1 00:00:00,240 --> 00:00:10,040 Speaker 1: As morning is a Christian o'connall show podcast. 2 00:00:10,360 --> 00:00:13,920 Speaker 2: It will be you say Anger, I say Passion. 3 00:00:14,040 --> 00:00:16,880 Speaker 3: On the Flobber Gasta Scale. 4 00:00:16,440 --> 00:00:22,320 Speaker 1: By Lord test again Christian no connall show on Gold 5 00:00:22,480 --> 00:00:24,000 Speaker 1: one four point three. 6 00:00:24,400 --> 00:00:27,440 Speaker 4: Hello podcasts, thank you very much for downloading this show. 7 00:00:27,520 --> 00:00:29,680 Speaker 4: I don't mind the saying. So there's some amazing stories 8 00:00:29,720 --> 00:00:32,760 Speaker 4: on this not from me, Jack or pats but more 9 00:00:32,760 --> 00:00:35,320 Speaker 4: from you guys. And I'm guessing that a lot of 10 00:00:35,320 --> 00:00:37,559 Speaker 4: you as you hear the show and some of the 11 00:00:37,560 --> 00:00:40,440 Speaker 4: phone is today about memorabilia, the things growing up you 12 00:00:40,479 --> 00:00:43,320 Speaker 4: couldn't touch or go anywhere near in your house and 13 00:00:43,600 --> 00:00:46,040 Speaker 4: what have you touched? You're going to have some stories too, 14 00:00:46,640 --> 00:00:49,040 Speaker 4: So send us your latesla parties. You know we love 15 00:00:49,080 --> 00:00:53,240 Speaker 4: them on the show. Christian at christiano'connall dot com dot au, 16 00:00:53,440 --> 00:00:56,080 Speaker 4: thanks for downloading the show. Always here it is good morning, 17 00:00:56,160 --> 00:00:58,760 Speaker 4: Chack post. How are you, Christian, I'm good, Good morning, Patsy, 18 00:00:58,880 --> 00:01:02,600 Speaker 4: Hey boys, HOWI more importantly Patsy, how are you? Yesterday 19 00:01:02,760 --> 00:01:04,399 Speaker 4: we heard how you could barely move. You've got a 20 00:01:04,480 --> 00:01:06,920 Speaker 4: very bad back. Did you get someone to smash it 21 00:01:07,000 --> 00:01:07,600 Speaker 4: up yesterday? 22 00:01:07,760 --> 00:01:08,240 Speaker 5: I did. 23 00:01:08,440 --> 00:01:12,760 Speaker 2: Kate absolutely pummeled me about six last night. My fabulous 24 00:01:12,760 --> 00:01:15,520 Speaker 2: physio really hurt, but it's got to hurt. It's a 25 00:01:15,520 --> 00:01:17,080 Speaker 2: lot freer today, thank you. 26 00:01:17,200 --> 00:01:18,720 Speaker 3: Yes, but it's still very sore. 27 00:01:18,920 --> 00:01:20,440 Speaker 4: So well, you called it yesterday because I heard you 28 00:01:20,480 --> 00:01:23,240 Speaker 4: on the phone yesterday. And also, Patsy, if you've got 29 00:01:23,280 --> 00:01:25,399 Speaker 4: a bad back, the way that you were cradling the 30 00:01:25,520 --> 00:01:27,720 Speaker 4: phone like you know, when you put it between your 31 00:01:27,800 --> 00:01:30,120 Speaker 4: neck and the shoulder, and that you know, I didn't look. 32 00:01:30,160 --> 00:01:31,800 Speaker 4: It didn't look very comfortable to me if you had 33 00:01:31,800 --> 00:01:33,640 Speaker 4: a bad back. And we always try and make demands 34 00:01:33,680 --> 00:01:35,880 Speaker 4: that slots open up, because it sounded like you were 35 00:01:35,880 --> 00:01:38,679 Speaker 4: saying to someone you needed to get into asap. But 36 00:01:38,760 --> 00:01:40,880 Speaker 4: a lot of these places they're running reduced hours, aren't 37 00:01:40,880 --> 00:01:41,639 Speaker 4: they because of COVID. 38 00:01:41,959 --> 00:01:44,000 Speaker 2: Yeah, and Kate only does a couple of days a week, 39 00:01:44,040 --> 00:01:46,560 Speaker 2: and she's very popular because she's so good. 40 00:01:46,800 --> 00:01:49,400 Speaker 4: Yeah, there's you know, there's been there's being busy, and 41 00:01:49,400 --> 00:01:52,480 Speaker 4: then there's who's going on today with these tips? There's 42 00:01:52,480 --> 00:01:54,680 Speaker 4: been busy. Then there's also if you're Patrina Jones, you 43 00:01:54,720 --> 00:01:57,160 Speaker 4: can just call up them. 44 00:01:57,400 --> 00:01:59,840 Speaker 2: I may have caught a few times through the afternoon, yes, 45 00:02:00,200 --> 00:02:02,440 Speaker 2: because I was really in pain, as you know. 46 00:02:03,040 --> 00:02:04,760 Speaker 4: Making threats. 47 00:02:04,920 --> 00:02:06,320 Speaker 3: Poor ka threat. 48 00:02:06,200 --> 00:02:09,239 Speaker 4: Yeah, poor k Yeah, we're real shame of that massas 49 00:02:09,240 --> 00:02:12,320 Speaker 4: table got fire bombs overnight and was in my news 50 00:02:12,320 --> 00:02:15,040 Speaker 4: tomorrow morning. I'll take the six o'clock I don't normally 51 00:02:15,040 --> 00:02:17,760 Speaker 4: work till six. I'll take the six o'clock slot. I'll 52 00:02:17,760 --> 00:02:20,640 Speaker 4: be there at six. K okay, you'll be ready for me. 53 00:02:22,080 --> 00:02:25,600 Speaker 4: I went to the gym yesterday. The gym's Yeah, gym's 54 00:02:25,639 --> 00:02:29,760 Speaker 4: reopened yesterday. Also, so did Pilate Studios yoga and then 55 00:02:29,800 --> 00:02:35,200 Speaker 4: whatever that what is it? Barren bare studios being closed? 56 00:02:35,560 --> 00:02:37,840 Speaker 4: It was like fever pitch yesterday. My gym. So it 57 00:02:37,880 --> 00:02:39,560 Speaker 4: was this big gym I go to, but you're only 58 00:02:39,560 --> 00:02:41,600 Speaker 4: allowed twenty people in there, and you have to pre 59 00:02:41,680 --> 00:02:43,440 Speaker 4: book so you can. It's on the hour. Every hour. 60 00:02:43,760 --> 00:02:45,320 Speaker 4: You have to wait for everyone else to come out, 61 00:02:45,400 --> 00:02:47,800 Speaker 4: everyone to be exited first of all. Then they go 62 00:02:47,880 --> 00:02:49,080 Speaker 4: in and clean it. I don't know if you use 63 00:02:49,120 --> 00:02:51,240 Speaker 4: framethrowers what they do with is and then you go 64 00:02:51,280 --> 00:02:54,600 Speaker 4: into We were queuing up outside twenty of us getting 65 00:02:54,600 --> 00:02:56,480 Speaker 4: ready for the midday class yesterday. 66 00:02:56,560 --> 00:02:58,600 Speaker 3: So is there a bouncer on the front what, Yes, 67 00:02:59,320 --> 00:03:01,480 Speaker 3: it's a big I'm the big personal trainers right, they've 68 00:03:01,480 --> 00:03:02,560 Speaker 3: obviously picked the biggest one. 69 00:03:02,639 --> 00:03:02,839 Speaker 5: Yeah. 70 00:03:03,000 --> 00:03:05,120 Speaker 4: I literally said, because we're queuing, and he had like 71 00:03:05,160 --> 00:03:07,600 Speaker 4: a velvet rope. Yeah, I said, this is like a nightclub. 72 00:03:07,960 --> 00:03:09,680 Speaker 4: Are you going to throw people out of them? Had 73 00:03:09,720 --> 00:03:11,440 Speaker 4: too many reps or something, go and walk it off. 74 00:03:11,760 --> 00:03:13,800 Speaker 4: Everyone was queuing because everyone was in their gym gig 75 00:03:13,840 --> 00:03:15,600 Speaker 4: because you don't want to waste any time. Yeah, right, 76 00:03:15,639 --> 00:03:16,840 Speaker 4: so you want to get in there. You're only allound 77 00:03:16,880 --> 00:03:18,240 Speaker 4: fifty minutes and you've got to get out of there. 78 00:03:18,639 --> 00:03:19,840 Speaker 4: It felt like you do you remember me used to 79 00:03:19,880 --> 00:03:23,280 Speaker 4: queu outside some to go and do pe, you know, 80 00:03:23,320 --> 00:03:26,839 Speaker 4: in sports. Yeah, it was like that. But the atmosphere 81 00:03:26,840 --> 00:03:29,760 Speaker 4: in the gym, I've never known anything like it. Everyone 82 00:03:29,840 --> 00:03:32,600 Speaker 4: was like saying hello to each other. Everyone was excitable, 83 00:03:32,639 --> 00:03:34,840 Speaker 4: people like saying to each other. God, doesn't just feel nice? 84 00:03:34,920 --> 00:03:36,920 Speaker 4: Isn't nice to get a sweat on? It was. It 85 00:03:37,000 --> 00:03:39,600 Speaker 4: was incredible. I was buzzing yesterday just to get some 86 00:03:39,680 --> 00:03:42,480 Speaker 4: exercise and to get some sweat. It felt brilliant. 87 00:03:42,520 --> 00:03:44,560 Speaker 3: Yeah. I was back for the first time yesterday as well. 88 00:03:44,600 --> 00:03:47,080 Speaker 3: And you know when we'll feel it, probably twenty four 89 00:03:47,120 --> 00:03:49,720 Speaker 3: hours from now. We'll all catch up with us because 90 00:03:49,760 --> 00:03:51,280 Speaker 3: it's the first workout that we've done. 91 00:03:51,320 --> 00:03:53,200 Speaker 4: So you back with Frank the Tank. You personal training. 92 00:03:53,240 --> 00:03:55,400 Speaker 3: I'm back with Frank the Tank. He remember he was 93 00:03:55,480 --> 00:03:56,960 Speaker 3: training me on the roof for a little bit, but 94 00:03:57,000 --> 00:03:58,440 Speaker 3: I just got to stick of that, so I said, now, 95 00:03:58,560 --> 00:04:00,200 Speaker 3: let's just wait till the gym's opening again. 96 00:04:00,320 --> 00:04:01,920 Speaker 4: Was there any more talk of brown fat? 97 00:04:02,800 --> 00:04:06,280 Speaker 3: He No, he did, and he didn't hear you making 98 00:04:06,320 --> 00:04:11,760 Speaker 3: fun of him on the radio. You him. 99 00:04:11,880 --> 00:04:14,839 Speaker 4: You gave us the audio and actually said, this guy 100 00:04:14,880 --> 00:04:16,640 Speaker 4: talks about brown fat. How about this? 101 00:04:16,920 --> 00:04:19,120 Speaker 3: I gave you the audio so that we could all. 102 00:04:22,600 --> 00:04:24,440 Speaker 4: Years old drank to clear my name. 103 00:04:24,920 --> 00:04:27,880 Speaker 1: The Christian O'Connell show podcast, Come. 104 00:04:27,680 --> 00:04:31,000 Speaker 4: Morning, Christian O'Connell's show for Mercedes Bends Morning tun So. 105 00:04:31,440 --> 00:04:35,360 Speaker 4: Yesterday our producers, especially young Rio and let's name me 106 00:04:35,400 --> 00:04:39,560 Speaker 4: and here Jack excitedly proclaimed that he'd booked the guy 107 00:04:39,760 --> 00:04:42,960 Speaker 4: who owned Kirk Cobain's guitars. We asked him to yesterday 108 00:04:42,960 --> 00:04:46,720 Speaker 4: and I thought, wow, we said that in a meeting 109 00:04:47,120 --> 00:04:49,240 Speaker 4: and he's done it. And how often that Monday morning 110 00:04:49,279 --> 00:04:52,719 Speaker 4: meeting we say, hey, team, this week, let's do this, this, this, this, this, 111 00:04:53,320 --> 00:04:55,880 Speaker 4: any want to write it down? And very little of it. 112 00:04:55,880 --> 00:04:57,320 Speaker 4: It just goes in the ether, doesn't it. I think 113 00:04:57,360 --> 00:04:58,880 Speaker 4: they think you and I walk out. They don't wory 114 00:04:58,880 --> 00:05:01,520 Speaker 4: about any of that. It changed his mind by tomorrow 115 00:05:01,600 --> 00:05:04,279 Speaker 4: maybe looking for people who stroke monkeys or whatever, don't 116 00:05:04,360 --> 00:05:06,720 Speaker 4: do a thing that what is to tie. However, well, 117 00:05:06,720 --> 00:05:08,120 Speaker 4: he said that you should get this guy on. Have 118 00:05:08,120 --> 00:05:10,480 Speaker 4: you seen him? He owns this an Australian guy, multi 119 00:05:10,480 --> 00:05:13,720 Speaker 4: millionaire and he owns Kirk Cobain's guitar that he played 120 00:05:13,720 --> 00:05:15,440 Speaker 4: on MTV unplug them. It's be great. 121 00:05:15,560 --> 00:05:17,640 Speaker 3: Cost almost nine million dollars Australian. 122 00:05:17,760 --> 00:05:19,480 Speaker 4: Yeah, he's going to tour it. Don't know how he's 123 00:05:19,520 --> 00:05:21,120 Speaker 4: going to do that. He's going to tour it and 124 00:05:21,120 --> 00:05:23,560 Speaker 4: then set it off for charity. He's doing this to support, 125 00:05:24,279 --> 00:05:25,960 Speaker 4: you know, all the musical artists who are having a 126 00:05:25,960 --> 00:05:28,000 Speaker 4: tough time rund no no live music. So I thought 127 00:05:28,000 --> 00:05:29,760 Speaker 4: this would be perfect for us. He's an ausy guy 128 00:05:29,800 --> 00:05:31,719 Speaker 4: as well, live from al A. We can make this 129 00:05:31,839 --> 00:05:34,640 Speaker 4: work and they went, look, he can only do six fifteen. 130 00:05:34,640 --> 00:05:37,159 Speaker 4: I went, that's okay. We're open for business from six 131 00:05:37,680 --> 00:05:39,920 Speaker 4: and then we come in this morning. Did you feel 132 00:05:39,920 --> 00:05:42,560 Speaker 4: that the whiff in the air? I said, So he's 133 00:05:42,560 --> 00:05:44,600 Speaker 4: done at six fifteen. We don't have a phone number 134 00:05:44,600 --> 00:05:47,040 Speaker 4: for him, right, so we could get the phone numbers 135 00:05:47,040 --> 00:05:51,120 Speaker 4: to bear Grills James Corden for Chris Hemmersworth. But the 136 00:05:51,120 --> 00:05:53,320 Speaker 4: guy who owns Kirk Cobain's guitar, we can't go hold him. 137 00:05:53,640 --> 00:05:57,240 Speaker 3: He's not Kirk Cobain. No, No, TOLDI Kirk Cabain. If 138 00:05:57,240 --> 00:05:59,120 Speaker 3: it was Kirk Cobain's for. 139 00:05:59,080 --> 00:06:01,600 Speaker 4: Thursday, that's thirsday. It's the run sheet for Thursday. K 140 00:06:01,960 --> 00:06:04,960 Speaker 4: So this guy Peter Wright is obviously not here. 141 00:06:05,640 --> 00:06:06,440 Speaker 1: I don't know. 142 00:06:06,560 --> 00:06:08,800 Speaker 4: I've done research. I say research. I've printed off a 143 00:06:08,800 --> 00:06:12,200 Speaker 4: couple of pages from Wikipedia and it I've highlighted bits 144 00:06:12,200 --> 00:06:14,360 Speaker 4: that I wanted to talk. You've done. 145 00:06:14,520 --> 00:06:15,920 Speaker 3: You've done your bit, you know. 146 00:06:15,960 --> 00:06:17,680 Speaker 4: And I said to me one, I was hoping he 147 00:06:17,760 --> 00:06:19,479 Speaker 4: was going to get hold of the guitar and with 148 00:06:19,600 --> 00:06:22,480 Speaker 4: his white kind of auctioneers gloves, just to hear it. 149 00:06:22,720 --> 00:06:24,760 Speaker 4: Hear it? What does it sound like now? You know? 150 00:06:24,880 --> 00:06:27,960 Speaker 4: Is it still tuned? And why he's obviously got megabunks 151 00:06:28,040 --> 00:06:30,800 Speaker 4: this guy, Yeah, fair enough his money to do what 152 00:06:30,839 --> 00:06:33,120 Speaker 4: he wants with it. But why that guitar? Why did 153 00:06:33,120 --> 00:06:33,960 Speaker 4: he want to own that? 154 00:06:34,080 --> 00:06:37,200 Speaker 3: You even lined up a track from the Unplugged album 155 00:06:37,279 --> 00:06:38,640 Speaker 3: of playing a guitar? 156 00:06:39,440 --> 00:06:40,200 Speaker 4: Do we still play that? 157 00:06:40,240 --> 00:06:40,520 Speaker 5: I don't. 158 00:06:40,560 --> 00:06:42,720 Speaker 3: I don't think we do. It doesn't feel what if 159 00:06:42,720 --> 00:06:45,320 Speaker 3: he calls it in half an hour or after seven o'clock. 160 00:06:45,120 --> 00:06:49,000 Speaker 4: We need the song earlier. And some of the stuff 161 00:06:49,040 --> 00:06:50,960 Speaker 4: I found out, I even found out I did a 162 00:06:51,000 --> 00:06:53,839 Speaker 4: separate search, by the way, about the set design, cause 163 00:06:53,839 --> 00:06:57,200 Speaker 4: you're wondering about MTV Unplugged in nineteen ninety three, it 164 00:06:57,240 --> 00:07:02,120 Speaker 4: was actually Stargazer lilies. I actually google search flowers MTV 165 00:07:02,279 --> 00:07:04,919 Speaker 4: Unplugged cabin because I seem to remember there was a 166 00:07:05,240 --> 00:07:09,120 Speaker 4: It was quite dark and co Cobaine apparently wanted it 167 00:07:09,160 --> 00:07:11,640 Speaker 4: like a funeral. He wanted it really, really dark, and 168 00:07:11,680 --> 00:07:13,560 Speaker 4: so there were these I seem to remember there were 169 00:07:13,600 --> 00:07:15,960 Speaker 4: flowers there, and I hadn't really seen that before. Normally 170 00:07:16,000 --> 00:07:19,200 Speaker 4: with the MTV unplug series there were a lot of candles, 171 00:07:20,200 --> 00:07:22,400 Speaker 4: as the rock Stars shows that doing a kind of 172 00:07:22,440 --> 00:07:24,840 Speaker 4: more stripped down set is the use of candles everywhere, 173 00:07:24,960 --> 00:07:27,080 Speaker 4: and also rugs and throws everywhere. 174 00:07:27,120 --> 00:07:29,480 Speaker 3: Our guitars unplugged in neither our lights. We have to 175 00:07:29,560 --> 00:07:31,400 Speaker 3: use analog guitars lights. 176 00:07:31,400 --> 00:07:33,560 Speaker 4: But I found out with Stargay's and lilies. But I've 177 00:07:33,560 --> 00:07:36,360 Speaker 4: got nothing to do with all this information now. Anyway, 178 00:07:36,360 --> 00:07:37,840 Speaker 4: we're going to do a couple of your emails for 179 00:07:38,080 --> 00:07:47,840 Speaker 4: late to the party. Yesterday on the show, Jack Posts 180 00:07:47,920 --> 00:07:50,280 Speaker 4: rocked the world by telling us he had kind of 181 00:07:50,400 --> 00:07:52,960 Speaker 4: entered adulthood over the weekend with the news that Hum 182 00:07:53,000 --> 00:07:55,720 Speaker 4: and his wife were having newspapers delivered to them, which 183 00:07:55,760 --> 00:07:58,240 Speaker 4: is loving on Saturday and a Sunday morning. How do 184 00:07:58,280 --> 00:07:59,120 Speaker 4: you civilize that. 185 00:07:59,160 --> 00:08:01,960 Speaker 3: Is, yes, But the problem I have with it is 186 00:08:02,000 --> 00:08:04,720 Speaker 3: the newspaper comes all rolled up, shrink wrapped in plastic, 187 00:08:05,040 --> 00:08:06,880 Speaker 3: and then I have to find a way to flatten 188 00:08:06,920 --> 00:08:08,280 Speaker 3: it out again before reading it. 189 00:08:08,720 --> 00:08:11,280 Speaker 4: Uh. Well, Nina Roberts has emailed in there. We loot 190 00:08:11,360 --> 00:08:13,480 Speaker 4: quite a few people. Yesterday. There was one we called Angela. 191 00:08:13,520 --> 00:08:15,000 Speaker 4: I believe he said, you put it in the microwave, 192 00:08:15,000 --> 00:08:16,360 Speaker 4: You fold it half, put it in the microwave, and 193 00:08:16,360 --> 00:08:19,160 Speaker 4: it flattens all out. Quite a lot of emails about 194 00:08:19,160 --> 00:08:21,440 Speaker 4: this actually from all over the world, because obviously all 195 00:08:21,520 --> 00:08:23,800 Speaker 4: newspapers now get scrunched up like this and sort of 196 00:08:24,040 --> 00:08:26,800 Speaker 4: hold out. You look at javelin Christian Please pass this 197 00:08:26,880 --> 00:08:29,120 Speaker 4: on to Jack. Very simple way of flattening his newly 198 00:08:29,160 --> 00:08:32,320 Speaker 4: delivered newspapers. No microwave, no ironing. What I do with 199 00:08:32,400 --> 00:08:35,079 Speaker 4: the rolled up newspaper delivered to me is to unroll 200 00:08:35,080 --> 00:08:40,959 Speaker 4: it the opposite way it was delivered. No, Jack may 201 00:08:41,240 --> 00:08:43,160 Speaker 4: come across sometimes it's not the smart but he is 202 00:08:43,200 --> 00:08:45,520 Speaker 4: a smart man. He would have you did try that. 203 00:08:45,559 --> 00:08:48,640 Speaker 4: I did try. He did try that. A couple of 204 00:08:48,679 --> 00:08:50,440 Speaker 4: people called in with that. Yes, we don't need to 205 00:08:50,440 --> 00:08:52,680 Speaker 4: take those call on there. Surely you would have thought. 206 00:08:53,000 --> 00:08:54,240 Speaker 4: But it's not the same, is it. 207 00:08:54,240 --> 00:08:55,880 Speaker 3: It's not the same. It just it just then it 208 00:08:55,880 --> 00:08:58,199 Speaker 3: gives it a sort of you bend up and then 209 00:08:58,240 --> 00:08:58,880 Speaker 3: you bend down. 210 00:08:59,040 --> 00:09:01,719 Speaker 4: Yeah, so yeah, thank you the best you need it 211 00:09:01,760 --> 00:09:04,520 Speaker 4: for that. This time last week on the show, we 212 00:09:04,520 --> 00:09:07,760 Speaker 4: were getting ready for three topic Tuesday, and Patsy started 213 00:09:07,920 --> 00:09:09,439 Speaker 4: giving it the big one that she went to school 214 00:09:09,480 --> 00:09:11,920 Speaker 4: with Nick Cave and when we went and really she 215 00:09:12,000 --> 00:09:17,040 Speaker 4: went I think so ready half a foot back in retreat. 216 00:09:18,280 --> 00:09:20,720 Speaker 4: So there's our speculation on the show last week about 217 00:09:20,720 --> 00:09:22,880 Speaker 4: where Nick Cave went to school or so what year 218 00:09:23,880 --> 00:09:26,560 Speaker 4: he did go to Patsy's school, but fifteen years. 219 00:09:26,320 --> 00:09:28,720 Speaker 2: Before, it's a bit of time difference. 220 00:09:28,760 --> 00:09:31,160 Speaker 4: I've got an email here a week on to the 221 00:09:31,240 --> 00:09:35,880 Speaker 4: party from Rob subject heading set pat straight about Nick 222 00:09:36,040 --> 00:09:39,120 Speaker 4: Cave's schooling. This guy can't leave it. He's cut and 223 00:09:39,160 --> 00:09:42,000 Speaker 4: page from it. Nick Cave's Wikipedia page. I didn't know 224 00:09:42,000 --> 00:09:45,760 Speaker 4: his schooling timeline is there when Cave obviously referring to 225 00:09:45,800 --> 00:09:48,600 Speaker 4: the artist Nicholas Cave one. Cave was nine. He joined 226 00:09:48,600 --> 00:09:52,960 Speaker 4: the choir of Waine Goretta's Holy Trinity Cathedral. Is that 227 00:09:53,000 --> 00:09:54,760 Speaker 4: your schools at the school choir na? 228 00:09:55,040 --> 00:09:57,439 Speaker 2: No, No, that would have been there's a big cathedral 229 00:09:57,440 --> 00:09:59,880 Speaker 2: that would have been off off site. 230 00:10:00,000 --> 00:10:00,680 Speaker 3: He didn't have a clair. 231 00:10:00,800 --> 00:10:02,240 Speaker 4: But you went to weng Goeret High School? 232 00:10:02,280 --> 00:10:03,040 Speaker 3: We did, yes. 233 00:10:03,160 --> 00:10:06,720 Speaker 4: At thirteen he was expelled, Pats, what's he really? But 234 00:10:06,760 --> 00:10:08,480 Speaker 4: that must have been awkward because didn't you find out that 235 00:10:08,520 --> 00:10:09,559 Speaker 4: his dad taught. 236 00:10:09,280 --> 00:10:11,960 Speaker 2: Though I believe he's dad was the history teacher. 237 00:10:12,000 --> 00:10:14,400 Speaker 4: I always used to get really annoyed with kids whose 238 00:10:14,440 --> 00:10:15,640 Speaker 4: mum or dad taught at school. 239 00:10:15,679 --> 00:10:17,440 Speaker 3: They got a special attack, our specially attention. 240 00:10:17,720 --> 00:10:22,079 Speaker 4: Not the young cake expelled him. That's a hard school. 241 00:10:22,120 --> 00:10:23,480 Speaker 4: And the one who went to coming to sort of 242 00:10:23,600 --> 00:10:26,720 Speaker 4: the dark lord of musicians music. He was in nineteen seventy, 243 00:10:26,840 --> 00:10:29,840 Speaker 4: having moved with his family to the Melbourne suburb of Murrumbina. 244 00:10:30,040 --> 00:10:31,839 Speaker 4: He became a border I bet they put him to 245 00:10:31,920 --> 00:10:34,079 Speaker 4: board his school, then keep him at a lockdown and 246 00:10:34,320 --> 00:10:37,280 Speaker 4: then went to Coulfield Grammar School. Now we're up to 247 00:10:37,360 --> 00:10:39,920 Speaker 4: date with everything we need to know about Nick Cave's education. 248 00:10:40,920 --> 00:10:45,160 Speaker 1: Hello, Christian O'Connell show. 249 00:10:44,520 --> 00:10:49,880 Speaker 4: Podcast anyway produce a rio who booked booked him yesterday 250 00:10:50,000 --> 00:10:52,320 Speaker 4: has tried to jump into the studio just now with 251 00:10:52,400 --> 00:10:56,440 Speaker 4: a tissue of lies. Did you hear them? Chat dress? 252 00:10:56,520 --> 00:10:59,360 Speaker 4: And so I said, tell the audience, tell everyone this morning, 253 00:11:00,240 --> 00:11:01,720 Speaker 4: good morning, good morning. 254 00:11:01,760 --> 00:11:04,640 Speaker 6: And might I say you look great today? 255 00:11:05,760 --> 00:11:08,680 Speaker 4: This guy knows how to produce. Look after the talent Ria. 256 00:11:08,800 --> 00:11:10,480 Speaker 4: What happened to Peter Friedman? 257 00:11:10,559 --> 00:11:13,959 Speaker 6: Then we're still we're still waiting on pecause you might 258 00:11:13,960 --> 00:11:15,640 Speaker 6: have noticed, I. 259 00:11:15,600 --> 00:11:17,480 Speaker 3: Didn't notice his absence in the show. 260 00:11:18,960 --> 00:11:21,199 Speaker 6: You would normally be talking to him now. All things 261 00:11:21,280 --> 00:11:24,160 Speaker 6: going to plan, but he's in l A obviously America. 262 00:11:24,200 --> 00:11:27,040 Speaker 6: A lot of things going on over there. 263 00:11:27,520 --> 00:11:30,120 Speaker 4: In Christian we had James Corden calling blind from and 264 00:11:30,280 --> 00:11:32,880 Speaker 4: all kinds of stars from A and that was all fine, 265 00:11:34,280 --> 00:11:38,120 Speaker 4: great and books those people didn't they you know, you know, 266 00:11:38,160 --> 00:11:39,480 Speaker 4: we were doing it for no money, help me to 267 00:11:39,480 --> 00:11:41,640 Speaker 4: win money. But but they just did that themselves and 268 00:11:41,840 --> 00:11:45,120 Speaker 4: a professional producer yourself. So what happened to Peter? Where 269 00:11:45,240 --> 00:11:47,440 Speaker 4: was he? Well, I'm still waiting. 270 00:11:47,440 --> 00:11:51,240 Speaker 6: I've heard from his communications manager in Sydney. 271 00:11:52,320 --> 00:11:56,160 Speaker 4: A phone line lit up. It wasn't Peter. Is someone 272 00:11:56,200 --> 00:11:59,959 Speaker 4: trying to win the ten repeat work Day Christian Connor 273 00:12:00,160 --> 00:12:03,200 Speaker 4: Show podcast Gold one oh four point three. Good morning, 274 00:12:03,280 --> 00:12:06,920 Speaker 4: It's the Christian O'Connor show. This is amazing, genuinely this 275 00:12:07,040 --> 00:12:08,760 Speaker 4: vacuum that we've got to give to you. A couple 276 00:12:08,760 --> 00:12:10,600 Speaker 4: of weeks ago. My wife actually gave it to me 277 00:12:10,760 --> 00:12:13,840 Speaker 4: as a gift and I was genuinely excited. And you 278 00:12:13,880 --> 00:12:17,720 Speaker 4: can win this thing. It's a Dyson V eleven absolute 279 00:12:17,840 --> 00:12:20,360 Speaker 4: cordless vacuum. What that means to you is it's one 280 00:12:20,360 --> 00:12:23,200 Speaker 4: of these I think they call them stick vacuums, right, 281 00:12:23,240 --> 00:12:24,920 Speaker 4: and you list you can wander around with it. But 282 00:12:25,720 --> 00:12:29,240 Speaker 4: this sounds a great giant nerf thing. And you can charge. 283 00:12:29,280 --> 00:12:30,920 Speaker 4: It hangs on the wall, lives on the wall, You 284 00:12:31,040 --> 00:12:33,240 Speaker 4: charge it and then it hoovers for an hour. Yeah, 285 00:12:33,240 --> 00:12:35,600 Speaker 4: there's no lead, there's no pulling it out the wall 286 00:12:35,679 --> 00:12:38,040 Speaker 4: and putting it into another room and doing all of 287 00:12:38,040 --> 00:12:39,880 Speaker 4: that fath you just pick it up and then it 288 00:12:39,920 --> 00:12:43,080 Speaker 4: recharges on the wall. It's an amazing beast of a machine. 289 00:12:43,360 --> 00:12:46,200 Speaker 4: I would call this the Michael Jordan of vacuum cleaners. 290 00:12:46,240 --> 00:12:48,320 Speaker 4: Anyway you can win it. It's a tough way. This 291 00:12:48,360 --> 00:12:58,800 Speaker 4: morning in the name of a song will be played 292 00:12:58,920 --> 00:13:02,360 Speaker 4: through this may seeing Michael Jordan on vacuum You've got 293 00:13:02,360 --> 00:13:07,200 Speaker 4: to work out what the song is last week to 294 00:13:07,280 --> 00:13:09,080 Speaker 4: warm you up? Which is a song we gave you? 295 00:13:09,120 --> 00:13:11,280 Speaker 4: Would you have guessed what song this is playing through 296 00:13:11,280 --> 00:13:22,360 Speaker 4: the medium of a vacuum. What are we doing? I 297 00:13:22,440 --> 00:13:23,280 Speaker 4: wonder that guy, but. 298 00:13:24,840 --> 00:13:25,920 Speaker 3: He probably was on hold. 299 00:13:26,040 --> 00:13:28,679 Speaker 4: Yeah, me talking about this was like, hang out, who 300 00:13:28,720 --> 00:13:31,880 Speaker 4: put me in for this? Cancel? Cancel, cancel? Something else 301 00:13:31,960 --> 00:13:38,400 Speaker 4: got canceled this year it's a queen. Another one does 302 00:13:40,880 --> 00:13:46,559 Speaker 4: the We thought that was too easy. Here is this 303 00:13:46,600 --> 00:13:50,400 Speaker 4: week's one. This is tough but gettable, but it is tough. 304 00:14:01,240 --> 00:14:02,120 Speaker 3: Yeah, that's hard. 305 00:14:02,880 --> 00:14:04,680 Speaker 4: What do you think the song is? What do you 306 00:14:04,679 --> 00:14:07,240 Speaker 4: think the song is? Pater the medium the art form 307 00:14:07,559 --> 00:14:19,000 Speaker 4: of a vacuum cleaners. 308 00:14:20,840 --> 00:14:23,520 Speaker 1: Christian O'Connell show podcast. 309 00:14:23,240 --> 00:14:30,720 Speaker 4: That's your new vacuum cleaner. Vacuum in the name of 310 00:14:33,400 --> 00:14:35,880 Speaker 4: and listen breaking news if you've been across the show 311 00:14:35,920 --> 00:14:38,840 Speaker 4: the last half hour. Peter's called in. Of course, he 312 00:14:38,960 --> 00:14:40,760 Speaker 4: called in right now and amongst all the people trying 313 00:14:40,760 --> 00:14:42,560 Speaker 4: to win a free vacuum cleaner. 314 00:14:44,520 --> 00:14:46,160 Speaker 3: That's what he's trying to do. He doesn't want to 315 00:14:46,200 --> 00:14:47,960 Speaker 3: do an interview about the Kirkebank guitar. 316 00:14:48,080 --> 00:14:49,840 Speaker 4: He's going to make some money back. Jack. He kin't 317 00:14:49,840 --> 00:14:52,880 Speaker 4: even tidy of his place. He's a vacuum, he's a dice. 318 00:14:52,920 --> 00:14:56,520 Speaker 4: And V eleven absolute, we're going to do this first, obviously, 319 00:14:56,640 --> 00:14:58,400 Speaker 4: let's just part of the guy we wait for for 320 00:14:58,480 --> 00:15:01,320 Speaker 4: an hour. We're going to pay this offer, all all right, then, 321 00:15:01,360 --> 00:15:05,120 Speaker 4: so we'll see Tyson V eleven say, who will you 322 00:15:05,280 --> 00:15:07,720 Speaker 4: charge it? No lead or anything like that. Runs for 323 00:15:07,840 --> 00:15:10,880 Speaker 4: an hour, uncharged, beasts of a machine, brilliant thing. You 324 00:15:10,920 --> 00:15:12,400 Speaker 4: can win it. Now, got to guess what the song 325 00:15:12,520 --> 00:15:15,440 Speaker 4: is played through the medium of a vacuum cleaner. What 326 00:15:15,600 --> 00:15:27,040 Speaker 4: is this song? All right, let's take some guesses. 327 00:15:27,280 --> 00:15:30,080 Speaker 5: Matt, good morning, Good morning, Christian. 328 00:15:30,080 --> 00:15:31,720 Speaker 4: I'm good buddy. I hope you well as well. Welcome 329 00:15:31,720 --> 00:15:33,400 Speaker 4: to the show. Thanks for carding in. What do you 330 00:15:33,400 --> 00:15:34,800 Speaker 4: think the song is? I? 331 00:15:34,800 --> 00:15:37,840 Speaker 7: Think it could be's got mine? 332 00:15:39,880 --> 00:15:42,880 Speaker 4: Not the right answer, but nice guests, all right, that man, 333 00:15:42,920 --> 00:15:47,760 Speaker 4: have a good day, Jason. Good morning, Hello Jason, Hello, 334 00:15:48,440 --> 00:15:49,760 Speaker 4: and again hello Jason. 335 00:15:50,320 --> 00:15:51,240 Speaker 5: Hello. Can you hear me? 336 00:15:53,640 --> 00:15:54,040 Speaker 4: Jason? 337 00:15:54,080 --> 00:15:56,880 Speaker 5: We're here, buddy, Yeah, I can hear you. 338 00:15:57,080 --> 00:15:59,600 Speaker 4: We can, we can hear you. So match made in 339 00:15:59,600 --> 00:16:06,040 Speaker 4: Heaven on the radio. 340 00:16:03,680 --> 00:16:05,080 Speaker 7: Rolling Stone Satisfaction. 341 00:16:05,440 --> 00:16:07,600 Speaker 4: Oh it's not, mate, it's not, but we send you 342 00:16:07,640 --> 00:16:10,280 Speaker 4: a prize anywhere. Okay, Jason, thanks for calling you, buddy. 343 00:16:10,360 --> 00:16:12,600 Speaker 4: Take care. Let's go to Steph. 344 00:16:12,640 --> 00:16:14,880 Speaker 1: Good morning, Oh money, and how are you? 345 00:16:15,000 --> 00:16:16,960 Speaker 4: I'm good, Steph? Okay. So what do you think the 346 00:16:17,000 --> 00:16:17,400 Speaker 4: song is? 347 00:16:18,400 --> 00:16:20,840 Speaker 8: I think it could be Hip to Be Square by 348 00:16:20,880 --> 00:16:21,920 Speaker 8: Huey Lewis. 349 00:16:21,600 --> 00:16:26,600 Speaker 9: And the News. I think you this is hip Hip 350 00:16:26,600 --> 00:16:27,160 Speaker 9: to be Square? 351 00:16:32,960 --> 00:16:40,000 Speaker 4: No right answers so far until step well, well done. 352 00:16:40,760 --> 00:16:44,600 Speaker 4: This probably the hardest thing we've done this year on 353 00:16:44,600 --> 00:16:46,200 Speaker 4: the station. I mean, it's easy to listen out and 354 00:16:46,200 --> 00:16:48,320 Speaker 4: hear a song play twice, but trying to work out 355 00:16:48,360 --> 00:16:50,440 Speaker 4: that is sheey lewis not the power of Love's big here, 356 00:16:50,600 --> 00:16:52,560 Speaker 4: but Hip to be Square on a flipping vacuum. 357 00:16:53,040 --> 00:16:55,359 Speaker 5: We have no idea how I even got that. 358 00:16:57,240 --> 00:17:01,280 Speaker 4: Divine intuition that's what guy you. Steve's guided you. Yeah, 359 00:17:01,320 --> 00:17:04,240 Speaker 4: you get it. It's an amazing thing. Yeah, we're sending 360 00:17:04,280 --> 00:17:06,080 Speaker 4: out to you today. Well done. He won this top 361 00:17:06,119 --> 00:17:09,640 Speaker 4: of the arranged Dyson Absolute V eleven. It's yours. 362 00:17:09,960 --> 00:17:11,440 Speaker 8: Oh, thank you so much. 363 00:17:11,640 --> 00:17:14,160 Speaker 4: That's all well done. Seriously well done, very very good 364 00:17:14,200 --> 00:17:15,280 Speaker 4: level skills for that stuff. 365 00:17:15,400 --> 00:17:17,719 Speaker 5: Have a good day, mate, Thank you so much too. 366 00:17:18,040 --> 00:17:20,080 Speaker 4: All right, another on the show next week. Find your 367 00:17:20,200 --> 00:17:23,920 Speaker 4: four care solutions at Harvey Norman, the latest technology in vacuum, 368 00:17:23,960 --> 00:17:25,200 Speaker 4: steam cleaners and more. 369 00:17:25,560 --> 00:17:27,720 Speaker 1: Christian O'Connell Show podcast. 370 00:17:27,920 --> 00:17:31,800 Speaker 4: Good morning us to Christian O'Connell's show on Gold. We're 371 00:17:31,880 --> 00:17:33,960 Speaker 4: very excited. Last week on the show we started talking 372 00:17:33,960 --> 00:17:37,040 Speaker 4: about this and about Kurt Cobaine's guitar that you played 373 00:17:37,040 --> 00:17:40,520 Speaker 4: on the legendary live performance of MTV Unplugged back in 374 00:17:40,600 --> 00:17:43,320 Speaker 4: nineteen ninety three sold for auction last week. Might've read 375 00:17:43,359 --> 00:17:45,640 Speaker 4: about this made news all over the world for cool 376 00:17:45,800 --> 00:17:49,480 Speaker 4: eight point eight Australian million dollars. It's amazing. I was 377 00:17:49,520 --> 00:17:52,840 Speaker 4: looking back at some of the other rock and roll 378 00:17:53,240 --> 00:17:57,439 Speaker 4: memorabilia that's been sold over the years. John Lennon Steinway 379 00:17:57,520 --> 00:18:04,080 Speaker 4: piano was sold for four million to George Michael really yeah, 380 00:18:04,760 --> 00:18:07,679 Speaker 4: write songs on it. Yeah. Bob Dylan's handwritten lyrics, Oh, 381 00:18:07,760 --> 00:18:10,480 Speaker 4: this would be amazing. One of the best breakup songs ever, 382 00:18:10,560 --> 00:18:13,399 Speaker 4: Like a Rolling Stone, that went for four and a 383 00:18:13,520 --> 00:18:17,720 Speaker 4: half million as well. Jimmy Hendrix Woodstock stratocaster guitar, one 384 00:18:17,720 --> 00:18:19,520 Speaker 4: of most famous guitars and rock and roll history. LIKENK 385 00:18:19,560 --> 00:18:22,879 Speaker 4: Kirk combains MTV one then also went for four million. 386 00:18:23,000 --> 00:18:26,800 Speaker 4: John Lennon's handwritten lyrics. This is amazing. Just looking at 387 00:18:26,800 --> 00:18:28,680 Speaker 4: the photo of this, you see all the little crossings 388 00:18:28,680 --> 00:18:30,200 Speaker 4: out where he obviously came up with a better word 389 00:18:30,240 --> 00:18:31,960 Speaker 4: or phrasing. For a Day in the Life, one of 390 00:18:31,960 --> 00:18:35,959 Speaker 4: the most amazing songs that went for just under three million. 391 00:18:36,800 --> 00:18:40,320 Speaker 4: Jimmy Henders guitars again, John Lennon lyrics. Eric Clapton guitars. 392 00:18:40,359 --> 00:18:42,359 Speaker 4: But then I think this is a new world record, 393 00:18:42,359 --> 00:18:44,680 Speaker 4: it's a new high and it's owned by an Australian guy. 394 00:18:44,680 --> 00:18:48,040 Speaker 4: It's on the line now, live in la Peter Friedman, 395 00:18:48,440 --> 00:18:52,680 Speaker 4: welcome to the show. Finally, Yes, sir, Hey Christian, Hey, listen. 396 00:18:52,680 --> 00:18:55,200 Speaker 4: I'm so glad we got to talk because it's just amazing. 397 00:18:55,240 --> 00:18:57,200 Speaker 4: What's the great thing about it is. Isn't just the 398 00:18:57,640 --> 00:18:59,880 Speaker 4: huge amount it's gone for. It's the fact that people 399 00:19:00,000 --> 00:19:03,040 Speaker 4: I still care about that amazing performance because it is 400 00:19:03,080 --> 00:19:05,920 Speaker 4: one of the most amazing musical performances ever. And I'm 401 00:19:05,920 --> 00:19:07,920 Speaker 4: great that it's gone to. I feel really glad that 402 00:19:07,920 --> 00:19:10,560 Speaker 4: it's gone to someone who really appreciates live music and 403 00:19:10,640 --> 00:19:12,480 Speaker 4: rock and roll what it means to us. And the 404 00:19:12,520 --> 00:19:15,120 Speaker 4: fact that you want to your guitar. Rather sometimes when 405 00:19:15,720 --> 00:19:18,080 Speaker 4: collectors buy things, it just gets locked away. We don't 406 00:19:18,080 --> 00:19:19,520 Speaker 4: get to have see it or enjoy it again. But 407 00:19:19,760 --> 00:19:21,280 Speaker 4: you've got big plans for it. So what are you 408 00:19:21,320 --> 00:19:23,680 Speaker 4: going to do with it? Now you own it? Yeah? 409 00:19:23,760 --> 00:19:26,280 Speaker 5: Man, I mean my family has been in the music 410 00:19:26,359 --> 00:19:28,960 Speaker 5: game and theater since before I was born. My dad 411 00:19:29,240 --> 00:19:32,959 Speaker 5: London in the fifties. I'ms a swaping when I over there. 412 00:19:32,960 --> 00:19:34,800 Speaker 5: And I was born Swedon and came here in sixty 413 00:19:34,880 --> 00:19:37,320 Speaker 5: or came astro and sixty seven. I sorry sixty six. 414 00:19:37,680 --> 00:19:40,800 Speaker 5: So all I know is the music game and it 415 00:19:40,880 --> 00:19:44,520 Speaker 5: has fed me and clothed me and how's everything. So 416 00:19:44,640 --> 00:19:47,880 Speaker 5: if I don't give back now that lucky me, I'm 417 00:19:47,880 --> 00:19:50,359 Speaker 5: made a kind of dough. I'd be what a kind 418 00:19:50,359 --> 00:19:52,359 Speaker 5: of human being would I I've got more than I 419 00:19:52,520 --> 00:19:54,240 Speaker 5: ever need and I'm going to give it all away. 420 00:19:54,640 --> 00:19:57,320 Speaker 4: Well, good on you. So tell me why this guitar 421 00:19:57,480 --> 00:19:59,919 Speaker 4: because every year there's always avas amazing thing. 422 00:20:00,080 --> 00:20:02,960 Speaker 5: I do quite a few things. Yeah, I do quite 423 00:20:03,000 --> 00:20:07,160 Speaker 5: a few things in charity, et cetera. But I'm trying 424 00:20:07,160 --> 00:20:09,840 Speaker 5: to work out our way. The current thing with the 425 00:20:09,920 --> 00:20:14,320 Speaker 5: crisis in the music and arts industry, it's insane. It's 426 00:20:14,440 --> 00:20:18,080 Speaker 5: hit people like nothing else. There's no money for anything, food, 427 00:20:18,359 --> 00:20:22,480 Speaker 5: people sleeping on MH floors, there's no medical insurance, mental 428 00:20:22,520 --> 00:20:27,119 Speaker 5: health support, nothing, and it is super crisis. You know, 429 00:20:27,160 --> 00:20:30,639 Speaker 5: people only hanging in by friends who stacking shelves in 430 00:20:30,800 --> 00:20:33,480 Speaker 5: supermarkets and this can't happen. We all want to listen 431 00:20:33,520 --> 00:20:35,200 Speaker 5: to the gigs. We all want to go to concerts 432 00:20:35,320 --> 00:20:37,639 Speaker 5: arky out of his theater. Now is the time to 433 00:20:37,720 --> 00:20:40,120 Speaker 5: pony up and treat people with the same respect as 434 00:20:40,119 --> 00:20:43,639 Speaker 5: you would for anybody working in a factory or whatever. 435 00:20:44,000 --> 00:20:48,119 Speaker 5: And right now they're not going to where's your slip? 436 00:20:48,160 --> 00:20:50,560 Speaker 5: And you who are you? No insurance, no nothing. I'm 437 00:20:50,560 --> 00:20:53,399 Speaker 5: going to change it. And the man that output world 438 00:20:53,400 --> 00:20:57,600 Speaker 5: why going? Yeah, we're on from top musicians were touring 439 00:20:57,680 --> 00:21:01,040 Speaker 5: promos everybody. I wasn't hoping I'd not't bring it be 440 00:21:01,200 --> 00:21:04,440 Speaker 5: this biggest thing, but it has and so good. 441 00:21:04,600 --> 00:21:06,639 Speaker 4: Well, it's clearly using all the music and power You've 442 00:21:06,680 --> 00:21:09,040 Speaker 4: got the attentions getting to highlight this because you're right, 443 00:21:09,200 --> 00:21:11,640 Speaker 4: you think about music and how it actually makes our 444 00:21:11,680 --> 00:21:14,080 Speaker 4: lives better, and when you see it all the news, 445 00:21:14,080 --> 00:21:16,040 Speaker 4: it is written off under arts as if it's some 446 00:21:16,200 --> 00:21:19,200 Speaker 4: kind of less important thing to the quality of our lives. 447 00:21:19,200 --> 00:21:21,680 Speaker 4: But it's such an important thing. But big part of 448 00:21:21,680 --> 00:21:23,920 Speaker 4: the enjoyment of our lives is live music and listening 449 00:21:24,119 --> 00:21:26,600 Speaker 4: to music and new music being encouraged and developed it 450 00:21:26,640 --> 00:21:28,640 Speaker 4: to You're right, it's a crisis point. I don't think 451 00:21:28,640 --> 00:21:29,800 Speaker 4: we know that. 452 00:21:31,119 --> 00:21:33,600 Speaker 5: Well. And you know, like you said, without that, there's 453 00:21:33,640 --> 00:21:36,880 Speaker 5: no life. You know, it represents all the culture, all 454 00:21:36,920 --> 00:21:40,000 Speaker 5: the things in your in your memory the past hundreds 455 00:21:40,040 --> 00:21:42,480 Speaker 5: of years. I think back, like with Bravana, I was 456 00:21:42,480 --> 00:21:45,199 Speaker 5: doing as tough as I said. So they're bittersweet songs, 457 00:21:45,359 --> 00:21:47,919 Speaker 5: but when I hear them, okay, I'm transported back to 458 00:21:47,960 --> 00:21:51,760 Speaker 5: that sad time. But there Mainly it's the poetry and 459 00:21:51,800 --> 00:21:54,760 Speaker 5: any other stuff I remember from the seventies, being an 460 00:21:54,800 --> 00:21:56,920 Speaker 5: all of li like. It brings me back there as well. 461 00:21:56,920 --> 00:21:58,919 Speaker 5: But I wasn't so that ugly and had a bit 462 00:21:58,960 --> 00:22:02,480 Speaker 5: of hair. But this awesome stuff, it's what separates from 463 00:22:03,880 --> 00:22:06,840 Speaker 5: It's true, isn't it. You wouldn't want you couldn't live 464 00:22:06,880 --> 00:22:09,680 Speaker 5: without it, and you couldn't live without Yes, but we're 465 00:22:09,680 --> 00:22:11,280 Speaker 5: not taking it seriously. 466 00:22:11,160 --> 00:22:13,560 Speaker 4: To tell me this, Peter, Why this bit of rock 467 00:22:13,640 --> 00:22:16,440 Speaker 4: and roll history? Why that Kirk Kaban guitar from the 468 00:22:16,600 --> 00:22:17,800 Speaker 4: MTV unpluge. 469 00:22:17,440 --> 00:22:20,560 Speaker 5: Gee Christian, I don't know, maybe the billion people since 470 00:22:20,680 --> 00:22:24,240 Speaker 5: yesterday who's found out of that and in every media 471 00:22:24,280 --> 00:22:27,800 Speaker 5: outlet in the world. I think that's pretty good value. 472 00:22:28,240 --> 00:22:30,639 Speaker 5: I think I got about a billion dollars worth of 473 00:22:31,600 --> 00:22:34,600 Speaker 5: marketing value for this foundation out of it twenty four hours. 474 00:22:34,600 --> 00:22:37,040 Speaker 5: It's pretty good, and I'm a pretty good marketer. 475 00:22:37,119 --> 00:22:39,480 Speaker 4: But did you go for more than I thought it was? 476 00:22:39,840 --> 00:22:41,280 Speaker 4: Did you go for more than your Yeah? 477 00:22:41,359 --> 00:22:43,600 Speaker 5: Man, I was dying, I was freaking out. I was 478 00:22:43,640 --> 00:22:48,439 Speaker 5: shaking and feeling ill, and they probably couldn't see it, 479 00:22:48,480 --> 00:22:50,679 Speaker 5: but yeah, because it went beyond what I thought I 480 00:22:50,680 --> 00:22:53,280 Speaker 5: would get it for in seconds, because there's some rich 481 00:22:53,320 --> 00:22:56,040 Speaker 5: people here, and then you know, I'm thinking now I 482 00:22:56,080 --> 00:22:58,360 Speaker 5: gotta have it. And so when it's like I've got 483 00:22:58,400 --> 00:23:00,720 Speaker 5: just some monster cut blows, you know where the guy goes, 484 00:23:00,760 --> 00:23:02,600 Speaker 5: oh this much, I went right like a million on 485 00:23:03,720 --> 00:23:06,440 Speaker 5: and that kind of fighting people a little a little bit, 486 00:23:06,480 --> 00:23:07,040 Speaker 5: but you know. 487 00:23:07,200 --> 00:23:10,719 Speaker 4: And this is all online? Is this all online that 488 00:23:10,760 --> 00:23:11,160 Speaker 4: you're doing? 489 00:23:11,560 --> 00:23:14,720 Speaker 5: I went there. I went there, I mean in Beverly Hills, 490 00:23:14,760 --> 00:23:16,879 Speaker 5: went to this in Beverly Hills. But a lot of 491 00:23:16,880 --> 00:23:20,520 Speaker 5: people worldwide, it's the big screens. They were all over Japan, in. 492 00:23:20,680 --> 00:23:25,119 Speaker 4: England, Germany with like a bit of paper going. 493 00:23:25,280 --> 00:23:27,080 Speaker 5: I got a little paddle made. I got a little 494 00:23:27,080 --> 00:23:29,959 Speaker 5: paddle number three seventy five with my paddle and I've 495 00:23:30,000 --> 00:23:30,320 Speaker 5: kept it. 496 00:23:32,000 --> 00:23:32,920 Speaker 4: But now you get a guitar. 497 00:23:33,800 --> 00:23:37,479 Speaker 5: Yeah, I'm shaken. And and then so we went up. 498 00:23:37,520 --> 00:23:39,320 Speaker 5: I bought a mill and I went that bugg of 499 00:23:39,359 --> 00:23:43,359 Speaker 5: that five million. And then and I think in the 500 00:23:43,440 --> 00:23:47,280 Speaker 5: maniac they think this guy's not gonna stop right, And 501 00:23:47,280 --> 00:23:50,480 Speaker 5: in fact, one of those guys who is insane, billionaire, 502 00:23:51,040 --> 00:23:53,639 Speaker 5: multi multi, multi moll came drove down. They've got to 503 00:23:53,680 --> 00:23:56,080 Speaker 5: meet this guy. Made me the bridesmaiders. I'm never the 504 00:23:56,080 --> 00:24:00,960 Speaker 5: bridesmaid I got it. I would have gone to twenty 505 00:24:00,960 --> 00:24:02,879 Speaker 5: thirty I would have done any. 506 00:24:02,840 --> 00:24:06,120 Speaker 4: You would have gone to twenty or thirty million. That's phenomenal. 507 00:24:07,840 --> 00:24:10,520 Speaker 5: Yeah, but you know in the scheme of things even more. 508 00:24:10,560 --> 00:24:13,560 Speaker 5: What it's not the money, It's not the course of guitars. 509 00:24:13,760 --> 00:24:16,440 Speaker 5: Especially I met the guy yesterday who sold it to 510 00:24:17,720 --> 00:24:22,919 Speaker 5: five nineties. So it's a nice guitar. But it's symbollet 511 00:24:23,040 --> 00:24:26,520 Speaker 5: nature of it. That's what's resonating with everybody. What's that worth? 512 00:24:26,840 --> 00:24:29,919 Speaker 5: And if I can change even a little bit for 513 00:24:30,040 --> 00:24:32,920 Speaker 5: the arts? What is that worth? If I handed out 514 00:24:32,960 --> 00:24:36,119 Speaker 5: twenty million for food support? How many seconds do you 515 00:24:36,200 --> 00:24:39,800 Speaker 5: think it works worldwide? Not very long? Not very long 516 00:24:39,840 --> 00:24:41,600 Speaker 5: at all. This will go on forever. 517 00:24:41,800 --> 00:24:43,520 Speaker 4: Where is it now? Where are you keeping it? Not 518 00:24:43,640 --> 00:24:44,560 Speaker 4: under the bed where. 519 00:24:49,960 --> 00:24:52,080 Speaker 5: It's all? I got? Mate? Bringing me? Can I can 520 00:24:52,119 --> 00:24:52,520 Speaker 5: I look at it? 521 00:24:52,600 --> 00:24:52,840 Speaker 9: Go No? 522 00:24:53,560 --> 00:24:54,919 Speaker 5: I don't want to be shot any man. I mean 523 00:24:55,080 --> 00:24:58,280 Speaker 5: it's in a bolt air condition community control. 524 00:24:58,720 --> 00:25:00,600 Speaker 4: Have you played? Try to play it? 525 00:25:01,520 --> 00:25:03,480 Speaker 5: I can't, I can't play it. Didn't you didn't you 526 00:25:03,520 --> 00:25:05,600 Speaker 5: see the of me holding it upside down? 527 00:25:06,440 --> 00:25:07,119 Speaker 1: What an idiot? 528 00:25:10,160 --> 00:25:12,240 Speaker 4: And so so you plan to tour it when you 529 00:25:12,280 --> 00:25:14,440 Speaker 4: when you taught it. You've got a Britingley studio I loved. 530 00:25:14,480 --> 00:25:15,400 Speaker 4: I'd love to see it. 531 00:25:16,520 --> 00:25:19,200 Speaker 5: Yeah, man, yeah, and we'll have people play it. I'm 532 00:25:19,320 --> 00:25:21,879 Speaker 5: just talking, you know, of course the Cabaying family and 533 00:25:22,280 --> 00:25:25,960 Speaker 5: Isaiah obviously in Torport. You know, I want to get 534 00:25:25,960 --> 00:25:27,960 Speaker 5: down to the new degree about you know, having to 535 00:25:27,960 --> 00:25:31,520 Speaker 5: set it up again. The strings original obviously keep all that, 536 00:25:31,720 --> 00:25:34,439 Speaker 5: but instruments are to be played and the strata areas 537 00:25:34,480 --> 00:25:37,359 Speaker 5: violin will has to be played. It was turned a 538 00:25:37,440 --> 00:25:40,679 Speaker 5: rubbish and services guitar, and I don't it hasn't been 539 00:25:40,720 --> 00:25:42,760 Speaker 5: done for a long time. So it's going to be used. Man, 540 00:25:42,880 --> 00:25:46,480 Speaker 5: it's going to be used. It's no any more than 541 00:25:46,680 --> 00:25:50,119 Speaker 5: any other precious instrument, and the value shouldn't mean anything. 542 00:25:50,119 --> 00:25:50,920 Speaker 5: It's irrelevant. 543 00:25:51,480 --> 00:25:52,919 Speaker 4: Well, good on you for our highlight. 544 00:25:53,720 --> 00:25:55,280 Speaker 5: I'm going to sell them at the end too. You 545 00:25:55,320 --> 00:25:57,159 Speaker 5: know that all the money is going to go to 546 00:25:57,240 --> 00:25:59,399 Speaker 5: this foundation, and then I'm going to sell the guitar 547 00:25:59,480 --> 00:26:01,119 Speaker 5: plus a whole lot of other stuff. Are I have 548 00:26:01,720 --> 00:26:04,480 Speaker 5: to keep this an ongoing thing, So we are lobbying 549 00:26:04,600 --> 00:26:07,159 Speaker 5: all the time because you know the old thing, you know, 550 00:26:07,720 --> 00:26:10,080 Speaker 5: wine and wine. You know, if we can make five 551 00:26:10,160 --> 00:26:12,080 Speaker 5: out of it. So we've got a thousand people joining 552 00:26:12,080 --> 00:26:14,639 Speaker 5: together everybody will over the world either governments are going 553 00:26:14,720 --> 00:26:16,600 Speaker 5: to listen and they want to they want to help, 554 00:26:16,680 --> 00:26:17,680 Speaker 5: they don't know how to do it. 555 00:26:17,840 --> 00:26:19,239 Speaker 4: Great, I get the thing when you say you've got 556 00:26:19,240 --> 00:26:20,800 Speaker 4: some other stuff as well. It's not the pull room 557 00:26:20,800 --> 00:26:25,000 Speaker 4: and the Kerrigan family in the castle and that. 558 00:26:25,160 --> 00:26:27,879 Speaker 5: Sometimes I feel, yeah, well, you know what, Amanda, dreamy 559 00:26:27,960 --> 00:26:30,760 Speaker 5: is so much better than the owning. And when I 560 00:26:30,800 --> 00:26:33,280 Speaker 5: look at I come downstairs my apartner and see that 561 00:26:33,280 --> 00:26:35,639 Speaker 5: a little all the stuff again, Nah, you're you're the 562 00:26:35,720 --> 00:26:38,200 Speaker 5: temporary custadian of it. But what are you doing? Get 563 00:26:38,200 --> 00:26:40,080 Speaker 5: it out and shot to other people? The kids can 564 00:26:40,160 --> 00:26:41,760 Speaker 5: see it. I feel stupid. 565 00:26:42,480 --> 00:26:44,200 Speaker 4: Well listen, lovely to chat to you. Good look what 566 00:26:44,280 --> 00:26:46,399 Speaker 4: you're doing with it as well. Thanks Peter, hopefully well 567 00:26:46,400 --> 00:26:47,159 Speaker 4: see you in my studio. 568 00:26:47,320 --> 00:26:49,800 Speaker 5: You will catch up Christian. 569 00:26:51,440 --> 00:26:53,040 Speaker 1: Christian O'Connell show. 570 00:26:52,880 --> 00:26:57,520 Speaker 4: Podcast Gold Christian O'Connell show, which better get into news headlines. 571 00:26:57,520 --> 00:26:59,240 Speaker 4: After that, we're doing hour if your story is on 572 00:26:59,320 --> 00:27:01,320 Speaker 4: three to a bit two, one of them is going 573 00:27:01,359 --> 00:27:03,120 Speaker 4: to be about this what couldn't you touch at home? 574 00:27:03,160 --> 00:27:05,439 Speaker 4: Because for me going up in the eighties, there were 575 00:27:05,480 --> 00:27:07,600 Speaker 4: certain sort of no fly zones in the house where 576 00:27:07,800 --> 00:27:11,040 Speaker 4: you couldn't go anywhere near all. You're told, don't touch that. 577 00:27:11,200 --> 00:27:13,800 Speaker 4: It's your dad's, and it was often my dad's stuff. 578 00:27:13,840 --> 00:27:15,320 Speaker 4: So for me it was my dad. My dad made 579 00:27:15,359 --> 00:27:18,520 Speaker 4: homebrew beers tasted of revolting, and we're always told never 580 00:27:18,520 --> 00:27:19,919 Speaker 4: going to where near that. Until one day and I 581 00:27:19,920 --> 00:27:22,000 Speaker 4: was sixteen, me my mates did go near that, and 582 00:27:22,040 --> 00:27:24,399 Speaker 4: we're all violently sick. And I know, a very powerful 583 00:27:24,480 --> 00:27:28,920 Speaker 4: lesson alcohol, but especially homemade alcohol. Don't don't do it, 584 00:27:29,280 --> 00:27:31,440 Speaker 4: go to go to go to drink at places that 585 00:27:31,440 --> 00:27:33,400 Speaker 4: are professionally going to make it as well. But my dad, 586 00:27:33,400 --> 00:27:35,439 Speaker 4: you never had to touch his homemade beer. But the other 587 00:27:35,440 --> 00:27:37,000 Speaker 4: thing is we had something called your mom and dad 588 00:27:37,040 --> 00:27:39,800 Speaker 4: must have had this patch. Those great big music centers 589 00:27:39,800 --> 00:27:43,480 Speaker 4: were as an enormous radio tuna right to get radio 590 00:27:43,520 --> 00:27:47,119 Speaker 4: from all over the world, you know on AM and FM. 591 00:27:47,119 --> 00:27:50,760 Speaker 4: You actually got you know, try to contact aliens and 592 00:27:50,760 --> 00:27:53,080 Speaker 4: stuff like that. Then had the they had the vinyl 593 00:27:53,280 --> 00:27:55,480 Speaker 4: as well, and the tape deck as well. It's called 594 00:27:55,480 --> 00:27:56,320 Speaker 4: a music center. 595 00:27:57,080 --> 00:27:59,200 Speaker 3: A whole corner was behind glass. 596 00:27:59,240 --> 00:28:01,280 Speaker 4: Yeah, that's it. That's it was behind glass, and it 597 00:28:01,320 --> 00:28:03,479 Speaker 4: had like at its own unit and it was like 598 00:28:03,560 --> 00:28:05,960 Speaker 4: it was the wall. It was the wall was the 599 00:28:06,040 --> 00:28:08,000 Speaker 4: right hand side in our front room was the wall 600 00:28:08,119 --> 00:28:10,200 Speaker 4: was the music center. And it looked like you needed 601 00:28:10,200 --> 00:28:12,840 Speaker 4: two scientists to run it full time to maintain this 602 00:28:13,040 --> 00:28:15,399 Speaker 4: beast of a thing. With these speakers, I don't know 603 00:28:15,400 --> 00:28:17,840 Speaker 4: what they were filled with sand or something, but anyway, 604 00:28:17,880 --> 00:28:21,919 Speaker 4: on it it also had state of the art graphic equalizers. 605 00:28:22,040 --> 00:28:24,399 Speaker 4: Graphic equalizers were held as the future of sound, so 606 00:28:24,440 --> 00:28:27,679 Speaker 4: you could configure the sound to your front room. And 607 00:28:27,680 --> 00:28:29,600 Speaker 4: all it basically meant is if you put the graphic 608 00:28:29,640 --> 00:28:32,600 Speaker 4: equalizers up, they're like four different bands. Up to the top, 609 00:28:32,680 --> 00:28:35,320 Speaker 4: it sounded okay, and if you move them anywhere away 610 00:28:35,320 --> 00:28:38,920 Speaker 4: from that, it sounded awful. Absolute con graphic equalized. You 611 00:28:38,920 --> 00:28:41,400 Speaker 4: thought you'd like George Martin sort of rearranging it all 612 00:28:41,480 --> 00:28:43,800 Speaker 4: and just moved the base down there, and that you 613 00:28:43,920 --> 00:28:44,959 Speaker 4: rearrange their treble. 614 00:28:45,360 --> 00:28:47,160 Speaker 3: I don't think the Beatles going to rite the first time. 615 00:28:47,320 --> 00:28:49,480 Speaker 3: I know more in my front living room about how 616 00:28:49,560 --> 00:28:50,600 Speaker 3: they slow and should. 617 00:28:50,800 --> 00:28:53,520 Speaker 4: George Martin's a lightweight. Let me just reconfigure all this. 618 00:28:53,600 --> 00:28:55,760 Speaker 4: But anyway, my dad, and not only my dad, had 619 00:28:56,200 --> 00:28:59,280 Speaker 4: set it up. Apparently at the configuration that was right 620 00:28:59,320 --> 00:29:01,280 Speaker 4: to get the right music sound out of his terrible 621 00:29:01,360 --> 00:29:04,240 Speaker 4: music collection, and like bony Am had a lot of 622 00:29:04,240 --> 00:29:06,560 Speaker 4: bony Air albums and stuff like that Abba as well. 623 00:29:06,720 --> 00:29:08,360 Speaker 4: But anyway, not only were you not allowed touch the 624 00:29:08,440 --> 00:29:12,040 Speaker 4: music center, but especially the graphic equalizeres okay, because he 625 00:29:12,160 --> 00:29:15,200 Speaker 4: spent days were searching that refining at all. He had 626 00:29:15,280 --> 00:29:17,880 Speaker 4: a notepad in the drawer by the music center that 627 00:29:18,000 --> 00:29:22,719 Speaker 4: actually had the settings, ah, the settings for his graphic 628 00:29:22,840 --> 00:29:24,560 Speaker 4: equalized as well. And you were never allowed to go 629 00:29:24,880 --> 00:29:27,240 Speaker 4: anywhere near this stuff. So that's what it was to me. 630 00:29:27,280 --> 00:29:28,720 Speaker 4: What was it for you growing up? What were you 631 00:29:28,840 --> 00:29:31,560 Speaker 4: never allowed to go anywhere near it's your mum's don't 632 00:29:31,600 --> 00:29:34,440 Speaker 4: touch that, it's your dads, don't go anywhere near that. 633 00:29:34,480 --> 00:29:36,719 Speaker 4: What were the no fly zones for you? Did you 634 00:29:36,760 --> 00:29:38,160 Speaker 4: two have anything like that in your house? 635 00:29:38,200 --> 00:29:40,680 Speaker 3: Well, similar to the graphic equalizer, not allowed to touch 636 00:29:40,720 --> 00:29:43,840 Speaker 3: the settings. I was banned from changing the settings on 637 00:29:43,880 --> 00:29:46,560 Speaker 3: the TV because I would like to go in and 638 00:29:46,600 --> 00:29:49,880 Speaker 3: put the color saturation up to full. I think, in 639 00:29:49,960 --> 00:29:52,720 Speaker 3: hindsight it might be a colorblind thing, because later in 640 00:29:52,760 --> 00:29:54,120 Speaker 3: life found out I was colorblind. 641 00:29:54,240 --> 00:29:56,920 Speaker 4: And maybe, but you it is you knew the oversaturation 642 00:29:56,960 --> 00:29:58,320 Speaker 4: because it wouldn't look like that to you. 643 00:29:58,480 --> 00:30:01,200 Speaker 3: Yeah, and especially watching card I love to turn up 644 00:30:01,240 --> 00:30:03,840 Speaker 3: the full color on Scooby Doo or The Simpsons or. 645 00:30:03,840 --> 00:30:05,200 Speaker 4: Something that's trippy. 646 00:30:05,280 --> 00:30:06,800 Speaker 3: But then I'll get in trouble from my parents. I 647 00:30:06,840 --> 00:30:08,400 Speaker 3: wasn't even allowed in the menu of the. 648 00:30:08,360 --> 00:30:11,600 Speaker 4: Team high business in there, son, What about you, Patsy? 649 00:30:11,840 --> 00:30:16,200 Speaker 2: I wasn't allowed to touch dad's tobacco pipe collection and 650 00:30:16,240 --> 00:30:17,560 Speaker 2: he set it on mum's goods. 651 00:30:17,560 --> 00:30:21,880 Speaker 4: But does it need to be set after school? Is 652 00:30:21,960 --> 00:30:23,680 Speaker 4: lighting up pipe with your mates? 653 00:30:25,000 --> 00:30:26,520 Speaker 3: All the other kids are doing it and he had 654 00:30:26,520 --> 00:30:27,000 Speaker 3: them right. 655 00:30:27,440 --> 00:30:29,880 Speaker 2: They used to sit on mum's wooden buffet in the 656 00:30:29,920 --> 00:30:33,160 Speaker 2: lounge and they were at a particular angle and he'd 657 00:30:33,240 --> 00:30:35,800 Speaker 2: know if we'd touch them because they'd be moved slightly 658 00:30:35,840 --> 00:30:36,240 Speaker 2: to the top. 659 00:30:37,040 --> 00:30:39,480 Speaker 4: He had a pipe collection, Yeah, he had like three 660 00:30:39,560 --> 00:30:43,960 Speaker 4: or four like the Sherlock Holmes one and he used 661 00:30:43,960 --> 00:30:46,320 Speaker 4: to puff up amazing. All right, then what couldn't you 662 00:30:46,360 --> 00:30:47,560 Speaker 4: touch in your house growing up? 663 00:30:47,840 --> 00:30:50,480 Speaker 1: The Christian o'connells show, Yeah. 664 00:30:51,160 --> 00:30:53,680 Speaker 4: On Gold seven thirty seven, So we set up one 665 00:30:53,840 --> 00:30:56,240 Speaker 4: three today for three to but you stay with us 666 00:30:56,280 --> 00:30:57,600 Speaker 4: every week where we were on a couple of phone 667 00:30:57,600 --> 00:31:00,480 Speaker 4: ins at the same time. The first one is about 668 00:31:00,480 --> 00:31:03,440 Speaker 4: what couldn't you touch in your house growing up? For me, 669 00:31:03,520 --> 00:31:06,840 Speaker 4: it was my dad's music center and his settings on 670 00:31:06,960 --> 00:31:10,800 Speaker 4: the graphic equalizer, and his home brew beer for jacket 671 00:31:10,880 --> 00:31:14,240 Speaker 4: was the color contrast control on the TV. 672 00:31:14,400 --> 00:31:16,840 Speaker 3: Yep, got barn from the menu in the TV, and 673 00:31:16,880 --> 00:31:19,760 Speaker 3: pats it was a dad's pipe collection, not just a 674 00:31:19,800 --> 00:31:23,240 Speaker 3: pipe pipes, actual pipe collection, Christian. 675 00:31:23,280 --> 00:31:25,920 Speaker 4: For me, we were never allowed to put anything in my 676 00:31:26,040 --> 00:31:29,520 Speaker 4: dad's special glass that he drank beer in. He would say, 677 00:31:29,960 --> 00:31:32,560 Speaker 4: this glass is mine. It only has beer in it, 678 00:31:32,640 --> 00:31:34,800 Speaker 4: no other drink, and if you ever put another drink 679 00:31:34,840 --> 00:31:37,520 Speaker 4: in it, I will know. As a kid, didn't you 680 00:31:37,520 --> 00:31:40,640 Speaker 4: believe that your dad had like spider secret sense that 681 00:31:40,680 --> 00:31:44,360 Speaker 4: he could just detect any disturbance in the Dad universe? 682 00:31:45,160 --> 00:31:47,760 Speaker 4: It was so fragile just reading through some of these 683 00:31:47,800 --> 00:31:49,640 Speaker 4: that are coming in. You and his parents are crazy 684 00:31:49,680 --> 00:31:52,560 Speaker 4: and I speak as well myself as well, Christian wilbre Teld. 685 00:31:52,880 --> 00:31:56,400 Speaker 4: Don't read the newspaper before Dad had no breakfast after 686 00:31:56,520 --> 00:31:58,360 Speaker 4: nine am? Why are you staying in a b and 687 00:31:58,440 --> 00:32:01,480 Speaker 4: me with mom and dad be in your bedroom when 688 00:32:01,480 --> 00:32:05,040 Speaker 4: your dad gets home? What there was a special chair 689 00:32:05,040 --> 00:32:07,520 Speaker 4: in our house. It was my dad's chair only he 690 00:32:07,600 --> 00:32:09,239 Speaker 4: was allowed to sit on it. It's a trick on 691 00:32:09,240 --> 00:32:14,000 Speaker 4: your birthday once allowed to sit in it only whilst 692 00:32:14,000 --> 00:32:16,600 Speaker 4: you were sang Happy birthday too, and out of it 693 00:32:16,640 --> 00:32:20,080 Speaker 4: now the song's over on your way. These are incredible. 694 00:32:20,320 --> 00:32:22,720 Speaker 4: What couldn't you touch or go anywhere near in your 695 00:32:22,720 --> 00:32:24,680 Speaker 4: house when you were growing up? That's what we're taking 696 00:32:24,720 --> 00:32:27,320 Speaker 4: calls on this morning, Christian. The landline you can only 697 00:32:27,400 --> 00:32:29,520 Speaker 4: use it with permission. Same in my house as from 698 00:32:29,800 --> 00:32:34,280 Speaker 4: Billy the good scissors, the good stapler, who had a 699 00:32:34,320 --> 00:32:38,240 Speaker 4: good state, Dad's good stapler. Christian. We were never allowed 700 00:32:38,240 --> 00:32:39,680 Speaker 4: to have the cream off the top of the milk, 701 00:32:39,720 --> 00:32:43,920 Speaker 4: which was reserved for my dad's breakfast cereal. We weren't 702 00:32:43,920 --> 00:32:47,000 Speaker 4: allowed to touch the biscuit tin and the volume on anything, 703 00:32:47,040 --> 00:32:49,760 Speaker 4: the remote control of the car radio, the car windows, 704 00:32:49,760 --> 00:32:53,760 Speaker 4: the thermostat and the boiler, the toolbox, the fuse box, 705 00:32:53,880 --> 00:32:58,760 Speaker 4: and my dad's mysterious bottom drawer on this bedside. We 706 00:32:58,800 --> 00:33:00,400 Speaker 4: can guess what was in there? Are we having a 707 00:33:00,440 --> 00:33:03,280 Speaker 4: rummage around there? Christian? We weren't allowed to go anywhere 708 00:33:03,280 --> 00:33:05,960 Speaker 4: near even when I was sixteen, even when I was eighteen. 709 00:33:06,040 --> 00:33:09,480 Speaker 4: The microwave. My parents were convinced that it would turn 710 00:33:09,520 --> 00:33:11,680 Speaker 4: it down fond during the night. They were so frightening 711 00:33:11,720 --> 00:33:14,640 Speaker 4: of this. They always had a bowl of water in 712 00:33:14,680 --> 00:33:16,520 Speaker 4: it during the night in case it's set fire, it 713 00:33:16,520 --> 00:33:19,240 Speaker 4: would somehow extinguish it. These are remaining Let's go to 714 00:33:19,320 --> 00:33:22,280 Speaker 4: lines nine four one four one o four three. Weren't 715 00:33:22,600 --> 00:33:25,080 Speaker 4: what weren't you allowed to touch in your house as 716 00:33:25,120 --> 00:33:29,400 Speaker 4: a kid growing up? Or go anywhere near Jake, Good morning, Hey, 717 00:33:29,440 --> 00:33:31,760 Speaker 4: here's the going guys, we'll go Jake, welcome to a show. 718 00:33:31,760 --> 00:33:32,360 Speaker 4: And what was it for you? 719 00:33:33,640 --> 00:33:37,160 Speaker 7: Mom had a Matin guitar acoustic guitar, and it was 720 00:33:37,200 --> 00:33:38,160 Speaker 7: sitting by the couch. 721 00:33:38,240 --> 00:33:41,160 Speaker 5: We could never touch it when we're playing the lund room. 722 00:33:41,480 --> 00:33:43,440 Speaker 8: There'd always be dins and scratches on it. 723 00:33:43,720 --> 00:33:46,280 Speaker 7: Anyway, a couple of weeks ago I actually got given 724 00:33:46,280 --> 00:33:49,600 Speaker 7: that guitar, and this is probably twenty three years old, 725 00:33:49,880 --> 00:33:50,480 Speaker 7: and I'd. 726 00:33:50,320 --> 00:33:52,760 Speaker 5: Regreade every DNT and scratch on it, yeah, because I 727 00:33:52,760 --> 00:33:55,800 Speaker 5: had no idea. And I cleaned it up the other 728 00:33:55,880 --> 00:33:56,760 Speaker 5: day and oiled it up. 729 00:33:56,800 --> 00:33:58,800 Speaker 7: But yeah, a couple of battle scars on it. 730 00:33:58,840 --> 00:34:01,800 Speaker 4: So that's amazing. How great that you've got it now? 731 00:34:01,920 --> 00:34:03,200 Speaker 4: Finally after all these years. 732 00:34:04,880 --> 00:34:06,720 Speaker 5: I'm sorry, Jack. 733 00:34:06,880 --> 00:34:09,000 Speaker 4: All right, Jack, you're cutting up there. We'll let you go. Thanks, Jake, 734 00:34:09,080 --> 00:34:13,680 Speaker 4: Let's go to Michael. Come on in, Michael, Okay, mon. 735 00:34:13,840 --> 00:34:16,240 Speaker 10: It goes home with my day's records. He had about 736 00:34:16,719 --> 00:34:19,400 Speaker 10: I think he's got about five hundred of them. Wow, 737 00:34:20,120 --> 00:34:23,920 Speaker 10: they're all still in their original plastic and the original covers, 738 00:34:24,480 --> 00:34:26,759 Speaker 10: even forty five's with a big holes in it. 739 00:34:26,920 --> 00:34:29,520 Speaker 4: Yeah. Yeah, yeah, that's right. There was so much money now. 740 00:34:30,160 --> 00:34:34,600 Speaker 10: Yeah, it's all original, like he's got him stacked away. 741 00:34:35,400 --> 00:34:37,960 Speaker 10: Even as kid, he had them all lined up in 742 00:34:38,000 --> 00:34:42,600 Speaker 10: the in the cabinet and behind the cabinet and he 743 00:34:42,680 --> 00:34:45,920 Speaker 10: only ever ever played them once and he put him 744 00:34:45,960 --> 00:34:47,880 Speaker 10: the tape and then he would listen to him on 745 00:34:47,960 --> 00:34:54,480 Speaker 10: tape every Saturday morning. Were the final the TV. 746 00:34:54,960 --> 00:34:57,799 Speaker 4: Wow, that's amazing, Michael. Thank you very much. You cool mate. 747 00:34:57,800 --> 00:34:58,399 Speaker 4: You have a good day. 748 00:34:58,840 --> 00:34:59,399 Speaker 7: Yeah you too. 749 00:35:00,000 --> 00:35:06,200 Speaker 4: Barbara, Yes, yes, Barbara, yes, Barbara. What can you touch 750 00:35:06,239 --> 00:35:08,719 Speaker 4: green your house? Growing up, my. 751 00:35:08,760 --> 00:35:14,840 Speaker 9: Dad grew prize winning orchids and we weren't touch the orchards, 752 00:35:15,080 --> 00:35:17,160 Speaker 9: but we were told to weed them every week. 753 00:35:17,640 --> 00:35:20,120 Speaker 4: Wow, that's great. Your dad had not just orchids, but 754 00:35:20,160 --> 00:35:21,799 Speaker 4: these were prize winning. 755 00:35:21,600 --> 00:35:25,920 Speaker 3: Orchids, yes, and so you had to you had to 756 00:35:25,920 --> 00:35:27,680 Speaker 3: weed the orchids, but you weren't allowed to touch them. 757 00:35:27,719 --> 00:35:28,840 Speaker 3: It's like the viewsing above. 758 00:35:28,920 --> 00:35:31,160 Speaker 4: Yeah it is. Yeah, it's like karate kid as well. 759 00:35:31,200 --> 00:35:32,759 Speaker 4: You're gonna you can weed them, but you've got to 760 00:35:33,000 --> 00:35:35,600 Speaker 4: appreciate for years the majesty of the orchid. 761 00:35:36,640 --> 00:35:41,359 Speaker 11: Yeah, they looked too similar, but they were great. I've 762 00:35:41,400 --> 00:35:43,480 Speaker 11: still got the Australian natives. 763 00:35:44,239 --> 00:35:48,359 Speaker 4: Okay, Barbara, thank you very much. She cal no idea 764 00:35:48,360 --> 00:35:50,320 Speaker 4: about that last bit. That's why she was told herself 765 00:35:50,360 --> 00:35:52,120 Speaker 4: those orchids. I think she's been chewing a few. 766 00:35:52,400 --> 00:35:54,880 Speaker 1: Christian O'Connell show podcast. 767 00:35:54,840 --> 00:35:56,919 Speaker 4: We can to show. We do three topics Tuesday where 768 00:35:56,920 --> 00:35:59,200 Speaker 4: we run three phone ins at the same time. For you. 769 00:35:59,400 --> 00:36:02,320 Speaker 4: It's sort about your stories. You're the star. Some amazing 770 00:36:02,320 --> 00:36:04,239 Speaker 4: stuff coming through this morning. On one of them, which 771 00:36:04,239 --> 00:36:05,960 Speaker 4: is about what weren't you allowed to touch or go 772 00:36:06,160 --> 00:36:09,600 Speaker 4: anywhere near in your house growing up, Christian it was 773 00:36:09,600 --> 00:36:12,440 Speaker 4: the soda siphon, like you had a child of the eighties. 774 00:36:12,600 --> 00:36:15,279 Speaker 4: I mean, I know it had those little loose gas 775 00:36:15,320 --> 00:36:17,600 Speaker 4: canisters around the back of it, but the way my 776 00:36:17,680 --> 00:36:19,439 Speaker 4: dad went on you think a bomb would go off 777 00:36:19,680 --> 00:36:22,560 Speaker 4: if it was handled by someone who wasn't a fully 778 00:36:22,600 --> 00:36:25,880 Speaker 4: trained expert. Christian for me is my mum's tweezers, the 779 00:36:25,880 --> 00:36:29,160 Speaker 4: good Toezers, and the house phone Christian. We had a 780 00:36:29,560 --> 00:36:34,360 Speaker 4: lounge that was only used for special occasions, and our telephone, 781 00:36:34,360 --> 00:36:37,440 Speaker 4: the landline, one of those old rotary phones, actually had 782 00:36:37,440 --> 00:36:39,160 Speaker 4: a lock on it. Do you remember were the people 783 00:36:39,160 --> 00:36:41,400 Speaker 4: that did this? You had like a lock on the 784 00:36:41,440 --> 00:36:42,960 Speaker 4: phone with a key that your mum or dad had 785 00:36:42,960 --> 00:36:45,000 Speaker 4: would don't unlock it? Like it almost like a kind 786 00:36:45,000 --> 00:36:46,120 Speaker 4: of mini bite lock or something. 787 00:36:46,160 --> 00:36:47,880 Speaker 3: Who what were they were afraid would have? 788 00:36:48,120 --> 00:36:50,080 Speaker 4: You were used a landline and run up the phone 789 00:36:50,120 --> 00:36:51,120 Speaker 4: bill chat to your mates. 790 00:36:51,200 --> 00:36:51,719 Speaker 3: We had one. 791 00:36:51,960 --> 00:36:53,560 Speaker 4: Yeah you didn't, did you? 792 00:36:53,680 --> 00:36:53,879 Speaker 3: Yeah? 793 00:36:53,920 --> 00:36:56,799 Speaker 2: We did, like no gray one writery fone with the 794 00:36:56,800 --> 00:36:58,640 Speaker 2: lock and it, but the keys would sit in it, 795 00:36:58,640 --> 00:36:59,920 Speaker 2: which defeated the purpose. 796 00:37:00,480 --> 00:37:02,000 Speaker 4: Yes, something would do that in case you ever needed 797 00:37:02,000 --> 00:37:04,279 Speaker 4: to use it to call the emergency services. Then the 798 00:37:04,320 --> 00:37:06,839 Speaker 4: phone was not Christian. We were allowed to touch any 799 00:37:06,920 --> 00:37:10,040 Speaker 4: We weren't allowed to touch any scissors that weren't round 800 00:37:10,280 --> 00:37:13,279 Speaker 4: edged biros, knives, have had any sharp dog checks. I 801 00:37:13,320 --> 00:37:15,480 Speaker 4: was told never to touch, but oddly enough my mom 802 00:37:15,480 --> 00:37:18,080 Speaker 4: and dad never had a problem with me eating crowns. 803 00:37:18,239 --> 00:37:19,879 Speaker 4: I used to love the Red Ones, by the way, 804 00:37:21,080 --> 00:37:23,200 Speaker 4: and this one here Christian. We were told never to 805 00:37:23,200 --> 00:37:24,640 Speaker 4: put out the leads to the back of the TV 806 00:37:24,800 --> 00:37:27,200 Speaker 4: or go around the back of the TV to unplug 807 00:37:27,320 --> 00:37:30,560 Speaker 4: anything to play your Mega drive. The VHS is set 808 00:37:30,600 --> 00:37:35,759 Speaker 4: to record something sun all right. The other topics then 809 00:37:35,800 --> 00:37:44,360 Speaker 4: this week on five topic Tuesdays for the best schools 810 00:37:44,360 --> 00:37:47,560 Speaker 4: we get this morning. Then we have some Peninsula Hot Springs. 811 00:37:48,160 --> 00:37:50,960 Speaker 4: We've got two hundred and fifty dollars dine and Bathe 812 00:37:51,160 --> 00:37:54,120 Speaker 4: vouchers to go to Peninsula Hot Springs. Two hundred and 813 00:37:54,120 --> 00:37:55,920 Speaker 4: fifty dollar dine and Bay vouchers for some of the 814 00:37:55,920 --> 00:37:59,040 Speaker 4: best stories this morning on nine one o four three. 815 00:37:59,080 --> 00:38:01,000 Speaker 4: So you've got any more stories about what you couldn't 816 00:38:01,000 --> 00:38:03,520 Speaker 4: go anywhere near or touch in your house as a 817 00:38:03,560 --> 00:38:06,640 Speaker 4: kid known for one one four three. The other thing 818 00:38:06,640 --> 00:38:09,800 Speaker 4: when I talk about this morning after Chancellor Guy Peter Friedman, 819 00:38:10,120 --> 00:38:12,879 Speaker 4: who has paid eight million US dollars to own Kirk 820 00:38:12,920 --> 00:38:16,440 Speaker 4: Cobaye's guitar that he played and he did MTVS unplugged. 821 00:38:16,920 --> 00:38:19,920 Speaker 4: Do any of you own any kind of memorabilia? Have 822 00:38:20,000 --> 00:38:23,279 Speaker 4: you guys, got any memoribility that you've got over the years, Yes, 823 00:38:23,520 --> 00:38:23,799 Speaker 4: I do. 824 00:38:24,000 --> 00:38:24,440 Speaker 3: What do you go? 825 00:38:24,640 --> 00:38:28,279 Speaker 2: I've got a guitar pick from Chris Isaac from one 826 00:38:28,320 --> 00:38:30,760 Speaker 2: of his concerts. He threw it out into the crowd. 827 00:38:30,920 --> 00:38:33,759 Speaker 4: Well, a tiny little guitar, but you did well catching that, and. 828 00:38:33,680 --> 00:38:36,200 Speaker 2: It's got his name on it, and the Love God 829 00:38:36,440 --> 00:38:39,399 Speaker 2: very proudly has in the pool room a photo of 830 00:38:39,480 --> 00:38:43,680 Speaker 2: Elvis's original drummer, DJ Fonteta, and its signed. I interviewed 831 00:38:43,760 --> 00:38:46,400 Speaker 2: him once and he tagged along and got him to 832 00:38:46,440 --> 00:38:46,759 Speaker 2: sign it. 833 00:38:46,880 --> 00:38:50,240 Speaker 4: Oh that is really loves it. Oh that's a proper Elvis. 834 00:38:50,280 --> 00:38:52,080 Speaker 3: So you had to say to him, Hey, do you mind, 835 00:38:52,080 --> 00:38:54,000 Speaker 3: I've put my husband along. He wants to get some 836 00:38:54,040 --> 00:38:55,799 Speaker 3: stuff signed. Yeah, And he was cool. 837 00:38:55,840 --> 00:38:57,440 Speaker 4: He was so just going to sit in the corner 838 00:38:58,160 --> 00:39:02,000 Speaker 4: staring at you, drawling. All right, So do you own 839 00:39:02,000 --> 00:39:05,080 Speaker 4: any women of Billia? Nine one, O four three? And 840 00:39:05,120 --> 00:39:06,520 Speaker 4: then here's the other one. We're talking about what you 841 00:39:06,520 --> 00:39:09,560 Speaker 4: couldn't touch as a kid. What have you actually touched? 842 00:39:09,800 --> 00:39:11,840 Speaker 4: Jack's got this amazing story. You need to hear this. 843 00:39:11,920 --> 00:39:12,839 Speaker 4: I'm going to kill the music. 844 00:39:12,880 --> 00:39:15,400 Speaker 3: Well, this is the closest to memorabilia that I've got 845 00:39:15,600 --> 00:39:17,840 Speaker 3: my best friend Jez, who works on the Hamishon and 846 00:39:17,840 --> 00:39:20,440 Speaker 3: any show as well. He grew up in England and 847 00:39:20,480 --> 00:39:22,799 Speaker 3: he went to see Blink one eighty two as a teenager, 848 00:39:23,360 --> 00:39:26,560 Speaker 3: stood front row, waited all day, stood front row, and 849 00:39:26,600 --> 00:39:29,399 Speaker 3: then bawled his eyes out during the whole concert because 850 00:39:29,440 --> 00:39:32,000 Speaker 3: he was so excited to see his favorite band, so 851 00:39:32,160 --> 00:39:35,080 Speaker 3: much so that the lead singer and bass player must 852 00:39:35,080 --> 00:39:38,359 Speaker 3: have seen him crying. After the gig, Jess saw him 853 00:39:38,360 --> 00:39:40,839 Speaker 3: talking to a security guard. The security guard came over 854 00:39:40,880 --> 00:39:44,080 Speaker 3: and told Jez, hey, you're allowed to come backstage. So 855 00:39:44,160 --> 00:39:48,040 Speaker 3: he went backstage. You know, the water works are still continuing. 856 00:39:48,040 --> 00:39:51,080 Speaker 3: Of course in a band meet his gods. And then 857 00:39:51,280 --> 00:39:55,000 Speaker 3: Mark Hoppus, the singer and bass player, gave him the guitar, 858 00:39:55,120 --> 00:39:56,879 Speaker 3: the bass guitar that he played the show with. 859 00:39:57,280 --> 00:39:59,719 Speaker 4: No way. Yeah, great thing to do. 860 00:40:00,360 --> 00:40:03,440 Speaker 3: So I've played on the Blink one a two bass guitar. 861 00:40:03,719 --> 00:40:07,000 Speaker 4: Yeah that's amazing. I love that story. What good guys 862 00:40:07,080 --> 00:40:09,440 Speaker 4: doing that seeing a young fan bailing his eyes out 863 00:40:09,480 --> 00:40:11,319 Speaker 4: and thinking we should bring him up. We get what 864 00:40:11,360 --> 00:40:16,799 Speaker 4: it means. All right, what have you touched? So you've chatted, 865 00:40:16,920 --> 00:40:18,759 Speaker 4: you've actually touched and played on Blink one eighty two 866 00:40:18,840 --> 00:40:23,080 Speaker 4: Spass guitar. I've touched the Jewels Romay Trophy, probably possibly 867 00:40:23,080 --> 00:40:26,560 Speaker 4: the most. I mean, there is no greater sports trophy 868 00:40:26,560 --> 00:40:29,360 Speaker 4: than the World Cup. And I was allowed to touch I 869 00:40:29,360 --> 00:40:31,080 Speaker 4: say touch it. We had to have the you know 870 00:40:31,120 --> 00:40:34,960 Speaker 4: those auctions white gloves. These are really thick white gloves. 871 00:40:34,960 --> 00:40:37,160 Speaker 4: And there were these two huge bodyguards next to me 872 00:40:37,200 --> 00:40:39,640 Speaker 4: as well. And it was just for a couple of seconds. 873 00:40:39,680 --> 00:40:42,320 Speaker 4: It's very heavy, but it was amazing just to literally 874 00:40:42,360 --> 00:40:43,160 Speaker 4: hold history. 875 00:40:43,520 --> 00:40:45,600 Speaker 3: Yeah, and so what do you do? Stroke it? Look 876 00:40:45,640 --> 00:40:47,160 Speaker 3: at it? What do you when are you holding? 877 00:40:47,200 --> 00:40:48,799 Speaker 4: You were allowed to You were allowed to hold it. 878 00:40:48,840 --> 00:40:50,680 Speaker 4: You weren't now to touch it in any way or 879 00:40:50,719 --> 00:40:53,279 Speaker 4: smudge it, you know, because it's it's amazing, small little 880 00:40:53,320 --> 00:40:55,680 Speaker 4: thing you would have thought, but an amazing thing to hold. 881 00:40:55,719 --> 00:40:58,040 Speaker 4: The Jewels room Ay Trophy, the World Cup, the actual 882 00:40:58,040 --> 00:40:58,480 Speaker 4: World gup. 883 00:40:58,760 --> 00:41:00,480 Speaker 1: The Christian o'connells Show. 884 00:41:02,120 --> 00:41:04,839 Speaker 4: On Gold Good morning, It's the Christian O'Connell Show, Tuesday morning, 885 00:41:04,840 --> 00:41:07,560 Speaker 4: eight minutes past eight. We're doing three top of Tuesday 886 00:41:07,600 --> 00:41:10,000 Speaker 4: this morning. Then, what couldn't you touch or go anywhere 887 00:41:10,000 --> 00:41:12,239 Speaker 4: near in your house when you were growing up? Do 888 00:41:12,280 --> 00:41:14,960 Speaker 4: you own any memorabilia. We spoke to the Peter that 889 00:41:15,000 --> 00:41:16,400 Speaker 4: he is the guy who's gone around the world this 890 00:41:16,560 --> 00:41:20,040 Speaker 4: news Australian guy with fair bit of money and he's 891 00:41:20,040 --> 00:41:22,719 Speaker 4: paid eight million dollars for the Kirk Gamain guitar from 892 00:41:23,360 --> 00:41:26,000 Speaker 4: MTV unplugs. So what memorabilia do you own and what 893 00:41:26,080 --> 00:41:29,560 Speaker 4: have you actually touched, Christian, I've got gloves boxing gloves 894 00:41:29,560 --> 00:41:34,240 Speaker 4: signed by the pac man Manny Pakiam Jeanus. That's amazing, Christian. 895 00:41:34,800 --> 00:41:37,040 Speaker 4: My brother and I were never allowed to touch dad's 896 00:41:37,040 --> 00:41:40,600 Speaker 4: tomato plants in the backyard Reese and Rabbin. Yeah, my 897 00:41:40,680 --> 00:41:43,320 Speaker 4: dad grew tomato plants and potatoes as well. They tasted 898 00:41:43,360 --> 00:41:45,920 Speaker 4: for vaulting and yeah, it was very precious that we 899 00:41:45,880 --> 00:41:47,920 Speaker 4: were never abowed to go we near them. All Right, 900 00:41:47,960 --> 00:41:51,440 Speaker 4: let's say some calls Megan, good morning, good morning, Christian, 901 00:41:51,600 --> 00:41:54,400 Speaker 4: good morning Meghan. So not allowed what we learned to 902 00:41:54,560 --> 00:41:56,400 Speaker 4: we're not allowed to go anywhere near in the house. 903 00:41:57,400 --> 00:41:59,800 Speaker 3: Well, just like Pat, we had a lock on our house. 904 00:42:00,320 --> 00:42:01,840 Speaker 9: Mom and Dad actually got. 905 00:42:01,640 --> 00:42:03,479 Speaker 10: It after my sister used it too much. 906 00:42:04,040 --> 00:42:05,799 Speaker 3: But what they didn't know is that she had a 907 00:42:05,840 --> 00:42:08,480 Speaker 3: secret phone that she plug in when they left the house. 908 00:42:09,080 --> 00:42:11,760 Speaker 4: That it's quite hard because those big old rotary phones, 909 00:42:11,760 --> 00:42:14,200 Speaker 4: they were big. It's not like a mobile. Now, that's 910 00:42:14,200 --> 00:42:15,160 Speaker 4: a lot to hide. 911 00:42:15,840 --> 00:42:18,560 Speaker 9: She has one of those slim line ones, like a 912 00:42:18,600 --> 00:42:19,680 Speaker 9: real teenager phone. 913 00:42:19,800 --> 00:42:24,600 Speaker 4: Oh yeah, cool, yeah, amazing, pretty phoebeous. Yeah. And was 914 00:42:24,600 --> 00:42:27,239 Speaker 4: that a chace, a boyfriend or her friends? Oh? 915 00:42:27,320 --> 00:42:33,319 Speaker 9: Everybody may sometimes if I hate her. 916 00:42:35,760 --> 00:42:37,160 Speaker 4: She was obviously an older sister. 917 00:42:37,960 --> 00:42:39,880 Speaker 9: Yeah, she was sixteen hours ten. 918 00:42:39,920 --> 00:42:42,359 Speaker 4: Oh bless yeah right, yeah, she ruled the house then 919 00:42:42,360 --> 00:42:45,520 Speaker 4: when mom and dad went around of course. Yeah, Megan, 920 00:42:45,600 --> 00:42:47,400 Speaker 4: that's a great story. Thank you very much. Take care, 921 00:42:47,480 --> 00:42:52,200 Speaker 4: have a good day, bye, Christine, Good morning, good morning. 922 00:42:52,520 --> 00:42:54,719 Speaker 4: All right, so you've got some amazing memorabilia. What have 923 00:42:54,800 --> 00:42:55,160 Speaker 4: you got? 924 00:42:55,640 --> 00:42:57,879 Speaker 8: I do? I call it Brutles albums. And my mum 925 00:42:57,920 --> 00:43:00,279 Speaker 8: went to an up shop about ten years ago, picked 926 00:43:00,360 --> 00:43:03,400 Speaker 8: up the White album, came home, said a little squibble 927 00:43:03,440 --> 00:43:05,040 Speaker 8: on it. Don't worry about it, guys that you can 928 00:43:05,080 --> 00:43:08,080 Speaker 8: have it for two dollars closer inspection. It's signed by 929 00:43:08,160 --> 00:43:11,399 Speaker 8: John Paul George Anlino. 930 00:43:11,880 --> 00:43:13,880 Speaker 4: One of my favorite Beatles albums out people don't want 931 00:43:13,880 --> 00:43:15,920 Speaker 4: to talk about. The White album was a really really 932 00:43:16,000 --> 00:43:18,440 Speaker 4: kind of rocky one as well. White albs A great album. 933 00:43:19,200 --> 00:43:20,840 Speaker 8: Well it's one of my favorites. 934 00:43:21,000 --> 00:43:23,480 Speaker 4: Yeah, signed by all for the Beatles and you still 935 00:43:23,480 --> 00:43:24,719 Speaker 4: got it now do? 936 00:43:24,880 --> 00:43:26,520 Speaker 8: It's in a safety deposit book. 937 00:43:26,640 --> 00:43:28,520 Speaker 3: And Christine, did you have to get it valued or 938 00:43:28,560 --> 00:43:30,600 Speaker 3: anything to prove that it was really their signature? 939 00:43:30,640 --> 00:43:33,200 Speaker 8: We did. We had to take it to guy in 940 00:43:33,239 --> 00:43:36,200 Speaker 8: Melbourne and have it looked at and its values at 941 00:43:36,239 --> 00:43:38,520 Speaker 8: that behind it was valued at about three and a half thousand, 942 00:43:38,600 --> 00:43:40,120 Speaker 8: but I think it's worth a bit more now. 943 00:43:40,200 --> 00:43:41,799 Speaker 4: And when was it valued? What were you? 944 00:43:42,360 --> 00:43:44,760 Speaker 8: This is about eight years ago worth? 945 00:43:44,880 --> 00:43:47,160 Speaker 4: I reckon treble that those things just go up every 946 00:43:47,200 --> 00:43:47,839 Speaker 4: single year. 947 00:43:48,000 --> 00:43:48,200 Speaker 8: Yeah. 948 00:43:48,320 --> 00:43:50,160 Speaker 4: Another the fact you took it to a guy in Melbourne. 949 00:43:50,160 --> 00:43:52,800 Speaker 4: What did he do go? Yeah? 950 00:43:53,640 --> 00:43:56,600 Speaker 8: It was was just a record store in Melbourne. He 951 00:43:56,719 --> 00:43:59,360 Speaker 8: was like a Beatles experts so excellent. 952 00:43:59,360 --> 00:44:01,920 Speaker 4: I bet that was a There's a guy at Greville 953 00:44:01,960 --> 00:44:05,080 Speaker 4: Record called Warwick who is a real Beatles expert. He's 954 00:44:05,120 --> 00:44:07,360 Speaker 4: been on the Penny Lan tour and everything and he 955 00:44:07,440 --> 00:44:10,120 Speaker 4: knows everything about the Beatles. But it was him. That's amazing, 956 00:44:10,200 --> 00:44:14,200 Speaker 4: Christine standing, I'm gonna give you a prize. Love that. Glenn, 957 00:44:14,200 --> 00:44:18,880 Speaker 4: good morning, I'm good. But it's so one of the 958 00:44:18,920 --> 00:44:21,840 Speaker 4: topics today is what have you touched? Jackson touched and 959 00:44:21,840 --> 00:44:24,759 Speaker 4: played on the guitar, so the bass GUITARLINKO eighty two 960 00:44:25,040 --> 00:44:27,320 Speaker 4: and I've touched the World Cup. What have you touched? 961 00:44:28,200 --> 00:44:28,719 Speaker 5: Ah? 962 00:44:28,760 --> 00:44:31,359 Speaker 7: Well, my entire body's tossed the back seat of the 963 00:44:31,400 --> 00:44:35,479 Speaker 7: presidential car of the Irish Prisons at the time, which 964 00:44:35,520 --> 00:44:36,840 Speaker 7: was prisoner Mary Robinson. 965 00:44:37,719 --> 00:44:40,360 Speaker 4: Now, how was your entire backside touched the President of 966 00:44:40,400 --> 00:44:41,839 Speaker 4: Ireland's car? 967 00:44:42,440 --> 00:44:45,319 Speaker 5: Case I was away, I was. 968 00:44:45,239 --> 00:44:47,120 Speaker 7: Over the contract with playing rugby and I was in 969 00:44:47,200 --> 00:44:49,399 Speaker 7: You know, I'm not a small person. I'm six foot seven, 970 00:44:49,520 --> 00:44:50,560 Speaker 7: so I was over there. 971 00:44:51,520 --> 00:44:53,399 Speaker 4: So you didn't who are you playing for? 972 00:44:54,160 --> 00:44:56,399 Speaker 7: I was playing for Gary Allen in ther On League. 973 00:44:56,480 --> 00:45:01,120 Speaker 7: Yeah right, okay, Well, and so anyway, madam, I took 974 00:45:01,120 --> 00:45:04,480 Speaker 7: me down to a place of Skull which is in the. 975 00:45:05,960 --> 00:45:06,160 Speaker 4: Yeah. 976 00:45:06,560 --> 00:45:08,959 Speaker 7: Well, President Mary Robinson has a holiday home down there, 977 00:45:09,160 --> 00:45:11,520 Speaker 7: and she was down there and her security detail happened 978 00:45:11,560 --> 00:45:13,480 Speaker 7: to be at the pub that I was at. And 979 00:45:13,520 --> 00:45:16,080 Speaker 7: her security detail was an even split, a couple of 980 00:45:16,080 --> 00:45:17,520 Speaker 7: females and a couple of guys and of. 981 00:45:17,440 --> 00:45:22,080 Speaker 4: Course one great security detail to be as well. Security detail. 982 00:45:24,400 --> 00:45:26,759 Speaker 7: Yeah, yeah, she had they had the night off they 983 00:45:26,760 --> 00:45:28,759 Speaker 7: were getting drunk and so was I and one thing 984 00:45:28,840 --> 00:45:30,680 Speaker 7: led to another and nind and that was in the 985 00:45:30,719 --> 00:45:31,440 Speaker 7: back of the limo. 986 00:45:32,960 --> 00:45:34,799 Speaker 4: Yeah, quietly enjoying good time. 987 00:45:35,920 --> 00:45:36,760 Speaker 5: Right time. 988 00:45:38,400 --> 00:45:41,719 Speaker 4: We had company, because that's even sad. 989 00:45:41,000 --> 00:45:44,120 Speaker 7: That's what I'm saying. I was all touched every part 990 00:45:44,120 --> 00:45:44,800 Speaker 7: of that car with this. 991 00:45:45,320 --> 00:45:50,640 Speaker 4: Now, okay, thank you very much. 992 00:45:50,640 --> 00:45:55,160 Speaker 1: She called with you there mate, the Christian O'Connor show. 993 00:45:56,239 --> 00:45:59,480 Speaker 4: Christ and I've actually touched a microphone that Elvis recorded 994 00:45:59,520 --> 00:46:04,120 Speaker 4: on it. So studios in Memphis, that is pretty cool. 995 00:46:04,320 --> 00:46:06,000 Speaker 4: Lucky enough over the years to do a few radio 996 00:46:06,040 --> 00:46:09,600 Speaker 4: shows at Abbey Road Studios, one of the world's most 997 00:46:10,200 --> 00:46:12,879 Speaker 4: and it's like a living museum because you've got all 998 00:46:12,920 --> 00:46:15,240 Speaker 4: the equipment. So many bands have recorded on the Beatles 999 00:46:15,239 --> 00:46:18,320 Speaker 4: obviously famously, but Frank Sinatra. You've got all these movie 1000 00:46:18,360 --> 00:46:21,120 Speaker 4: soundtracks that have been made there as well. And we 1001 00:46:21,400 --> 00:46:23,520 Speaker 4: did a couple of radio shows there and beforehand when 1002 00:46:23,520 --> 00:46:26,600 Speaker 4: we're getting ready, it was with Bono and Noel Gallagher 1003 00:46:26,600 --> 00:46:30,680 Speaker 4: with the guests on that show and all these the musicians, sorry, 1004 00:46:30,680 --> 00:46:33,360 Speaker 4: the studio engineers at work there. They've got the world's 1005 00:46:33,520 --> 00:46:37,640 Speaker 4: largest collection of antique microphones and these are the microphones 1006 00:46:37,920 --> 00:46:40,080 Speaker 4: that some of the most famous Beatles songs were record on. 1007 00:46:40,040 --> 00:46:42,640 Speaker 4: They've still got them. Bands demand to use them because 1008 00:46:42,640 --> 00:46:46,719 Speaker 4: they believe that they are conduit and so they were 1009 00:46:46,719 --> 00:46:49,480 Speaker 4: telling us where they had the microphones, where George Martin 1010 00:46:49,719 --> 00:46:52,840 Speaker 4: would argue with John and Paul about the exact positioning 1011 00:46:52,960 --> 00:46:55,520 Speaker 4: of the microphones near the piano to get the right 1012 00:46:55,600 --> 00:46:58,360 Speaker 4: sound of it. It was fascinating just seeing them. The 1013 00:46:58,480 --> 00:47:02,319 Speaker 4: dust off these microphones actually captured, you know, the rock 1014 00:47:02,400 --> 00:47:06,800 Speaker 4: and roll power. Amazing, Christian. We weren't allowed to touch 1015 00:47:06,880 --> 00:47:12,479 Speaker 4: Dad's cat. Was his name? Just Dad Cat? Don't touch 1016 00:47:12,520 --> 00:47:15,680 Speaker 4: that cat, that's Dad's cat. Sean and Rosebud. These are great, 1017 00:47:15,880 --> 00:47:17,880 Speaker 4: really really funny stories today for me, Well, thank you 1018 00:47:18,000 --> 00:47:19,800 Speaker 4: very much. We get this every week on three to 1019 00:47:19,880 --> 00:47:21,920 Speaker 4: Itch Tuesday. But I don't know is there's something in 1020 00:47:21,960 --> 00:47:24,160 Speaker 4: the air today And I'm love the ones about what 1021 00:47:24,160 --> 00:47:27,040 Speaker 4: have you touched memorabilia and what weren't you allowed to 1022 00:47:27,040 --> 00:47:29,000 Speaker 4: touch growing up in your house as a kid. Let's 1023 00:47:29,040 --> 00:47:31,760 Speaker 4: go to Dawn, Good morning, Dawn, Good. 1024 00:47:31,640 --> 00:47:34,840 Speaker 9: Morning, Christian got memorabilia or all over my body? 1025 00:47:35,000 --> 00:47:36,759 Speaker 4: So you are the member Billia, what have you got? 1026 00:47:37,239 --> 00:47:40,440 Speaker 9: I've got everybody signatures that I've ever wanted Susie Quatro, 1027 00:47:41,560 --> 00:47:46,480 Speaker 9: Gene Simmons, Tommy Dayer, Brewster Brothers from Angels, Dave Gleasee 1028 00:47:46,480 --> 00:47:50,320 Speaker 9: and Bruce Callik, Brian kad, Andy Scott, Peter, Chris Finny, 1029 00:47:50,400 --> 00:47:55,400 Speaker 9: Vincent John Cabarni from Motley Cruel, go on and on 1030 00:47:55,400 --> 00:47:56,439 Speaker 9: and how many? 1031 00:47:56,440 --> 00:47:58,440 Speaker 4: What's the count? How many signatures have you got? These 1032 00:47:58,480 --> 00:47:59,279 Speaker 4: are tattooed on it? 1033 00:47:59,360 --> 00:48:01,200 Speaker 9: I think I've got They're all tatooed, and I've got 1034 00:48:01,200 --> 00:48:04,120 Speaker 9: a tattoost in pressed and that I'll only let do them. 1035 00:48:04,440 --> 00:48:06,600 Speaker 9: I've got twenty five I think in total. 1036 00:48:07,040 --> 00:48:09,600 Speaker 3: And I imagine these are all You get the artist 1037 00:48:09,680 --> 00:48:11,600 Speaker 3: to do the signature and then you go and get 1038 00:48:11,600 --> 00:48:12,080 Speaker 3: a tattooed. 1039 00:48:12,160 --> 00:48:15,000 Speaker 4: Yeah, Gene Simmons to go to the tattoo part of 1040 00:48:15,000 --> 00:48:21,719 Speaker 4: the crazy, crazy, crazy craziness. 1041 00:48:22,960 --> 00:48:23,640 Speaker 9: A nice guy. 1042 00:48:23,960 --> 00:48:27,440 Speaker 4: Yeah, he's a funny guy. That's amazing. Twenty five. So 1043 00:48:27,480 --> 00:48:29,000 Speaker 4: what was the first one you got? And you thought? 1044 00:48:29,880 --> 00:48:33,080 Speaker 4: Quatro quatro? Right? And where is Susi Quatro if you 1045 00:48:33,080 --> 00:48:33,759 Speaker 4: don't mind me asking you? 1046 00:48:34,000 --> 00:48:35,000 Speaker 9: On my breast? 1047 00:48:37,160 --> 00:48:38,160 Speaker 4: She left her? 1048 00:48:38,440 --> 00:48:40,760 Speaker 9: She's also on and she's also on my arm. 1049 00:48:41,000 --> 00:48:42,680 Speaker 4: Right, Okay, Yeah, it's good to have a backup isn't 1050 00:48:42,680 --> 00:48:45,200 Speaker 4: if you've got it? What happened? If you lost that 1051 00:48:45,280 --> 00:48:47,799 Speaker 4: breast or something Heaven forbid, Well, then I've got my arm. 1052 00:48:47,800 --> 00:48:50,280 Speaker 4: You've got your arm exactly yet, So anyone else doubled 1053 00:48:50,360 --> 00:48:50,719 Speaker 4: up on there? 1054 00:48:50,760 --> 00:48:53,520 Speaker 9: Or just Susie Quatro, No, just Susie Quadro, She's the 1055 00:48:53,560 --> 00:48:56,520 Speaker 9: only double. When I've got a room full of Susi 1056 00:48:56,560 --> 00:48:59,960 Speaker 9: Quadro memorabilia, and we've got a kiss room too, hang on. 1057 00:49:00,600 --> 00:49:03,120 Speaker 4: Two separate rooms. There's a Sushi Quattro one down and 1058 00:49:03,160 --> 00:49:05,480 Speaker 4: can Davilgate Drive and then you've got a kiss room 1059 00:49:05,520 --> 00:49:05,920 Speaker 4: as well. 1060 00:49:06,360 --> 00:49:07,200 Speaker 9: Yes, we do. 1061 00:49:07,239 --> 00:49:08,840 Speaker 4: We need to see photos of this. 1062 00:49:10,120 --> 00:49:11,879 Speaker 9: I will send them. I can send them to you. 1063 00:49:11,920 --> 00:49:14,280 Speaker 4: Please do. I'd love to see those. What's your favorite 1064 00:49:14,320 --> 00:49:15,759 Speaker 4: one out of all these tattoos on you? 1065 00:49:16,280 --> 00:49:20,520 Speaker 9: Susi Quadra, she's my idol, right, okay? And I can 1066 00:49:20,680 --> 00:49:23,239 Speaker 9: relate to that person that stayed there all day when 1067 00:49:23,280 --> 00:49:25,239 Speaker 9: I went first went to meet her. I got there 1068 00:49:25,280 --> 00:49:29,200 Speaker 9: and my mouth would not open because I was so scared. Wow, 1069 00:49:29,239 --> 00:49:31,479 Speaker 9: I couldn't say I love you for forty five years 1070 00:49:31,480 --> 00:49:32,720 Speaker 9: because I was so nervous. 1071 00:49:32,920 --> 00:49:36,080 Speaker 4: Oh, I love that. That's amazing. And which tattoos do 1072 00:49:36,120 --> 00:49:38,480 Speaker 4: you go to. Then where do you take your body. 1073 00:49:38,200 --> 00:49:39,239 Speaker 9: To Northern Tattoos? 1074 00:49:39,440 --> 00:49:42,160 Speaker 4: Yep, and it's always been then those do a great job. 1075 00:49:42,320 --> 00:49:44,120 Speaker 9: When we go to one man Billy and he's the. 1076 00:49:44,080 --> 00:49:48,000 Speaker 4: Best, brilliant, absolutely awesome. You're great, Dawn. We'll give you 1077 00:49:48,040 --> 00:49:51,480 Speaker 4: the two hundreds. Thank you, great, you win to call. 1078 00:49:51,800 --> 00:49:53,880 Speaker 4: Don't give you a two hundred and fifty dollars vouture 1079 00:49:53,880 --> 00:49:55,440 Speaker 4: to go to Peninsula Hot Springs. 1080 00:49:55,440 --> 00:49:57,319 Speaker 5: Okay, thank you very much. 1081 00:49:58,840 --> 00:50:03,080 Speaker 9: Show Pats and Jack, can you just make it a day? Oh, blessure, pleasure, 1082 00:50:03,200 --> 00:50:04,439 Speaker 9: thank you, have a good day. 1083 00:50:05,480 --> 00:50:07,840 Speaker 4: Thank you. Well there's three of us, so it's a 1084 00:50:07,840 --> 00:50:18,360 Speaker 4: blessing for each of us. That's Christine. Hello, Yes, it's you, Christine. 1085 00:50:18,360 --> 00:50:21,960 Speaker 4: You're up next and you're calling in about a memorabilia. 1086 00:50:22,000 --> 00:50:24,919 Speaker 5: What have you got Roy Orbison? Well? 1087 00:50:24,920 --> 00:50:27,719 Speaker 9: I had Roy Orbison's guitar what he played with the 1088 00:50:27,800 --> 00:50:28,640 Speaker 9: Traveling Robberries. 1089 00:50:29,360 --> 00:50:31,640 Speaker 4: Oh wow, you had it? What happened to it? You 1090 00:50:31,640 --> 00:50:32,920 Speaker 4: lose it or said it? 1091 00:50:34,120 --> 00:50:34,200 Speaker 9: No? 1092 00:50:34,440 --> 00:50:39,400 Speaker 5: I started Option Southerby. You're back in ninety three, just 1093 00:50:39,440 --> 00:50:40,800 Speaker 5: before I had my first child. 1094 00:50:41,800 --> 00:50:45,160 Speaker 4: I didn't need some money. 1095 00:50:44,040 --> 00:50:45,960 Speaker 1: Yes, just a few things for their health before the 1096 00:50:46,000 --> 00:50:46,560 Speaker 1: baby came. 1097 00:50:46,840 --> 00:50:50,000 Speaker 4: So all that that the cotton everything thanks to royalson 1098 00:50:51,480 --> 00:50:52,759 Speaker 4: Uncle right, you got you that car. 1099 00:50:55,360 --> 00:50:58,719 Speaker 1: But I still do have the framed autographs of the 1100 00:50:58,760 --> 00:50:59,600 Speaker 1: Traveling Wilberries. 1101 00:51:00,040 --> 00:51:07,919 Speaker 4: Pretty amazing lineup as well. That's incredible. Good on you. 1102 00:51:07,920 --> 00:51:08,520 Speaker 3: You sound like it. 1103 00:51:08,640 --> 00:51:10,680 Speaker 4: Yeah, Christine, thank you very much for colling in and 1104 00:51:10,719 --> 00:51:15,759 Speaker 4: sharing that with us. Thank you, all right, take care, Karen. Yes, yes, 1105 00:51:16,800 --> 00:51:17,160 Speaker 4: I have. 1106 00:51:17,520 --> 00:51:19,279 Speaker 11: A signed me and my wife, I've got a sign 1107 00:51:19,320 --> 00:51:21,600 Speaker 11: script each from the Simpsons episode that we were set 1108 00:51:21,600 --> 00:51:23,680 Speaker 11: in the cast we sat on the head a script 1109 00:51:23,719 --> 00:51:26,759 Speaker 11: read and I sat beside Matt Groaning and they all 1110 00:51:26,840 --> 00:51:28,520 Speaker 11: signed the script for. 1111 00:51:28,560 --> 00:51:32,080 Speaker 4: Us and whoa everything about this on jettisaw as a 1112 00:51:32,120 --> 00:51:34,879 Speaker 4: Simpsons fan. Chack and I our eyes are bulging out here. 1113 00:51:35,080 --> 00:51:38,160 Speaker 4: You sat at the famous Simpsons table reads that said 1114 00:51:38,200 --> 00:51:39,360 Speaker 4: the creator Matt Groaning. 1115 00:51:40,080 --> 00:51:43,480 Speaker 11: Yeah, yeah, yeah, I was there. My friend was the 1116 00:51:43,520 --> 00:51:46,560 Speaker 11: producer of The Simpsons, and she was and she said, 1117 00:51:46,600 --> 00:51:47,520 Speaker 11: you want to come through a script read? 1118 00:51:47,560 --> 00:51:48,080 Speaker 7: I was in our age. 1119 00:51:48,080 --> 00:51:50,480 Speaker 4: She goes, this was one of the producers of one 1120 00:51:50,480 --> 00:51:53,200 Speaker 4: of the funny shows in the world ever, the Simpsons. 1121 00:51:53,200 --> 00:51:54,200 Speaker 4: What a great mate. 1122 00:51:54,760 --> 00:51:56,879 Speaker 11: Yeah, and she said, what are you doing? I said, 1123 00:51:57,200 --> 00:51:58,320 Speaker 11: and she goes, oh, come to the script rit in 1124 00:51:58,360 --> 00:51:59,960 Speaker 11: the morning. It was just it wasn't like at teriously, 1125 00:52:00,120 --> 00:52:02,080 Speaker 11: which he said, have breakfast with us. And then we 1126 00:52:02,400 --> 00:52:04,319 Speaker 11: sat down and then they have the writers at one 1127 00:52:04,400 --> 00:52:06,239 Speaker 11: end and the cast up the other, and they read 1128 00:52:06,280 --> 00:52:08,720 Speaker 11: the script and to finish and then if they laugh, 1129 00:52:08,880 --> 00:52:10,600 Speaker 11: if you laugh, they ticket, and if. 1130 00:52:10,440 --> 00:52:11,640 Speaker 5: You don't laugh, they cross it out. 1131 00:52:11,880 --> 00:52:14,920 Speaker 11: That's right, and then yeah and then yeah, so they 1132 00:52:14,960 --> 00:52:17,560 Speaker 11: just sat there the week before they filmed the Australian 1133 00:52:17,600 --> 00:52:20,279 Speaker 11: episode and then they're all fascinated when Memo wife spoke 1134 00:52:20,280 --> 00:52:22,600 Speaker 11: because they go, we did Australian episode the last week 1135 00:52:22,719 --> 00:52:25,200 Speaker 11: and we didn't say innocent like you they did. 1136 00:52:25,320 --> 00:52:26,680 Speaker 3: It's one of the classic episodes. 1137 00:52:26,680 --> 00:52:29,240 Speaker 4: But they didn't get to watch that again today. 1138 00:52:29,280 --> 00:52:30,759 Speaker 3: Actually, yeah, that's amazing. 1139 00:52:30,840 --> 00:52:31,360 Speaker 4: Yeah. 1140 00:52:31,640 --> 00:52:32,440 Speaker 5: Yeah. 1141 00:52:31,960 --> 00:52:34,520 Speaker 11: So the episode we did was catching if you can. 1142 00:52:34,600 --> 00:52:38,160 Speaker 11: It was when they thought Grandpa was gay. Ye if 1143 00:52:38,200 --> 00:52:39,480 Speaker 11: you remember that one, yeah. 1144 00:52:39,280 --> 00:52:42,359 Speaker 4: And tell me this then. So out of all all 1145 00:52:42,440 --> 00:52:44,480 Speaker 4: the cast there but Nancy can't wright, you had the 1146 00:52:44,480 --> 00:52:45,759 Speaker 4: full rank. Everyone was there. 1147 00:52:46,000 --> 00:52:46,160 Speaker 5: Yeah. 1148 00:52:46,200 --> 00:52:48,040 Speaker 11: I wanted for a few drinks with them after and everything. 1149 00:52:48,120 --> 00:52:52,759 Speaker 11: And Dan Cassonella, he was the funny one. But it 1150 00:52:52,800 --> 00:52:54,239 Speaker 11: was weird because he said, can you give me a 1151 00:52:54,280 --> 00:52:56,000 Speaker 11: hand to lift stuff out of his car, and just 1152 00:52:56,040 --> 00:52:57,400 Speaker 11: it was just like a normal workdout. 1153 00:52:57,480 --> 00:52:59,640 Speaker 3: Homer Simpson asked you to the lift stuff out of his. 1154 00:52:59,600 --> 00:53:03,000 Speaker 4: Car in character. I hope we didn't character. I don't 1155 00:53:03,040 --> 00:53:05,040 Speaker 4: pay a good money for that. 1156 00:53:04,680 --> 00:53:08,400 Speaker 11: Well, the nicest person was the Millhouse Pamela Hayden I 1157 00:53:08,400 --> 00:53:11,280 Speaker 11: think her name is Yeah, because she was fascinated because 1158 00:53:11,400 --> 00:53:13,080 Speaker 11: she'd asked me what I'd done in America, and then 1159 00:53:13,080 --> 00:53:15,160 Speaker 11: I told her and I spoke for a bit a minute. 1160 00:53:15,200 --> 00:53:16,600 Speaker 11: She goes, I have no idea what you just. 1161 00:53:16,560 --> 00:53:22,680 Speaker 4: Said, Karen. Where are your signed scripts? She got them 1162 00:53:22,680 --> 00:53:24,359 Speaker 4: printed up on the wall, and where'd you keep them? 1163 00:53:24,600 --> 00:53:26,640 Speaker 11: Yeah, I've got them frame sitting on the wall because 1164 00:53:26,719 --> 00:53:29,239 Speaker 11: it's sort of it's not something you get. So me 1165 00:53:29,239 --> 00:53:31,480 Speaker 11: and my wife just sort of because well, the next 1166 00:53:31,480 --> 00:53:34,400 Speaker 11: thing they did is they took us out for drinks 1167 00:53:34,440 --> 00:53:36,440 Speaker 11: but breakfast before and and they said help yourself the 1168 00:53:36,480 --> 00:53:39,560 Speaker 11: anything in the shop, and what do you do? She goes, no, Na, 1169 00:53:39,760 --> 00:53:42,160 Speaker 11: So she took a bag and they literally descended the 1170 00:53:42,160 --> 00:53:43,600 Speaker 11: shelves into this bag, and I said, I'll take that 1171 00:53:43,640 --> 00:53:43,840 Speaker 11: with you. 1172 00:53:44,360 --> 00:53:48,080 Speaker 4: And then Willie Wonka in the Yeah, it was an 1173 00:53:48,080 --> 00:53:53,400 Speaker 4: experience It was surreal. So how lucky is a Simpson 1174 00:53:53,440 --> 00:53:55,279 Speaker 4: fan to sit at the table read with all the 1175 00:53:55,280 --> 00:53:57,239 Speaker 4: writers there that some of the best comedy writers there 1176 00:53:57,280 --> 00:53:59,480 Speaker 4: over the years they found, you know, Conan O'Brien and 1177 00:53:59,480 --> 00:54:02,120 Speaker 4: everyone right on that show. And then to actually read 1178 00:54:02,160 --> 00:54:04,200 Speaker 4: and perform the show out in front of your eyes. 1179 00:54:04,480 --> 00:54:06,600 Speaker 4: That's a one in a million kluck a price. 1180 00:54:07,560 --> 00:54:08,640 Speaker 5: Yeah, it was. It was. 1181 00:54:08,880 --> 00:54:09,800 Speaker 11: It was quite amazing. 1182 00:54:09,960 --> 00:54:10,239 Speaker 4: It was. 1183 00:54:11,280 --> 00:54:12,520 Speaker 5: Yeah, but I didn't know. 1184 00:54:12,600 --> 00:54:14,040 Speaker 11: I don't think I appreciate it at the time. 1185 00:54:14,480 --> 00:54:17,480 Speaker 4: Yeah, what a shame. Kara, thank you very much the story. 1186 00:54:17,480 --> 00:54:18,239 Speaker 4: That was an awesome one. 1187 00:54:20,200 --> 00:54:23,279 Speaker 11: Christian O'Connell The Christian o'connells Show podcast