1 00:00:00,440 --> 00:00:04,600 Speaker 1: Comedian, musician actor. We've seen him on the Telly a 2 00:00:04,600 --> 00:00:07,680 Speaker 1: Bit QI, never Mind, the Buzzcocks and Black Books and 3 00:00:07,760 --> 00:00:11,840 Speaker 1: on the ABC Bill Bailey's Wild West Australia. Mister Bailey, 4 00:00:12,400 --> 00:00:15,880 Speaker 1: good morning, Good morning. So where are we talking to 5 00:00:15,920 --> 00:00:17,200 Speaker 1: you from today? 6 00:00:17,400 --> 00:00:22,640 Speaker 2: Well, I'm in West London in my house at the moment. 7 00:00:23,520 --> 00:00:26,960 Speaker 2: It's yes, it's kind of a it's in the evening. 8 00:00:27,360 --> 00:00:29,920 Speaker 3: We've had. It's a big day over there. It's a 9 00:00:29,960 --> 00:00:31,000 Speaker 3: big day over here. 10 00:00:31,160 --> 00:00:34,480 Speaker 2: There's sort of polling booths have all closed, so we're 11 00:00:34,520 --> 00:00:36,080 Speaker 2: now waiting for the results of. 12 00:00:36,680 --> 00:00:40,360 Speaker 3: The general election. So it could be a historic name. 13 00:00:40,800 --> 00:00:43,360 Speaker 1: Well they're talking about the biggest in maybe nearly two 14 00:00:43,479 --> 00:00:47,080 Speaker 1: hundred years. So indeed the eyes of the world are 15 00:00:47,159 --> 00:00:49,440 Speaker 1: upon your part of the world. But the good news 16 00:00:49,520 --> 00:00:51,480 Speaker 1: is you are coming to our part of the world. 17 00:00:51,720 --> 00:00:55,640 Speaker 1: You'll be here in November Saturday the second and Sunday 18 00:00:55,680 --> 00:00:58,880 Speaker 1: the third at the Riverside Theater, but you're playing out 19 00:00:58,880 --> 00:01:02,120 Speaker 1: of town two of October at the Regional Entertainment sent 20 00:01:02,200 --> 00:01:04,319 Speaker 1: up in Bunbury and on the thirty first of October 21 00:01:04,600 --> 00:01:07,160 Speaker 1: at the Performing Arts Center in mandra Thought a fire 22 00:01:07,760 --> 00:01:10,880 Speaker 1: couldn't find it in the Oxford or the Colins or 23 00:01:11,240 --> 00:01:14,280 Speaker 1: Macquarie dictionary. Here it's a Bill Bailey Wood. Tell us 24 00:01:14,319 --> 00:01:16,280 Speaker 1: what does it mean? Because it's the name of your tour, 25 00:01:16,360 --> 00:01:16,760 Speaker 1: isn't it. 26 00:01:16,760 --> 00:01:19,560 Speaker 2: It's right, the name of my tour thorifier, and I 27 00:01:19,560 --> 00:01:22,760 Speaker 2: guess it's it's I like to make. 28 00:01:22,640 --> 00:01:25,839 Speaker 3: Up new words. Really a bit of a hobby. 29 00:01:26,800 --> 00:01:29,240 Speaker 2: Well, you know, you've got a hobby, and it's quite 30 00:01:29,280 --> 00:01:33,600 Speaker 2: handy when when you're doing a new tour, because as 31 00:01:33,640 --> 00:01:36,640 Speaker 2: you've discovered, you can't find the word anyway. In fact, 32 00:01:36,680 --> 00:01:39,440 Speaker 2: the only way you'll find it is if you google 33 00:01:39,520 --> 00:01:41,400 Speaker 2: up my tour and then you know, there we go. 34 00:01:41,520 --> 00:01:43,680 Speaker 2: So it's quite a good way of, you know, guiding 35 00:01:43,720 --> 00:01:45,880 Speaker 2: people to the show. That's the first thing on a 36 00:01:45,920 --> 00:01:49,120 Speaker 2: practical basis, and the other thing as well. It's basically 37 00:01:50,040 --> 00:01:54,880 Speaker 2: some way it's a combination of I suppose amplified music 38 00:01:54,960 --> 00:01:57,880 Speaker 2: and thought, which is basically what my shows are on 39 00:01:57,920 --> 00:01:59,600 Speaker 2: a basic level. So I do a lot of music 40 00:01:59,640 --> 00:02:03,120 Speaker 2: in it, a lot of stories. I'm trying to kind 41 00:02:03,160 --> 00:02:09,560 Speaker 2: of very in a very loose way, show how extraordinary 42 00:02:09,880 --> 00:02:13,760 Speaker 2: humans are through history. We're able to create music and 43 00:02:14,240 --> 00:02:18,320 Speaker 2: harmony and rhythm and melody and so all of that 44 00:02:18,360 --> 00:02:20,240 Speaker 2: gets that I talk about in the show. I get 45 00:02:20,280 --> 00:02:24,880 Speaker 2: the audience involved. We create songs, we create sounds just 46 00:02:25,040 --> 00:02:27,480 Speaker 2: right there. And then I've got lots of bits of 47 00:02:27,560 --> 00:02:29,520 Speaker 2: tech that I've been using working with a little bit 48 00:02:29,560 --> 00:02:33,640 Speaker 2: with AI, just to show that its limitations more than 49 00:02:33,680 --> 00:02:34,480 Speaker 2: anything else. 50 00:02:34,280 --> 00:02:36,000 Speaker 3: Really in fact, that we are after us. 51 00:02:36,040 --> 00:02:39,399 Speaker 2: All you know to come basically is that it's saying, look, 52 00:02:39,520 --> 00:02:41,160 Speaker 2: don't panic, it ain't. 53 00:02:40,919 --> 00:02:44,720 Speaker 3: All that you know, We're humans are amazing. 54 00:02:44,840 --> 00:02:48,840 Speaker 2: So that's the sort of celebratory quality nature of the show. 55 00:02:49,440 --> 00:02:52,160 Speaker 3: And just have a you know, a couple of hours 56 00:02:52,200 --> 00:02:52,560 Speaker 3: of laught. 57 00:02:52,680 --> 00:02:55,240 Speaker 1: So when you when you tour, it's like like a 58 00:02:55,240 --> 00:02:57,600 Speaker 1: band going on to it. You've got your small keyboard 59 00:02:57,639 --> 00:03:01,520 Speaker 1: with you, guitar songs as you go to different places. 60 00:03:01,639 --> 00:03:03,800 Speaker 1: I saw a picture on the when I was looking 61 00:03:03,800 --> 00:03:07,200 Speaker 1: for thoughtifire and I saw a picture of you with 62 00:03:07,320 --> 00:03:10,240 Speaker 1: your guitar looking, may I say a little semmy Hagar 63 00:03:10,440 --> 00:03:12,320 Speaker 1: from Van Halen. 64 00:03:12,800 --> 00:03:14,679 Speaker 3: Oh yeah, it was a bit of it. It was 65 00:03:14,680 --> 00:03:21,040 Speaker 3: a yeah, well I'll take that as a compliment. I think. 66 00:03:21,080 --> 00:03:24,320 Speaker 2: The thing is when I started to see watch comedy 67 00:03:24,560 --> 00:03:27,440 Speaker 2: many many years ago. I remember going to see a 68 00:03:27,480 --> 00:03:31,600 Speaker 2: comedian called John Hegley, who was a poet and a comedian, 69 00:03:32,040 --> 00:03:36,520 Speaker 2: and he had he had a mandolin within and I've 70 00:03:36,560 --> 00:03:40,320 Speaker 2: never seen that before. I've never seen that combination, and 71 00:03:40,360 --> 00:03:42,960 Speaker 2: it always stuck with me for many, many years. I 72 00:03:43,040 --> 00:03:46,080 Speaker 2: just thought it was so unusual, and I think really 73 00:03:46,320 --> 00:03:48,960 Speaker 2: that was a sort of an early light bulb moment 74 00:03:49,000 --> 00:03:51,480 Speaker 2: going off in an inspiration for me, because I thought, 75 00:03:52,000 --> 00:03:55,360 Speaker 2: you know that comedy allows you to do that. You know, 76 00:03:55,720 --> 00:03:58,080 Speaker 2: if you can play lots of different instruments, you know, 77 00:03:58,200 --> 00:04:02,240 Speaker 2: you can show these instruments things aren't necessarily seen or 78 00:04:02,480 --> 00:04:05,320 Speaker 2: showcased that often. And to get comedy out of it 79 00:04:05,360 --> 00:04:06,800 Speaker 2: as well, well, that's to me. I always think it's 80 00:04:06,800 --> 00:04:09,160 Speaker 2: a bit of a challenge. So the gigs, as you say, 81 00:04:09,200 --> 00:04:12,600 Speaker 2: it's very much that when the tech rider shows up 82 00:04:12,600 --> 00:04:14,600 Speaker 2: at the theater, they say, well, when's the band coming, 83 00:04:14,640 --> 00:04:16,359 Speaker 2: and they go, no, there isn't a band, it's just 84 00:04:16,440 --> 00:04:16,919 Speaker 2: one bloke. 85 00:04:18,600 --> 00:04:20,200 Speaker 1: I guess it helps you to mix the show up 86 00:04:20,240 --> 00:04:22,640 Speaker 1: and keep everybody guessing. You never know what you're going 87 00:04:22,680 --> 00:04:25,279 Speaker 1: to get. I guess you're thinking on the fly a 88 00:04:25,279 --> 00:04:27,039 Speaker 1: little as you do the show. 89 00:04:27,320 --> 00:04:29,839 Speaker 2: Yeah, well that's right. I mean, you know the show 90 00:04:29,880 --> 00:04:32,279 Speaker 2: it's got a basic shape to it. And you know, 91 00:04:32,320 --> 00:04:35,479 Speaker 2: I've been touring the show now quite a bit. It's 92 00:04:35,520 --> 00:04:39,440 Speaker 2: been all around Britain and Ireland and around Europe, and 93 00:04:40,200 --> 00:04:42,600 Speaker 2: I've just done a huge European tour, so it's been 94 00:04:42,640 --> 00:04:45,880 Speaker 2: to about, you know, eighteen countries already before it's got 95 00:04:45,960 --> 00:04:48,560 Speaker 2: to it comes to Australia. I like to keep it 96 00:04:48,560 --> 00:04:50,680 Speaker 2: a little bit open, so that there's a basic structure 97 00:04:50,720 --> 00:04:53,760 Speaker 2: to it, which is the shape of the bits. 98 00:04:53,880 --> 00:04:58,320 Speaker 3: The sort of the mainian section, the foundation of it. Yeah, 99 00:04:58,520 --> 00:05:00,800 Speaker 3: can go off pieced a little bit depending on where 100 00:05:00,839 --> 00:05:01,840 Speaker 3: we are, And I guess that's right. 101 00:05:01,920 --> 00:05:03,360 Speaker 1: I was just going to say, I guess that may 102 00:05:03,440 --> 00:05:06,640 Speaker 1: allows you then to tailor the show for wherever you go. 103 00:05:06,720 --> 00:05:10,560 Speaker 1: And I expect you're already doing some research to taylor 104 00:05:10,600 --> 00:05:12,200 Speaker 1: the show for our part. 105 00:05:12,080 --> 00:05:12,560 Speaker 3: Of the world. 106 00:05:12,839 --> 00:05:16,640 Speaker 1: Absolutely, I will be yes, we're under the microscope. We 107 00:05:16,760 --> 00:05:20,000 Speaker 1: better watch how we act, otherwise we're going to become 108 00:05:20,080 --> 00:05:20,760 Speaker 1: part of the act. 109 00:05:21,080 --> 00:05:23,240 Speaker 2: But the thing was, I did spend quite a lot 110 00:05:23,279 --> 00:05:26,440 Speaker 2: of time in West Australia last year when I was 111 00:05:26,480 --> 00:05:30,040 Speaker 2: filming this this TV doco, so I've got quite a 112 00:05:30,080 --> 00:05:32,599 Speaker 2: lot of stories and characters that I can talk about, 113 00:05:32,920 --> 00:05:35,160 Speaker 2: which will be very per specific. 114 00:05:37,160 --> 00:05:39,040 Speaker 1: As you said you were here, you were you were 115 00:05:39,080 --> 00:05:43,440 Speaker 1: doing the TV documentary a limited series called Bill Bailey's 116 00:05:43,480 --> 00:05:47,560 Speaker 1: Wild West Australia. Any parts of WA you'd like to 117 00:05:47,600 --> 00:05:50,479 Speaker 1: see or you know, and come back and maybe do 118 00:05:50,560 --> 00:05:51,320 Speaker 1: another series. 119 00:05:51,480 --> 00:05:53,719 Speaker 3: Because it's a big place. It's hard to get to everywhere, 120 00:05:53,760 --> 00:05:56,760 Speaker 3: isn't it? Well it is. I mean that's that's the thing, really, 121 00:05:56,839 --> 00:05:59,200 Speaker 3: I mean, that's what was so staggering. Is this the 122 00:05:59,240 --> 00:06:01,480 Speaker 3: scale of the place. It's really you know, I. 123 00:06:01,440 --> 00:06:07,279 Speaker 2: Mean, and there's up there's the very low population density 124 00:06:07,560 --> 00:06:11,880 Speaker 2: in compared to to where I'm in Europe, you know 125 00:06:11,960 --> 00:06:15,360 Speaker 2: where where I mean this, you know, w is a 126 00:06:15,480 --> 00:06:19,080 Speaker 2: size of Western Europe. I mean, it's vast, and the 127 00:06:19,160 --> 00:06:22,680 Speaker 2: populations is about two minutes of population of Manchester, you 128 00:06:22,760 --> 00:06:25,920 Speaker 2: know around and this is Judge HANSI. 129 00:06:26,200 --> 00:06:28,520 Speaker 3: It's two hundred kilometers to the next petrol stop. 130 00:06:30,080 --> 00:06:32,640 Speaker 2: I got to the point I was driving along and 131 00:06:32,720 --> 00:06:35,440 Speaker 2: we hadn't seen anyone for so long. A car would 132 00:06:35,440 --> 00:06:37,760 Speaker 2: go past, I would waive them, I go hello. 133 00:06:40,040 --> 00:06:40,200 Speaker 3: Off. 134 00:06:40,680 --> 00:06:42,920 Speaker 1: Etiquette is just to lift the finger up from the 135 00:06:43,360 --> 00:06:45,800 Speaker 1: that's the the West Ozzie Way, just a couple of. 136 00:06:45,800 --> 00:06:52,960 Speaker 3: Fingers from just the one finger. That not me wildly, just. 137 00:06:54,640 --> 00:06:56,720 Speaker 1: Yeah, remember me if I get into trouble a little 138 00:06:56,760 --> 00:06:57,920 Speaker 1: further down the desert track. 139 00:06:58,120 --> 00:06:58,360 Speaker 3: Yeah. 140 00:06:59,279 --> 00:07:01,320 Speaker 1: Well, Bill, we look look forward to having you back 141 00:07:01,360 --> 00:07:03,760 Speaker 1: here in Wa. As I said, you're here in November. 142 00:07:03,880 --> 00:07:06,880 Speaker 1: The tour is called Thorti Fire. You're here on the 143 00:07:07,040 --> 00:07:10,680 Speaker 1: second and the third of November at the Riverside Theater 144 00:07:10,760 --> 00:07:13,480 Speaker 1: and if you're listening in Bumbrey, which you may be online, 145 00:07:13,640 --> 00:07:16,200 Speaker 1: thirtieth of October at the Regional Entertainment Center and on 146 00:07:16,320 --> 00:07:19,800 Speaker 1: the thirty first of October at the Performing Arts Center 147 00:07:19,960 --> 00:07:22,640 Speaker 1: in mandra Bill Bailey, been a pleasure to talk to you. 148 00:07:22,760 --> 00:07:24,640 Speaker 1: We look forward to seeing you when you get here 149 00:07:24,760 --> 00:07:27,600 Speaker 1: in November. Four thoughtifier look forward to it. 150 00:07:27,720 --> 00:07:27,920 Speaker 3: See