:30:38,800 --> 00:30:40,920
Speaker 3: mine fixed. If I put a bean bag in the

689
00:30:40,960 --> 00:30:42,880
Speaker 3: bean bag, it doesn't matter that it's got a hole

690
00:30:42,920 --> 00:30:43,200
Speaker 3: in it.

691
00:30:43,680 --> 00:30:44,440
Speaker 13: Yeah pretty well.

692
00:30:45,360 --> 00:30:48,240
Speaker 2: Actually, yeah, that's the easiest fixed here. It's just to

693
00:30:48,280 --> 00:30:50,320
Speaker 2: get this so you're getting a new smaller bean bag.

694
00:30:50,600 --> 00:30:52,800
Speaker 2: Stick that in there, just got a new skin on

695
00:30:52,840 --> 00:30:53,560
Speaker 2: the inside.

696
00:30:53,880 --> 00:30:57,400
Speaker 13: Yeah, exactly, like a like a tire troop.

697
00:30:58,000 --> 00:30:59,920
Speaker 2: Gotcha, this is I think. I think that's it.

698
00:31:00,040 --> 00:31:02,200
Speaker 3: I don't have to deal with glue nails. I don't

699
00:31:02,200 --> 00:31:03,080
Speaker 3: have to go to the mechanic.

700
00:31:03,160 --> 00:31:05,880
Speaker 2: No, no sandlers are used in this as well. Danielle,

701
00:31:05,920 --> 00:31:07,320
Speaker 2: thank you very much for help. Have a good.

702
00:31:07,280 --> 00:31:12,840
Speaker 10: Day, Christian.

703
00:31:12,480 --> 00:31:16,680
Speaker 1: Hello, Christian O'Connell show podcast.

704
00:31:16,920 --> 00:31:21,840
Speaker 2: So this is exciting. On Friday's show, Dave a mild man,

705
00:31:21,920 --> 00:31:24,440
Speaker 2: a nice guy. He turns forty our listener to Dave

706
00:31:24,800 --> 00:31:26,960
Speaker 2: and day show would and he's an accountant. He's a

707
00:31:26,960 --> 00:31:29,400
Speaker 2: man of order and numbers and on his bucket list.

708
00:31:29,440 --> 00:31:31,560
Speaker 2: He just wants to live like a rock star. And

709
00:31:31,680 --> 00:31:35,080
Speaker 2: herd the TV through a window, and so is wife.

710
00:31:35,120 --> 00:31:37,160
Speaker 2: Michelle came on the show last week to ask could

711
00:31:37,200 --> 00:31:39,920
Speaker 2: we help, and we can. We are making this happen

712
00:31:40,000 --> 00:31:42,280
Speaker 2: on Friday show. We're gonna be lying from a house

713
00:31:42,320 --> 00:31:44,760
Speaker 2: from the second floor where there is a big window

714
00:31:44,960 --> 00:31:48,320
Speaker 2: two meters by two meters on a second floor. It's

715
00:31:48,360 --> 00:31:50,840
Speaker 2: a really really solid window. It's going to need quite

716
00:31:50,880 --> 00:31:52,680
Speaker 2: a lot of effort for Dave to get this big

717
00:31:52,720 --> 00:31:55,720
Speaker 2: sort of nineteen eighties TV, the bigger ones with the

718
00:31:55,720 --> 00:31:57,600
Speaker 2: big old backside. He's got to pick that up that

719
00:31:57,680 --> 00:31:59,160
Speaker 2: I mentioned. It's going to be just as Axel Rose,

720
00:31:59,160 --> 00:32:01,160
Speaker 2: because that's the rock star he went for. His wife.

721
00:32:01,240 --> 00:32:03,320
Speaker 2: Michelle's gonna be dressed as Slash. It's a hell of

722
00:32:03,360 --> 00:32:03,800
Speaker 2: a scene.

723
00:32:03,920 --> 00:32:05,880
Speaker 3: They practically begged us to dress them up and we

724
00:32:05,920 --> 00:32:07,480
Speaker 3: said no, no, we don't want to do that, and

725
00:32:07,520 --> 00:32:09,320
Speaker 3: they said, please please dress us up.

726
00:32:10,040 --> 00:32:12,280
Speaker 2: So this is on his bucket list. Okay, beat like

727
00:32:12,320 --> 00:32:15,160
Speaker 2: a rock star, and that's what's happening Friday morning. Michelle,

728
00:32:15,200 --> 00:32:17,640
Speaker 2: his wife, left us this message yesterday.

729
00:32:17,760 --> 00:32:19,840
Speaker 14: Hey, Christian, just sort i'd let you know that Dave

730
00:32:20,160 --> 00:32:23,320
Speaker 14: is uber eager. He is really getting ready for Friday's

731
00:32:23,600 --> 00:32:27,120
Speaker 14: TV throwing out the window situation, and he's really taken

732
00:32:27,120 --> 00:32:29,760
Speaker 14: to this whole rock star thing. He's been blasting guns

733
00:32:29,760 --> 00:32:32,680
Speaker 14: and roses in the car every day for the school pickup,

734
00:32:32,760 --> 00:32:35,680
Speaker 14: which our daughter is loving. He's also been getting into

735
00:32:35,680 --> 00:32:40,160
Speaker 14: the TV throwing physical shape by deadlifting eight boxes of

736
00:32:40,240 --> 00:32:43,000
Speaker 14: nappies at a time, though he started throwing them from

737
00:32:43,040 --> 00:32:45,440
Speaker 14: the car. So I think he's taken this all a

738
00:32:45,480 --> 00:32:48,600
Speaker 14: little too seriously. Can't wait to see what he is

739
00:32:48,840 --> 00:32:50,880
Speaker 14: like on Friday and to see him dressed up as

740
00:32:50,920 --> 00:32:51,640
Speaker 14: Axel Rose.

741
00:32:52,360 --> 00:32:54,240
Speaker 2: Well, look, I mean it's great to hear he's taken

742
00:32:54,280 --> 00:32:56,360
Speaker 2: it seriously. Yeah, okay, because it's going to be quite

743
00:32:56,400 --> 00:32:59,320
Speaker 2: an effort. The demolition company, Dig Dig Demolition. They said

744
00:32:59,320 --> 00:33:01,520
Speaker 2: that actually the this window is a strong one. It's

745
00:33:01,520 --> 00:33:03,840
Speaker 2: a reinforced one because he's on the second floor. They

746
00:33:03,880 --> 00:33:05,560
Speaker 2: said that sometimes when you throw a brick at it,

747
00:33:05,560 --> 00:33:08,400
Speaker 2: it bounces off. So he's really he needs to I

748
00:33:08,440 --> 00:33:10,600
Speaker 2: think he needs to level up from boxes of nappies.

749
00:33:11,040 --> 00:33:13,000
Speaker 3: Last thing we want is that TV that bounced back

750
00:33:13,040 --> 00:33:13,440
Speaker 3: on the day.

751
00:33:13,520 --> 00:33:14,960
Speaker 2: Yeah, and then he needs an extra couple of how

752
00:33:15,160 --> 00:33:17,080
Speaker 2: doing it? It's not the rock star, look, Dave, Okay,

753
00:33:17,880 --> 00:33:19,800
Speaker 2: if you have something on your bucket list, or even

754
00:33:19,840 --> 00:33:21,479
Speaker 2: if you don't have a bucket so thinking I'd love

755
00:33:21,520 --> 00:33:23,560
Speaker 2: to do that. This is Dave's when he turns forty,

756
00:33:23,600 --> 00:33:26,040
Speaker 2: which is this Friday. Please let me know, I asked

757
00:33:26,280 --> 00:33:29,360
Speaker 2: Jack Patsy if there was anything on his bucket's could

758
00:33:29,400 --> 00:33:30,800
Speaker 2: be able to come up with a couple of things

759
00:33:30,800 --> 00:33:33,280
Speaker 2: as what he wants to do. Reading this list is

760
00:33:33,320 --> 00:33:36,720
Speaker 2: a mixture between thirty two year old Jack and eleven

761
00:33:36,800 --> 00:33:41,480
Speaker 2: year old boy Run on the Ninja Warrior course.

762
00:33:41,960 --> 00:33:44,640
Speaker 3: Doesn't it look fun? And wouldn't you be interested to

763
00:33:44,640 --> 00:33:45,479
Speaker 3: know how well you go?

764
00:33:45,760 --> 00:33:48,000
Speaker 2: Yeah? I guess so, but it's took a lot, you know,

765
00:33:48,040 --> 00:33:50,280
Speaker 2: it's sort of thing that run on the Ninja Warrior course,

766
00:33:50,320 --> 00:33:52,440
Speaker 2: I mean aim high. The other one here is go

767
00:33:52,520 --> 00:33:56,640
Speaker 2: to space. What resources do you think I have all

768
00:33:56,720 --> 00:33:58,800
Speaker 2: right to put you into space?

769
00:33:59,400 --> 00:34:01,960
Speaker 3: I know Richard Branson. Isn't he starting some kind of

770
00:34:01,960 --> 00:34:03,440
Speaker 3: commercial flights into space?

771
00:34:04,000 --> 00:34:06,000
Speaker 2: Yeah? And eanil Musk is doing that. You want to

772
00:34:06,040 --> 00:34:09,680
Speaker 2: go on a proto type one big margin. Ever, you

773
00:34:09,719 --> 00:34:11,520
Speaker 2: mon't go up there, you might not come back.

774
00:34:11,560 --> 00:34:13,520
Speaker 3: We could do an advertisement with the show where we

775
00:34:13,719 --> 00:34:15,680
Speaker 3: you know, give away tickets and were the first ones

776
00:34:15,719 --> 00:34:16,640
Speaker 3: in Space Week.

777
00:34:16,680 --> 00:34:20,200
Speaker 2: We've got together with Hayes Chocolate Hamperses. You think one week,

778
00:34:20,239 --> 00:34:23,560
Speaker 2: I mean we've got together with Sir Richard Branson to

779
00:34:23,640 --> 00:34:24,840
Speaker 2: put Jack in space.

780
00:34:25,480 --> 00:34:27,319
Speaker 3: This is all before I'm forty, so we still got

781
00:34:27,320 --> 00:34:29,200
Speaker 3: eight hours to take.

782
00:34:29,040 --> 00:34:31,200
Speaker 2: The pressure off. Sorry, I thought it was this year.

783
00:34:31,560 --> 00:34:33,600
Speaker 2: Other one here we go back to eleven year old

784
00:34:33,640 --> 00:34:37,040
Speaker 2: Jackie wants to catch catch a big fish, catch a marlin,

785
00:34:37,719 --> 00:34:38,720
Speaker 2: catch a martin.

786
00:34:40,920 --> 00:34:44,080
Speaker 3: Yeah, Bianker and I went fishing in Mexico two years ago,

787
00:34:44,200 --> 00:34:45,880
Speaker 3: and they said, do you want to catch the little

788
00:34:45,880 --> 00:34:47,680
Speaker 3: fish or do you want to put the big hooks

789
00:34:47,680 --> 00:34:52,080
Speaker 3: on to catch the marlin. If you catch a marlin,

790
00:34:52,239 --> 00:34:54,600
Speaker 3: you walk into the beach carrying the mullin over your head.

791
00:34:54,640 --> 00:34:57,520
Speaker 3: Everybody will be clapping. You'll be the king of the village.

792
00:34:58,000 --> 00:34:59,320
Speaker 2: We didn't buy by the beach.

793
00:35:00,680 --> 00:35:02,839
Speaker 3: We didn't catch anything that day, because it turns out

794
00:35:03,400 --> 00:35:05,759
Speaker 3: marlin are really hard to catch, you they only catch

795
00:35:05,840 --> 00:35:06,319
Speaker 3: six a year.

796
00:35:06,400 --> 00:35:07,840
Speaker 2: Well, they don't have to be walked around that village

797
00:35:07,880 --> 00:35:14,719
Speaker 2: beach today. So it's out there. That marlin is out there.

798
00:35:14,760 --> 00:35:16,120
Speaker 2: It's got your name on it.

799
00:35:16,200 --> 00:35:17,880
Speaker 3: You don't even have to go back to Mexico apparently

800
00:35:18,600 --> 00:35:22,000
Speaker 3: branching with it. There's marlin and queens later. You have

801
00:35:22,120 --> 00:35:22,719
Speaker 3: to do this on.

802
00:35:22,600 --> 00:35:25,000
Speaker 2: One day space and land on some waters and grab

803
00:35:25,000 --> 00:35:25,400
Speaker 2: a marlin.

804
00:35:25,480 --> 00:35:27,520
Speaker 3: This is just before I'm forty right, okay.

805
00:35:27,360 --> 00:35:29,919
Speaker 2: Just before and the other one here, which just felt

806
00:35:29,960 --> 00:35:32,919
Speaker 2: like one hundred percent. You make a real board game.

807
00:35:33,000 --> 00:35:35,200
Speaker 3: Yes, And I put Reel in there because I don't

808
00:35:35,200 --> 00:35:38,800
Speaker 3: want to make any joke board games. If you know, if.

809
00:35:38,640 --> 00:35:41,680
Speaker 2: I start, guys, this is a series board game like cat.

810
00:35:41,800 --> 00:35:44,640
Speaker 3: Yes, like Catan or Wingspan, which is my personally favorite

811
00:35:44,680 --> 00:35:47,480
Speaker 3: board game board game of the year twenty nineteen. Wingspan

812
00:35:47,960 --> 00:35:49,400
Speaker 3: can't bite and chops anymore.

813
00:35:50,800 --> 00:35:51,160
Speaker 2: In there.

814
00:35:52,920 --> 00:35:55,080
Speaker 3: I want to make a really good board game. And

815
00:35:55,120 --> 00:35:57,279
Speaker 3: my worry is if I started making it, you would

816
00:35:57,320 --> 00:35:59,640
Speaker 3: go like, oh, let's throw in all these jokes, let's

817
00:35:59,640 --> 00:36:02,560
Speaker 3: make it, and then he would just run the integrity.

818
00:36:02,080 --> 00:36:04,640
Speaker 2: Of the games loutely. Yeah, it's better for dry information

819
00:36:04,719 --> 00:36:06,200
Speaker 2: and there Isn't it have some sort of is it

820
00:36:06,200 --> 00:36:08,080
Speaker 2: a trading game or what? How do you see?

821
00:36:08,200 --> 00:36:10,359
Speaker 3: I haven't. I don't know what the thing would be yet.

822
00:36:10,360 --> 00:36:12,640
Speaker 3: I thought like I doubled with the idea of Pirate,

823
00:36:12,719 --> 00:36:13,000
Speaker 3: but I.

824
00:36:12,960 --> 00:36:13,680
Speaker 2: Don't really.

825
00:36:15,320 --> 00:36:16,120
Speaker 4: Really good pirate?

826
00:36:16,480 --> 00:36:22,160
Speaker 2: Did you almost say almost almost? I've never saw on

827
00:36:22,239 --> 00:36:25,160
Speaker 2: the radio. I almost dropped to their bomb. Wouldn't it

828
00:36:25,160 --> 00:36:27,319
Speaker 2: be sad if I broke my dug in Australian radio

829
00:36:27,480 --> 00:36:29,680
Speaker 2: when hearing that Jack wants to make a pirate base

830
00:36:29,719 --> 00:36:33,279
Speaker 2: board game and I use my one square word. I'm

831
00:36:33,280 --> 00:36:34,280
Speaker 2: allowed every contract.

832
00:36:34,320 --> 00:36:35,680
Speaker 3: This is why I didn't want to bring the board

833
00:36:35,719 --> 00:36:36,080
Speaker 3: game to you.

834
00:36:36,280 --> 00:36:38,120
Speaker 2: I think because I was so excited. I was like,

835
00:36:38,160 --> 00:36:42,680
Speaker 2: you know, that wows what the world is waiting for.

836
00:36:43,000 --> 00:36:46,719
Speaker 2: I've got Jack Sparrow with trading in four long John Silver. Oh,

837
00:36:46,760 --> 00:36:48,200
Speaker 2: I hope there's not a couple of hours to go

838
00:36:48,360 --> 00:36:50,560
Speaker 2: on this. There better not be any jokes in these

839
00:36:50,600 --> 00:36:53,359
Speaker 2: cards here either. If Richard Branson's listening, call the show,

840
00:36:53,400 --> 00:36:54,799
Speaker 2: Yeah you gotto these forty.

841
00:36:57,719 --> 00:37:00,279
Speaker 1: Christian O'Connell Show podcast.

842
00:37:00,120 --> 00:37:02,480
Speaker 2: Every Wednesday on the show, we look for your weakest

843
00:37:02,760 --> 00:37:06,840
Speaker 2: claim to fame. Tim Good morning Christian. My mate changed

844
00:37:06,840 --> 00:37:10,120
Speaker 2: the down lights at Warwick Kappa's parents' house. This is gonna,

845
00:37:10,239 --> 00:37:13,520
Speaker 2: this is this is our this is what we're looking for. Ernie,

846
00:37:13,560 --> 00:37:16,040
Speaker 2: this is a great one. My sister gave Eric Banner

847
00:37:16,360 --> 00:37:19,640
Speaker 2: his COVID test. Of course, what a very modern kind

848
00:37:19,680 --> 00:37:23,760
Speaker 2: of week claim to fame giving COVID test to the stars.

849
00:37:24,120 --> 00:37:28,520
Speaker 2: What is your week claim to fine? Vinnie? Good morning morning, Grishen.

850
00:37:29,120 --> 00:37:31,480
Speaker 15: We claimed the famous that I sometimes failed with the

851
00:37:31,480 --> 00:37:33,400
Speaker 15: guy who cuts James Rayne's trees.

852
00:37:34,040 --> 00:37:38,400
Speaker 2: This is great. You sometimes sell the guy who cuts

853
00:37:38,680 --> 00:37:42,560
Speaker 2: James Rain's trees. That's amazing. How did this first come up?

854
00:37:44,040 --> 00:37:46,239
Speaker 15: He's at the same standing club as me, and he

855
00:37:46,320 --> 00:37:47,439
Speaker 15: needs some help on a job.

856
00:37:48,000 --> 00:37:48,840
Speaker 10: So I went.

857
00:37:48,719 --> 00:37:51,120
Speaker 15: Around and we weren't working on james place to work

858
00:37:51,120 --> 00:37:53,799
Speaker 15: on another place who need an extra hand? And then

859
00:37:54,400 --> 00:37:57,239
Speaker 15: they went to James race Raine's place after that job.

860
00:37:57,280 --> 00:38:00,200
Speaker 15: But I didn't get to come unfortunly, only the eighteenth.

861
00:38:01,160 --> 00:38:04,120
Speaker 2: Off just outside. Sorry, my friend, this one isn't for you.

862
00:38:06,120 --> 00:38:09,680
Speaker 2: He doesn't like strangers. Vinnie, thank you very much to

863
00:38:09,719 --> 00:38:11,680
Speaker 2: kill I have a good day, I did.

864
00:38:12,800 --> 00:38:16,040
Speaker 1: Morgan, Hi Christian.

865
00:38:16,120 --> 00:38:19,040
Speaker 16: My weakest plan to fame is that my dad's best

866
00:38:19,120 --> 00:38:22,399
Speaker 16: friend had a high school band and they turned down

867
00:38:22,680 --> 00:38:24,160
Speaker 16: Neil Young as their lead singer.

868
00:38:25,600 --> 00:38:30,200
Speaker 2: Come on, really, hey, Gold, not in this bands? Move along?

869
00:38:30,719 --> 00:38:36,640
Speaker 2: They're young? Come on, that feels like BS to me.

870
00:38:37,600 --> 00:38:39,040
Speaker 16: No, they didn't like his sound.

871
00:38:40,560 --> 00:38:42,520
Speaker 2: They didn't like his sound. What do you have that

872
00:38:42,600 --> 00:38:45,400
Speaker 2: sort of sound? Fully formed? Even then any audition for

873
00:38:45,480 --> 00:38:47,960
Speaker 2: the band? So when was this obviously what like late sixties,

874
00:38:48,040 --> 00:38:49,240
Speaker 2: thirty seventies.

875
00:38:48,920 --> 00:38:53,920
Speaker 16: Late sixties, yeah, probably Yeah. They used to play songs

876
00:38:53,960 --> 00:38:56,800
Speaker 16: at the local community center and he went on to

877
00:38:56,840 --> 00:38:58,400
Speaker 16: become a school principal.

878
00:38:58,000 --> 00:38:59,360
Speaker 2: And young.

879
00:39:01,480 --> 00:39:04,680
Speaker 3: Different Neil all not that Neil Young, No, no, no

880
00:39:05,760 --> 00:39:06,160
Speaker 3: Young you know.

881
00:39:09,640 --> 00:39:13,520
Speaker 2: Oh that's funny, huge trop Yes, Morgan, well done, Thank

882
00:39:13,560 --> 00:39:17,760
Speaker 2: you very much, you call. Have a good day mate. Bye, Heidi,

883
00:39:17,880 --> 00:39:18,360
Speaker 2: good morning.

884
00:39:20,120 --> 00:39:23,080
Speaker 12: Hi Christian. My weakest claim to say is my husband

885
00:39:23,160 --> 00:39:25,000
Speaker 12: had a music lesson from John Farmer.

886
00:39:26,440 --> 00:39:29,200
Speaker 2: He again, Yeah, he's back. It's a street now every

887
00:39:29,280 --> 00:39:31,759
Speaker 2: single week this year so far. So I don't know.

888
00:39:31,960 --> 00:39:33,600
Speaker 2: Fancy is a music tutor as well.

889
00:39:34,560 --> 00:39:36,840
Speaker 12: No, his kids went to the same school as my

890
00:39:36,960 --> 00:39:39,719
Speaker 12: husband and has a special trait for the year twelve

891
00:39:39,760 --> 00:39:42,000
Speaker 12: students because there was only a couple of them doing

892
00:39:42,120 --> 00:39:44,839
Speaker 12: music in year twelve. John Fannon came in and gave

893
00:39:44,880 --> 00:39:46,600
Speaker 12: her one off music lesson.

894
00:39:47,000 --> 00:39:49,560
Speaker 2: What a good guy. Yeah that's really really great. But

895
00:39:49,680 --> 00:39:53,040
Speaker 2: then what's the connection with your dad, your husband when

896
00:39:53,080 --> 00:39:55,399
Speaker 2: he was younger? Right, I've joined the Dodgs now, sorry, mate,

897
00:39:55,400 --> 00:39:59,839
Speaker 2: I get it now. That's pretty cool. That's amazing, all right, Hi,

898
00:40:00,120 --> 00:40:02,880
Speaker 2: thank you very much, you cool Christian.

899
00:40:04,560 --> 00:40:07,640
Speaker 1: Christian O'Connell show podcast.

900
00:40:07,440 --> 00:40:10,239
Speaker 2: Every Wednesday we look for your weakest claim to fame.

901
00:40:10,400 --> 00:40:12,759
Speaker 2: So many great stories on this the last couple of weeks.

902
00:40:12,800 --> 00:40:15,640
Speaker 2: If you want to join in this morning, Craig, Good morning.

903
00:40:15,960 --> 00:40:17,359
Speaker 9: Yeah, good morning, Kristin. Here are you going?

904
00:40:17,440 --> 00:40:19,279
Speaker 2: I'm good, Craig, thanks for going the show. We're all

905
00:40:19,360 --> 00:40:21,200
Speaker 2: it is down. What is your weakest claim to fame?

906
00:40:21,960 --> 00:40:27,640
Speaker 9: I seriously backed into Michael Schumacher's IF one Formula one

907
00:40:27,760 --> 00:40:29,960
Speaker 9: car back at fifteen years ago when it was at

908
00:40:30,000 --> 00:40:31,120
Speaker 9: the Melbourne Grand Prix.

909
00:40:31,760 --> 00:40:33,520
Speaker 2: What are you doing on the lap? You know an

910
00:40:33,600 --> 00:40:35,960
Speaker 2: uber driver doing some three points and he's trying to

911
00:40:36,000 --> 00:40:37,000
Speaker 2: get his tires changed.

912
00:40:37,760 --> 00:40:40,480
Speaker 9: Well, we're working. We're working a nice shift. Look I

913
00:40:40,560 --> 00:40:43,839
Speaker 9: can say security, and we decided to get a one

914
00:40:43,880 --> 00:40:45,880
Speaker 9: of the photos, so I thought we'd get a selfie

915
00:40:46,160 --> 00:40:48,759
Speaker 9: reverse back in a golf cart, bang into his car.

916
00:40:50,520 --> 00:40:53,000
Speaker 2: One hundred million dollars plus.

917
00:40:55,040 --> 00:40:58,960
Speaker 3: Sorry, Michael, you're meant to be the security stop things

918
00:40:59,000 --> 00:41:04,279
Speaker 3: like this happening, jackass or something in a golf cart

919
00:41:04,360 --> 00:41:04,759
Speaker 3: as well?

920
00:41:05,080 --> 00:41:07,440
Speaker 2: What a scene? This is great? And did you do

921
00:41:07,600 --> 00:41:11,520
Speaker 2: much damage because they're flimsy sort of ultra lightweight racing machines.

922
00:41:11,920 --> 00:41:13,600
Speaker 9: Hey, we didn't hang around before and it we just

923
00:41:13,680 --> 00:41:15,080
Speaker 9: took off in a golf cart.

924
00:41:16,360 --> 00:41:18,239
Speaker 2: Was actually the OJ slapursue? Is it?

925
00:41:20,960 --> 00:41:21,240
Speaker 1: Greig?

926
00:41:21,400 --> 00:41:23,080
Speaker 2: I'm giving you a pair of tickets of a listening

927
00:41:23,160 --> 00:41:24,440
Speaker 2: as gold class. That made us laugh.

928
00:41:24,480 --> 00:41:26,520
Speaker 9: Thanks mate, Oh that's beautiful, Thank you very much.

929
00:41:26,560 --> 00:41:28,640
Speaker 2: Chat cheers buddy, thank you, thank you. Phil.

930
00:41:28,760 --> 00:41:31,960
Speaker 8: Good morning born in Christian My client to fame is

931
00:41:32,000 --> 00:41:33,680
Speaker 8: my sister knew whensow driver.

932
00:41:34,960 --> 00:41:37,520
Speaker 2: Wow. So they have their own go to Hey, we're

933
00:41:37,560 --> 00:41:40,880
Speaker 2: back at the airport, be waiting for this, all right.

934
00:41:41,000 --> 00:41:41,440
Speaker 2: So it was.

935
00:41:42,120 --> 00:41:45,160
Speaker 8: It was January nineteen eighty five and warm, mild summer's

936
00:41:45,200 --> 00:41:48,040
Speaker 8: day in Melbourne and my sister got a phone call

937
00:41:48,080 --> 00:41:51,839
Speaker 8: it that morning saying, hey, I think that the WAM

938
00:41:51,920 --> 00:41:52,919
Speaker 8: guys will be at the Hilton.

939
00:41:53,680 --> 00:41:55,680
Speaker 2: Hit the boys down just having a little nap at

940
00:41:55,680 --> 00:41:57,000
Speaker 2: the moment they got jet black.

941
00:42:00,120 --> 00:42:02,320
Speaker 8: And we got to Hill Hotel in the back of

942
00:42:02,360 --> 00:42:04,600
Speaker 8: the lame way and now pop George michael On. He

943
00:42:04,680 --> 00:42:07,040
Speaker 8: waved to us, Andrew Richard popped out with a with

944
00:42:07,120 --> 00:42:07,960
Speaker 8: a beer in his hand.

945
00:42:10,480 --> 00:42:13,439
Speaker 3: So the limo drivers giving you the down low about

946
00:42:13,480 --> 00:42:14,520
Speaker 3: where they're going to be and when.

947
00:42:16,040 --> 00:42:18,600
Speaker 8: Definitely, So my my sister got to find that morning.

948
00:42:18,680 --> 00:42:19,600
Speaker 8: So we were warm.

949
00:42:20,160 --> 00:42:22,319
Speaker 2: I remember it it was a warm sunny day.

950
00:42:23,520 --> 00:42:25,120
Speaker 8: Because they want to learn a park.

951
00:42:27,440 --> 00:42:30,280
Speaker 2: Wam. This is a bigger story. Whe went to Luna

952
00:42:30,400 --> 00:42:45,200
Speaker 2: Park on that rickety right, Oh, we should do a

953
00:42:45,200 --> 00:42:48,000
Speaker 2: whole show. And who have you seen celebrities at Lunar Park?

954
00:42:48,080 --> 00:42:49,480
Speaker 2: Have there ever been any there?

955
00:42:49,760 --> 00:42:49,920
Speaker 7: Oh?

956
00:42:50,080 --> 00:42:52,920
Speaker 2: If only that story had involved Luna Park. Hey, Hey,

957
00:42:53,200 --> 00:42:58,640
Speaker 2: what's this rickety old heap of something? Ui another factors,

958
00:42:59,280 --> 00:43:02,680
Speaker 2: Wham at the peak of their powers, go into the

959
00:43:02,760 --> 00:43:03,920
Speaker 2: Hilton viral late.

960
00:43:06,440 --> 00:43:08,160
Speaker 8: And then when we went, when we left, we drive

961
00:43:08,200 --> 00:43:09,919
Speaker 8: around the front and always take up the front waiting

962
00:43:10,000 --> 00:43:10,239
Speaker 8: for him.

963
00:43:10,320 --> 00:43:16,759
Speaker 3: So the secret absolutely at least they got to enjoy

964
00:43:16,800 --> 00:43:17,719
Speaker 3: the warm sunny day.

965
00:43:21,040 --> 00:43:23,600
Speaker 2: Awesome, Phil, really funny, Thank you very much.

966
00:43:24,640 --> 00:43:33,120
Speaker 1: Good, Hello, Good Christian O'Connell show podcast.

967
00:43:33,440 --> 00:43:35,480
Speaker 2: That's good. We had all weeks going to fame. I

968
00:43:36,120 --> 00:43:38,399
Speaker 2: misunderstood somebody he said. I he said that Wham went

969
00:43:38,480 --> 00:43:41,319
Speaker 2: to Luna Park and the mine my mind blew. I'll

970
00:43:41,360 --> 00:43:44,400
Speaker 2: be honest, the thought of Wham at Luna Park. However,

971
00:43:44,520 --> 00:43:46,440
Speaker 2: if you ever have seen anyone famous at the theme park,

972
00:43:46,680 --> 00:43:49,800
Speaker 2: maybe that's something we get into on tomorrow's show. Christian Bross,

973
00:43:49,960 --> 00:43:54,120
Speaker 2: do you remember Bross? Patsy loved Brass huge all over

974
00:43:54,160 --> 00:43:57,120
Speaker 2: the world. Bross went to Lunar Park back in the

975
00:43:57,160 --> 00:43:59,880
Speaker 2: eighties when they came on tour to Australia. Wanted my

976
00:44:00,160 --> 00:44:02,360
Speaker 2: dad to take me, but he wouldn't. Always held a

977
00:44:02,400 --> 00:44:06,000
Speaker 2: grudge about that, Christian. I saw twenty eight Days play

978
00:44:06,040 --> 00:44:08,840
Speaker 2: at Luna Park twenty years ago when they were filming

979
00:44:08,880 --> 00:44:11,080
Speaker 2: part of their Rip It Up video. All right, let's

980
00:44:11,080 --> 00:44:12,440
Speaker 2: take you the last couple of calls then, for your

981
00:44:12,480 --> 00:44:14,600
Speaker 2: weakest claim to fame nattached to good.

982
00:44:14,440 --> 00:44:19,000
Speaker 17: Morning, Good morning, Christian, how are you? My terrible weakest

983
00:44:19,080 --> 00:44:20,839
Speaker 17: claim to fame is very very weak.

984
00:44:21,520 --> 00:44:21,880
Speaker 1: Off you go.

985
00:44:23,200 --> 00:44:24,439
Speaker 17: I sneezed on Bob Hawk.

986
00:44:25,200 --> 00:44:27,680
Speaker 2: I think that's a pretty good one. Actually, how come

987
00:44:27,880 --> 00:44:30,319
Speaker 2: you came to sneeze on the Great Bob Hawk.

988
00:44:30,880 --> 00:44:33,879
Speaker 17: I was sixteen doing work experience with Channel ten years

989
00:44:33,880 --> 00:44:35,560
Speaker 17: and we went to meet him in a country town

990
00:44:35,600 --> 00:44:38,040
Speaker 17: and we lined up to shake hands, and I had

991
00:44:38,120 --> 00:44:40,320
Speaker 17: hay fever and as he got to me, I sneezed

992
00:44:40,719 --> 00:44:42,799
Speaker 17: and he did the go go gadget, retract a hand

993
00:44:43,280 --> 00:44:46,640
Speaker 17: and moved on to the next person shake hands with him.

994
00:44:46,760 --> 00:44:48,919
Speaker 2: That's incredible, Like the Pope did that recently. You see

995
00:44:48,960 --> 00:44:50,680
Speaker 2: him moving his hand out the way from someone trying

996
00:44:50,680 --> 00:44:53,360
Speaker 2: to grab it. That is amazing. What a clam to

997
00:44:53,440 --> 00:44:56,400
Speaker 2: fane though you've sneezed on you know a PM, the

998
00:44:56,480 --> 00:44:57,799
Speaker 2: great late great Bob Hawk.

999
00:44:58,920 --> 00:45:01,319
Speaker 17: Yeah, it was a an interesting claim to say I'm

1000
00:45:01,400 --> 00:45:01,600
Speaker 17: not my.

1001
00:45:01,680 --> 00:45:04,200
Speaker 2: Worst but one of Yeah, that's great, Natasha, thank you

1002
00:45:04,320 --> 00:45:07,280
Speaker 2: very much. She cool. Have a good day, thank you, Vicky.

1003
00:45:07,360 --> 00:45:09,640
Speaker 2: Good morning, morning Christian.

1004
00:45:10,400 --> 00:45:10,799
Speaker 7: My week.

1005
00:45:10,880 --> 00:45:12,160
Speaker 17: Claim to fame is my.

1006
00:45:12,600 --> 00:45:15,600
Speaker 6: Art teacher in primary school was Kylie Minogu's anti.

1007
00:45:16,040 --> 00:45:18,640
Speaker 2: That's great, this is it Kylie Mino's auntie who knew

1008
00:45:18,680 --> 00:45:21,200
Speaker 2: she was an art teacher and taught you. Vicky. That's great,

1009
00:45:21,239 --> 00:45:24,279
Speaker 2: Thank you very much. Mate. Have a good one. Kate,

1010
00:45:24,520 --> 00:45:25,359
Speaker 2: who got here? Kate?

1011
00:45:25,760 --> 00:45:28,360
Speaker 13: Morning Christian. My week is claim to fame is that

1012
00:45:28,440 --> 00:45:32,600
Speaker 13: I served years to the actor who played Elliott.

1013
00:45:32,320 --> 00:45:32,880
Speaker 17: And et.

1014
00:45:34,560 --> 00:45:36,160
Speaker 2: Well he's grown up or as a little kid. You

1015
00:45:36,200 --> 00:45:42,799
Speaker 2: don't get over on set sorrows have a beer any more?

1016
00:45:42,840 --> 00:45:48,240
Speaker 2: Other aliens coming for you. What was the situation.

1017
00:45:49,080 --> 00:45:52,040
Speaker 13: So he was in Melbourne filming I think a mini

1018
00:45:52,160 --> 00:45:55,200
Speaker 13: series with Patrick Stewart called Moby Ditch and it was

1019
00:45:55,320 --> 00:45:57,360
Speaker 13: I think twenty five years at this stage, and he

1020
00:45:57,760 --> 00:46:00,640
Speaker 13: came into the pub. I worked in pj ians in

1021
00:46:01,640 --> 00:46:05,520
Speaker 13: in Southgate in Melbourne, and yeah, a lovely bloke and

1022
00:46:05,600 --> 00:46:07,839
Speaker 13: he was wouldn't if.

1023
00:46:07,760 --> 00:46:09,320
Speaker 2: He walks in the building, now, I wouldn't go with

1024
00:46:09,400 --> 00:46:11,600
Speaker 2: that's elliot for me. T it wasn't like a few

1025
00:46:11,640 --> 00:46:14,160
Speaker 2: beers down, no one's recognized me. He goes, surprise, I'm

1026
00:46:14,160 --> 00:46:19,719
Speaker 2: being left alone. I was recognize me? Now, eat come back?

1027
00:46:20,320 --> 00:46:21,760
Speaker 3: You think the guy who played.

1028
00:46:25,800 --> 00:46:29,600
Speaker 2: He wasn't an eating anywhere around town? Does it all

1029
00:46:29,719 --> 00:46:31,520
Speaker 2: day long? Oh? Yeah, the old et guy.

1030
00:46:31,960 --> 00:46:33,719
Speaker 3: The other shock is, I didn't know. We feel maybe

1031
00:46:33,800 --> 00:46:35,760
Speaker 3: Dick in Melbourne.

1032
00:46:35,440 --> 00:46:41,719
Speaker 2: The minise that under so much going on this cap.

1033
00:46:42,440 --> 00:46:43,840
Speaker 11: Yeah, so he was.

1034
00:46:44,080 --> 00:46:46,719
Speaker 13: I didn't recognize one of the other staff members recognized

1035
00:46:47,120 --> 00:46:51,279
Speaker 13: as an adult. But yeah, really lovely something.

1036
00:46:51,080 --> 00:46:57,239
Speaker 2: About that twitchy you mentioned what aliens? All right, Kate,

1037
00:46:57,320 --> 00:46:58,359
Speaker 2: thank you very much for cool.

1038
00:46:58,920 --> 00:46:59,799
Speaker 18: Thank you all right.

1039
00:47:00,200 --> 00:47:02,720
Speaker 2: Squeeze win him before the headlines with Patsy Hailey.

1040
00:47:04,160 --> 00:47:07,759
Speaker 18: Yeah, hey, Christian. My weak link to fame is that

1041
00:47:08,200 --> 00:47:11,239
Speaker 18: my family history links back to the guy who stole

1042
00:47:11,280 --> 00:47:12,719
Speaker 18: the Crown Jewels and got away with it.

1043
00:47:13,280 --> 00:47:13,920
Speaker 5: Conal Blood.

1044
00:47:15,719 --> 00:47:16,160
Speaker 2: Amazing.

1045
00:47:16,760 --> 00:47:18,400
Speaker 3: I don't know the story. Who's Colonel Blood?

1046
00:47:18,920 --> 00:47:20,280
Speaker 2: So he stole the Crown jewels?

1047
00:47:20,480 --> 00:47:20,680
Speaker 5: Yeah?

1048
00:47:21,080 --> 00:47:24,000
Speaker 18: He apparently in sixteen hundred and something, he stole the

1049
00:47:24,040 --> 00:47:27,520
Speaker 18: Crown Jewel and he's like an Irish rogue and he

1050
00:47:27,640 --> 00:47:29,480
Speaker 18: got caught and then talked his way out of it.

1051
00:47:29,640 --> 00:47:32,160
Speaker 18: So he managed to not only do that, but he

1052
00:47:32,280 --> 00:47:36,200
Speaker 18: got given a five hundred pounds worth of annual gallery

1053
00:47:36,400 --> 00:47:39,799
Speaker 18: and estate in Ireland. And yeah, he got smoothed by

1054
00:47:39,840 --> 00:47:42,319
Speaker 18: the Crown. So yeah, until they run out of money.

1055
00:47:42,360 --> 00:47:43,879
Speaker 18: Then he hated them and tried to kill them again.

1056
00:47:43,920 --> 00:47:48,600
Speaker 3: I think so. Some story, some story is this drunk

1057
00:47:48,719 --> 00:48:01,400
Speaker 3: history morning. There's too many questions.

1058
00:48:01,120 --> 00:48:03,400
Speaker 2: There, do you know what, Let's put a pause on this.

1059
00:48:03,560 --> 00:48:06,920
Speaker 2: Let's get back into tomorrow with famous relatives. Okay, the

1060
00:48:07,040 --> 00:48:09,000
Speaker 2: guy who stole the crown jewels. We'll get back in

1061
00:48:09,040 --> 00:48:11,400
Speaker 2: lit us tomorrow. We'll pause it for now. Hey, okay, okay,

1062
00:48:11,520 --> 00:48:11,879
Speaker 2: no worry.

1063
00:48:14,239 --> 00:48:17,000
Speaker 1: The Christian O'Connell Show Podcast.

1064
00:48:18,000 --> 00:48:20,000
Speaker 2: Time waste this morning to the chant Sol to pick

1065
00:48:20,080 --> 00:48:25,080
Speaker 2: up a delicious hamper of Haig's chocolates, the most delicious

1066
00:48:25,120 --> 00:48:28,799
Speaker 2: gifts this Easter to down a time waste. So we're

1067
00:48:28,840 --> 00:48:33,200
Speaker 2: asking you to make a movie, bigger, bigger movies. Good

1068
00:48:33,280 --> 00:48:38,600
Speaker 2: news up to seventy five at footy now, which is incredible,

1069
00:48:38,680 --> 00:48:41,719
Speaker 2: really really exciting. Another double doughnut day as well. Yes,

1070
00:48:42,440 --> 00:48:46,560
Speaker 2: thank you, Best look at that. He's literally writing one

1071
00:48:47,880 --> 00:48:53,480
Speaker 2: well done. Bigger movies, ha, darl m for mammoth Silver,

1072
00:48:53,640 --> 00:48:58,239
Speaker 2: what's bigger than the mammoth? Oh? We all love Forest Gump,

1073
00:48:58,640 --> 00:49:00,480
Speaker 2: the biggest kind of forest in the world of courses,

1074
00:49:00,800 --> 00:49:06,080
Speaker 2: Amazon rainforest Gum. I need it bigger, don't what you

1075
00:49:06,160 --> 00:49:09,000
Speaker 2: want me to? Thank you? Jack? I love the movie

1076
00:49:09,800 --> 00:49:14,680
Speaker 2: Killer mocking Bird. What's bigger than a mocking bird? No,

1077
00:49:15,040 --> 00:49:17,480
Speaker 2: to kill a whopping bird? It was huge. It was

1078
00:49:17,520 --> 00:49:18,399
Speaker 2: a whopping bird.

1079
00:49:18,840 --> 00:49:19,160
Speaker 3: Thank you.

1080
00:49:19,840 --> 00:49:25,760
Speaker 2: Ah, we love the movie. We love the movie Thelma

1081
00:49:25,760 --> 00:49:28,000
Speaker 2: and Luise. How do you make that bigger? Fy Royd

1082
00:49:28,080 --> 00:49:34,600
Speaker 2: and Luise Silver plus love the movie Grouching Tiger? Dragon?

1083
00:49:34,680 --> 00:49:38,560
Speaker 2: How do you make that bigger crouching tiger very visible? Dragon?

1084
00:49:38,640 --> 00:49:39,120
Speaker 2: It's shoes.

1085
00:49:40,760 --> 00:49:43,200
Speaker 3: He tries behind that table with huge.

1086
00:49:44,239 --> 00:49:48,399
Speaker 2: Thank you and hot off the press. Bigger movies et

1087
00:49:48,680 --> 00:49:57,520
Speaker 2: the extra testicle unnecessary? Got an extra plum? Okay, Jack,

1088
00:49:57,600 --> 00:49:58,840
Speaker 2: what have you got? Bigger movies?

1089
00:50:00,239 --> 00:50:07,160
Speaker 3: M You know when you say something really big, you

1090
00:50:07,280 --> 00:50:10,759
Speaker 3: go four. Four that's big, don't you know?

1091
00:50:10,920 --> 00:50:13,000
Speaker 2: Only if you're in a nineteen sixties movie.

1092
00:50:15,000 --> 00:50:16,640
Speaker 3: Four Weddings and a Funeral.

1093
00:50:18,120 --> 00:50:25,359
Speaker 2: Four's associated with fu and big Bigger's big, Oh how big?

1094
00:50:25,440 --> 00:50:29,680
Speaker 2: How big was it? I know exactly what you're looking

1095
00:50:29,800 --> 00:50:32,360
Speaker 2: necessary big Along with that statistical.

1096
00:50:33,680 --> 00:50:38,560
Speaker 3: These are bad, doctor, do little, very little, doctor, do large?

1097
00:50:44,719 --> 00:50:46,759
Speaker 2: Cross out before you read it out to the microphone.

1098
00:50:47,640 --> 00:50:48,800
Speaker 3: Big memmoth's house.

1099
00:50:50,640 --> 00:50:52,240
Speaker 2: I wonder if you had a pressure and he's stealing

1100
00:50:52,320 --> 00:50:54,239
Speaker 2: my mamma. I'll give you silver for that.

1101
00:50:54,960 --> 00:50:58,000
Speaker 3: And you don't throw mama from the train. You grow

1102
00:50:58,200 --> 00:51:00,440
Speaker 3: Mama from the train. Make it bigger.

1103
00:51:02,360 --> 00:51:05,040
Speaker 2: I appreciate how are you leaning these? But these are

1104
00:51:06,080 --> 00:51:09,400
Speaker 2: bang average and you know it all right? No chocolates for.

1105
00:51:09,560 --> 00:51:16,840
Speaker 1: Jack, Christian i'connell The Christian o'connalds show podcast.

1106
00:51:18,960 --> 00:51:20,800
Speaker 2: Everyday this week on a time waster, one of you

1107
00:51:20,920 --> 00:51:24,680
Speaker 2: is going to win Hages chocolates a whole hamper ahead

1108
00:51:24,719 --> 00:51:28,880
Speaker 2: of Easter. Jack, you're ready to mark, Let's go bigger movies.

1109
00:51:28,960 --> 00:51:32,080
Speaker 2: Ask you to make a movie bigger, big mama's mansion.

1110
00:51:32,920 --> 00:51:36,120
Speaker 2: Yes gold, Oh well I'm big Mama. She's up scowed

1111
00:51:36,400 --> 00:51:41,200
Speaker 2: an a Conda's on a plane. Yes what, I'm Pamela.

1112
00:51:42,160 --> 00:51:46,360
Speaker 2: When Harry met Sally and her twin sister Bronze, he

1113
00:51:46,400 --> 00:51:49,560
Speaker 2: didn't care for that one. Richard, h dude wears my caravan.

1114
00:51:50,600 --> 00:51:51,320
Speaker 2: It's a bigger.

1115
00:51:51,520 --> 00:51:53,000
Speaker 3: It's bigger than a car.

1116
00:51:53,640 --> 00:51:58,680
Speaker 2: Silva Bahemith Rapsody Gold very good, that's more like it.

1117
00:51:59,160 --> 00:52:04,520
Speaker 2: Alan my left ankle. Oh, that's really good. Marky Boy,

1118
00:52:04,600 --> 00:52:08,920
Speaker 2: well done. This is also very good. But Roger's obviously

1119
00:52:08,960 --> 00:52:10,680
Speaker 2: been listening to show for the last down a bit.

1120
00:52:11,160 --> 00:52:12,320
Speaker 2: There's something about.

1121
00:52:12,120 --> 00:52:15,560
Speaker 3: Marlin Marlon's we know a big fourteenth.

1122
00:52:16,920 --> 00:52:19,480
Speaker 2: The boat catch is it? Not Jack? What I'm Roger?

1123
00:52:20,120 --> 00:52:24,320
Speaker 2: Willie Wonka and the Hagues Chocolate Factory nice creeping Yeah.

1124
00:52:24,280 --> 00:52:28,080
Speaker 3: No bronze h three hundred men and a baby.

1125
00:52:32,680 --> 00:52:35,200
Speaker 2: Ah, that is very good. You didn't put your name there.

1126
00:52:35,520 --> 00:52:38,960
Speaker 2: Three one six, it's you, well done. The large Lebowski

1127
00:52:39,320 --> 00:52:40,000
Speaker 2: not big anymore?

1128
00:52:40,160 --> 00:52:43,320
Speaker 3: Large, big is large, same thing hearing.

1129
00:52:43,160 --> 00:52:48,600
Speaker 2: Big Bowski, Monty Python and the Holy Upscale Silver, Josh

1130
00:52:49,840 --> 00:52:58,160
Speaker 2: a whole week at Bernice, whole week. Key's going that one?

1131
00:52:58,200 --> 00:52:58,840
Speaker 3: What Adam?

1132
00:52:59,040 --> 00:53:03,640
Speaker 2: It's Keys snow White and the Seven Giants Run, Mary

1133
00:53:03,840 --> 00:53:11,680
Speaker 2: Whoppings Gold swell Boy instead of hal Boys Buffy swell

1134
00:53:11,840 --> 00:53:20,680
Speaker 2: Boy e TV Enormous Terrestrial Silver. The Postman always rings

1135
00:53:20,840 --> 00:53:30,080
Speaker 2: thrice right marks and smartness. Weeks and weeks of thunder

1136
00:53:30,680 --> 00:53:35,680
Speaker 2: instead of days of thunder silverlight right, five hundred first dates.

1137
00:53:36,880 --> 00:53:41,200
Speaker 2: The mountains have eyes, not heels anymore. Honey, I really

1138
00:53:41,239 --> 00:53:42,640
Speaker 2: didn't shrink the kids in the end.

1139
00:53:44,200 --> 00:53:46,400
Speaker 3: Bronze trying to say with the delivery, well done by you.

1140
00:53:47,040 --> 00:53:49,800
Speaker 2: Try and do that's trying. I liked it. St Elmo's

1141
00:53:49,880 --> 00:53:56,320
Speaker 2: Bonfire Gold, No Country for old Mammoths, Silver sign It

1142
00:53:56,440 --> 00:54:01,080
Speaker 2: to the lamers, double size of gold, singing in the typhoon.

1143
00:54:02,320 --> 00:54:04,919
Speaker 2: You're trying to stay again, blowing away? All right, Jack,

1144
00:54:04,960 --> 00:54:06,719
Speaker 2: who's winning the chocolate last?

1145
00:54:06,760 --> 00:54:08,520
Speaker 3: The good ones there? But I liked three hundred men

1146
00:54:08,600 --> 00:54:09,000
Speaker 3: in a baby.

1147
00:54:09,080 --> 00:54:11,520
Speaker 2: Yeah, well done. Okay, thank you very much for listening everyone.

1148
00:54:11,920 --> 00:54:14,320
Speaker 1: The Christian O'Connell Show Podcast