WEBVTT - Mr Drain Man

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<v Speaker 1>The Christian O'Connell Breakfast Show podcast.

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<v Speaker 2>Meldon's Gold one oh four point three wise.

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<v Speaker 1>From Richmond Gold one four point three HQ is Melbourne,

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<v Speaker 1>Australia forecasting to the world.

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<v Speaker 3>Who Who's Calling? Christians?

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<v Speaker 1>And John for Sean mccarlos, it is Missus Nagie Beer

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<v Speaker 1>calling James Cordenberg Groove.

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<v Speaker 4>Shelley Craft here from Channel nine of the block.

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<v Speaker 5>It's in here from Powderfinger. Hey Christians, Christians were.

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<v Speaker 3>Who Who's Who's Who's Who's calling Christians?

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<v Speaker 1>Hey coome Onring Tuesday morning, seven minutes past six Christian

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<v Speaker 1>O'Connell Breakfast Show Here for Jet Staff. So we are

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<v Speaker 1>day number seven on Who's Connel Chrishion finishes as Friday

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<v Speaker 1>ten a m. As long as when we start the show,

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<v Speaker 1>we never really know who's going to be calling. That's

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<v Speaker 1>how the game, but we're grateful for anyone who do

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<v Speaker 1>get to call the show. Yesterday it was another day

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<v Speaker 1>of surprises. Agro was the big takeaway from yesterday's show.

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<v Speaker 1>I've had more emails about Agro than anyone we've had

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<v Speaker 1>on good Say.

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<v Speaker 6>He counts on the list because last week we had

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<v Speaker 6>the fidget spinning dog and we said no, they've got

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<v Speaker 6>to be human celebrities.

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<v Speaker 1>Agros is a hot new entry coming in hot yesterday.

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<v Speaker 1>I don't know whether it's people and enjoyed it because

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<v Speaker 1>obviously a lot of you grew up with Agro on

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<v Speaker 1>TV for many, many years. All the facts he swore

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<v Speaker 1>twice or maybe all of that. Someone even said someone

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<v Speaker 1>emailed me yesterday evening saying this, does this email to

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<v Speaker 1>you about Agro count as a vote for him to

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<v Speaker 1>win it? Which was great, But we're the voting won't

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<v Speaker 1>begin until once it ends this Friday at ten am.

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<v Speaker 1>So yeah, we don't know who could be calling today. However,

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<v Speaker 1>often people email and say, hey, listen, I've asked so

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<v Speaker 1>and so they said they might call today. I do

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<v Speaker 1>know that apparently Pamela Anderson has said that she might

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<v Speaker 1>call today. Jim and Man. When Pamela Anderson it was

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<v Speaker 1>one of those big worldwide names, a brand. What has happened?

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<v Speaker 1>Where is Pamela Anderson now?

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<v Speaker 7>Well, she's supporting Julian Hassan. She isn't she go?

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<v Speaker 6>Were they dating for a bit?

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<v Speaker 1>Well?

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<v Speaker 7>They said they, well that reports were, but I don't

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<v Speaker 7>know if that.

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<v Speaker 1>He probably said they hard to run a relationship from

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<v Speaker 1>the Ecuador and Emba. She's the only thing they can

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<v Speaker 1>ever do is go around to his all the time.

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<v Speaker 1>Netflix and chill again, Julie, when don't we just feel

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<v Speaker 1>like you're embarrassed to be seen out in public with me?

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<v Speaker 1>Have been amazing to get I hope she does call.

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<v Speaker 1>There's so much to talk about, especially all that part

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<v Speaker 1>of her life as well. How does she get to

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<v Speaker 1>meet him?

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<v Speaker 6>Excuse my ignorance, but did he go to jail because

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<v Speaker 6>he's out of the embassy?

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<v Speaker 7>Isn't he? Isn't he in custody of the US.

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<v Speaker 1>He has been west away to America? Goodness knows where

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<v Speaker 1>he is.

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<v Speaker 7>Or something really?

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<v Speaker 6>Or is he at Pamela's house now?

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<v Speaker 1>Maybe I don't know. I don't know where he is.

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<v Speaker 1>All these questions can be answered. Anderson gives us a

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<v Speaker 1>call for the big interview. It's give me about sixty minutes.

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<v Speaker 1>And then my other favorite email that came in the

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<v Speaker 1>last twenty four hours is someone saying that they've contacted

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<v Speaker 1>via his Instagram account. And this is how who's calling

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<v Speaker 1>Christian works. It's not just about if you know a

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<v Speaker 1>celebrity or you live near one, ask him to call

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<v Speaker 1>the show and they can plug a charity and maybe

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<v Speaker 1>win twenty thousand dollars on the show, and you win

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<v Speaker 1>twenty thousand dollars for yourself as well. It's on social media.

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<v Speaker 1>There are so many celebrities now. One of our listeners

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<v Speaker 1>yesterday actually went onto Facebook for the first time on

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<v Speaker 1>her life because she wants to enter the competition. She

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<v Speaker 1>opened her whole new account yep, and has contacted Dawn French.

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<v Speaker 1>She's never used social media in a life and then

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<v Speaker 1>but somebody else has contacted. Robert Danny Junior is a

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<v Speaker 1>great actor or via his Instagram account, he does a

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<v Speaker 1>lot on Instagram, Robert Dnney Junior. If you look through

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<v Speaker 1>his feed as well, you'll see a lot of charity

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<v Speaker 1>stuff he pluggs as well. But the only Instagram account

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<v Speaker 1>this listener of ours has is her dog's Instagram account.

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<v Speaker 1>So Robert Danny Junior has been getting messages from a dog.

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<v Speaker 1>I think there's a strong child. Robert Danny Junior Stripes

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<v Speaker 1>is the kind of guy who likes dogs and is

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<v Speaker 1>going to listen to a dog more than a human,

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<v Speaker 1>saying call this radio show in Melbourne, Australia called Gold

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<v Speaker 1>one oh four point three, So we may or may

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<v Speaker 1>not get a call today from Pamela Anderson and Robert

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<v Speaker 1>Danny Jr. When we say tonight, we do who actually

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<v Speaker 1>give us called Robert Daney Junior can say a dog.

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<v Speaker 2>The Christian O'Connell breakfast show, Melbourne's Gold one oh four point.

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<v Speaker 1>Three, one of the producers has came into studio and

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<v Speaker 1>gave me a heads up about a potential caller on

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<v Speaker 1>today's show and actually said to me, just to let

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<v Speaker 1>you know, he is actually quite well spoken. That should

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<v Speaker 1>ever be so that I need to be warned about,

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<v Speaker 1>you know, as opposed to the often six hour just

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<v Speaker 1>heads up. Another one of those fancy Dan's coming in

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<v Speaker 1>again with the old words that are clearly legible.

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<v Speaker 6>I know how you like a total crazy person, and

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<v Speaker 6>I wouldn't usually put somebody like this on.

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<v Speaker 1>But how do you feel about speaking to someone well

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<v Speaker 1>spoken today?

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<v Speaker 8>No?

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<v Speaker 1>Not today, he's not feeling it today. Not today. Le

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<v Speaker 1>everyone back up the studio, all right? Then they just

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<v Speaker 1>had this. This is an interesting email from a man

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<v Speaker 1>called Richard Norton. Hi, Christian, my name is Richard Norton.

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<v Speaker 1>I'm contacting you from Atlanta, Georgia, America, where I'm presently

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<v Speaker 1>working as forget this fight coordinator on the next Suicide

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<v Speaker 1>Squad movie, being directed by James Gunn's been contacted by

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<v Speaker 1>one of our listeners, Shane Cooper, about who's calling Christian.

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<v Speaker 1>A few years ago, a martial arts friend of mine,

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<v Speaker 1>Andrew Roberts, passed away and his wife had the sort

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<v Speaker 1>up a foundation in his honor to raise funds to

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<v Speaker 1>out terminally ill people have the last at homes with

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<v Speaker 1>their family of a Melbourne lad. Been in martial arts

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<v Speaker 1>for most of my life and been in the entertainment

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<v Speaker 1>industry from four years now, having recently worked on Mad Max,

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<v Speaker 1>Fury Roads, Suisquad Squad one, Triple Frontier and now Suicide

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<v Speaker 1>Squad two.

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<v Speaker 6>Is Triple Frontier, the Ben Effling Netflix movie that you're

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<v Speaker 6>trying to encourage us always to see.

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<v Speaker 1>Yep, this guy grew up in Croydon. He's now, you know,

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<v Speaker 1>over in Hollywood as a fight coordinate on Suicide Squad too,

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<v Speaker 1>which is crammed with stars.

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<v Speaker 6>Yeah, well, Will Smith, Margo Robbie.

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<v Speaker 1>And Christian. A funny tippit is that I'm a great

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<v Speaker 1>Bobby phrase. That tipbit is I'm married to x Sale

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<v Speaker 1>of the Century model and World Safari actress Judy Green

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<v Speaker 1>and Chuck Norris was best man at our wedding. We've

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<v Speaker 1>got to get this guy, and he's open Atlanta at

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<v Speaker 1>the moment. We're trying to see if we can get

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<v Speaker 1>him to give us a call for Who's calling in

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<v Speaker 1>Christian This is incredible. He wants to know more details.

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<v Speaker 1>He's a waere it ends Friday. He's hoping to give

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<v Speaker 1>us a call.

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<v Speaker 6>It awesome.

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<v Speaker 1>I want life he's had anyway, how does he end

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<v Speaker 1>up going for martial arts a lad from Croydon to

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<v Speaker 1>working on those big movies now on Suicide Scord? But

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<v Speaker 1>then I want to know about how the hell did

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<v Speaker 1>he become friends with Chuck Norris. I guess if he's

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<v Speaker 1>in martial arts circles. But still that's incredible, so who knows?

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<v Speaker 1>I think quickly google who else is in there, because

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<v Speaker 1>I think there's about eight different stars in suic Squad

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<v Speaker 1>Suicide Squad two.

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<v Speaker 6>So Jared Lado is the is the joker here.

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<v Speaker 1>Being character that just quite an intense guy. We thought

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<v Speaker 1>Agro is hard worked yesterday. That now the way of

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<v Speaker 1>Jared Lito. Just to warn you he is mad. I

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<v Speaker 1>think pretty sure I like you said, Will Smith is

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<v Speaker 1>in it, and Omargo Robbie is in it as well.

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<v Speaker 1>Any of those, even just Richard Norton himself, the stunt coordinator,

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<v Speaker 1>would be a great chat anyway. But someone on a

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<v Speaker 1>movie set, especially when a lot of actors on those

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<v Speaker 1>big film sets, they're hanging around most of the day

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<v Speaker 1>in their trailers.

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<v Speaker 6>I guess I guess the act like the car and

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<v Speaker 6>Google byb No, I think it's it's because the movie

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<v Speaker 6>is not out. I guess people don't know. Maybe it's

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<v Speaker 6>just rumors and speculation at this point.

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<v Speaker 1>Oh we know, John Farnon could be That's why we

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<v Speaker 1>had later from coming up on the show The.

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<v Speaker 2>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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<v Speaker 1>Three, how to complain about something that we did on

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<v Speaker 1>the show yesterday. Normally wouldn't bothery with complaints, but I

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<v Speaker 1>think this one we can make good on. Okay, Christian

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<v Speaker 1>Christian Christian three estamation marks. That's how annoyed this person

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<v Speaker 1>is at me. Comes in at seven point thirty two

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<v Speaker 1>am yesterday from a concerned listener. Jenny Mitchell was driving

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<v Speaker 1>to work and heard a discussion with Jack about rocking

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<v Speaker 1>chairs and knitting. Nanez. Now, just to give you some clarification,

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<v Speaker 1>Jack was saying about him and his wife were interested

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<v Speaker 1>in getting a rocking chair, and I said, normally that's

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<v Speaker 1>something you know, you associate with a gran out on

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<v Speaker 1>the front porch knitting. Yes, anything offensive to me?

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<v Speaker 6>No, it's a fair stereotype.

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<v Speaker 1>Yes, perhaps. Do you think it's offensive or objectionable?

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<v Speaker 7>I think it was offensive that you said I did

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<v Speaker 7>that out at Wherrib.

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<v Speaker 6>Oh, yeah, yes I do.

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<v Speaker 1>I'm moness, But you have no right to reply to you.

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<v Speaker 1>Are you knit?

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<v Speaker 3>No?

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<v Speaker 7>I can't knit for nuts. I leave holes in my scarves.

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<v Speaker 1>I didn't know that people couldn knit for nuts, but

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<v Speaker 1>some of these knitches can do. They can hit nuts

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<v Speaker 1>now anyway.

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<v Speaker 6>It sounds like some kind of fun knitting for us.

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<v Speaker 1>Back to Jenny Chrishi and I knit with many, many people,

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<v Speaker 1>and trust me, none knit in a rocking chair, and

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<v Speaker 1>only one is a nana. It is such a stereotype. Christian,

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<v Speaker 1>I'm disappointing you and the team for stereotyping knitters. They

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<v Speaker 1>come on, you're a part of it. For stereotyping knitters

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<v Speaker 1>as old women in rocking chairs. You guys need to

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<v Speaker 1>get out more to the really funky yarn shops and

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<v Speaker 1>to the shows and festivals. Trust me, no nana's in

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<v Speaker 1>rocking chairs knitting. In my group, we have a set

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<v Speaker 1>of twins who are fourteen who knit with us, a

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<v Speaker 1>few blokes and only one real, genuine Nana so who

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<v Speaker 1>is removed from the stereotype. She is a funky lady.

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<v Speaker 1>Hi Janette. She's even doing shouts outs in her I

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<v Speaker 1>love you, Jenny, this is great. Christian loved the show

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<v Speaker 1>I do. However, please stop with the stereotype of knitting

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<v Speaker 1>nana's in rocking chairs, Nanisen. There is enough prejudice in

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<v Speaker 1>this world. I do not want to be an instrument

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<v Speaker 1>of hate and division. That is not why I came

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<v Speaker 1>into Melbourne. I came here to heal you. I'm doing

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<v Speaker 1>frontier work here, so I'm going to get I emailed

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<v Speaker 1>her back, just saying how it's great to be informed

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<v Speaker 1>and aware of the exciting new developments happening in the

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<v Speaker 1>knitting underground. Who knew.

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<v Speaker 6>Now we're educated and we won't make the same mistake again.

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<v Speaker 1>However, I just said to Jenny, would you like to

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<v Speaker 1>come on today's show? Not so, I can apologize, but

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<v Speaker 1>I have a peace offering to her and a knitting group.

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<v Speaker 1>What I like to offer Jenny and her team of

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<v Speaker 1>knitters is, do you think we should get her to

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<v Speaker 1>make something for we have in the studio many years ago,

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<v Speaker 1>A lady Canney made me a knitted versus myself and

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<v Speaker 1>Noel Gallagher, and I gave Noel Gallagher when he came

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<v Speaker 1>on the show, he knitted himself, which he seems to

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<v Speaker 1>like a doll. It was a doll a dole knitted.

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<v Speaker 1>No and a Dole knitted together during the show that

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<v Speaker 1>we did together. And then when Noel left, he took

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<v Speaker 1>the little knitted nol and I took the little knitted me.

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<v Speaker 1>I've still got it now. I took it all the

0:11:00.800 --> 0:11:02.840
<v Speaker 1>way here. When I ever grated, I wanted she wants

0:11:02.880 --> 0:11:05.880
<v Speaker 1>to knit something for the show and her team of knitters.

0:11:05.920 --> 0:11:06.959
<v Speaker 1>I don't know what it is, but I think we

0:11:06.960 --> 0:11:08.719
<v Speaker 1>should get her on this morning. But Jenny, thank you

0:11:08.800 --> 0:11:09.280
<v Speaker 1>for your email.

0:11:09.440 --> 0:11:12.800
<v Speaker 2>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:11:12.840 --> 0:11:13.720
<v Speaker 2>point three to.

0:11:13.760 --> 0:11:17.120
<v Speaker 1>Be golchan and America of the Weekend and Dwayne Ormand's

0:11:17.160 --> 0:11:20.640
<v Speaker 1>Gold Top Guitar has this gone for one point twenty

0:11:20.720 --> 0:11:22.640
<v Speaker 1>five million dollars, and I was reading about it thinking

0:11:22.800 --> 0:11:24.640
<v Speaker 1>it's a lot of money for Dwayne Norman's guitar, and

0:11:24.679 --> 0:11:26.679
<v Speaker 1>I didn't realize it was the guitar that he came

0:11:26.760 --> 0:11:30.240
<v Speaker 1>up with the classic signature riff to Eric Clapton's Layla,

0:11:30.920 --> 0:11:33.280
<v Speaker 1>which was going to be a ballad. But I didn't

0:11:33.320 --> 0:11:36.480
<v Speaker 1>even realize that Dwayne Norman played on Everyone knows Eric

0:11:36.480 --> 0:11:40.040
<v Speaker 1>Clapton's song Layla, one of those famous riffs in rock

0:11:40.080 --> 0:11:42.000
<v Speaker 1>and roll, But I didn't realize it was there's going

0:11:42.040 --> 0:11:44.520
<v Speaker 1>to be a ballad. Clapton wanted to be very slow,

0:11:44.920 --> 0:11:47.800
<v Speaker 1>bladdered ballad until Dwayne Norman came up the riff and

0:11:47.800 --> 0:11:49.960
<v Speaker 1>then turn into a far rocky number. This and this

0:11:50.040 --> 0:11:52.280
<v Speaker 1>is this contains both of them playing on it together.

0:11:58.280 --> 0:12:01.160
<v Speaker 1>You've ever seen Goodfellows issues brilliant and good Fellas twice

0:12:01.160 --> 0:12:18.959
<v Speaker 1>as well. I want to hear the full song now,

0:12:19.000 --> 0:12:21.120
<v Speaker 1>and that amazing outro as well, which is like a

0:12:21.160 --> 0:12:23.520
<v Speaker 1>completely different song as well when they use it when

0:12:23.520 --> 0:12:25.440
<v Speaker 1>everyone's being bumped off in good Fellas, You know that

0:12:25.480 --> 0:12:28.000
<v Speaker 1>piano outro in it? Uh yeah, I didn't even know

0:12:28.120 --> 0:12:31.360
<v Speaker 1>Dua Norman came up the riff that signature iconic riff

0:12:31.360 --> 0:12:33.600
<v Speaker 1>on it as well, and played with Clapton on these

0:12:33.640 --> 0:12:36.200
<v Speaker 1>two great guitar gods together. So I was thinking, you know,

0:12:36.280 --> 0:12:38.320
<v Speaker 1>if you if money was no object and he could

0:12:38.360 --> 0:12:40.839
<v Speaker 1>own and the lovely story about this being sold normally

0:12:40.920 --> 0:12:43.800
<v Speaker 1>goes to private buyers and disappears into some big mansion

0:12:43.840 --> 0:12:46.360
<v Speaker 1>and us some immortals never get to see a classic

0:12:46.400 --> 0:12:48.320
<v Speaker 1>bit of rock and roll memorbilia. But the person who's

0:12:48.360 --> 0:12:51.360
<v Speaker 1>bought it for one point twenty five million dollars has

0:12:51.400 --> 0:12:53.880
<v Speaker 1>agreed to still keep it at the Orman Day Norman

0:12:54.000 --> 0:12:55.719
<v Speaker 1>Museum for most of the year. He just wants it.

0:12:55.720 --> 0:12:57.000
<v Speaker 1>I don't know where he wants it, like you're not

0:12:57.080 --> 0:13:00.439
<v Speaker 1>the school guinea pig. But does he want it over Christmas?

0:13:01.160 --> 0:13:03.160
<v Speaker 1>I'm going away for a weekend. I want my guitar.

0:13:04.040 --> 0:13:06.320
<v Speaker 6>I'll take it Mondays to Thursdays. You guys can have

0:13:06.320 --> 0:13:06.960
<v Speaker 6>it over the week.

0:13:06.840 --> 0:13:08.920
<v Speaker 1>And in karaoke at the weekend. I just want to

0:13:08.960 --> 0:13:11.840
<v Speaker 1>have it with me on stage. Is am I, Dwayne

0:13:11.880 --> 0:13:14.640
<v Speaker 1>Ormand and guitar. But if money was no object and

0:13:14.720 --> 0:13:17.319
<v Speaker 1>he could own any piece of rock and roll memorabilia,

0:13:17.360 --> 0:13:20.040
<v Speaker 1>what would you love to own? There's so much I'd

0:13:20.080 --> 0:13:23.520
<v Speaker 1>love to own. I'd love to own the Telefunken U

0:13:23.640 --> 0:13:27.319
<v Speaker 1>forty seven. That was the only microphone once Frank Sinacher

0:13:27.360 --> 0:13:30.079
<v Speaker 1>got signed to Capitol Records in the nineteen fifties. He

0:13:30.240 --> 0:13:33.320
<v Speaker 1>used no other microphone other than he called it his telly.

0:13:33.480 --> 0:13:36.680
<v Speaker 1>It's a classic microphone when those beautiful old microphones on

0:13:36.720 --> 0:13:38.840
<v Speaker 1>the stand. But it's the telefunkn now known as a

0:13:38.920 --> 0:13:41.040
<v Speaker 1>name and now known as a shore, but it's a

0:13:41.080 --> 0:13:44.640
<v Speaker 1>telefunking you forty seven. It's in a very special sound

0:13:44.640 --> 0:13:47.160
<v Speaker 1>that Frank thought was his magical sound. And he would

0:13:47.200 --> 0:13:49.400
<v Speaker 1>only sing and record on that microphone. And would you

0:13:49.440 --> 0:13:51.240
<v Speaker 1>keep it at home or would you do on the

0:13:51.280 --> 0:13:54.040
<v Speaker 1>show here? You know, just channel the spirit of Frank

0:13:54.080 --> 0:13:55.959
<v Speaker 1>when I'm doing the show. The other thing i'd love

0:13:56.000 --> 0:13:57.920
<v Speaker 1>to own. You know, a big Elvis fan is that

0:13:57.960 --> 0:14:01.319
<v Speaker 1>black catsuit that he did the sixty comeback. Specially, this

0:14:01.480 --> 0:14:04.120
<v Speaker 1>was one of the greatest live performances for me because

0:14:04.480 --> 0:14:06.559
<v Speaker 1>Elvis wasn't sure and he was having panic attacks before

0:14:06.559 --> 0:14:08.959
<v Speaker 1>doing this gig. And it's such an amazing performance. And

0:14:09.000 --> 0:14:11.760
<v Speaker 1>he's young, and he's he looks great, and he's got

0:14:11.760 --> 0:14:13.840
<v Speaker 1>the suave. You got the hipsway, but I love that

0:14:13.880 --> 0:14:16.600
<v Speaker 1>whenever you watch the Elvis sixty eight Comeback special. It

0:14:16.679 --> 0:14:18.839
<v Speaker 1>was before the sad end to his life and everything

0:14:18.920 --> 0:14:20.960
<v Speaker 1>was to become but he wasn't sure if he could

0:14:21.000 --> 0:14:22.680
<v Speaker 1>come back and still have that magic, and he did,

0:14:22.680 --> 0:14:25.280
<v Speaker 1>and I think it was well his best ever live performance.

0:14:25.320 --> 0:14:26.520
<v Speaker 1>I'd love to have that cat suit.

0:14:26.560 --> 0:14:28.160
<v Speaker 6>And again, would you keep it at home or do

0:14:28.240 --> 0:14:29.560
<v Speaker 6>the show you wear it?

0:14:29.800 --> 0:14:31.880
<v Speaker 1>I think it's a good look walking around the Actually

0:14:31.880 --> 0:14:33.520
<v Speaker 1>know what I reckon. If I walked out of here

0:14:33.520 --> 0:14:38.000
<v Speaker 1>in Richmond and I was in a leather catsuit like

0:14:38.040 --> 0:14:42.360
<v Speaker 1>that with thanks to microphone, people wouldn't even look. Twice

0:14:42.360 --> 0:14:46.960
<v Speaker 1>were though slightly older hipster. You know.

0:14:47.840 --> 0:14:50.040
<v Speaker 9>You know that eagle jumpsuit that he wore at the

0:14:50.080 --> 0:14:52.640
<v Speaker 9>Hawaii concert, the one that was televised around the world.

0:14:53.080 --> 0:14:54.720
<v Speaker 9>You know, he threw that out into the crowd and

0:14:54.760 --> 0:14:57.120
<v Speaker 9>I don't think that's ever been found. Someone's got it

0:14:57.160 --> 0:14:58.840
<v Speaker 9>but has never come forward to say.

0:14:58.640 --> 0:14:59.200
<v Speaker 7>Who it is.

0:14:59.440 --> 0:15:01.240
<v Speaker 1>No way, Yeah, partly that.

0:15:01.360 --> 0:15:03.760
<v Speaker 9>Yeah, when we went to Gracelane, we were reading about it.

0:15:03.840 --> 0:15:06.080
<v Speaker 9>Someone in the world has it, but we don't know who.

0:15:06.440 --> 0:15:08.280
<v Speaker 1>Do you know, what is it worth going to Graysland

0:15:08.320 --> 0:15:08.920
<v Speaker 1>I've never.

0:15:08.760 --> 0:15:10.160
<v Speaker 7>Been brilliant, is it?

0:15:10.160 --> 0:15:13.920
<v Speaker 9>It's yeah, it was quite spiritual. We spent a whole

0:15:14.000 --> 0:15:14.720
<v Speaker 9>day there and.

0:15:14.720 --> 0:15:15.840
<v Speaker 7>It was, Oh, it was brilliant.

0:15:16.000 --> 0:15:17.640
<v Speaker 1>How do you mean it was spiritual? Were certain rooms

0:15:17.640 --> 0:15:18.800
<v Speaker 1>we could fill the king's presence?

0:15:18.920 --> 0:15:20.200
<v Speaker 7>No, it was just I don't know.

0:15:20.280 --> 0:15:23.880
<v Speaker 9>You had such a huge influence on music and the world,

0:15:23.920 --> 0:15:26.800
<v Speaker 9>and to actually finally be there, it was quite surreal.

0:15:27.800 --> 0:15:29.200
<v Speaker 1>What was the most interesting part of it?

0:15:30.120 --> 0:15:34.080
<v Speaker 9>Probably I love to see his outfits, but just the

0:15:34.160 --> 0:15:36.760
<v Speaker 9>size of the mansion is actually quite small, like the

0:15:36.800 --> 0:15:37.840
<v Speaker 9>house is quite small.

0:15:39.160 --> 0:15:41.160
<v Speaker 7>But yeah, I'd definitely recommend it. It's brilliant.

0:15:41.360 --> 0:15:43.920
<v Speaker 1>Did you did have the TV room? We had about eighteen.

0:15:43.760 --> 0:15:45.680
<v Speaker 7>Yes, yeah, the TV room, I.

0:15:45.600 --> 0:15:46.760
<v Speaker 1>Mean that would be a dream to me.

0:15:47.000 --> 0:15:48.560
<v Speaker 7>The jungle room was pretty awesome.

0:15:48.720 --> 0:15:51.320
<v Speaker 1>Who wouldn't want like eighteen TVs? You know, something that's

0:15:51.360 --> 0:15:53.160
<v Speaker 1>going to those like sports bars and they've got like

0:15:53.160 --> 0:15:55.880
<v Speaker 1>sports small over the world than feeds. I'd love that, Jack,

0:15:55.920 --> 0:15:57.440
<v Speaker 1>if you could own any rock and roll member, but

0:15:57.480 --> 0:15:59.240
<v Speaker 1>it let me guess Green Day, Yes, I'll take the

0:15:59.320 --> 0:16:02.240
<v Speaker 1>leading Elvis is your Green Day.

0:16:02.400 --> 0:16:04.640
<v Speaker 6>Billy Joe Armstrong. He's had the same guitar since he's

0:16:04.680 --> 0:16:07.200
<v Speaker 6>ten years old. It's a Fender Strata caster. It's blue,

0:16:07.440 --> 0:16:10.400
<v Speaker 6>and it's got stickers all over it. And he's still that,

0:16:10.560 --> 0:16:12.680
<v Speaker 6>he says, it's still the same one that he takes

0:16:12.680 --> 0:16:14.440
<v Speaker 6>on to her and he plays at every show.

0:16:14.680 --> 0:16:16.560
<v Speaker 1>I didn't know that the same one since she was.

0:16:16.600 --> 0:16:18.600
<v Speaker 6>Ten, same one, says his ten. I find it hard

0:16:18.600 --> 0:16:22.120
<v Speaker 6>to believe unless they go and just refurbish it and

0:16:22.240 --> 0:16:25.560
<v Speaker 6>keep this, you know, keep it all intact. But then

0:16:25.560 --> 0:16:28.080
<v Speaker 6>they go and mess with the wires and stuff, because

0:16:28.120 --> 0:16:29.640
<v Speaker 6>otherwise I can't believe you can play it.

0:16:29.640 --> 0:16:34.000
<v Speaker 1>For like, pianos need constant retuning, don't they. I guess

0:16:34.000 --> 0:16:36.240
<v Speaker 1>a guitar is to that. But when the wood warp

0:16:36.320 --> 0:16:37.840
<v Speaker 1>and stuff like that and sound change.

0:16:37.920 --> 0:16:40.720
<v Speaker 6>Yeah, I've got a sad theory that he maybe has

0:16:40.760 --> 0:16:42.560
<v Speaker 6>like three or four replicas of her.

0:16:42.600 --> 0:16:46.200
<v Speaker 1>And there's a separate phone in One Day about sad theories.

0:16:47.600 --> 0:16:50.560
<v Speaker 1>It's not even big conspiracy theory, is it that big

0:16:50.600 --> 0:16:53.520
<v Speaker 1>one about the Twin Towers the Pentagon? And then Green

0:16:53.600 --> 0:16:54.160
<v Speaker 1>Day his.

0:16:54.040 --> 0:16:57.680
<v Speaker 6>Guitar did we Land on the Moon? But it's just

0:16:57.720 --> 0:16:58.280
<v Speaker 6>a real guitar.

0:16:58.360 --> 0:17:00.840
<v Speaker 1>It's just a sad theory. It's got to be sad.

0:17:01.800 --> 0:17:06.639
<v Speaker 1>Welcome to jackpo sad theories this week. All right, give

0:17:06.720 --> 0:17:08.080
<v Speaker 1>us a call, then let's open up the lines. If

0:17:08.080 --> 0:17:10.400
<v Speaker 1>you can own any rock and roll memorabilia, what would

0:17:10.400 --> 0:17:13.600
<v Speaker 1>it be? Money no object? Nine one four three.

0:17:13.560 --> 0:17:17.360
<v Speaker 2>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

0:17:17.240 --> 0:17:21.560
<v Speaker 1>Three Morning two. Veronica Lendorf, Good morning Christian. Listen to

0:17:21.600 --> 0:17:24.720
<v Speaker 1>the show this morning. Heard you'd been admonished. Good word

0:17:24.880 --> 0:17:28.640
<v Speaker 1>for stereotype in the knitting community. Yes, I have having

0:17:28.680 --> 0:17:31.639
<v Speaker 1>my morning coffee. Last week I was forced to re

0:17:31.880 --> 0:17:35.879
<v Speaker 1>educate my own knitting perceptions. An interesting art installation that's

0:17:35.880 --> 0:17:37.800
<v Speaker 1>been placed in the foy of one of the buildings

0:17:37.840 --> 0:17:40.640
<v Speaker 1>in Monash Medical Center where I were. I thought to myself,

0:17:40.800 --> 0:17:43.520
<v Speaker 1>that's a huge flower, maybe a poppy. Now it's not

0:17:43.560 --> 0:17:47.080
<v Speaker 1>a flower. It's not a poppy. It's currently in our building.

0:17:47.280 --> 0:17:52.040
<v Speaker 1>It is the world's largest knitted placenter. Lovingly, Han Knitter,

0:17:52.080 --> 0:17:52.919
<v Speaker 1>She sent me a phote.

0:17:53.160 --> 0:17:54.320
<v Speaker 6>Oh that's in Melbourne.

0:17:54.320 --> 0:17:54.560
<v Speaker 3>Is it?

0:17:54.600 --> 0:17:56.800
<v Speaker 1>Look at the size of that. That's a table.

0:17:56.880 --> 0:17:58.320
<v Speaker 6>That's a huge percenter.

0:17:58.760 --> 0:18:02.920
<v Speaker 1>Something from a stranger thing.

0:18:00.920 --> 0:18:02.760
<v Speaker 6>Like this is like.

0:18:04.359 --> 0:18:08.679
<v Speaker 1>Humans talk, Yes, that's like ten feet to it is

0:18:08.760 --> 0:18:11.160
<v Speaker 1>stranger things. The knitted barbs in the middle of it.

0:18:12.240 --> 0:18:14.680
<v Speaker 1>I'm happy to offer you and the team of tour

0:18:14.760 --> 0:18:17.159
<v Speaker 1>if you like to come over and see, you know what,

0:18:17.440 --> 0:18:19.000
<v Speaker 1>I think that'd be a great tour to have a

0:18:19.000 --> 0:18:21.399
<v Speaker 1>wander around there. That is there's and then there's one

0:18:21.400 --> 0:18:25.240
<v Speaker 1>of those sideboards and lots of inflammation about the wonderful percenter,

0:18:25.800 --> 0:18:29.920
<v Speaker 1>but that is unmistakably a giant knitted percenter. So much

0:18:30.080 --> 0:18:31.560
<v Speaker 1>our eyes have been open this morning.

0:18:31.560 --> 0:18:34.919
<v Speaker 6>Everyone, when who's calling Christians? All wrapped up? Should we

0:18:35.080 --> 0:18:37.960
<v Speaker 6>do atision? Win your way to the Giant Plus Center

0:18:38.000 --> 0:18:38.520
<v Speaker 6>in Monash.

0:18:39.119 --> 0:18:40.680
<v Speaker 1>We know we did the Golden ticket last week?

0:18:40.680 --> 0:18:40.879
<v Speaker 2>Did we?

0:18:40.920 --> 0:18:44.439
<v Speaker 1>All the greatest gigs in town? And that percenter at Monash,

0:18:44.680 --> 0:18:47.520
<v Speaker 1>the Giant Mega Center. All right, let's go to lines.

0:18:47.560 --> 0:18:49.960
<v Speaker 1>Now what're we talking about? Oh yes, rock and roll memorably.

0:18:50.119 --> 0:18:52.920
<v Speaker 1>You'd like to own Christian, id to own the pianot

0:18:52.920 --> 0:18:55.719
<v Speaker 1>and John used to sing Goodbye England's Rose at the

0:18:55.720 --> 0:18:59.040
<v Speaker 1>funeral of Diana, Princess of Wells. That's some Shelley Christian.

0:18:59.040 --> 0:19:01.440
<v Speaker 1>I'd like to get one of those big Neon hard

0:19:01.560 --> 0:19:04.479
<v Speaker 1>Rock Cafe guitar signs and have it in the garden

0:19:04.720 --> 0:19:08.120
<v Speaker 1>as a feature. Paul In Bayswater. Yeah, I mean, Paul,

0:19:08.160 --> 0:19:10.720
<v Speaker 1>I'd love to have that, but there's no word have anything.

0:19:10.760 --> 0:19:10.840
<v Speaker 5>I like.

0:19:11.040 --> 0:19:13.439
<v Speaker 1>My wife would find that objectionable. My idea of a

0:19:13.440 --> 0:19:16.840
<v Speaker 1>garden feature of my wife's. Wayne's in Sunbury.

0:19:16.840 --> 0:19:20.320
<v Speaker 10>Good morning, Wayne, Good morning Christian and everyone. How are you?

0:19:20.440 --> 0:19:20.800
<v Speaker 1>We're good?

0:19:20.840 --> 0:19:21.040
<v Speaker 8>Wayne.

0:19:21.080 --> 0:19:22.760
<v Speaker 1>I hope you well this morning. Thanks for calling the show.

0:19:23.000 --> 0:19:25.320
<v Speaker 1>What rock and roll member, Billy would you love? Wayne?

0:19:25.920 --> 0:19:30.960
<v Speaker 10>I would like Bomb Scott's bag pipes. I've met one

0:19:31.000 --> 0:19:32.880
<v Speaker 10>of the guys on the back of the truck. He's

0:19:32.920 --> 0:19:35.400
<v Speaker 10>given me the music that they played. It's a long

0:19:35.440 --> 0:19:39.040
<v Speaker 10>way to the top and with the on with the

0:19:39.240 --> 0:19:42.119
<v Speaker 10>claims of the west pipe being Highland pipe, then so

0:19:42.320 --> 0:19:43.840
<v Speaker 10>I reckon that would be very fitting.

0:19:44.320 --> 0:19:46.840
<v Speaker 1>Oh do you know what, I actually liked the sound

0:19:46.880 --> 0:19:49.000
<v Speaker 1>of the bagpipes that it's going to be one of

0:19:49.000 --> 0:19:50.919
<v Speaker 1>the only rock and roll songs that's actually got a

0:19:50.920 --> 0:19:52.200
<v Speaker 1>bagpipe solo in it.

0:19:53.040 --> 0:19:57.240
<v Speaker 10>No, John Farnam's got your the voice. Then there's a

0:19:57.280 --> 0:19:59.800
<v Speaker 10>couple other bands that have also got bag pipes in

0:19:59.800 --> 0:20:03.360
<v Speaker 10>the as well, Marla King, Tired, Paul McCartney. So there's

0:20:03.400 --> 0:20:04.120
<v Speaker 10>a few out there.

0:20:04.240 --> 0:20:06.160
<v Speaker 1>Do you know what sounds me? Wayne? These songs are

0:20:06.200 --> 0:20:09.480
<v Speaker 1>a few years old. Come on, ed shearing, break out

0:20:09.680 --> 0:20:10.680
<v Speaker 1>the bagpipes.

0:20:13.040 --> 0:20:15.200
<v Speaker 10>Yeah, well I don't know, I've hid suits.

0:20:15.240 --> 0:20:18.680
<v Speaker 5>Well yeah, well so I'm also the.

0:20:18.640 --> 0:20:22.359
<v Speaker 10>Bloke that was texting you to stop playing the shortened

0:20:22.440 --> 0:20:24.760
<v Speaker 10>version of A long lay to the top. You used

0:20:24.760 --> 0:20:27.000
<v Speaker 10>to cut a lot of the bagpipe solo way out

0:20:27.000 --> 0:20:27.159
<v Speaker 10>of it.

0:20:27.320 --> 0:20:31.960
<v Speaker 1>So I promise you. I did that. Promise you, Wayne.

0:20:32.160 --> 0:20:34.320
<v Speaker 1>I have never played the shortened version. We've always played

0:20:34.320 --> 0:20:35.720
<v Speaker 1>the full version. Some of you, they are not so

0:20:35.840 --> 0:20:38.160
<v Speaker 1>good songs. I'm a big fan of shortening some of those.

0:20:38.600 --> 0:20:40.840
<v Speaker 1>Guilty of that one. I wouldn't cut that m.

0:20:43.800 --> 0:20:44.000
<v Speaker 8>You know.

0:20:46.119 --> 0:20:47.160
<v Speaker 1>The songs.

0:20:49.160 --> 0:20:49.719
<v Speaker 10>This morning?

0:20:50.520 --> 0:20:50.840
<v Speaker 1>Sorry?

0:20:51.600 --> 0:20:53.160
<v Speaker 10>Can you play it this morning? Please?

0:20:53.320 --> 0:20:56.359
<v Speaker 1>Yeah? Yeah, I will stick it on for you Wayne. Okay,

0:20:57.240 --> 0:21:00.520
<v Speaker 1>thank you very much, and have a good day away.

0:21:00.640 --> 0:21:00.920
<v Speaker 5>Thanks.

0:21:01.640 --> 0:21:03.600
<v Speaker 6>I think the unedited version does go for five and

0:21:03.640 --> 0:21:04.480
<v Speaker 6>a half minutes though.

0:21:04.600 --> 0:21:06.879
<v Speaker 1>That's all right. We're going at ten to ten that

0:21:06.960 --> 0:21:09.679
<v Speaker 1>we can finish the show early. It's not like you

0:21:09.720 --> 0:21:12.359
<v Speaker 1>to be upset about that. Trouble is that. What happens

0:21:12.359 --> 0:21:14.560
<v Speaker 1>is paa Anason calls in join that way and get upset.

0:21:14.560 --> 0:21:21.240
<v Speaker 1>I've got to kill this on one last call, Joe,

0:21:21.280 --> 0:21:22.040
<v Speaker 1>good morning.

0:21:22.600 --> 0:21:23.800
<v Speaker 4>Hello, how are you Matte?

0:21:23.960 --> 0:21:26.800
<v Speaker 1>Were good? Joe and Joe? What rock and roll memorably

0:21:26.800 --> 0:21:27.320
<v Speaker 1>would you love?

0:21:28.080 --> 0:21:28.240
<v Speaker 8>Oh?

0:21:28.359 --> 0:21:30.520
<v Speaker 4>Get to that in one secred Christian, you're on a roll, mate,

0:21:30.520 --> 0:21:32.720
<v Speaker 4>you're disappointed the lady with the knitting. You've disappointed me

0:21:32.720 --> 0:21:33.440
<v Speaker 4>as an elbuston?

0:21:34.160 --> 0:21:34.880
<v Speaker 11>Do not know that?

0:21:35.240 --> 0:21:36.080
<v Speaker 10>How could you not know that?

0:21:36.119 --> 0:21:38.080
<v Speaker 4>Elvis didn't throw his cape into the audience of the

0:21:38.080 --> 0:21:40.080
<v Speaker 4>Olihah consummated? Does it right at the end of the show.

0:21:40.119 --> 0:21:40.840
<v Speaker 4>There's footage of it?

0:21:40.960 --> 0:21:44.119
<v Speaker 1>Kristian, Yeah, I've never seen that bit of the end.

0:21:44.160 --> 0:21:45.320
<v Speaker 1>What the black cat suit?

0:21:47.040 --> 0:21:47.920
<v Speaker 4>Eagel cape?

0:21:48.520 --> 0:21:51.320
<v Speaker 1>Sorry, that wasn't me that said that story that was

0:21:51.320 --> 0:21:52.119
<v Speaker 1>between the Jones.

0:21:52.560 --> 0:21:54.480
<v Speaker 4>You never seen it. You never heard of it. It's

0:21:54.520 --> 0:21:55.359
<v Speaker 4>on the video.

0:21:55.760 --> 0:21:56.520
<v Speaker 1>I've never seen that.

0:21:56.520 --> 0:21:57.720
<v Speaker 6>But you're getting in trouble for.

0:22:00.119 --> 0:22:01.600
<v Speaker 1>Elvers. Show God.

0:22:04.080 --> 0:22:06.240
<v Speaker 6>What he did say? That's what he did.

0:22:06.720 --> 0:22:10.480
<v Speaker 1>Now it's the Elvis Blue Hawaii community. They're all coming

0:22:10.480 --> 0:22:12.359
<v Speaker 1>out of the woodworks. This is like the right to

0:22:12.440 --> 0:22:17.199
<v Speaker 1>reply our Lives Association hit ever playing that? Joe? What

0:22:17.320 --> 0:22:19.000
<v Speaker 1>rock and roll? You're making us late? What's the rock

0:22:19.040 --> 0:22:19.560
<v Speaker 1>and roll member?

0:22:20.119 --> 0:22:22.480
<v Speaker 4>It's the guitar that he played at the comeback special.

0:22:22.520 --> 0:22:24.280
<v Speaker 4>I'd love to have that the electric one was.

0:22:24.240 --> 0:22:25.040
<v Speaker 1>That the one he gave away?

0:22:25.040 --> 0:22:28.760
<v Speaker 2>And on with the Eagle, The Christian O'Connell Breakfast Show,

0:22:28.880 --> 0:22:30.920
<v Speaker 2>Melbourne's Gold one oh four point three.

0:22:31.200 --> 0:22:33.080
<v Speaker 1>This works straight out of the seven o'clock News. If

0:22:33.119 --> 0:22:34.680
<v Speaker 1>it was up to me, we should have that every

0:22:34.720 --> 0:22:37.800
<v Speaker 1>single morning at seven o'clock a C d C long

0:22:37.880 --> 0:22:40.359
<v Speaker 1>Way to the Star Top. We're sticking it on because

0:22:40.640 --> 0:22:43.840
<v Speaker 1>Wayne during the first other show called in and started

0:22:43.880 --> 0:22:45.960
<v Speaker 1>moaning that he heard an edited version of it, and

0:22:46.080 --> 0:22:48.720
<v Speaker 1>also that he was saying he's a bagpipe player himself.

0:22:48.960 --> 0:22:50.680
<v Speaker 1>Did you say he's got the music that he used

0:22:50.680 --> 0:22:51.639
<v Speaker 1>when they made the video?

0:22:52.119 --> 0:22:54.080
<v Speaker 6>One of the guys playing bagpipes on the back of

0:22:54.119 --> 0:22:57.720
<v Speaker 6>the truck down Swanston Street gave him the music will

0:22:57.800 --> 0:22:59.639
<v Speaker 6>According to Wayne, a.

0:22:59.680 --> 0:23:02.879
<v Speaker 1>Bank pipe players play off. Do they have like music sheets?

0:23:02.920 --> 0:23:04.960
<v Speaker 1>What is it bank pipe sheets? I'm not sure what

0:23:05.000 --> 0:23:07.280
<v Speaker 1>the deal is anyway, Come on, it's to Christian O'Connor

0:23:07.280 --> 0:23:09.920
<v Speaker 1>break for show. You enjoyed that twelve minutes past seven

0:23:09.960 --> 0:23:12.719
<v Speaker 1>on today's show that we'll have five topic Tuesday and

0:23:12.760 --> 0:23:15.199
<v Speaker 1>then anything could happen on who's calling Christian? It is

0:23:15.280 --> 0:23:19.280
<v Speaker 1>day number seven. It ends this Friday ten am lord,

0:23:19.280 --> 0:23:20.760
<v Speaker 1>I could we be asking what's going to happen. Then

0:23:20.800 --> 0:23:23.520
<v Speaker 1>we'll announce our top five and you pick the winner

0:23:23.560 --> 0:23:25.840
<v Speaker 1>from the top five. The winning celebrity, of course, gets

0:23:25.880 --> 0:23:28.399
<v Speaker 1>twenty thousand dollars what I've been now for next Monday

0:23:28.400 --> 0:23:30.879
<v Speaker 1>show twenty thousand dollars for the charity of their choice.

0:23:30.880 --> 0:23:32.600
<v Speaker 1>And if you've got that celebrity to give us a call,

0:23:32.720 --> 0:23:35.080
<v Speaker 1>whether you got them through Instagram or however you did it,

0:23:35.560 --> 0:23:39.360
<v Speaker 1>you get twenty thousand dollars for yourself. So this morning,

0:23:39.760 --> 0:23:41.679
<v Speaker 1>and the only things we do know are the emails

0:23:41.720 --> 0:23:43.840
<v Speaker 1>you Kenza occasionally send us saying this is how we're

0:23:43.840 --> 0:23:46.800
<v Speaker 1>getting on. Pama Anderson apparently has said she will call

0:23:46.840 --> 0:23:50.720
<v Speaker 1>the show today, has got a charity foundation that came

0:23:50.800 --> 0:23:52.920
<v Speaker 1>from Karen Best, who asked her to give us a call.

0:23:53.160 --> 0:23:54.760
<v Speaker 1>We'll wait and see. And then the other one is

0:23:54.840 --> 0:23:58.600
<v Speaker 1>Robert Danny Junior. Now all we know is that listener

0:23:58.680 --> 0:24:01.239
<v Speaker 1>Jackie has an instagm Gramm account. She doesn't have an

0:24:01.240 --> 0:24:04.680
<v Speaker 1>Instagram account, but Max, her husky dog does. If you

0:24:04.680 --> 0:24:06.880
<v Speaker 1>want to find him on I've just followed him on Instagram.

0:24:06.920 --> 0:24:11.240
<v Speaker 1>By the way, Max Dot Dot Dot the dot husky

0:24:11.640 --> 0:24:14.800
<v Speaker 1>he has instead Robert Downey Jr.

0:24:15.000 --> 0:24:17.600
<v Speaker 6>And now I think we probably should encourage everybody to

0:24:17.680 --> 0:24:20.000
<v Speaker 6>use their pet pets account. I mean, I've got an

0:24:20.040 --> 0:24:21.199
<v Speaker 6>account for Luna.

0:24:21.440 --> 0:24:23.920
<v Speaker 1>Do you know what I made a note to ask you.

0:24:24.119 --> 0:24:26.440
<v Speaker 1>I bet you're the kind of person that has an

0:24:26.480 --> 0:24:29.000
<v Speaker 1>Insta account. My kids set one up for our dog

0:24:29.040 --> 0:24:32.560
<v Speaker 1>as well, that I think is a very low Instagram user,

0:24:32.920 --> 0:24:35.840
<v Speaker 1>just two messages last year, and my dog obviously does

0:24:35.880 --> 0:24:36.760
<v Speaker 1>not have much to say.

0:24:36.880 --> 0:24:39.639
<v Speaker 6>I follow and though she doesn't, she doesn't put a

0:24:39.680 --> 0:24:43.000
<v Speaker 6>lot of posts up. Who should I get Lunat to contact?

0:24:43.000 --> 0:24:45.160
<v Speaker 6>Which celebrities? Do you think my border color should talk?

0:24:45.880 --> 0:24:48.159
<v Speaker 1>If you've got a pet Instat account, get them to

0:24:48.200 --> 0:24:52.240
<v Speaker 1>contact one person this morning. Robert Downey Jr. When he

0:24:52.280 --> 0:24:56.639
<v Speaker 1>goes to Instagram is like I've interviewed him. He's a

0:24:56.720 --> 0:24:59.320
<v Speaker 1>very spiritual man. I think he will think that spirit

0:24:59.359 --> 0:25:03.560
<v Speaker 1>animals are and he will follow the clarion call and

0:25:03.640 --> 0:25:05.959
<v Speaker 1>I think he will call us. If your pet has

0:25:05.960 --> 0:25:09.440
<v Speaker 1>an Instagram account, get them to message Robert Downey Junior today.

0:25:09.440 --> 0:25:11.800
<v Speaker 1>Please do that and tag us in it as well

0:25:11.800 --> 0:25:13.720
<v Speaker 1>so we can thank you as well. I'll get the

0:25:13.840 --> 0:25:17.040
<v Speaker 1>keys today this morning as well. So this whole inbox

0:25:17.320 --> 0:25:19.960
<v Speaker 1>is animals telling you to call me. That's how we

0:25:20.000 --> 0:25:23.320
<v Speaker 1>can get Robert Downey Junior on the show. Since yesterday's show,

0:25:23.359 --> 0:25:26.000
<v Speaker 1>since we finished yesterday, got the voicemails that have come in,

0:25:26.080 --> 0:25:27.119
<v Speaker 1>let's ever listen to those.

0:25:28.000 --> 0:25:31.320
<v Speaker 8>Christian, this is David park And calling as an Englishman.

0:25:31.359 --> 0:25:34.000
<v Speaker 8>You might know me, but I am the bfl AFL

0:25:34.160 --> 0:25:37.840
<v Speaker 8>coach and player for about forty years. I'm ringing in

0:25:38.040 --> 0:25:40.960
<v Speaker 8>because I made of mind David Trebilco went down the

0:25:41.000 --> 0:25:44.360
<v Speaker 8>pathway of prostate cancer, which I'm a survivor of too,

0:25:44.600 --> 0:25:47.720
<v Speaker 8>and suggests that I should ring. We have a foundation

0:25:47.880 --> 0:25:50.560
<v Speaker 8>which I'm the patron, not very proudly for barw and

0:25:50.640 --> 0:25:53.280
<v Speaker 8>Health in Geelong who are desperate need of one of

0:25:53.359 --> 0:25:56.560
<v Speaker 8>those machines. So our bike ride this year in October

0:25:56.600 --> 0:25:59.600
<v Speaker 8>will be around Geelong and the Ballerine Peninsul, hoping to

0:26:00.240 --> 0:26:03.639
<v Speaker 8>get sufficient times for us to help that particular hospital.

0:26:03.920 --> 0:26:06.040
<v Speaker 8>I have a message to Shane Corford, who is a

0:26:06.160 --> 0:26:09.240
<v Speaker 8>mutual made of ours and doing terrific work in all

0:26:09.280 --> 0:26:12.679
<v Speaker 8>sorts of areas. Shane said to me, Christian has not

0:26:12.840 --> 0:26:15.919
<v Speaker 8>learned anything. He still knows nothing about Australian.

0:26:15.560 --> 0:26:19.000
<v Speaker 1>Put it well that's a lovely message from David park

0:26:19.040 --> 0:26:20.600
<v Speaker 1>and David park in a legend of the game and

0:26:20.640 --> 0:26:22.359
<v Speaker 1>obviously the first person who ever called us on the

0:26:22.359 --> 0:26:25.320
<v Speaker 1>world of AFL footy, which is great to have our

0:26:25.359 --> 0:26:27.119
<v Speaker 1>first person to give us a call. A couple of things.

0:26:27.160 --> 0:26:29.639
<v Speaker 1>There is lovely message, great sounding charity. When they do

0:26:29.680 --> 0:26:31.639
<v Speaker 1>that bike ride, I make sure we get David on

0:26:31.680 --> 0:26:32.879
<v Speaker 1>so we can give it a plug as well. It

0:26:32.920 --> 0:26:36.119
<v Speaker 1>sounds fantastic cause and prostic cancer. It's something miss effects

0:26:36.160 --> 0:26:38.920
<v Speaker 1>far too many Australian men. Now that's what Shane Crawf

0:26:39.000 --> 0:26:40.960
<v Speaker 1>is involved with. At the end of that. If I

0:26:41.000 --> 0:26:42.919
<v Speaker 1>know nothing about AFL, that is the fault of the

0:26:43.000 --> 0:26:45.800
<v Speaker 1>tutor I've had for the last year, which is Shane

0:26:45.840 --> 0:26:49.240
<v Speaker 1>Crawford and also Crawfi. If you're listening, where is David Beckham?

0:26:49.400 --> 0:26:51.320
<v Speaker 1>Don't forget we said if he's not here by telling

0:26:51.400 --> 0:26:53.880
<v Speaker 1>and Friday, that will be your last performance with us.

0:26:54.080 --> 0:26:56.640
<v Speaker 1>It's over, David Beckham. You've got four shows to get

0:26:56.720 --> 0:26:59.680
<v Speaker 1>him on Crawl. But thank you very much to David

0:26:59.720 --> 0:27:01.280
<v Speaker 1>Parker for leaving that.

0:27:02.200 --> 0:27:03.400
<v Speaker 12>Hey, Christian, it's.

0:27:03.200 --> 0:27:06.520
<v Speaker 13>Todd mckennie here, one of your loyal listeners.

0:27:06.600 --> 0:27:09.440
<v Speaker 12>John Boys can't take me and asked me to call

0:27:09.520 --> 0:27:12.639
<v Speaker 12>you to take part in your celebrity minion.

0:27:12.880 --> 0:27:16.840
<v Speaker 5>So if I was successful I got twenty thousand dollars,

0:27:16.840 --> 0:27:18.679
<v Speaker 5>then I would love to put it because of my

0:27:18.760 --> 0:27:21.320
<v Speaker 5>association with the Bonte shows on Channel seven, I wouldn't

0:27:21.320 --> 0:27:22.119
<v Speaker 5>have to put it to.

0:27:22.240 --> 0:27:25.159
<v Speaker 12>Prostate cancer research. I heard that you want to do

0:27:25.200 --> 0:27:27.520
<v Speaker 12>some dance lessons, so you've got my lumber day.

0:27:27.520 --> 0:27:31.200
<v Speaker 6>I go in a call under, guys, what happened to

0:27:31.240 --> 0:27:32.520
<v Speaker 6>your tap dancing career?

0:27:32.600 --> 0:27:34.800
<v Speaker 1>We've got another voice home message him. It's on a

0:27:34.840 --> 0:27:36.719
<v Speaker 1>hold by Christian.

0:27:36.960 --> 0:27:38.360
<v Speaker 4>Steve Richards calling.

0:27:38.280 --> 0:27:40.760
<v Speaker 5>Supercars driver and five comes winner.

0:27:41.200 --> 0:27:44.320
<v Speaker 8>I'm calling in because Leice Grossman gave me a call

0:27:44.560 --> 0:27:45.480
<v Speaker 8>via Facebook.

0:27:45.680 --> 0:27:46.520
<v Speaker 12>I'd like to come into you.

0:27:46.680 --> 0:27:50.399
<v Speaker 1>Christian who lap one of my rape You get a

0:27:50.400 --> 0:27:52.880
<v Speaker 1>lot of challenges at the moment. Was it the bating one?

0:27:53.040 --> 0:27:55.399
<v Speaker 1>I've got run eight hundred meters with the champion that

0:27:55.400 --> 0:27:57.920
<v Speaker 1>caught us last week. I'm dancing with Todd the Darts

0:27:58.000 --> 0:28:02.320
<v Speaker 1>World champions. Right, there's a lot going on. Uh have

0:28:02.400 --> 0:28:04.280
<v Speaker 1>we got someone on the line now? I thought we're

0:28:04.280 --> 0:28:05.359
<v Speaker 1>just about to find out who it is.

0:28:05.480 --> 0:28:08.520
<v Speaker 2>The Christian who Connell Breakfast Show Melbourne's Gold one oh

0:28:08.640 --> 0:28:09.400
<v Speaker 2>four point three?

0:28:09.560 --> 0:28:11.679
<v Speaker 1>All right, who's going to Christian? Let's find out who's

0:28:11.760 --> 0:28:13.479
<v Speaker 1>on the line now. Who's going to be taking us

0:28:13.480 --> 0:28:15.520
<v Speaker 1>to number thirty five? Good morning? Who's this?

0:28:18.160 --> 0:28:23.240
<v Speaker 12>Please stand by for Michael Winslow? What's up, Christian? Michael

0:28:23.359 --> 0:28:29.639
<v Speaker 12>a space pot? Yeah, I'm come to Bobby.

0:28:31.119 --> 0:28:32.240
<v Speaker 1>Is that Michael Winslow?

0:28:33.480 --> 0:28:35.000
<v Speaker 12>It'd better be with all those noises.

0:28:36.240 --> 0:28:39.240
<v Speaker 1>Hey, Michael, thank you so much for giving us a call.

0:28:39.360 --> 0:28:43.080
<v Speaker 1>I was as a kid. You stole Police Academy from

0:28:43.360 --> 0:28:45.640
<v Speaker 1>Steve Gutenberg. You were you were the highlight for me.

0:28:45.680 --> 0:28:47.840
<v Speaker 1>I used to love you on those Police Academy movies.

0:28:48.840 --> 0:28:50.480
<v Speaker 12>Oh, thank you so much. I hope you I hope

0:28:50.480 --> 0:28:51.680
<v Speaker 12>I only still that mad at me.

0:28:53.280 --> 0:28:54.800
<v Speaker 1>I also think I saw you a couple of years

0:28:54.800 --> 0:28:55.920
<v Speaker 1>ago at the Edinburgh Festival.

0:28:57.440 --> 0:29:00.720
<v Speaker 12>Oh you came to the festival, you came to you.

0:29:02.680 --> 0:29:05.080
<v Speaker 1>I think you were there in was it what twenty thirteen,

0:29:05.120 --> 0:29:06.600
<v Speaker 1>twenty twelve you did a show that.

0:29:07.880 --> 0:29:09.960
<v Speaker 12>Yeah, I was there and it was a great You

0:29:10.000 --> 0:29:11.720
<v Speaker 12>know what, it's great. I've just been thinking about it.

0:29:11.760 --> 0:29:13.560
<v Speaker 12>I would love to go back into Edinburgh again because

0:29:13.560 --> 0:29:15.080
<v Speaker 12>that was one of the best times I ever had

0:29:15.120 --> 0:29:16.400
<v Speaker 12>and I'm glad you came to that show.

0:29:16.480 --> 0:29:18.400
<v Speaker 1>Yeah, I did. I already enjoyed it. A man of

0:29:18.400 --> 0:29:20.000
<v Speaker 1>ten thousand sound effects?

0:29:21.560 --> 0:29:24.040
<v Speaker 12>Yeah, and I backed up that numbers. That number is

0:29:24.080 --> 0:29:26.280
<v Speaker 12>now outdated because I'm way into more things now. And

0:29:26.600 --> 0:29:28.440
<v Speaker 12>what can I say, I'm a worstermendlist.

0:29:29.600 --> 0:29:31.720
<v Speaker 1>So what what can you? Can? You share some of

0:29:31.760 --> 0:29:32.560
<v Speaker 1>your new ones with us?

0:29:32.600 --> 0:29:36.640
<v Speaker 12>Michael, Well, let's see we of course we could do

0:29:36.640 --> 0:29:42.000
<v Speaker 12>the classic. Of course we could do that, because I'm

0:29:42.000 --> 0:29:42.240
<v Speaker 12>not going.

0:29:42.200 --> 0:29:42.600
<v Speaker 1>To do that.

0:29:46.320 --> 0:29:48.440
<v Speaker 12>Where do you want to start? Man? How's the weather

0:29:48.480 --> 0:29:48.920
<v Speaker 12>where you are?

0:29:49.600 --> 0:29:51.320
<v Speaker 1>Is cloudy here at the moment, and it looks like

0:29:51.360 --> 0:30:02.560
<v Speaker 1>it might rain later today. That's amazing. And there might

0:30:02.560 --> 0:30:04.600
<v Speaker 1>also be uh, there might be lightning.

0:30:06.480 --> 0:30:15.240
<v Speaker 12>Oh, you guys were talking about Robert Downey earlier. I

0:30:15.280 --> 0:30:24.520
<v Speaker 12>got I got a spiritual animal for him.

0:30:26.160 --> 0:30:29.560
<v Speaker 1>What does that like? A human juke box on the line.

0:30:30.520 --> 0:30:33.600
<v Speaker 12>It's a diggery dog, right?

0:30:33.800 --> 0:30:35.320
<v Speaker 1>And who's asked you to give us a call?

0:30:37.120 --> 0:30:41.240
<v Speaker 12>Ah? Tasha Chubes Tasha Jane Hees asked me to give

0:30:41.240 --> 0:30:43.640
<v Speaker 12>you a call because I heard that you guys were

0:30:43.640 --> 0:30:45.800
<v Speaker 12>giving some money away to charity and I would love

0:30:45.840 --> 0:30:48.400
<v Speaker 12>to see you do that for a royal Children's Hospital.

0:30:48.560 --> 0:30:52.040
<v Speaker 1>All right, it sounds like a great cause. And Michael,

0:30:52.040 --> 0:30:53.920
<v Speaker 1>what we're doing is everyone who gives us a call,

0:30:54.160 --> 0:30:59.120
<v Speaker 1>they leave a message for the next celebrity. Here's your question. Okay, sorry,

0:30:59.200 --> 0:31:02.400
<v Speaker 1>question for the next Michael Winslow, here's yours.

0:31:03.120 --> 0:31:05.000
<v Speaker 11>What is your favorite time of day?

0:31:06.080 --> 0:31:08.320
<v Speaker 1>Michael, what's your favorite time of day? Please tell us

0:31:08.320 --> 0:31:09.280
<v Speaker 1>in sound effects only.

0:31:11.040 --> 0:31:13.800
<v Speaker 12>My favorite time of day is right when you're just

0:31:13.880 --> 0:31:28.320
<v Speaker 12>about better get high, that's.

0:31:32.520 --> 0:31:36.880
<v Speaker 1>Michael. One thing I've always said.

0:31:35.760 --> 0:31:37.160
<v Speaker 12>Did you want Lord of the Rings instead? I can

0:31:37.200 --> 0:31:37.400
<v Speaker 12>do that?

0:31:38.120 --> 0:31:38.920
<v Speaker 1>Yeah? Sure, why not?

0:31:40.160 --> 0:31:53.560
<v Speaker 12>All right? Here we go. How about that?

0:31:53.560 --> 0:31:56.840
<v Speaker 1>That's amazing. Honestly, it's like your human jukebox on the line.

0:31:57.480 --> 0:31:59.320
<v Speaker 1>I know you do a lot of different animals, right,

0:31:59.520 --> 0:32:01.560
<v Speaker 1>I always found that one animal that's very hard to

0:32:01.560 --> 0:32:03.480
<v Speaker 1>do an impression of words. Two actually, one is the

0:32:03.600 --> 0:32:06.560
<v Speaker 1>elephant and one is a pigeon. What's your elephant like?

0:32:08.160 --> 0:32:11.200
<v Speaker 12>Oh, elephant? Do you want small, medium, or alert?

0:32:11.320 --> 0:32:13.200
<v Speaker 1>I take one of each? Place small then let's go

0:32:13.280 --> 0:32:20.280
<v Speaker 1>small first, then medium, then large small first, come on.

0:32:20.320 --> 0:32:25.680
<v Speaker 12>Come on over here, come on, don't just spying million again?

0:32:28.760 --> 0:32:30.440
<v Speaker 1>And now the medium size elephant?

0:32:32.240 --> 0:32:34.080
<v Speaker 12>Oh, you don't want to get too close to that one.

0:32:36.680 --> 0:32:37.200
<v Speaker 12>I can't do.

0:32:39.480 --> 0:32:42.280
<v Speaker 1>That's brilliant. And now a large elephant please, Michael Winslow.

0:32:43.760 --> 0:32:50.440
<v Speaker 12>Okay, step that place, get that place. Come on, that's

0:32:50.480 --> 0:32:52.000
<v Speaker 12>not that's not a big elephants.

0:32:52.080 --> 0:32:54.080
<v Speaker 5>I'm warning you, Mike, it's a big one.

0:32:54.880 --> 0:33:00.880
<v Speaker 12>Come on, that's blood god zella Mike.

0:33:03.840 --> 0:33:05.719
<v Speaker 1>All right, listen, Michael, we got to go. Thank you

0:33:05.760 --> 0:33:07.160
<v Speaker 1>so much to call on the show. We need a

0:33:07.240 --> 0:33:10.680
<v Speaker 1>question from you for the next celebrity that gives us

0:33:10.680 --> 0:33:12.440
<v Speaker 1>a call. So what's your question? Please?

0:33:13.720 --> 0:33:17.640
<v Speaker 12>Oh that's an easy one. And now here is your

0:33:17.800 --> 0:33:23.440
<v Speaker 12>question from Michael Grinslow, the noise guy. Noisy man. What

0:33:24.440 --> 0:33:27.480
<v Speaker 12>and who? What is the name of your favorite teacher

0:33:27.560 --> 0:33:31.360
<v Speaker 12>when you were growing up? And why?

0:33:32.360 --> 0:33:35.720
<v Speaker 1>Great question? All right, Michael, has been a joy to

0:33:35.800 --> 0:33:37.360
<v Speaker 1>hear from you. Okay, you should come over to the

0:33:37.360 --> 0:33:39.240
<v Speaker 1>Melbourne Comedy Festival next year and do a show.

0:33:40.400 --> 0:33:40.840
<v Speaker 5>You know what.

0:33:40.960 --> 0:33:43.440
<v Speaker 12>I would love to. I'd love to and now that

0:33:43.480 --> 0:33:45.640
<v Speaker 12>I'm getting in the podcast and the broadcasts and stuff,

0:33:45.720 --> 0:33:47.200
<v Speaker 12>I'd love to work with you guys because I have

0:33:47.200 --> 0:33:50.120
<v Speaker 12>so much fun getting on the Australian radios. I had

0:33:50.120 --> 0:33:51.280
<v Speaker 12>some of the most some of the most fun I've

0:33:51.280 --> 0:33:54.160
<v Speaker 12>ever had is being on Aussie radio. So hey, love

0:33:54.160 --> 0:33:56.560
<v Speaker 12>to see you guys. Good to be good to do

0:33:56.600 --> 0:33:57.239
<v Speaker 12>some things with you all.

0:33:57.280 --> 0:33:59.040
<v Speaker 1>Listen, You've been a joy this morning. Thank you very

0:33:59.120 --> 0:34:01.120
<v Speaker 1>much for giving us a call. Michael Winslow, thanks a lot,

0:34:01.120 --> 0:34:02.120
<v Speaker 1>your legend.

0:34:02.680 --> 0:34:05.320
<v Speaker 12>Thank you. I'm going to get back on Maya and

0:34:05.480 --> 0:34:08.920
<v Speaker 12>go all right, check on the.

0:34:08.920 --> 0:34:12.680
<v Speaker 2>Christian O'Connell Breakfast Show Melbourne's Gold one oh four point three.

0:34:12.920 --> 0:34:16.640
<v Speaker 1>So we just had Michael Winslow calling in, taking us

0:34:16.640 --> 0:34:18.280
<v Speaker 1>to number thirty five.

0:34:18.480 --> 0:34:19.680
<v Speaker 6>Yep, this will be thirty six.

0:34:19.800 --> 0:34:21.840
<v Speaker 1>Let's find out who's on the line now, good morning,

0:34:21.840 --> 0:34:22.800
<v Speaker 1>who's calling Christian.

0:34:24.640 --> 0:34:26.719
<v Speaker 13>Hi, it's Corey Felman calling from La.

0:34:27.400 --> 0:34:32.520
<v Speaker 1>Corey the Legend Foudman. That's right, how are you Corey?

0:34:32.560 --> 0:34:34.279
<v Speaker 1>Thank you so much and give us the show. I'm

0:34:34.320 --> 0:34:37.160
<v Speaker 1>just stunned what has led to you calling us. It's

0:34:37.400 --> 0:34:38.279
<v Speaker 1>great to speak to you.

0:34:40.560 --> 0:34:42.480
<v Speaker 13>Well, it's kind of a surprise for me too. But

0:34:43.000 --> 0:34:46.880
<v Speaker 13>this girl seemed very nice. She was only Instagram and

0:34:46.920 --> 0:34:49.160
<v Speaker 13>she DM me and she said that you guys were

0:34:49.200 --> 0:34:52.120
<v Speaker 13>doing this fantastic thing in Australia where if you could

0:34:52.120 --> 0:34:55.719
<v Speaker 13>get somebody well known to call in that it would

0:34:55.800 --> 0:34:58.640
<v Speaker 13>go to their favorite charity and they would put money

0:34:58.640 --> 0:35:01.120
<v Speaker 13>towards their charity. And as a lot of people know,

0:35:01.200 --> 0:35:03.520
<v Speaker 13>I've been fighting for children's rights very hard for the

0:35:03.600 --> 0:35:07.720
<v Speaker 13>last several years, and right now I'm working with Child USA,

0:35:07.800 --> 0:35:10.880
<v Speaker 13>which I am their ambassador or one of their ambassadors,

0:35:10.920 --> 0:35:15.360
<v Speaker 13>and we were actually very successful this year in passing

0:35:15.360 --> 0:35:17.919
<v Speaker 13>the CVA in New York, which is the Child Victims Act,

0:35:18.120 --> 0:35:20.880
<v Speaker 13>which is actually the reason why Jeffrey Epstein and r

0:35:20.960 --> 0:35:24.160
<v Speaker 13>Kelly were indicted, and all those cases are being brought

0:35:24.200 --> 0:35:27.960
<v Speaker 13>forward right now, which actually just opened up last Wednesday

0:35:28.280 --> 0:35:31.480
<v Speaker 13>in the New York courts. So that's basically as a

0:35:31.520 --> 0:35:34.000
<v Speaker 13>result of the work that we've done, and we're doing

0:35:34.040 --> 0:35:36.480
<v Speaker 13>the same thing right now in California. So I just

0:35:36.520 --> 0:35:39.880
<v Speaker 13>wrote an open letter to the California Senate which I

0:35:40.000 --> 0:35:42.319
<v Speaker 13>was able to get the support of some of my

0:35:42.480 --> 0:35:45.240
<v Speaker 13>peers in the Me too movement. You know, our movements

0:35:45.280 --> 0:35:48.160
<v Speaker 13>called Kids Too, which is for kids, but there's the

0:35:48.200 --> 0:35:50.560
<v Speaker 13>Me Too movement which kind of started it. So we

0:35:50.640 --> 0:35:53.400
<v Speaker 13>got the support of like Zanna Arquette and mir Cervino,

0:35:54.160 --> 0:35:57.200
<v Speaker 13>John Shash and Jessica Barth, you know, a bunch of

0:35:57.239 --> 0:36:00.800
<v Speaker 13>the people who'd kind of made their cases and document

0:36:00.840 --> 0:36:02.799
<v Speaker 13>and so it's been very great and we're hoping for

0:36:02.840 --> 0:36:04.600
<v Speaker 13>the same success in California.

0:36:04.640 --> 0:36:06.759
<v Speaker 1>Well well, don giving a voice to those who don't

0:36:06.800 --> 0:36:08.560
<v Speaker 1>have a voice, I mean, and also bringing around the

0:36:08.600 --> 0:36:11.240
<v Speaker 1>Hall thing. I guess Corey is beringing around real change

0:36:11.239 --> 0:36:14.720
<v Speaker 1>and making stuff happen, especially with the American legal system

0:36:14.760 --> 0:36:17.239
<v Speaker 1>as well. So that's incredible that you would just start

0:36:17.320 --> 0:36:18.320
<v Speaker 1>to see.

0:36:18.320 --> 0:36:21.960
<v Speaker 13>But it's a ripple effect, right, absolutely, it's a ripple effect,

0:36:22.000 --> 0:36:24.640
<v Speaker 13>and it will affect the rest of the world. We

0:36:24.719 --> 0:36:28.000
<v Speaker 13>know that, Like if we're successful in California, for successful

0:36:28.000 --> 0:36:30.440
<v Speaker 13>in New York, then it affects other states and it

0:36:30.480 --> 0:36:33.880
<v Speaker 13>makes them fall and then that carries out to you know,

0:36:34.200 --> 0:36:36.120
<v Speaker 13>the rest of the world because people see that we're

0:36:36.160 --> 0:36:38.520
<v Speaker 13>doing something and that we're not just sitting around and

0:36:38.560 --> 0:36:41.160
<v Speaker 13>letting it happen anymore. And that's a huge step.

0:36:41.280 --> 0:36:41.520
<v Speaker 1>You know.

0:36:42.239 --> 0:36:46.359
<v Speaker 13>The problem with predatory sexual abuse is that you know,

0:36:46.440 --> 0:36:48.399
<v Speaker 13>people see it going on and they turn and look

0:36:48.480 --> 0:36:51.600
<v Speaker 13>the other way just because either a they don't want

0:36:51.640 --> 0:36:54.640
<v Speaker 13>to get involved, or b they're afraid that the repercussions

0:36:54.640 --> 0:36:57.480
<v Speaker 13>will make them look bad or come down harshly on

0:36:57.560 --> 0:36:59.800
<v Speaker 13>them in some way. And the truth of the matter

0:36:59.880 --> 0:37:02.400
<v Speaker 13>is is you know, you don't have to be afraid

0:37:02.440 --> 0:37:05.560
<v Speaker 13>to tell the truth. The truth should always be at

0:37:06.040 --> 0:37:09.279
<v Speaker 13>the forefront of everything that we do. So this is

0:37:09.320 --> 0:37:11.719
<v Speaker 13>our chance to kind of correct those wrongs and put

0:37:11.760 --> 0:37:13.279
<v Speaker 13>things properly the way they should be.

0:37:13.480 --> 0:37:15.680
<v Speaker 1>Well, good for you for speaking out and letting us

0:37:15.719 --> 0:37:17.239
<v Speaker 1>know about the changes that are happening then, and I

0:37:17.280 --> 0:37:19.360
<v Speaker 1>hope it's part of a bigger movement as well. Now, Corey,

0:37:20.040 --> 0:37:22.120
<v Speaker 1>thank you very much for to give a score. You're

0:37:22.120 --> 0:37:24.120
<v Speaker 1>calling from LA. Whereabouts in the world are you?

0:37:25.640 --> 0:37:27.400
<v Speaker 13>I am, Yeah, I'm in Los Angeles. I'm at home

0:37:27.480 --> 0:37:29.600
<v Speaker 13>right now. It's about two thirty in the afternoon.

0:37:29.960 --> 0:37:32.840
<v Speaker 1>Now, I can't believe you were in so many outstanding

0:37:32.920 --> 0:37:36.000
<v Speaker 1>movies of the eighties. You've got Gremlins, also the Goonies,

0:37:36.080 --> 0:37:38.840
<v Speaker 1>and then a movie which still stands up now, the

0:37:38.920 --> 0:37:41.200
<v Speaker 1>brilliant stand By Me, which is a beautiful movie.

0:37:42.600 --> 0:37:46.080
<v Speaker 13>Oh, thank you so much. Yes, well, I've been very fortunate.

0:37:46.239 --> 0:37:50.080
<v Speaker 13>I've done over one hundred films at this point in

0:37:50.120 --> 0:37:54.840
<v Speaker 13>my career. I've released six albums, We've done several tours.

0:37:54.840 --> 0:37:57.000
<v Speaker 13>I've never had a chance to come tour in Australia,

0:37:57.040 --> 0:37:59.400
<v Speaker 13>which I would love to do, so hopefully one day

0:37:59.400 --> 0:38:01.799
<v Speaker 13>we can make that out happen. Uh there's a lot

0:38:01.800 --> 0:38:04.239
<v Speaker 13>I still want to achieve, but I have been very

0:38:04.280 --> 0:38:07.000
<v Speaker 13>fortunate and I'm very grateful to still be working and

0:38:07.360 --> 0:38:08.359
<v Speaker 13>doing what I love to do.

0:38:08.600 --> 0:38:10.120
<v Speaker 5>So there's all of it.

0:38:10.160 --> 0:38:13.680
<v Speaker 1>You know, do you still remember that's the end quote

0:38:13.760 --> 0:38:17.120
<v Speaker 1>at the end of stand By Me. It's the thing

0:38:17.120 --> 0:38:21.359
<v Speaker 1>where he's writing, you know, the the writs up and we'll.

0:38:21.280 --> 0:38:24.719
<v Speaker 13>Never have friends. We'll never have friends again like the

0:38:24.719 --> 0:38:27.799
<v Speaker 13>ones that we had when we were twelve. Jesus, there's

0:38:27.840 --> 0:38:30.200
<v Speaker 13>anyone a heart.

0:38:30.280 --> 0:38:33.040
<v Speaker 1>That's the quote. It's beautiful way then as well. It's

0:38:33.040 --> 0:38:34.359
<v Speaker 1>somody as you still remember it.

0:38:35.920 --> 0:38:38.959
<v Speaker 13>Well, I must say I actually think it a little

0:38:39.000 --> 0:38:41.840
<v Speaker 13>bit because I've been on tour here in America actually

0:38:42.080 --> 0:38:44.959
<v Speaker 13>a bit internationally, but I've been doing I've been doing

0:38:45.000 --> 0:38:48.080
<v Speaker 13>a comic con sort of tour with a reunion with

0:38:48.120 --> 0:38:52.640
<v Speaker 13>the Goonies. So every weekend we're seeing fans and thousands

0:38:52.640 --> 0:38:54.280
<v Speaker 13>and thousands of fans every weekend.

0:38:54.760 --> 0:38:55.040
<v Speaker 5>Uh.

0:38:55.200 --> 0:38:58.080
<v Speaker 13>So when you do that, you know, you get freshened

0:38:58.160 --> 0:39:01.120
<v Speaker 13>up on all the quotes and the famous movie lions

0:39:01.120 --> 0:39:03.520
<v Speaker 13>from back in the day. So yeah, I've been hearing

0:39:03.560 --> 0:39:03.879
<v Speaker 13>it all.

0:39:04.480 --> 0:39:07.280
<v Speaker 1>And so what's happening with the Goonies then, because obviously

0:39:07.320 --> 0:39:09.279
<v Speaker 1>have you seen you must have seen strange things that

0:39:09.400 --> 0:39:10.880
<v Speaker 1>mustn't remind you of the Goonies.

0:39:11.719 --> 0:39:16.120
<v Speaker 13>Of course, Well, I actually don't watch television. It's a

0:39:16.160 --> 0:39:18.239
<v Speaker 13>funny thing. I don't watch TV at all because we're very,

0:39:18.280 --> 0:39:20.640
<v Speaker 13>very busy. We just don't have time for it. You know,

0:39:20.680 --> 0:39:23.280
<v Speaker 13>I'm always working, whether I'm working on my music touring

0:39:23.920 --> 0:39:26.120
<v Speaker 13>or you know, working on a film project, or working

0:39:26.200 --> 0:39:28.359
<v Speaker 13>on my political stuff. You know, it's just there's always

0:39:28.400 --> 0:39:31.399
<v Speaker 13>something going on. But that said, of course, I wanted

0:39:31.440 --> 0:39:33.200
<v Speaker 13>to support my friend Sean. So when I heard that

0:39:33.280 --> 0:39:35.279
<v Speaker 13>Sean was on it and it was this great show

0:39:35.320 --> 0:39:38.120
<v Speaker 13>which was such a nod to the nostalgia of the

0:39:38.160 --> 0:39:41.080
<v Speaker 13>films that we created when we were young, I couldn't

0:39:41.080 --> 0:39:43.719
<v Speaker 13>help but try to watch it. So I actually got

0:39:43.840 --> 0:39:48.719
<v Speaker 13>Netflix just for that show, and I watched Stranger Things

0:39:48.800 --> 0:39:51.680
<v Speaker 13>just for that season. I did watch the first season

0:39:51.680 --> 0:39:52.960
<v Speaker 13>to catch up on it, but then I watched the

0:39:52.960 --> 0:39:56.600
<v Speaker 13>second season of course for Bob. And you know, actually

0:39:56.719 --> 0:40:00.360
<v Speaker 13>yesterday was amazing. Sean and I and Key Keeley quand

0:40:00.400 --> 0:40:03.240
<v Speaker 13>from the Goonies, we had a big reunion on stage,

0:40:03.280 --> 0:40:06.200
<v Speaker 13>and we did this everywhere we've gone. We've done five

0:40:06.239 --> 0:40:08.840
<v Speaker 13>of these. The last one will be next weekend in Toronto.

0:40:09.920 --> 0:40:14.440
<v Speaker 13>But we were in Boston this weekend and we uh,

0:40:14.680 --> 0:40:16.279
<v Speaker 13>you know, we're sitting up there on stage and it

0:40:16.280 --> 0:40:19.000
<v Speaker 13>was this great thing that happened very organically. I'm not

0:40:19.040 --> 0:40:21.880
<v Speaker 13>sure if you guys saw it in Australia, but Sean

0:40:21.960 --> 0:40:26.319
<v Speaker 13>started trending on Twitter for no particular reason, all over

0:40:26.360 --> 0:40:29.080
<v Speaker 13>a picture of an order. But you know, it was this.

0:40:32.120 --> 0:40:34.640
<v Speaker 1>What I'm sorry, what as the world. Normally, when you

0:40:34.640 --> 0:40:36.720
<v Speaker 1>see someone trending, you can't have a wire that someone's

0:40:36.719 --> 0:40:38.960
<v Speaker 1>happened to them. I didn't know it was about an office.

0:40:38.680 --> 0:40:42.840
<v Speaker 13>That's right, exactly exactly. So we were all kind of like, oh,

0:40:43.120 --> 0:40:46.319
<v Speaker 13>you know, Sean's trending, what does that mean? But you know,

0:40:46.480 --> 0:40:49.520
<v Speaker 13>it was over a picture of an order. And miraculously,

0:40:49.600 --> 0:40:52.000
<v Speaker 13>all these people just started kind of going, you know, well,

0:40:52.000 --> 0:40:54.879
<v Speaker 13>one guy said, well, is that Seawan Aston from Stranger Things?

0:40:54.880 --> 0:40:57.719
<v Speaker 13>And then somebody says, no, that's Sean Aston from Gooneys. No,

0:40:57.920 --> 0:41:00.839
<v Speaker 13>that's Sean Aston from Rudy. That's sewn asd to Drinks,

0:41:01.040 --> 0:41:02.960
<v Speaker 13>you know, and so they kind of started keeping all

0:41:02.960 --> 0:41:06.279
<v Speaker 13>of these great films together. And that's that's awesome, you know,

0:41:06.400 --> 0:41:07.560
<v Speaker 13>that's a wonderful.

0:41:07.160 --> 0:41:12.360
<v Speaker 1>What about Movie'd be great to have a Goonies and

0:41:12.400 --> 0:41:14.360
<v Speaker 1>Ted's bringing back Ben and Ted's in a couple of

0:41:14.360 --> 0:41:16.400
<v Speaker 1>months time. What Goony?

0:41:17.200 --> 0:41:19.839
<v Speaker 13>Well, we listened and we've we've gone round and round.

0:41:20.200 --> 0:41:23.600
<v Speaker 13>In fact, Sewn and I actually wrote our own treatment

0:41:23.760 --> 0:41:26.520
<v Speaker 13>for a sequel and we never got it made, but

0:41:26.640 --> 0:41:29.000
<v Speaker 13>we we brought it to Richard Donner and Christopher co

0:41:29.560 --> 0:41:33.080
<v Speaker 13>was the original writer, and they they love the idea

0:41:33.200 --> 0:41:36.760
<v Speaker 13>very much. But Dick surprisingly said that it was too

0:41:36.840 --> 0:41:40.600
<v Speaker 13>big and it was too expensive and that he pictured

0:41:40.640 --> 0:41:43.120
<v Speaker 13>something much smaller. And I was like, wait a minute,

0:41:43.120 --> 0:41:44.719
<v Speaker 13>what are you talking about. This is a sequel to

0:41:44.760 --> 0:41:46.640
<v Speaker 13>one of the great movies of our time. Probably you

0:41:46.680 --> 0:41:50.080
<v Speaker 13>make it small, you know, but that who knows what

0:41:50.120 --> 0:41:52.040
<v Speaker 13>they're thinking and if they were going to do it,

0:41:52.440 --> 0:41:55.839
<v Speaker 13>you know, that's all I know.

0:41:57.320 --> 0:41:59.799
<v Speaker 1>Was strange thing. I think it'd be.

0:41:59.760 --> 0:42:02.960
<v Speaker 13>Great, love to do it, but you know, you know,

0:42:03.120 --> 0:42:06.240
<v Speaker 13>keep the word out there, let's keep the positive energy

0:42:06.320 --> 0:42:09.120
<v Speaker 13>towards it, and you never know, maybe one day it'll

0:42:09.200 --> 0:42:11.319
<v Speaker 13>hit the ether. But I do know when thing's for sure,

0:42:11.760 --> 0:42:15.680
<v Speaker 13>it can't happen unless it involves all of the originals,

0:42:15.719 --> 0:42:20.560
<v Speaker 13>including Spielberg, including DNA, including all the kids, including you know,

0:42:20.719 --> 0:42:27.480
<v Speaker 13>Joe and Bob. Would have to be involved, everybody, everybody.

0:42:27.680 --> 0:42:30.160
<v Speaker 1>You can't do it any other way.

0:42:30.520 --> 0:42:32.279
<v Speaker 13>But I know Josh wants to do it. I mean,

0:42:32.360 --> 0:42:34.320
<v Speaker 13>last time it came up, he went on the Jimmy

0:42:34.360 --> 0:42:39.799
<v Speaker 13>Fallon show dressed in his character Branda, and he was like, yeah, yeah,

0:42:39.880 --> 0:42:42.080
<v Speaker 13>So he's like, hey, I'm ready. I'm ready anytime you

0:42:42.160 --> 0:42:42.560
<v Speaker 13>let me know.

0:42:42.640 --> 0:42:43.040
<v Speaker 5>I'm there.

0:42:43.440 --> 0:42:45.200
<v Speaker 13>You know, we all feel that way. It's it's just

0:42:45.239 --> 0:42:48.600
<v Speaker 13>a very special place in all of our hearts. But

0:42:48.800 --> 0:42:51.080
<v Speaker 13>you know, again, for that reason, we also wouldn't want

0:42:51.120 --> 0:42:53.200
<v Speaker 13>to do it any injustice, And I think that's been

0:42:53.239 --> 0:42:55.600
<v Speaker 13>the hesitation, because you know, you don't want to just

0:42:55.600 --> 0:42:58.600
<v Speaker 13>go and rush and do some crappy you know, Phantom

0:42:58.680 --> 0:43:01.200
<v Speaker 13>Menace type.

0:43:03.040 --> 0:43:05.439
<v Speaker 1>Now, we don't judge O Binks. We don't not judge

0:43:05.480 --> 0:43:06.920
<v Speaker 1>jar Binks copping up onies.

0:43:07.120 --> 0:43:08.680
<v Speaker 13>No, we could not have that.

0:43:08.840 --> 0:43:09.759
<v Speaker 12>We could not have that.

0:43:09.840 --> 0:43:12.520
<v Speaker 13>But you know, I'm thinking more of like you know,

0:43:13.080 --> 0:43:15.839
<v Speaker 13>Force Awakens type sequel, you know what I mean, where

0:43:15.840 --> 0:43:18.759
<v Speaker 13>it's got that like, oh wow, this is right, this

0:43:18.920 --> 0:43:20.960
<v Speaker 13>is right, even if there were some parts at the

0:43:21.040 --> 0:43:23.040
<v Speaker 13>end I didn't agree with, but you know it was

0:43:23.160 --> 0:43:23.600
<v Speaker 13>gonna be.

0:43:26.400 --> 0:43:29.600
<v Speaker 1>Now, Corey. The way this works, then everyone who calls

0:43:29.719 --> 0:43:32.480
<v Speaker 1>every celebrity, they leave a question for the next person.

0:43:32.520 --> 0:43:35.320
<v Speaker 1>Yours comes from You must remember the Michael Winslow. Do

0:43:35.360 --> 0:43:37.200
<v Speaker 1>you remember the Police Academy did all the voices and

0:43:37.200 --> 0:43:38.320
<v Speaker 1>the Police Academy movies?

0:43:38.560 --> 0:43:41.120
<v Speaker 13>Yes, of course, Yeah, I know Michael. He's a wonderful man.

0:43:41.239 --> 0:43:41.560
<v Speaker 8>Yeah.

0:43:41.719 --> 0:43:43.759
<v Speaker 1>Now he literally just called us twenty minutes ago before

0:43:43.800 --> 0:43:46.279
<v Speaker 1>we had you, Corey. So here's his question for you.

0:43:46.840 --> 0:43:47.800
<v Speaker 5>Well, that's timing.

0:43:48.239 --> 0:43:50.319
<v Speaker 12>Was a question the morning you were growing up and

0:43:50.760 --> 0:43:52.200
<v Speaker 12>why now?

0:43:52.480 --> 0:43:55.680
<v Speaker 1>Michael Winslow's question was who was your favorite teacher growing up?

0:43:55.719 --> 0:43:56.120
<v Speaker 1>And why?

0:43:57.880 --> 0:44:03.640
<v Speaker 13>Okay, Well, I can't say that I really enjoyed many

0:44:03.719 --> 0:44:08.000
<v Speaker 13>teachers growing up, and I guess my first instinct was

0:44:08.040 --> 0:44:10.279
<v Speaker 13>probably to go back to my third grade teacher, who

0:44:10.320 --> 0:44:14.360
<v Speaker 13>was this really hot lady named missus Hart. But that said,

0:44:14.480 --> 0:44:17.719
<v Speaker 13>it would only be for wrong reasons, and that's definitely

0:44:17.719 --> 0:44:22.319
<v Speaker 13>not okay, So I will instead go with this guy

0:44:22.360 --> 0:44:26.240
<v Speaker 13>who is really great. He was actually a set teacher,

0:44:26.560 --> 0:44:29.600
<v Speaker 13>and he was my favorite set teacher ever. And his

0:44:29.680 --> 0:44:32.160
<v Speaker 13>name is Jack Tyson. Ironically, he was the teacher on

0:44:32.200 --> 0:44:35.000
<v Speaker 13>the Greens, so everybody from the Goonies will agree that

0:44:35.080 --> 0:44:38.800
<v Speaker 13>he was this wonderful, wonderful manlet we had two teachers.

0:44:38.840 --> 0:44:40.840
<v Speaker 13>It was him and this woman named Rhoda Fine, and

0:44:40.880 --> 0:44:43.239
<v Speaker 13>she's also wonderful and I got to visit her a

0:44:43.280 --> 0:44:46.520
<v Speaker 13>couple of years ago and she was doing well, and

0:44:46.760 --> 0:44:48.799
<v Speaker 13>they're both still doing well and it was really nice

0:44:48.800 --> 0:44:51.680
<v Speaker 13>to see them. But anyway, the point is is that

0:44:51.840 --> 0:44:54.279
<v Speaker 13>Jack not only worked with us on the Goonies, but

0:44:54.320 --> 0:44:56.360
<v Speaker 13>then he also worked with me on several of my

0:44:56.440 --> 0:44:59.920
<v Speaker 13>other projects. So I think he was on Lost Boys,

0:45:00.080 --> 0:45:02.920
<v Speaker 13>I think he was on Polly, might have even been

0:45:02.920 --> 0:45:06.480
<v Speaker 13>on License to Drive and Gremlins, I think, but he

0:45:06.560 --> 0:45:09.080
<v Speaker 13>was on like three or four of my films. And

0:45:09.400 --> 0:45:10.319
<v Speaker 13>just a great guy.

0:45:10.600 --> 0:45:11.719
<v Speaker 5>Just a great guy.

0:45:11.680 --> 0:45:14.000
<v Speaker 1>Yeh, that's lovely answer. And what's the question from you,

0:45:14.040 --> 0:45:17.040
<v Speaker 1>Corey Feldman? For whoever we get a call from next.

0:45:19.960 --> 0:45:26.880
<v Speaker 13>Let's see matching socks or not matching socks?

0:45:29.040 --> 0:45:31.440
<v Speaker 1>Of course, it's the big question of the.

0:45:31.480 --> 0:45:35.840
<v Speaker 13>Day, absolutely very important stuff.

0:45:36.480 --> 0:45:38.520
<v Speaker 1>All right, listen, Corey, we got to go right now.

0:45:38.560 --> 0:45:40.480
<v Speaker 1>But it has been a real joy to catch up

0:45:40.520 --> 0:45:41.759
<v Speaker 1>with you. And get a call from you today on

0:45:41.800 --> 0:45:44.320
<v Speaker 1>behalf of everyone who grew up with these wonderful movies

0:45:44.360 --> 0:45:47.799
<v Speaker 1>that you made, Kremlin, Scooney, stand by Me, many many more.

0:45:47.840 --> 0:45:50.200
<v Speaker 1>Thank you so much for everything you did and what

0:45:50.200 --> 0:45:52.239
<v Speaker 1>you're still doing as well. Now Corey, joy to chat

0:45:52.239 --> 0:45:52.560
<v Speaker 1>to you.

0:45:52.600 --> 0:45:53.719
<v Speaker 12>Good luck, Thank you so much.

0:45:53.760 --> 0:45:56.319
<v Speaker 13>And hey, a shout out to bron Win Scott. Who's

0:45:56.320 --> 0:45:57.600
<v Speaker 13>the girl who got me to call you?

0:45:58.800 --> 0:46:01.319
<v Speaker 1>Of course nice? All right, you're the rest of your night.

0:46:01.400 --> 0:46:02.240
<v Speaker 1>Thank's Corey. Bye.

0:46:02.320 --> 0:46:05.360
<v Speaker 2>The Christian o' connell Breakfast Show, Melbourne's Gold one oh

0:46:05.480 --> 0:46:06.200
<v Speaker 2>four point three.

0:46:06.360 --> 0:46:08.040
<v Speaker 1>We're gonna be a couple of minutes late for the news,

0:46:08.520 --> 0:46:11.480
<v Speaker 1>but it's who's calling Christian, it's live radio. We never

0:46:11.520 --> 0:46:13.400
<v Speaker 1>know who could be on the line in the last

0:46:13.400 --> 0:46:17.120
<v Speaker 1>now then Michael Winslow and the brilliant Corey Feldman. That

0:46:17.200 --> 0:46:20.680
<v Speaker 1>was a real buzz to speak to Corey Feldman. I

0:46:20.719 --> 0:46:24.120
<v Speaker 1>loved those movies. He was in Gremlin's, Gooney, stand By Me,

0:46:24.320 --> 0:46:26.640
<v Speaker 1>Lost Boys, loads of other Brint stuff as well, but

0:46:26.680 --> 0:46:28.640
<v Speaker 1>those four movies are some of the best. Not his

0:46:28.719 --> 0:46:31.200
<v Speaker 1>eighties movies are just great movies, especially stand by Me.

0:46:31.360 --> 0:46:34.840
<v Speaker 6>You think eventually they will reboot like they reboot everything,

0:46:34.920 --> 0:46:36.440
<v Speaker 6>so Goonies will get a reboot.

0:46:36.520 --> 0:46:38.239
<v Speaker 1>You'd have to think, especially at the moment, as I

0:46:38.280 --> 0:46:40.880
<v Speaker 1>was trying to say to him, is because Stranger Things

0:46:41.000 --> 0:46:44.080
<v Speaker 1>is so big. You think Netflix they're doing with these movies,

0:46:44.120 --> 0:46:46.520
<v Speaker 1>They've got the markscour Sacy movies out in a couple

0:46:46.520 --> 0:46:49.120
<v Speaker 1>of weeks time, they'd be the perfect They're the ones

0:46:49.160 --> 0:46:52.360
<v Speaker 1>that did Stranger Things, maybe the perfect ones to do

0:46:52.400 --> 0:46:53.160
<v Speaker 1>with the Goonies too.

0:46:53.560 --> 0:46:56.480
<v Speaker 6>So do you think that what we're stopping him was

0:46:56.560 --> 0:46:58.680
<v Speaker 6>the fact that he wrote the script himself. Maybe they

0:46:58.719 --> 0:47:01.719
<v Speaker 6>looked at him went yeah, I don't want to say

0:47:01.719 --> 0:47:02.760
<v Speaker 6>anything professional writers.

0:47:03.239 --> 0:47:05.400
<v Speaker 1>Yeah. Also, I like the idea of it being the

0:47:05.400 --> 0:47:09.080
<v Speaker 1>Goonies now as grown up sort of forty and fifty something. So, so,

0:47:09.120 --> 0:47:10.880
<v Speaker 1>how old is Josh Brownan? I think he's in his

0:47:10.960 --> 0:47:13.680
<v Speaker 1>fifties as as and they've got kids now, maybe their

0:47:13.760 --> 0:47:14.800
<v Speaker 1>kids go on the adventure.

0:47:15.320 --> 0:47:16.520
<v Speaker 6>You know, I've never seen the Goonies.

0:47:17.200 --> 0:47:20.680
<v Speaker 1>I thought you were quite ding the chat. Who's he

0:47:20.800 --> 0:47:23.240
<v Speaker 1>chat too? Now? A little chin.

0:47:23.120 --> 0:47:25.960
<v Speaker 6>Wagon stand by me and I love stare by Me.

0:47:26.200 --> 0:47:28.560
<v Speaker 6>It's a great Ponies is on our list of classics

0:47:28.920 --> 0:47:29.480
<v Speaker 6>this weekend.

0:47:29.560 --> 0:47:31.960
<v Speaker 1>Alright, Oh, you've got so much to enjoy the Truffle Show.

0:47:32.040 --> 0:47:34.920
<v Speaker 1>I thought you look a bit confused. All right, We've

0:47:34.920 --> 0:47:36.839
<v Speaker 1>got the latest news and spot on the way, and

0:47:36.920 --> 0:47:40.040
<v Speaker 1>who knows, maybe Robert Danny Jr. Is listening to the

0:47:40.040 --> 0:47:42.160
<v Speaker 1>Dogs of Melbourne and will call us.

0:47:42.120 --> 0:47:45.440
<v Speaker 2>The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four

0:47:45.520 --> 0:47:46.200
<v Speaker 2>point three.

0:47:46.320 --> 0:47:49.919
<v Speaker 1>Day seven of ten. It will end this Friday, ten

0:47:50.040 --> 0:47:52.920
<v Speaker 1>a m. We're talking about who's calling Christian. So far,

0:47:53.000 --> 0:47:54.640
<v Speaker 1>then if you just tuned in and joined the show.

0:47:54.680 --> 0:47:58.880
<v Speaker 1>Today we've had Michael Winslow, you might not rick recognize

0:47:58.920 --> 0:48:00.680
<v Speaker 1>the name. You would if he started to go through

0:48:00.719 --> 0:48:02.799
<v Speaker 1>is one thousand sound effects, which I think we got

0:48:02.880 --> 0:48:06.520
<v Speaker 1>nine hundred and fifty two. We could have actually gone

0:48:06.520 --> 0:48:10.200
<v Speaker 1>and got a coffee. We missed a chance stir team,

0:48:10.280 --> 0:48:12.560
<v Speaker 1>but he was amazing. You will remember him in Police

0:48:12.600 --> 0:48:14.799
<v Speaker 1>Academy all those movies. He was a guy that did

0:48:14.800 --> 0:48:17.839
<v Speaker 1>all the funny voices and so he called it. And

0:48:17.880 --> 0:48:21.520
<v Speaker 1>then Corey Feldman was just on. Had an amazing chat

0:48:21.560 --> 0:48:24.440
<v Speaker 1>with Corey Feldman, star of so many great movies that

0:48:24.440 --> 0:48:27.480
<v Speaker 1>he grew up was stand By Me, Lost Boys, Gremlin's,

0:48:28.160 --> 0:48:29.839
<v Speaker 1>loads of others as well. We had a great chat

0:48:29.880 --> 0:48:32.640
<v Speaker 1>with him. So now we're up to thirty five, thirty six,

0:48:32.800 --> 0:48:36.160
<v Speaker 1>thirty six and still every thing to play for. Twenty

0:48:36.160 --> 0:48:37.920
<v Speaker 1>thousand dollars will be given away next week to the

0:48:37.960 --> 0:48:41.840
<v Speaker 1>winning celebrity as voted for by you, and twenty thousand

0:48:41.880 --> 0:48:43.759
<v Speaker 1>dollars if you got them in. I think was it

0:48:43.760 --> 0:48:47.279
<v Speaker 1>Heatherbrook that Corey Feldwyn thanked at the end? Who instagrammed him? Oh,

0:48:47.320 --> 0:48:52.640
<v Speaker 1>bron wins bron wins gott nothing like I said. Heather

0:48:52.680 --> 0:48:54.720
<v Speaker 1>Brook might have been a girl dumpy when I was fourteen,

0:48:54.800 --> 0:48:57.880
<v Speaker 1>So I think it's the eighty stuff we're getting stolen.

0:48:58.320 --> 0:49:04.600
<v Speaker 1>Can I go and see Lost Boys with broke Cooling?

0:49:04.719 --> 0:49:04.839
<v Speaker 2>Now?

0:49:04.920 --> 0:49:07.239
<v Speaker 1>Are you Heather Brook? How do I know you? Why

0:49:07.280 --> 0:49:09.040
<v Speaker 1>is your name in my head? I can hear worm?

0:49:09.200 --> 0:49:12.200
<v Speaker 1>Have you got a name worm in your head? Yesterday

0:49:12.840 --> 0:49:15.440
<v Speaker 1>we were having dinner with the kids and we were chatting,

0:49:15.520 --> 0:49:17.880
<v Speaker 1>and we were going through some of their old friends

0:49:17.920 --> 0:49:19.560
<v Speaker 1>and stuff like that. And they still keep in contact

0:49:19.560 --> 0:49:23.400
<v Speaker 1>with them other old school friends and from the old life,

0:49:23.480 --> 0:49:25.440
<v Speaker 1>and they were still keep in contact with them on

0:49:25.760 --> 0:49:29.319
<v Speaker 1>Instagram and one of their names and sometimes I really

0:49:29.320 --> 0:49:31.280
<v Speaker 1>struggle to get those with audio when they bring friends

0:49:31.320 --> 0:49:33.000
<v Speaker 1>back and I go oh, and who are you when

0:49:33.000 --> 0:49:38.600
<v Speaker 1>they go, Dad, they've been here eighteen times, just Eden,

0:49:39.600 --> 0:49:40.160
<v Speaker 1>What is that?

0:49:40.280 --> 0:49:41.640
<v Speaker 7>I forget my own daughter's name.

0:49:41.680 --> 0:49:44.359
<v Speaker 1>Half Once I was going to some girls going hi

0:49:44.400 --> 0:49:46.680
<v Speaker 1>on Ruby stands, was like, Dad, she went on holiday

0:49:46.680 --> 0:49:52.520
<v Speaker 1>with her? Thought she was my store card. I didn't know.

0:49:53.040 --> 0:49:55.680
<v Speaker 1>I had no idea anyway. One of the kids they mentioned,

0:49:55.680 --> 0:49:57.759
<v Speaker 1>I went, oh, my god, I remember that kid that.

0:49:58.000 --> 0:50:00.799
<v Speaker 1>This kid was a kid who well, when they were

0:50:00.920 --> 0:50:03.600
<v Speaker 1>very young, I think about ten, this kid had an

0:50:03.600 --> 0:50:06.000
<v Speaker 1>imaginary friend. Jim and the kid. I don't know if

0:50:06.040 --> 0:50:07.840
<v Speaker 1>you either of you two had an imaginary friend. But

0:50:07.880 --> 0:50:10.080
<v Speaker 1>this one when the first time she came around and

0:50:10.239 --> 0:50:12.719
<v Speaker 1>her imaginary friend was with her, and I was like

0:50:12.760 --> 0:50:14.799
<v Speaker 1>a little bit freaked out because stuff like this scares me.

0:50:15.280 --> 0:50:18.919
<v Speaker 1>And I said I sort of played along and I said, oh, right,

0:50:18.960 --> 0:50:21.799
<v Speaker 1>and where are they? They go, Oh, they're not here

0:50:21.880 --> 0:50:25.440
<v Speaker 1>right now. They live in the walls. Oh, I remember

0:50:25.480 --> 0:50:28.360
<v Speaker 1>sleeping uneasy. I said to my wife, you don't actually

0:50:28.360 --> 0:50:29.920
<v Speaker 1>believe that people like that actually see stuff?

0:50:29.920 --> 0:50:34.360
<v Speaker 6>Do you know we're moving to Melbourne to sell the house.

0:50:35.680 --> 0:50:37.880
<v Speaker 1>Sheep wolves in the houses you have here. There's no

0:50:37.880 --> 0:50:42.720
<v Speaker 1>one there's no way anyone no insulation, no imagining friends,

0:50:42.760 --> 0:50:45.040
<v Speaker 1>there's nothing in there. Did either of you two have

0:50:45.120 --> 0:50:46.120
<v Speaker 1>imaginary friend No?

0:50:46.280 --> 0:50:49.479
<v Speaker 6>I remember wanting being jealous of people who did, but.

0:50:51.520 --> 0:50:53.560
<v Speaker 1>You couldn't just that out.

0:50:53.680 --> 0:50:56.040
<v Speaker 6>I think I was too smart for my own imagination

0:50:56.120 --> 0:50:58.080
<v Speaker 6>because I would try to think of an imaginary friend

0:50:58.080 --> 0:51:00.680
<v Speaker 6>and then in the same thought, go, they're not real.

0:51:00.880 --> 0:51:04.000
<v Speaker 1>God, I wish I was Jack Post. He's actually one

0:51:04.000 --> 0:51:06.879
<v Speaker 1>of these rare beings. She's too smart for his own imagination.

0:51:07.800 --> 0:51:10.239
<v Speaker 1>What a blight that must be wandering around thinking of

0:51:10.239 --> 0:51:13.320
<v Speaker 1>stuff gone. But that couldn't possibly happen because I'm so smart.

0:51:14.520 --> 0:51:15.320
<v Speaker 1>Perhaps did you have that?

0:51:15.480 --> 0:51:15.799
<v Speaker 7>I did?

0:51:15.840 --> 0:51:19.239
<v Speaker 9>I had a girl called Analise in my head, and

0:51:19.280 --> 0:51:20.440
<v Speaker 9>it's quite normal, you know.

0:51:21.239 --> 0:51:26.080
<v Speaker 1>No one said it is. I said, anast would would

0:51:26.080 --> 0:51:27.600
<v Speaker 1>you like have a little sort of would she eat

0:51:27.600 --> 0:51:27.840
<v Speaker 1>with you?

0:51:28.480 --> 0:51:28.560
<v Speaker 8>Oh?

0:51:28.680 --> 0:51:28.879
<v Speaker 10>Yeah?

0:51:28.960 --> 0:51:33.560
<v Speaker 7>And I talked to her a lot, lots all the time.

0:51:34.960 --> 0:51:36.080
<v Speaker 1>What sort stuff would you say?

0:51:36.239 --> 0:51:40.759
<v Speaker 9>Just general conversation about school and sport and what we

0:51:40.760 --> 0:51:41.800
<v Speaker 9>were doing for the weekend.

0:51:43.080 --> 0:51:44.240
<v Speaker 6>But you weren't an only child.

0:51:44.280 --> 0:51:46.320
<v Speaker 7>You had brothers, No, but they were a lot older

0:51:46.360 --> 0:51:50.000
<v Speaker 7>than me, so I kind of was what was her name, Analise?

0:51:50.400 --> 0:51:51.960
<v Speaker 1>So what you like you'll be chatting about You're like,

0:51:51.960 --> 0:51:52.800
<v Speaker 1>oh a lease.

0:51:52.680 --> 0:51:55.960
<v Speaker 7>And at least do you like my dress? Analse? Do

0:51:56.000 --> 0:51:56.880
<v Speaker 7>you want to go and play?

0:51:57.080 --> 0:51:58.000
<v Speaker 1>How old are you? Eighteen?

0:51:59.080 --> 0:51:59.919
<v Speaker 7>I was about eight?

0:52:00.080 --> 0:52:02.960
<v Speaker 1>Iroicon, Wow, that's how long did you have? Did you

0:52:03.000 --> 0:52:04.600
<v Speaker 1>know when her date of birth was? And stuff like this?

0:52:05.160 --> 0:52:06.960
<v Speaker 1>Nothing like that, because this kid did apparently had to

0:52:07.000 --> 0:52:11.600
<v Speaker 1>get a birthday cake for this. That's kid that lived

0:52:11.600 --> 0:52:14.359
<v Speaker 1>in the Wolves where it was that some of them

0:52:14.360 --> 0:52:17.600
<v Speaker 1>a horror movie? Did you did you have an imaginary friend?

0:52:17.600 --> 0:52:19.480
<v Speaker 1>Give us a call? Nine four one four one o

0:52:19.640 --> 0:52:20.120
<v Speaker 1>four three.

0:52:20.280 --> 0:52:24.239
<v Speaker 2>The Christian O'Connell breakfast Show, Melbourne's Gold one oh four point.

0:52:23.960 --> 0:52:27.520
<v Speaker 1>Three ask you this morning? Did you have an imaginary friend?

0:52:29.680 --> 0:52:36.840
<v Speaker 1>I didn't chat, didn't pats did? It's a chat to

0:52:36.840 --> 0:52:39.960
<v Speaker 1>her imaginary mate Annie Annie? Was it lovely?

0:52:40.440 --> 0:52:40.520
<v Speaker 8>An?

0:52:40.719 --> 0:52:42.120
<v Speaker 1>It's about plans for the weekend.

0:52:43.440 --> 0:52:44.279
<v Speaker 6>How's she doing now?

0:52:45.120 --> 0:52:53.120
<v Speaker 7>She's good? Actually, yeah, she's doing well overseas family entrepreneur.

0:52:54.760 --> 0:52:57.280
<v Speaker 1>Didn't she ever? Wonders how Patsy is these days?

0:52:57.320 --> 0:52:58.920
<v Speaker 7>Are we keeping regular context?

0:52:58.960 --> 0:52:59.080
<v Speaker 8>Oh?

0:52:59.280 --> 0:53:04.719
<v Speaker 6>Lovely world, Get out of contact, Robert Junior for us.

0:53:04.880 --> 0:53:05.440
<v Speaker 6>I'm trying.

0:53:06.400 --> 0:53:07.640
<v Speaker 1>Sarah's on the line, Coome wanting.

0:53:07.520 --> 0:53:09.120
<v Speaker 12>Sarah, Hi, how are you.

0:53:09.280 --> 0:53:11.520
<v Speaker 1>I'm good, welcome to the show mate, And so did

0:53:11.560 --> 0:53:12.680
<v Speaker 1>you have an imagining friend?

0:53:13.280 --> 0:53:14.720
<v Speaker 10>Oh? I certainly did.

0:53:15.840 --> 0:53:17.640
<v Speaker 11>His name was mister drainman.

0:53:19.719 --> 0:53:23.359
<v Speaker 1>The most terrifying phrase I've ever heard, mister drain man

0:53:23.360 --> 0:53:24.480
<v Speaker 1>because he lived in the drain.

0:53:25.040 --> 0:53:26.920
<v Speaker 11>He lived in the drain near my house, so like

0:53:27.000 --> 0:53:29.080
<v Speaker 11>he couldn't just appear whenever I wanted, I had.

0:53:28.960 --> 0:53:31.000
<v Speaker 12>To go like collect him from the drain.

0:53:31.239 --> 0:53:33.279
<v Speaker 11>He asked his parents if he could come over.

0:53:34.400 --> 0:53:36.080
<v Speaker 6>This actually sounds like a horror film.

0:53:36.080 --> 0:53:38.840
<v Speaker 1>I'm getting a little bit. I get easily scared, you know,

0:53:38.880 --> 0:53:41.919
<v Speaker 1>ask pommies to This is very unctaining for me. Oh

0:53:41.960 --> 0:53:44.680
<v Speaker 1>my word, this not even Stephen King could dream up

0:53:44.680 --> 0:53:45.200
<v Speaker 1>such a thing.

0:53:46.640 --> 0:53:49.160
<v Speaker 11>I used to he'd come for sleepers and I'd make

0:53:49.239 --> 0:53:52.000
<v Speaker 11>him up like a little bed next to mine. But

0:53:52.040 --> 0:53:53.360
<v Speaker 11>it was like he was like a little.

0:53:53.120 --> 0:53:55.800
<v Speaker 1>Elf like and he lived in the drains.

0:53:56.040 --> 0:53:57.800
<v Speaker 11>He lived in the drain near my house.

0:53:57.840 --> 0:54:00.359
<v Speaker 1>Did he stink this was a bit smelly or no?

0:54:00.840 --> 0:54:05.000
<v Speaker 11>No, no, he was just like a little little drain man.

0:54:07.160 --> 0:54:11.600
<v Speaker 1>Amazing. Sah, when was the last time you thought about

0:54:11.600 --> 0:54:13.480
<v Speaker 1>mister drain man? Other than me saying did you have

0:54:13.480 --> 0:54:14.680
<v Speaker 1>an imagining? Friend this morning.

0:54:16.120 --> 0:54:19.120
<v Speaker 11>Well, I actually walked by my childhood home on the

0:54:19.120 --> 0:54:23.280
<v Speaker 11>weekend and I walked past the drain I was wonder

0:54:23.320 --> 0:54:23.839
<v Speaker 11>how he's going.

0:54:27.239 --> 0:54:29.520
<v Speaker 1>Oh, Sarah, that's great. Thank you so much for sharing

0:54:29.560 --> 0:54:29.920
<v Speaker 1>that with us.

0:54:30.400 --> 0:54:31.319
<v Speaker 11>Thanks love to say.

0:54:31.400 --> 0:54:32.239
<v Speaker 1>Oh, thank you sir.

0:54:32.520 --> 0:54:34.359
<v Speaker 12>All right, I have a good day, you too.

0:54:34.440 --> 0:54:34.640
<v Speaker 13>Bat.

0:54:35.560 --> 0:54:37.359
<v Speaker 1>I'm actually going to be nervous leaving. I've been looking

0:54:37.360 --> 0:54:40.799
<v Speaker 1>out for the trains. That's probably Eddy Maguire in there.

0:54:41.600 --> 0:54:41.640
<v Speaker 8>Es.

0:54:41.719 --> 0:54:43.879
<v Speaker 1>Go to Sandra. Good morning, Sanchra, come.

0:54:43.760 --> 0:54:46.120
<v Speaker 14>Morning, Good morning, Christian. How are you.

0:54:46.239 --> 0:54:48.160
<v Speaker 1>I'm good Sandra. Ho a, you're well? And did you

0:54:48.160 --> 0:54:49.880
<v Speaker 1>have an imagining friend or mister drain.

0:54:49.760 --> 0:54:53.600
<v Speaker 14>Man my imaginary friend? I had a couple, but the

0:54:53.600 --> 0:54:58.040
<v Speaker 14>worst one was Judy. She did everything wrong. Anything that

0:54:58.120 --> 0:55:00.480
<v Speaker 14>law I did and was meant to get into trouble

0:55:00.520 --> 0:55:02.920
<v Speaker 14>for wasn't me. It was Judy.

0:55:03.200 --> 0:55:03.359
<v Speaker 8>Yeah.

0:55:03.400 --> 0:55:07.080
<v Speaker 1>There were kids one yeah, the skatecoat one. Yeah, it's

0:55:07.120 --> 0:55:09.200
<v Speaker 1>not and it was you doing it on you and

0:55:09.520 --> 0:55:10.640
<v Speaker 1>Judy got up with the blame for it.

0:55:11.000 --> 0:55:14.080
<v Speaker 14>Yeah, definitely. And it was really funny. When I was

0:55:14.800 --> 0:55:17.080
<v Speaker 14>early teens and working in the city, I had this

0:55:17.400 --> 0:55:20.360
<v Speaker 14>kid following me that was trying to let you on

0:55:20.440 --> 0:55:23.680
<v Speaker 14>to me. And he said to me, what's your name?

0:55:23.960 --> 0:55:27.040
<v Speaker 14>And without a second thought, I said Judy. So I

0:55:27.080 --> 0:55:29.440
<v Speaker 14>hadn't really thought about Judy for quite a while.

0:55:29.640 --> 0:55:31.160
<v Speaker 1>She still happened you out in that situation.

0:55:31.760 --> 0:55:35.279
<v Speaker 14>She was still there. She got the ed you know something.

0:55:34.960 --> 0:55:38.000
<v Speaker 1>There listen, Sicha, thank you very much. She call you

0:55:38.000 --> 0:55:38.920
<v Speaker 1>have a good day.

0:55:38.960 --> 0:55:39.760
<v Speaker 14>You too, Christian?

0:55:39.840 --> 0:55:43.120
<v Speaker 2>Okay, bye, Okay, now, so Christian who Connell Breakfast Show,

0:55:43.239 --> 0:55:45.400
<v Speaker 2>Melbourne's Gold one oh four point three.

0:55:45.560 --> 0:55:47.919
<v Speaker 1>One thing we need to try and ask if there's

0:55:47.920 --> 0:55:50.080
<v Speaker 1>anyone that might been to help us out. Yesterday we

0:55:50.120 --> 0:55:53.759
<v Speaker 1>had our weekly Monday morning big meetings when we have

0:55:53.840 --> 0:55:56.879
<v Speaker 1>it with the boss and we're all there to talk

0:55:56.920 --> 0:55:58.800
<v Speaker 1>through what's going on and stuff that might be surprised

0:55:58.800 --> 0:56:00.279
<v Speaker 1>to you that there is any kind of planning with

0:56:00.360 --> 0:56:06.640
<v Speaker 1>the show. And it can be a how don't I

0:56:06.719 --> 0:56:07.040
<v Speaker 1>say this?

0:56:08.120 --> 0:56:10.920
<v Speaker 7>It can be a crueling I.

0:56:10.840 --> 0:56:14.120
<v Speaker 1>Didn't say that that. I'm hoping to give you two enough.

0:56:17.600 --> 0:56:18.719
<v Speaker 1>It can how would you describe it?

0:56:20.640 --> 0:56:24.480
<v Speaker 6>It can be a count.

0:56:26.200 --> 0:56:28.120
<v Speaker 1>The words on the show. It's sometimes nice to give

0:56:28.160 --> 0:56:30.359
<v Speaker 1>a gap for the other people to speak. Chack, you're

0:56:30.560 --> 0:56:32.279
<v Speaker 1>nominated for a new come on the year, you come

0:56:32.320 --> 0:56:34.160
<v Speaker 1>on the air and the actress, how would you describe

0:56:34.160 --> 0:56:36.440
<v Speaker 1>the Monday morning eating other than a feet of endurance

0:56:40.040 --> 0:56:48.560
<v Speaker 1>and oh god, oh no, off to time were with you.

0:56:50.520 --> 0:56:54.680
<v Speaker 1>But yesterday I noticed that often sometimes you drifting out

0:56:54.680 --> 0:56:57.160
<v Speaker 1>of that meeting. You're not it's not consistently there in

0:56:57.200 --> 0:56:57.560
<v Speaker 1>the rooms.

0:56:58.520 --> 0:56:59.399
<v Speaker 6>I'm physically in the.

0:56:59.360 --> 0:57:01.640
<v Speaker 7>Room and backpack right through it as well.

0:57:01.719 --> 0:57:04.360
<v Speaker 1>Check physically he's in the room, but mentally he's not.

0:57:04.520 --> 0:57:06.440
<v Speaker 1>He's not in the room. And yesterday, once one of

0:57:06.480 --> 0:57:10.080
<v Speaker 1>your all time top three, where's he gone? I was

0:57:10.080 --> 0:57:11.719
<v Speaker 1>looking at your eyes at one point and they were

0:57:11.760 --> 0:57:15.839
<v Speaker 1>going through me into previous lives and other spheres. I

0:57:15.920 --> 0:57:18.800
<v Speaker 1>was like, he's gone. And then someone mentioned about because

0:57:18.800 --> 0:57:20.800
<v Speaker 1>we aren't going to be doing again this year the

0:57:20.920 --> 0:57:24.000
<v Speaker 1>Grand Final, right, and you know we were talking about

0:57:24.040 --> 0:57:26.120
<v Speaker 1>We've got we've got clemenses, Tom, We're going to have

0:57:26.160 --> 0:57:29.040
<v Speaker 1>the parachuters. With the first care kick of the ball,

0:57:29.040 --> 0:57:30.640
<v Speaker 1>he's going to jump out of the plane land at

0:57:30.640 --> 0:57:32.360
<v Speaker 1>the Wittnoval. This is gonna be ridic something. We're doing

0:57:32.360 --> 0:57:35.040
<v Speaker 1>the Grand Final again. Grand's kicking the weekend before. We

0:57:35.200 --> 0:57:36.720
<v Speaker 1>let you know all the details, but you know we

0:57:36.760 --> 0:57:39.240
<v Speaker 1>are definitely going to be doing it again, And we said, oh,

0:57:39.280 --> 0:57:42.040
<v Speaker 1>you know, someone's going to be a bit of a

0:57:42.120 --> 0:57:44.120
<v Speaker 1>vibe for everyone taking part on the day and working

0:57:44.160 --> 0:57:45.800
<v Speaker 1>all the day and all the grand's coming down at

0:57:46.560 --> 0:57:51.840
<v Speaker 1>bacon and egg rolls. And he came back. He came back,

0:57:53.000 --> 0:58:01.040
<v Speaker 1>Oh cool. Nothing about Skyniver, nothing about anything. The only

0:58:01.160 --> 0:58:06.160
<v Speaker 1>thing that got above a flat line was a bacon

0:58:06.200 --> 0:58:09.680
<v Speaker 1>and egg roll. That was it. That was his sole

0:58:09.800 --> 0:58:17.640
<v Speaker 1>contribution Skydiver time and Death ten one. But the bacon

0:58:17.680 --> 0:58:19.560
<v Speaker 1>egg roll got you very excited.

0:58:19.640 --> 0:58:22.120
<v Speaker 6>Now I am looking forward to that Skydiper. Everything on

0:58:22.280 --> 0:58:24.000
<v Speaker 6>the Grand final day should be really cool.

0:58:23.800 --> 0:58:27.280
<v Speaker 1>But that bacon egg So the thing is, would the

0:58:27.320 --> 0:58:30.120
<v Speaker 1>Monday morning meeting be better if we got some food

0:58:30.160 --> 0:58:31.440
<v Speaker 1>in and had it beforehand?

0:58:31.560 --> 0:58:32.480
<v Speaker 6>That would be not yeah?

0:58:32.600 --> 0:58:34.480
<v Speaker 1>Yeah? What am I saying is we are looking for

0:58:34.480 --> 0:58:37.800
<v Speaker 1>someone to be the official caterer to the Christian Accornerbent

0:58:37.880 --> 0:58:39.720
<v Speaker 1>for show, but only on a Monday.

0:58:39.520 --> 0:58:41.760
<v Speaker 6>With bacon and egg rolls. Yes, as a preference.

0:58:41.920 --> 0:58:44.680
<v Speaker 1>Is it anywhere near Richmond or can get to Richmond

0:58:44.680 --> 0:58:49.440
<v Speaker 1>for half nine yep? What mean? Yeah? Well, I think

0:58:49.480 --> 0:58:52.040
<v Speaker 1>we're still on air and half yeah, but they can

0:58:52.040 --> 0:58:53.400
<v Speaker 1>bring them in because I think we need to eat

0:58:53.440 --> 0:58:54.160
<v Speaker 1>before we have.

0:58:54.160 --> 0:58:55.480
<v Speaker 6>The meeting during the songs.

0:58:55.760 --> 0:59:02.240
<v Speaker 1>Yep, yeah, obviously it's so smart. It's too smart for

0:59:02.280 --> 0:59:04.920
<v Speaker 1>his an to mention if you can help call the show,

0:59:05.000 --> 0:59:05.600
<v Speaker 1>just forget it.

0:59:05.640 --> 0:59:09.040
<v Speaker 2>So, Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:59:09.080 --> 0:59:10.840
<v Speaker 2>point three on the line.

0:59:10.840 --> 0:59:13.680
<v Speaker 1>Now this find out who is number thirty seven? Coome morning?

0:59:13.680 --> 0:59:14.600
<v Speaker 1>Who's calling Christian?

0:59:15.640 --> 0:59:18.320
<v Speaker 5>Good morning, Christian. This is Richard Norton. I'm calling you

0:59:18.360 --> 0:59:20.000
<v Speaker 5>from Atlanta, Georgia.

0:59:20.120 --> 0:59:23.080
<v Speaker 1>Richard, I got your email and read it out earlier.

0:59:23.200 --> 0:59:26.240
<v Speaker 1>I was hoping that you would be able to call us. Richard,

0:59:26.280 --> 0:59:29.640
<v Speaker 1>please tell everybody the amazing work that you do. So

0:59:29.720 --> 0:59:32.360
<v Speaker 1>you're calling from the set of Suicide Squad two.

0:59:33.440 --> 0:59:37.000
<v Speaker 5>Suicide Squad two with James Gunn. It's a total reboot

0:59:37.040 --> 0:59:40.040
<v Speaker 5>of the Suicide Squad movie, which I was fortunate enough

0:59:40.040 --> 0:59:43.600
<v Speaker 5>to work on the first one with David Eyre. So

0:59:43.840 --> 0:59:46.200
<v Speaker 5>this is we're having another crack at it too, and

0:59:46.280 --> 0:59:48.800
<v Speaker 5>we're in pre production mode at the moment. We start

0:59:48.840 --> 0:59:51.440
<v Speaker 5>shooting the end of next month.

0:59:51.880 --> 0:59:54.640
<v Speaker 1>And you're the fight coordinator.

0:59:54.800 --> 0:59:57.560
<v Speaker 5>Yes, so, well, you know my job is to sort

0:59:57.600 --> 1:00:02.240
<v Speaker 5>of train the actors quite choreographed the fights along with

1:00:02.400 --> 1:00:04.520
<v Speaker 5>you know, a great sort of stunt team and actually

1:00:04.760 --> 1:00:08.160
<v Speaker 5>quite a few of them from Australia. And I've got

1:00:08.160 --> 1:00:10.280
<v Speaker 5>a choreger at the fight scenes train the actors and

1:00:10.280 --> 1:00:12.320
<v Speaker 5>make sure they can handle all the moves and then

1:00:12.840 --> 1:00:15.000
<v Speaker 5>ultimately be on set with them and make sure they

1:00:15.000 --> 1:00:17.600
<v Speaker 5>look as good as they can once the cameras are

1:00:17.680 --> 1:00:19.000
<v Speaker 5>rolling And you're.

1:00:18.800 --> 1:00:20.800
<v Speaker 1>From You're in Melbourne at aren't you from Croydon?

1:00:21.880 --> 1:00:24.520
<v Speaker 5>Yeah? I grew up in Croydon. So you know where

1:00:24.520 --> 1:00:28.560
<v Speaker 5>Croydon is, right, Yeah? And it's a bush when I

1:00:28.640 --> 1:00:29.240
<v Speaker 5>grew up there.

1:00:29.360 --> 1:00:31.880
<v Speaker 1>That yes, So how on earth did you end up

1:00:31.880 --> 1:00:34.480
<v Speaker 1>in Hollywood and doing because you've been in like hundreds

1:00:34.520 --> 1:00:35.080
<v Speaker 1>of movies.

1:00:36.680 --> 1:00:39.520
<v Speaker 5>Yeah, well, I you know, it wasn't something I particularly

1:00:39.560 --> 1:00:42.680
<v Speaker 5>aspired to do, you know. I would start at martial

1:00:42.760 --> 1:00:46.760
<v Speaker 5>arts when I was eleven, got involved in karate with

1:00:47.040 --> 1:00:51.560
<v Speaker 5>Tino Seberano, who you would obviously know as Kate Sabrano's father, right,

1:00:51.640 --> 1:00:55.800
<v Speaker 5>and he was very instrumental introducing martial arts into Australia.

1:00:56.280 --> 1:00:58.960
<v Speaker 5>So I trained with him and then in nineteen seventy

1:00:59.200 --> 1:01:03.960
<v Speaker 5>with Bob Jones and I started Zendo kai style of karate,

1:01:04.040 --> 1:01:08.480
<v Speaker 5>a very eclectic system that led on to doing personal

1:01:08.480 --> 1:01:13.080
<v Speaker 5>bodyguard out guard work. Bob was involved in security when

1:01:13.120 --> 1:01:15.760
<v Speaker 5>I met up with him and we were asked by

1:01:15.800 --> 1:01:19.840
<v Speaker 5>Paul Dainty, a local entrepreneur, if we would look after

1:01:19.880 --> 1:01:23.680
<v Speaker 5>the Rolling Stones and that was in nineteen seventy three.

1:01:23.560 --> 1:01:26.080
<v Speaker 1>So seventy three you're looking off the stones? What was

1:01:26.120 --> 1:01:26.520
<v Speaker 1>that like?

1:01:27.600 --> 1:01:29.720
<v Speaker 5>That was amazing? I mean, if you can imagine being

1:01:29.720 --> 1:01:32.160
<v Speaker 5>the first time on tour with a band as big

1:01:32.160 --> 1:01:37.280
<v Speaker 5>as a rolling Stone was an incredible experience. And that

1:01:37.440 --> 1:01:39.320
<v Speaker 5>you know, that sort of work is it's a lot

1:01:39.320 --> 1:01:41.640
<v Speaker 5>of word of mouth in that work. So we were

1:01:41.640 --> 1:01:44.680
<v Speaker 5>at the Stones and then looked after Joe Kaker Abbat

1:01:45.360 --> 1:01:48.560
<v Speaker 5>was We then worked with Linda Rumstein, James Taylor for

1:01:48.600 --> 1:01:52.800
<v Speaker 5>fourteen years, step with Mac Stevin Nix and do.

1:01:52.840 --> 1:01:55.160
<v Speaker 1>You actually have to use any of your skills? There's

1:01:55.160 --> 1:01:57.480
<v Speaker 1>a lot of it just looking tough. Do you ever

1:01:57.520 --> 1:01:59.320
<v Speaker 1>hatch that to take care of anybody and get them

1:01:59.320 --> 1:01:59.720
<v Speaker 1>out the way?

1:01:59.800 --> 1:02:01.680
<v Speaker 10>Or yes you do.

1:02:01.920 --> 1:02:05.120
<v Speaker 5>But funnily enough, the reason that I got a lot

1:02:05.160 --> 1:02:07.800
<v Speaker 5>of work, and of course Bob, is that we didn't

1:02:07.920 --> 1:02:11.400
<v Speaker 5>look like what people would imagine stereotypical body. Got to

1:02:11.440 --> 1:02:14.240
<v Speaker 5>look like you know, I'm I'm not a huge guy

1:02:14.320 --> 1:02:16.880
<v Speaker 5>and part of our thing was to basically blending and

1:02:17.000 --> 1:02:19.800
<v Speaker 5>almost look like a member of the band. And you're

1:02:19.800 --> 1:02:22.080
<v Speaker 5>a bit like that Alsatian dog was just sitting there

1:02:22.120 --> 1:02:23.919
<v Speaker 5>and if somebody gets a bit too out of line

1:02:23.920 --> 1:02:27.120
<v Speaker 5>and stuff that, you know, there your teeth, so to speak.

1:02:27.200 --> 1:02:30.840
<v Speaker 5>And yes, And part of the attraction that I had

1:02:30.840 --> 1:02:32.760
<v Speaker 5>when I especially when I went to the US and

1:02:33.320 --> 1:02:36.640
<v Speaker 5>seventy nine, was working the bands out on the road.

1:02:36.720 --> 1:02:41.160
<v Speaker 5>In fact, Rolling Stone did the article on me working

1:02:41.200 --> 1:02:43.520
<v Speaker 5>these bands out because a lot of the members were

1:02:43.560 --> 1:02:45.400
<v Speaker 5>coming off the road and better shaped than when they

1:02:45.480 --> 1:02:45.919
<v Speaker 5>went on.

1:02:46.200 --> 1:02:49.760
<v Speaker 1>So you were training Jagger and would you train the band?

1:02:49.880 --> 1:02:52.160
<v Speaker 12>Yeah, I used to train well, not Keith.

1:02:55.200 --> 1:02:56.640
<v Speaker 5>Yeah, it didn't quite get there.

1:02:56.800 --> 1:03:00.880
<v Speaker 2>The Christian O'Connell Breakfast Show, Melbourne's Gold one all point three.

1:03:00.880 --> 1:03:04.160
<v Speaker 1>All right, today's at work time, Wister once more. That

1:03:04.400 --> 1:03:08.320
<v Speaker 1>Haig's one hundred dollars chocolate hamper is up for grabs.

1:03:09.440 --> 1:03:14.720
<v Speaker 1>Food bands. I've got KFC in the Sunshine Band.

1:03:16.680 --> 1:03:17.720
<v Speaker 6>I don't know the band.

1:03:18.080 --> 1:03:21.160
<v Speaker 1>Okase in the Sunshine Band. Maybe give it up, give

1:03:21.240 --> 1:03:26.680
<v Speaker 1>it up, Bay, give it up, Comedies, beautiful KFC in

1:03:26.720 --> 1:03:28.680
<v Speaker 1>the Sunshine Band. Now you know the band, bring the

1:03:28.760 --> 1:03:33.920
<v Speaker 1>laughter picnic at the disco. That's good, the four Chops,

1:03:35.280 --> 1:03:41.200
<v Speaker 1>Motown Butchers and the notorious Blt good, the bee cheese

1:03:41.560 --> 1:03:44.840
<v Speaker 1>and thirty seconds to mars bar yeap. What have you got?

1:03:45.880 --> 1:03:55.280
<v Speaker 6>Boys to Mentos, binfolds chive nice soup dog. Soup dog

1:03:55.440 --> 1:03:55.960
<v Speaker 6>is good?

1:03:56.480 --> 1:03:59.600
<v Speaker 1>Come on, look around the student. They give you nothing,

1:03:59.600 --> 1:04:00.200
<v Speaker 1>and rightly.

1:04:00.120 --> 1:04:10.880
<v Speaker 6>So Angus and Julius Scone nickel backstraps. Patsy saved me.

1:04:11.040 --> 1:04:12.840
<v Speaker 7>No, I'm not laughing. I'm laughing at Christian.

1:04:12.880 --> 1:04:17.200
<v Speaker 1>I think she just sneezed the Tobla emones. I just forgot.

1:04:18.720 --> 1:04:19.680
<v Speaker 6>That's really good.

1:04:19.880 --> 1:04:21.760
<v Speaker 1>Right in the dying rounds he came go.

1:04:22.200 --> 1:04:25.600
<v Speaker 2>The Christian O'Connell breakfast show, Melbourne's Gold one oh four

1:04:25.640 --> 1:04:26.240
<v Speaker 2>point three.

1:04:26.520 --> 1:04:28.360
<v Speaker 1>Can you just grab Patsy's phone right now? What does

1:04:28.400 --> 1:04:29.280
<v Speaker 1>she look at? That address?

1:04:30.040 --> 1:04:30.320
<v Speaker 5>Is that?

1:04:30.800 --> 1:04:32.280
<v Speaker 6>Give me that phoneline shopping?

1:04:32.280 --> 1:04:36.800
<v Speaker 1>I can nine shopping at the start of a link.

1:04:38.160 --> 1:04:40.280
<v Speaker 1>I'm not even turning the microphone on because you abuse

1:04:40.360 --> 1:04:43.440
<v Speaker 1>the microphone. When you do that, you disrespect this honor.

1:04:43.480 --> 1:04:46.720
<v Speaker 1>We have to speak into these microphones, these instruments we

1:04:46.800 --> 1:04:49.040
<v Speaker 1>have of trust. What are you looking at?

1:04:49.080 --> 1:04:51.360
<v Speaker 9>It looks like I've got seven weeks to get something

1:04:51.400 --> 1:04:52.200
<v Speaker 9>out for the acres.

1:04:53.280 --> 1:04:57.880
<v Speaker 1>Oh my word, how the head turns. How the head turns?

1:04:59.360 --> 1:05:05.919
<v Speaker 1>The ward nomination. Wow, we the diva is born. Join

1:05:06.000 --> 1:05:09.800
<v Speaker 1>the shown out shopping for dresses. Is that red one?

1:05:09.800 --> 1:05:10.120
<v Speaker 1>I saw?

1:05:10.280 --> 1:05:10.480
<v Speaker 10>Yeah?

1:05:10.480 --> 1:05:13.320
<v Speaker 1>I's it from here? The color of it. I'm about

1:05:13.360 --> 1:05:19.720
<v Speaker 1>eight feet there's Soude of the studio shocking.

1:05:20.720 --> 1:05:22.680
<v Speaker 6>Well, you've got to respect the nine hour. Remember we're

1:05:22.760 --> 1:05:25.000
<v Speaker 6>number one breakfast show nine am to ten am.

1:05:25.040 --> 1:05:28.000
<v Speaker 1>I'd prefer if you said we've got respects all hours.

1:05:27.960 --> 1:05:31.720
<v Speaker 6>Especially well, it feels like if any we disrespect the

1:05:31.800 --> 1:05:34.240
<v Speaker 6>nine am hour with stuff like that, and me reading

1:05:34.280 --> 1:05:37.000
<v Speaker 6>the newspaper essay which I apologize for, thank.

1:05:36.840 --> 1:05:39.240
<v Speaker 7>You, and I apologize today skip.

1:05:40.840 --> 1:05:45.680
<v Speaker 1>Skip skipper right, today's at work time waster. Come on, everybody,

1:05:45.720 --> 1:05:48.000
<v Speaker 1>let's get back on track to show it. Hey, don't

1:05:48.040 --> 1:05:53.360
<v Speaker 1>do that to me. I'm present here, Okay. Today's that

1:05:53.400 --> 1:05:57.480
<v Speaker 1>work time waster is food ben, that's it. She distracted

1:05:57.520 --> 1:05:59.920
<v Speaker 1>me with the dress shopping, food bands, buns and rosen

1:06:00.840 --> 1:06:05.640
<v Speaker 1>silver the Gerard Fleetwood, Big Mac Gold Pizza in Mount Martha,

1:06:05.840 --> 1:06:07.960
<v Speaker 1>Pearl Jam Crumpet Delicious.

1:06:08.120 --> 1:06:11.720
<v Speaker 6>Silver plus, Twixie Chicks Gold plus.

1:06:11.360 --> 1:06:18.120
<v Speaker 1>Works on many levels. Adam Oreo Speedwagon Gold, Tofu Fighters Gold,

1:06:18.280 --> 1:06:20.040
<v Speaker 1>nine inch Snails, and then we have that last week

1:06:20.080 --> 1:06:20.520
<v Speaker 1>and for.

1:06:20.520 --> 1:06:23.840
<v Speaker 6>Something something else Bronze for repeating.

1:06:24.040 --> 1:06:29.640
<v Speaker 1>Savage Garden Salad Silver, John von Ham Sandwich Silvil plus,

1:06:30.720 --> 1:06:36.000
<v Speaker 1>Simply Red Rooster Silver plus, Whole Pizza Play Silver, The

1:06:36.000 --> 1:06:42.360
<v Speaker 1>Peach Poise Simple Gold, Brian Fairy Cake Silver plus, Culture

1:06:42.400 --> 1:06:47.840
<v Speaker 1>Club Sandwich Smart Silver, Murria Curry, Kerry for Kerry Curry

1:06:48.600 --> 1:06:56.800
<v Speaker 1>Bronze throughout Us, Powder Finger, Bun Bronze, Scorn Jovi Silver,

1:06:58.720 --> 1:07:04.040
<v Speaker 1>Aerosmith's Crip, Chips Here Gold eleven Secret Herbs and Spice

1:07:04.080 --> 1:07:11.120
<v Speaker 1>Girls Get the Hages, Chocolate Hamper.

1:07:10.800 --> 1:07:14.560
<v Speaker 2>World, The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

1:07:14.680 --> 1:07:15.400
<v Speaker 2>four point three.

1:07:15.560 --> 1:07:17.720
<v Speaker 1>We got another half hour left on day seven of

1:07:17.760 --> 1:07:21.360
<v Speaker 1>Who's Calling Christian. Anything can still happen Sea Morning. We've

1:07:21.360 --> 1:07:27.120
<v Speaker 1>had three Course Michael Winslow, then we had Corey Feldman,

1:07:27.360 --> 1:07:30.280
<v Speaker 1>and then we had Richard Norton Bodyguard to the Star.

1:07:30.640 --> 1:07:32.800
<v Speaker 1>I think it's been over one hundred and twenty different

1:07:32.840 --> 1:07:35.480
<v Speaker 1>movies as a stunt man himself and starring in them

1:07:35.520 --> 1:07:38.840
<v Speaker 1>as well. Still expensing a call from Robert Danny Jr.

1:07:39.440 --> 1:07:42.680
<v Speaker 1>Who's been contacted by a listener's dog that has its

1:07:42.720 --> 1:07:46.920
<v Speaker 1>own Instagram account, Max the Husky, and your dog has

1:07:46.920 --> 1:07:49.120
<v Speaker 1>an Instagram account has also contacted him.

1:07:49.120 --> 1:07:51.120
<v Speaker 6>That's right, your dog should do the same in anybody

1:07:51.160 --> 1:07:56.120
<v Speaker 6>who's there pets Instagram password, jump on their account and

1:07:56.160 --> 1:07:58.120
<v Speaker 6>please contact Robert Danny Jr.

1:07:58.200 --> 1:08:00.520
<v Speaker 1>As that Stegosaurus that you own as a dog, has

1:08:00.560 --> 1:08:02.680
<v Speaker 1>he got his own Instagram accounts? Can you not actually

1:08:02.720 --> 1:08:08.600
<v Speaker 1>crop that big fat to get.

1:08:07.280 --> 1:08:10.680
<v Speaker 2>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1:08:10.680 --> 1:08:11.560
<v Speaker 2>point three.

1:08:12.800 --> 1:08:14.880
<v Speaker 1>All right, let's find out who's going to be celebrity

1:08:14.960 --> 1:08:18.559
<v Speaker 1>number thirty eight on day seven of Who's Calling Christian?

1:08:19.280 --> 1:08:20.519
<v Speaker 1>Good morning? Who's on the line?

1:08:20.560 --> 1:08:20.720
<v Speaker 12>Now?

1:08:20.760 --> 1:08:21.120
<v Speaker 1>Who's this?

1:08:22.280 --> 1:08:24.960
<v Speaker 14>I'm Benita Collins and I'm here to talk about youth

1:08:25.040 --> 1:08:25.439
<v Speaker 14>in search.

1:08:26.680 --> 1:08:30.760
<v Speaker 1>Oh hi, welcome to Who's Calling Christian? Now listen. I

1:08:30.840 --> 1:08:33.519
<v Speaker 1>believe that young you, the megastar that was in I'm

1:08:33.520 --> 1:08:36.639
<v Speaker 1>pretty sure you are in play school? Was it for years?

1:08:37.200 --> 1:08:40.679
<v Speaker 14>That's correct? Yes, well, if you read the blurb, it's

1:08:40.680 --> 1:08:41.880
<v Speaker 14>just for over thirty years.

1:08:42.040 --> 1:08:44.840
<v Speaker 1>Over thirty years, you're in play school. Thomas and Jack

1:08:44.840 --> 1:08:47.599
<v Speaker 1>and Pats who obviously grew up in Australia, have recently

1:08:47.640 --> 1:08:48.719
<v Speaker 1>moved here, Benita.

1:08:48.760 --> 1:08:51.000
<v Speaker 6>Of course I got many childhood memories. Actually I had

1:08:51.040 --> 1:08:54.080
<v Speaker 6>a teddy bear named Morris, named after one of the toys.

1:08:55.320 --> 1:08:58.600
<v Speaker 14>Yees, yees. He's a lovely fluffy white.

1:08:58.479 --> 1:08:59.720
<v Speaker 1>So how many years did you do that? For?

1:09:00.439 --> 1:09:00.639
<v Speaker 8>Well?

1:09:00.720 --> 1:09:03.680
<v Speaker 14>Thirty years? However, quickly they could only make forty five

1:09:03.760 --> 1:09:06.680
<v Speaker 14>new programs each year, split between five couples. We all

1:09:06.680 --> 1:09:08.479
<v Speaker 14>only worked on it ten days a year. The rest

1:09:08.520 --> 1:09:09.040
<v Speaker 14>will repeat.

1:09:09.800 --> 1:09:13.599
<v Speaker 1>You're kidding needs a good work right, easy little gig?

1:09:14.200 --> 1:09:14.639
<v Speaker 14>Yeah?

1:09:15.280 --> 1:09:16.760
<v Speaker 1>How many would you knock off in a day?

1:09:17.560 --> 1:09:17.800
<v Speaker 5>Ah?

1:09:17.840 --> 1:09:18.080
<v Speaker 14>Too?

1:09:23.640 --> 1:09:25.759
<v Speaker 1>And also TV then would have been a more innocent

1:09:26.200 --> 1:09:28.519
<v Speaker 1>time as well. So a quick point of the round

1:09:28.560 --> 1:09:30.240
<v Speaker 1>window and that show won done, isn't it?

1:09:31.400 --> 1:09:31.599
<v Speaker 8>Well?

1:09:31.680 --> 1:09:32.439
<v Speaker 14>A bit more than that?

1:09:32.479 --> 1:09:32.840
<v Speaker 13>But yes?

1:09:34.160 --> 1:09:36.160
<v Speaker 1>And did you have a corpse or anything? You making

1:09:36.240 --> 1:09:36.719
<v Speaker 1>the shows?

1:09:36.840 --> 1:09:40.799
<v Speaker 14>Or well if you if you, as they say, stuffed

1:09:40.880 --> 1:09:45.040
<v Speaker 14>up tried to add live your way around it? Mind you,

1:09:45.120 --> 1:09:47.000
<v Speaker 14>when I had a goat on my knee, a little

1:09:47.000 --> 1:09:49.880
<v Speaker 14>baby go to weed all over me, that was the

1:09:49.920 --> 1:09:53.040
<v Speaker 14>time I had to really add live all around that.

1:09:53.560 --> 1:09:55.840
<v Speaker 1>And did you have a favorite window? Was it the arch,

1:09:55.920 --> 1:09:57.240
<v Speaker 1>the square or the circle?

1:09:58.400 --> 1:10:02.280
<v Speaker 6>I liked the arch the arch, Yeah, I always hoped

1:10:02.280 --> 1:10:02.800
<v Speaker 6>to the arch.

1:10:03.360 --> 1:10:06.760
<v Speaker 1>Now, yes, yes, now we had obviously play School ran

1:10:06.920 --> 1:10:08.840
<v Speaker 1>for years and years in the UK as well. I

1:10:08.840 --> 1:10:10.680
<v Speaker 1>think it started a couple of years before we got

1:10:10.720 --> 1:10:13.280
<v Speaker 1>out here in Australia. But in the UK version right

1:10:13.320 --> 1:10:15.679
<v Speaker 1>that I grew up with, they never ever went through.

1:10:16.000 --> 1:10:18.120
<v Speaker 1>There was some kind of snobbery. They wouldn't go through

1:10:18.160 --> 1:10:20.599
<v Speaker 1>many times through the circle window. Was that the same

1:10:20.680 --> 1:10:21.280
<v Speaker 1>with your show?

1:10:21.880 --> 1:10:24.840
<v Speaker 14>Gosh no, I never heard yeah, no no.

1:10:24.920 --> 1:10:26.840
<v Speaker 1>For some reason they never went through that circle window.

1:10:26.840 --> 1:10:29.000
<v Speaker 1>I don't know what horrors were in there. And did

1:10:29.040 --> 1:10:30.559
<v Speaker 1>you have the same thing where it'd be some sort

1:10:30.560 --> 1:10:32.519
<v Speaker 1>of video about how glass is made and a glass

1:10:32.520 --> 1:10:39.200
<v Speaker 1>blowing factory? You know, it probably shared the same videos.

1:10:39.280 --> 1:10:42.360
<v Speaker 1>I remember there was one they kept playing every fifth episode,

1:10:42.400 --> 1:10:44.360
<v Speaker 1>which is how bricks are made as well in a kiln.

1:10:46.560 --> 1:10:48.520
<v Speaker 14>Well maybe that wasn't my episode.

1:10:50.040 --> 1:10:51.479
<v Speaker 1>So please, who's ask you to give us a call?

1:10:51.560 --> 1:10:53.280
<v Speaker 1>Tell us about the charity that you're going on behalf

1:10:53.320 --> 1:10:55.200
<v Speaker 1>of Okay, it's use in search.

1:10:55.320 --> 1:10:59.840
<v Speaker 14>In search is one word. They've been around, oh Will,

1:11:00.760 --> 1:11:05.320
<v Speaker 14>nearly thirty years. I saw them in nineteen ninety six.

1:11:05.720 --> 1:11:08.040
<v Speaker 14>I was invited because I'm also a corporate trainer and

1:11:08.120 --> 1:11:11.680
<v Speaker 14>presentation and communication skills. I was invited to go and

1:11:11.720 --> 1:11:14.599
<v Speaker 14>perhaps just give some presentation tips to these young people.

1:11:14.960 --> 1:11:17.559
<v Speaker 14>I did. I found out about Youth in Search, how

1:11:17.560 --> 1:11:19.240
<v Speaker 14>it worked, and I thought, yes, I want to be

1:11:19.280 --> 1:11:23.360
<v Speaker 14>part of it. And so they have weekend workshops for

1:11:23.479 --> 1:11:27.040
<v Speaker 14>young people aged fourteen to twenty who perhaps have been

1:11:27.040 --> 1:11:32.160
<v Speaker 14>involved in drugs, alcohol, petty crime, truancy and it's a

1:11:32.240 --> 1:11:35.360
<v Speaker 14>place where they can go and learn about what their

1:11:35.439 --> 1:11:38.120
<v Speaker 14>problems are and how to deal with them and then

1:11:38.240 --> 1:11:42.720
<v Speaker 14>move on. And it works. I can remember well my

1:11:42.960 --> 1:11:46.240
<v Speaker 14>quick story my first camp. A young boy came up

1:11:46.280 --> 1:11:49.560
<v Speaker 14>to me. He was fourteen. He said, hello, I'm he Stucker.

1:11:49.880 --> 1:11:52.960
<v Speaker 14>I'm here to show you around. He's now the CEO

1:11:53.160 --> 1:11:54.040
<v Speaker 14>of Youth in Search.

1:11:54.360 --> 1:11:54.759
<v Speaker 1>Wow.

1:11:55.120 --> 1:11:57.200
<v Speaker 14>And that's just a one off story. There are many,

1:11:57.280 --> 1:11:59.680
<v Speaker 14>many stories of people just getting their lives back and

1:11:59.720 --> 1:12:01.479
<v Speaker 14>having happy, happy lives.

1:12:01.920 --> 1:12:04.240
<v Speaker 1>It sounds a great positive charity as well.

1:12:04.160 --> 1:12:07.519
<v Speaker 14>Benita, Yes it is, it is, and I'm still involved.

1:12:08.320 --> 1:12:10.880
<v Speaker 14>They also have what they call the Leaders training, where

1:12:10.920 --> 1:12:13.439
<v Speaker 14>young people who want to be a leader learn all

1:12:13.479 --> 1:12:16.519
<v Speaker 14>sorts of skills from team building. I do presentation and

1:12:16.560 --> 1:12:20.320
<v Speaker 14>communication skills with them and it works. You see them

1:12:20.360 --> 1:12:22.160
<v Speaker 14>go out into the world and as I said, they

1:12:22.160 --> 1:12:24.080
<v Speaker 14>have happy lives, fulfilling lives.

1:12:24.320 --> 1:12:27.080
<v Speaker 1>Now just quickly jumped on Google. Obviously, this is live radio.

1:12:27.160 --> 1:12:28.880
<v Speaker 1>We never know who's calling in. Were you in a

1:12:28.920 --> 1:12:30.360
<v Speaker 1>movie with Nicholas Cage?

1:12:30.800 --> 1:12:31.479
<v Speaker 14>Yes, I was.

1:12:32.720 --> 1:12:34.519
<v Speaker 1>I was a big fan of play School and it

1:12:34.720 --> 1:12:38.960
<v Speaker 1>was like, I want that lady, she's got that magic.

1:12:39.880 --> 1:12:42.320
<v Speaker 14>I'm not sure that's how it worked, but anyway, yes,

1:12:42.360 --> 1:12:44.320
<v Speaker 14>it was knowing and I played his mother.

1:12:44.800 --> 1:12:46.240
<v Speaker 1>How did that come to be?

1:12:46.640 --> 1:12:49.240
<v Speaker 14>Well, you see, I'm an actress, so you audition for things.

1:12:49.320 --> 1:12:51.720
<v Speaker 14>I auditioned, I got the jig, and off I went.

1:12:52.000 --> 1:12:54.200
<v Speaker 1>And how has it been with because he's like, there

1:12:54.200 --> 1:12:56.800
<v Speaker 1>are so many stores about stories about Nicholas Cage and

1:12:56.800 --> 1:12:57.439
<v Speaker 1>what was he like?

1:12:58.200 --> 1:13:02.719
<v Speaker 14>Well, the thing is that you and some of your

1:13:02.960 --> 1:13:07.080
<v Speaker 14>listeners may know, if you do a scene with somebody,

1:13:07.080 --> 1:13:10.120
<v Speaker 14>you have a stand in, so they stand there while

1:13:10.160 --> 1:13:12.439
<v Speaker 14>all the lighting is done. So he had a stand in,

1:13:13.040 --> 1:13:15.479
<v Speaker 14>So when we were rehearsing the scene and getting ready,

1:13:15.960 --> 1:13:19.080
<v Speaker 14>he wasn't there. And at the last minute he would

1:13:19.120 --> 1:13:20.960
<v Speaker 14>then come in because all the lighting and everything was

1:13:20.960 --> 1:13:23.960
<v Speaker 14>fixed up for him or for the scene, and then

1:13:23.960 --> 1:13:26.200
<v Speaker 14>you play. You rehearsed the scene and played.

1:13:25.960 --> 1:13:27.920
<v Speaker 1>It and that was it and they was ushered out

1:13:27.960 --> 1:13:31.160
<v Speaker 1>of there? Was that the same on play score for you?

1:13:31.160 --> 1:13:31.920
<v Speaker 1>You had a stand in.

1:13:34.560 --> 1:13:41.879
<v Speaker 14>Right, We were our own standing now.

1:13:41.720 --> 1:13:43.760
<v Speaker 1>Beneath to the way this works, everyone who give us

1:13:43.840 --> 1:13:46.160
<v Speaker 1>us a call. We have a question that's been left

1:13:46.160 --> 1:13:47.960
<v Speaker 1>by the previous guest that we had on the show.

1:13:47.960 --> 1:13:53.000
<v Speaker 1>And we just had a Hollywood actor and stuntman, Austroneyman,

1:13:53.360 --> 1:13:56.400
<v Speaker 1>and he had this question for you. You ready for

1:13:56.439 --> 1:14:00.519
<v Speaker 1>your question? Yeah, okay, So it's a martial ar theme.

1:14:00.520 --> 1:14:03.000
<v Speaker 1>It's quite a strong question. But anyway, have it listened

1:14:03.000 --> 1:14:03.200
<v Speaker 1>to this?

1:14:04.160 --> 1:14:07.040
<v Speaker 5>If they suddenly found themselves in the alley's never attacked,

1:14:07.720 --> 1:14:09.960
<v Speaker 5>what is the first thing they would do? What is

1:14:10.000 --> 1:14:13.479
<v Speaker 5>the first move that they might save them from? An

1:14:13.479 --> 1:14:14.400
<v Speaker 5>absolute vision?

1:14:15.920 --> 1:14:18.679
<v Speaker 1>So he lives in the fight world, and that's obviously

1:14:18.720 --> 1:14:20.639
<v Speaker 1>the stuff that is in his head. Benita, we didn't

1:14:20.640 --> 1:14:22.360
<v Speaker 1>obviously readers at the time that you'll be getting the

1:14:22.439 --> 1:14:25.880
<v Speaker 1>question if you were cornered in an alleyway by a

1:14:25.920 --> 1:14:32.639
<v Speaker 1>disgruntled play called fan Nicholas Cage, how would you defend yourself?

1:14:33.080 --> 1:14:34.800
<v Speaker 14>Well, of course he was not to know it was

1:14:34.840 --> 1:14:39.040
<v Speaker 14>me and that I've actually done karate, So my teacher

1:14:39.080 --> 1:14:41.559
<v Speaker 14>told us all all the females, you said, don't bother

1:14:41.680 --> 1:14:44.200
<v Speaker 14>to do karate. If you're confronted by somebody who comes

1:14:44.200 --> 1:14:46.479
<v Speaker 14>at you from the front, you bring your knee up

1:14:47.040 --> 1:14:52.439
<v Speaker 14>and then run, so the knee went into private parts

1:14:52.680 --> 1:14:55.200
<v Speaker 14>and then you ran. If it came from behind, you

1:14:55.320 --> 1:14:58.639
<v Speaker 14>put your heel, run it down there, shin and run.

1:14:58.720 --> 1:15:00.880
<v Speaker 14>It was always ended up with and run.

1:15:01.479 --> 1:15:04.439
<v Speaker 1>Well that's a very smart Beanita. I never thought when

1:15:04.479 --> 1:15:06.519
<v Speaker 1>we started today's show, we learn't having you on and

1:15:06.520 --> 1:15:10.280
<v Speaker 1>you'll be giving self defense lessons how to escape attacks

1:15:10.320 --> 1:15:16.840
<v Speaker 1>in an anyway? Part one with Benita. So how long

1:15:16.920 --> 1:15:17.920
<v Speaker 1>did you do karate for?

1:15:18.760 --> 1:15:21.080
<v Speaker 14>I did it for a couple of years, and then

1:15:21.120 --> 1:15:23.840
<v Speaker 14>I suddenly realized when I was sparring with somebody, I

1:15:23.840 --> 1:15:26.479
<v Speaker 14>got punched in the face because I wasn't quick enough

1:15:26.479 --> 1:15:29.760
<v Speaker 14>to deflect. And I thought, oh, if I end up

1:15:29.760 --> 1:15:31.760
<v Speaker 14>with a bruise on my face and I'm on set

1:15:32.120 --> 1:15:36.479
<v Speaker 14>the next morning, professionally, I can't do that. I stopped it.

1:15:36.600 --> 1:15:39.160
<v Speaker 1>I thought I would have added us something about you

1:15:39.200 --> 1:15:40.599
<v Speaker 1>if you were to do it with like a black

1:15:40.600 --> 1:15:41.760
<v Speaker 1>eye one day on place scoop.

1:15:45.760 --> 1:15:46.599
<v Speaker 14>Yeah, not a good look.

1:15:48.320 --> 1:15:49.240
<v Speaker 1>What a great laugh?

1:15:49.280 --> 1:15:50.000
<v Speaker 12>You've got.

1:15:50.360 --> 1:15:52.200
<v Speaker 14>Oh, thank you all right.

1:15:52.120 --> 1:15:54.519
<v Speaker 1>Now listen, what's your question from you that whoever we

1:15:54.560 --> 1:15:56.200
<v Speaker 1>could probably get a call from tomorrow?

1:15:56.200 --> 1:16:01.880
<v Speaker 14>Maybe okay? Uh, right, to be a good theory for

1:16:01.960 --> 1:16:06.920
<v Speaker 14>a day. And what wish would you grant somebody if

1:16:06.920 --> 1:16:09.720
<v Speaker 14>you could you're a good theory and you could wish,

1:16:10.080 --> 1:16:13.519
<v Speaker 14>you know, give somebody their wish, go for it? What

1:16:13.560 --> 1:16:14.160
<v Speaker 14>would you grant?

1:16:14.479 --> 1:16:14.639
<v Speaker 8>Right?

1:16:14.680 --> 1:16:17.080
<v Speaker 1>Okay, all right, Benita, thank you very much for being

1:16:17.120 --> 1:16:18.880
<v Speaker 1>such a good sport telling us about a great charity.

1:16:18.920 --> 1:16:19.920
<v Speaker 1>And it was a joy to have you on the

1:16:19.960 --> 1:16:20.479
<v Speaker 1>show today.

1:16:20.920 --> 1:16:22.479
<v Speaker 14>I thank you, Christian. It was fun.

1:16:22.520 --> 1:16:24.679
<v Speaker 1>All right, good, thank you very much. Have a good day, Benita.

1:16:24.800 --> 1:16:25.519
<v Speaker 14>Bye bye.

1:16:25.720 --> 1:16:29.080
<v Speaker 2>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1:16:29.120 --> 1:16:29.639
<v Speaker 2>point three.

1:16:29.960 --> 1:16:32.120
<v Speaker 1>Heidi Furlick do you know? And we had Highly Frolick

1:16:32.160 --> 1:16:34.880
<v Speaker 1>on last week about a late soup party. I can't

1:16:34.880 --> 1:16:37.200
<v Speaker 1>remember the topic, but I remember the name Heidi Frolick

1:16:37.520 --> 1:16:39.760
<v Speaker 1>because of her sign off at the bottom of our

1:16:39.840 --> 1:16:44.960
<v Speaker 1>email address. H Frelic Bookkeeping and Fluent Books Pdy. Christian

1:16:45.000 --> 1:16:47.400
<v Speaker 1>just listened to talk to the great Benita from play school.

1:16:47.520 --> 1:16:50.040
<v Speaker 1>What a lovely lady. An awesome laugh. It was also

1:16:50.080 --> 1:16:53.000
<v Speaker 1>fabulous to listen to Richard an hour or two ago

1:16:53.040 --> 1:16:55.240
<v Speaker 1>as well. What an interestant guy, and I can confirm

1:16:55.280 --> 1:16:57.640
<v Speaker 1>that the correct answer. The first movie you should do

1:16:57.680 --> 1:17:00.360
<v Speaker 1>whenever if you are confronted by someone sinister is to run.

1:17:00.520 --> 1:17:03.600
<v Speaker 1>I'm a retired taekwondo black belt. Who knew there'd be

1:17:03.640 --> 1:17:08.920
<v Speaker 1>so much martial arts chat on today's show the last hour,

1:17:09.400 --> 1:17:11.880
<v Speaker 1>there's been so much OCCA Now and weapons got mentioned

1:17:11.920 --> 1:17:14.240
<v Speaker 1>an hour ago. I guarantee you we're the only movie show,

1:17:14.280 --> 1:17:16.439
<v Speaker 1>not just in this city or this country, but in

1:17:16.479 --> 1:17:19.840
<v Speaker 1>the world that actually name checked oker now and weapons.

1:17:20.640 --> 1:17:22.920
<v Speaker 1>I'm a retired taekwondo black belt. I spent a few

1:17:23.000 --> 1:17:25.200
<v Speaker 1>years teaching self defense and that was the first thing

1:17:25.200 --> 1:17:27.000
<v Speaker 1>we taught the kids, just running, get out of there. Yes,

1:17:27.080 --> 1:17:30.639
<v Speaker 1>are quite right, Heidi. Well, it has been an interesting morning,

1:17:31.040 --> 1:17:34.240
<v Speaker 1>so many various guests or all different shades of show business.

1:17:34.520 --> 1:17:37.519
<v Speaker 1>On day seven, three more to go, we're heading towards

1:17:37.560 --> 1:17:39.960
<v Speaker 1>the big deadline ten am Friday morning for you to

1:17:40.040 --> 1:17:42.559
<v Speaker 1>try and get your celebrities to call the show. If

1:17:42.560 --> 1:17:45.479
<v Speaker 1>you missed it today, here's what happened. Obviously, Benita is

1:17:45.520 --> 1:17:47.880
<v Speaker 1>only missing from this because our sound guy has just

1:17:47.920 --> 1:17:51.280
<v Speaker 1>started crying in there's a very fraschhile man. Well, well,

1:17:51.280 --> 1:17:53.040
<v Speaker 1>how long have I got? The show ends at ten

1:17:53.400 --> 1:17:57.640
<v Speaker 1>Monday to Friday. Get it in before ten to be tomorrow.

1:17:58.479 --> 1:18:03.320
<v Speaker 1>My fingers are bleeding for me, the editor. So anyway,

1:18:03.439 --> 1:18:06.240
<v Speaker 1>here's what's happened up until half nine that has to

1:18:06.280 --> 1:18:09.080
<v Speaker 1>go on tomorrow. Apparently unions we have here. You see

1:18:09.160 --> 1:18:10.760
<v Speaker 1>all right, here's today's best of.

1:18:13.040 --> 1:18:20.040
<v Speaker 14>Calling Christian day seven and voice Fowls are plenty by Christian.

1:18:20.280 --> 1:18:24.040
<v Speaker 8>Steve Richards calling Supercars driver and five come better Winner.

1:18:24.120 --> 1:18:26.479
<v Speaker 4>I'm like to challenge you, Christian, the last one of

1:18:26.479 --> 1:18:28.280
<v Speaker 4>my rafe Christian.

1:18:28.360 --> 1:18:32.200
<v Speaker 8>This is David park And calling. I'm threefl iofl coaching

1:18:32.280 --> 1:18:34.280
<v Speaker 8>player for about forty years.

1:18:34.680 --> 1:18:37.680
<v Speaker 12>Hey, Christian, it's Todd McKinnie here. I heard that you

1:18:37.680 --> 1:18:40.160
<v Speaker 12>want to do some dance lessons, so you've got my lumber.

1:18:40.200 --> 1:18:44.400
<v Speaker 1>The sound effects legend Michael Winslow called in now a

1:18:44.520 --> 1:18:48.120
<v Speaker 1>large elephant please Michael Winslow, Okay, step up.

1:18:48.080 --> 1:18:50.240
<v Speaker 5>Okay, just step pa.

1:18:51.080 --> 1:18:53.280
<v Speaker 12>Come ons, not my big elephants.

1:18:53.320 --> 1:18:55.280
<v Speaker 5>I'm warning you, Mite, it's a big one.

1:18:56.120 --> 1:18:56.960
<v Speaker 12>Come oncome.

1:19:00.360 --> 1:19:01.759
<v Speaker 5>That's bloody gods am.

1:19:01.560 --> 1:19:07.160
<v Speaker 1>I eighties movie star Corey Feldman. They're bringing back Ben

1:19:07.240 --> 1:19:09.640
<v Speaker 1>and Ted's in a couple of months time. Why not Goony?

1:19:09.520 --> 1:19:13.599
<v Speaker 13>I will we listen, We've gone round and round. It

1:19:13.640 --> 1:19:18.640
<v Speaker 13>can't happen unless it involves all of the originals, including Spielberg,

1:19:18.720 --> 1:19:22.680
<v Speaker 13>including Darner, including all the kids. Just a very special.

1:19:22.280 --> 1:19:23.880
<v Speaker 1>Place in all of our heart.

1:19:24.200 --> 1:19:26.599
<v Speaker 13>But you know again, for that reason, we also wouldn't

1:19:26.600 --> 1:19:28.679
<v Speaker 13>want to do it any injustice. And I think that's

1:19:28.720 --> 1:19:31.120
<v Speaker 13>been the hesitation, because you know, you don't want to

1:19:31.160 --> 1:19:33.680
<v Speaker 13>just go and rush and do some crappy you know,

1:19:33.800 --> 1:19:35.759
<v Speaker 13>phantom menace type people.

1:19:38.720 --> 1:19:41.440
<v Speaker 1>Now we don't jobbings.

1:19:41.600 --> 1:19:43.080
<v Speaker 5>No, we cannot have that.

1:19:43.360 --> 1:19:46.559
<v Speaker 4>Hollywood fight choreographer from the set of the new Suicide

1:19:46.560 --> 1:19:50.360
<v Speaker 4>Squad movie, Richard Norton told us about training the Rolling Stones.

1:19:50.120 --> 1:19:51.840
<v Speaker 5>A lot of the members were coming off the road

1:19:51.880 --> 1:19:53.599
<v Speaker 5>and better shaped and when that went on.

1:19:53.680 --> 1:19:56.519
<v Speaker 1>So you were train Jagger and Keith? Would you train

1:19:56.600 --> 1:19:56.920
<v Speaker 1>the band?

1:19:57.040 --> 1:19:57.200
<v Speaker 8>Yeah?

1:19:57.200 --> 1:19:59.360
<v Speaker 5>I used to train, not well, not Keith.

1:20:02.360 --> 1:20:02.559
<v Speaker 3>Yeah.

1:20:02.560 --> 1:20:03.679
<v Speaker 8>It didn't quite get.

1:20:03.600 --> 1:20:04.760
<v Speaker 5>The Jews.

1:20:06.160 --> 1:20:09.559
<v Speaker 3>Calling Christian.

1:20:10.520 --> 1:20:13.240
<v Speaker 1>All right, then tit off. Today's show is mister draine Man.

1:20:13.280 --> 1:20:15.160
<v Speaker 1>We are back tomorrow morning with who Knows you can

1:20:15.200 --> 1:20:17.960
<v Speaker 1>get on the show for Who's calling Christian three shows

1:20:18.120 --> 1:20:20.360
<v Speaker 1>left that are still wide open. If you want to

1:20:20.360 --> 1:20:21.760
<v Speaker 1>hear any of the chats that we are we've had

1:20:21.800 --> 1:20:23.640
<v Speaker 1>on so far in the last seven shows on this

1:20:23.840 --> 1:20:25.320
<v Speaker 1>they're all on the website. If you want to hear

1:20:25.320 --> 1:20:28.240
<v Speaker 1>the fabulous Benita again, it's at Gold one four to

1:20:28.320 --> 1:20:31.040
<v Speaker 1>three dot com dot au. Thank you very much. Everyone's

1:20:31.040 --> 1:20:33.640
<v Speaker 1>working so hard to contact celebrities they haven't heard them

1:20:33.640 --> 1:20:35.800
<v Speaker 1>on the show yet. Please keep it going. We're loving

1:20:35.840 --> 1:20:37.240
<v Speaker 1>all the differant chats and I hope you are too.

1:20:37.280 --> 1:20:38.800
<v Speaker 1>We're back to my morning huggies on the way

1:20:38.880 --> 1:20:42.280
<v Speaker 2>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1:20:42.320 --> 1:20:42.800
<v Speaker 2>point three