1 00:00:00,200 --> 00:00:02,559 Speaker 1: So jur the next twenty odd minutes on a show 2 00:00:02,600 --> 00:00:07,840 Speaker 1: we are joined by Jerry Seinfeld won the World's Best Comedians, 3 00:00:07,880 --> 00:00:10,119 Speaker 1: not as best comedians, but postly for me, I think 4 00:00:10,160 --> 00:00:11,920 Speaker 1: one of the very best to ever do it. I 5 00:00:12,320 --> 00:00:14,600 Speaker 1: shot Ricky Gervas and email over the weekend because I 6 00:00:14,600 --> 00:00:16,560 Speaker 1: know the two of them friends, and I said, look, 7 00:00:16,600 --> 00:00:18,080 Speaker 1: you know who do you think who's on the mount 8 00:00:18,160 --> 00:00:21,000 Speaker 1: Rushmore of stand up comedians? And he said, you start 9 00:00:21,000 --> 00:00:23,520 Speaker 1: with Jerry. Jerry's one of the greatest stand up comedians. 10 00:00:23,560 --> 00:00:25,880 Speaker 1: You can see a topic Jerry does a topic, say 11 00:00:25,880 --> 00:00:29,200 Speaker 1: about marriage, which every comedian's probably done their take on marriage, 12 00:00:29,280 --> 00:00:32,239 Speaker 1: but there's something about the way Jerry Seinfeld does it 13 00:00:32,560 --> 00:00:35,040 Speaker 1: where it's like he goes back down the mine that 14 00:00:35,320 --> 00:00:37,560 Speaker 1: so many comics have been down and we'll do again, 15 00:00:37,920 --> 00:00:40,760 Speaker 1: and finds a different scene down there, or a different 16 00:00:40,760 --> 00:00:43,279 Speaker 1: way of doing the gold or bringing back gold back 17 00:00:43,360 --> 00:00:45,640 Speaker 1: up about it. I saw him live about five years 18 00:00:45,680 --> 00:00:49,360 Speaker 1: ago and he did this twenty minute routine about marriage 19 00:00:49,440 --> 00:00:52,120 Speaker 1: and it was so like the final take on it. 20 00:00:53,000 --> 00:00:55,960 Speaker 1: In this stadium is playing in London, fifteen thousand people. 21 00:00:56,200 --> 00:01:00,000 Speaker 1: Every single professional stand up comedian in the UK was there. 22 00:01:00,080 --> 00:01:02,840 Speaker 1: We're all there, and then all the writers Jesse was 23 00:01:02,840 --> 00:01:05,600 Speaker 1: there was written succession, every single comedy writers there, you know, 24 00:01:05,640 --> 00:01:08,040 Speaker 1: in amongst fifteen thousand fans, and you can all see 25 00:01:08,040 --> 00:01:09,840 Speaker 1: the comedians all looking at each other. I'm not even 26 00:01:09,840 --> 00:01:13,120 Speaker 1: gonna bother doing anything about marriage anymore. Jerry's just even 27 00:01:13,160 --> 00:01:17,679 Speaker 1: the definitive word. And also the sitcom Seinfeld. Even if 28 00:01:17,680 --> 00:01:20,399 Speaker 1: if you see it on TV, it's on stan just 29 00:01:20,440 --> 00:01:22,760 Speaker 1: twenty minutes, half an half, you want an instant way 30 00:01:22,800 --> 00:01:25,000 Speaker 1: to cheer yourself up, it is one of the best 31 00:01:25,000 --> 00:01:28,119 Speaker 1: sort of natural antidepressants you can give yourself. Watch half 32 00:01:28,160 --> 00:01:31,320 Speaker 1: our episode, any of them of Seinfeld, one the best 33 00:01:31,319 --> 00:01:34,039 Speaker 1: sitcoms ever. So to me, I think he's a truly 34 00:01:34,040 --> 00:01:35,680 Speaker 1: gifted guy. And this book he's got out, which is 35 00:01:35,680 --> 00:01:37,520 Speaker 1: why it's chatting to us and why he's doing promotion 36 00:01:37,560 --> 00:01:39,480 Speaker 1: at the moment. The book's got out. The moment is 37 00:01:39,520 --> 00:01:42,679 Speaker 1: all of his stand up routines over the last forty 38 00:01:42,760 --> 00:01:45,080 Speaker 1: five years. He breaks it up with a fresh chapter 39 00:01:45,120 --> 00:01:47,200 Speaker 1: about each decade he did stand up, going back to 40 00:01:47,280 --> 00:01:49,840 Speaker 1: the seventies. What's really interesting is when you read the 41 00:01:49,960 --> 00:01:53,560 Speaker 1: routines on the page you're reading it in Jerry's very 42 00:01:53,600 --> 00:01:56,240 Speaker 1: distinctive voice. You kind of got Jerry's in a monologue 43 00:01:56,240 --> 00:01:57,800 Speaker 1: in your head. But what's great is it gives you 44 00:01:57,800 --> 00:02:01,440 Speaker 1: appreciation of the real raft that he puts into stand 45 00:02:01,520 --> 00:02:04,360 Speaker 1: up He's got such a very precise way of using 46 00:02:04,520 --> 00:02:07,480 Speaker 1: language to turn a phrase to unlock an even bigger 47 00:02:07,560 --> 00:02:10,480 Speaker 1: laugh that sometimes I was reading some of the lines 48 00:02:10,520 --> 00:02:12,919 Speaker 1: on there, just staring off at a distance, going on, wow, 49 00:02:13,120 --> 00:02:15,040 Speaker 1: how did he come up with that? You appreciate what 50 00:02:15,639 --> 00:02:17,760 Speaker 1: approach he's got to his craft, you know, stand up 51 00:02:17,760 --> 00:02:19,800 Speaker 1: comedy and turn it into an art form. So anyway, 52 00:02:19,840 --> 00:02:22,080 Speaker 1: here's our two part interview to the next twenty minutes 53 00:02:22,120 --> 00:02:24,800 Speaker 1: with Jerry Seinfeld. It's the only interview he's doing on 54 00:02:24,840 --> 00:02:26,720 Speaker 1: Australian radio and I hope you enjoy it. Let me 55 00:02:26,720 --> 00:02:29,120 Speaker 1: know what you think now, ladies and gentlemen. 56 00:02:30,680 --> 00:02:31,000 Speaker 2: Ladies. 57 00:02:31,800 --> 00:02:36,239 Speaker 1: You know an Australian radio exclusive they called Jerry Seinfeld 58 00:02:36,240 --> 00:02:42,679 Speaker 1: the nicestuy in Hollywood. Christian O'Connell show proudly presents Jerry Jerry, Jerry. 59 00:02:42,440 --> 00:02:48,440 Speaker 2: Jerry, Yes, Jerry Seinfeld, Jerry, Jerry's Seinfeld. Here's the always 60 00:02:48,639 --> 00:02:50,760 Speaker 2: entertaining Jerry Seinfeld. 61 00:02:53,120 --> 00:02:56,520 Speaker 1: Christian O'Connell, Jerry Seinfeld welcome to the show. Thank you 62 00:02:56,600 --> 00:03:00,440 Speaker 1: very much for freeing out some time so to. 63 00:03:00,480 --> 00:03:03,720 Speaker 2: Be on the air and my beloved Australia. 64 00:03:03,760 --> 00:03:05,480 Speaker 1: So listen, where about to you right now? Are you 65 00:03:05,520 --> 00:03:06,239 Speaker 1: a home Jerry? 66 00:03:06,400 --> 00:03:07,440 Speaker 2: I am at home? Yes? 67 00:03:07,720 --> 00:03:10,160 Speaker 1: And are you sick to death now of this kind 68 00:03:10,160 --> 00:03:12,400 Speaker 1: of at home showbis? Do you just want to get 69 00:03:12,440 --> 00:03:15,720 Speaker 1: back out to actually proper showbis because showbiz doesn't belong 70 00:03:15,720 --> 00:03:17,040 Speaker 1: indoors in our homes, does it? 71 00:03:17,120 --> 00:03:20,600 Speaker 2: Jerry agree, I'm sick of it. Don't just stop, just 72 00:03:20,840 --> 00:03:24,800 Speaker 2: say we'll be back when things are normal. How sick 73 00:03:24,840 --> 00:03:29,720 Speaker 2: are you of hearing the social distance? And wear a 74 00:03:29,760 --> 00:03:33,079 Speaker 2: mask and wash your hands. We get it already. 75 00:03:34,720 --> 00:03:37,800 Speaker 1: And also we're just sick of seeing inside everybody else's homes. 76 00:03:38,120 --> 00:03:41,960 Speaker 1: You've got to rearrange that bookcase so that you look intelligent. 77 00:03:42,040 --> 00:03:44,000 Speaker 1: You've got to like set dress your home of it. 78 00:03:44,000 --> 00:03:45,000 Speaker 1: You must be sick of it. 79 00:03:45,160 --> 00:03:47,480 Speaker 2: I don't think if you're going to have those if 80 00:03:47,520 --> 00:03:53,080 Speaker 2: you have to prove you've read those books, believe to prove. 81 00:03:53,120 --> 00:03:55,520 Speaker 1: It should be a test that this's conducted mid interview. 82 00:03:55,760 --> 00:03:58,640 Speaker 2: It be some verification that those are your books and 83 00:03:58,680 --> 00:03:59,520 Speaker 2: you read them. 84 00:04:01,040 --> 00:04:04,400 Speaker 1: And you're so smart, and is it hard with your teenagers. 85 00:04:04,400 --> 00:04:05,920 Speaker 1: Are your kids all back at home? Jerry? 86 00:04:06,160 --> 00:04:08,520 Speaker 2: Yeah, they're in and out. They're in and out. 87 00:04:08,440 --> 00:04:10,680 Speaker 1: Because it's hard with teenager. I've got teenage daughters and 88 00:04:10,720 --> 00:04:13,800 Speaker 1: we're still in lockdown here in Melbourne, and teenagers just 89 00:04:13,840 --> 00:04:16,040 Speaker 1: seem to have this innate sense where they want to 90 00:04:16,080 --> 00:04:18,920 Speaker 1: get away from you, don't they so trapping them in 91 00:04:18,960 --> 00:04:21,039 Speaker 1: It's like wild animals. It's hard, isn't it. 92 00:04:21,800 --> 00:04:24,400 Speaker 2: Yes, it is. I get a huge kick out of 93 00:04:24,440 --> 00:04:27,440 Speaker 2: it because I remember being like that. You know this 94 00:04:27,800 --> 00:04:30,560 Speaker 2: forget about you think why as a parent, you think, 95 00:04:30,560 --> 00:04:31,919 Speaker 2: why would they want to get away from me? I 96 00:04:31,960 --> 00:04:34,880 Speaker 2: love them so much? Don't they like that? No? They 97 00:04:34,960 --> 00:04:36,760 Speaker 2: hate that. They hate it. 98 00:04:38,200 --> 00:04:39,920 Speaker 1: I remember years ago when they were younger, they would 99 00:04:39,960 --> 00:04:42,200 Speaker 1: get so excited when I were coming from work. Now, 100 00:04:42,200 --> 00:04:44,680 Speaker 1: when you just appear in the they're just like, oh, 101 00:04:44,760 --> 00:04:45,880 Speaker 1: what are you doing here? 102 00:04:49,240 --> 00:04:52,239 Speaker 2: Yeah, it's so great to be on the other side 103 00:04:52,279 --> 00:04:53,039 Speaker 2: of it. 104 00:04:53,680 --> 00:04:55,360 Speaker 1: How did you take to being a dad, Jerry? Did 105 00:04:55,400 --> 00:04:57,520 Speaker 1: it come naturally? Was that something you worked at? 106 00:04:58,000 --> 00:05:00,360 Speaker 2: I had to work at it. I mean I enjoyed 107 00:05:00,400 --> 00:05:03,040 Speaker 2: it enormously, but I had no idea that there were 108 00:05:03,080 --> 00:05:06,440 Speaker 2: things expected of me, there were duties, and responsibilities that 109 00:05:06,520 --> 00:05:07,440 Speaker 2: came along with us. 110 00:05:07,600 --> 00:05:09,960 Speaker 1: Standard was a very selfish, lonely pursuit. 111 00:05:10,040 --> 00:05:14,640 Speaker 2: You look at you know, so I'm still still happiest 112 00:05:14,720 --> 00:05:18,240 Speaker 2: like that. I very much like to be alone by myself, 113 00:05:18,680 --> 00:05:19,280 Speaker 2: very happy. 114 00:05:19,440 --> 00:05:21,440 Speaker 1: But then you've got to reconcile that with your wife 115 00:05:21,480 --> 00:05:23,520 Speaker 1: needing you to go and do stuff with the kids 116 00:05:23,520 --> 00:05:25,159 Speaker 1: and take them school shoe sharpage. 117 00:05:25,240 --> 00:05:28,000 Speaker 2: Yes, yeah, really there was some There was a lot 118 00:05:28,000 --> 00:05:33,280 Speaker 2: of friction there as I recall, can you help me please? 119 00:05:34,720 --> 00:05:36,919 Speaker 2: And I would think with what you seem to be 120 00:05:36,960 --> 00:05:38,240 Speaker 2: doing fine? 121 00:05:38,839 --> 00:05:40,320 Speaker 1: And what do you think the difference is now is 122 00:05:40,320 --> 00:05:44,080 Speaker 1: a dad between when they were younger, as young kids 123 00:05:44,080 --> 00:05:46,599 Speaker 1: and now as teenagers. It's a very It's kind of 124 00:05:46,640 --> 00:05:48,600 Speaker 1: like two different periods of being a dad, isn't there 125 00:05:48,600 --> 00:05:50,400 Speaker 1: There's the younger kids and now the teenagers. 126 00:05:50,680 --> 00:05:52,239 Speaker 2: Yeah, I'm good at this part. 127 00:05:52,320 --> 00:05:54,480 Speaker 1: Yeah, it's more enjoyable this part. Why do you enjoy 128 00:05:54,520 --> 00:05:55,400 Speaker 1: this bit more, Jerry? 129 00:05:55,520 --> 00:06:00,600 Speaker 2: Because I like to argue, I like to debate, and 130 00:06:00,600 --> 00:06:06,720 Speaker 2: and I like to be judgmental. That's very useful, you know. 131 00:06:07,160 --> 00:06:10,520 Speaker 2: But moms, by the time the kid gets to the teens, 132 00:06:10,640 --> 00:06:14,560 Speaker 2: moms have had it. They're sick of it. But I'm 133 00:06:14,600 --> 00:06:16,600 Speaker 2: just waking up now. I'm just getting into it now. 134 00:06:16,920 --> 00:06:19,159 Speaker 1: It's like you've come out of hibernation, right. 135 00:06:19,160 --> 00:06:22,359 Speaker 2: Yeah, yeah, I was sitting there reading a magazine for 136 00:06:22,400 --> 00:06:23,679 Speaker 2: the first fifteen years. 137 00:06:25,360 --> 00:06:28,480 Speaker 1: Jerry, I loved your book. Is this anything? I thought 138 00:06:28,520 --> 00:06:31,239 Speaker 1: it was great? This year you had the Netflix special 139 00:06:31,360 --> 00:06:33,719 Speaker 1: and now you've got the book. You're in your mid sixties. 140 00:06:34,120 --> 00:06:35,880 Speaker 1: Is there a feeling that you want to have some 141 00:06:36,000 --> 00:06:38,920 Speaker 1: kind of permanent document of what you did? 142 00:06:39,320 --> 00:06:42,520 Speaker 2: Bullseye? That is exactly right. That's why I did both 143 00:06:42,520 --> 00:06:45,920 Speaker 2: of these things, just because for myself, I wanted to 144 00:06:45,960 --> 00:06:51,720 Speaker 2: feel like I handed in my final paper of my career. 145 00:06:51,800 --> 00:06:55,120 Speaker 2: And I hope to do lots more things and be 146 00:06:55,240 --> 00:06:58,520 Speaker 2: around a lot longer. But I thought this, I need 147 00:06:58,520 --> 00:07:01,760 Speaker 2: to put this down on record, just for my own 148 00:07:01,920 --> 00:07:02,800 Speaker 2: sense of completion. 149 00:07:03,080 --> 00:07:05,440 Speaker 1: And are you happy now at sixty six? Do you 150 00:07:05,560 --> 00:07:07,600 Speaker 1: know who you are more than when you were in 151 00:07:07,640 --> 00:07:09,400 Speaker 1: your twenty or your thirties? 152 00:07:09,960 --> 00:07:12,920 Speaker 2: Yeah? Sure, I think most people would say that. 153 00:07:13,040 --> 00:07:14,960 Speaker 1: Yeah, because you care less ways that. Do you care 154 00:07:15,040 --> 00:07:16,760 Speaker 1: less about what people think about you? 155 00:07:17,080 --> 00:07:21,000 Speaker 2: Oh? For sure, not that I ever really did that much, 156 00:07:22,680 --> 00:07:25,680 Speaker 2: you know what, I care what audiences think. Yeah, but 157 00:07:26,200 --> 00:07:29,760 Speaker 2: somebody asked me recently about some critic who wrote something 158 00:07:29,880 --> 00:07:34,360 Speaker 2: is like, there's nothing less important to a comedian than 159 00:07:34,400 --> 00:07:38,280 Speaker 2: a critic. We already everyone in the audience is a critic. 160 00:07:38,320 --> 00:07:41,200 Speaker 2: And I don't think these critics understand when they write 161 00:07:41,480 --> 00:07:44,680 Speaker 2: a review of your show. We've already left town with 162 00:07:44,720 --> 00:07:50,160 Speaker 2: the money. Picture me on a plane with the cat. 163 00:07:51,560 --> 00:07:53,440 Speaker 1: And when did it all start? Jerry? You must have 164 00:07:53,480 --> 00:07:56,880 Speaker 1: gone into comedy at a young age. Who is it that? Yes, 165 00:07:57,160 --> 00:07:59,080 Speaker 1: who is it first lit that little fire in you? 166 00:07:59,160 --> 00:08:01,320 Speaker 1: That spark? Or maybe I could do this, or there's 167 00:08:01,320 --> 00:08:02,000 Speaker 1: a power to it. 168 00:08:02,320 --> 00:08:05,840 Speaker 2: Well, honestly, I never thought I could do it. I 169 00:08:05,960 --> 00:08:07,880 Speaker 2: never thought I could do it. They were like Olympic 170 00:08:07,960 --> 00:08:10,160 Speaker 2: athletes to me. I just I don't know how they 171 00:08:10,200 --> 00:08:13,360 Speaker 2: do that. You know, when you watch the Olympics, we 172 00:08:13,600 --> 00:08:17,760 Speaker 2: see these people, we recognize that they're humans, right, they're 173 00:08:17,800 --> 00:08:21,320 Speaker 2: like us. They're humans. But that's that's the only group 174 00:08:21,360 --> 00:08:23,240 Speaker 2: that we're both a part of. Other than that, they're 175 00:08:23,280 --> 00:08:27,960 Speaker 2: they're completely freakish humans. So that's what comedians were to me. 176 00:08:28,000 --> 00:08:32,120 Speaker 2: And I never thought I had any particular talent for it. 177 00:08:32,200 --> 00:08:33,520 Speaker 2: I just loved it, though. 178 00:08:33,360 --> 00:08:35,480 Speaker 1: And did you at a young age? Did you start 179 00:08:35,520 --> 00:08:37,600 Speaker 1: to write comedy out. Would you write jokes that you 180 00:08:37,640 --> 00:08:39,280 Speaker 1: saw on the edge side of and show. 181 00:08:39,240 --> 00:08:41,840 Speaker 2: Well, I would write them down. I'd write jokes on 182 00:08:41,920 --> 00:08:43,440 Speaker 2: TV that I saw that I liked that, I would 183 00:08:43,440 --> 00:08:47,120 Speaker 2: write it down to remember it, which I found out 184 00:08:47,160 --> 00:08:51,760 Speaker 2: my father also did when he was young. He when 185 00:08:51,760 --> 00:08:54,200 Speaker 2: he was in the army. He was in World War 186 00:08:54,200 --> 00:08:58,280 Speaker 2: Two in the Pacific, in the Philippines, not that far 187 00:08:58,320 --> 00:09:03,360 Speaker 2: from Australia, and I remember him telling me like, as 188 00:09:03,400 --> 00:09:08,520 Speaker 2: you could easily imagine being in a war effort like 189 00:09:08,640 --> 00:09:12,199 Speaker 2: that so far from home for years at a time, 190 00:09:12,960 --> 00:09:17,800 Speaker 2: the jokes must have traveled through those groups of people. 191 00:09:18,320 --> 00:09:21,440 Speaker 2: It must have been one of their great tools of survival. 192 00:09:21,600 --> 00:09:26,360 Speaker 2: And my father would keep them in a little metal box. 193 00:09:26,400 --> 00:09:29,400 Speaker 2: He would write them down. It was more joke jokes, 194 00:09:29,520 --> 00:09:32,000 Speaker 2: you know that people used to tell a lot in 195 00:09:32,040 --> 00:09:34,640 Speaker 2: the old days, and he used to keep a track 196 00:09:34,679 --> 00:09:38,079 Speaker 2: of them. So that certainly was something that he handed 197 00:09:38,120 --> 00:09:41,920 Speaker 2: down to me, was this appreciation of jokes as something 198 00:09:42,040 --> 00:09:45,240 Speaker 2: more than just, you know, any other type of conversation. 199 00:09:45,480 --> 00:09:47,720 Speaker 1: So growing up in your house was laughter or important 200 00:09:47,720 --> 00:09:48,320 Speaker 1: with mom and dad. 201 00:09:48,320 --> 00:09:52,760 Speaker 2: Funny, oh yeah, yeah, very funny my dad particularly, but 202 00:09:52,920 --> 00:09:56,240 Speaker 2: my mom was a great laugher. She just howled at 203 00:09:56,559 --> 00:09:58,920 Speaker 2: all this stuff my father did. My father used to 204 00:09:58,920 --> 00:10:02,040 Speaker 2: always talk about dying and make fun of that, and 205 00:10:02,920 --> 00:10:04,520 Speaker 2: you know, he used to talk about the type of 206 00:10:04,559 --> 00:10:07,120 Speaker 2: box that he wanted, and my mother would say stop, stop. 207 00:10:09,320 --> 00:10:11,120 Speaker 1: But then where does he go from this love of 208 00:10:11,160 --> 00:10:14,280 Speaker 1: comedy and of being in awe of its magical powers 209 00:10:14,600 --> 00:10:17,440 Speaker 1: and then going to do your actual first stand up gigs? 210 00:10:17,440 --> 00:10:18,840 Speaker 1: I mean, how old are you when you did your 211 00:10:18,840 --> 00:10:20,280 Speaker 1: first gig get characterizing Star? 212 00:10:20,840 --> 00:10:23,440 Speaker 2: I guess, let's see, that would be seventy five. I 213 00:10:23,440 --> 00:10:25,199 Speaker 2: would be nineteen twenty years old. 214 00:10:25,240 --> 00:10:27,720 Speaker 1: Then, yeah, that's really young. So we're just. 215 00:10:28,080 --> 00:10:32,800 Speaker 2: Knee knocking terror, just absolute terror. I had no idea 216 00:10:32,800 --> 00:10:35,800 Speaker 2: if I had any business even trying this, and well, 217 00:10:35,880 --> 00:10:37,760 Speaker 2: you know, like it would be like doing well, like 218 00:10:37,760 --> 00:10:40,440 Speaker 2: a cliff dive in Acapulco or something. You know those 219 00:10:40,440 --> 00:10:43,720 Speaker 2: guys they dive, They wait for the water to come 220 00:10:43,760 --> 00:10:45,839 Speaker 2: in at the right time and then they dive. That's 221 00:10:45,880 --> 00:10:49,319 Speaker 2: what it felt like. So in my last special on Netflix, 222 00:10:50,800 --> 00:10:53,040 Speaker 2: twenty three Hours to Kill, it starts with me jumping 223 00:10:53,080 --> 00:10:56,040 Speaker 2: out of a helicopter over the Hudson in New York City. 224 00:10:56,120 --> 00:10:57,479 Speaker 1: That's where you do the dive. 225 00:10:57,559 --> 00:11:01,120 Speaker 2: And it's because that's what it felt like to go 226 00:11:01,200 --> 00:11:04,320 Speaker 2: into comedy. It felt like jumping out of a helicopter 227 00:11:05,240 --> 00:11:07,360 Speaker 2: and I had no idea what was in that river? 228 00:11:07,640 --> 00:11:08,480 Speaker 2: I just jumped. 229 00:11:09,640 --> 00:11:11,240 Speaker 1: And what do you remember from your first gig? Do 230 00:11:11,280 --> 00:11:13,520 Speaker 1: you ever still think about that, that first gig where 231 00:11:13,559 --> 00:11:14,320 Speaker 1: it all started? 232 00:11:14,600 --> 00:11:16,280 Speaker 2: I do, Yeah, I think about it. 233 00:11:16,360 --> 00:11:17,280 Speaker 1: What can you remember? 234 00:11:17,600 --> 00:11:23,640 Speaker 2: I remember the quiet? I remember that. 235 00:11:22,160 --> 00:11:24,120 Speaker 1: That would that would stay with you, that memory with it. 236 00:11:24,160 --> 00:11:24,679 Speaker 1: The silence. 237 00:11:25,160 --> 00:11:28,600 Speaker 2: You really it's really quiet up there when they introduce 238 00:11:28,679 --> 00:11:31,600 Speaker 2: you and you get up to the microphone and there's 239 00:11:31,640 --> 00:11:34,880 Speaker 2: not a sound in that room and you realize, oh, 240 00:11:34,920 --> 00:11:37,360 Speaker 2: they're not they're not even in a good mood, let 241 00:11:37,400 --> 00:11:41,840 Speaker 2: alone laughing. The thing that's, you know, gets you along 242 00:11:42,160 --> 00:11:45,000 Speaker 2: is you're around a lot of other people doing the 243 00:11:45,000 --> 00:11:48,000 Speaker 2: same thing, and then you do this and it's not 244 00:11:48,240 --> 00:11:51,360 Speaker 2: very good, and you come off stage and you talk 245 00:11:51,400 --> 00:11:54,160 Speaker 2: to other people who also just had the same experience, 246 00:11:54,440 --> 00:11:56,280 Speaker 2: and now all of a sudden, you're in a club 247 00:11:56,679 --> 00:12:00,600 Speaker 2: with these other people who are having these this you know, 248 00:12:01,120 --> 00:12:07,600 Speaker 2: brutalizing emotional experience and pursuing this absurd dream and being 249 00:12:07,720 --> 00:12:10,280 Speaker 2: in that club, I mean to me, was just that 250 00:12:10,520 --> 00:12:13,400 Speaker 2: that was everything I wanted in life right there. I 251 00:12:13,559 --> 00:12:15,839 Speaker 2: just want to be in the club. You know, people 252 00:12:15,880 --> 00:12:18,960 Speaker 2: say I'm a great comedian, or I'm this, or I'm 253 00:12:19,040 --> 00:12:21,280 Speaker 2: not that great or you know, I don't care what 254 00:12:21,320 --> 00:12:22,959 Speaker 2: people think. I just want to be in the club. 255 00:12:23,000 --> 00:12:24,680 Speaker 1: It's just weird because that still comes across the like 256 00:12:24,720 --> 00:12:27,800 Speaker 1: comedians in cars. You know, you see your absolute joy 257 00:12:27,960 --> 00:12:30,000 Speaker 1: in hanging out with other funny people. And one of 258 00:12:30,040 --> 00:12:32,080 Speaker 1: my favorite episodes is the one with Eddie Murphy where 259 00:12:32,360 --> 00:12:35,520 Speaker 1: you're so reverential to Eddie Murphy. To him, I think 260 00:12:35,559 --> 00:12:37,920 Speaker 1: you called him the special one or the magic one. 261 00:12:37,920 --> 00:12:41,400 Speaker 1: It's amazing how you still bow down to to Eddie Murphy. 262 00:12:41,559 --> 00:12:43,400 Speaker 1: Do you think he's the greatest to ever do it? 263 00:12:43,480 --> 00:12:47,480 Speaker 2: Oh? Yeah, you know. To me, comedy is it's like 264 00:12:47,520 --> 00:12:50,800 Speaker 2: a flavor, you know, like me personally, I love Marin 265 00:12:50,800 --> 00:12:54,520 Speaker 2: Ea sauce. But that doesn't mean it's the world's greatest flavor. 266 00:12:56,640 --> 00:12:58,600 Speaker 2: It's just what I like. That's why they have all 267 00:12:58,640 --> 00:13:02,960 Speaker 2: these different restaurants, will always different foods. Everybody likes something different, 268 00:13:02,960 --> 00:13:05,880 Speaker 2: so everything everything that exists, somebody loves it and somebody 269 00:13:05,920 --> 00:13:08,400 Speaker 2: hates it. So there's no greatest. 270 00:13:08,040 --> 00:13:11,000 Speaker 1: Are you still keeping up some kind of regular writing routine. 271 00:13:11,080 --> 00:13:13,120 Speaker 1: Do you still have a set days or set times? 272 00:13:13,160 --> 00:13:13,400 Speaker 1: Do you? 273 00:13:14,320 --> 00:13:17,240 Speaker 2: Yeah? I love that. It's like those old surfers. You 274 00:13:17,240 --> 00:13:19,600 Speaker 2: ever see those old surfers that just keep paddling out 275 00:13:19,640 --> 00:13:22,000 Speaker 2: every day. They're all by themselves, they live on some 276 00:13:22,200 --> 00:13:24,920 Speaker 2: island in Hawaii or something. They just paddle out and 277 00:13:25,280 --> 00:13:27,680 Speaker 2: catch some waves. That's what it is for me. It's 278 00:13:27,720 --> 00:13:30,400 Speaker 2: just a daily thing. Let's paddle out and see if 279 00:13:30,400 --> 00:13:31,560 Speaker 2: we can catch some waves. 280 00:13:31,920 --> 00:13:34,200 Speaker 1: And do you sit just down and you see what 281 00:13:34,280 --> 00:13:36,040 Speaker 1: comes up? Or have you got a couple of ideas 282 00:13:36,040 --> 00:13:37,400 Speaker 1: that you're working on? What are you working on at 283 00:13:37,400 --> 00:13:39,120 Speaker 1: the moment, for example, is there a big playing with. 284 00:13:40,720 --> 00:13:42,560 Speaker 2: Tons of ideas. I was just talking to a guy 285 00:13:42,640 --> 00:13:44,920 Speaker 2: before I was talking to you, and he said a 286 00:13:45,000 --> 00:13:46,719 Speaker 2: quick question, and I thought, well, what what is a 287 00:13:46,800 --> 00:13:50,280 Speaker 2: quick question? People say quick question? I don't even know 288 00:13:50,320 --> 00:13:52,320 Speaker 2: what that means. And it was just so sick of 289 00:13:52,360 --> 00:13:55,800 Speaker 2: hearing it. So I'll jot that down. I go, I 290 00:13:55,800 --> 00:13:57,880 Speaker 2: want to do a bit about I'm sick of hearing 291 00:13:57,960 --> 00:13:58,559 Speaker 2: quick question. 292 00:14:00,360 --> 00:14:02,560 Speaker 1: Yeah, no one ever says long question, do they? 293 00:14:02,760 --> 00:14:04,440 Speaker 2: Yeah, a long question? Long question? 294 00:14:04,640 --> 00:14:07,520 Speaker 1: Well, listen, Jerry, we're running out of time. Thank you 295 00:14:07,600 --> 00:14:09,800 Speaker 1: very much for chating to us. I love the book 296 00:14:09,880 --> 00:14:12,040 Speaker 1: and on behalf of so many people listeners. Thank you 297 00:14:12,120 --> 00:14:15,000 Speaker 1: so much for working so hard at your gift and 298 00:14:15,080 --> 00:14:19,920 Speaker 1: craft you make. You make so many thank hey, pleasure. 299 00:14:19,960 --> 00:14:21,880 Speaker 1: All right, take care, Jerry. Hopefully we can see you 300 00:14:21,920 --> 00:14:23,760 Speaker 1: in the next couple of years again doing stand up. 301 00:14:23,840 --> 00:14:26,360 Speaker 1: You're well, all right, Take care Jerry. Bye. 302 00:14:26,480 --> 00:14:27,200 Speaker 2: I have a good time.