WEBVTT - Oprah’s Dogs Get How Much From Her Will? 🐶 💀

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch up podcast. You are with Flex and Frooms.

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<v Speaker 1>Take a deep breath? Do you meditate and out one

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<v Speaker 1>more in?

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<v Speaker 2>I don't even hear that in you breathe.

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<v Speaker 1>Doing it for the audience. Look, everyone in the room

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<v Speaker 1>looks pissed off for me, I'm just trying to I'm trying.

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<v Speaker 1>You can't do that.

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<v Speaker 2>You can't do that. You can't just take You're like

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<v Speaker 2>intrusive insecurity and then blame us for everyone in the

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<v Speaker 2>room looks pissed.

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<v Speaker 1>You Will Will in the sound between will look pissed. Nah,

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<v Speaker 1>yeah he did. Just feel like you say, you're speaky.

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<v Speaker 1>I'm speaking about energies around me, okay, okay, And I

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<v Speaker 1>could feel everyone's for Fox for fox sake. I could

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<v Speaker 1>see out of the corners. Wise, you know, I'm not.

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<v Speaker 2>A fucking all Okay, Okay, let's keep pushing.

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<v Speaker 1>I'm a comedian. I know when things land, Okay, I

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<v Speaker 1>know it truly landed.

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<v Speaker 2>That was a good one.

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<v Speaker 1>Can it's always when it's real at my expense, we're

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<v Speaker 1>talking about TikTok, We're talking about a whole bunch of

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<v Speaker 1>other stuff.

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<v Speaker 2>We're talking about the reason why you haven't gone viral,

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<v Speaker 2>and maybe it's just not your faulty. Maybe a content

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<v Speaker 2>sucks like it's fifty to fifty At this point.

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<v Speaker 1>I think you'll like this one. Here we go flex

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<v Speaker 1>and frims flex and fromes Cater never miss a beat.

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<v Speaker 1>I want to change the pace and tell you about

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<v Speaker 1>crazy celebrity wills. We were speaking the other day, we

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<v Speaker 1>were weren't we We were talking about who was it

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<v Speaker 1>her will?

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<v Speaker 2>Ready to go?

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<v Speaker 1>Yeah it was wait, let me, let me it was

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<v Speaker 1>Gordon Ramsay and how he's not going to leave anything

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<v Speaker 1>to his children. Is that right?

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<v Speaker 2>Yes?

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<v Speaker 1>We have a list now, okay, we'll created by Brookie Great.

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<v Speaker 2>Is that right, brook it is?

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<v Speaker 1>And I'm going to read you some of the crazy

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<v Speaker 1>wills of celebrities. Pamela Anderson is getting ten million dollars

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<v Speaker 1>in the will of her ex husband. There are married

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<v Speaker 1>for twelve days in twenty twenty. Her ex husband was

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<v Speaker 1>producer John Peters. As if that matters, that's the vibe

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<v Speaker 1>I'm on. A fashion designer Alexander McQueen left his fortune

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<v Speaker 1>to charity, but specified his dogs needed seventy five k

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<v Speaker 1>oh which fair A friend of mine's dog ate a

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<v Speaker 1>pad the other day. It cost ten thousand dollars to

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<v Speaker 1>take it out. If you thought so, Yeah, make sure

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<v Speaker 1>your bins are closed. If you thought that was crazy.

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<v Speaker 1>Oprah Winfrey is leaving thirty million to her dogs. That's excessive,

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<v Speaker 1>hyper they deserve it. And Tupac asked whose friends to

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<v Speaker 1>smoke his ashes? And finally Fred Barr, who's the creative Pringles?

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<v Speaker 2>Did they smoke his ashes?

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<v Speaker 1>I'm gonna say probably, yeah, Tupac Fred Barr, the creative

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<v Speaker 1>Pringles asked to be buried into Canna Pringles and he.

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<v Speaker 2>Was yeah, well that could be done.

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<v Speaker 1>How do you want to be disposed of?

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<v Speaker 2>I haven't put much thought into it. I just want

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<v Speaker 2>to be buried somewhere sexy, like.

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<v Speaker 1>You want to be buried?

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<v Speaker 2>Yeah, in the backyard of my property in lack full

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<v Speaker 2>body form? Yeah cool? Kick me in, yeah, keep me

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<v Speaker 2>in mint condition.

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<v Speaker 1>And so you don't want to be like made into

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<v Speaker 1>a tree or anything? No, composted? No, okay, cool, flex broke.

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<v Speaker 1>What do you want to do? I've got a family

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<v Speaker 1>vault in France, so probably okay, okay, we don't care.

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<v Speaker 1>No common folk in the studio.

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<v Speaker 2>Brackets are racketing.

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<v Speaker 3>Oh g.

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<v Speaker 1>I always said that I wanted to be cremated and

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<v Speaker 1>then scattered through Burward McDonald's drive through. That's a sleigh.

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<v Speaker 1>That's my happy place.

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<v Speaker 2>You have no taste. Anyway.

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<v Speaker 1>We've put this all on the records, so if you're

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<v Speaker 1>watching this and you are related to us, just.

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<v Speaker 2>Even gagging for that, macus having no shame.

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<v Speaker 1>Hard to get your inflex and Froomskita, flex and frooms,

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<v Speaker 1>flex and froms. You are with flex and frooms, two

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<v Speaker 1>little girls running through the forest, just trying to do

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<v Speaker 1>the best.

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<v Speaker 2>I'm a woman, sorry, please, I'm a star, are you?

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<v Speaker 1>I'm a woman, not yet a woman. I'm in a

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<v Speaker 1>liminal period. And I recently went to go get a bra.

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<v Speaker 1>I'm actually wearing the bra right now while I'm on air.

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<v Speaker 1>It's a brown number with fixed straps. I gotta say

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<v Speaker 1>the bra fitting experience is not for the faint of heart.

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<v Speaker 1>I went to a department store looking for a new boudoir.

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<v Speaker 1>Is it a boudoir?

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<v Speaker 2>Bras?

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<v Speaker 1>A yeah, A bras yeah? And what do I find?

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<v Speaker 1>There's no yeah bra? We haven'gan Hey you know a

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<v Speaker 1>low to call people bogans?

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<v Speaker 2>Really? Yeah, that's way worse.

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<v Speaker 1>So earlier I called I call the bog.

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<v Speaker 2>Bogan.

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<v Speaker 1>Bogan is classist, Bogan is way worse than common people.

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<v Speaker 2>Yeah, but I'm not calling random people. But I'm calling

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<v Speaker 2>you a bogan. If you called me a common folk, fine,

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<v Speaker 2>you're calling the tens of thousands who went to Lane

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<v Speaker 2>Way a common folk. I'm calling you the individual a bogan.

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<v Speaker 2>You're putting in my mouth, in your eye.

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<v Speaker 1>I never I actually said common folk. I'm just saying

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<v Speaker 1>what I said is taking out of context. Okay, anyway,

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<v Speaker 1>when to get my bra fit? Yes, and there's nobody

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<v Speaker 1>here to fit my.

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<v Speaker 2>Bra that's departments or vibes. Then, but then I.

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<v Speaker 1>Went to a specific bra store. What I find I say, hey,

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<v Speaker 1>I'm went at the counter. I'm like waiting for her

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<v Speaker 1>to show me. I'm like, hey, excuse me, I want

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<v Speaker 1>to try a bra on. This could probably actually be.

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<v Speaker 2>Where are we going?

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<v Speaker 1>And then I wander into the change room and the

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<v Speaker 1>chick's looking around and say, excuse me, and can I

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<v Speaker 1>get a brath fit? She goes yeah. And it's already

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<v Speaker 1>a very personal experience. I don't want to feel like

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<v Speaker 1>I'm forcing you to, you know, go around and assess

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<v Speaker 1>my breast size. Later on, I thought, no, I need

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<v Speaker 1>a bra. I'm not fitting in my old one. Go

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<v Speaker 1>to another place. Fan of the flex and froom show

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<v Speaker 1>fits my bra perfectly. Bit of banter. I will say,

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<v Speaker 1>she's listening. Absolutely love the vibe just really elevated my

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<v Speaker 1>day that day. But we need to find specific shops

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<v Speaker 1>for the bigger bras is actually found near me. But

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<v Speaker 1>bring back bra fitting. I can't go to two shops

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<v Speaker 1>and not find anyone to fit my bra if I'm

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<v Speaker 1>going into a store. It's one thing that you still

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<v Speaker 1>have to go into store for.

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<v Speaker 2>I just think the level of service required for a

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<v Speaker 2>bra fitting contradicts the level of service that retail workers

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<v Speaker 2>are expected to give for what they get paid. Australia

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<v Speaker 2>generally has a very like lacks retail and customer service

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<v Speaker 2>vibe compared to let's say America. Right, So well, let's

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<v Speaker 2>say you go into an American department store. They're on

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<v Speaker 2>you because they get commissioned. Like you know, you come

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<v Speaker 2>to me, I can help you. What do you need?

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<v Speaker 2>That contradicts the way people want to be helped in

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<v Speaker 2>an Australian store. People only want to be greeted, let alone,

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<v Speaker 2>like assistance touching you. I understand in the context of

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<v Speaker 2>a bra fitting it's necessary, but I do think it's

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<v Speaker 2>a little bit at odds with how people expect to

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<v Speaker 2>be treated in a retail store. So I don't think

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<v Speaker 2>it's like odd that people are like, oh, yeah, I

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<v Speaker 2>guess you can get one, because had it been the

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<v Speaker 2>other way, you were just browsing and someone said, hey,

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<v Speaker 2>would you like a braf and you'd be like, what

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<v Speaker 2>the hell, No, that's away from me.

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<v Speaker 1>That's different. Maybe it's because I'm going on a Tuesday

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<v Speaker 1>at like eleven am, or maybe you know, maybe I'm

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<v Speaker 1>doing late night shopping. I don't know. Whenever I went.

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<v Speaker 2>Not to blame babe, don't blame yourself, Okay, So it's

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<v Speaker 2>an observation. We'll do better next time.

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<v Speaker 1>So, yeah, if you're looking for a bra fitted place,

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<v Speaker 1>if you're of the bigger, busy variety of person, any person,

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<v Speaker 1>it's especially hard when you have big boobs. It's a thing.

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<v Speaker 1>Go find a specialty store. That's what I'm going to

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<v Speaker 1>do this weekend.

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<v Speaker 2>No, tu breasts are the same. Everyone has difficulties. Let's

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<v Speaker 2>leave at that, love, let's agree to disagree.

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<v Speaker 1>We're at each other's throat today, I must have been

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<v Speaker 1>I've missed this energy. I think it's for a compelling listen.

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<v Speaker 2>No, no, that one sounded real how I feel inside?

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<v Speaker 2>Calls coming from inside the house.

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<v Speaker 1>Flex and frooms they're the best.

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<v Speaker 2>What ad pretty before? What the inception of TikTok? How

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<v Speaker 2>often do you think you thought about going viral when

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<v Speaker 2>you posted content.

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<v Speaker 1>Babes every day since twenty fifteen?

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<v Speaker 2>Damn? I was like I felt it was so hard

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<v Speaker 2>to go viral before TikTok that I didn't even think

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<v Speaker 2>about it.

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<v Speaker 1>No, the first time I ever posted something was the

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<v Speaker 1>first time I went viral on TikTok on Facebook on

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<v Speaker 1>during the Facebook well spring of extreme views.

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<v Speaker 2>Oh do you remember how many views it gore?

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<v Speaker 1>Really millions? Yeah? And like people, yeah, everyone saw it.

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<v Speaker 2>In a good way, like you were excited, happy, Yeah. Yeah.

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<v Speaker 1>Yeah. He helped me get my first job. So it

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<v Speaker 1>was all in all a great experience.

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<v Speaker 2>I love that. It's a good story. Why don't you

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<v Speaker 2>share it more often?

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<v Speaker 1>I did? If you subscribe to our user frooms world.

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<v Speaker 2>I'm subscribed.

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<v Speaker 1>Okay, do you open them?

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<v Speaker 2>No? I did open one. I don't know when it was,

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<v Speaker 2>but about the peking duck one open that one.

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<v Speaker 1>Oh.

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<v Speaker 2>True, that's when I learned how to bar. Yeah, I said, fascinating,

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<v Speaker 2>I know, frooms. Well, please subscribe you get inside secrets.

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<v Speaker 2>But anyway, an article came out recently about TikTok and virality,

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<v Speaker 2>and it kind of like really just punctured the wound

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<v Speaker 2>of what everyone thought virality was. Everyone's like, it's an algorithm.

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<v Speaker 2>The algorithm picks. It's an algorithm, and yes, we know

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<v Speaker 2>in some ways people make the algorithm. Therefore people pick. No,

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<v Speaker 2>it's worse than you thought, babe, it's worse. There is

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<v Speaker 2>a metaphorical button that people who work at TikTok hq

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<v Speaker 2>can press to amplify a video.

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<v Speaker 1>Did you say metaphorical or metaphorical?

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<v Speaker 2>I don't know if it's a physical button, but it's

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<v Speaker 2>like it's a concept. Okay, it's a theoretical.

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<v Speaker 1>Button, right, so it's not necessarily true.

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<v Speaker 2>No, it's true. I just don't know if it's a button.

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<v Speaker 1>But like it's something they can physically do to boost Yes,

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<v Speaker 1>I'm with you. When you say metaphor, it's like, it's

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<v Speaker 1>not true.

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<v Speaker 2>No, a metaphor means something is like something, but it

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<v Speaker 2>is not.

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<v Speaker 1>No, it's like a whatever, a metaphor. No, like this day,

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<v Speaker 1>like this experience is like a summer's day. I'm not

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<v Speaker 1>saying we're literally the sun.

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<v Speaker 2>Do you know what a metaphor is? I don't.

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<v Speaker 1>Somebody listening will understand that it's not what you say

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<v Speaker 1>it is. I just don't have the words, unfortunately, a metaphor. No, Okay,

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<v Speaker 1>you're like metaphorically, Okay, hypothetically.

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<v Speaker 2>Thank you, thank you.

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<v Speaker 1>Let's just listen to the bloody video.

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<v Speaker 2>Metaphorical I'm done with you. So is it a physical

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<v Speaker 2>back No, it's true.

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<v Speaker 3>TikTok is lied to you.

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<v Speaker 1>All this time.

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<v Speaker 3>We've been led to believe that the thing that decides

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<v Speaker 3>what makes a video go viral, like big Viral, is

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<v Speaker 3>an algorithm computer code that looks for a bunch of metrics,

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<v Speaker 3>engagement levels, shares comments, watch time, and spits out a score.

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<v Speaker 3>The higher the score, the better chance you have of

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<v Speaker 3>going viral. Except it's not true, at least not entirely.

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<v Speaker 3>Over the weekend, Forbes published a report that what actually

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<v Speaker 3>makes a video go viral on TikTok is direct human intervention.

0:11:04.240 --> 0:11:06.560
<v Speaker 3>An employee at the company who flags the video that

0:11:06.600 --> 0:11:07.559
<v Speaker 3>they want to blow up.

0:11:07.880 --> 0:11:08.319
<v Speaker 2>This is a.

0:11:08.240 --> 0:11:10.960
<v Speaker 3>Process they call heating, and rather than what we've been

0:11:10.960 --> 0:11:13.280
<v Speaker 3>told about why something goes viral, like the more views

0:11:13.280 --> 0:11:15.679
<v Speaker 3>it has, the more viral it will go, it's actually

0:11:15.720 --> 0:11:19.760
<v Speaker 3>the opposite. Heating is designed to guarantee a huge viewership.

0:11:19.920 --> 0:11:22.880
<v Speaker 3>And there's more. Sources told Forbes that TikTok has used

0:11:22.880 --> 0:11:26.400
<v Speaker 3>heating to entice influencers over to the app. They'll say,

0:11:26.600 --> 0:11:28.199
<v Speaker 3>just try a couple videos and see what happens. And

0:11:28.240 --> 0:11:30.640
<v Speaker 3>then when that video blows up, the influencer's like, wow,

0:11:30.679 --> 0:11:32.080
<v Speaker 3>that video really got huge.

0:11:32.400 --> 0:11:33.080
<v Speaker 1>Of course it did.

0:11:33.480 --> 0:11:35.760
<v Speaker 3>Someone is literally pushing a button to make sure of it.

0:11:36.240 --> 0:11:39.239
<v Speaker 3>And as Forbes noted, this suggests that heating has benefited

0:11:39.240 --> 0:11:42.080
<v Speaker 3>some influencers and brands, those with whom TikTok has sought

0:11:42.120 --> 0:11:44.920
<v Speaker 3>business relationships, at the expense of others with whom it

0:11:44.920 --> 0:11:46.640
<v Speaker 3>has not. In other words, some of the videos at

0:11:46.679 --> 0:11:48.360
<v Speaker 3>the top of your for you feed aren't there because

0:11:48.400 --> 0:11:51.120
<v Speaker 3>lots of people like them. They're there because TikTok manually

0:11:51.160 --> 0:11:51.880
<v Speaker 3>put them there.

0:11:52.200 --> 0:11:54.880
<v Speaker 1>I love how the music got real more hectic, when

0:11:55.360 --> 0:11:57.880
<v Speaker 1>it's like boom, like shift down, Oh my god, it

0:11:58.000 --> 0:12:01.400
<v Speaker 1>does something like I mean, are we surprised. I knew

0:12:01.440 --> 0:12:04.640
<v Speaker 1>Instagram did this. I knew they hire people to choose

0:12:04.800 --> 0:12:05.880
<v Speaker 1>which reels go viral.

0:12:06.320 --> 0:12:09.520
<v Speaker 2>I just it's not surprising in the way that, like,

0:12:10.120 --> 0:12:12.280
<v Speaker 2>I feel like everything has a sinister root if you

0:12:12.320 --> 0:12:13.880
<v Speaker 2>think about it too much. Welch, I don't want to

0:12:13.920 --> 0:12:18.040
<v Speaker 2>get to but I just think that it shows how

0:12:18.120 --> 0:12:23.400
<v Speaker 2>much a narrative can really take hold and supersede facts

0:12:23.440 --> 0:12:26.800
<v Speaker 2>or truth. Right, And so this high idea with the algorithm,

0:12:26.840 --> 0:12:30.680
<v Speaker 2>the algorithm, the algorithm, the algorithm, it becomes this thing

0:12:30.920 --> 0:12:34.360
<v Speaker 2>that that holds so much responsibility, but it's so ambiguous,

0:12:34.880 --> 0:12:37.320
<v Speaker 2>Like what are people even saying when they talk about

0:12:37.480 --> 0:12:40.560
<v Speaker 2>said algorithm, You know, we've stripped it of its humanity,

0:12:40.760 --> 0:12:42.880
<v Speaker 2>like it's just numbers and code, and like.

0:12:42.880 --> 0:12:47.040
<v Speaker 1>Trip the algorithm of its humanity. Okay, AI, you're the

0:12:47.120 --> 0:12:48.320
<v Speaker 1>a highlight.

0:12:48.160 --> 0:12:54.480
<v Speaker 2>Literally a human correspondent for the AI because when you

0:12:54.520 --> 0:12:56.480
<v Speaker 2>when you say, like, it's just this random thing, it's

0:12:56.480 --> 0:12:58.720
<v Speaker 2>this ambiguous thing, and maybe there are a few things

0:12:58.760 --> 0:13:00.920
<v Speaker 2>you can do to like broke it a little bit,

0:13:00.960 --> 0:13:03.800
<v Speaker 2>but it's out of your control. I think that meant

0:13:04.040 --> 0:13:06.640
<v Speaker 2>that people became a little bit more open minded to

0:13:06.720 --> 0:13:10.240
<v Speaker 2>the prospect in using a new platform, because there was

0:13:10.280 --> 0:13:11.600
<v Speaker 2>a point that I was like, oh no, I don't

0:13:11.600 --> 0:13:13.679
<v Speaker 2>want to especially people transitioning from Instagram. I'm like, I

0:13:13.720 --> 0:13:16.080
<v Speaker 2>don't want to do anything. It's too hard, it's whatever.

0:13:16.440 --> 0:13:19.160
<v Speaker 2>And then what happened we saw like people were going viral,

0:13:19.480 --> 0:13:22.800
<v Speaker 2>you know, like this is popping off, and then when

0:13:22.840 --> 0:13:24.719
<v Speaker 2>you try it, like not you and when people try it,

0:13:24.720 --> 0:13:26.760
<v Speaker 2>they're kind of like, oh wait, like this is hard. Way,

0:13:26.760 --> 0:13:29.040
<v Speaker 2>It's not that hard. I'm going viral whatever it is.

0:13:29.679 --> 0:13:31.560
<v Speaker 2>And then what I'm noticing now is that you know,

0:13:31.760 --> 0:13:35.280
<v Speaker 2>we're two years post that real big like sand Fare

0:13:35.320 --> 0:13:37.480
<v Speaker 2>of TikTok, and people just have to use it in

0:13:37.480 --> 0:13:40.040
<v Speaker 2>an everyday way and they're kind of like, oh, well,

0:13:40.240 --> 0:13:44.480
<v Speaker 2>like this is difficult because I'm waiting for this random

0:13:44.800 --> 0:13:48.560
<v Speaker 2>robot to favor me today. Come to find out, the

0:13:48.640 --> 0:13:51.160
<v Speaker 2>random robot could just be a person with an email.

0:13:51.360 --> 0:13:53.320
<v Speaker 2>Where are they that we can get in touch.

0:13:53.120 --> 0:13:54.479
<v Speaker 1>With today in Australia.

0:13:54.520 --> 0:13:57.000
<v Speaker 2>And then think about the videos you have that have

0:13:57.080 --> 0:14:01.440
<v Speaker 2>gone viral, and let's just say that, you know, in

0:14:01.480 --> 0:14:03.600
<v Speaker 2>one reality is because the video was amazing and like

0:14:03.679 --> 0:14:06.120
<v Speaker 2>you're a great creator and whatever, But in another reality,

0:14:06.120 --> 0:14:08.840
<v Speaker 2>it's because somebody heated it. Then you think, okay, what

0:14:08.960 --> 0:14:13.280
<v Speaker 2>videos of mine have gone viral? Videos about crooks, videos

0:14:13.280 --> 0:14:14.360
<v Speaker 2>about the nipple story.

0:14:14.480 --> 0:14:17.000
<v Speaker 1>Yeah, I mean that real cross that was heated or no,

0:14:17.080 --> 0:14:17.679
<v Speaker 1>heated that one?

0:14:18.200 --> 0:14:18.640
<v Speaker 2>Everywhere?

0:14:20.680 --> 0:14:22.000
<v Speaker 1>You know, about best work of the.

0:14:22.000 --> 0:14:26.880
<v Speaker 2>Year, stuff about periods, hygiene, like we're all in it together,

0:14:27.840 --> 0:14:30.720
<v Speaker 2>sharing narratives. What videos of your yours have gone viral

0:14:30.720 --> 0:14:31.200
<v Speaker 2>on TikTok.

0:14:31.240 --> 0:14:35.040
<v Speaker 1>First TikTok viral video was probably four years ago. It

0:14:35.080 --> 0:14:37.640
<v Speaker 1>was me walking and I said, how we are seeing

0:14:37.680 --> 0:14:40.800
<v Speaker 1>TikTok four years ago? Yeah? Damn, early adopter.

0:14:41.080 --> 0:14:42.600
<v Speaker 2>Well I'm actually obsessed now.

0:14:43.320 --> 0:14:47.080
<v Speaker 1>Yeah. Yeah, But I have to stop saying things like

0:14:47.600 --> 0:14:49.560
<v Speaker 1>I read when I really watched it on TikTok, because

0:14:49.600 --> 0:14:51.680
<v Speaker 1>I do read, but it's just fantasy. I love that

0:14:51.760 --> 0:14:52.760
<v Speaker 1>even used to come to that.

0:14:54.400 --> 0:14:57.000
<v Speaker 2>I think sometimes I forget too because so much I

0:14:57.120 --> 0:14:59.760
<v Speaker 2>used to do so much reading that it's like a

0:15:00.360 --> 0:15:01.800
<v Speaker 2>I say the word and I don't mean it.

0:15:01.960 --> 0:15:03.680
<v Speaker 1>I read more than I get news off TikTok. But

0:15:03.760 --> 0:15:05.280
<v Speaker 1>again I don't send that much time on it. But

0:15:05.320 --> 0:15:07.000
<v Speaker 1>I say this sort of say my first viral video,

0:15:07.240 --> 0:15:08.960
<v Speaker 1>I was walking on the street and I said, have

0:15:09.040 --> 0:15:11.680
<v Speaker 1>you ever noticed that? At one point in Australia. You're

0:15:12.280 --> 0:15:15.160
<v Speaker 1>walking upside down on the Earth and it went viral,

0:15:15.480 --> 0:15:18.840
<v Speaker 1>you know, because the gravity, we're actually upside down. What

0:15:20.000 --> 0:15:22.160
<v Speaker 1>if we're on Australia, we're at the bottom of the globe,

0:15:22.160 --> 0:15:24.960
<v Speaker 1>so we're upside down walking on the Earth upside down.

0:15:25.920 --> 0:15:29.440
<v Speaker 2>Ah, babes, you're a dioscicenttist.

0:15:29.520 --> 0:15:32.880
<v Speaker 1>It's true. I don't know because it turns on an

0:15:32.920 --> 0:15:36.080
<v Speaker 1>axis like this, right. Ah, we're on the bloody.

0:15:35.680 --> 0:15:38.320
<v Speaker 2>Boss, but we're not on the We're not on it.

0:15:38.440 --> 0:15:39.200
<v Speaker 2>Aren't we in it?

0:15:39.520 --> 0:15:44.080
<v Speaker 1>We're on the Earth. This is the Earth. We're on it.

0:15:44.840 --> 0:15:47.360
<v Speaker 2>But yeah, but when you're thinking of the sphere, like,

0:15:47.360 --> 0:15:50.880
<v Speaker 2>we're not on the sphere, we're in.

0:15:51.560 --> 0:15:52.920
<v Speaker 1>No, we're on the sphere.

0:15:52.920 --> 0:15:54.720
<v Speaker 2>We're not all walking on the outside.

0:15:54.800 --> 0:16:01.000
<v Speaker 1>Oh, babes, Babe, I'm.

0:16:00.800 --> 0:16:03.920
<v Speaker 2>Confused, but I'm I'm confused. I've got the spins.

0:16:04.000 --> 0:16:05.840
<v Speaker 1>I wish we got that on video. Oh my god,

0:16:06.160 --> 0:16:06.800
<v Speaker 1>got you a moment.

0:16:08.080 --> 0:16:08.920
<v Speaker 2>I'm walking on.

0:16:10.520 --> 0:16:12.160
<v Speaker 1>I mean we're in a shure right now. But anyway,

0:16:12.240 --> 0:16:16.840
<v Speaker 1>that's very interesting. FLEXI I think that does that.

0:16:16.760 --> 0:16:20.000
<v Speaker 2>Make you feel more or less motivated to make me

0:16:20.040 --> 0:16:20.640
<v Speaker 2>make content?

0:16:20.720 --> 0:16:23.680
<v Speaker 1>People are looking at my content because I.

0:16:23.680 --> 0:16:26.720
<v Speaker 2>Used to when I used to make content like ages ago,

0:16:26.840 --> 0:16:29.280
<v Speaker 2>like we're making content for ages. I think like, let's

0:16:29.280 --> 0:16:32.960
<v Speaker 2>say ten years ago when I first started, no, let's

0:16:32.960 --> 0:16:36.280
<v Speaker 2>say eight, when it became like a a muscle memory,

0:16:36.440 --> 0:16:38.560
<v Speaker 2>it was very excited. I feel like I had so

0:16:38.600 --> 0:16:41.040
<v Speaker 2>many thoughts and I was like, so like ferocious, I

0:16:41.080 --> 0:16:42.880
<v Speaker 2>got them out. I gotta share them. I gotta do them,

0:16:42.920 --> 0:16:45.280
<v Speaker 2>like people need to hear this right. It was like

0:16:45.320 --> 0:16:49.680
<v Speaker 2>an insatiable compulsion, like I have to share this thought

0:16:50.240 --> 0:16:53.000
<v Speaker 2>on this platform now. And I don't know if I've

0:16:53.040 --> 0:16:54.680
<v Speaker 2>just done it for so long, or I feel like

0:16:54.680 --> 0:16:57.240
<v Speaker 2>I've I gave my best thoughts, or I don't have

0:16:57.280 --> 0:17:01.520
<v Speaker 2>that same intensity. But now my relationship towards posting is

0:17:01.760 --> 0:17:07.040
<v Speaker 2>very like disciplined and regimented, like I've got to drink water,

0:17:07.400 --> 0:17:09.600
<v Speaker 2>I've got to check my emails, I've got to post,

0:17:09.920 --> 0:17:12.679
<v Speaker 2>And I don't know if that's the healthier approach because

0:17:12.680 --> 0:17:16.200
<v Speaker 2>before I used to spend like my full days in

0:17:16.240 --> 0:17:19.160
<v Speaker 2>my DMS responding to everything, like there was nothing more

0:17:19.200 --> 0:17:22.720
<v Speaker 2>important than being active and sharing a thought on the internet.

0:17:23.280 --> 0:17:26.520
<v Speaker 1>And now I's regimented. It's it's like scheduled sex when

0:17:26.520 --> 0:17:28.520
<v Speaker 1>you're in a long term relationship. There you go, boys,

0:17:29.000 --> 0:17:31.600
<v Speaker 1>perfect still gotta do it? But is it as fun

0:17:31.640 --> 0:17:35.399
<v Speaker 1>as it used to be? The juries out Catta flex

0:17:35.440 --> 0:17:36.040
<v Speaker 1>and Firms.

0:17:36.400 --> 0:17:38.480
<v Speaker 2>You're listening to flex and firms?

0:17:38.560 --> 0:17:39.520
<v Speaker 1>What the frick.

0:17:39.680 --> 0:17:43.359
<v Speaker 2>I'm having a lot of observations about this country that

0:17:43.400 --> 0:17:46.920
<v Speaker 2>we reside in, Australia, and I will say it's because

0:17:46.960 --> 0:17:49.439
<v Speaker 2>I've been traveling quite a bit. I have, but also

0:17:49.800 --> 0:17:52.840
<v Speaker 2>because on TikTok, what I'm finding is a lot of

0:17:53.400 --> 0:17:57.160
<v Speaker 2>people who have moved here doing Australia versus comparisons. How

0:17:57.240 --> 0:18:01.800
<v Speaker 2>is Australia different to Hungry, how's it different to the US, etcetera, etcetera, etcetera.

0:18:02.640 --> 0:18:05.080
<v Speaker 2>And one thing that they all say is like, I

0:18:05.119 --> 0:18:09.119
<v Speaker 2>thought Australia was quite a casual place, a chill place.

0:18:09.520 --> 0:18:13.280
<v Speaker 2>And I think in some respects, yes, it is, but

0:18:13.480 --> 0:18:15.840
<v Speaker 2>not in the way that it matters. I feel like

0:18:15.880 --> 0:18:19.080
<v Speaker 2>when I'm interacting with and I'm not just talking metropolitan Australias,

0:18:19.080 --> 0:18:21.000
<v Speaker 2>because we need to stop that. When we say in Australia,

0:18:21.119 --> 0:18:24.360
<v Speaker 2>people start thinking bond die straight away. No, just go

0:18:24.600 --> 0:18:27.960
<v Speaker 2>forty five minutes away from the city, two hours away

0:18:28.000 --> 0:18:30.879
<v Speaker 2>from the city. That's what I'm talking. Like your average Australian.

0:18:31.040 --> 0:18:33.479
<v Speaker 2>So the thing that comes up is like Australia's really chill,

0:18:33.680 --> 0:18:35.440
<v Speaker 2>or like I thought Australia would be chill. I thought

0:18:35.440 --> 0:18:37.639
<v Speaker 2>it would be casual. And I think it's the no

0:18:37.800 --> 0:18:40.840
<v Speaker 2>shoes that's giving off that vibe, but everything else, I'm like,

0:18:40.840 --> 0:18:45.320
<v Speaker 2>Australia's pretty traditional. Australia can be pretty conservative, and I

0:18:45.520 --> 0:18:47.399
<v Speaker 2>feel like what we kind of have is that like

0:18:47.840 --> 0:18:52.320
<v Speaker 2>the offcuts of like polite, you know, UK culture, where

0:18:52.480 --> 0:18:55.200
<v Speaker 2>where we're more concerned with protecting the vibe than being

0:18:55.280 --> 0:19:00.480
<v Speaker 2>truthful or protecting everybody's feelings or keeping the energy up.

0:19:01.080 --> 0:19:03.720
<v Speaker 2>And I think it's fascinating that like people who move

0:19:03.760 --> 0:19:06.800
<v Speaker 2>here notice that very very very quickly, because people who

0:19:07.000 --> 0:19:09.320
<v Speaker 2>live in Australia born and race are quite in denial

0:19:09.320 --> 0:19:11.840
<v Speaker 2>about that fact. And the one thing that gets me

0:19:11.880 --> 0:19:17.160
<v Speaker 2>is the pace, right, Like not that Australia moves quickly,

0:19:17.480 --> 0:19:20.280
<v Speaker 2>but like the way that we rush back into norms,

0:19:20.359 --> 0:19:24.240
<v Speaker 2>like why don't we Like I saw this video of

0:19:24.240 --> 0:19:26.240
<v Speaker 2>this chick being like I live in a surf town

0:19:26.280 --> 0:19:28.199
<v Speaker 2>and if the surf is really good, nobody works. I'm like,

0:19:28.240 --> 0:19:31.399
<v Speaker 2>that's the real Australia. Bring that back, because why are

0:19:31.440 --> 0:19:34.439
<v Speaker 2>we rushing back to work post COVID, rushing back to

0:19:34.480 --> 0:19:37.600
<v Speaker 2>work after the weekend, rushing back? Let's bring it down,

0:19:38.440 --> 0:19:41.959
<v Speaker 2>Let's just slow it all down. Let's look to our

0:19:42.080 --> 0:19:45.720
<v Speaker 2>four far. I've done too much. I've done too much.

0:19:45.760 --> 0:19:50.520
<v Speaker 2>But I need to channel whatever the true Australia, true Australia,

0:19:50.600 --> 0:19:54.479
<v Speaker 2>whatever Australia is, whatever archetype people who aren't from here

0:19:54.600 --> 0:19:57.720
<v Speaker 2>think we are, aside from racist, is the one. I'm

0:19:57.720 --> 0:19:58.639
<v Speaker 2>the one I want to channel.

0:20:01.160 --> 0:20:02.959
<v Speaker 1>I'll tell you what it is. It's a Paul Hogan,

0:20:04.080 --> 0:20:06.119
<v Speaker 1>where the not the where the bloody hell are you

0:20:06.160 --> 0:20:07.400
<v Speaker 1>but shrimp on the barbie.

0:20:07.440 --> 0:20:09.720
<v Speaker 2>I don't know who that is. If you if you know,

0:20:09.800 --> 0:20:11.159
<v Speaker 2>you know, I know who hul Hogan is.

0:20:11.200 --> 0:20:15.840
<v Speaker 1>Though flex and frims, flex and frames cater never miss

0:20:15.840 --> 0:20:16.400
<v Speaker 1>a beat.

0:20:16.359 --> 0:20:18.760
<v Speaker 2>I've been having. It's not I don't want to use

0:20:18.800 --> 0:20:21.440
<v Speaker 2>the phrase intrusive thought because it's not. But every time

0:20:21.480 --> 0:20:23.560
<v Speaker 2>I drive, I think to myself, should I have a

0:20:23.640 --> 0:20:26.920
<v Speaker 2>dash cam? Should I have a dash cam?

0:20:27.080 --> 0:20:27.760
<v Speaker 1>Karen esque?

0:20:27.840 --> 0:20:29.840
<v Speaker 2>It's Karen esque? And I don't know if it's because

0:20:29.840 --> 0:20:32.040
<v Speaker 2>I mean, if I don't trust me, all the people

0:20:32.119 --> 0:20:35.120
<v Speaker 2>around you know what I'm saying, Like at any given point,

0:20:35.119 --> 0:20:38.480
<v Speaker 2>I'm like, anything could go wrong, and who whose word

0:20:38.480 --> 0:20:39.399
<v Speaker 2>are we taking for it?

0:20:39.480 --> 0:20:41.960
<v Speaker 1>I feel like everyone's got the dash cam until they

0:20:41.960 --> 0:20:45.240
<v Speaker 1>do something wrong and then inlad un.

0:20:47.160 --> 0:20:48.760
<v Speaker 2>But I also do some of my best thinking while

0:20:48.760 --> 0:20:51.320
<v Speaker 2>I'm driving, because, as we know, it's like a flow state.

0:20:51.320 --> 0:20:52.960
<v Speaker 2>I don't want to say meditator because we should be

0:20:52.960 --> 0:20:56.600
<v Speaker 2>paying one hundred percent attention, but something's not fully activated,

0:20:56.600 --> 0:20:58.440
<v Speaker 2>which means I can think of more creative thoughts, which

0:20:58.520 --> 0:21:01.560
<v Speaker 2>led me to this moral dilemma. Would you rather get

0:21:01.600 --> 0:21:04.760
<v Speaker 2>into a car crash and it be entirely your fault,

0:21:04.920 --> 0:21:09.440
<v Speaker 2>You're bad, or get hit by another car that refuses

0:21:09.520 --> 0:21:12.560
<v Speaker 2>to give you their details and just runs away before

0:21:12.600 --> 0:21:13.640
<v Speaker 2>you can get the license plate?

0:21:14.119 --> 0:21:17.399
<v Speaker 1>Oh my god, both I don't want.

0:21:17.280 --> 0:21:21.720
<v Speaker 2>To and you survive. You survived, not fatal. In my

0:21:21.800 --> 0:21:26.320
<v Speaker 2>heart of heart, both are so embarrassing, so embarrassing, and

0:21:27.560 --> 0:21:29.439
<v Speaker 2>there's there are a few things I hate more than

0:21:29.480 --> 0:21:32.800
<v Speaker 2>feeling shame. Yeah, and both of those things feel shameful.

0:21:32.800 --> 0:21:33.359
<v Speaker 2>But which one go?

0:21:33.960 --> 0:21:37.359
<v Speaker 1>I would rather? You know, I'm a vigilante, you heart, Okay,

0:21:37.760 --> 0:21:39.760
<v Speaker 1>I would hate the idea of not getting a number plate.

0:21:39.880 --> 0:21:41.280
<v Speaker 1>I would love it if I got the number plate,

0:21:41.320 --> 0:21:45.120
<v Speaker 1>and I could steing them, but for insurance purposes, I'd

0:21:45.200 --> 0:21:48.520
<v Speaker 1>rather do the wrong thing. Get and get.

0:21:49.080 --> 0:21:51.199
<v Speaker 2>This is coming from car tintwoman. We're learning a lot

0:21:51.240 --> 0:21:55.040
<v Speaker 2>about the vehicle industry. So you'd rather hit someone.

0:21:55.520 --> 0:21:58.360
<v Speaker 1>Hit someone in a car and not hit a pedestrian.

0:21:58.400 --> 0:22:02.000
<v Speaker 2>You would rather hit another car? Yes, you want to hear.

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<v Speaker 1>It almost happen to be on the weekend. I was

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<v Speaker 1>going through a roundabout and you know how you got

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<v Speaker 1>your indicator on. The person assumed that I was put

0:22:08.760 --> 0:22:10.840
<v Speaker 1>the indicator on to go like just a hard left,

0:22:10.840 --> 0:22:12.040
<v Speaker 1>but I was doing the full U turn.

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<v Speaker 2>So this happens in Randwick all the time.

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<v Speaker 1>It was Randow. How do you know that it happened

0:22:16.240 --> 0:22:18.480
<v Speaker 1>to me in that same round about near the school?

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<v Speaker 2>Yeah? And I used to. I used to when I

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<v Speaker 2>lived there. No not saying that. I know that because

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<v Speaker 2>of the hill and the sun.

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<v Speaker 1>I know that that's a haunted place.

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<v Speaker 2>Do you know that?

0:22:30.560 --> 0:22:32.840
<v Speaker 1>How did you? Oh? Foresee, I'm also.

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<v Speaker 2>A little bit witchy, so you are.

0:22:36.280 --> 0:22:38.680
<v Speaker 1>I'm telling you you've been listening to The Flex and

0:22:38.720 --> 0:22:42.480
<v Speaker 1>Froom's daily podcast. For more, tune Indicator on DAB or

0:22:42.520 --> 0:22:43.840
<v Speaker 1>stream it on iHeartRadio.