1 00:00:05,960 --> 00:00:15,160 Speaker 1: This is Will and Woody that's got that money, getting 2 00:00:15,160 --> 00:00:19,000 Speaker 1: your home on your Monday. Here for stand all, thanks 3 00:00:19,040 --> 00:00:21,960 Speaker 1: to Stand Today, pleasure to be here, for the best 4 00:00:21,960 --> 00:00:25,520 Speaker 1: streaming service in Australia. Wards, if you haven't got it, 5 00:00:25,880 --> 00:00:27,200 Speaker 1: Cancel your pet insurance. 6 00:00:27,560 --> 00:00:31,800 Speaker 2: Yeah, cancel your house insurance, sell your car, sell your house, 7 00:00:31,960 --> 00:00:33,159 Speaker 2: but you won't your possession. 8 00:00:33,200 --> 00:00:34,800 Speaker 1: I don't need to because it's not that expensive. 9 00:00:34,920 --> 00:00:38,920 Speaker 2: Yes, of course, keep it all. Get the pet insurance back, 10 00:00:39,159 --> 00:00:41,919 Speaker 2: buy the house back, keep the TV and you can 11 00:00:41,960 --> 00:00:44,040 Speaker 2: still afford Dan, What did you watch on stand last night? 12 00:00:44,600 --> 00:00:48,280 Speaker 1: I started watching I Am the Night Chris Pine, Chris 13 00:00:48,400 --> 00:00:49,520 Speaker 1: Pine brand. 14 00:00:49,200 --> 00:00:50,800 Speaker 2: New one stinks of a good show. 15 00:00:50,840 --> 00:00:53,760 Speaker 1: It really wreaked of it. My girlfriend and I sat 16 00:00:53,760 --> 00:00:54,920 Speaker 1: there with pegs on our noses, but. 17 00:00:54,960 --> 00:00:59,000 Speaker 2: We're like, is just the stank coming off this TV 18 00:00:59,640 --> 00:01:02,160 Speaker 2: is too me to handle? To be careful of that 19 00:01:02,160 --> 00:01:04,280 Speaker 2: if you watch very very good though. 20 00:01:04,600 --> 00:01:06,360 Speaker 1: It was very good based on the true story, which 21 00:01:06,360 --> 00:01:08,120 Speaker 1: always gets me going because I like thinking about the 22 00:01:08,160 --> 00:01:10,560 Speaker 1: real people in the real scenarios and I'm solved as well. 23 00:01:10,560 --> 00:01:12,000 Speaker 1: I'm not going to say anything more there, but it 24 00:01:13,360 --> 00:01:14,560 Speaker 1: gets my juice is blowing. 25 00:01:14,560 --> 00:01:16,679 Speaker 2: I'm watching a bit of smelf will Thanks for asking. 26 00:01:24,319 --> 00:01:26,800 Speaker 1: Good but that's the one based on the life of 27 00:01:27,840 --> 00:01:29,760 Speaker 1: Theresa par actress. 28 00:01:30,640 --> 00:01:31,960 Speaker 2: Yes, it's very good, very good. 29 00:01:32,000 --> 00:01:34,000 Speaker 1: Well we're here for stand. I'm glad we've covered that off. 30 00:01:35,600 --> 00:01:38,520 Speaker 1: We may or may not have a strong affiliation with them, 31 00:01:38,520 --> 00:01:40,360 Speaker 1: not sure. If you can tell we're going to get 32 00:01:40,360 --> 00:01:43,800 Speaker 1: to a tune, the five million dollar Free Money friends. 33 00:01:43,840 --> 00:01:45,360 Speaker 1: You will tell you about that a little bit later on. 34 00:01:45,520 --> 00:01:47,440 Speaker 1: Don't call now, that's the key. We do it at 35 00:01:47,440 --> 00:01:49,840 Speaker 1: five o'clock, so tell your friends to wait in their 36 00:01:49,880 --> 00:01:52,360 Speaker 1: cars until then. I'm going to get to check out 37 00:01:52,360 --> 00:01:54,320 Speaker 1: the things that we won't be covering later in the show. 38 00:02:02,520 --> 00:02:04,960 Speaker 1: Just when people in the south of the country thought 39 00:02:04,960 --> 00:02:09,720 Speaker 1: that it was hot, incredibly hot in Queensland, particularly area 40 00:02:09,760 --> 00:02:13,000 Speaker 1: around Townsville has been suffering devastating rains. 41 00:02:14,040 --> 00:02:19,440 Speaker 2: What is it, my poor uncle, he's yeah, his whole 42 00:02:19,440 --> 00:02:23,080 Speaker 2: house has got water. His house flooded. Yep, Seueradge all 43 00:02:23,120 --> 00:02:25,040 Speaker 2: went through it. So he's had to he's pretty much 44 00:02:25,040 --> 00:02:26,480 Speaker 2: going to be starting from scratch. 45 00:02:26,440 --> 00:02:32,320 Speaker 1: Mate, twenty thousand homes, two hundred and fifty mil which 46 00:02:32,680 --> 00:02:36,440 Speaker 1: is two and a half meters. Must just remind ourselves 47 00:02:36,480 --> 00:02:38,359 Speaker 1: of that two and a half meters two and a 48 00:02:38,360 --> 00:02:40,079 Speaker 1: half meters of rain when you hit they. 49 00:02:40,040 --> 00:02:41,280 Speaker 2: Had two and a half meat. 50 00:02:41,360 --> 00:02:43,040 Speaker 1: Well, that's two hundred and fifty mil. That's what we're 51 00:02:43,040 --> 00:02:43,680 Speaker 1: talking about. 52 00:02:44,960 --> 00:02:48,200 Speaker 2: Sorry, that's just that's the really sort of it washed 53 00:02:48,240 --> 00:02:48,519 Speaker 2: over me. 54 00:02:48,639 --> 00:02:49,880 Speaker 1: But yeah, that is because. 55 00:02:49,760 --> 00:02:51,320 Speaker 2: When you get like when you get like a what 56 00:02:51,520 --> 00:02:53,480 Speaker 2: three mil of rain, you go you had a lot 57 00:02:53,480 --> 00:02:53,720 Speaker 2: of rain. 58 00:02:53,840 --> 00:02:55,320 Speaker 1: Yeah, that's right, So when you hear it a mill 59 00:02:55,360 --> 00:02:58,520 Speaker 1: it doesn't quite have the same effect. But two fiftys 60 00:02:58,560 --> 00:03:00,840 Speaker 1: that's two and a half meters. They've had. Twenty thousand 61 00:03:00,880 --> 00:03:05,200 Speaker 1: homes could be overwhelmed and seventeen thousand and left without power. 62 00:03:05,360 --> 00:03:08,600 Speaker 1: So really thinking of those guys that'll be doing it 63 00:03:08,680 --> 00:03:11,720 Speaker 1: tough there that that's a stinker of a situation. To 64 00:03:11,840 --> 00:03:15,080 Speaker 1: add insult to injury or a little bit of salt 65 00:03:15,080 --> 00:03:18,440 Speaker 1: in the world woods, there's been a whole bunch of 66 00:03:18,560 --> 00:03:23,639 Speaker 1: crocodiles that have been obviously spotted in around the area. Yeah, 67 00:03:23,680 --> 00:03:27,120 Speaker 1: crocodile is obviously quite prevalent up that way, so they've 68 00:03:27,160 --> 00:03:28,919 Speaker 1: been walking around the streets. 69 00:03:29,360 --> 00:03:31,679 Speaker 2: Any there have been any I say it's probably bad, 70 00:03:31,680 --> 00:03:32,960 Speaker 2: but any incidents. 71 00:03:32,600 --> 00:03:34,840 Speaker 1: No, I don't think there have been any incident so far. 72 00:03:36,080 --> 00:03:37,720 Speaker 2: It's like a horror movie, that is. I mean, it's 73 00:03:37,720 --> 00:03:44,920 Speaker 2: like Sharknado, but crocodile fla crocole blood croc and I know, sorry, 74 00:03:45,200 --> 00:03:47,200 Speaker 2: I know, I'm not joking about that. It obviously very serious, 75 00:03:47,240 --> 00:03:49,560 Speaker 2: but like that, he is like the film Sharknado, well 76 00:03:49,720 --> 00:03:54,080 Speaker 2: kind of. I don't think tornadoes, but yeah, they're riding 77 00:03:54,400 --> 00:04:00,480 Speaker 2: the water in it is as it's so fine. 78 00:04:00,880 --> 00:04:03,559 Speaker 1: Yeah, I don't think there's been anything deadly yet. 79 00:04:04,160 --> 00:04:05,240 Speaker 2: And hopefully it tastes that way. 80 00:04:05,320 --> 00:04:07,600 Speaker 1: Yeah, I'm sure, but I think everyone there's just got 81 00:04:07,640 --> 00:04:08,920 Speaker 1: to be a little bit careful at the moment. I 82 00:04:08,960 --> 00:04:12,280 Speaker 1: hope it solves itself out for them. It's quite remarkable though, 83 00:04:12,320 --> 00:04:14,560 Speaker 1: don't you think that We've had two and a half 84 00:04:14,640 --> 00:04:17,760 Speaker 1: meters of rain in Queensland and then last week Melbourne 85 00:04:17,760 --> 00:04:23,160 Speaker 1: and Adelaide were breaking records for the hottest cities in 86 00:04:23,200 --> 00:04:23,680 Speaker 1: the world. 87 00:04:24,000 --> 00:04:25,560 Speaker 2: I was talking to a friend last night about this 88 00:04:25,600 --> 00:04:29,200 Speaker 2: over a couple of casual wines and he said, if 89 00:04:29,240 --> 00:04:32,159 Speaker 2: you ever needed proof of climate change, yeah, look at 90 00:04:32,200 --> 00:04:32,960 Speaker 2: what's going on now. 91 00:04:33,080 --> 00:04:35,279 Speaker 1: Yeah. Absolutely, And it's a little bit like that palm, 92 00:04:35,360 --> 00:04:39,320 Speaker 1: the sunburnt country palm, the droughts and flooding rains sweeping plains. 93 00:04:39,720 --> 00:04:42,920 Speaker 2: Yes, I love that poem. I recited every night before, 94 00:04:42,960 --> 00:04:47,239 Speaker 2: but I love it. Do you know fitz Gerald best. 95 00:04:47,080 --> 00:04:51,480 Speaker 1: No, it's not. It's Dorothy and Macalla mckella. I love 96 00:04:51,480 --> 00:04:54,279 Speaker 1: a sunburned country land of sweeping plains and ragged mountain rains, 97 00:04:54,600 --> 00:04:56,960 Speaker 1: of droughts and flooding rains. You've never heard that song. 98 00:04:57,040 --> 00:04:59,200 Speaker 2: Reciting poetry on radio, that's what we're doing. 99 00:04:59,279 --> 00:05:01,560 Speaker 1: Think about the super let's talk about the super bomb 100 00:05:01,760 --> 00:05:04,400 Speaker 1: and five were performing there. 101 00:05:07,160 --> 00:05:11,720 Speaker 2: Question for you, will Adam Levine stripped? Yeah, he didn't 102 00:05:11,720 --> 00:05:13,640 Speaker 2: get totally nude. Sorry if you're here in this. He 103 00:05:13,720 --> 00:05:15,400 Speaker 2: took his top off though, so he was he was 104 00:05:15,520 --> 00:05:18,320 Speaker 2: top half nude. And a lot of people are saying, well, 105 00:05:18,480 --> 00:05:21,680 Speaker 2: Janet Jackson, there's a lot of controversy around her. 106 00:05:21,880 --> 00:05:25,600 Speaker 1: Here we go, Janet. 107 00:05:26,520 --> 00:05:29,200 Speaker 2: She recently came out that Matthew McConaughey and Janet Jackson 108 00:05:29,240 --> 00:05:35,720 Speaker 2: had a bit of a ship, not a message that is. 109 00:05:36,120 --> 00:05:37,719 Speaker 1: Yeah, So back on topic, I think we still got 110 00:05:37,760 --> 00:05:38,559 Speaker 1: a better Janet Saxons. 111 00:05:41,480 --> 00:05:42,000 Speaker 3: She was good. 112 00:05:42,520 --> 00:05:43,360 Speaker 2: He's good, hasn't she? 113 00:05:43,680 --> 00:05:43,880 Speaker 1: Yeah? 114 00:05:44,040 --> 00:05:46,480 Speaker 2: Anyway, I think she burst out of the shadow that 115 00:05:46,600 --> 00:05:49,599 Speaker 2: Mike that MJ said no doubt. Sorry anyway, a lot 116 00:05:49,640 --> 00:05:54,320 Speaker 2: of people are digging up the contry controversy. She obviously 117 00:05:54,360 --> 00:05:56,560 Speaker 2: flashed a nipple accidentally, and that was seen as like, 118 00:05:56,640 --> 00:06:00,640 Speaker 2: oh so bad. That's right, Levigne's out there, both nipples, 119 00:06:00,760 --> 00:06:03,359 Speaker 2: brandishing your thoughts. 120 00:06:04,800 --> 00:06:06,880 Speaker 1: A couple of things. Firstly, I didn't know that the 121 00:06:06,920 --> 00:06:10,240 Speaker 1: backlash on the Janet Jackson thing was as large as 122 00:06:10,360 --> 00:06:13,000 Speaker 1: it actually turned out to be. Apparently she was barred 123 00:06:13,080 --> 00:06:16,119 Speaker 1: from sort of like like certain stations didn't play her music, 124 00:06:16,320 --> 00:06:18,400 Speaker 1: and I had no idea. I thought it was just like, 125 00:06:19,160 --> 00:06:21,440 Speaker 1: you know, her top suit that sucks for her, you know, 126 00:06:21,960 --> 00:06:23,480 Speaker 1: was clearly she needs to get punished for it. I 127 00:06:23,520 --> 00:06:26,120 Speaker 1: thought it was outrageous, So I didn't know that. So 128 00:06:26,200 --> 00:06:28,960 Speaker 1: when I first saw all this stuff, I was like, oh, well, 129 00:06:29,040 --> 00:06:31,000 Speaker 1: hers is different because it was an accident versus his, 130 00:06:31,160 --> 00:06:34,600 Speaker 1: which is deliberate. But I suppose. Look, I mean the 131 00:06:34,680 --> 00:06:36,160 Speaker 1: other thing you got to take into account here, and 132 00:06:36,920 --> 00:06:41,120 Speaker 1: I think it's important to note is she's certainly given 133 00:06:41,160 --> 00:06:44,480 Speaker 1: that it was an accident, very different. But a man 134 00:06:44,560 --> 00:06:46,960 Speaker 1: with his shirt off is you know, for for good 135 00:06:47,040 --> 00:06:50,839 Speaker 1: or for worse, or for whatever reason, given certain social paradigms, 136 00:06:51,240 --> 00:06:52,800 Speaker 1: A man with his shirt off is seen as farthers 137 00:06:52,839 --> 00:06:56,200 Speaker 1: scandalous than a woman with showing exposing any of her 138 00:06:56,839 --> 00:06:58,760 Speaker 1: breasts or nipples or anything like that. And I'm not 139 00:06:58,839 --> 00:07:00,080 Speaker 1: saying that's a good thing or a bad thing. That 140 00:07:00,160 --> 00:07:02,840 Speaker 1: I am saying that probably explains a lot of the response. 141 00:07:02,600 --> 00:07:04,599 Speaker 2: And it is changing. There are some great movements going 142 00:07:04,640 --> 00:07:06,920 Speaker 2: on with a you're a free the nipple guy with 143 00:07:07,000 --> 00:07:09,880 Speaker 2: the free the nipples to be a free the nipple guy, 144 00:07:10,000 --> 00:07:13,720 Speaker 2: free free the nipple. I'm not against it. I'm definitely 145 00:07:13,760 --> 00:07:15,960 Speaker 2: not against the free end of the nipple. But I 146 00:07:16,000 --> 00:07:18,240 Speaker 2: think you're right, Well, it's not there yet, though it's 147 00:07:18,240 --> 00:07:20,280 Speaker 2: a good movement. I'm supportive of the movement going forward. 148 00:07:20,320 --> 00:07:22,920 Speaker 2: But I think right now a male topless is still 149 00:07:23,000 --> 00:07:27,320 Speaker 2: different to a female topless. Was I clarifying your point there? 150 00:07:28,000 --> 00:07:30,600 Speaker 1: I don't know, I'm not. I'm not quite sure. I 151 00:07:30,680 --> 00:07:32,880 Speaker 1: think that whenever we get into an area we're is 152 00:07:32,920 --> 00:07:34,160 Speaker 1: slightly politically murky. 153 00:07:35,960 --> 00:07:40,120 Speaker 2: And I just kept talking. A friend of mine came over. Yep, 154 00:07:40,480 --> 00:07:44,680 Speaker 2: yesterday we ended up having a huge fight over one 155 00:07:44,720 --> 00:07:49,840 Speaker 2: of my toilet trees. Really, I'll explain. So he he 156 00:07:50,040 --> 00:07:52,040 Speaker 2: walked to my house. He walked over to my house, 157 00:07:52,040 --> 00:07:54,240 Speaker 2: which is lovely thing to do. But when he got 158 00:07:54,280 --> 00:07:56,240 Speaker 2: to mine, I'm just gonna be brutally honest. He was 159 00:07:56,240 --> 00:07:58,280 Speaker 2: a bit on the nose. He was fitz he was 160 00:07:58,360 --> 00:08:00,760 Speaker 2: he was sweaty, and look, I knew was a bit smelly. 161 00:08:01,120 --> 00:08:02,600 Speaker 2: He knew he was a bit smelly. It wasn't a 162 00:08:02,600 --> 00:08:06,800 Speaker 2: good situation for anyone naturally because of the smell. He 163 00:08:07,400 --> 00:08:11,840 Speaker 2: said to me, woulds to my man, do you have 164 00:08:11,920 --> 00:08:14,120 Speaker 2: any Do you have any deodorant? And I was like, yeah, 165 00:08:14,240 --> 00:08:16,520 Speaker 2: absolutely so I ran to the bathroom and grabbed my 166 00:08:16,760 --> 00:08:19,960 Speaker 2: roll on. Well it's not a speed stick, it's a 167 00:08:20,280 --> 00:08:23,240 Speaker 2: it's a roll on, my rec owner roll on deodorant, 168 00:08:23,680 --> 00:08:25,080 Speaker 2: ran out and went to go on hand in my 169 00:08:25,200 --> 00:08:28,240 Speaker 2: roll on and he looked at me, Oh, you look 170 00:08:28,280 --> 00:08:30,640 Speaker 2: at me like like it's in a ghost. He was 171 00:08:30,720 --> 00:08:34,120 Speaker 2: disgusted with the idea of me sharing a roll on. 172 00:08:34,840 --> 00:08:35,679 Speaker 1: Do you think it's okay? 173 00:08:35,840 --> 00:08:38,360 Speaker 2: I am absolutely fine with sharing a roll on with 174 00:08:38,400 --> 00:08:41,000 Speaker 2: a friend. It's going on your arm pit? 175 00:08:41,080 --> 00:08:43,280 Speaker 1: Yea. It depends on the pits though, Really. 176 00:08:43,160 --> 00:08:46,480 Speaker 2: Would you roll on the role that's been in my pit? 177 00:08:46,640 --> 00:08:46,840 Speaker 4: Yeah? 178 00:08:46,880 --> 00:08:48,679 Speaker 1: Your pits are okay, but would you roll on the 179 00:08:48,760 --> 00:08:49,720 Speaker 1: roll And that was in my pit. 180 00:08:50,800 --> 00:08:53,679 Speaker 2: Oh wow, good one. You flipped it on me. 181 00:08:53,760 --> 00:08:56,240 Speaker 1: I'm a sweaty man and you're hairy, and I'm very 182 00:08:56,480 --> 00:08:58,040 Speaker 1: You're pretty hairy and sweaty. 183 00:08:58,160 --> 00:08:59,959 Speaker 2: Yeah. I don't think I want your role on anyway 184 00:09:00,160 --> 00:09:01,720 Speaker 2: near me. I'm going to be honest. 185 00:09:02,960 --> 00:09:03,160 Speaker 5: Wow. 186 00:09:03,280 --> 00:09:05,400 Speaker 2: I was actually one hundred percent fine with it until 187 00:09:05,440 --> 00:09:06,160 Speaker 2: you flipped it on me. 188 00:09:06,640 --> 00:09:08,960 Speaker 1: It does depend on the person a lot. Huge. It's 189 00:09:09,040 --> 00:09:11,240 Speaker 1: kind of like, you know, borrowing someone's toothbrush. There are 190 00:09:11,280 --> 00:09:13,800 Speaker 1: some people's toothbrush who I'd probably borrow I don't really care, 191 00:09:13,960 --> 00:09:16,440 Speaker 1: but there's other people's toothbrush that I just wouldn't want 192 00:09:16,440 --> 00:09:16,800 Speaker 1: to go near. 193 00:09:17,000 --> 00:09:19,079 Speaker 2: Sure, And it's interesting you brought up toothbrush because I 194 00:09:19,160 --> 00:09:21,959 Speaker 2: was talking to the producers about my friend who wouldn't 195 00:09:22,000 --> 00:09:24,319 Speaker 2: use my role on deodorant. And they seem to think 196 00:09:24,360 --> 00:09:27,719 Speaker 2: that there are a lot of controversial things out there 197 00:09:28,200 --> 00:09:30,839 Speaker 2: that some people think is fine to share, yeah, and 198 00:09:30,960 --> 00:09:32,599 Speaker 2: other people just think no, no, no no no. 199 00:09:32,880 --> 00:09:37,000 Speaker 1: What about like innery headphones? Oh, good one, because that's 200 00:09:37,080 --> 00:09:40,760 Speaker 1: always good. I don't I never really liked, you know, 201 00:09:41,120 --> 00:09:44,160 Speaker 1: dishing mine out, and also mine had so much wax 202 00:09:44,200 --> 00:09:45,880 Speaker 1: on them they're looking like a toffee apple at the 203 00:09:45,960 --> 00:09:46,520 Speaker 1: end of a stick. 204 00:09:46,640 --> 00:09:48,400 Speaker 2: I've seen it, so I've seen it. 205 00:09:48,520 --> 00:09:49,400 Speaker 1: Yeah, it's awful. 206 00:09:50,080 --> 00:09:52,400 Speaker 2: No, it really cakes on when will does it? 207 00:09:52,480 --> 00:09:54,440 Speaker 1: I don't know how I wanted to use mine anyway, 208 00:09:54,880 --> 00:09:57,800 Speaker 1: but I know that some people get very sensitive about that. 209 00:09:57,920 --> 00:09:59,560 Speaker 2: I'd love to hear more of these. Thirteen one oh 210 00:09:59,600 --> 00:10:03,880 Speaker 2: six five our number taking calls on controversial things that 211 00:10:04,080 --> 00:10:04,600 Speaker 2: you share? 212 00:10:04,720 --> 00:10:05,880 Speaker 1: How do you feel about jocks? 213 00:10:07,200 --> 00:10:09,360 Speaker 2: Turn him inside out? Absolutely fine? Done it before. 214 00:10:09,400 --> 00:10:12,720 Speaker 1: I'm okay. I'm generally speaking pretty okay with sharing everything. 215 00:10:13,160 --> 00:10:15,360 Speaker 1: I haven't really got an towel, don't care. 216 00:10:15,720 --> 00:10:18,480 Speaker 2: I'm not a towel guy. You don't share towe way 217 00:10:18,720 --> 00:10:21,559 Speaker 2: that towel has been in places where the sun. Do 218 00:10:21,720 --> 00:10:24,280 Speaker 2: not shoe my friend and your face? 219 00:10:24,679 --> 00:10:26,680 Speaker 1: All right? Thirty one give us a call. What are 220 00:10:26,679 --> 00:10:29,199 Speaker 1: you not okay to share? With? Woodrow talking about things 221 00:10:29,480 --> 00:10:32,800 Speaker 1: that people feel uncomfortable sharing. 222 00:10:33,640 --> 00:10:37,040 Speaker 2: Yeah, the controversial ones, and it divides a nation. Wilbur 223 00:10:37,320 --> 00:10:38,840 Speaker 2: on thirteen one oh sixty five. I want to hear 224 00:10:38,880 --> 00:10:39,200 Speaker 2: more of them. 225 00:10:39,200 --> 00:10:41,000 Speaker 1: We've got Steve here, Steve. 226 00:10:41,200 --> 00:10:45,760 Speaker 5: Steve Yeah, yeah, I hate to say this, but we 227 00:10:45,840 --> 00:10:48,520 Speaker 5: were at a out to dinner one night and I 228 00:10:48,840 --> 00:10:50,000 Speaker 5: couldn't find it too thick. 229 00:10:50,040 --> 00:10:52,240 Speaker 6: But when I did, I had to share it with 230 00:10:52,600 --> 00:10:53,319 Speaker 6: my other half. 231 00:10:56,120 --> 00:10:59,040 Speaker 1: What's so bad? Now? I know? How was it? 232 00:10:59,120 --> 00:10:59,400 Speaker 2: Steve? 233 00:11:00,720 --> 00:11:03,439 Speaker 6: Well, she did it first and then I kind of 234 00:11:03,480 --> 00:11:05,360 Speaker 6: try to turn it around and do the other end 235 00:11:05,440 --> 00:11:08,640 Speaker 6: to do mine. But the bloody toothpicks around. 236 00:11:09,120 --> 00:11:10,600 Speaker 2: Yeah, there's nothing worse. 237 00:11:11,000 --> 00:11:13,560 Speaker 1: I mean, I mean, I don't ask a personal question here, 238 00:11:13,640 --> 00:11:15,559 Speaker 1: but I mean, how how often are you are you? 239 00:11:17,559 --> 00:11:19,800 Speaker 1: Are you? Are you playing tonsil hockey? How often are 240 00:11:20,120 --> 00:11:21,360 Speaker 1: you kissing passionately? 241 00:11:22,480 --> 00:11:23,360 Speaker 3: Well? Quite a lot. 242 00:11:23,480 --> 00:11:26,080 Speaker 1: We love doing that so well, surely. 243 00:11:26,440 --> 00:11:30,440 Speaker 2: Surely that's grosser than and I disagree with that because 244 00:11:30,480 --> 00:11:32,960 Speaker 2: then maybe I'm weird here. But when I use a toothpick, 245 00:11:33,040 --> 00:11:35,640 Speaker 2: you know when you get that like it's like you 246 00:11:35,679 --> 00:11:37,520 Speaker 2: get that little bit of a smell and you go like, 247 00:11:37,640 --> 00:11:39,679 Speaker 2: it's probably because that bit of beef has been there 248 00:11:39,720 --> 00:11:42,120 Speaker 2: for four to five months, Yes. 249 00:11:41,920 --> 00:11:44,520 Speaker 6: Se, be there for a while when you're trying to 250 00:11:44,559 --> 00:11:45,560 Speaker 6: pick it out and you. 251 00:11:45,600 --> 00:11:46,120 Speaker 2: Get that smell. 252 00:11:46,200 --> 00:11:48,000 Speaker 6: Steve, Yes, the smell. 253 00:11:48,200 --> 00:11:50,880 Speaker 1: Yeah, but you're making out with that smell. 254 00:11:50,960 --> 00:11:53,839 Speaker 2: Anyone's putting your tongue in between their teeth, will well, 255 00:11:53,920 --> 00:11:57,360 Speaker 2: some of us, like your tongue goes past the teeth, 256 00:11:57,440 --> 00:12:00,959 Speaker 2: doesn't it not? And in between the crev how things 257 00:12:01,000 --> 00:12:04,280 Speaker 2: your tongue? No bloody magic tongue over here? Thanks for 258 00:12:04,360 --> 00:12:10,600 Speaker 2: the call, Steve. Let's Leanna, what's your controversial share a razor? 259 00:12:10,960 --> 00:12:11,760 Speaker 6: Shaving razors? 260 00:12:11,960 --> 00:12:15,719 Speaker 7: You're not okay with hair, so my mum wanted to 261 00:12:15,800 --> 00:12:17,520 Speaker 7: share mine and then said do you want it back? 262 00:12:18,000 --> 00:12:18,040 Speaker 4: No? 263 00:12:18,559 --> 00:12:18,800 Speaker 1: Yours? 264 00:12:18,880 --> 00:12:22,319 Speaker 2: Now, I don't want to ask to personally here, but 265 00:12:22,760 --> 00:12:25,040 Speaker 2: I think it's all dependent on the location. So if 266 00:12:25,080 --> 00:12:26,920 Speaker 2: Will and I were using the same face razor, I 267 00:12:26,960 --> 00:12:30,720 Speaker 2: think it'd be fine. Whereas if Will was shaving his chest, 268 00:12:31,520 --> 00:12:33,800 Speaker 2: I would never shave my chest. Well, you know, if 269 00:12:33,840 --> 00:12:35,319 Speaker 2: you were shaving your body, I wouldn't want to have 270 00:12:35,400 --> 00:12:37,360 Speaker 2: it situation with you. 271 00:12:38,559 --> 00:12:40,480 Speaker 6: I don't think she had facial hair, so yeah, I 272 00:12:40,520 --> 00:12:41,240 Speaker 6: didn't ask. 273 00:12:41,720 --> 00:12:45,319 Speaker 1: Yes minutes always and this is I think we you 274 00:12:45,400 --> 00:12:47,439 Speaker 1: and Wood and I actually Leana, we spoke with this 275 00:12:47,559 --> 00:12:51,199 Speaker 1: on here recently. Where there's always one shaver steeler in 276 00:12:51,280 --> 00:12:55,160 Speaker 1: a relationship as well, one person always always relies on 277 00:12:55,280 --> 00:12:59,199 Speaker 1: the other one for their shaver, So like frequently I 278 00:12:59,480 --> 00:13:03,319 Speaker 1: know that if my shaver, my facial shaver is found 279 00:13:03,360 --> 00:13:03,920 Speaker 1: in the bath. 280 00:13:04,480 --> 00:13:07,600 Speaker 2: Mmm, I've been in there shaving my legs. 281 00:13:09,120 --> 00:13:09,480 Speaker 5: And I do. 282 00:13:10,480 --> 00:13:10,800 Speaker 4: No, you. 283 00:13:12,559 --> 00:13:14,120 Speaker 2: We've got to yan here. I used it once. I 284 00:13:14,240 --> 00:13:15,760 Speaker 2: used to shave it once, and it's because I was 285 00:13:15,760 --> 00:13:16,680 Speaker 2: going cycling now, not. 286 00:13:16,800 --> 00:13:19,120 Speaker 1: Talking about you. Yeah, you do shave all at your 287 00:13:19,200 --> 00:13:19,640 Speaker 1: legs though. 288 00:13:19,880 --> 00:13:21,640 Speaker 2: No, look at these bad boys now, the look at 289 00:13:21,640 --> 00:13:25,240 Speaker 2: little wookies. Looks I've got double little wookies on my anyway, Jesus, 290 00:13:26,120 --> 00:13:28,920 Speaker 2: we've got yan here now I've moved. No, I've moved 291 00:13:28,960 --> 00:13:33,640 Speaker 2: past that, will yan. What's the controversial share that you're against, Matte. 292 00:13:33,520 --> 00:13:36,000 Speaker 6: Yeah, the one thing that I'm against is a block 293 00:13:36,040 --> 00:13:36,400 Speaker 6: of soap. 294 00:13:37,280 --> 00:13:39,240 Speaker 7: I don't know, you know when you pick up that 295 00:13:39,360 --> 00:13:40,560 Speaker 7: on here or two on there. 296 00:13:40,520 --> 00:13:44,000 Speaker 1: And the old the old, the rogue pube in the soap. 297 00:13:44,200 --> 00:13:47,920 Speaker 1: I didn't say that was It's concerning though, particularly when 298 00:13:47,920 --> 00:13:50,240 Speaker 1: you're you're at the old public pool and you've left 299 00:13:50,280 --> 00:13:52,960 Speaker 1: your side at home and you've only got one option. 300 00:13:53,200 --> 00:13:53,679 Speaker 2: Just don't do it. 301 00:13:53,679 --> 00:13:55,760 Speaker 1: It's it's it's tough, isn't it. 302 00:13:56,040 --> 00:13:57,360 Speaker 2: Just don't do it? And I find as well, and 303 00:13:58,360 --> 00:14:01,199 Speaker 2: the hair, I don't know how it will penetrate the 304 00:14:01,559 --> 00:14:04,520 Speaker 2: membrane of the soap bar. So often it's just deep 305 00:14:04,559 --> 00:14:05,920 Speaker 2: in there and you try and scratch it out, and 306 00:14:05,960 --> 00:14:08,839 Speaker 2: you get all this soap under your fingernail and you 307 00:14:08,960 --> 00:14:14,320 Speaker 2: just this is an awful shower. Great suggestion, true though, Yeah, 308 00:14:14,840 --> 00:14:15,679 Speaker 2: I want to ask you this. 309 00:14:16,280 --> 00:14:20,640 Speaker 1: How does the soap get deeper than the surface because 310 00:14:20,760 --> 00:14:23,360 Speaker 1: their hair, because it always does. 311 00:14:26,480 --> 00:14:28,600 Speaker 4: Yeah, I don't know, to be honest, do you think 312 00:14:28,680 --> 00:14:29,760 Speaker 4: that the people Do you think. 313 00:14:29,600 --> 00:14:32,040 Speaker 1: That the people in the Imperial Leather Factory just do 314 00:14:32,120 --> 00:14:33,880 Speaker 1: it for a gag Every now and then, just when 315 00:14:34,520 --> 00:14:36,680 Speaker 1: they're making the soap, they'll just pluck out an eyebrow 316 00:14:36,840 --> 00:14:37,320 Speaker 1: here and just. 317 00:14:38,920 --> 00:14:39,320 Speaker 2: Surprised. 318 00:14:43,520 --> 00:14:45,560 Speaker 1: I want to talk to you about, possibly, I think 319 00:14:46,600 --> 00:14:49,880 Speaker 1: one of the greatest stories of the year. A Kurdish 320 00:14:49,960 --> 00:14:53,800 Speaker 1: Iranian writer, a guy by the name of Bayrus Bullshani, 321 00:14:53,880 --> 00:14:56,760 Speaker 1: but we'll just call him Bullshani so's he's Kurdish Manian. 322 00:14:56,760 --> 00:15:00,640 Speaker 1: He's a refugee. Tried to get him to Australia, didn't 323 00:15:00,680 --> 00:15:03,240 Speaker 1: get in and was then sent to Papa New Guinea 324 00:15:03,320 --> 00:15:06,960 Speaker 1: and now is on Manus Island. Right, he has just 325 00:15:07,240 --> 00:15:12,760 Speaker 1: won the most prestigious literary award in the country. Brilliant 326 00:15:13,760 --> 00:15:17,800 Speaker 1: by writing a book one text message at a time 327 00:15:18,600 --> 00:15:20,320 Speaker 1: over five years. 328 00:15:21,200 --> 00:15:21,480 Speaker 2: Wow. 329 00:15:22,120 --> 00:15:24,680 Speaker 1: From captivity on Manus Island. 330 00:15:24,840 --> 00:15:26,760 Speaker 2: What an incredible story, yeap. 331 00:15:27,800 --> 00:15:30,960 Speaker 1: Tragically, ironically he could not actually attend his book launch 332 00:15:31,000 --> 00:15:34,239 Speaker 1: on Thursday night because he's still detained and there's hypocrisy 333 00:15:34,360 --> 00:15:36,000 Speaker 1: involved with it. All is a bit ridiculous. 334 00:15:36,080 --> 00:15:37,960 Speaker 2: Sure, were there a lot of emoticons in the book? 335 00:15:38,000 --> 00:15:43,760 Speaker 1: Will good question? I don't think so. I do know 336 00:15:43,920 --> 00:15:46,320 Speaker 1: that his English isn't spot on, so he's been writing 337 00:15:46,360 --> 00:15:49,080 Speaker 1: it in a foreign language to an interpreter who's been 338 00:15:49,240 --> 00:15:52,600 Speaker 1: interpreting it. And then, which is just a whole nother 339 00:15:52,720 --> 00:15:55,480 Speaker 1: level of how incredible this is. He's won over. I 340 00:15:55,520 --> 00:15:57,320 Speaker 1: think the prize is worth like one hundred and fifty 341 00:15:57,360 --> 00:15:58,520 Speaker 1: thousand dollars or thereabouts. 342 00:15:58,560 --> 00:16:00,440 Speaker 2: Oat he's got. 343 00:16:00,480 --> 00:16:02,760 Speaker 1: He has written articles and stuff like that, but a 344 00:16:02,920 --> 00:16:07,040 Speaker 1: whole novel one text message at a time from a refugee, 345 00:16:07,160 --> 00:16:08,920 Speaker 1: and he had his phone confiscated off him a couple 346 00:16:08,960 --> 00:16:11,640 Speaker 1: of times in the process, but he was so keen 347 00:16:11,680 --> 00:16:14,000 Speaker 1: to get it out there. It's a brilliant story. If 348 00:16:14,000 --> 00:16:15,240 Speaker 1: you want to learn more gold and look it up. 349 00:16:15,320 --> 00:16:18,520 Speaker 1: But I can't get over the fact that he wrote 350 00:16:18,520 --> 00:16:23,200 Speaker 1: a whole book one text message at the time for 351 00:16:23,400 --> 00:16:24,240 Speaker 1: five years. 352 00:16:24,400 --> 00:16:28,800 Speaker 2: Frustrating and because he was running with text was he 353 00:16:28,960 --> 00:16:31,320 Speaker 2: was he was he copying out something he had written 354 00:16:31,360 --> 00:16:34,280 Speaker 2: down with a pen, because just to have the one 355 00:16:34,320 --> 00:16:38,120 Speaker 2: trail of food, I know, really tough. I can't I 356 00:16:38,160 --> 00:16:38,720 Speaker 2: can't imagine. 357 00:16:38,800 --> 00:16:40,320 Speaker 1: And I think, look what I want to do to 358 00:16:40,400 --> 00:16:43,840 Speaker 1: try and just prove how hard this has been for Bhushani. 359 00:16:44,720 --> 00:16:50,520 Speaker 1: Is I want to try and write a story over 360 00:16:50,880 --> 00:16:54,760 Speaker 1: the course of let's say, three text messages with you, 361 00:16:55,880 --> 00:16:59,120 Speaker 1: with you and me and everybody else listening. Yeah, okay, 362 00:16:59,360 --> 00:17:00,680 Speaker 1: just to prove how challenging. 363 00:17:00,400 --> 00:17:01,400 Speaker 2: This, how's this going to work? 364 00:17:01,440 --> 00:17:03,200 Speaker 1: So I thought what we could do is I've opened 365 00:17:03,280 --> 00:17:05,320 Speaker 1: up the text lines. The text line is oh four 366 00:17:05,359 --> 00:17:07,760 Speaker 1: two nine one three one oh six five, So oh 367 00:17:07,800 --> 00:17:10,360 Speaker 1: four two nine and then third one oh six five 368 00:17:11,920 --> 00:17:16,320 Speaker 1: is I thought we'd write the first message in here. Yeah, 369 00:17:16,440 --> 00:17:18,840 Speaker 1: that's a part one. I've written some good text in 370 00:17:18,920 --> 00:17:20,560 Speaker 1: my time. So do you just want to write like 371 00:17:20,840 --> 00:17:23,119 Speaker 1: just two lines of a story just to start with, 372 00:17:23,240 --> 00:17:24,439 Speaker 1: maybe just chucking a character? 373 00:17:24,840 --> 00:17:26,560 Speaker 2: Sure, go for it, all right now? 374 00:17:26,640 --> 00:17:30,959 Speaker 1: Yeah, we'll give you. I'll give you a thing, all right. 375 00:17:31,000 --> 00:17:32,800 Speaker 1: So we're just going to write the first text here, 376 00:17:33,800 --> 00:17:36,120 Speaker 1: and then what I'm going to do is oh four 377 00:17:36,160 --> 00:17:38,600 Speaker 1: two nine, one three one oh six five is the 378 00:17:38,760 --> 00:17:42,119 Speaker 1: text line. I'm going to get you guys to text 379 00:17:42,200 --> 00:17:47,200 Speaker 1: in the next part of the story, if that makes sense. So, 380 00:17:48,359 --> 00:17:49,680 Speaker 1: and then we'll go to a song, and then we'll 381 00:17:49,680 --> 00:17:51,760 Speaker 1: try and wrap it up with a third one. But 382 00:17:51,880 --> 00:17:53,280 Speaker 1: I don't know how good this is going to be. 383 00:17:53,800 --> 00:17:54,640 Speaker 1: So are you done there? 384 00:17:54,680 --> 00:17:54,880 Speaker 5: Mate? 385 00:17:55,400 --> 00:17:57,760 Speaker 1: Well, do you know that it's one text message at 386 00:17:57,800 --> 00:18:00,200 Speaker 1: a time. You can't write a half paragraph. That's the 387 00:18:00,240 --> 00:18:05,359 Speaker 1: whole point. And your time's up. Okay, all right, So 388 00:18:05,480 --> 00:18:09,000 Speaker 1: this is the first text of our three text story. 389 00:18:10,960 --> 00:18:12,280 Speaker 2: Average finish. Okay, here we are. 390 00:18:13,040 --> 00:18:14,520 Speaker 1: It doesn't need to be finished. You're just said in 391 00:18:14,560 --> 00:18:15,119 Speaker 1: the scene, no, no. 392 00:18:15,119 --> 00:18:17,240 Speaker 2: No, But and then everybody, I've said it. 393 00:18:17,280 --> 00:18:19,920 Speaker 1: Here we go. Okay, Then everybody listening out there, continue 394 00:18:19,920 --> 00:18:21,760 Speaker 1: to prove how hard this has been for this guy 395 00:18:21,800 --> 00:18:23,920 Speaker 1: who's just won the Lixurary Award. What he wrote a 396 00:18:23,960 --> 00:18:26,440 Speaker 1: book one text at a time of five years. We're 397 00:18:26,440 --> 00:18:28,520 Speaker 1: just going to try and do a little story, three texts. Okay, 398 00:18:28,560 --> 00:18:30,359 Speaker 1: he'll choose which of your text is going to fit 399 00:18:30,480 --> 00:18:32,520 Speaker 1: the story best. You're ready, So you got the first one. 400 00:18:32,560 --> 00:18:32,840 Speaker 1: Here we go. 401 00:18:33,200 --> 00:18:38,440 Speaker 2: Stuart erupted from the cold lake and yelled, Gladys and 402 00:18:38,600 --> 00:18:44,960 Speaker 2: that was how it all began. Wow, Stuart, you can 403 00:18:45,040 --> 00:18:46,080 Speaker 2: just picture Stewart, can't you? 404 00:18:48,400 --> 00:18:49,879 Speaker 1: Can you read? So this is the first text. By 405 00:18:49,880 --> 00:18:51,600 Speaker 1: the way, it's on you guys to write the rest 406 00:18:51,680 --> 00:18:52,680 Speaker 1: of this story. Yeah. 407 00:18:52,680 --> 00:18:54,239 Speaker 2: Well, we're going to read a whole bunch out here, 408 00:18:54,280 --> 00:18:56,440 Speaker 2: and then we're going to choose one text the next 409 00:18:56,520 --> 00:18:58,159 Speaker 2: part of the story. Yes, and then I think we 410 00:18:58,240 --> 00:19:00,000 Speaker 2: can continue this over the week, and by the end 411 00:19:00,119 --> 00:19:02,320 Speaker 2: of the week, I think our story is gonna be 412 00:19:02,359 --> 00:19:03,000 Speaker 2: up there with Bushan. 413 00:19:04,880 --> 00:19:06,760 Speaker 1: All right, here we go. So this is on you Australia. 414 00:19:06,880 --> 00:19:10,600 Speaker 1: So he walks out of the lake, and the next 415 00:19:10,640 --> 00:19:14,960 Speaker 1: one is he then walked a little way to let 416 00:19:15,040 --> 00:19:16,119 Speaker 1: his anger subside. 417 00:19:16,760 --> 00:19:19,880 Speaker 2: Yep, okay, yeah, slows it down, slows down the story 418 00:19:19,880 --> 00:19:20,240 Speaker 2: a little bit. 419 00:19:21,800 --> 00:19:25,240 Speaker 1: He yelled, the bitch stole me dog and me vb stubbies. 420 00:19:25,560 --> 00:19:27,920 Speaker 2: Okay. Very Australian, Very Australian. 421 00:19:30,000 --> 00:19:33,119 Speaker 1: His loin cloth fell off, and there was some serious shrinkage. 422 00:19:33,800 --> 00:19:36,200 Speaker 1: Gladys was not a comedy. Gladys was not impressed. 423 00:19:36,320 --> 00:19:37,080 Speaker 2: Could be a comedy? 424 00:19:37,240 --> 00:19:40,000 Speaker 1: Yeah, I like this On that there was a beer 425 00:19:40,040 --> 00:19:42,800 Speaker 1: coming straight towards me and Gladys was nowhere to be found. 426 00:19:43,760 --> 00:19:46,080 Speaker 1: And then dot dot dot. 427 00:19:46,800 --> 00:19:47,800 Speaker 2: That mystery is nice. 428 00:19:48,400 --> 00:19:53,080 Speaker 1: That mystery is nice, Gladys, he says, as his bladder releases, 429 00:19:53,200 --> 00:19:54,520 Speaker 1: making him wet his pants. 430 00:19:55,240 --> 00:19:57,760 Speaker 2: Okay, yep, back to comedy. 431 00:19:59,640 --> 00:20:02,159 Speaker 1: He carries her cold body up to the shore and 432 00:20:02,320 --> 00:20:04,400 Speaker 1: starts performing emergency CPR. 433 00:20:04,840 --> 00:20:07,600 Speaker 2: Now here we go. Wow, Now I got goosebumps. 434 00:20:07,720 --> 00:20:10,719 Speaker 1: Wow. I didn't expect that. Here we go next time, 435 00:20:10,960 --> 00:20:12,720 Speaker 1: leave your name on these by the way, guys, because 436 00:20:12,720 --> 00:20:14,760 Speaker 1: I want to be able to say who you are. 437 00:20:15,560 --> 00:20:19,200 Speaker 1: A fate Yell appears back from the distance. Hold on love. 438 00:20:19,720 --> 00:20:21,800 Speaker 1: He appeared to have forgotten he was in the shower. 439 00:20:24,960 --> 00:20:28,600 Speaker 1: Great twist, Well, good stuff? 440 00:20:30,600 --> 00:20:30,920 Speaker 4: Is that it? 441 00:20:33,000 --> 00:20:37,680 Speaker 1: There's a couple more that I'm struggling to get. No, 442 00:20:37,880 --> 00:20:40,560 Speaker 1: that's it. Okay, that's it. That's all. That's all we're accepting. 443 00:20:40,800 --> 00:20:43,200 Speaker 2: I was always hoping this would be like an epic story. 444 00:20:43,320 --> 00:20:45,639 Speaker 2: So my heart is going towards the one where the 445 00:20:45,720 --> 00:20:48,919 Speaker 2: bear comes out of the forest. Oh yeah, and Gladys 446 00:20:48,960 --> 00:20:50,960 Speaker 2: has nowhere to be seen, So you sort of immediately 447 00:20:51,000 --> 00:20:52,600 Speaker 2: you're going, what's happening to Glads? She's been eaten by 448 00:20:52,600 --> 00:20:53,760 Speaker 2: a bear, has not been eating. 449 00:20:53,600 --> 00:20:55,680 Speaker 1: By a bear, and the bear's coming towards him and 450 00:20:55,760 --> 00:20:56,760 Speaker 1: what you're going to do about it? 451 00:20:56,800 --> 00:20:57,639 Speaker 2: How's he going to escape? 452 00:20:57,800 --> 00:20:58,000 Speaker 1: Yeah? 453 00:20:58,119 --> 00:21:00,119 Speaker 2: The other one I quite like is him carrying in 454 00:21:00,160 --> 00:21:04,040 Speaker 2: Gladys's body out of the water and performing because it's exciting. 455 00:21:04,600 --> 00:21:09,800 Speaker 2: People love those hospital shows. All Saints, for example, are yeah, scrubs. 456 00:21:10,520 --> 00:21:11,320 Speaker 1: Yeah we could go on. 457 00:21:13,760 --> 00:21:16,280 Speaker 2: No I couldn't actually, I was just. 458 00:21:16,359 --> 00:21:19,719 Speaker 1: Thinking of fun as well. No, no, crazy adam very 459 00:21:19,760 --> 00:21:25,840 Speaker 1: good anyway, Only what was a CPR as well? Because sorry, 460 00:21:26,040 --> 00:21:28,240 Speaker 1: how did they get how did they get there? Yeah? 461 00:21:28,240 --> 00:21:28,920 Speaker 1: How did they get there? 462 00:21:29,359 --> 00:21:30,840 Speaker 2: Exactly? Like how did she drown? 463 00:21:31,680 --> 00:21:31,720 Speaker 1: Is? 464 00:21:32,040 --> 00:21:32,240 Speaker 7: Yeah? 465 00:21:33,040 --> 00:21:33,680 Speaker 1: She actually did? 466 00:21:33,760 --> 00:21:35,000 Speaker 2: What Stuart's role being here? 467 00:21:35,160 --> 00:21:35,360 Speaker 1: Yes? 468 00:21:36,560 --> 00:21:37,359 Speaker 2: Are we feeling that much? 469 00:21:37,359 --> 00:21:38,520 Speaker 1: I reckon, We've got to go to the CPR. 470 00:21:38,760 --> 00:21:41,680 Speaker 2: Okay. The second part of the story is read it 471 00:21:41,720 --> 00:21:42,080 Speaker 2: out again. 472 00:21:44,720 --> 00:21:46,600 Speaker 1: Come on, Fowlers, don't dog the boys. 473 00:21:47,920 --> 00:21:49,240 Speaker 2: Clearly the VP guys. 474 00:21:52,240 --> 00:21:57,760 Speaker 1: Dogging me. Sorry, mate, I think we're going to have 475 00:21:57,840 --> 00:22:01,639 Speaker 1: to go with Yes, the cp Congratulations to the CBR. 476 00:22:01,920 --> 00:22:04,520 Speaker 2: So the story is Steward erupts from the water, yells gladders, 477 00:22:04,600 --> 00:22:06,600 Speaker 2: and that's how it all began. He then walks out 478 00:22:06,640 --> 00:22:10,640 Speaker 2: of the water holding Gladys's cold body, and he begins CPR. 479 00:22:11,000 --> 00:22:12,200 Speaker 2: The story will continue tomorrow. 480 00:22:12,320 --> 00:22:14,520 Speaker 1: Yes, that's where we leave it. Yeah, stand by your 481 00:22:14,560 --> 00:22:16,000 Speaker 1: phone tomorrow if you want to send the text for 482 00:22:16,040 --> 00:22:18,040 Speaker 1: the next part of the story. The people that have 483 00:22:18,119 --> 00:22:20,920 Speaker 1: angrily called us recently, we realized that two hundred and 484 00:22:20,960 --> 00:22:24,520 Speaker 1: fifty millimeters is only a quarter of a meter. You 485 00:22:24,600 --> 00:22:27,639 Speaker 1: can blame averaguser Zoe for the false information there, but 486 00:22:27,680 --> 00:22:32,680 Speaker 1: we'll clear that up a bit later on. We'll sure mate. 487 00:22:32,920 --> 00:22:35,159 Speaker 1: You and I like to have a bit of a 488 00:22:35,240 --> 00:22:37,040 Speaker 1: bit of a hitting a giggle in the office, don't 489 00:22:37,080 --> 00:22:39,919 Speaker 1: we are hitting the giggle? Yeah, we enjoy ourselves in here. 490 00:22:40,800 --> 00:22:41,560 Speaker 2: It's fun to have fun. 491 00:22:42,040 --> 00:22:44,040 Speaker 1: So the other day I had a fully loaded NERF gun, 492 00:22:44,160 --> 00:22:46,720 Speaker 1: best NERF gun I ever seen, ever held, in fact, 493 00:22:47,440 --> 00:22:50,880 Speaker 1: and I fired three robust bullets directly at your head. 494 00:22:51,400 --> 00:22:52,679 Speaker 1: You neoed all of them. 495 00:22:52,760 --> 00:22:55,400 Speaker 2: I'm pretty phenomenal with dodging bullets. How I got the skill. 496 00:22:55,520 --> 00:22:58,439 Speaker 1: You were good, You were good, and I ended up 497 00:22:58,720 --> 00:23:02,760 Speaker 1: but as you ducked one bullet, and these aren't just 498 00:23:02,920 --> 00:23:04,680 Speaker 1: like kids bullets. By the way, I don't know where 499 00:23:04,720 --> 00:23:06,560 Speaker 1: this NERF gun's from, but I don't think it should 500 00:23:06,560 --> 00:23:12,320 Speaker 1: be legal. You dodged it and it absolutely drilled head 501 00:23:12,359 --> 00:23:16,280 Speaker 1: of hr Mick in the side of the head so 502 00:23:16,440 --> 00:23:21,600 Speaker 1: that he's nineties headset went flying off his face. 503 00:23:21,640 --> 00:23:23,800 Speaker 2: I think Paul Mick was on a phone call as well. 504 00:23:23,880 --> 00:23:26,639 Speaker 2: Mid mid center is probably a serious issue in the 505 00:23:26,640 --> 00:23:30,120 Speaker 2: office job. All of a sudden, he wore a nerf gun. 506 00:23:30,200 --> 00:23:32,160 Speaker 1: I hit him. I hit him, and I just thought, 507 00:23:32,560 --> 00:23:34,000 Speaker 1: jas all the people to hit. 508 00:23:34,359 --> 00:23:38,400 Speaker 2: Yeah, I hit the head of Hry and mixed. Such 509 00:23:38,400 --> 00:23:40,199 Speaker 2: a nice guy, such a nice he's a. 510 00:23:40,240 --> 00:23:42,000 Speaker 1: Lovely bloke and he got drilled with a nerth gun. 511 00:23:42,320 --> 00:23:46,119 Speaker 1: Want to call at two o'clock in the afternoon. Serves 512 00:23:46,160 --> 00:23:47,960 Speaker 1: you right for not wearing a helmet when the nerve guns. 513 00:23:49,840 --> 00:23:50,720 Speaker 2: Don't spin this on Mick. 514 00:23:51,200 --> 00:23:53,639 Speaker 1: I'm not going to engage in that, really, but I 515 00:23:53,760 --> 00:23:56,040 Speaker 1: have realized I thought about this incident more and more 516 00:23:56,560 --> 00:23:58,439 Speaker 1: because as soon as it hit Mick, if it hit 517 00:23:58,480 --> 00:24:00,159 Speaker 1: anybody else in the office, we a would have laughed. 518 00:24:00,480 --> 00:24:02,399 Speaker 2: Oh, there's a few people, hello, there's a couple of. 519 00:24:02,560 --> 00:24:04,560 Speaker 1: Yeah, we won't name that. I wouldn't wanted to hit. 520 00:24:05,560 --> 00:24:08,479 Speaker 1: But the fact that it did hit Mick, and when 521 00:24:08,520 --> 00:24:10,520 Speaker 1: everybody looked up and saw that it was the head 522 00:24:10,520 --> 00:24:16,000 Speaker 1: of HR, it was instantly a real gasp around the office. 523 00:24:16,359 --> 00:24:19,679 Speaker 2: A record scratch moment would say was it's about as 524 00:24:19,760 --> 00:24:20,440 Speaker 2: bad as it gets. 525 00:24:20,720 --> 00:24:23,719 Speaker 1: I'm going to say that if you're doing anything dodgy 526 00:24:24,119 --> 00:24:30,680 Speaker 1: or not quite right, NQR woods in the office, HR 527 00:24:31,160 --> 00:24:33,840 Speaker 1: is the last person that you want to see it 528 00:24:34,720 --> 00:24:37,440 Speaker 1: or hear about it. So what I want to do 529 00:24:37,600 --> 00:24:40,840 Speaker 1: right now in thirty one oh six five because I 530 00:24:41,080 --> 00:24:43,800 Speaker 1: feel like I obviously don't want to dip into the 531 00:24:43,920 --> 00:24:47,080 Speaker 1: territory here of you know, really nasty stuff that can 532 00:24:47,119 --> 00:24:50,119 Speaker 1: happen in workplaces. But what I want to know is, 533 00:24:51,320 --> 00:24:55,080 Speaker 1: if you are in HR, or you have been in HR, 534 00:24:56,840 --> 00:25:02,080 Speaker 1: what's the worst thing that you've seen or walked in on. 535 00:25:02,400 --> 00:25:04,120 Speaker 2: At the workplace? At the workplace? 536 00:25:04,600 --> 00:25:07,160 Speaker 1: And again, I know there's some stuff. I don't necessarily 537 00:25:07,200 --> 00:25:09,040 Speaker 1: want this to be the worst thing. It can be 538 00:25:09,080 --> 00:25:11,239 Speaker 1: the funniest thing, if you like. And often it might 539 00:25:11,359 --> 00:25:14,720 Speaker 1: be that you've caught people completely off guard and they 540 00:25:15,600 --> 00:25:17,760 Speaker 1: weren't actually doing something all that bad, but it might 541 00:25:17,840 --> 00:25:20,479 Speaker 1: have just looked really bad. And I know there's going 542 00:25:20,520 --> 00:25:22,600 Speaker 1: to be some cracking stories out there. On the other hand, 543 00:25:22,720 --> 00:25:25,040 Speaker 1: obviously thirty one or six five, it's the phone number. 544 00:25:25,600 --> 00:25:28,240 Speaker 1: What's the worst thing that HR has walked in on sure, 545 00:25:28,680 --> 00:25:30,720 Speaker 1: or what's the worst thing that HR was on the 546 00:25:30,800 --> 00:25:32,600 Speaker 1: receiving end on? It might have been a prank call 547 00:25:32,680 --> 00:25:35,919 Speaker 1: that you were flying around the office one time when 548 00:25:35,960 --> 00:25:37,800 Speaker 1: you and I were a lot younger and working at 549 00:25:37,840 --> 00:25:44,440 Speaker 1: a different company. You, after a long discussion with me 550 00:25:44,760 --> 00:25:50,760 Speaker 1: and a lot of convincing, convinced me to waterboard you, which. 551 00:25:50,960 --> 00:25:53,600 Speaker 2: We'd yeah, well, I'm not proud of this moment. Obviously 552 00:25:54,400 --> 00:25:57,280 Speaker 2: it was obviously under garden. I'm well, not guided, but 553 00:25:57,400 --> 00:25:58,800 Speaker 2: there were another people there. I just want to know 554 00:25:58,840 --> 00:26:02,240 Speaker 2: what it would feel like and please, yeah to see it. 555 00:26:02,440 --> 00:26:04,359 Speaker 2: Do not do that? Do We were young and we 556 00:26:04,440 --> 00:26:07,320 Speaker 2: were stupid, do not do that? But who did walk 557 00:26:07,359 --> 00:26:07,680 Speaker 2: in on that? 558 00:26:07,800 --> 00:26:10,680 Speaker 1: That was basically the procedure was that it would a 559 00:26:10,760 --> 00:26:12,320 Speaker 1: towel no no, no, no, don't don't no no no, 560 00:26:12,560 --> 00:26:17,160 Speaker 1: don't do not explain to anyone thing is no, nope, nope, 561 00:26:17,880 --> 00:26:18,359 Speaker 1: just leave it. 562 00:26:19,080 --> 00:26:23,639 Speaker 2: It shouldn't be down h. It's no surprise that they 563 00:26:23,680 --> 00:26:25,400 Speaker 2: are a former employer. 564 00:26:28,480 --> 00:26:28,640 Speaker 7: Call. 565 00:26:28,760 --> 00:26:33,879 Speaker 1: If we're taking calls on if you've worked in HR previously, 566 00:26:34,600 --> 00:26:37,240 Speaker 1: and what's the funniest thing that you've actually walked in 567 00:26:37,359 --> 00:26:38,560 Speaker 1: on Chris is called. 568 00:26:38,720 --> 00:26:41,000 Speaker 6: Oh sorry, yeah, you're breaking up a little bit, that's right. 569 00:26:41,119 --> 00:26:43,320 Speaker 6: So I worked in HR about five years ago, and 570 00:26:43,800 --> 00:26:46,240 Speaker 6: it was my first week on the job, and I 571 00:26:46,320 --> 00:26:46,720 Speaker 6: walked in. 572 00:26:47,160 --> 00:26:48,639 Speaker 3: To this bakery and. 573 00:26:50,560 --> 00:26:53,159 Speaker 6: This baker had cut open the bottom of the flower 574 00:26:53,240 --> 00:26:55,359 Speaker 6: bag and there's like twelve and a half killers a 575 00:26:55,359 --> 00:26:56,600 Speaker 6: flower and just dumped it on this. 576 00:26:57,600 --> 00:26:58,440 Speaker 3: Co worker's head. 577 00:27:00,680 --> 00:27:04,520 Speaker 2: Flower everywhere, right for just like a bit of a 578 00:27:04,520 --> 00:27:06,840 Speaker 2: stitch up, like a bit of a couple of bakery gags. 579 00:27:07,520 --> 00:27:09,600 Speaker 3: Yeah, basically from what they just go out of it. 580 00:27:09,680 --> 00:27:10,440 Speaker 2: It's pretty funny. 581 00:27:11,440 --> 00:27:12,960 Speaker 3: It was my first week on the job and my 582 00:27:13,280 --> 00:27:15,720 Speaker 3: boss was to stay with me, and my boss wasn't 583 00:27:15,800 --> 00:27:16,600 Speaker 3: very happy at the time. 584 00:27:16,680 --> 00:27:18,960 Speaker 1: No, no, well, it's hard to know. 585 00:27:19,320 --> 00:27:20,879 Speaker 2: Thanks to the cool Chris, if you're going to do 586 00:27:20,920 --> 00:27:22,760 Speaker 2: the flower check that you've got to wet the person first, 587 00:27:22,880 --> 00:27:25,000 Speaker 2: or you know, cover room an egg or something. If 588 00:27:25,040 --> 00:27:25,879 Speaker 2: you're gonna go for that, you. 589 00:27:25,920 --> 00:27:28,159 Speaker 1: Need to get a lacquer going before you hit them 590 00:27:28,160 --> 00:27:31,399 Speaker 1: with the flowers. Exactly right, Yeah, rookie. But that's the 591 00:27:31,440 --> 00:27:32,880 Speaker 1: thing with all these ones, I think is it's hard 592 00:27:32,960 --> 00:27:34,640 Speaker 1: to tell. And that's what it must be tough about. 593 00:27:34,840 --> 00:27:37,119 Speaker 1: HR is like, is this actually a joke? Do you 594 00:27:37,119 --> 00:27:38,719 Speaker 1: remember the time the other ones I'm going for. By 595 00:27:38,720 --> 00:27:40,000 Speaker 1: the way, these have to be jokes. 596 00:27:40,080 --> 00:27:41,879 Speaker 2: You remember the time I found that mallet in the 597 00:27:41,920 --> 00:27:44,400 Speaker 2: offer and this again is a former employee. I found 598 00:27:44,440 --> 00:27:46,760 Speaker 2: this huge mallet and I was just I think I 599 00:27:46,880 --> 00:27:48,680 Speaker 2: show started in like an hour lame, and I was like, 600 00:27:48,840 --> 00:27:51,760 Speaker 2: will yeah, can we do some stuff with the mallets? 601 00:27:51,840 --> 00:27:53,920 Speaker 2: And you looked at me again in that way you 602 00:27:54,000 --> 00:27:55,359 Speaker 2: look at me where it's like what can be possibly 603 00:27:55,359 --> 00:27:56,960 Speaker 2: do with a mallet? And I decided to get a 604 00:27:56,960 --> 00:27:59,639 Speaker 2: whole bunch of fruits and I was gonna. I was 605 00:27:59,680 --> 00:28:01,879 Speaker 2: gonna smashed the fruit as hard as I could on 606 00:28:01,960 --> 00:28:04,800 Speaker 2: this medal table. And then the game was which fruit 607 00:28:04,840 --> 00:28:08,600 Speaker 2: will splait the most? And I still remember the moment 608 00:28:08,720 --> 00:28:11,200 Speaker 2: that I think it was the head of sales maybe 609 00:28:11,640 --> 00:28:16,639 Speaker 2: who walked into a room. It was just fruit. Fruit 610 00:28:16,880 --> 00:28:18,600 Speaker 2: was everywhere, and then they walked in as the hammer 611 00:28:18,720 --> 00:28:20,800 Speaker 2: was above my head like I was four, and I was. 612 00:28:20,840 --> 00:28:23,679 Speaker 1: Like, I am so sorry I do There's another one 613 00:28:23,720 --> 00:28:24,800 Speaker 1: I want to tell you about that you and I 614 00:28:24,920 --> 00:28:28,200 Speaker 1: have transgressed. We've got a bad history in offices. Burns 615 00:28:28,240 --> 00:28:31,800 Speaker 1: called on thirty one and six five. Burn Hello, guys, 616 00:28:32,040 --> 00:28:33,560 Speaker 1: game mate, we're talking about if you used to work 617 00:28:33,600 --> 00:28:34,840 Speaker 1: in h I used to work at reception. 618 00:28:35,600 --> 00:28:37,680 Speaker 8: Yeah, so I didn't work I did this one. So 619 00:28:38,000 --> 00:28:41,200 Speaker 8: in reception, everyone always used to forget their lanyard to 620 00:28:41,280 --> 00:28:44,880 Speaker 8: get into the building, so I thought to get everyone 621 00:28:44,960 --> 00:28:47,280 Speaker 8: to remember to bring it back. I put the penis 622 00:28:47,440 --> 00:28:53,640 Speaker 8: backscratcher attached to the lanyard. And but then I got 623 00:28:53,720 --> 00:28:58,560 Speaker 8: called into HR and they said, did you put the 624 00:28:58,720 --> 00:29:01,840 Speaker 8: penis backscratcher? I said, but I think that everyone would 625 00:29:02,640 --> 00:29:04,800 Speaker 8: remember to bring it back. They said, no, the head 626 00:29:04,800 --> 00:29:07,520 Speaker 8: of marketing has the penis brack scratching in her bag. 627 00:29:08,040 --> 00:29:10,120 Speaker 8: Get it, put it under your top and throw it 628 00:29:10,200 --> 00:29:11,120 Speaker 8: in the bin straight away. 629 00:29:13,680 --> 00:29:16,320 Speaker 2: It's really good, fair enough. 630 00:29:16,920 --> 00:29:19,440 Speaker 1: The other one that I'll leave everybody with, I could 631 00:29:19,480 --> 00:29:21,240 Speaker 1: go out on the well. The other one I was 632 00:29:21,280 --> 00:29:23,720 Speaker 1: going to leave everyone with was when you and I 633 00:29:24,240 --> 00:29:27,760 Speaker 1: had Charlotte in from Geordie Shaw. Again, this is a 634 00:29:27,920 --> 00:29:31,480 Speaker 1: previously previous employer, and I had Charlotte from Georgie Shore. 635 00:29:31,760 --> 00:29:35,360 Speaker 1: She was blowing out, she was blowing up at the time. 636 00:29:35,440 --> 00:29:37,880 Speaker 1: She just become very famous for doing a we in public. 637 00:29:39,360 --> 00:29:41,120 Speaker 2: Remember that, yes I do. 638 00:29:41,720 --> 00:29:44,360 Speaker 1: And so you and I naturally wrote a song parody. 639 00:29:45,520 --> 00:29:47,360 Speaker 1: I can't remember the original song was called but the 640 00:29:47,400 --> 00:29:52,280 Speaker 1: parody was called danger Piss, which was just getting her 641 00:29:52,400 --> 00:29:53,760 Speaker 1: to Wii in public places. 642 00:29:53,800 --> 00:29:57,040 Speaker 2: I think that the song was dangerous, that the dangerous dangerous, 643 00:29:57,280 --> 00:29:59,920 Speaker 2: and so there were old geniuses we changed it to 644 00:30:00,040 --> 00:30:01,400 Speaker 2: the danger. 645 00:30:01,200 --> 00:30:04,000 Speaker 1: Is not actually winging in probably places. But I do 646 00:30:04,120 --> 00:30:12,200 Speaker 1: remember the head of hr around with their pants around 647 00:30:12,240 --> 00:30:12,760 Speaker 1: her ecle. 648 00:30:15,080 --> 00:30:16,360 Speaker 2: That was that wasn't aw good one. That was a 649 00:30:16,360 --> 00:30:19,080 Speaker 2: hard one to explain. Video went very well though, so 650 00:30:19,200 --> 00:30:21,680 Speaker 2: you can probably still find that on YouTube. Great stuff. 651 00:30:22,040 --> 00:30:27,680 Speaker 2: Wilbur the Queen, the Royal family or the Secret Service 652 00:30:28,480 --> 00:30:30,680 Speaker 2: has dug up a plan that they used to have 653 00:30:30,800 --> 00:30:34,240 Speaker 2: in the Cold War to deal with potential riots that 654 00:30:34,280 --> 00:30:37,720 Speaker 2: are going to happen soon in the UK. And we 655 00:30:37,800 --> 00:30:38,880 Speaker 2: are speaking about the royals. 656 00:30:41,960 --> 00:30:50,720 Speaker 1: Always sloppy, but so have you heard this. 657 00:30:50,800 --> 00:30:53,200 Speaker 2: So because of the because of the Brexit riots that 658 00:30:53,360 --> 00:30:57,240 Speaker 2: might be about to happen, will and they're concerned about 659 00:30:57,360 --> 00:31:02,680 Speaker 2: the Royal family. Ye, so they have dug up they 660 00:31:02,760 --> 00:31:06,920 Speaker 2: have dug up a plan to evacuate the Royal family. Wow, 661 00:31:07,120 --> 00:31:09,120 Speaker 2: that they actually came up with during the Cold War. 662 00:31:09,200 --> 00:31:11,440 Speaker 2: So during the Cold War they had this evacuation plan 663 00:31:11,560 --> 00:31:13,719 Speaker 2: on how to get them all safely, handy, get them 664 00:31:13,720 --> 00:31:18,080 Speaker 2: out safely. They are using the same plan today, do 665 00:31:18,160 --> 00:31:19,160 Speaker 2: you that unbelievable? 666 00:31:19,600 --> 00:31:21,520 Speaker 1: So they just gone, gee, who isn't there to plan? 667 00:31:21,720 --> 00:31:24,640 Speaker 1: And we've still got this one lying around from the eighties. Yep, 668 00:31:24,760 --> 00:31:26,960 Speaker 1: Mum will wake you up. And then there's a secret 669 00:31:27,000 --> 00:31:29,640 Speaker 1: passageway if you pull the third book on the bookshelf. 670 00:31:29,720 --> 00:31:31,200 Speaker 2: It's sort of cool to think, isn't it that there's 671 00:31:31,200 --> 00:31:33,520 Speaker 2: probably a tunnel system or. 672 00:31:33,680 --> 00:31:37,080 Speaker 1: Something that'd be elaborate. I imagine like different rulers would 673 00:31:37,080 --> 00:31:39,720 Speaker 1: have put in different tunnels for different escape rooms and 674 00:31:39,720 --> 00:31:40,360 Speaker 1: all sorts of things. 675 00:31:40,400 --> 00:31:44,280 Speaker 2: Definitely, yeah, really cool stuff. And despite how amazing their 676 00:31:44,320 --> 00:31:46,920 Speaker 2: tunnels are, et cetera, I think the royal family still 677 00:31:47,000 --> 00:31:50,600 Speaker 2: has the problem that all of us have during an evacuation. 678 00:31:50,920 --> 00:31:51,240 Speaker 1: What's that? 679 00:31:52,520 --> 00:31:56,760 Speaker 2: It's that you can't change what you're wearing when you 680 00:31:56,880 --> 00:32:00,680 Speaker 2: get evacuated. What do you mean if the evacuateation call 681 00:32:00,840 --> 00:32:04,520 Speaker 2: comes and you happen to be well in the nerd, 682 00:32:05,480 --> 00:32:08,720 Speaker 2: or maybe you're dressed up in your sexiest lingerie or something, 683 00:32:09,480 --> 00:32:12,400 Speaker 2: and the fire alarm goes off or the evacuation alarm 684 00:32:12,520 --> 00:32:14,520 Speaker 2: goes off, you just have to get out of there. 685 00:32:15,480 --> 00:32:17,280 Speaker 2: And then there's a potential that you're going to be 686 00:32:17,360 --> 00:32:21,160 Speaker 2: outside in a very public place, either naked or potentially 687 00:32:21,240 --> 00:32:23,480 Speaker 2: in lingerie or in a bit of a weird costume. 688 00:32:23,520 --> 00:32:27,880 Speaker 1: Will if you were nude, though, I think I'm going 689 00:32:27,960 --> 00:32:29,440 Speaker 1: to be grabbing a towel on the way through. 690 00:32:30,080 --> 00:32:30,960 Speaker 2: I mean, do you have time? 691 00:32:31,040 --> 00:32:31,200 Speaker 7: Though? 692 00:32:31,560 --> 00:32:33,360 Speaker 1: I think it's I think it's a it's a priority. 693 00:32:33,600 --> 00:32:35,400 Speaker 2: I actually have an example of this from and you 694 00:32:35,520 --> 00:32:37,240 Speaker 2: know this from last week when I was staying at 695 00:32:37,280 --> 00:32:41,080 Speaker 2: a hotel and very unfortunately, middle of the night, I hear. 696 00:32:41,000 --> 00:32:44,680 Speaker 1: This emergency evacuate. Now this is. 697 00:32:46,200 --> 00:32:49,760 Speaker 2: Jesus, and I was woken up by this alarm and 698 00:32:50,040 --> 00:32:52,520 Speaker 2: you're so you're rattled. You think the fire could be 699 00:32:53,000 --> 00:32:55,920 Speaker 2: in the hallway or near your room. So I actually 700 00:32:56,040 --> 00:33:00,600 Speaker 2: bolted straight out. Amazingly, this was one of the few 701 00:33:00,640 --> 00:33:05,080 Speaker 2: occasions where I was actually in jocks, so I was, now, oh, 702 00:33:05,400 --> 00:33:07,960 Speaker 2: there is it's appropriate, that feels appropriate actually, So I'm 703 00:33:08,000 --> 00:33:12,320 Speaker 2: in my jocks and I sprint for the sprint for 704 00:33:12,400 --> 00:33:15,680 Speaker 2: the door, fling open the door and there's like obviously 705 00:33:15,760 --> 00:33:19,160 Speaker 2: a hallway of people that are just unfortunately. 706 00:33:18,640 --> 00:33:20,440 Speaker 1: There were they all scandily clad as well. 707 00:33:20,600 --> 00:33:24,080 Speaker 2: No, I was the only one in jocks. They actually 708 00:33:24,120 --> 00:33:27,920 Speaker 2: had bags fully dressed, and then they see this dreadlocked 709 00:33:27,960 --> 00:33:30,760 Speaker 2: man run into the hallway wearing his jocks, and unfortunately 710 00:33:30,800 --> 00:33:32,760 Speaker 2: they just found it very funny, yes, and not very. 711 00:33:32,720 --> 00:33:35,040 Speaker 1: Sexy, and it wasn't a serious emergency in the end. 712 00:33:35,280 --> 00:33:37,920 Speaker 2: No, Apparently some people would have smoking darts in the stairwell, 713 00:33:38,920 --> 00:33:39,720 Speaker 2: bloody smokers. 714 00:33:40,720 --> 00:33:42,960 Speaker 1: But you were standing there, and I was standing there 715 00:33:43,000 --> 00:33:45,360 Speaker 1: in my jocks in the hall You were dude, And 716 00:33:45,720 --> 00:33:46,480 Speaker 1: I sleep naked. 717 00:33:46,560 --> 00:33:48,880 Speaker 2: I always sleep naked. I don't know why I put 718 00:33:49,000 --> 00:33:50,920 Speaker 2: jocks on on this particular but I thought i'd ask 719 00:33:51,000 --> 00:33:53,960 Speaker 2: on thirteen one oh six five. I hope other people 720 00:33:54,040 --> 00:33:57,959 Speaker 2: have been in my situation before. What were you wearing 721 00:33:58,880 --> 00:33:59,920 Speaker 2: when you were evacuated? 722 00:34:00,880 --> 00:34:01,240 Speaker 1: All right? 723 00:34:01,320 --> 00:34:03,400 Speaker 2: And I'm not you know, if you've done a normal one, 724 00:34:03,440 --> 00:34:04,640 Speaker 2: I don't want to hear about it. I want to 725 00:34:04,680 --> 00:34:05,600 Speaker 2: hear that you wear. 726 00:34:05,520 --> 00:34:08,360 Speaker 1: Normal ones on this show. That's outrageous, completely out I 727 00:34:08,400 --> 00:34:09,839 Speaker 1: want to hear about the time that you were wearing 728 00:34:09,880 --> 00:34:11,640 Speaker 1: a three piece suit and got evacuated. We just don't 729 00:34:11,640 --> 00:34:12,480 Speaker 1: want to hear, of course. 730 00:34:12,360 --> 00:34:13,960 Speaker 2: Not it to be boring. I want to hear you 731 00:34:14,040 --> 00:34:16,279 Speaker 2: were wearing something embarrassing or maybe you were in a 732 00:34:16,400 --> 00:34:19,960 Speaker 2: state of undress. You were evacuated, and then what happened 733 00:34:20,000 --> 00:34:23,080 Speaker 2: You're out there front in public with a group of people. 734 00:34:23,360 --> 00:34:24,120 Speaker 2: I want to hear about it. 735 00:34:24,160 --> 00:34:26,400 Speaker 1: Yeah, you might have been wearing something kinky woods. Who knows? Oh, 736 00:34:26,480 --> 00:34:29,800 Speaker 1: look out, give us call its up. Next to just 737 00:34:29,920 --> 00:34:33,200 Speaker 1: asking what you were evacuated in. Yeah, in I mean 738 00:34:33,320 --> 00:34:35,600 Speaker 1: like what you're wearing at the time of evacuation. 739 00:34:35,800 --> 00:34:38,560 Speaker 2: I was evacuated in my jocks recently. It was pretty Yeah, 740 00:34:38,600 --> 00:34:41,279 Speaker 2: here we go. It was pretty embarrassing. And when you're 741 00:34:41,280 --> 00:34:43,239 Speaker 2: standing out there with thirty or forty people in your. 742 00:34:43,160 --> 00:34:45,960 Speaker 1: Jocks who aren't wearing their jokes. 743 00:34:46,280 --> 00:34:47,600 Speaker 2: No, everyone was fully clothed. 744 00:34:47,680 --> 00:34:50,719 Speaker 1: Do you have any glimpses where he looks down? Now? 745 00:34:50,800 --> 00:34:52,880 Speaker 2: It's just laugh It was. People just laughed at me. 746 00:34:52,960 --> 00:34:55,160 Speaker 2: And then if you snide comments in oh it's cold outside, 747 00:34:55,200 --> 00:34:55,360 Speaker 2: is it? 748 00:34:55,440 --> 00:34:55,480 Speaker 1: Not? 749 00:34:55,600 --> 00:34:58,720 Speaker 2: Very good? Mate? Very good? I remember you in Bloody 750 00:34:58,719 --> 00:35:04,239 Speaker 2: you come there and nick not your forgot Rene. I'm 751 00:35:04,280 --> 00:35:07,600 Speaker 2: thirteen one six five Renee. Tell us your story. 752 00:35:08,200 --> 00:35:08,440 Speaker 1: A Hi. 753 00:35:08,800 --> 00:35:12,239 Speaker 6: Yeah, so I was a vacularly at two am in 754 00:35:12,320 --> 00:35:14,920 Speaker 6: the morning in a tiny little nightty because there was 755 00:35:14,960 --> 00:35:16,440 Speaker 6: a fire in my hotel. 756 00:35:16,880 --> 00:35:18,640 Speaker 4: And we couldn't get back in till. 757 00:35:18,760 --> 00:35:22,680 Speaker 7: One pm that day, and so we just went down 758 00:35:22,800 --> 00:35:24,360 Speaker 7: Main Street and went to Macca's. 759 00:35:24,480 --> 00:35:26,880 Speaker 4: Got to fire money off someone? 760 00:35:27,040 --> 00:35:29,840 Speaker 1: Yeah, tiny little silky ninety Yeah. 761 00:35:32,040 --> 00:35:35,000 Speaker 2: Getting in your page, very campy. 762 00:35:35,160 --> 00:35:37,520 Speaker 7: Yeah, yeah, has to camp to work because I was 763 00:35:37,560 --> 00:35:38,360 Speaker 7: meant to work. 764 00:35:38,239 --> 00:35:40,319 Speaker 1: And oh yeah I didn't have any clothes, so. 765 00:35:41,520 --> 00:35:44,480 Speaker 2: So sorry, I can't quickly. This just cut me off, 766 00:35:44,560 --> 00:35:46,720 Speaker 2: will if you This is creepy, but so just a nighty. 767 00:35:46,800 --> 00:35:48,040 Speaker 2: So there's nothing on at all? 768 00:35:48,080 --> 00:35:51,399 Speaker 1: One no, no, no, no undergarments for nothing. 769 00:35:51,560 --> 00:35:51,719 Speaker 8: Yeah. 770 00:35:51,880 --> 00:35:53,000 Speaker 7: And it was quite short too. 771 00:35:53,160 --> 00:35:57,080 Speaker 2: Yeah, and you went to McDonald's in public, Yeah, there was. 772 00:35:57,200 --> 00:35:59,040 Speaker 7: There was a few of us from the hotel. 773 00:35:59,080 --> 00:36:00,080 Speaker 4: A little life while we're. 774 00:36:00,040 --> 00:36:04,560 Speaker 6: Starving, and yeah, well we're I'm gonna stole day. 775 00:36:04,920 --> 00:36:06,680 Speaker 4: They said, yeah, it'll be the afternoon. 776 00:36:06,840 --> 00:36:10,800 Speaker 2: So yeah, girl, dad's got a eight. Will Thanks for 777 00:36:10,840 --> 00:36:11,440 Speaker 2: the coronet. 778 00:36:11,600 --> 00:36:15,360 Speaker 1: Thanks for the coronate though, isn't it? What's up the 779 00:36:15,400 --> 00:36:23,040 Speaker 1: old short ninety augusta wind? Hell yeah, that's right now 780 00:36:23,080 --> 00:36:27,120 Speaker 1: you get the full there. Mike's cold on. 781 00:36:28,840 --> 00:36:32,680 Speaker 2: Mike the chance the community chests talking about what you 782 00:36:32,760 --> 00:36:35,560 Speaker 2: were wearing during an evacuation and you were the hotel 783 00:36:35,640 --> 00:36:36,200 Speaker 2: worker Mike. 784 00:36:37,640 --> 00:36:40,160 Speaker 6: Yeah, so I was. I was working the front desk 785 00:36:40,200 --> 00:36:41,520 Speaker 6: when I was living back in the States. 786 00:36:41,800 --> 00:36:42,000 Speaker 3: Yeah. 787 00:36:42,239 --> 00:36:45,279 Speaker 6: And it's dead winter, middle of the winter, by the way, 788 00:36:45,480 --> 00:36:49,680 Speaker 6: so cold, the snollers ice and there was a bachelor 789 00:36:49,800 --> 00:36:52,720 Speaker 6: party of firemen up in the up on the third floor. 790 00:36:53,280 --> 00:36:55,839 Speaker 6: Fire alarm went off and they all come streaming down 791 00:36:55,920 --> 00:36:58,560 Speaker 6: the stairs only wearing budgy smugglers and their helmets. 792 00:37:01,320 --> 00:37:02,960 Speaker 2: I imagine that would have been a bit of a Treatmark. 793 00:37:03,000 --> 00:37:05,560 Speaker 2: Did it looked pretty good? The firefighters and smugglers. 794 00:37:06,360 --> 00:37:07,040 Speaker 3: Oh beautiful? 795 00:37:10,719 --> 00:37:12,920 Speaker 2: Like I got Catherine here and nod Catherine. You were 796 00:37:12,960 --> 00:37:15,000 Speaker 2: at Phillip Island and there was. 797 00:37:16,680 --> 00:37:16,919 Speaker 4: Yes. 798 00:37:17,120 --> 00:37:19,160 Speaker 7: So about two years ago, we went with my then 799 00:37:19,239 --> 00:37:22,239 Speaker 7: boyfriend for Valentine's Day and I thought, you know, let's 800 00:37:22,239 --> 00:37:25,479 Speaker 7: spice it up, let's do something different. And I thought, 801 00:37:25,840 --> 00:37:27,720 Speaker 7: you know, Latex would be a good idea. 802 00:37:29,960 --> 00:37:34,640 Speaker 1: And it wasn't go and go and give me his Latex. 803 00:37:34,760 --> 00:37:38,640 Speaker 1: Are we talking like catwoman Latex? Or is it like, 804 00:37:39,280 --> 00:37:40,840 Speaker 1: you know, the full bodysuit Latex? 805 00:37:41,000 --> 00:37:43,120 Speaker 8: Or was it not your full bodysuit? 806 00:37:43,280 --> 00:37:43,719 Speaker 5: But it was. 807 00:37:44,080 --> 00:37:47,120 Speaker 7: It was pretty tired and it was on to the 808 00:37:47,239 --> 00:37:50,160 Speaker 7: point where we're in the middle of trying new things, 809 00:37:50,200 --> 00:37:51,880 Speaker 7: and I had these boots that were just pass my 810 00:37:51,960 --> 00:37:55,480 Speaker 7: knees and I thought, yes, great, I felt great. And 811 00:37:55,680 --> 00:38:01,440 Speaker 7: then the alarm sat going off, n free and I 812 00:38:01,600 --> 00:38:04,960 Speaker 7: run outside and he's like, what are you doing? Come 813 00:38:05,000 --> 00:38:06,480 Speaker 7: back inside and I'm like, I'm my god, no no, 814 00:38:07,280 --> 00:38:09,720 Speaker 7: And then turns out that someone had burnt their toast 815 00:38:09,960 --> 00:38:16,480 Speaker 7: and it was nothing. And then I was so embarrassed 816 00:38:16,520 --> 00:38:18,600 Speaker 7: and I wanted to just leave back to Melbourn straight away. 817 00:38:18,719 --> 00:38:22,080 Speaker 1: Okay, I've got to ask a couple of questions. Did 818 00:38:22,160 --> 00:38:24,160 Speaker 1: you have like a whip in your hand or anything? 819 00:38:25,680 --> 00:38:26,040 Speaker 5: You know that? 820 00:38:26,160 --> 00:38:31,960 Speaker 7: Okay, all right, you know what it's like, you know, 821 00:38:32,160 --> 00:38:34,479 Speaker 7: like the stick, things, like the leather thing. 822 00:38:35,360 --> 00:38:38,479 Speaker 2: Like a baton almost, yeah, kind of one of those. 823 00:38:39,200 --> 00:38:43,640 Speaker 7: And still it was, it was great, it was And 824 00:38:44,040 --> 00:38:46,280 Speaker 7: that was it that traumatizing me? I said, never again? 825 00:38:47,960 --> 00:38:53,000 Speaker 1: So Catherine, was he and did he? Was he tied 826 00:38:53,080 --> 00:38:54,280 Speaker 1: up for anything at this stage? 827 00:38:55,440 --> 00:38:55,480 Speaker 6: No? 828 00:38:55,920 --> 00:38:58,960 Speaker 7: No, we hadn't gone for that part yet. Luckily in 829 00:38:59,040 --> 00:38:59,560 Speaker 7: there and run. 830 00:38:59,480 --> 00:39:04,440 Speaker 1: Away last single, my friend. 831 00:39:07,400 --> 00:39:09,520 Speaker 2: It's a scary jungle out there. It's tough. 832 00:39:10,120 --> 00:39:12,759 Speaker 1: It sounds tough, and I think it particularly sounds tough 833 00:39:12,840 --> 00:39:17,000 Speaker 1: when you come back from weekends where you've been away 834 00:39:17,280 --> 00:39:22,560 Speaker 1: and you tell me that you gave out your email address. 835 00:39:23,360 --> 00:39:26,240 Speaker 2: Three, I'm so out of touch. 836 00:39:26,560 --> 00:39:30,200 Speaker 1: I'm so I don't know, smooth operators appropriate, definitely not. 837 00:39:30,360 --> 00:39:32,920 Speaker 2: I'm so out of touch that like I'll be talking 838 00:39:33,040 --> 00:39:35,799 Speaker 2: to a woman and thinking it's going well and then 839 00:39:35,840 --> 00:39:38,520 Speaker 2: I don't know. It's like I'm watching myself from like 840 00:39:39,360 --> 00:39:41,960 Speaker 2: like watching myself from like a floating ghost area, watch 841 00:39:42,000 --> 00:39:44,960 Speaker 2: myself give out an email address. I was say like, hey, 842 00:39:45,160 --> 00:39:47,040 Speaker 2: let's get in let's you know, let's stay in touch. 843 00:39:47,600 --> 00:39:48,640 Speaker 2: Here's my email. 844 00:39:49,600 --> 00:39:54,400 Speaker 1: Yeah yeah, And I'll unpack you watching yourself from a 845 00:39:54,440 --> 00:39:57,360 Speaker 1: floating ghost area later on. But let's get down to 846 00:39:57,440 --> 00:40:01,920 Speaker 1: the email stuff. Do you think I mean? I want 847 00:40:02,000 --> 00:40:03,520 Speaker 1: people to weigh in on this because I you know, 848 00:40:03,600 --> 00:40:05,000 Speaker 1: I've been I've been doing I was talking to my 849 00:40:05,040 --> 00:40:06,200 Speaker 1: girlfriend about the other night. 850 00:40:07,320 --> 00:40:09,160 Speaker 2: And you were talking to your girlfriend about me. 851 00:40:09,360 --> 00:40:10,960 Speaker 1: The really main impression on me, mate, I was like, 852 00:40:11,239 --> 00:40:14,799 Speaker 1: anybody that gives out their email the boys, yeah, you're 853 00:40:14,880 --> 00:40:18,440 Speaker 1: either you've either got a business meeting with them, so 854 00:40:18,840 --> 00:40:21,360 Speaker 1: you're saying, hey, hit me up, let's do some business. 855 00:40:22,200 --> 00:40:25,800 Speaker 1: And I'm sure you weren't doing business well business of 856 00:40:25,880 --> 00:40:26,319 Speaker 1: one kind. 857 00:40:26,440 --> 00:40:28,400 Speaker 2: I'm sort of a twenty four to seven businessman, will 858 00:40:28,719 --> 00:40:28,840 Speaker 2: I know? 859 00:40:28,920 --> 00:40:30,799 Speaker 1: I know that, but this this was this is out 860 00:40:30,840 --> 00:40:34,120 Speaker 1: of business hours. And second thing is I feel like 861 00:40:34,360 --> 00:40:35,040 Speaker 1: it comes. 862 00:40:34,840 --> 00:40:39,320 Speaker 2: Across like you're a bit of a big deal. I 863 00:40:39,480 --> 00:40:42,680 Speaker 2: don't know what I was trying to do. What happened? 864 00:40:42,719 --> 00:40:47,000 Speaker 1: Like honestly, I just my next question for you is this, 865 00:40:47,280 --> 00:40:51,400 Speaker 1: and by the way, please feel free to join this conversation. Firstly, 866 00:40:52,080 --> 00:40:57,520 Speaker 1: do you still have the private email address of I 867 00:40:57,640 --> 00:41:01,040 Speaker 1: have a big Woody at hotmail dot No. 868 00:41:01,440 --> 00:41:04,719 Speaker 2: Okay, I got rid of that last year. I thought 869 00:41:05,080 --> 00:41:07,759 Speaker 2: National Drive Show, it's time. It's got a new email 870 00:41:08,320 --> 00:41:08,719 Speaker 2: to move on. 871 00:41:10,160 --> 00:41:13,440 Speaker 1: Secondly, when you go to give your email to somebody, 872 00:41:16,960 --> 00:41:18,120 Speaker 1: are you writing it down? 873 00:41:20,080 --> 00:41:20,120 Speaker 6: No? 874 00:41:20,440 --> 00:41:22,719 Speaker 2: Yeah, I write it in my notes, So like no, no, 875 00:41:22,880 --> 00:41:24,839 Speaker 2: they write it in their notes. And then I go, well, 876 00:41:25,480 --> 00:41:27,160 Speaker 2: when I return the favor, and then they give me 877 00:41:27,200 --> 00:41:28,560 Speaker 2: their email, just confused. 878 00:41:28,719 --> 00:41:31,200 Speaker 1: What are they? Like? Are they pranking you? Send me 879 00:41:31,239 --> 00:41:33,360 Speaker 1: an email? I know you've got it. 880 00:41:33,760 --> 00:41:35,560 Speaker 2: I actually got an email. I got an email from 881 00:41:35,600 --> 00:41:39,240 Speaker 2: one of these girls, and she actually in the email 882 00:41:39,360 --> 00:41:41,200 Speaker 2: she actually said like she was nice to meet you. 883 00:41:41,280 --> 00:41:43,560 Speaker 2: And then she said, by the way, your drink is 884 00:41:43,600 --> 00:41:45,520 Speaker 2: on the ledge just in from the door, on the 885 00:41:45,600 --> 00:41:47,640 Speaker 2: left ledge there, which is actually very handy. What do 886 00:41:47,760 --> 00:41:50,400 Speaker 2: you mean, well, she she took my drink inside, and 887 00:41:50,480 --> 00:41:53,480 Speaker 2: then she was telling me through email where my drink 888 00:41:53,640 --> 00:41:55,640 Speaker 2: was right, which actually wasn't very handed at this point, 889 00:41:55,719 --> 00:41:57,399 Speaker 2: do you read that and you're like, Wow, that would 890 00:41:57,440 --> 00:42:01,480 Speaker 2: have been so much easier I had it got a definitely. 891 00:42:02,280 --> 00:42:04,440 Speaker 2: I wasn't even regret my decision to hand out my email. 892 00:42:04,840 --> 00:42:06,520 Speaker 1: Okay, look, here's what I want to know. Thirty one 893 00:42:06,560 --> 00:42:09,719 Speaker 1: and six fives of phone number, because I'm not gonna 894 00:42:09,760 --> 00:42:12,200 Speaker 1: lie it. I think that giving out your email is 895 00:42:12,200 --> 00:42:14,520 Speaker 1: a bit foggy. I reckon, we need to move past it. 896 00:42:14,560 --> 00:42:15,360 Speaker 2: I didn't think about it. 897 00:42:15,400 --> 00:42:16,800 Speaker 1: I really need to hear from I really need to 898 00:42:16,840 --> 00:42:18,400 Speaker 1: hear because I think we need to, you know, if 899 00:42:18,400 --> 00:42:20,920 Speaker 1: you're going to be out there in the jungle going forward. 900 00:42:21,840 --> 00:42:26,360 Speaker 1: I think we just at least have a card. And 901 00:42:26,400 --> 00:42:28,279 Speaker 1: then I was like, no, I think a card would 902 00:42:28,280 --> 00:42:28,720 Speaker 1: be worse. 903 00:42:28,920 --> 00:42:30,319 Speaker 2: I don't have a business card, and we haven't. 904 00:42:30,360 --> 00:42:32,200 Speaker 1: You haven't got a business card, or if you did, 905 00:42:32,239 --> 00:42:34,680 Speaker 1: it would be with me on it be really weird. 906 00:42:36,320 --> 00:42:39,120 Speaker 1: So thirty one and six fives of phone number. I 907 00:42:39,200 --> 00:42:41,640 Speaker 1: really do, really, only really want to hear from women here. 908 00:42:41,640 --> 00:42:43,040 Speaker 1: I suppose there are guys that can call up, but 909 00:42:43,120 --> 00:42:44,480 Speaker 1: I want to know. If you're a girl and a 910 00:42:44,560 --> 00:42:46,680 Speaker 1: guy walks up to you and go, hey, here's my email, 911 00:42:47,400 --> 00:42:49,600 Speaker 1: that's well, but I mean, I get to know each 912 00:42:49,640 --> 00:42:53,000 Speaker 1: other phrasing. But if a guy suggests you here's my email, 913 00:42:53,800 --> 00:42:57,040 Speaker 1: does that automatically categorize him as a bit of a 914 00:42:57,160 --> 00:42:59,799 Speaker 1: nob I just need to I just need to check, 915 00:43:00,280 --> 00:43:01,960 Speaker 1: because I think we need to get this behavior out 916 00:43:01,960 --> 00:43:07,399 Speaker 1: of you. Would we're taking course that when I six five, 917 00:43:07,480 --> 00:43:11,800 Speaker 1: I've raised an issue. You told me over the weekend 918 00:43:11,840 --> 00:43:16,520 Speaker 1: that you gave your email address out to three separate women. 919 00:43:17,280 --> 00:43:20,720 Speaker 2: That's where it ended, which is coming to no surprise 920 00:43:20,840 --> 00:43:22,800 Speaker 2: now given I did give them my email and not 921 00:43:22,920 --> 00:43:24,880 Speaker 2: my number. I don't know why I do it. 922 00:43:25,440 --> 00:43:25,759 Speaker 1: I don't know. 923 00:43:25,840 --> 00:43:27,719 Speaker 2: I've been thinking about it over the song as to 924 00:43:27,760 --> 00:43:29,680 Speaker 2: why I do it, and I think for me, if 925 00:43:29,760 --> 00:43:31,200 Speaker 2: I gave them my number. 926 00:43:31,080 --> 00:43:32,160 Speaker 1: Can you stop rubbing you nibbles? 927 00:43:32,200 --> 00:43:34,800 Speaker 2: By the way, sorry, If I gave them my number, 928 00:43:35,280 --> 00:43:37,480 Speaker 2: then that would be like a presumptuous like I'm flirting 929 00:43:37,520 --> 00:43:39,799 Speaker 2: with you. By the way, here's my number. Oh, I'm 930 00:43:39,800 --> 00:43:42,920 Speaker 2: being promiscuous, whereas email felt a bit more like, hey, 931 00:43:43,520 --> 00:43:44,360 Speaker 2: let's email and. 932 00:43:44,520 --> 00:43:48,840 Speaker 1: Just's I don't know, send a couple of me. 933 00:43:49,200 --> 00:43:52,480 Speaker 2: I just thought email was less intrusive, intrusive and less 934 00:43:53,080 --> 00:43:56,080 Speaker 2: for like, yes, keen, yes, let's email each other a 935 00:43:56,160 --> 00:43:57,719 Speaker 2: bit and you know, let's see where this takes. 936 00:43:57,600 --> 00:44:02,800 Speaker 1: Is oh god, and the other thing. And so what 937 00:44:02,920 --> 00:44:04,800 Speaker 1: I've raised here, and this is One've asked people to 938 00:44:04,880 --> 00:44:07,719 Speaker 1: call about, is that I think that whilst you think 939 00:44:07,760 --> 00:44:11,280 Speaker 1: you're stepping into more of a sort of a platonic space, 940 00:44:11,320 --> 00:44:15,000 Speaker 1: whereas you know, nowhere near as forward, shall we say, yes, 941 00:44:15,440 --> 00:44:18,920 Speaker 1: I think that it actually starts to creep into a 942 00:44:19,000 --> 00:44:22,360 Speaker 1: bit of a floggy territory. And I hadn't the willing 943 00:44:22,400 --> 00:44:24,520 Speaker 1: and dealing business and dishing out his card. You know, 944 00:44:25,000 --> 00:44:26,640 Speaker 1: I haven't got time to give him my number and 945 00:44:26,719 --> 00:44:29,040 Speaker 1: I'm too important, So maybe you can just have my 946 00:44:29,160 --> 00:44:31,320 Speaker 1: email anyway, we'll check with it. You know, you and I, 947 00:44:31,520 --> 00:44:34,120 Speaker 1: as always, aren't women in this conversation. So Carl is 948 00:44:34,160 --> 00:44:34,760 Speaker 1: called Carla. 949 00:44:35,600 --> 00:44:36,680 Speaker 8: Hey, how are you guys? 950 00:44:36,800 --> 00:44:38,760 Speaker 1: We're good mate, what do your record emails? 951 00:44:39,400 --> 00:44:41,520 Speaker 8: Okay, so this actually happened to me on the weekend, 952 00:44:41,520 --> 00:44:43,520 Speaker 8: which is so weird that you guys are talking about it. 953 00:44:43,960 --> 00:44:48,200 Speaker 7: But the guy was absolutely just cheir it, full of himself. 954 00:44:48,520 --> 00:44:52,160 Speaker 8: He was like, here's my email, and you know I 955 00:44:52,320 --> 00:44:55,120 Speaker 8: do like really big things for work. I travel, I 956 00:44:55,200 --> 00:44:57,279 Speaker 8: can take you with me. Just email me and I'll 957 00:44:57,320 --> 00:44:58,440 Speaker 8: put you on my card. 958 00:44:59,000 --> 00:44:59,720 Speaker 2: Is that you Carla? 959 00:45:05,480 --> 00:45:05,919 Speaker 1: Your voice? 960 00:45:06,640 --> 00:45:08,480 Speaker 2: You never emails. 961 00:45:10,400 --> 00:45:12,480 Speaker 1: Charla. That's exactly what I was worried about. Thank you 962 00:45:12,520 --> 00:45:19,040 Speaker 1: for raising that. Very good. Angela's called on. If the 963 00:45:19,120 --> 00:45:22,160 Speaker 1: women that did get the email are listening, we would 964 00:45:22,200 --> 00:45:25,480 Speaker 1: love to even them. Angela's called Angela. You think it's 965 00:45:25,480 --> 00:45:26,120 Speaker 1: a bit sus. 966 00:45:27,840 --> 00:45:31,800 Speaker 4: It depends on the situation and the person, obviously, and 967 00:45:31,920 --> 00:45:34,839 Speaker 4: you do get an instinct of things. But one question 968 00:45:34,920 --> 00:45:37,680 Speaker 4: that Mike raised his head is, well, if he's given 969 00:45:37,719 --> 00:45:39,200 Speaker 4: me the email and doesn't want me to have his 970 00:45:39,320 --> 00:45:42,960 Speaker 4: phone numbers it because he's already seen someone, Yeah, he's 971 00:45:43,000 --> 00:45:43,960 Speaker 4: out on the prow. 972 00:45:43,920 --> 00:45:44,239 Speaker 7: Why not. 973 00:45:46,000 --> 00:45:48,040 Speaker 2: And that's not the case. That's not the case, Angela. 974 00:45:48,200 --> 00:45:49,920 Speaker 2: That I can see how someone would think that. 975 00:45:50,600 --> 00:45:50,839 Speaker 1: Yeah. 976 00:45:52,200 --> 00:45:55,480 Speaker 4: Interestingly enough, though, I've been with my beautiful man now 977 00:45:55,560 --> 00:45:59,759 Speaker 4: for over nine years and we exchanged phone numbers and 978 00:46:00,560 --> 00:46:02,920 Speaker 4: email address. You did the double thing he did was 979 00:46:03,000 --> 00:46:03,840 Speaker 4: sent me an email. 980 00:46:04,200 --> 00:46:08,880 Speaker 1: Ah yeah, here we go, Here we go. And I 981 00:46:08,960 --> 00:46:11,719 Speaker 1: think that's not a bad idea Angela. However, keep in 982 00:46:11,800 --> 00:46:14,680 Speaker 1: mind that wood He's personal email was I have a 983 00:46:14,719 --> 00:46:18,000 Speaker 1: big woody at hotmail dot com. So you know, maybe 984 00:46:18,080 --> 00:46:25,760 Speaker 1: that'll turn them from setting the email. Thanks the call, though, Angela, 985 00:46:25,960 --> 00:46:27,719 Speaker 1: I think the double whammy is a good one. I'll 986 00:46:27,719 --> 00:46:30,080 Speaker 1: tell you what woulds. I have been concerned about the 987 00:46:30,160 --> 00:46:31,920 Speaker 1: fact that you've looked like a little bit of a 988 00:46:32,360 --> 00:46:34,239 Speaker 1: a little bit of a tossa here in giving out 989 00:46:34,280 --> 00:46:35,880 Speaker 1: your email. I'm being honest, thank you. 990 00:46:36,440 --> 00:46:38,320 Speaker 2: However, I appreciate your concern. 991 00:46:38,480 --> 00:46:43,279 Speaker 1: It was brought to my attention that a friend of 992 00:46:43,360 --> 00:46:47,000 Speaker 1: ours actually gave out his email in order to meet 993 00:46:47,120 --> 00:46:48,000 Speaker 1: his current partner. 994 00:46:48,239 --> 00:46:49,040 Speaker 2: Oh, here we go. 995 00:46:49,880 --> 00:46:52,719 Speaker 1: He probably has different stocks in terms of who he 996 00:46:52,880 --> 00:46:56,080 Speaker 1: is though. So yeah, Andy, Lee's decided to call the 997 00:46:56,120 --> 00:47:02,120 Speaker 1: show because come, you make you feel better about an email? 998 00:47:03,080 --> 00:47:07,239 Speaker 5: Yes, hey, guys, stop stealing, stop stop stealing my moves. 999 00:47:07,239 --> 00:47:11,560 Speaker 5: Would I had a drive show, You've got a drive show. 1000 00:47:13,560 --> 00:47:17,400 Speaker 5: Now you're pulling this stuff off, very very hurtful. Just 1001 00:47:17,520 --> 00:47:21,399 Speaker 5: have my house, just have my car, very single white 1002 00:47:21,480 --> 00:47:22,000 Speaker 5: female of. 1003 00:47:22,080 --> 00:47:25,279 Speaker 2: You, and how did it go down with you? Because, 1004 00:47:25,600 --> 00:47:28,480 Speaker 2: as Will said, mine was actually pretty unsuccessful giving out 1005 00:47:28,520 --> 00:47:31,640 Speaker 2: my email address. But how did the situation arise for you? 1006 00:47:31,880 --> 00:47:34,360 Speaker 3: Certainly it certainly helps if you're clear that to the 1007 00:47:34,440 --> 00:47:44,120 Speaker 3: year two thousand. Sadly clear has gone under and you 1008 00:47:44,200 --> 00:47:48,000 Speaker 3: can't get that arrow when you quiver. Look, I tell 1009 00:47:48,040 --> 00:47:48,200 Speaker 3: you what. 1010 00:47:48,440 --> 00:47:51,400 Speaker 5: It's slightly regretful for me because Beck never lets me 1011 00:47:51,520 --> 00:47:52,000 Speaker 5: live it down. 1012 00:47:52,239 --> 00:47:54,840 Speaker 3: That is what I did with Beck, my cart girlfriend 1013 00:47:55,360 --> 00:47:59,160 Speaker 3: and and she but the thing was for me. 1014 00:47:59,719 --> 00:48:02,000 Speaker 5: I wrote a note on a napkin. She was the waitress, 1015 00:48:02,640 --> 00:48:05,359 Speaker 5: and I wrote a note on the napkin to leave 1016 00:48:05,680 --> 00:48:09,120 Speaker 5: on the table. And I was very nervous about leaving 1017 00:48:09,200 --> 00:48:12,160 Speaker 5: my phone number in case any old random person. 1018 00:48:12,360 --> 00:48:15,960 Speaker 3: Picked up the napkin. So that but Beck does not 1019 00:48:16,120 --> 00:48:17,960 Speaker 3: let me live it down. She's like, who are you? 1020 00:48:19,120 --> 00:48:21,160 Speaker 3: And the fact that it was you know, fan maail 1021 00:48:21,239 --> 00:48:23,520 Speaker 3: or hamichinety dot com, that was probably a problem. 1022 00:48:34,680 --> 00:48:35,560 Speaker 1: See what you're hearing. 1023 00:48:35,800 --> 00:48:39,319 Speaker 4: Find us on Instagram and Facebook search Willan Woodle. 1024 00:48:39,200 --> 00:48:41,880 Speaker 2: For Yeah, I don't think I want your role on anywhere, Jimmy. 1025 00:48:42,239 --> 00:48:43,160 Speaker 2: I'm going to be honest