1 00:00:00,840 --> 00:00:03,240 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,400 --> 00:00:05,520 Speaker 2: Who's a thrill to talk to? Our next guest, Rhys 3 00:00:05,600 --> 00:00:08,799 Speaker 2: Nicholson is known for his razor sharp wittes, fabulous style 4 00:00:09,080 --> 00:00:10,840 Speaker 2: and of course, as being one of the judges on 5 00:00:10,880 --> 00:00:13,360 Speaker 2: the stand original series of Drag Race down Under. 6 00:00:13,640 --> 00:00:16,239 Speaker 3: He joins us now for good morning. 7 00:00:16,320 --> 00:00:17,959 Speaker 4: It's so early for a comedia. 8 00:00:19,320 --> 00:00:21,599 Speaker 1: We can I just give you praise. 9 00:00:21,680 --> 00:00:24,560 Speaker 5: I loved your character in Fisk, my love, oh thank you, 10 00:00:24,600 --> 00:00:27,240 Speaker 5: because in the world that I've been in this business 11 00:00:27,240 --> 00:00:28,400 Speaker 5: for a long time. 12 00:00:28,520 --> 00:00:30,480 Speaker 3: You won't stop sending me emails about that. 13 00:00:30,680 --> 00:00:33,120 Speaker 5: There's a lot of there's a lot of inductions. Now 14 00:00:33,159 --> 00:00:35,280 Speaker 5: you can't you can't have a cup of tea without GI. 15 00:00:35,360 --> 00:00:36,680 Speaker 4: You can't say anything anymore. 16 00:00:36,720 --> 00:00:39,000 Speaker 1: You've got to have But when. 17 00:00:38,800 --> 00:00:40,920 Speaker 2: We first moved into this building, we had a big 18 00:00:41,400 --> 00:00:43,760 Speaker 2: injuction and you had to do the whole induction before 19 00:00:43,760 --> 00:00:44,800 Speaker 2: you're allowed to get a keeps cover. 20 00:00:44,920 --> 00:00:49,040 Speaker 5: And what happens in the story of in Fisk is, yeah, 21 00:00:49,360 --> 00:00:51,720 Speaker 5: you're in one of those those hubs where people go 22 00:00:51,760 --> 00:00:53,640 Speaker 5: in the workers hub, and so what happens to the 23 00:00:53,640 --> 00:00:55,959 Speaker 5: guys from h Gruber and Gruber have to go and 24 00:00:55,960 --> 00:00:58,400 Speaker 5: work in this hub because there's a death threat hanging 25 00:00:58,440 --> 00:00:58,880 Speaker 5: over them. 26 00:00:59,320 --> 00:01:00,760 Speaker 1: And you're the induction guy. 27 00:01:00,920 --> 00:01:03,680 Speaker 3: I'm the hell of I think of myself as kind 28 00:01:03,680 --> 00:01:05,520 Speaker 3: of the head of vibes here at the half. 29 00:01:05,880 --> 00:01:06,319 Speaker 1: That's fun. 30 00:01:06,400 --> 00:01:08,560 Speaker 3: You can come to me with basically anything except for 31 00:01:08,640 --> 00:01:09,240 Speaker 3: tech support. 32 00:01:09,240 --> 00:01:12,240 Speaker 4: That's Kasper's departments. Do you want to follow me, I'll. 33 00:01:12,080 --> 00:01:14,160 Speaker 2: Show you're on the space or stop stop stuff? 34 00:01:14,200 --> 00:01:16,240 Speaker 4: Sorry, am I going too fast? I always do this, 35 00:01:16,280 --> 00:01:16,800 Speaker 4: you know what it is? 36 00:01:16,840 --> 00:01:18,800 Speaker 3: I get very excited when we have a newbie. I'm 37 00:01:18,880 --> 00:01:19,639 Speaker 3: just really busy. 38 00:01:19,680 --> 00:01:20,920 Speaker 2: I've really got to get to work. 39 00:01:20,959 --> 00:01:23,120 Speaker 3: So if we could do all this and the vibes 40 00:01:23,160 --> 00:01:25,320 Speaker 3: and the tap stuff a bit later, that would be great. 41 00:01:26,520 --> 00:01:30,200 Speaker 5: That's your desk there, and could I get the Wi 42 00:01:30,200 --> 00:01:30,840 Speaker 5: Fi password? 43 00:01:30,959 --> 00:01:35,320 Speaker 3: I usually give that out during the induction right row. 44 00:01:35,880 --> 00:01:38,200 Speaker 4: You know what the thing with that is that like 45 00:01:38,520 --> 00:01:40,399 Speaker 4: for years because I'm in the very. 46 00:01:40,240 --> 00:01:42,520 Speaker 3: First thing of the very first episode of FISK, but 47 00:01:42,840 --> 00:01:44,920 Speaker 3: like years ago, because I know Kiddy pretty well. 48 00:01:44,959 --> 00:01:46,559 Speaker 4: Can you find that makes the sure? And like Tom 49 00:01:46,560 --> 00:01:47,200 Speaker 4: that makes it with it? 50 00:01:47,520 --> 00:01:49,400 Speaker 3: And like they were like, oh, We've written a character 51 00:01:49,520 --> 00:01:52,680 Speaker 3: for you, and then like like only yeah, about six 52 00:01:52,680 --> 00:01:54,120 Speaker 3: months ago and we filmed that. They're like, we've written 53 00:01:54,120 --> 00:01:55,800 Speaker 3: this character. They sent me the script, It's like this 54 00:01:55,840 --> 00:01:57,440 Speaker 3: is for you. We thought of you when we wrote this, 55 00:01:57,600 --> 00:02:02,000 Speaker 3: and like it's just to complete ourself like like that 56 00:02:02,000 --> 00:02:04,240 Speaker 3: that's who I am. Like like they're like, we thought 57 00:02:04,240 --> 00:02:06,000 Speaker 3: we wrote this character, and you know, you're the first 58 00:02:06,000 --> 00:02:08,720 Speaker 3: person we thought of a complete night me human being there. 59 00:02:09,160 --> 00:02:11,119 Speaker 4: But hey, then I got to just be myself wearing 60 00:02:11,200 --> 00:02:12,000 Speaker 4: someone else's clothes. 61 00:02:12,040 --> 00:02:16,240 Speaker 2: That's what acting now excellent with drag Race, who this 62 00:02:16,320 --> 00:02:21,480 Speaker 2: show is famous for for highlighting inclusivity and and and 63 00:02:21,560 --> 00:02:24,680 Speaker 2: helping people through some vulnerability. It's been so influential. Who 64 00:02:24,680 --> 00:02:28,400 Speaker 2: are some of the favorite characters that you've met on 65 00:02:28,440 --> 00:02:28,840 Speaker 2: the show. 66 00:02:29,240 --> 00:02:31,920 Speaker 3: It is one of those things where I mean obviously RuPaul, 67 00:02:33,040 --> 00:02:35,240 Speaker 3: but like it is one of those jobs where I 68 00:02:35,280 --> 00:02:37,839 Speaker 3: come into work and because we've all had these types 69 00:02:37,880 --> 00:02:39,720 Speaker 3: of jobs where like you kind of you can it's 70 00:02:39,720 --> 00:02:41,640 Speaker 3: easy to take things for granted and then every now 71 00:02:41,680 --> 00:02:45,680 Speaker 3: and then, like you know, in the next episode this week, yeah, this. 72 00:02:45,680 --> 00:02:48,079 Speaker 4: Friday, Friday, five pm only on stand. 73 00:02:49,520 --> 00:02:52,000 Speaker 3: G Flip is like and so like you get to 74 00:02:52,080 --> 00:02:54,919 Speaker 3: just like kind of just meet proper people and then 75 00:02:55,040 --> 00:02:57,600 Speaker 3: like see them kind of just in their natural habitats. 76 00:02:57,600 --> 00:02:59,160 Speaker 4: I don't know. It's like, it's very. 77 00:02:59,000 --> 00:03:01,320 Speaker 3: Odd to me that I essentially do inductions with them 78 00:03:01,320 --> 00:03:03,359 Speaker 3: as well, where I as the judge, I get to 79 00:03:03,440 --> 00:03:05,080 Speaker 3: kind of tell them, you know, oh that's where the 80 00:03:05,080 --> 00:03:08,040 Speaker 3: bathrooms are and stuff like that, and don't you know 81 00:03:08,400 --> 00:03:10,079 Speaker 3: you can look you can look Michelle in the eye, 82 00:03:10,160 --> 00:03:12,280 Speaker 3: but like not too long because you will turn into stone. 83 00:03:12,840 --> 00:03:15,520 Speaker 3: And no, I don't know, like do you mean like 84 00:03:15,800 --> 00:03:17,840 Speaker 3: specific people but also also like. 85 00:03:17,840 --> 00:03:20,560 Speaker 2: The kinds of characters you meet as the judge, the 86 00:03:20,600 --> 00:03:21,880 Speaker 2: lives you see in front of you. 87 00:03:22,200 --> 00:03:28,920 Speaker 3: Oh, okay, more of a deep answer. Don't like drag 88 00:03:29,560 --> 00:03:33,480 Speaker 3: In our countries Australia, New Zealand, we do a very 89 00:03:33,520 --> 00:03:37,720 Speaker 3: particular thing and it is character work, like as in 90 00:03:37,760 --> 00:03:40,880 Speaker 3: and getting to see the queens who are essentially plucked 91 00:03:40,880 --> 00:03:43,760 Speaker 3: out of sometimes out of obscurity. Like these queens they 92 00:03:43,800 --> 00:03:46,000 Speaker 3: send in their tapes and they're working in nightclubs at 93 00:03:46,040 --> 00:03:48,520 Speaker 3: like two o'clock in the morning to mostly drunk audiences, 94 00:03:48,680 --> 00:03:51,120 Speaker 3: and then suddenly they are standing on the main stage 95 00:03:51,160 --> 00:03:53,920 Speaker 3: of Rupuls drag Race or drag Race down under Good 96 00:03:53,920 --> 00:03:58,640 Speaker 3: Fix and they they are suddenly kind of chucked into 97 00:03:58,680 --> 00:04:00,680 Speaker 3: the limelight and seeing how they ill with that and 98 00:04:00,720 --> 00:04:03,400 Speaker 3: seeing like the proper artistry, like drag is an art 99 00:04:03,440 --> 00:04:06,000 Speaker 3: form unlike any other. If you have to be able 100 00:04:06,040 --> 00:04:09,720 Speaker 3: to be a performer, a theme stress, a very crafty 101 00:04:09,760 --> 00:04:12,680 Speaker 3: person like and this season particularly, there are some queens 102 00:04:12,680 --> 00:04:14,920 Speaker 3: in the show that like, you know, I don't usually 103 00:04:14,960 --> 00:04:17,040 Speaker 3: dip into the comments, but I've been having a little 104 00:04:17,080 --> 00:04:19,840 Speaker 3: look and people are so impressed by Australian drag. 105 00:04:19,920 --> 00:04:22,159 Speaker 1: Right now, Well we went down the path. Remember that 106 00:04:22,240 --> 00:04:23,719 Speaker 1: I was decided to. 107 00:04:23,680 --> 00:04:26,800 Speaker 2: Try to celebrate this show. A couple of years ago. 108 00:04:27,560 --> 00:04:30,520 Speaker 2: Jonesy was given a makeover and it was quite extraordinary. 109 00:04:30,560 --> 00:04:32,719 Speaker 2: It wasn't just like the footy show put some makeup on. 110 00:04:33,120 --> 00:04:35,359 Speaker 1: It was My sister was outraged because she said, you 111 00:04:35,400 --> 00:04:36,039 Speaker 1: look like me. 112 00:04:37,360 --> 00:04:39,160 Speaker 4: Did you did you go the whole hog? 113 00:04:39,600 --> 00:04:40,000 Speaker 1: You did? 114 00:04:40,040 --> 00:04:40,120 Speaker 5: You? 115 00:04:41,520 --> 00:04:42,520 Speaker 4: Did you? Did you tack? 116 00:04:42,800 --> 00:04:43,520 Speaker 1: No? 117 00:04:43,520 --> 00:04:45,120 Speaker 4: No, no, I didn't do the tark. No. 118 00:04:45,160 --> 00:04:46,520 Speaker 1: Actually I didn't even think of the tark. 119 00:04:46,800 --> 00:04:50,080 Speaker 4: No, you gotta get the tack. You gotta think of 120 00:04:50,120 --> 00:04:50,479 Speaker 4: the tack. 121 00:04:50,600 --> 00:04:52,560 Speaker 1: Actually, that's scary. Wasn't even a thing. 122 00:04:53,120 --> 00:04:54,960 Speaker 4: No, you got it, and it's a real look. 123 00:04:55,480 --> 00:04:57,480 Speaker 1: But I was wearing a full full dress. 124 00:04:57,760 --> 00:04:59,159 Speaker 4: Okay, that's okay, that's what. 125 00:05:01,240 --> 00:05:03,400 Speaker 5: Although we did we had to come up with a name, 126 00:05:04,000 --> 00:05:08,120 Speaker 5: and this is Amanda was caught unawares on air. 127 00:05:08,200 --> 00:05:11,839 Speaker 2: I was just reading out the ideas. But what we 128 00:05:11,960 --> 00:05:14,880 Speaker 2: do need today is your drag name. We're asking for suggestions. 129 00:05:14,960 --> 00:05:19,680 Speaker 2: Yesterday Brendover, that was one that's yours. Yeah, Hailey Davidson, 130 00:05:19,839 --> 00:05:24,160 Speaker 2: karlasak me off. I just read that out without prereadio. 131 00:05:26,440 --> 00:05:28,960 Speaker 2: I saw the words and just read them. I do apologize. 132 00:05:30,200 --> 00:05:39,920 Speaker 2: That's pretty good. It's a bike theme, Kawasaki, and so 133 00:05:39,960 --> 00:05:41,200 Speaker 2: you were known as Karlasaki. 134 00:05:44,400 --> 00:05:46,040 Speaker 4: I like that. I like that, And so what with 135 00:05:46,080 --> 00:05:49,680 Speaker 4: your yours? Was Brendover Brendover or something like that. 136 00:05:49,720 --> 00:05:52,760 Speaker 3: But you know, I was like the I always thought 137 00:05:52,760 --> 00:05:55,479 Speaker 3: mine would be Dinah Hunger. I think that's like not 138 00:05:55,520 --> 00:05:57,200 Speaker 3: a not a bad one. It's maybe a little I 139 00:05:57,240 --> 00:05:59,280 Speaker 3: don't know how much corporate work I'd get with that one. 140 00:05:59,360 --> 00:06:03,599 Speaker 3: But Dina Hunger, welcome on the stage, Dina Hunger diabetes. 141 00:06:03,880 --> 00:06:05,279 Speaker 4: Oh that's nice as well. 142 00:06:05,640 --> 00:06:07,839 Speaker 2: But then you're going to offend somebody with that. 143 00:06:07,920 --> 00:06:10,839 Speaker 1: You can't do anything these days with offending, bloody. 144 00:06:10,880 --> 00:06:12,280 Speaker 4: You gotta do it in induction. 145 00:06:12,480 --> 00:06:15,040 Speaker 1: You got to get your keep cup. You've gotta get 146 00:06:15,040 --> 00:06:15,680 Speaker 1: an induction. 147 00:06:15,920 --> 00:06:17,640 Speaker 3: I mean even the way the drag names go there. 148 00:06:17,680 --> 00:06:20,400 Speaker 3: I like the camp ones, like in our THESM right 149 00:06:20,440 --> 00:06:22,360 Speaker 3: now we have we have a queen called Lazy Susan 150 00:06:22,440 --> 00:06:24,520 Speaker 3: and I think that is such a and like from 151 00:06:25,000 --> 00:06:28,080 Speaker 3: Seasan one the best drag name of all time I 152 00:06:28,080 --> 00:06:31,240 Speaker 3: think is Karen from Finance, Like that's just the dumb 153 00:06:31,560 --> 00:06:33,680 Speaker 3: silly Yeah, we had Camen from Finance. 154 00:06:33,800 --> 00:06:34,720 Speaker 4: Is it incredible? Quite? 155 00:06:34,760 --> 00:06:36,880 Speaker 3: Like just Philly ones. But then there's ones like only 156 00:06:36,920 --> 00:06:39,479 Speaker 3: American ones. There's ones called like milk and stuff like that, 157 00:06:39,520 --> 00:06:41,000 Speaker 3: and I think we can go with I like the 158 00:06:41,040 --> 00:06:42,880 Speaker 3: camp ones. I like, you know, an Irish queen called 159 00:06:42,880 --> 00:06:46,200 Speaker 3: patio Furniture like that, like you know, but it's. 160 00:06:46,080 --> 00:06:48,080 Speaker 1: Got to be creative, and that's what it's about. 161 00:06:48,200 --> 00:06:49,080 Speaker 2: Michelle Collection. 162 00:06:49,680 --> 00:06:51,920 Speaker 4: Yeah, you go, Michelle Collection. 163 00:06:52,120 --> 00:06:53,520 Speaker 1: I see, it's a slow burden. 164 00:06:53,640 --> 00:06:56,640 Speaker 5: Reason watched the stand original series of Drag Race down 165 00:06:56,680 --> 00:06:58,360 Speaker 5: Under Now on Stan Reys Nicholson. 166 00:06:58,400 --> 00:06:59,640 Speaker 1: Always a treat to have you on the show 167 00:06:59,680 --> 00:07:01,160 Speaker 4: Lovely to Save You