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Speaker 1: This is Will and Woody.

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Speaker 2: Shitay, guys, welcome to the podcast. I think it's worth

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Speaker 2: kicking off with a real back of house comment, so

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Speaker 2: producer l J. I hope she can hear us right now. Well,

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Speaker 2: when you pitched the idea of creating a playlist and

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Speaker 2: you called it parallel parking.

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Speaker 3: Yeah, parallel parking inverted commas using a metaphor for sex.

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Speaker 2: Now, our producer l J up until five minutes before

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Speaker 2: it went on air, for we were actually going to

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Speaker 2: create a playlist for when you literally parallel and l J,

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Speaker 2: I'm just curious that you're putting your head down in

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Speaker 2: your lap there, as good as that would have been.

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Speaker 2: I'm curious what are your favorite songs to parallel park two?

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Speaker 4: I mustn't.

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Speaker 3: I've been confused all there thinking the best part my

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Speaker 3: cardoon and I have not been Why didn't you say?

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Speaker 4: Why do you say something? What touch people's ideas? I thought,

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Speaker 4: go on letting.

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Speaker 3: Everyone seems to be loving this song as you pack

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Speaker 3: your card too, spot Yeah, very good, So you can

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Speaker 3: enjoy that, or knowing that we listened to that. I

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Speaker 3: was look a monumental money today, there's no doubt about it.

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Speaker 4: Just when was very good.

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Speaker 2: It was incredible. Will, No, it was incredible. People need

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Speaker 2: to realize just how difficult what I do is. But again,

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Speaker 2: listen to the podcast you'll hear it. But wow, I

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Speaker 2: mean it's it's a bit like when you saw Lance

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Speaker 2: Arms from winning seventh like no one thought he could

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Speaker 2: do it, but I did it.

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Speaker 4: And here's the kicker.

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Speaker 3: No, no, no drugs or anything. That's what I'm saying

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Speaker 3: that first of all, strong famously, and you're not doing that.

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Speaker 3: You take money around the office in a leopard print kit,

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Speaker 3: answering phones, you're not cycling record distances so at records

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Speaker 3: beats on the international car so.

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Speaker 4: You no, you're not.

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Speaker 2: I didn't other one. Here's here's one for you to

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Speaker 2: look forward to. Kelly Rowland, Destiny's childs Kelly Rowland.

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Speaker 4: Will she has changed my life. Yeah, she did change

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Speaker 4: love in a big way. This afternoon.

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Speaker 3: If anyone that struggles with arguments, make sure you stay

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Speaker 3: with us. You hear that in about ten minutes time, guys,

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Speaker 3: And right up next. Yeah, look, I just think there's

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Speaker 3: going to be some good gear. I thought it was

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Speaker 3: going to be some good gear. We nearly, we nearly

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Speaker 3: landed on a big land mine. You nearly spilled the beans,

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Speaker 3: so you did. You didn't even know what I was

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Speaker 3: talking about.

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Speaker 4: I was trying.

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Speaker 3: We're talking right up next, guys, about the most disappointing

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Speaker 3: things parents can tell you. Obviously, there's a big one

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Speaker 3: to dodge there. And Woods nearly stack his foot right

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Speaker 3: in the car, but luckily didn't anyway enjoy that guys

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Speaker 3: tomorrow now hates kiss oil and what are on a

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Speaker 3: Tuesday afternoon thanks to Medibank this afternoon?

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Speaker 4: Woods, I mean, I thought we were out of the woods.

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Speaker 4: I thought we were out of the woods. But look,

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Speaker 4: I mean, it's an interesting day obviously.

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Speaker 3: Yes, today Victoria in Australia saying their case is going up,

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Speaker 3: Danny Andrews dropping that shocking news, say opened the internet,

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Speaker 3: the World Health Authority.

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Speaker 4: Or who who are you?

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Speaker 3: They they said that cases are going to go up

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Speaker 3: above a million in like eight days or something like that.

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Speaker 3: We're all talking about we did, we did, and then

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Speaker 3: you know, tragically, the last bastion of hope for society,

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Speaker 3: the cradle of I was going to say democracy, but

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Speaker 3: it's definitely not that, just the cradle of vibrancy and life.

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Speaker 3: It was kept sacred for so long New Zealand.

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Speaker 5: Their cases here in New Zealand was always a point

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Speaker 5: in time, and as I said at the time we

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Speaker 5: moved to livel One, we were always going to see

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Speaker 5: more cases at our border. Our job now is to

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Speaker 5: keep them there.

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Speaker 4: It's all overwards.

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Speaker 3: If they've penetrated New Zealand, and I refer to Corona

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Speaker 3: now as they they've penetrated.

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Speaker 4: New Zealand's just like a little army. Yeah, they're going

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Speaker 4: to get all of us, aren't they. They are.

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Speaker 3: Looking at me like that, just an intelligent person like

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Speaker 3: you were one day telling me like no, no.

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Speaker 4: No, it was still good.

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Speaker 1: No.

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Speaker 4: I don't think that's the issue. I think that's that's

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Speaker 4: been the issue from the start.

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Speaker 3: We've had people who we thought were intelligent people at

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Speaker 3: the top saying we're all going to be fine.

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Speaker 4: No, it's a pandemic. We're in trouble.

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Speaker 3: I just like the head in the sand approach. Well, yeah,

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Speaker 3: I think I think a lot of people. I think

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Speaker 3: a lot of people do. But it were a really, really,

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Speaker 3: really disappointing thing that Cinda Idurn told Kiwis and the

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Speaker 3: rest of the world today that they had They've got

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Speaker 3: a couple more cases. They're blowing up again, and I

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Speaker 3: just want to focus on. I mean, the feeling that

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Speaker 3: I felt today when I saw Jacinda Ard and that

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Speaker 3: level of disappointment. It felt like I was a kid

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Speaker 3: again after my Saturday morning sport and I asked my

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Speaker 3: mom for some cash so I could buy a killer python,

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Speaker 3: and she told me she didn't bring her wallet. Oh,

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Speaker 3: and that that was the end of the world for

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Speaker 3: me as well, A similarly disappointing. How how could your

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Speaker 3: mother be so unprepared? Of course you would want to

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Speaker 3: kill a python. Obviously, I'm obviously going to ask for

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Speaker 3: a killer python.

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Speaker 4: She should have been prepared.

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Speaker 3: So look, I want to focus on these thirty one

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Speaker 3: oh six ' five. That feeling we all felt today

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Speaker 3: when you Cinda our dea and said that was very

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Speaker 3: much like telling a child the most disappointing thing they've

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Speaker 3: ever heard. And I want to want to see for

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Speaker 3: you guys listening right now, what is what was the

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Speaker 3: most disappointing thing that your parents could tell you? I remember,

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Speaker 3: now before you go on, there's obviously a very big

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Speaker 3: one that I'm avoiding.

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Speaker 4: Okay, well, you're looking.

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Speaker 2: At me like I'm going to spoil it. I don't

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Speaker 2: know what the big one is. It's very very well,

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Speaker 2: stop me if I'm going there. Okay, just say stop talking, Woody.

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Speaker 2: That's the code if I'm going there.

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Speaker 4: I don't know what you're talking. Okay, Okay, my mum

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Speaker 4: told me. I'll be honest.

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Speaker 3: I was a pretty weird kid, which I'm sure it

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Speaker 3: doesn't come as a huge shock for everyone listening. But

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Speaker 3: every time I saw a rainbow, pull over the car, Mum, let's.

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Speaker 2: Find the pot, of course, And for a long time

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Speaker 2: m thought it was cute. Yes, I'll keep telling Woody

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Speaker 2: that there's a leprocorn dancing on a pot of goals.

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Speaker 4: And then started getting very weird.

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Speaker 2: And I'll never forget the day that she said to me, Woody,

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Speaker 2: there isn't even an end to a rainbow.

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Speaker 4: She didn't even apparently, it's just an illusion.

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Speaker 3: I'm still run towards it the further. Yeah, that's why

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Speaker 3: they put a eleprech in there with some gold, because

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Speaker 3: you know you never get there.

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Speaker 4: Obviously, don't really get that. What about the time.

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Speaker 3: When you got told that you had to go and

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Speaker 3: watch your sister's netball as a kid.

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Speaker 4: That was shocking. After it it was a shocking time.

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Speaker 4: Avoid thirty one and six five.

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Speaker 3: By the way, if you if you think you know

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Speaker 3: the most disappointing thing a parent can tell their kid

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Speaker 3: When you're when you're on the way to like a

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Speaker 3: farm or a beach or something for the weekend or

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Speaker 3: for a week away with your family or whatever. You're

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Speaker 3: in the car, you go to your mom and dad

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Speaker 3: because your brother's currently pulling your hair or what hair

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Speaker 3: you had at that time, and you say to MoMA

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Speaker 3: and Dad had long forgot to go, and they say, oh,

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Speaker 3: we've only been in the car for twenty minutes.

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Speaker 4: That was a bad time. That was a bad time.

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Speaker 3: I had the Spice Girls on Saday because that's what

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Speaker 3: your sister had in the car and she refused to

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Speaker 3: listen to do anything else. Yeah, look thirty one and

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Speaker 3: six five saying that I had a traumatic childhood.

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Speaker 4: I'm sure all if you guys did as well.

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Speaker 3: What's the most disappointing thing a parent can tell their child?

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Speaker 3: I'm having to here from some kids up next as well.

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Speaker 3: On thirty one or six five. We'll take me on

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Speaker 3: next on kiss, It's Will and What You on Tuesday podcasting,

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Speaker 3: It's Kiss and it's Will and Woody woulds just sit

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Speaker 3: in the and telling New Zealand today they had new

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Speaker 3: cases of COVID nineteen. Was a little bit like a

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Speaker 3: mum telling their child very disappointing news.

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Speaker 2: I'll never forget we all the time now Again, I

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Speaker 2: wasn't the sharpest tool in the shap when I was

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Speaker 2: a kid, but I genuinely thought Charlie the Chocolate Factory

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Speaker 2: was a documentary and I obviously wanted to go to

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Speaker 2: the factory anyway, Mum told me when I was fifteen

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Speaker 2: years old, that's obviously it's a made up movie. And

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Speaker 2: then I said, okay, I want to take me to

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Speaker 2: the island where the upas are from. And she said, jeez,

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Speaker 2: you need to go back to school. So why are

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Speaker 2: we paying school for you?

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Speaker 4: So thirty one I six ' five the phone number.

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Speaker 3: Right now, what is the most disappointing thing a parent

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Speaker 3: can tell their child? Now, there's obviously a very big

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Speaker 3: one that we're not going to mention here. So there's

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Speaker 3: probably two big ones that we're not going to mention.

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Speaker 3: So don't worry parents. I don't know, well, just don't

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Speaker 3: ruin it. If you ruin it, I can dump you

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Speaker 3: if it gets If you say it, I'll dump you.

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Speaker 4: Okay, let's go to Jasmine here.

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Speaker 2: Hi, Jasmine, Hi, what's the most disappointing thing your parents

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Speaker 2: have told you?

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Speaker 6: So?

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Speaker 7: I'm very lazy and my mom forces me.

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Speaker 8: To go on a walk with her and the only

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Speaker 8: reason I do that is to get a milkshake afterwards.

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Speaker 9: And when we got there, she said.

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Speaker 10: That she's forgotten her wallet.

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Speaker 2: Oh God, sorcery from your mother there, the forgetting of

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Speaker 2: the wallet.

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Speaker 3: It's a Jasmine. Don't buy it anymore, Jasmine. Did she

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Speaker 3: have her phone on her?

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Speaker 4: Probably she can pay way.

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Speaker 2: Don't buy that anymore, Jasmine. That used to work on

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Speaker 2: us nineties kids. Jasmine, No, it's cash thanks the gold

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Speaker 2: jazzuind have got emma? Who's called us on thirteen one

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Speaker 2: o six five diet?

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Speaker 4: I Emma?

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Speaker 1: Hi?

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Speaker 4: How old are you?

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Speaker 10: I'm fourteen?

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Speaker 3: Ge whiz all right, So we've got more kids on

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Speaker 3: to scorch their parents here. What's the most disappointing thing

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Speaker 3: your parents have ever told you?

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Speaker 7: Well, so, when you like just got comfortable on the

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Speaker 7: couch and like there's a really good show on the

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Speaker 7: TV and then they tell you have to go to bed.

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Speaker 3: Oh, what time's bedtime, Emma?

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Speaker 10: Maybe it's like nine point thirty on school nights.

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Speaker 4: I's prime time there. That's pretty good. But the ninth

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Speaker 4: d the Naudia Show. Oh, no, good point. Now you

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Speaker 4: go to bed.

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Speaker 1: What do you want?

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Speaker 4: What do you?

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Speaker 1: What do you?

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Speaker 4: And she watches at nine, I don't want you.

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Speaker 3: You're talking to a fourteen year old and I've just realized, well,

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Speaker 3: thank you for reminding me, but thanks for the cole.

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Speaker 3: Emma's got to beg one of the old the truck reversals.

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Speaker 4: Oh, I've been about on the show. We got back

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Speaker 4: on thirty one and six five? Did I beck?

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Speaker 6: Hi?

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Speaker 8: How are you going?

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Speaker 11: Yeah?

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Speaker 4: Good mate.

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Speaker 3: We're talking about really disappointing things that parents essentially have

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Speaker 3: to tell their kids.

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Speaker 4: What if you go for us?

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Speaker 8: Well, when I was younger and my dad was looking

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Speaker 8: after myself and my little brother on the school holidays,

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Speaker 8: we were a bit crazy back then. Pull each other's

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Speaker 8: heads here. Sorry. He told us on a Tuesday night

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Speaker 8: that he had won the lottery. So the next day

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Speaker 8: we had to write a full page of list like

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Speaker 8: everything we wanted ever, you know, anything, absolutely anything. It

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Speaker 8: took us like the whole day and at the end

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Speaker 8: of the day, He's like, oh, actually it was the

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Speaker 8: wrong numbers. We didn't wind. He didn't just shut us up,

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Speaker 8: so we wasn't doing him for the whole day.

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Speaker 4: I still get pretty clever, good stuff.

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Speaker 6: Thanks the call.

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Speaker 3: I'm sure people parents taking that day with a notepad

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Speaker 3: and pen right now, right up next, how Kelly Roland

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Speaker 3: could change Woody's life? Stay with us? What yeah, I'll

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Speaker 3: tell you up next, Woods after the traffic on Kiss

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Speaker 3: will now vicious moment vicious moment of live TV on

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Speaker 3: The Voice. Last night been the most heated season yet.

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Speaker 3: I reckon it's been steamy and guys since Guy Sebastian,

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Speaker 3: you know, the choir boy from The Voice, the innocent.

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Speaker 4: We know guy. He's a lovely lovely said that we.

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Speaker 3: Know him would be a strench and I'm gonna interviewed

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Speaker 3: him three. I'm gonna stop you there. No, we don't know,

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Speaker 3: but he is a lovely guy. And then you know

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Speaker 3: last night, I mean, I don't know what it is

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Speaker 3: about Kelly Rowland, but she pushes his buttons.

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Speaker 8: I'm not.

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Speaker 1: Doing it.

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Speaker 4: That ain't even working a walk.

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Speaker 6: Off, does he? It's so disrespectful.

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Speaker 1: No, you're disrespectful, You're death respectful.

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Speaker 4: Who Hilly Dearly?

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Speaker 2: She was, of course trying to go into bat there

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Speaker 2: for the Mongolian back of throat singer, which you know

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Speaker 2: she no, what are you laughing at?

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Speaker 6: What?

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Speaker 4: There was no, no, no, the Mongolian back of throat singer.

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Speaker 3: I know.

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Speaker 4: He wasn't a fair battle.

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Speaker 2: You know, he's singing from the from the back of

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Speaker 2: his throat, and it was It wasn't anyway I could go.

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Speaker 3: I could talk for hours about it, but that's fair.

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Speaker 3: And I'm glad and you know, glad that happened. But look,

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Speaker 3: I want to focus on them. I want to focus

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Speaker 3: on what actually happened between Roland and Sebastian. Take away,

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Speaker 3: take away, where he's singing, how he's singing, and where

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Speaker 3: he's from. She stormed out. She had a walk off.

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Speaker 3: Sebastian called it. It was like, look, you're walking off.

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Speaker 3: That doesn't help anybody.

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Speaker 4: And I'll tell you.

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Speaker 3: What I didn't like about Kelly Rowland's walk off last night.

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Speaker 3: She broke the rules of the walk off. Okay, so

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Speaker 3: i'll play you the audio again.

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Speaker 4: Yeah, sure.

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Speaker 3: When you hear her yelling at the end, she's actually

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Speaker 3: off stage and she's cheating because she's got this microphone

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Speaker 3: that she's obviously booming out to them still on set.

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Speaker 3: She's walked off the set and she continues to yell

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Speaker 3: at guys.

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Speaker 4: Abastian have listened again, not doing this.

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Speaker 12: That any more?

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Speaker 1: Work out?

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Speaker 3: So walk off?

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Speaker 6: Does it's so disrespectful?

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Speaker 1: No, you're disrespectful.

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Speaker 3: You're just respectful, right, so you can hear her yelling. Yes,

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Speaker 3: she didn't have a good final line. I think that

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Speaker 3: any good walk off.

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Speaker 2: Well, I think the point you're trying to make you've

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Speaker 2: choked on your wad, is that if you're going to

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Speaker 2: have a good walk off, have a big statement and

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Speaker 2: then walk off.

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Speaker 4: That's she dribbled her.

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Speaker 3: You can't continue to yell and yell and yell as

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Speaker 3: you're walking away, particularly after you've walked away. That's not fair.

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Speaker 3: You've chosen to walk off. The statement is exactly you said.

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Speaker 3: Woods you say something and then you walk off. Now,

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Speaker 3: I was thinking before about how powerful these moments can be,

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Speaker 3: and then I was thinking about the fact that you're

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Speaker 3: a pathetic person, but also in an argument, you're a

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Speaker 3: horrible argue are You're not very good at it.

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Speaker 4: I just don't do it.

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Speaker 3: Yeah, and if I'm going to be honest, you haven't

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Speaker 3: got the walk off in your quiver of arrows. No,

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Speaker 3: it's not a string that you've got to your bow.

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Speaker 3: That's two archery references I've made within ten seconds. Pretty

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Speaker 3: good gear, very impressive. So that's a bulls eye. We've

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Speaker 3: made the trifector. So what we're going to do, yeah,

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Speaker 3: right up next is I'm going to see if I

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Speaker 3: can get you to do a walkout right all right,

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Speaker 3: So I'm going to say something's going to annoy you,

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Speaker 3: and then you're gonna have to kill me a one

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Speaker 3: liner and then walk out of the studio. This is

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Speaker 3: going to be embarrassingly that I think it's going to

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Speaker 3: be awful, but we're gonna do it. We're gonna do

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Speaker 3: it right up next. Okay, stay with kiss Will and

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Speaker 3: Woody on in Tuesday afternoon. We're here the Medibank on

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Speaker 3: a Tuesday afternoon, the return of office phone being go

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Speaker 3: after five o'clock. But Woods, right now, we're talking about

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Speaker 3: the huge storm out that Kelly Roland had or walk

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Speaker 3: off that Kelly rolling out on the voice last night.

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Speaker 1: You need I'm not doing it that any more working

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Speaker 1: because so.

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Speaker 6: Walk off does he it's so disrespectful.

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00:16:07,760 --> 00:16:10,680
Speaker 1: No, you're just just respectful. You're death respectful.

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Speaker 3: Now look, if I'm going to be honest, I expected

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Speaker 3: a better walk off from Roland, you know, being one

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Speaker 3: of the children of destiny, you know. And that's sort

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Speaker 3: of the thing that she would have up her sleeve,

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00:16:20,800 --> 00:16:23,160
Speaker 3: you'd think. And the key components for a walk off

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Speaker 3: are you delivered one line and then you walk off.

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00:16:25,000 --> 00:16:26,720
Speaker 3: You're not allow to keep yelling when you walk away.

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00:16:26,760 --> 00:16:28,880
Speaker 3: You've made your statement. The walk off says all the

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Speaker 3: words in the world.

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Speaker 4: Exactly, and the final statement should be good enough that

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Speaker 4: you don't need to you.

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Speaker 6: Don't need to go.

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Speaker 3: And you can hear it talking all the way out

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Speaker 3: during her walk off. So she really said, Now look, Woods,

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Speaker 3: I think a walk off somethody that you need an

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Speaker 3: extra string to your bow in terms of your argumenting skills. Sure,

354
00:16:45,000 --> 00:16:46,920
Speaker 3: because you have, Yeah, because you haven't got one at

355
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Speaker 3: the moment. You haven't got a walk off in your arsenal.

356
00:16:48,720 --> 00:16:50,720
Speaker 3: I've never done one in my life. Okay, So what

357
00:16:50,720 --> 00:16:52,280
Speaker 3: we're going to do is, I'm going to give you

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00:16:52,320 --> 00:16:53,600
Speaker 3: a couple of scenario. I think we've got to walk

359
00:16:53,600 --> 00:17:01,280
Speaker 3: off song for you. That's so what's going to happen

360
00:17:01,360 --> 00:17:04,480
Speaker 3: is here is I'm gonna we're gonna be in a scenario.

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00:17:05,119 --> 00:17:08,399
Speaker 3: All right, We're gonna a hypothetical scenario. I'll deliver a

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Speaker 3: line to you, and then you deliver your one walk

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Speaker 3: offline and then walk out.

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00:17:13,440 --> 00:17:17,000
Speaker 4: Right. Okay, this is I'm a different person. You're probably

365
00:17:17,000 --> 00:17:19,240
Speaker 4: a different person in each one. Right, all right. So

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00:17:19,320 --> 00:17:22,760
Speaker 4: for example, in this scenario where doctors doctors doctors.

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Speaker 3: All right, he's getting British h we're standing over this body, yep. Right, okay,

368
00:17:31,280 --> 00:17:33,600
Speaker 3: I'm gonna be British doctors and I come over to

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00:17:33,600 --> 00:17:35,600
Speaker 3: the body. You've just been working on him. When I

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Speaker 3: walk over, I go, oh, good one, Gary, you killed

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Speaker 3: him right right?

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00:17:41,000 --> 00:17:42,000
Speaker 4: What's your Oh?

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Speaker 13: Yeah, mate, doctor, well you just killed this friendship.

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00:17:50,880 --> 00:17:52,879
Speaker 4: A scalpel down your scale out?

375
00:17:53,200 --> 00:17:53,400
Speaker 3: Yeah?

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00:17:53,520 --> 00:17:57,280
Speaker 4: Great stuff. That was good. Yeah, that was good.

377
00:17:57,320 --> 00:18:01,560
Speaker 3: Okay, next time we're at a funeral, Yeah, your sister's

378
00:18:01,600 --> 00:18:06,960
Speaker 3: dead body. I'm just I wrote these in the song

379
00:18:07,119 --> 00:18:08,320
Speaker 3: don't give me a break, Give me a break. Your

380
00:18:08,320 --> 00:18:11,800
Speaker 3: sister is dead. Read a funeral. I walk up to you, yep,

381
00:18:11,840 --> 00:18:13,160
Speaker 3: and I say this to you. I'm going to say

382
00:18:13,160 --> 00:18:14,359
Speaker 3: something to you. And you're just gonna give me your

383
00:18:14,359 --> 00:18:15,440
Speaker 3: one line and then you walk off.

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00:18:15,520 --> 00:18:24,920
Speaker 4: Yep. Okay, right John? Are you going well? Not good? Sorry? Yeah?

385
00:18:25,240 --> 00:18:28,000
Speaker 14: Yeah, sorry John, I feel like now it's probably not

386
00:18:28,000 --> 00:18:29,920
Speaker 14: a great time to tell you that I was actually yeah,

387
00:18:30,080 --> 00:18:35,560
Speaker 14: I actually slept with his sister a few times.

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Speaker 4: Sorry, right now, gives him again?

389
00:18:37,119 --> 00:18:38,960
Speaker 14: Give me, I'm sorry, John. Probably now probably a good time.

390
00:18:39,119 --> 00:18:40,640
Speaker 14: I actually slept with his sister a few times.

391
00:18:41,160 --> 00:18:44,920
Speaker 4: Yeah, right, Well, better start calling your doodle the grim Reaper.

392
00:18:50,200 --> 00:18:53,400
Speaker 2: Storm out of my own sister's funeral, which is pretty disrespectful.

393
00:18:54,440 --> 00:18:56,520
Speaker 4: That was a pretty dark hypothetical. Can we lighten up

394
00:18:56,560 --> 00:18:56,800
Speaker 4: a bed?

395
00:18:59,400 --> 00:18:59,760
Speaker 8: All right?

396
00:19:00,080 --> 00:19:02,280
Speaker 3: Yeah? Okay, a bit of a lie one for you.

397
00:19:02,960 --> 00:19:05,240
Speaker 3: We work at a sandwich shop together, much better?

398
00:19:05,440 --> 00:19:06,240
Speaker 4: Okay?

399
00:19:06,400 --> 00:19:09,600
Speaker 3: All right, okay, so here's here's the eypthetical. I'll say,

400
00:19:09,600 --> 00:19:11,040
Speaker 3: I'll say my line to you, then you just deliver

401
00:19:11,080 --> 00:19:12,840
Speaker 3: yours in the walkup. Your's been very good so far.

402
00:19:12,720 --> 00:19:17,200
Speaker 4: By the way. Yeah, I'm feeling I'm good mate, They're good. Right.

403
00:19:17,280 --> 00:19:21,800
Speaker 3: Sorry, I'm British again. I'm Stephen. I just sold you

404
00:19:21,920 --> 00:19:26,240
Speaker 3: not to butter in. That man's bad. He has lactose intolerance.

405
00:19:27,840 --> 00:19:44,160
Speaker 13: Oh yeah, well you butter get lost because I'm you intolerances.

406
00:19:38,720 --> 00:19:42,640
Speaker 4: Wed, I use butter and the I think we're done.

407
00:19:42,760 --> 00:19:43,560
Speaker 4: Do you want one more?

408
00:19:44,080 --> 00:19:44,800
Speaker 6: Do you want one more?

409
00:19:44,960 --> 00:19:47,760
Speaker 4: I'm loving this, I mean, keep being good. I'll give

410
00:19:47,760 --> 00:19:50,000
Speaker 4: you one more. I should go on top. Yeah, we'll go,

411
00:19:50,040 --> 00:19:50,280
Speaker 4: we'll go.

412
00:19:50,480 --> 00:19:50,600
Speaker 1: Well.

413
00:19:51,240 --> 00:19:54,160
Speaker 4: I read a parent teacher interview. Parent teacher interview. I'm

414
00:19:54,160 --> 00:19:57,840
Speaker 4: the I'm the teg. You're the parent. Yeah yeah, right, yeah, okay,

415
00:19:58,440 --> 00:19:59,000
Speaker 4: sit you down.

416
00:20:00,280 --> 00:20:03,760
Speaker 3: Oh, mister duncan, so glad you can make it.

417
00:20:05,520 --> 00:20:08,679
Speaker 4: Yeah, well yeah, it's parenting of you. Expect you to

418
00:20:08,680 --> 00:20:08,959
Speaker 4: be here.

419
00:20:09,000 --> 00:20:13,719
Speaker 3: Really, you're not going above and beyond funny yourself anyway.

420
00:20:13,720 --> 00:20:16,600
Speaker 3: I just want to tell you that your daughter has

421
00:20:16,640 --> 00:20:23,480
Speaker 3: horrible boh so oh yeah, well that's a defense mechanism

422
00:20:23,680 --> 00:20:25,280
Speaker 3: to keep knobs like you away.

423
00:20:32,480 --> 00:20:32,879
Speaker 4: Pretty good.

424
00:20:33,119 --> 00:20:35,800
Speaker 3: Don't forget five hundred bucks. You're away with quiz. At

425
00:20:35,800 --> 00:20:36,840
Speaker 3: five o'clock, it's kiss.

426
00:20:38,040 --> 00:20:41,560
Speaker 15: Pasty s and it's well and on a Tuesday.

427
00:20:42,760 --> 00:20:45,240
Speaker 3: I hope everyone's having a wonderful drive home. Where a

428
00:20:45,280 --> 00:20:48,240
Speaker 3: whisker away from office phone bingo. I don't need to

429
00:20:48,280 --> 00:20:52,360
Speaker 3: explain much more, but in fifteen minutes time, sixty office phones,

430
00:20:53,000 --> 00:20:57,760
Speaker 3: one vacant office one man and one five hundred dollars

431
00:20:57,760 --> 00:21:01,800
Speaker 3: eBay voucher, which could be one of yours win, you win. Yeah,

432
00:21:01,840 --> 00:21:03,600
Speaker 3: I'm not gonna explain much more. I'm just gonna say

433
00:21:03,600 --> 00:21:05,399
Speaker 3: stick around if you want to watch it online Instagram,

434
00:21:05,440 --> 00:21:08,560
Speaker 3: Facebook with them where you can stream it there right now, Woods,

435
00:21:09,119 --> 00:21:11,240
Speaker 3: I actually like everyone to listen very carefully if we

436
00:21:11,280 --> 00:21:13,520
Speaker 3: can just drop the music, because I think there's a

437
00:21:13,600 --> 00:21:18,120
Speaker 3: scenario that is very specific that we've all been in.

438
00:21:18,680 --> 00:21:21,320
Speaker 4: But I don't think there are any rules around it. Okay, okay,

439
00:21:21,320 --> 00:21:21,760
Speaker 4: here it is.

440
00:21:22,600 --> 00:21:26,119
Speaker 3: What are the rules when you hand to someone on

441
00:21:26,160 --> 00:21:29,680
Speaker 3: your phone and you're showing them a bunch of photos

442
00:21:29,720 --> 00:21:35,160
Speaker 3: on your phone, but specifically when you invite them to scroll?

443
00:21:37,800 --> 00:21:42,760
Speaker 3: What are the rules around when they find something that

444
00:21:42,800 --> 00:21:44,280
Speaker 3: they didn't mean to find?

445
00:21:45,000 --> 00:21:49,200
Speaker 9: Mmmmm, see it's a dlly. It's a delli of a

446
00:21:49,240 --> 00:21:51,560
Speaker 9: p it is a delli of a pickle. It's happened

447
00:21:51,600 --> 00:21:54,000
Speaker 9: to all of us thirty one O six five. If

448
00:21:54,040 --> 00:21:56,119
Speaker 9: you've got an opinion about this, I would love to

449
00:21:56,160 --> 00:21:57,560
Speaker 9: hear from you. You've got a story.

450
00:21:58,119 --> 00:22:00,600
Speaker 3: On top of that, I would love to hear from

451
00:22:00,600 --> 00:22:02,439
Speaker 3: your handing your phone to someone and getting them to

452
00:22:02,480 --> 00:22:05,639
Speaker 3: scroll through your photos, they stumble across something they should

453
00:22:05,680 --> 00:22:07,840
Speaker 3: have ties in with. Possibly the best story I've seen

454
00:22:07,880 --> 00:22:09,480
Speaker 3: out of Australia this year. I'll tell you about that

455
00:22:09,520 --> 00:22:12,480
Speaker 3: right up next on Kiss It's Willem Hoddy Hope. Everyone's

456
00:22:12,520 --> 00:22:17,280
Speaker 3: having a beautiful Tuesday afternoon telling someone to scroll through

457
00:22:17,320 --> 00:22:19,080
Speaker 3: your phone photos and it doesn't go right?

458
00:22:19,160 --> 00:22:19,959
Speaker 4: What do you think about that?

459
00:22:20,080 --> 00:22:20,280
Speaker 6: Well?

460
00:22:20,320 --> 00:22:23,560
Speaker 4: And whatdy kiss Hey.

461
00:22:23,440 --> 00:22:25,119
Speaker 3: It's kiss, well and moddy thanks to many Bank on

462
00:22:25,160 --> 00:22:27,240
Speaker 3: your Tuesday, or a whisker away from your chance to

463
00:22:27,280 --> 00:22:30,159
Speaker 3: win five hundred bucks with Australia's Easiest Quiz. That's in

464
00:22:30,200 --> 00:22:32,359
Speaker 3: ten minutes time right now though thirty and one oh

465
00:22:32,400 --> 00:22:34,800
Speaker 3: six ' five. Love to you if anyone's got a

466
00:22:34,840 --> 00:22:38,560
Speaker 3: story about this, I mean from both sides of the

467
00:22:38,600 --> 00:22:42,720
Speaker 3: fence obviously that we're talking about. When you hand your

468
00:22:42,720 --> 00:22:45,919
Speaker 3: phone to somebody you want to show them some photos

469
00:22:46,320 --> 00:22:49,800
Speaker 3: and you invite them to scroll, it often comes with

470
00:22:49,840 --> 00:22:54,720
Speaker 3: the instruction just go left, just go right, and then

471
00:22:54,880 --> 00:22:56,199
Speaker 3: they hit the landmine.

472
00:22:57,960 --> 00:23:01,800
Speaker 2: Actually, I never give full troll of my phone over

473
00:23:01,840 --> 00:23:04,840
Speaker 2: to someone scrolling. If someone wants to see, if I

474
00:23:04,840 --> 00:23:06,880
Speaker 2: want to show someone photos, I will always have one

475
00:23:06,920 --> 00:23:08,280
Speaker 2: hand on phone.

476
00:23:08,359 --> 00:23:11,560
Speaker 3: Oh you you you safeguarded. I scroll like in the

477
00:23:11,560 --> 00:23:13,680
Speaker 3: shop when it's got a string attached to it. Yes,

478
00:23:13,760 --> 00:23:15,960
Speaker 3: I am the string and I will scroll.

479
00:23:16,119 --> 00:23:18,960
Speaker 4: What are you hiding? Well, if.

480
00:23:20,520 --> 00:23:21,320
Speaker 1: I told you.

481
00:23:23,480 --> 00:23:25,679
Speaker 4: Is someone that's obviously hiding something, Yes, there are some

482
00:23:25,720 --> 00:23:27,359
Speaker 4: embarrassing photos on there for sure.

483
00:23:27,520 --> 00:23:30,439
Speaker 3: Okay, well look at beasions know your thoughts on this

484
00:23:30,480 --> 00:23:32,960
Speaker 3: story then, Woods, because the reason we're asking this is

485
00:23:32,960 --> 00:23:38,480
Speaker 3: there was a camera found underwater at Bondai Beach today.

486
00:23:39,640 --> 00:23:44,080
Speaker 3: It had been underwater for seven years. Wow, seven years?

487
00:23:44,080 --> 00:23:46,080
Speaker 3: Obviously one of those it was one of those like

488
00:23:46,200 --> 00:23:47,200
Speaker 3: little sony cams.

489
00:23:47,280 --> 00:23:47,480
Speaker 4: Yeah.

490
00:23:47,800 --> 00:23:49,200
Speaker 3: The abb used to throw it in the bucket and

491
00:23:49,200 --> 00:23:51,200
Speaker 3: they were like it's waterproof. Yeah, the dog would eat it,

492
00:23:51,359 --> 00:23:52,440
Speaker 3: Like oh wow.

493
00:23:52,480 --> 00:23:52,960
Speaker 4: Yeah that's right.

494
00:23:53,040 --> 00:23:55,440
Speaker 3: Yeah. The end turns out they were telling the truth.

495
00:23:55,800 --> 00:23:58,359
Speaker 3: Seven years it had been underwater at Bondi Beach. They

496
00:23:58,440 --> 00:24:02,160
Speaker 3: got the camera out, it was still working. They scrolled

497
00:24:02,160 --> 00:24:04,720
Speaker 3: through the photos on the camera. Then they basically just

498
00:24:04,720 --> 00:24:06,520
Speaker 3: put the photos on line. They said, as anyone recognized

499
00:24:06,520 --> 00:24:07,520
Speaker 3: these dudes and they found them.

500
00:24:07,600 --> 00:24:10,600
Speaker 2: Wow, brilliant? How good that is genius? How good is

501
00:24:10,640 --> 00:24:13,240
Speaker 2: that amazing? If it's I hate to be pessimistic, but amazing,

502
00:24:13,280 --> 00:24:18,320
Speaker 2: If that's a marketing ploy. Oh imagine, I'm talking about

503
00:24:18,320 --> 00:24:21,720
Speaker 2: Sony Cam, a seven year coup from Sony Brilliant if it.

504
00:24:21,720 --> 00:24:24,199
Speaker 3: Is, but hopefully it's not. Hopefully that's yeah. Yeah, then

505
00:24:24,240 --> 00:24:26,000
Speaker 3: we'd have to declare that otherwise it would be illegal.

506
00:24:26,080 --> 00:24:26,280
Speaker 4: Yeah.

507
00:24:26,320 --> 00:24:29,320
Speaker 3: Sure, so we don't think it is. But interesting though,

508
00:24:29,359 --> 00:24:32,639
Speaker 3: if it was your phone or your Sony Cam that

509
00:24:32,720 --> 00:24:36,120
Speaker 3: was found under the waves, there woulds I mean, would

510
00:24:36,119 --> 00:24:38,000
Speaker 3: you be worried about someone's going through your photos?

511
00:24:38,000 --> 00:24:43,800
Speaker 16: Of that instance, I would definitely deny any Well, here's

512
00:24:43,800 --> 00:24:46,480
Speaker 16: the thing when I've got my so the camera that

513
00:24:46,520 --> 00:24:48,480
Speaker 16: could get lost for mine is my underwater go Pro,

514
00:24:48,920 --> 00:24:54,240
Speaker 16: my go Pro Yeah yeah, yeah, yeah, yeah, yeah, I've

515
00:24:54,280 --> 00:24:55,840
Speaker 16: flicked through photos on that go Pro.

516
00:24:56,119 --> 00:24:57,000
Speaker 4: Yeah and yeah.

517
00:24:57,200 --> 00:24:59,400
Speaker 2: I mean so I used the gop on on secluded

518
00:24:59,400 --> 00:25:00,919
Speaker 2: beaches and I'm like, oh, here we go.

519
00:25:01,080 --> 00:25:03,639
Speaker 3: Yeah, full of well a couple of nudy ones like

520
00:25:04,240 --> 00:25:07,760
Speaker 3: you don't do that? Well I do I do that?

521
00:25:07,800 --> 00:25:10,399
Speaker 3: Herds of yourself with your go bro yeah sure, well

522
00:25:10,440 --> 00:25:13,520
Speaker 3: not often I'm on holiday with with like that's somebody else, yeah,

523
00:25:13,520 --> 00:25:17,800
Speaker 3: which okay, tandom nudes of you and all your girlfriends

524
00:25:17,800 --> 00:25:19,560
Speaker 3: on your go bro, So you would be worried if

525
00:25:19,560 --> 00:25:21,960
Speaker 3: they found the camera the definitely okay, yeah, okay, So

526
00:25:22,000 --> 00:25:24,639
Speaker 3: which is answered my question for you? Basically, which is

527
00:25:24,840 --> 00:25:26,600
Speaker 3: when you hand the phone over to someone and scroll,

528
00:25:26,640 --> 00:25:28,080
Speaker 3: you don't let them scroll aimlessly?

529
00:25:28,320 --> 00:25:28,520
Speaker 4: No?

530
00:25:28,640 --> 00:25:31,159
Speaker 3: Definitely not okay okay, because it happens a lot. What

531
00:25:31,200 --> 00:25:32,480
Speaker 3: about when your mum takes your phone?

532
00:25:33,040 --> 00:25:33,240
Speaker 6: No?

533
00:25:33,280 --> 00:25:35,320
Speaker 4: Even more so? I scroll for here.

534
00:25:35,359 --> 00:25:37,080
Speaker 3: Okay, we've got Amy, who's called on thirty one and

535
00:25:37,119 --> 00:25:37,520
Speaker 3: six five.

536
00:25:37,560 --> 00:25:40,639
Speaker 4: Good Iami. Hey guys, Amy, we're.

537
00:25:40,480 --> 00:25:42,320
Speaker 3: Talking about handing your phone over to someone and getting

538
00:25:42,320 --> 00:25:44,480
Speaker 3: them to scroll through your photos.

539
00:25:44,480 --> 00:25:45,240
Speaker 4: What are your thoughts on this?

540
00:25:46,200 --> 00:25:50,960
Speaker 12: Yeah, don't do it. Because we had a joke amongst

541
00:25:51,040 --> 00:25:54,640
Speaker 12: my mates that my dad was pretty hot, and one

542
00:25:54,680 --> 00:25:56,840
Speaker 12: of my friends in particular thought it was pretty cute.

543
00:25:57,000 --> 00:26:00,280
Speaker 12: And one day I was scrolling through her travel photo

544
00:26:00,960 --> 00:26:04,000
Speaker 12: and came across the photo of my mom and my dad,

545
00:26:04,440 --> 00:26:07,360
Speaker 12: but she photo shopped out my mom's face and put

546
00:26:07,440 --> 00:26:08,159
Speaker 12: her face on the.

547
00:26:11,200 --> 00:26:16,600
Speaker 3: Amazing ye frightfully and amazing amazing year. Wow, that is creepy. Yeah,

548
00:26:16,600 --> 00:26:18,240
Speaker 3: I hate to think what she was doing with the photo.

549
00:26:18,320 --> 00:26:19,680
Speaker 3: Thanks for the call, Im, You have a good mine.

550
00:26:19,720 --> 00:26:21,560
Speaker 3: Astray as easy as Chris is right up next tous.

551
00:26:21,560 --> 00:26:23,840
Speaker 3: We five hundred dollars if you can answer ten questions

552
00:26:23,880 --> 00:26:25,960
Speaker 3: in thirty second podcasting.

553
00:26:26,280 --> 00:26:27,840
Speaker 4: Wow, good afternoon everyone.

554
00:26:27,880 --> 00:26:32,040
Speaker 3: The return of office phone bingo in about five minute

555
00:26:32,119 --> 00:26:35,520
Speaker 3: time and we live at Instagram Will and what for

556
00:26:35,560 --> 00:26:37,679
Speaker 3: you guys to check out? And we're also going to

557
00:26:37,720 --> 00:26:41,359
Speaker 3: be talking about the number one artist that people listen

558
00:26:41,440 --> 00:26:42,720
Speaker 3: to when they hop on the good foot and do

559
00:26:42,720 --> 00:26:45,640
Speaker 3: the bad things. So survey reveals that today, if you're

560
00:26:45,680 --> 00:26:48,400
Speaker 3: not doing it already, then maybe a bit of inspiration

561
00:26:48,520 --> 00:26:50,520
Speaker 3: for Tuesday night. Who knows in the.

562
00:26:50,520 --> 00:26:55,880
Speaker 4: Meantime earliest us.

563
00:26:57,720 --> 00:27:00,920
Speaker 3: Plain Today, We've got Sarah. Sarah, there are thirty seconds

564
00:27:00,920 --> 00:27:03,200
Speaker 3: on the clock. You got to get ten questions right.

565
00:27:03,280 --> 00:27:05,760
Speaker 3: You can pass on any question and we have to

566
00:27:05,800 --> 00:27:07,119
Speaker 3: take your first answer first.

567
00:27:07,160 --> 00:27:09,560
Speaker 4: Ge Whizz, you are breathing heavily. Are you okay, Sarah?

568
00:27:09,560 --> 00:27:10,680
Speaker 12: I'm so nervous.

569
00:27:10,720 --> 00:27:12,920
Speaker 10: I can't begin to tell you right.

570
00:27:13,320 --> 00:27:18,720
Speaker 4: Well, yeah, then don't. We'll just crack on with do

571
00:27:18,760 --> 00:27:19,920
Speaker 4: you play to? Have you played before?

572
00:27:19,960 --> 00:27:20,320
Speaker 6: Sarah?

573
00:27:20,440 --> 00:27:21,719
Speaker 4: Do you play play along?

574
00:27:21,880 --> 00:27:22,080
Speaker 3: Yes?

575
00:27:22,200 --> 00:27:24,600
Speaker 10: I play along sometimes are easier than others.

576
00:27:24,600 --> 00:27:25,240
Speaker 4: I won't lie.

577
00:27:25,440 --> 00:27:28,440
Speaker 3: Okay, yeah, yeah, but today's that is this the first

578
00:27:28,440 --> 00:27:30,439
Speaker 3: time you've tried to call no.

579
00:27:30,640 --> 00:27:32,680
Speaker 12: Gosh, I try nearly every day. You guys are hard

580
00:27:32,720 --> 00:27:33,359
Speaker 12: to get through to.

581
00:27:33,720 --> 00:27:36,120
Speaker 4: Well, thank you. It's astrange easy as quiz. Everyone wants

582
00:27:36,160 --> 00:27:37,160
Speaker 4: that cash?

583
00:27:37,200 --> 00:27:37,480
Speaker 3: All right?

584
00:27:37,560 --> 00:27:37,720
Speaker 6: Yeah?

585
00:27:37,880 --> 00:27:40,720
Speaker 4: Saying thank you, I don't know. It felt like a compliments.

586
00:27:40,760 --> 00:27:44,920
Speaker 3: Okay, all right you our phone's running hot? All right, Sarah,

587
00:27:44,920 --> 00:27:47,159
Speaker 3: Here we go thirty seconds on the clock. Are you ready?

588
00:27:47,760 --> 00:27:48,000
Speaker 17: Yep?

589
00:27:48,160 --> 00:27:50,800
Speaker 4: All right? In which date would you find the Great Barrier?

590
00:27:50,840 --> 00:27:54,520
Speaker 4: Reef queen? What color is Elmo from Sesame Street?

591
00:27:55,760 --> 00:27:58,160
Speaker 10: Elmo is red?

592
00:27:58,240 --> 00:28:01,520
Speaker 3: What's your favorite type of flower agnia? What sound does

593
00:28:01,520 --> 00:28:06,680
Speaker 3: a pelican make? What's what's seventeen minus nine eight? What's

594
00:28:06,680 --> 00:28:10,520
Speaker 3: the seventh month of the year? July?

595
00:28:10,840 --> 00:28:13,080
Speaker 4: L b W is associated with which sports.

596
00:28:12,800 --> 00:28:14,080
Speaker 12: Makes before wicket cricket?

597
00:28:14,280 --> 00:28:17,080
Speaker 4: Chris Martin is the lead singer of Which band I'll play?

598
00:28:17,200 --> 00:28:19,520
Speaker 4: Which have to play? Jack, Sparrow and Price to the Cabbe?

599
00:28:19,560 --> 00:28:29,000
Speaker 4: And what's the name of the world's longest river, the Nile? Now, Sarah,

600
00:28:29,040 --> 00:28:36,760
Speaker 4: I'm gonna have to go outside my eightieth your dad's

601
00:28:36,800 --> 00:28:38,000
Speaker 4: eightieth birthday today?

602
00:28:38,080 --> 00:28:40,800
Speaker 10: Sarah, No, no, no, it's next Monday.

603
00:28:41,200 --> 00:28:46,920
Speaker 3: It's a bit of a stretch, but okay. And before

604
00:28:46,960 --> 00:28:50,320
Speaker 3: we go outside to junior producer George, because he's being

605
00:28:50,320 --> 00:28:53,720
Speaker 3: a little bit of a well he's not being very.

606
00:28:53,680 --> 00:28:54,360
Speaker 4: Nice at the moment.

607
00:28:54,880 --> 00:28:56,800
Speaker 17: Oh, come on, George.

608
00:28:56,640 --> 00:28:59,840
Speaker 3: Sarah, don't he gets Niki when callers talked to him.

609
00:28:59,840 --> 00:29:02,280
Speaker 10: So because it's not your name's.

610
00:29:02,120 --> 00:29:04,719
Speaker 3: Name, no one says if your name is a bit

611
00:29:04,720 --> 00:29:11,800
Speaker 3: like Baltimore in that sense before we go out? Has

612
00:29:11,800 --> 00:29:15,280
Speaker 3: she got everything else right? She got everything right? Well,

613
00:29:15,520 --> 00:29:17,560
Speaker 3: I think we should.

614
00:29:17,840 --> 00:29:21,240
Speaker 2: If if it's allowed that you got the final question

615
00:29:21,320 --> 00:29:23,280
Speaker 2: in the time, that's ten out of ten, that's five

616
00:29:23,360 --> 00:29:25,880
Speaker 2: hundred dollars. So it's all about whether you got that

617
00:29:26,000 --> 00:29:27,200
Speaker 2: final question in time.

618
00:29:27,840 --> 00:29:29,880
Speaker 12: I think I did, because it's like.

619
00:29:30,360 --> 00:29:33,560
Speaker 10: You think you so you've got to give that to

620
00:29:33,600 --> 00:29:34,200
Speaker 10: me as well.

621
00:29:34,640 --> 00:29:39,240
Speaker 4: That is that's fair, George. It's a weird argument.

622
00:29:39,280 --> 00:29:46,160
Speaker 11: But to George, please okay, Sarah, I first going to

623
00:29:46,200 --> 00:29:50,160
Speaker 11: say you didn't make it in time, but will did

624
00:29:50,200 --> 00:29:51,680
Speaker 11: stumble on the ninth question?

625
00:29:52,040 --> 00:29:52,560
Speaker 3: I thought.

626
00:29:55,120 --> 00:29:56,600
Speaker 4: Out of the bus. Help you out.

627
00:29:58,120 --> 00:29:59,960
Speaker 3: Blow George down the other end of the phone here,

628
00:30:00,080 --> 00:30:01,040
Speaker 3: I'm trying to help you.

629
00:30:01,520 --> 00:30:05,040
Speaker 18: Just you know, Sarah, I can't give it to you,

630
00:30:05,080 --> 00:30:12,840
Speaker 18: but you can't come back tomorrow to play what if?

631
00:30:13,000 --> 00:30:17,720
Speaker 4: What if? Your eighty year old Grandpa plays tomorrow and

632
00:30:17,800 --> 00:30:21,560
Speaker 4: he question, yeah, no, fair enough. Okay, So I.

633
00:30:21,520 --> 00:30:24,640
Speaker 3: Think that was actually a pretty good result from George. Actually,

634
00:30:24,640 --> 00:30:25,920
Speaker 3: if I'm gonna be honest, I thought he was going

635
00:30:26,000 --> 00:30:28,760
Speaker 3: to torch you. If I'm being totally honest, Sarah, I

636
00:30:28,760 --> 00:30:30,000
Speaker 3: didn't think you got it in time.

637
00:30:30,080 --> 00:30:32,760
Speaker 4: So I think he's actually been quite bignown that night.

638
00:30:32,920 --> 00:30:36,240
Speaker 3: All right, Sarah, careful, careful. You didn't say nice, and

639
00:30:36,560 --> 00:30:39,800
Speaker 3: you've got yourself a rerun. We'll see you tomorrow, Sarah pushed.

640
00:30:40,360 --> 00:30:42,880
Speaker 12: If I get through, thank you.

641
00:30:42,880 --> 00:30:45,720
Speaker 3: You're locked in, Sarah, We'll get your number. Yeah, yeah,

642
00:30:45,760 --> 00:30:48,080
Speaker 3: you looked in tomorrow. Yeah, that's that's what we just said.

643
00:30:48,080 --> 00:30:50,080
Speaker 3: O Jesus Christ, you're a hard person to deal with.

644
00:30:50,320 --> 00:30:52,840
Speaker 15: All right, we'll talk to you tomorrow, Sarah. Right up next,

645
00:30:52,880 --> 00:30:55,360
Speaker 15: the return of office fine being go. We're taking full

646
00:30:55,360 --> 00:30:58,600
Speaker 15: advantage of the fact that there are sixty office phones

647
00:30:58,640 --> 00:31:01,800
Speaker 15: that are unmanned. There can to spread across the floor

648
00:31:01,880 --> 00:31:06,080
Speaker 15: here woods, Right up next, You've got five rings to

649
00:31:06,200 --> 00:31:09,040
Speaker 15: try and get to one of those phones. When I

650
00:31:09,040 --> 00:31:12,160
Speaker 15: dial a random number in here, one of you guys

651
00:31:12,200 --> 00:31:14,000
Speaker 15: can play thirty one six fivef you like to play

652
00:31:14,000 --> 00:31:15,320
Speaker 15: office phone being go right up next to.

653
00:31:15,400 --> 00:31:18,200
Speaker 3: Be live on Instagram, Will and Woody as well. You

654
00:31:18,280 --> 00:31:22,680
Speaker 3: listen to Kiss pasting, Wow, it's kiss and it's Willing

655
00:31:22,720 --> 00:31:26,200
Speaker 3: Moody on a Tuesday, all thanks to Medibank. Right now,

656
00:31:26,200 --> 00:31:28,800
Speaker 3: we obviously are still in the middle of my isolation,

657
00:31:29,280 --> 00:31:32,800
Speaker 3: particularly with Danny the Boy Andrews dialing up those restrictions

658
00:31:32,880 --> 00:31:35,880
Speaker 3: cases popping up every erewoods Men, We've got more time here,

659
00:31:36,200 --> 00:31:38,720
Speaker 3: but we're making use of that time continually.

660
00:31:39,040 --> 00:31:40,240
Speaker 4: With isolation games.

661
00:31:40,600 --> 00:31:41,440
Speaker 1: It's more.

662
00:31:44,040 --> 00:31:48,360
Speaker 13: Asolation games.

663
00:31:49,920 --> 00:31:53,200
Speaker 3: So woods Yeah, this is a fan favorites, crowd favorite.

664
00:31:53,200 --> 00:31:56,440
Speaker 3: It's a favorite of yours. In mind the office phone bingo.

665
00:31:56,560 --> 00:31:59,440
Speaker 3: The way this works is there are still sixty vacant

666
00:31:59,640 --> 00:32:01,120
Speaker 3: phone in this office.

667
00:32:01,840 --> 00:32:04,520
Speaker 4: I will dial one of those phones.

668
00:32:05,520 --> 00:32:09,880
Speaker 3: You then have until that phone rings out to reach

669
00:32:09,960 --> 00:32:12,120
Speaker 3: the phone and pick it up and say, bingo.

670
00:32:11,880 --> 00:32:15,040
Speaker 2: It's five rings. It's five rings, five rings, it's five rings.

671
00:32:15,040 --> 00:32:16,600
Speaker 2: A lot of people before we played this game thought

672
00:32:16,600 --> 00:32:19,400
Speaker 2: it would be impossible. But I have a strike rate

673
00:32:19,440 --> 00:32:22,800
Speaker 2: of eighty percent. No, it's fifty. I am going to

674
00:32:22,840 --> 00:32:23,440
Speaker 2: pull you up.

675
00:32:23,960 --> 00:32:26,520
Speaker 4: People that are no hang on, minus technical difficulties.

676
00:32:26,560 --> 00:32:29,320
Speaker 2: I'm an eighty percent strike rate and don't argue with

677
00:32:29,320 --> 00:32:31,000
Speaker 2: me on because this is my whole life.

678
00:32:31,880 --> 00:32:35,800
Speaker 3: You take it far too seriously, and that's hilarious because

679
00:32:35,840 --> 00:32:37,240
Speaker 3: you look like a bit of a cross between George

680
00:32:37,320 --> 00:32:39,400
Speaker 3: the Jungle and that porn stars to call the porcupine

681
00:32:39,480 --> 00:32:41,120
Speaker 3: right now, but take it out exactly what I was

682
00:32:41,120 --> 00:32:44,160
Speaker 3: going on our Instagram with them when he were live streaming.

683
00:32:44,200 --> 00:32:46,160
Speaker 3: There Woods in his leopard bring, He's got his crash

684
00:32:46,160 --> 00:32:48,480
Speaker 3: helmet on, he's got his knee pads and his elbow

685
00:32:48,560 --> 00:32:51,200
Speaker 3: pads on. He's good to go. It does get very

686
00:32:51,280 --> 00:32:53,760
Speaker 3: rough and tumble for you. And obviously there's more than

687
00:32:53,760 --> 00:32:56,120
Speaker 3: a reputation on the line here. There is an eBay

688
00:32:56,200 --> 00:32:59,800
Speaker 3: Plus voucher five hundred dollars worth to give away. A

689
00:33:00,160 --> 00:33:02,280
Speaker 3: plus month is now one thirty days of deals, all

690
00:33:02,320 --> 00:33:04,200
Speaker 3: with free expressly re exclusive.

691
00:33:03,800 --> 00:33:04,880
Speaker 4: To eBay Plus members.

692
00:33:05,240 --> 00:33:07,959
Speaker 3: We've got Joe who's going to be our first player

693
00:33:08,200 --> 00:33:09,200
Speaker 3: for office phone being Go.

694
00:33:09,240 --> 00:33:13,080
Speaker 4: Hello Joe, Oh hello, welcome.

695
00:33:14,080 --> 00:33:14,560
Speaker 8: Thank you.

696
00:33:14,880 --> 00:33:15,600
Speaker 4: How are you feeling.

697
00:33:16,960 --> 00:33:18,360
Speaker 7: I'm feeling really confident?

698
00:33:18,840 --> 00:33:20,160
Speaker 4: Ok, come on, great Joe.

699
00:33:20,160 --> 00:33:23,200
Speaker 3: And of course you're confident because I'm quick and I Joe,

700
00:33:23,200 --> 00:33:25,280
Speaker 3: have you seen me? Are really quick?

701
00:33:25,440 --> 00:33:25,640
Speaker 6: Yeah?

702
00:33:25,720 --> 00:33:27,800
Speaker 3: Thanks Joe? All right, Well get out of the door.

703
00:33:28,040 --> 00:33:30,480
Speaker 3: I'll take it from here. So yeah, I never watch

704
00:33:30,880 --> 00:33:35,360
Speaker 3: take himself over his headphones on. The mongress is what

705
00:33:35,400 --> 00:33:38,080
Speaker 3: they is it the mongers what they call him online.

706
00:33:38,200 --> 00:33:40,680
Speaker 3: He takes it far too seriously. Okay, Joe, all I

707
00:33:40,760 --> 00:33:43,160
Speaker 3: need from you, all I need from you is a

708
00:33:43,240 --> 00:33:47,600
Speaker 3: number between one and sixty one and sixty w What

709
00:33:47,720 --> 00:33:47,960
Speaker 3: do you.

710
00:33:47,880 --> 00:33:48,200
Speaker 4: Want to go?

711
00:33:49,680 --> 00:33:50,680
Speaker 8: Lucky number three?

712
00:33:50,800 --> 00:33:51,560
Speaker 4: Knocking number three.

713
00:33:51,600 --> 00:33:53,360
Speaker 3: So keep in mind the reason we do sixt years

714
00:33:53,360 --> 00:33:56,080
Speaker 3: because there's sixty vacant desk phones here at the office.

715
00:33:56,320 --> 00:33:57,640
Speaker 4: Any one of them could ring.

716
00:33:59,240 --> 00:34:04,200
Speaker 3: All right, Okay, all right, Joe, it's a five eBay

717
00:34:04,280 --> 00:34:06,680
Speaker 3: voucher on the line up next if you get this again.

718
00:34:06,720 --> 00:34:08,839
Speaker 3: We're streaming on Instagram, Will and Woody. It's a it's

719
00:34:08,880 --> 00:34:10,520
Speaker 3: a rough and tumble feed. We've got the number for

720
00:34:10,600 --> 00:34:12,719
Speaker 3: number three. Okay, beautiful, here we go, Joe. We're ringing

721
00:34:12,760 --> 00:34:16,719
Speaker 3: now one. That's ring one, Come on, ring two, that's

722
00:34:16,760 --> 00:34:22,920
Speaker 3: Roe two, that's ring three, that's.

723
00:34:22,760 --> 00:34:34,200
Speaker 4: Ring I love you, I love you. I'm coming back

724
00:34:34,239 --> 00:34:35,080
Speaker 4: to the studio.

725
00:34:35,320 --> 00:34:36,040
Speaker 12: Is unbelievable.

726
00:34:36,200 --> 00:34:37,439
Speaker 17: She's you going to get one hundred and tent.

727
00:34:37,320 --> 00:34:37,839
Speaker 4: I'm coming back.

728
00:34:39,080 --> 00:34:46,879
Speaker 3: Don't hang up on as you bastard. Joe, congratulations, very

729
00:34:46,880 --> 00:34:50,880
Speaker 3: good stuff. You want a five voucher more office Tho

730
00:34:51,080 --> 00:34:53,120
Speaker 3: Bingo right up next on kiss.

731
00:34:53,080 --> 00:34:54,920
Speaker 4: It's Will and Moody live on Instagram.

732
00:34:54,960 --> 00:35:00,800
Speaker 3: Will and Woody Office phone Mingo Podcasting's.

733
00:34:59,360 --> 00:34:59,960
Speaker 4: Will and Woody.

734
00:35:00,719 --> 00:35:07,080
Speaker 3: Thanks joeybavisaftenon woods Yeah, right now, sixty vacant phones in

735
00:35:07,160 --> 00:35:10,000
Speaker 3: this office. We're in isolation here. We're taking advantage of

736
00:35:10,040 --> 00:35:15,759
Speaker 3: it with our isolation games.

737
00:35:16,160 --> 00:35:18,480
Speaker 4: I sawation game.

738
00:35:20,600 --> 00:35:22,640
Speaker 3: Office phone being goes where we're at. Guys, this is

739
00:35:22,680 --> 00:35:25,319
Speaker 3: streaming on Instagram. Big shout out to everyone who's on

740
00:35:25,360 --> 00:35:28,480
Speaker 3: Will and Woody right now watching you sprint around the

741
00:35:28,520 --> 00:35:31,480
Speaker 3: office in scantily clad leopard prints so that people on

742
00:35:31,520 --> 00:35:33,000
Speaker 3: the phones can win. I mean, like, in a lot

743
00:35:33,040 --> 00:35:34,320
Speaker 3: of ways, you're a bit of a superhero on that

744
00:35:34,400 --> 00:35:34,839
Speaker 3: sense words.

745
00:35:35,160 --> 00:35:39,759
Speaker 2: Oh couldn't agree more actually, because honestly, I am exhibiting

746
00:35:39,880 --> 00:35:43,960
Speaker 2: superhuman strength and speed and agility to be reaching these

747
00:35:43,960 --> 00:35:45,560
Speaker 2: phones currently on one from one.

748
00:35:45,920 --> 00:35:46,120
Speaker 4: Yeah.

749
00:35:46,160 --> 00:35:47,840
Speaker 3: Yeah, you've done really well. And Joe walked away with

750
00:35:47,840 --> 00:35:49,839
Speaker 3: five hundred dollars thanks to eBay. That's huge for her.

751
00:35:51,560 --> 00:35:53,839
Speaker 3: You have broken a few things in the office. I've

752
00:35:53,840 --> 00:35:55,440
Speaker 3: been told to flag that with you, given that you

753
00:35:55,440 --> 00:35:59,560
Speaker 3: smashed the boss's phone last time, Collateral will collateral the

754
00:35:59,560 --> 00:36:00,680
Speaker 3: boss phones Collateral.

755
00:36:00,840 --> 00:36:02,640
Speaker 2: Well, I said to the boss that it was a

756
00:36:02,680 --> 00:36:05,640
Speaker 2: stunt office. So if you wouldn't mind playing the party

757
00:36:05,640 --> 00:36:06,000
Speaker 2: line there?

758
00:36:06,040 --> 00:36:11,479
Speaker 3: Oh yeah, sorry, We've got Raffa on the phone here, Canday, Raffa, Hi, Hi, Raffa.

759
00:36:11,520 --> 00:36:12,120
Speaker 4: How old are you?

760
00:36:12,840 --> 00:36:13,440
Speaker 10: I'm eleven?

761
00:36:13,520 --> 00:36:16,800
Speaker 3: Okay, Raffa. I'm gonna be honest with you. Tough economic times.

762
00:36:17,400 --> 00:36:21,560
Speaker 3: We gave Joe just before five hundred dollars, thanks anyway,

763
00:36:21,600 --> 00:36:23,560
Speaker 3: but we're willing to give you a one hundred dollars

764
00:36:23,560 --> 00:36:24,160
Speaker 3: eBay Boucher.

765
00:36:24,200 --> 00:36:25,200
Speaker 4: Does that still sound okay?

766
00:36:25,840 --> 00:36:26,600
Speaker 8: Yeah, that's great.

767
00:36:26,800 --> 00:36:28,520
Speaker 4: Okay, that's my bad, Raffa.

768
00:36:28,560 --> 00:36:30,759
Speaker 3: I'm draining eBay of cash, all right, mate, al right

769
00:36:30,760 --> 00:36:31,759
Speaker 3: because I'm winning so much.

770
00:36:31,840 --> 00:36:32,080
Speaker 4: Raffa.

771
00:36:32,160 --> 00:36:35,719
Speaker 3: Okay, okay, all right, So raf, all you got to

772
00:36:35,719 --> 00:36:37,680
Speaker 3: do is choose a number between one and sixty Wood.

773
00:36:37,640 --> 00:36:39,480
Speaker 3: He's got to get to the phone before it rings out.

774
00:36:39,840 --> 00:36:41,120
Speaker 3: Which number would you like?

775
00:36:42,800 --> 00:36:44,760
Speaker 8: I'm going to go with twenty seven.

776
00:36:45,200 --> 00:36:47,359
Speaker 3: Number, twenty seven, great number, all right, get you over

777
00:36:47,400 --> 00:36:49,040
Speaker 3: at the starting line. I just want to chat with

778
00:36:49,120 --> 00:36:51,200
Speaker 3: raf If you don't raff any words of encouragement made.

779
00:36:51,239 --> 00:36:56,000
Speaker 3: This is about your hundred bucks run fast. Great advice,

780
00:36:56,440 --> 00:36:58,759
Speaker 3: great advice, Love you, Raff. Let's do this all right,

781
00:36:58,800 --> 00:37:02,720
Speaker 3: let's do it? Okay, okay, you can watch this on Instagram.

782
00:37:02,719 --> 00:37:03,359
Speaker 4: Whee, and what do you all?

783
00:37:03,400 --> 00:37:03,440
Speaker 1: No?

784
00:37:03,480 --> 00:37:05,239
Speaker 4: Stop stop the phone, stop the phone, stop the phone.

785
00:37:05,239 --> 00:37:05,520
Speaker 6: No fu.

786
00:37:05,760 --> 00:37:08,160
Speaker 4: He was a false start. It was a false start.

787
00:37:08,239 --> 00:37:09,320
Speaker 4: I didn't stop playing.

788
00:37:09,440 --> 00:37:15,799
Speaker 3: I understand that I didn't. Dicko cooked it all right,

789
00:37:16,400 --> 00:37:18,959
Speaker 3: all right, here we go. Now I'll call it. I'll

790
00:37:18,960 --> 00:37:23,640
Speaker 3: call it, I'll call it. Okay, I understand. RAF's got

791
00:37:23,640 --> 00:37:25,040
Speaker 3: one hundred bucks. Rap, What are you gonna spend one

792
00:37:25,080 --> 00:37:26,840
Speaker 3: hundred bucks on? By the way, what are you gonna.

793
00:37:26,640 --> 00:37:26,960
Speaker 4: Spend it on?

794
00:37:28,320 --> 00:37:28,440
Speaker 3: Um?

795
00:37:28,920 --> 00:37:31,000
Speaker 7: Probably something that I can use to cook with.

796
00:37:32,280 --> 00:37:35,600
Speaker 3: No one expected the eleven year old to say that,

797
00:37:35,920 --> 00:37:37,480
Speaker 3: but I love it. All right, Here we go, one

798
00:37:37,520 --> 00:37:40,040
Speaker 3: hundred dollars on the line. Office phone being goes sixty

799
00:37:40,080 --> 00:37:42,400
Speaker 3: phones in the office. Woods has got five phones to

800
00:37:42,480 --> 00:37:44,880
Speaker 3: reach phone number twenty seven. We've got the phone for

801
00:37:44,960 --> 00:37:48,520
Speaker 3: number twenty seven. You're ready, mongoose, Okay, ready, said go.

802
00:37:48,680 --> 00:37:49,960
Speaker 4: No, you took off too early.

803
00:37:50,040 --> 00:37:51,200
Speaker 6: You have five.

804
00:37:53,040 --> 00:37:59,719
Speaker 4: That's two rings, three rings.

805
00:38:00,120 --> 00:38:01,000
Speaker 6: Okay, he's got.

806
00:38:06,800 --> 00:38:13,840
Speaker 4: Right are you there, Raf, Yeah, you won one hundred.

807
00:38:13,560 --> 00:38:17,399
Speaker 3: Dollars Next Plus Month, which is now on thirty days

808
00:38:17,440 --> 00:38:19,880
Speaker 3: of deals exclusive to a Post members.

809
00:38:20,040 --> 00:38:23,120
Speaker 4: Rap rapha. Have you got anything to say to the mongoes?

810
00:38:23,120 --> 00:38:23,600
Speaker 4: To Woods?

811
00:38:24,560 --> 00:38:25,840
Speaker 10: Thank you for running fast?

812
00:38:26,560 --> 00:38:29,200
Speaker 4: You're bloody welcome Raf. Can you cook me a banana bread?

813
00:38:29,239 --> 00:38:29,680
Speaker 4: Big fella?

814
00:38:30,520 --> 00:38:31,200
Speaker 10: Yes, I can.

815
00:38:31,640 --> 00:38:32,839
Speaker 4: Okay, good on your wrap.

816
00:38:33,040 --> 00:38:35,799
Speaker 3: Strange exchange there at the end of office being going,

817
00:38:37,440 --> 00:38:39,280
Speaker 3: We're going to go to the traffic.

818
00:38:41,040 --> 00:38:42,920
Speaker 4: Right up next, that's live on Instagram. Will what do

819
00:38:42,920 --> 00:38:44,160
Speaker 4: you got to check it out for yourselves?

820
00:38:44,200 --> 00:38:44,520
Speaker 6: Guys?

821
00:38:44,680 --> 00:38:47,279
Speaker 3: Strange stuff on the year on Willan what he will say?

822
00:38:47,280 --> 00:38:49,440
Speaker 3: We're still on the air. Uh, yeah, we are going

823
00:38:49,520 --> 00:38:51,880
Speaker 3: to the traffic, I'll say tomorrow. Up next to the

824
00:38:51,960 --> 00:38:56,400
Speaker 3: jute podcasting, Hey, listen to kissing Will and what are

825
00:38:56,400 --> 00:38:57,400
Speaker 3: you on your cheese sounds?

826
00:38:57,440 --> 00:38:59,200
Speaker 4: And that was the choo Choo tune.

827
00:39:00,360 --> 00:39:04,160
Speaker 3: A little bit of Promiscuous Girl there, which Woods revealed

828
00:39:04,200 --> 00:39:06,600
Speaker 3: earlier was actually one of the songs that he went

829
00:39:06,680 --> 00:39:09,600
Speaker 3: to whilst doing a bit of parallel parking.

830
00:39:12,120 --> 00:39:15,520
Speaker 4: It's a sexy song, Will, It's a sexy song. Promiscuous Girl.

831
00:39:16,200 --> 00:39:21,520
Speaker 2: Timberland's sexist men in music Entertainment it's gorgeous.

832
00:39:21,560 --> 00:39:23,799
Speaker 3: What do you think it's hilarious that you play promiscuous

833
00:39:23,840 --> 00:39:28,319
Speaker 3: girl whilst doing that with a girl. It's almost like

834
00:39:28,360 --> 00:39:29,680
Speaker 3: telling her that's what she is.

835
00:39:30,200 --> 00:39:33,480
Speaker 2: No, well, you're really reading between the lines there, No, not,

836
00:39:33,960 --> 00:39:35,040
Speaker 2: I'm reading the lines.

837
00:39:35,200 --> 00:39:37,080
Speaker 4: No, no, I don't think it's the beat.

838
00:39:37,440 --> 00:39:40,799
Speaker 2: It's not necessarily the lyrics per se will and to

839
00:39:40,840 --> 00:39:42,720
Speaker 2: be fair, I actually didn't put it on when when.

840
00:39:44,080 --> 00:39:47,480
Speaker 4: Else put it on? Wow? Interesting?

841
00:39:47,880 --> 00:39:49,640
Speaker 3: Well that's where I want to talk about now, because

842
00:39:49,680 --> 00:39:56,400
Speaker 3: a survey released today what people listen to most whilst

843
00:39:56,600 --> 00:39:57,120
Speaker 3: hopping on the.

844
00:39:57,080 --> 00:39:59,719
Speaker 4: Good foot and doing the bad thing. You're a big

845
00:39:59,800 --> 00:40:02,959
Speaker 4: music guy, Yes, I like music.

846
00:40:03,120 --> 00:40:05,879
Speaker 2: You often glowed about the fact that you did both

847
00:40:05,920 --> 00:40:11,799
Speaker 2: sides of ol Green when one sitting, which I never

848
00:40:11,880 --> 00:40:13,960
Speaker 2: got you do you bring it up almost every week?

849
00:40:14,239 --> 00:40:17,520
Speaker 2: That's forty four minutes of audio. Guys, I'm like, okay,

850
00:40:17,520 --> 00:40:19,680
Speaker 2: stop rubbing it in, mate, I can only dream of

851
00:40:19,680 --> 00:40:20,400
Speaker 2: forty four seconds.

852
00:40:20,480 --> 00:40:20,800
Speaker 4: No.

853
00:40:20,640 --> 00:40:27,160
Speaker 3: No, we've flipped a record once, We've what are you superman? Yeah,

854
00:40:27,239 --> 00:40:30,799
Speaker 3: we flipped a record once. But look al Green, by

855
00:40:30,800 --> 00:40:32,960
Speaker 3: the way, wonderful person to have on in the background

856
00:40:33,000 --> 00:40:36,040
Speaker 3: while engaging in a bit of horizontal tango couldn't recommend

857
00:40:36,080 --> 00:40:39,279
Speaker 3: it more. But I think it's really interesting that we've

858
00:40:39,320 --> 00:40:44,279
Speaker 3: got playlists on iHeartRadio or music streaming for where you know,

859
00:40:44,400 --> 00:40:47,640
Speaker 3: you've got your running playlist, your chill playlist, you're cooking playlists,

860
00:40:47,960 --> 00:40:53,120
Speaker 3: all these things. But music while you are squat jumping

861
00:40:53,120 --> 00:40:57,279
Speaker 3: in a cucumber patch can be amazing. Of course, it

862
00:40:57,320 --> 00:40:59,200
Speaker 3: can be phenomenal, but it's just not something that you

863
00:40:59,239 --> 00:41:01,560
Speaker 3: ever sit down and share, is it.

864
00:41:01,800 --> 00:41:02,279
Speaker 4: No, it's not.

865
00:41:02,440 --> 00:41:04,200
Speaker 3: So I thought what we could do now, if, anyway,

866
00:41:04,320 --> 00:41:06,040
Speaker 3: if people are filling up to it, if you want to,

867
00:41:06,080 --> 00:41:07,480
Speaker 3: I mean, if you want to be open and honest

868
00:41:07,480 --> 00:41:10,959
Speaker 3: and a bit vulnerable with us thirteen one oh six five,

869
00:41:11,640 --> 00:41:15,080
Speaker 3: I thought we could put together a bit of a

870
00:41:15,160 --> 00:41:16,440
Speaker 3: parallel parking playlist.

871
00:41:16,880 --> 00:41:18,399
Speaker 4: Can we actually put it on iHeartRadio?

872
00:41:18,560 --> 00:41:22,000
Speaker 3: I think so, I'm getting I'm getting nods. So we

873
00:41:22,080 --> 00:41:27,560
Speaker 3: come outside, William Woody playtime playlists, a playtime playlist. I

874
00:41:27,640 --> 00:41:30,799
Speaker 3: quite like that, So people will actually have something that

875
00:41:30,840 --> 00:41:33,040
Speaker 3: we can put together as a group of us.

876
00:41:33,080 --> 00:41:34,080
Speaker 4: So thirteen one o six five.

877
00:41:34,120 --> 00:41:36,719
Speaker 3: If you've got a song that really works for you

878
00:41:36,800 --> 00:41:39,160
Speaker 3: when you're you know, getting all sixes and sevens with

879
00:41:39,200 --> 00:41:39,640
Speaker 3: your partner.

880
00:41:39,640 --> 00:41:41,160
Speaker 4: Then we'd absolutely love to hear from you.

881
00:41:41,200 --> 00:41:43,560
Speaker 3: I've got a couple of throw into the mix right now,

882
00:41:43,640 --> 00:41:48,160
Speaker 3: this one, for example, a bit of Nina Simone, Hello,

883
00:41:48,320 --> 00:41:51,760
Speaker 3: Nina Baltimore. That's a great tune. Yeah, throw that around.

884
00:41:51,840 --> 00:41:54,279
Speaker 4: It's slow for mine. Okay, I've got another one for you.

885
00:41:54,320 --> 00:42:00,640
Speaker 4: I've got another one. Oh wow, Yeah, now I can

886
00:42:00,640 --> 00:42:02,279
Speaker 4: group to you like that. That's nice.

887
00:42:02,640 --> 00:42:05,160
Speaker 3: Great, that's what suffers. That's a great tune. And I

888
00:42:05,200 --> 00:42:09,279
Speaker 3: will be suffering. And I'm listening, and I've got this

889
00:42:09,320 --> 00:42:11,360
Speaker 3: one as well, a little bit of bozz skangroat.

890
00:42:11,960 --> 00:42:18,719
Speaker 4: Oh no, that's an ad on YouTube. So listen out there.

891
00:42:18,920 --> 00:42:24,280
Speaker 3: Some ads sometimes interesting, you know, away commercial commercial dogs.

892
00:42:24,640 --> 00:42:26,839
Speaker 3: All right, So look thirty one who six five years?

893
00:42:26,880 --> 00:42:28,120
Speaker 3: If I know, if you guys, have you have you

894
00:42:28,120 --> 00:42:30,000
Speaker 3: got a song apart from from Field that you want

895
00:42:30,040 --> 00:42:32,279
Speaker 3: to share. I get sexy to one song and one

896
00:42:32,320 --> 00:42:35,320
Speaker 3: song only when Bill Farrell agrees with me, We're.

897
00:42:35,160 --> 00:42:38,200
Speaker 18: Gonna schedule one song, one song on Lady of the

898
00:42:38,239 --> 00:42:41,120
Speaker 18: Black Eyed Peas. What you all do with all that junk,

899
00:42:41,239 --> 00:42:45,040
Speaker 18: all the junk inside my truck, I'm gonna get that's good.

900
00:42:45,960 --> 00:42:47,600
Speaker 3: Yea, it's pretty good. No, one knows what it means,

901
00:42:47,600 --> 00:42:49,799
Speaker 3: but it's provocative. I get it all right, So one

902
00:42:49,800 --> 00:42:51,480
Speaker 3: and six five. If you want to help us out

903
00:42:51,520 --> 00:42:54,239
Speaker 3: with our playtime playlist, if you've got a recommendation for us,

904
00:42:54,280 --> 00:42:55,920
Speaker 3: and I suppose the rest of Australia, I'm sure there's

905
00:42:55,960 --> 00:42:57,839
Speaker 3: loads of people with a pen and paper out right now.

906
00:42:58,040 --> 00:42:59,360
Speaker 3: Give us a call and we'll get it going up

907
00:42:59,360 --> 00:43:02,120
Speaker 3: next on Kissing Will and Moody on your Tuesday. Hope

908
00:43:02,120 --> 00:43:04,600
Speaker 3: everyone's having a wonderful drive home. We are here all

909
00:43:04,640 --> 00:43:10,600
Speaker 3: thanks to many backing kiss Willey Tuesday afternoon thanks to Medibank.

910
00:43:11,360 --> 00:43:12,319
Speaker 4: Was interesting stuff today.

911
00:43:12,360 --> 00:43:15,240
Speaker 3: There was an article released about the number one artist

912
00:43:15,360 --> 00:43:17,680
Speaker 3: that we listen to when we like to do a

913
00:43:17,719 --> 00:43:23,800
Speaker 3: little bit of interior decorating, so to speak. And I

914
00:43:23,880 --> 00:43:26,040
Speaker 3: think it's interesting. I'll tell you it is that The

915
00:43:26,080 --> 00:43:29,880
Speaker 3: Weekend is the guy who takes the cake for the

916
00:43:29,880 --> 00:43:33,759
Speaker 3: most listened to artists. While people are introducing Charlie and

917
00:43:35,120 --> 00:43:38,680
Speaker 3: not what I expected, No the Weekend, No, no, no,

918
00:43:38,760 --> 00:43:40,640
Speaker 3: and he's very sick. I mean his new gear in

919
00:43:40,760 --> 00:43:43,040
Speaker 3: your in your eyes, behind your eyes, whatever that is

920
00:43:43,040 --> 00:43:44,080
Speaker 3: with the saxophone at the end there.

921
00:43:44,080 --> 00:43:46,759
Speaker 4: I mean, that's delish. Stuff, oh sexy gear.

922
00:43:47,400 --> 00:43:49,399
Speaker 3: But look, in the meantime, what we thought we'd do

923
00:43:49,800 --> 00:43:53,120
Speaker 3: is because you're not just saying on on iHeartRadio or

924
00:43:53,160 --> 00:43:55,560
Speaker 3: whatever other streaming service you might use when you listen

925
00:43:55,600 --> 00:43:58,400
Speaker 3: to your music, You've got your running playlist, you've got

926
00:43:58,400 --> 00:44:00,760
Speaker 3: your chiel playlists, You've got you all these different players,

927
00:44:01,040 --> 00:44:01,400
Speaker 3: isn't it.

928
00:44:01,400 --> 00:44:06,319
Speaker 4: But there isn't a playtime playlist until now.

929
00:44:06,520 --> 00:44:08,480
Speaker 3: Until now, we've been given the reins to make a

930
00:44:08,480 --> 00:44:11,960
Speaker 3: playtime playlist on iHeartRadio that we can kind of make

931
00:44:12,000 --> 00:44:14,080
Speaker 3: together as an audience. So if you've got a song

932
00:44:14,200 --> 00:44:16,400
Speaker 3: and you don't get through to us on air right now,

933
00:44:17,000 --> 00:44:19,239
Speaker 3: maybe hit us up on Instagram, Will and Muddy or

934
00:44:19,239 --> 00:44:21,200
Speaker 3: Facebook with them Muddy get in touch with us there.

935
00:44:21,760 --> 00:44:23,120
Speaker 3: But right now we've got a load of people who

936
00:44:23,160 --> 00:44:24,719
Speaker 3: have caught up with this stuff. Which are we going

937
00:44:24,760 --> 00:44:26,319
Speaker 3: to say that every one of these songs gets onto

938
00:44:26,320 --> 00:44:27,160
Speaker 3: the playtime playlist?

939
00:44:27,760 --> 00:44:29,920
Speaker 4: Oh? We have to.

940
00:44:29,960 --> 00:44:31,719
Speaker 3: I think we have to make that commitment. Let's go

941
00:44:31,760 --> 00:44:35,279
Speaker 3: to Marie to kick it off. Marie, what what what

942
00:44:35,400 --> 00:44:37,200
Speaker 3: song do you like to listen to when you're you know,

943
00:44:37,280 --> 00:44:38,200
Speaker 3: doing the jingle jangle?

944
00:44:38,880 --> 00:44:41,479
Speaker 7: Yeah, old City Sense, candy Shop.

945
00:44:43,840 --> 00:44:47,680
Speaker 4: Really, that's the one.

946
00:44:48,400 --> 00:44:48,640
Speaker 6: Yeah.

947
00:44:49,640 --> 00:44:52,640
Speaker 4: Interesting, all right, Marie, all right, that really gets you going.

948
00:44:54,640 --> 00:44:54,880
Speaker 4: Let's go.

949
00:44:55,200 --> 00:44:58,560
Speaker 3: It's on the playlist. It's on the playlist, Amanda, what's

950
00:44:58,600 --> 00:45:01,760
Speaker 3: the song that you like to play? And your will metaphor?

951
00:45:01,880 --> 00:45:04,680
Speaker 3: A knocking boots Amanda.

952
00:45:05,719 --> 00:45:07,200
Speaker 10: A smooth operator?

953
00:45:12,360 --> 00:45:15,040
Speaker 4: Any any is amazing?

954
00:45:15,480 --> 00:45:15,600
Speaker 14: An?

955
00:45:16,200 --> 00:45:16,399
Speaker 4: Yeah?

956
00:45:16,520 --> 00:45:18,719
Speaker 3: Can I ask you, Amanda, when you're playing that, do

957
00:45:18,760 --> 00:45:21,319
Speaker 3: you think of yourself as the smooth operator? Or is

958
00:45:21,360 --> 00:45:23,240
Speaker 3: your man or woman the smooth operator.

959
00:45:23,400 --> 00:45:25,080
Speaker 12: I'm definitely the smooth operator.

960
00:45:25,320 --> 00:45:26,959
Speaker 4: Oh yeah, you are nice one.

961
00:45:27,560 --> 00:45:30,480
Speaker 3: Yeah, couldn't recommend it any more to anybody who's into

962
00:45:30,480 --> 00:45:32,520
Speaker 3: that sort of gear. I've got Ashley here on thirty

963
00:45:32,560 --> 00:45:35,120
Speaker 3: one O six five. Actually, all these songs do go

964
00:45:35,200 --> 00:45:37,760
Speaker 3: onto our iHeartRadio, will and would you play time playlist?

965
00:45:37,800 --> 00:45:38,760
Speaker 4: What have you got for us?

966
00:45:39,320 --> 00:45:39,719
Speaker 3: All right?

967
00:45:39,880 --> 00:45:43,360
Speaker 10: Well, ever since my boyfriend and I got together, he

968
00:45:43,480 --> 00:45:47,200
Speaker 10: has insisted on playing the same song every time we

969
00:45:47,640 --> 00:45:50,240
Speaker 10: like make coitus. I don't know what to sand the radio,

970
00:45:50,280 --> 00:45:54,840
Speaker 10: but sure we've gotten together, he's insisted and I hated

971
00:45:54,880 --> 00:45:56,879
Speaker 10: it at first, but it's grown on me and now

972
00:45:57,320 --> 00:46:00,680
Speaker 10: I literally can't get intimate with him without hearing it.

973
00:46:01,200 --> 00:46:04,280
Speaker 10: And the song is Highway to Hell by a c DC.

974
00:46:08,320 --> 00:46:14,080
Speaker 3: What so many questions both of you here.

975
00:46:14,160 --> 00:46:15,719
Speaker 4: What do you get out of that ash? What is it?

976
00:46:15,760 --> 00:46:15,960
Speaker 1: I mean?

977
00:46:16,360 --> 00:46:18,040
Speaker 4: Is it? It's just you know, you're.

978
00:46:17,840 --> 00:46:20,600
Speaker 3: Doing something that sending you to straight to hell or like,

979
00:46:20,680 --> 00:46:21,360
Speaker 3: what's the story?

980
00:46:21,880 --> 00:46:24,920
Speaker 10: It's because I think the first time we got together

981
00:46:25,200 --> 00:46:28,520
Speaker 10: he played it, and so now we're deeper into the relationship,

982
00:46:28,760 --> 00:46:31,200
Speaker 10: it takes me right back to the you know, the sire.

983
00:46:31,000 --> 00:46:31,720
Speaker 12: We had that again.

984
00:46:32,600 --> 00:46:34,080
Speaker 4: That makes sense, does it now?

985
00:46:34,160 --> 00:46:34,359
Speaker 6: Yeah?

986
00:46:35,040 --> 00:46:37,560
Speaker 4: A song is still super weird, but I get all right,

987
00:46:37,560 --> 00:46:39,960
Speaker 4: thanks for the cool ash. Whatever works for you.

988
00:46:40,120 --> 00:46:42,000
Speaker 3: Unfortunately, that has to go on the playlist, so maybe

989
00:46:42,080 --> 00:46:44,719
Speaker 3: just shuffle past that one. We've got Georgia George, which

990
00:46:44,760 --> 00:46:46,800
Speaker 3: we're making a bit of a playtime playlist for everybody

991
00:46:47,000 --> 00:46:48,000
Speaker 3: on iHeartRadio.

992
00:46:48,600 --> 00:46:50,240
Speaker 4: What song of you? What song do you recommend?

993
00:46:51,360 --> 00:47:00,239
Speaker 17: It's gotta It's gotta be sexual healing, Marvin gate Boy,

994
00:47:04,480 --> 00:47:05,040
Speaker 17: nice joy.

995
00:47:05,120 --> 00:47:07,279
Speaker 3: And the funny thing is, though, like think about all

996
00:47:07,400 --> 00:47:10,279
Speaker 3: the blokes since Marvin Gaye did that song that have

997
00:47:10,360 --> 00:47:13,040
Speaker 3: gone over to the stereo and don't worry baby, I've

998
00:47:13,080 --> 00:47:16,040
Speaker 3: got a tune for you and chucked that on expecting

999
00:47:16,080 --> 00:47:19,360
Speaker 3: to get some It would be a comical highlights tape

1000
00:47:20,120 --> 00:47:22,640
Speaker 3: MM of the men putting it on and turning around

1001
00:47:23,120 --> 00:47:26,160
Speaker 3: and then not getting any We've got Shirley, who was

1002
00:47:26,200 --> 00:47:28,920
Speaker 3: called on thirty one and sixty five Shirley Playtime Playlist.

1003
00:47:28,960 --> 00:47:29,920
Speaker 4: What do you want to add to it?

1004
00:47:30,760 --> 00:47:35,319
Speaker 7: Hi, guys, So I've got Usher and Beyonce Loving this Club.

1005
00:47:35,360 --> 00:47:36,440
Speaker 7: The remix.

1006
00:47:40,480 --> 00:47:41,759
Speaker 6: I don't know.

1007
00:47:41,840 --> 00:47:45,360
Speaker 3: I don't know the remix Shirley, let's just stick it.

1008
00:47:45,760 --> 00:47:48,280
Speaker 7: I've met, to be honest, it's not with my partner.

1009
00:47:48,320 --> 00:47:50,960
Speaker 7: It was with one of my ex geez. And never

1010
00:47:51,080 --> 00:47:52,880
Speaker 7: it never ever happened in the club. It was always

1011
00:47:52,880 --> 00:47:54,440
Speaker 7: in the back of a car.

1012
00:47:55,719 --> 00:48:00,399
Speaker 4: And there you are and you are. Oh wow. I

1013
00:48:00,440 --> 00:48:02,360
Speaker 4: love love of our female listeners.

1014
00:48:02,400 --> 00:48:03,319
Speaker 6: I don't know why, but we.

1015
00:48:03,280 --> 00:48:04,359
Speaker 4: Always get the saucy ones.

1016
00:48:04,400 --> 00:48:07,520
Speaker 15: All right, We're gonna go to the traffic here on Willet.

1017
00:48:07,520 --> 00:48:08,840
Speaker 3: If you've got more songs you want to add to

1018
00:48:08,840 --> 00:48:12,000
Speaker 3: our Playtime playlist, please hit us up on Instagram, Facebook,

1019
00:48:12,400 --> 00:48:14,120
Speaker 3: because we got to make it a very real, very

1020
00:48:14,160 --> 00:48:16,640
Speaker 3: possible thing for everybody to listen to on iHeartRadio. You

1021
00:48:16,640 --> 00:48:18,160
Speaker 3: can get it for yourself and you know, do whatever

1022
00:48:18,160 --> 00:48:19,640
Speaker 3: you want with it, whether it's in a club, whether

1023
00:48:19,640 --> 00:48:20,480
Speaker 3: it's in the back of a car.

1024
00:48:20,560 --> 00:48:22,000
Speaker 4: Thanks for that show. We've gotta go to the traffic.

1025
00:48:22,000 --> 00:48:25,839
Speaker 4: It's kiss hey listen to.

1026
00:48:25,760 --> 00:48:29,600
Speaker 3: Will and Body on a Tuesday afternoon. Oh thanks so many, Bank.

1027
00:48:29,840 --> 00:48:31,640
Speaker 3: I hope everyone's out a wonderful drive home. We've got

1028
00:48:31,680 --> 00:48:35,319
Speaker 3: to get out of here, unfortunately, guys, everybody good fun

1029
00:48:35,440 --> 00:48:40,799
Speaker 3: is always absolutely nuts. If I'm going to be honest, yeah,

1030
00:48:40,880 --> 00:48:41,600
Speaker 3: absolutely nuts.

1031
00:48:41,600 --> 00:48:42,120
Speaker 4: Make sure you get it on.

1032
00:48:42,160 --> 00:48:45,319
Speaker 3: The podcast involves Woody diving over desks and answering phones

1033
00:48:45,360 --> 00:48:47,480
Speaker 3: in leopard print, and also making a playlist that you

1034
00:48:47,520 --> 00:48:49,320
Speaker 3: guys can you know have a bit of a honky

1035
00:48:49,400 --> 00:48:52,799
Speaker 3: chunk too, so wild show. As always, iHeartRadio is the

1036
00:48:52,800 --> 00:48:54,279
Speaker 3: place to get it. We are going to get out

1037
00:48:54,320 --> 00:48:55,799
Speaker 3: of here. Thank you so much for joining us.

1038
00:48:56,239 --> 00:48:58,120
Speaker 4: The contract here our powers right up next Woods.

1039
00:48:58,440 --> 00:49:01,560
Speaker 3: Kelly Rowland also changed my life on this show, Kelly

1040
00:49:01,640 --> 00:49:03,120
Speaker 3: roll and change your Life Radio.

1041
00:49:03,520 --> 00:49:06,400
Speaker 2: Get along to Our Heart Radio and go and get around.

1042
00:49:06,440 --> 00:49:08,799
Speaker 2: What you miss Colin Jackie, Oh you haven't missed that.

1043
00:49:08,840 --> 00:49:11,239
Speaker 2: And that's a super exciting show they've got for you

1044
00:49:11,239 --> 00:49:15,120
Speaker 2: because they're going to be joined by Samantha Armitage. Samantha Armitage,

1045
00:49:15,160 --> 00:49:18,279
Speaker 2: she's recently got engaged, so I'm sure they'll have to

1046
00:49:18,719 --> 00:49:21,320
Speaker 2: the scoop on that don't know his name will.

1047
00:49:21,840 --> 00:49:23,600
Speaker 4: Disappointing for putt him on the spot.

1048
00:49:23,640 --> 00:49:25,120
Speaker 3: Well, you've got one job in here, and that's been

1049
00:49:25,160 --> 00:49:27,120
Speaker 3: across the celeb gus. How's this for a hook though?

1050
00:49:27,160 --> 00:49:30,040
Speaker 3: You want to find out what her partner's name is?

1051
00:49:30,080 --> 00:49:32,480
Speaker 3: Stick around, you're about to find out on Colin Jack.

1052
00:49:32,560 --> 00:49:35,680
Speaker 3: Yeahs Arab power, brilliant, nice good save.

1053
00:49:35,960 --> 00:49:37,040
Speaker 4: We'll see tomorrow from for By

1054
00:49:39,080 --> 00:49:39,560
Speaker 3: Now