1 00:00:00,640 --> 00:00:03,400 Speaker 1: Great per flick with Benoshe. 2 00:00:04,480 --> 00:00:06,880 Speaker 2: Good morning, Ben, Good morning guys. 3 00:00:07,280 --> 00:00:10,559 Speaker 1: Now this is a story I'm looking forward to seeing. 4 00:00:10,880 --> 00:00:13,840 Speaker 3: Yeah, So this is the story of the opera singer 5 00:00:13,920 --> 00:00:17,920 Speaker 3: Maria Kallas, who was so famous that they called her 6 00:00:18,120 --> 00:00:20,680 Speaker 3: La Callas. So you know, when they call you the 7 00:00:20,880 --> 00:00:23,000 Speaker 3: and then your last name, you're a pretty big deal. 8 00:00:23,040 --> 00:00:23,840 Speaker 2: And she certainly was. 9 00:00:23,880 --> 00:00:26,840 Speaker 3: She was a pop culture icon, you know, like you're 10 00:00:26,840 --> 00:00:29,520 Speaker 3: talking about, you know, maybe not quite Beatles level, but 11 00:00:29,560 --> 00:00:31,680 Speaker 3: certainly she would rock up at an opera house and 12 00:00:31,720 --> 00:00:35,159 Speaker 3: there would be paparazzi, there would be hordes of fans 13 00:00:35,200 --> 00:00:38,559 Speaker 3: waiting to catch a glimpse of Maria Kallas. And she 14 00:00:38,680 --> 00:00:40,800 Speaker 3: was famous also for her you know, sort of a 15 00:00:40,880 --> 00:00:44,760 Speaker 3: private life as well, her decades long dalliance with Aristotle 16 00:00:44,840 --> 00:00:48,520 Speaker 3: on Nassas, who put the O in Jackie O and 17 00:00:48,680 --> 00:00:55,120 Speaker 3: the O. And he was a you know, a Greek 18 00:00:55,160 --> 00:00:59,760 Speaker 3: shipping magnate. Aristotle Onassis broke Maria Callis's heart. Then she 19 00:00:59,760 --> 00:01:03,120 Speaker 3: can't kind of like lost her voice tragically and then 20 00:01:03,160 --> 00:01:05,680 Speaker 3: lived as a recluse for many years in Paris up 21 00:01:05,720 --> 00:01:07,960 Speaker 3: until her death. And this film sort of tells the 22 00:01:08,040 --> 00:01:11,200 Speaker 3: story of her final few days where she's thinking about 23 00:01:11,200 --> 00:01:14,360 Speaker 3: maybe trying to make a comeback, and she's taking these 24 00:01:14,360 --> 00:01:18,800 Speaker 3: sort of powerful hallucinogenic sedatives and just wandering around Paris 25 00:01:18,800 --> 00:01:21,880 Speaker 3: and kind of reliving her life, I guess. And it 26 00:01:21,959 --> 00:01:27,320 Speaker 3: stars Angelina Jolie, who's perfectly cast as Maria Callas. It's 27 00:01:27,319 --> 00:01:29,720 Speaker 3: hard to imagine anybody really doing as sort of a 28 00:01:29,800 --> 00:01:34,280 Speaker 3: grand opera diver better than Jolie. I feel a bit 29 00:01:34,319 --> 00:01:37,440 Speaker 3: for Ange. She got overlooked for the Oscars. The whole 30 00:01:37,440 --> 00:01:42,000 Speaker 3: film really got snubbed apart from Best Cinematography. And it's 31 00:01:42,000 --> 00:01:45,839 Speaker 3: from director Pablo Lorraine, who's a director from Chile who's 32 00:01:46,160 --> 00:01:48,480 Speaker 3: really an expert in making these type of movies. This 33 00:01:48,560 --> 00:01:52,640 Speaker 3: is the third of his trilogy of films about twentieth 34 00:01:52,640 --> 00:01:57,160 Speaker 3: century iconic women. He had Jackie starring Natalie Portman, that 35 00:01:57,240 --> 00:02:00,280 Speaker 3: got Natalie Portman and Oscar nomination. He did Spence a 36 00:02:00,280 --> 00:02:03,840 Speaker 3: couple of years ago about Princess Die starring Kristen Stewart. 37 00:02:03,960 --> 00:02:07,400 Speaker 2: That was awful. Yeah, that wasn't for everybody. I bet 38 00:02:07,520 --> 00:02:11,000 Speaker 2: that wasn't for everybody. Christin Stewart got an Oscar nomination. 39 00:02:11,800 --> 00:02:15,120 Speaker 1: She didn't say I know why she got an Oscar nomination, but. 40 00:02:15,240 --> 00:02:18,200 Speaker 3: She did, and so I think, and going into this 41 00:02:18,240 --> 00:02:20,160 Speaker 3: would have thought, you know what, this guy knows how 42 00:02:20,200 --> 00:02:25,160 Speaker 3: to get his leading ladies some oscar attention didn't happen, which. 43 00:02:25,000 --> 00:02:27,639 Speaker 1: Is the iron She's the one that probably should have gone. 44 00:02:27,520 --> 00:02:28,639 Speaker 2: Yeah, it's a bit unfortunate. 45 00:02:28,760 --> 00:02:33,000 Speaker 3: She learned how to sing opera and look, ninety ninety 46 00:02:33,040 --> 00:02:35,320 Speaker 3: five percent of the film is actually the real Maria 47 00:02:35,400 --> 00:02:38,840 Speaker 3: Callis is singing because no one's going to sing like she. 48 00:02:38,840 --> 00:02:41,440 Speaker 3: She's not just an opera singer one of the best 49 00:02:41,440 --> 00:02:46,080 Speaker 3: of all time. But and towards the end of the 50 00:02:46,120 --> 00:02:49,280 Speaker 3: film where she's singing and she can't sing anymore, that's 51 00:02:49,320 --> 00:02:53,239 Speaker 3: actually a singers. So when you can't, when the audience 52 00:02:53,320 --> 00:02:55,440 Speaker 3: is supposed to feel sad about how much her voice 53 00:02:55,440 --> 00:02:58,560 Speaker 3: has declined, that's and singing. And look, she does very 54 00:02:58,600 --> 00:02:59,880 Speaker 3: well though, like you listen to it and you go, 55 00:03:00,160 --> 00:03:05,120 Speaker 3: that's pretty bloody good. But the actual and one of 56 00:03:05,200 --> 00:03:09,200 Speaker 3: the unfortunate downsides of the film is, you know, an 57 00:03:09,200 --> 00:03:11,520 Speaker 3: actual opera singer. You see this if you see one 58 00:03:11,600 --> 00:03:13,720 Speaker 3: up close, you see the strain that it has on 59 00:03:13,760 --> 00:03:16,480 Speaker 3: their muscles and their windpipe and you can see it 60 00:03:16,560 --> 00:03:18,760 Speaker 3: kind of bulging in their throat and so it's very 61 00:03:18,760 --> 00:03:22,079 Speaker 3: hard to mime that. And so when when when Angelina 62 00:03:22,160 --> 00:03:25,320 Speaker 3: Jolie is miming some of these big arias in the flashbacks, 63 00:03:25,680 --> 00:03:28,960 Speaker 3: you can see that she's not singing, but we're in 64 00:03:29,040 --> 00:03:30,960 Speaker 3: the in the kind of final stages of the movie 65 00:03:30,960 --> 00:03:32,919 Speaker 3: where she is actually singing. That's some of the most 66 00:03:33,000 --> 00:03:36,040 Speaker 3: powerful moments. And and she does a good job. I 67 00:03:36,040 --> 00:03:38,520 Speaker 3: think she does a pretty good job. It's really a 68 00:03:38,600 --> 00:03:42,720 Speaker 3: one woman show this movie. There's some nice supporting performances 69 00:03:43,280 --> 00:03:47,240 Speaker 3: from the two actors that play her house staff, because 70 00:03:47,240 --> 00:03:50,120 Speaker 3: she really lives alone in this chateau in Paris with 71 00:03:50,160 --> 00:03:55,480 Speaker 3: her butler, who's played by the great Pierre Francesco, who 72 00:03:55,680 --> 00:03:58,320 Speaker 3: has been in a bunch of Italian films and plays 73 00:03:58,360 --> 00:04:01,119 Speaker 3: the Ferruccio, her butler, who actually interviews with the real 74 00:04:01,120 --> 00:04:04,280 Speaker 3: life Ferruccio helped kind of come up with the script 75 00:04:04,280 --> 00:04:09,000 Speaker 3: of this film. And Australia's own Cody Smith McPhee in 76 00:04:09,080 --> 00:04:14,320 Speaker 3: the film. Yeah, unfortunately, his character is to be honest, 77 00:04:14,400 --> 00:04:16,080 Speaker 3: is probably the thing that is the most annoying about 78 00:04:16,160 --> 00:04:21,800 Speaker 3: recause it's not that he's not good, he's fine. But 79 00:04:21,960 --> 00:04:24,680 Speaker 3: her character is called Mandrex, which is the name of 80 00:04:24,720 --> 00:04:28,200 Speaker 3: the hallucinogenic drug that she was taking, so he's probably 81 00:04:28,240 --> 00:04:31,280 Speaker 3: not actually really there the whole time, and so it's 82 00:04:31,320 --> 00:04:34,640 Speaker 3: just unnecessary, you know, it's just an unnecessary kind of 83 00:04:34,640 --> 00:04:39,320 Speaker 3: little affectation. And he's playing this journalist who's interviewing her, 84 00:04:39,400 --> 00:04:41,559 Speaker 3: and so that's kind of the device the director uses 85 00:04:41,640 --> 00:04:44,080 Speaker 3: to get her to kind of have the inner monologue 86 00:04:44,240 --> 00:04:48,640 Speaker 3: on the outside. And but yeah, but the cinematography that 87 00:04:48,839 --> 00:04:52,039 Speaker 3: was Oscar nominated is by the bloke who did. If 88 00:04:52,080 --> 00:04:55,560 Speaker 3: you've seen The Virgin Suicides by Sophia Coppola or Todd 89 00:04:55,600 --> 00:05:00,320 Speaker 3: Haynes's Carroll, two stunningly gorgeous films, you get a good 90 00:05:00,320 --> 00:05:01,960 Speaker 3: idea of what this film looks like. 91 00:05:02,560 --> 00:05:05,839 Speaker 2: It's beautiful to watch. It is luscious. 92 00:05:05,880 --> 00:05:08,160 Speaker 3: The streets of Paris. It seems like every single shot 93 00:05:08,240 --> 00:05:10,400 Speaker 3: was shot at either at sunrise or sunset. 94 00:05:10,560 --> 00:05:11,720 Speaker 2: Yeah, beautiful. 95 00:05:11,800 --> 00:05:14,840 Speaker 1: Does it delve a lot into just how much Onnassas 96 00:05:15,080 --> 00:05:15,600 Speaker 1: broke her? 97 00:05:16,080 --> 00:05:19,000 Speaker 3: Yeah, like I think it really does. You know, he 98 00:05:19,080 --> 00:05:21,400 Speaker 3: she kind of fell for him. He was this, you know, 99 00:05:21,440 --> 00:05:24,679 Speaker 3: this cocky Greek shipping magnate who was you know, punching 100 00:05:24,800 --> 00:05:27,360 Speaker 3: well above his weight, even trying to have a crack 101 00:05:27,400 --> 00:05:31,320 Speaker 3: at Maria Callis and but you know, he wooed her 102 00:05:31,400 --> 00:05:34,600 Speaker 3: with his extreme wealth and then just kind of really 103 00:05:34,680 --> 00:05:36,760 Speaker 3: left her for Jackie. Oh, Jackie Kenny. 104 00:05:37,360 --> 00:05:39,960 Speaker 1: Is it true that she continued to have an affair 105 00:05:40,040 --> 00:05:42,479 Speaker 1: with him? But yeah, so he yeah. 106 00:05:42,560 --> 00:05:44,719 Speaker 3: Ye And the kind of film, the kind of film 107 00:05:45,680 --> 00:05:49,400 Speaker 3: suggests that maybe Aristotle on Nassas got it on with 108 00:05:49,600 --> 00:05:53,400 Speaker 3: Jackie Kennedy while she was still married to JFK, which 109 00:05:53,440 --> 00:05:55,679 Speaker 3: is and there's a little a little scene where JFK 110 00:05:56,000 --> 00:05:59,320 Speaker 3: is kind of interacting with Maria Kallis, which is really 111 00:05:59,400 --> 00:06:00,400 Speaker 3: fascinating as well. 112 00:06:01,000 --> 00:06:07,279 Speaker 2: It's not a JK. Yes, he did extra curricular exactly. Well, 113 00:06:07,360 --> 00:06:08,800 Speaker 2: they have they mentioned that as well. 114 00:06:08,839 --> 00:06:12,200 Speaker 3: I think that show there it was they show Maria 115 00:06:12,240 --> 00:06:16,960 Speaker 3: Callas at that famous famous JFK birthday event where Marilyn Monroe. 116 00:06:18,880 --> 00:06:22,560 Speaker 2: Pleasant and Aristotle and ass is. 117 00:06:22,520 --> 00:06:25,480 Speaker 3: Saying to Maria Callis, you know, like talking about Marilyn 118 00:06:25,560 --> 00:06:29,039 Speaker 3: up on stage, and Maria says to Aristotle and Asses, 119 00:06:29,400 --> 00:06:32,800 Speaker 3: it's amazing, you know, you know, everyone only cares about 120 00:06:32,800 --> 00:06:35,200 Speaker 3: her body, no one cares about her voice, and he 121 00:06:35,240 --> 00:06:38,680 Speaker 3: says to her, well, Maria, you're the opposite. Everyone cares 122 00:06:38,680 --> 00:06:40,960 Speaker 3: about your voice and no one cares about your body 123 00:06:41,480 --> 00:06:42,880 Speaker 3: than it was a line. 124 00:06:43,040 --> 00:06:48,719 Speaker 1: So it was good words. How many note over Tilly 125 00:06:48,760 --> 00:06:50,240 Speaker 1: in this case, skinny lady. 126 00:06:50,000 --> 00:06:55,599 Speaker 3: Sings is a very skinny lady in this case. You 127 00:06:55,600 --> 00:06:57,720 Speaker 3: know it's not perfect, but I think Angela Jolly is 128 00:06:58,000 --> 00:06:59,239 Speaker 3: so good and it looks so beautiful. 129 00:06:59,240 --> 00:07:00,960 Speaker 2: I'm going to give this one three and a half. Okay, 130 00:07:01,200 --> 00:07:01,599 Speaker 2: very good. 131 00:07:02,200 --> 00:07:05,000 Speaker 1: Does any is there any sort of like does she? 132 00:07:05,080 --> 00:07:06,920 Speaker 1: Is she just Angelina Jolly sized? 133 00:07:07,640 --> 00:07:12,440 Speaker 2: Yeah, he's not bulking up. She didn't bulk up for 134 00:07:12,480 --> 00:07:15,000 Speaker 2: this one. Okay. Lots of flashback, yeah, lots of flash 135 00:07:15,240 --> 00:07:17,360 Speaker 2: Very good, very good, Thanks guys,