1 00:00:01,120 --> 00:00:04,280 Speaker 1: You know, there are shows, and there are shows, and 2 00:00:04,480 --> 00:00:08,440 Speaker 1: next Tuesday night, March twenty five, at the ASTA, there's 3 00:00:08,480 --> 00:00:11,559 Speaker 1: going to be a show the Stranglers are playing. Tickets 4 00:00:11,560 --> 00:00:15,160 Speaker 1: are available through Ticketech and we are very fortunate to 5 00:00:15,200 --> 00:00:19,560 Speaker 1: have JJ Burnell join us this morning. Hello, legend based 6 00:00:19,760 --> 00:00:23,520 Speaker 1: guitarist and co lead vocalist of The Stranglers. Now, Jjo, 7 00:00:23,560 --> 00:00:27,360 Speaker 1: there's something that's always baffled me a bit about the Stranglers. 8 00:00:27,600 --> 00:00:33,080 Speaker 1: You've always been described as British iconic punk band, but 9 00:00:33,840 --> 00:00:38,239 Speaker 1: I mean, clearly something transcended that genre because to me, 10 00:00:39,120 --> 00:00:41,879 Speaker 1: you I don't think punk is the first thing that 11 00:00:41,920 --> 00:00:44,280 Speaker 1: would come to my mind. You just had a genre 12 00:00:44,640 --> 00:00:47,160 Speaker 1: to yourself, a unique sound to yourself. 13 00:00:47,520 --> 00:00:50,520 Speaker 2: Well, thank you for that. Yeah, I think that the 14 00:00:50,600 --> 00:00:55,040 Speaker 2: punk label is kind of limiting or else we extended it, 15 00:00:55,360 --> 00:00:58,400 Speaker 2: expanded the definition of it. Yeah, but we grew up 16 00:00:58,440 --> 00:01:02,840 Speaker 2: in that period with all the other bands playing the 17 00:01:03,760 --> 00:01:07,720 Speaker 2: limited circuit that we were allowed to play at that time. 18 00:01:07,959 --> 00:01:13,120 Speaker 2: But fortunately for us, you kind of tried to experiment 19 00:01:13,160 --> 00:01:16,600 Speaker 2: and see how far we could go with the limitations 20 00:01:16,640 --> 00:01:24,720 Speaker 2: of our very limited talents. That well, we weren't dictated 21 00:01:24,800 --> 00:01:29,000 Speaker 2: to by commercial reasons, so you know, some things we tried, 22 00:01:29,240 --> 00:01:33,560 Speaker 2: and some things succeeded and other things failed. But you know, 23 00:01:33,640 --> 00:01:37,640 Speaker 2: if you love music, you try to extend all the 24 00:01:37,720 --> 00:01:41,520 Speaker 2: sources of inspiration and try to be inspired by those. 25 00:01:41,600 --> 00:01:43,600 Speaker 3: You know, Yeah, I do the contrary of what you're 26 00:01:43,640 --> 00:01:45,920 Speaker 3: saying there, and I think it was your individual and 27 00:01:45,920 --> 00:01:49,280 Speaker 3: your pull the resources and skill and then the carriage 28 00:01:49,280 --> 00:01:52,720 Speaker 3: to move on, you know, La Follo and oural sculpture. 29 00:01:52,760 --> 00:01:55,440 Speaker 3: There's beautiful albums with some beautiful sounds, and then you're 30 00:01:55,440 --> 00:01:56,240 Speaker 3: selling yourself short. 31 00:01:56,240 --> 00:01:59,600 Speaker 2: I think that you well, you know, you either every 32 00:01:59,760 --> 00:02:04,480 Speaker 2: music wants to be successful, so once they if you've struggled, 33 00:02:04,520 --> 00:02:07,440 Speaker 2: and then you find a formula. A lot of musicians 34 00:02:07,440 --> 00:02:10,960 Speaker 2: suddenly stopped developing because they keep up with that formula. 35 00:02:11,080 --> 00:02:15,080 Speaker 2: But I don't think that's too short. You know, Let's 36 00:02:15,120 --> 00:02:17,440 Speaker 2: see how far you can go, and sometimes you will 37 00:02:17,480 --> 00:02:20,080 Speaker 2: carry an audience with you and other times you won't. 38 00:02:20,400 --> 00:02:22,560 Speaker 1: Well, the answer to how far you can go. This 39 00:02:22,639 --> 00:02:28,079 Speaker 1: tour is part of the band's fiftieth anniversary celebrations. Did 40 00:02:28,160 --> 00:02:30,360 Speaker 1: you always think we'd be celebrating. 41 00:02:29,840 --> 00:02:31,639 Speaker 3: Fifty years or amazing? 42 00:02:32,440 --> 00:02:34,359 Speaker 1: Worry pitching yourself? 43 00:02:34,680 --> 00:02:38,560 Speaker 2: Well, last year was the fiftieth and I think we're 44 00:02:38,600 --> 00:02:44,120 Speaker 2: extending the fiftieth to this year, here's for the next fifty. 45 00:02:44,680 --> 00:02:47,800 Speaker 3: Yeah, where does it begin? You think about, well, seventy 46 00:02:47,840 --> 00:02:50,040 Speaker 3: seven to nineteen ninety A lot of albums in those 47 00:02:50,480 --> 00:02:52,720 Speaker 3: early days. I have to go back to the first 48 00:02:52,760 --> 00:02:55,320 Speaker 3: album to say Peachs is one of my favorite baselines 49 00:02:55,360 --> 00:02:59,120 Speaker 3: for yours, for you coming to the party there, that 50 00:02:59,280 --> 00:03:01,240 Speaker 3: was just that. And I think of you, and I 51 00:03:01,240 --> 00:03:03,280 Speaker 3: think of the band and it just takes me back. 52 00:03:03,280 --> 00:03:05,160 Speaker 3: But can you play a gig without playing Peaches? 53 00:03:05,280 --> 00:03:09,120 Speaker 2: Yes? Well, you know, you can't fool an audience. Yeah, 54 00:03:09,360 --> 00:03:13,440 Speaker 2: And if you're just going through the motions the band, 55 00:03:13,800 --> 00:03:18,520 Speaker 2: it's boring for the band and the audiences. So we 56 00:03:18,639 --> 00:03:23,560 Speaker 2: have occasionally dropped Peaches, for instance, and even Golden Brown. 57 00:03:24,360 --> 00:03:30,520 Speaker 2: Really we just didn't feel feel for these songs anymore, 58 00:03:30,560 --> 00:03:32,480 Speaker 2: and then you rediscover them a bit later. 59 00:03:32,800 --> 00:03:36,000 Speaker 1: Oh classic, So well, I mean it must I do 60 00:03:36,080 --> 00:03:39,320 Speaker 1: feel for you, though, with so many top forty singles, 61 00:03:40,000 --> 00:03:42,480 Speaker 1: it's hard to curate a set list because we'd be 62 00:03:42,520 --> 00:03:43,120 Speaker 1: here all week. 63 00:03:43,240 --> 00:03:43,480 Speaker 2: Yeah. 64 00:03:43,680 --> 00:03:46,640 Speaker 1: Yeah, and there are other cities expecting you. 65 00:03:48,000 --> 00:03:51,880 Speaker 2: Well, that's true. It's I think as USA in France, 66 00:03:52,360 --> 00:03:54,840 Speaker 2: lomberhand embarrassment of riches. 67 00:03:55,200 --> 00:03:57,800 Speaker 1: Yeah, yeah, exactly right for choice. 68 00:03:58,280 --> 00:04:01,280 Speaker 3: I mean a sound like Golden Brown greening Field's beautiful music. 69 00:04:01,280 --> 00:04:02,680 Speaker 3: We're very sad when we lost him, but it was 70 00:04:02,760 --> 00:04:05,160 Speaker 3: right at the start of COVID time, wasn't it. But 71 00:04:05,280 --> 00:04:07,120 Speaker 3: when you when you play Golden Brandon must you must 72 00:04:07,120 --> 00:04:09,360 Speaker 3: feel like a tribute to his music because he came 73 00:04:09,400 --> 00:04:12,440 Speaker 3: up with it, didn't have a beautiful keyboard, thank you. Yeah, 74 00:04:12,760 --> 00:04:14,800 Speaker 3: you speak of France. That's where you live right right 75 00:04:14,800 --> 00:04:15,840 Speaker 3: in Rose Country there. 76 00:04:15,920 --> 00:04:21,279 Speaker 2: Yeah, that's that's tough. I have in the South my 77 00:04:21,320 --> 00:04:25,359 Speaker 2: motorcycles days of the year. Yeah, like if I was 78 00:04:25,400 --> 00:04:28,120 Speaker 2: living in w A. You know. Yeah, you know what. 79 00:04:28,600 --> 00:04:32,440 Speaker 2: A few years ago we three of us ride motorcycles 80 00:04:32,600 --> 00:04:35,560 Speaker 2: and a few years ago we were really fortunate to 81 00:04:35,760 --> 00:04:40,839 Speaker 2: be loaned three motorcycles by Trials dealership. I won't in 82 00:04:40,960 --> 00:04:45,680 Speaker 2: Perth and they they lend us these. We asked them 83 00:04:45,680 --> 00:04:48,880 Speaker 2: if we could rent out or hi bikes and they said, no, 84 00:04:48,920 --> 00:04:52,279 Speaker 2: we don't do that, mate, but you can have them. Sorry. 85 00:04:52,800 --> 00:04:57,799 Speaker 2: My issue was to ride down to Market River. Being French, 86 00:04:58,080 --> 00:05:01,800 Speaker 2: I love wine, yes, and I think Margaret River produces 87 00:05:01,839 --> 00:05:04,520 Speaker 2: some of the very best wines in Australia. 88 00:05:04,520 --> 00:05:05,400 Speaker 1: You won't get any argument. 89 00:05:05,839 --> 00:05:09,279 Speaker 2: So we wrote down there. We wrote down to Margaret River. 90 00:05:09,440 --> 00:05:12,080 Speaker 1: What well, as someone who lives in the south of France, 91 00:05:12,080 --> 00:05:16,120 Speaker 1: it would be remissible not to really to compare the two. 92 00:05:17,000 --> 00:05:18,080 Speaker 2: Tell me what was it like. 93 00:05:18,680 --> 00:05:21,920 Speaker 1: Touring in Japan in the seventies, So, yeah, I believe 94 00:05:21,920 --> 00:05:24,400 Speaker 1: you were like the only foreign band at the time 95 00:05:24,440 --> 00:05:25,120 Speaker 1: to tour there. 96 00:05:25,640 --> 00:05:27,480 Speaker 2: Yeah. I don't know if we were the only ones, 97 00:05:27,480 --> 00:05:31,600 Speaker 2: but certainly it was. It was a revelation. It was 98 00:05:32,200 --> 00:05:37,520 Speaker 2: they were the most polite augiences right used to that. 99 00:05:38,040 --> 00:05:43,359 Speaker 2: We were used to rally British augiences and were also 100 00:05:43,400 --> 00:05:49,320 Speaker 2: in Australia. We had some very wealthy Georges and they 101 00:05:49,400 --> 00:05:51,880 Speaker 2: sat quietly and then at the end of each song 102 00:05:52,040 --> 00:05:54,799 Speaker 2: they stood up and applauded and then sat down again. 103 00:05:56,160 --> 00:06:03,000 Speaker 3: There's no Japanese mosh pitch. It was no scrapping. Yes, 104 00:06:04,120 --> 00:06:06,480 Speaker 3: can you tell me I talked about patures. I'm obsessed 105 00:06:06,520 --> 00:06:08,400 Speaker 3: with that bassline, But can you tell me what happened 106 00:06:08,440 --> 00:06:10,520 Speaker 3: to that bass guitar, because I believe there's a story. 107 00:06:10,279 --> 00:06:14,920 Speaker 2: The bass Well. Interestingly enough, Adam Clayton from you two 108 00:06:15,360 --> 00:06:18,800 Speaker 2: made an offer for it last year so that they 109 00:06:18,880 --> 00:06:22,839 Speaker 2: could put that bass guitar in the YouTube museum which 110 00:06:22,880 --> 00:06:26,840 Speaker 2: they're developing in Dublin. So I sold it to him 111 00:06:26,839 --> 00:06:31,800 Speaker 2: because it was unplayable. Yeah, I've smashed it up so 112 00:06:31,880 --> 00:06:35,200 Speaker 2: many times way back then that it was you couldn't 113 00:06:35,240 --> 00:06:39,200 Speaker 2: play it. But he still wanted it for their YouTube museum. Yeah, 114 00:06:39,320 --> 00:06:43,200 Speaker 2: brilliant you two and now the crowd owners of that 115 00:06:43,279 --> 00:06:44,200 Speaker 2: particular guitar. 116 00:06:44,480 --> 00:06:46,800 Speaker 3: Yeah, being the bass player, I would have loved that. 117 00:06:46,920 --> 00:06:48,520 Speaker 3: That would have meant a lot to him to be 118 00:06:48,560 --> 00:06:49,240 Speaker 3: able to purchase that. 119 00:06:49,480 --> 00:06:52,719 Speaker 1: JJ. You're fifty one years in. But do you remember 120 00:06:52,760 --> 00:06:54,960 Speaker 1: the first time you heard yourself on the radio? 121 00:06:55,320 --> 00:06:58,120 Speaker 2: Oh? Yeah, yeah, sure, and I kept on hearing it 122 00:06:58,200 --> 00:07:00,560 Speaker 2: back back again. I've kept on playing it. 123 00:07:00,680 --> 00:07:00,880 Speaker 1: Yes. 124 00:07:01,160 --> 00:07:04,039 Speaker 2: You know in those states, you could record a cassette 125 00:07:04,240 --> 00:07:07,159 Speaker 2: off the radio, you know, you had those cassette players 126 00:07:07,160 --> 00:07:10,520 Speaker 2: and just press the recording. Yes, the radio. 127 00:07:12,600 --> 00:07:15,400 Speaker 1: You had to hope that the DJ didn't talk all 128 00:07:15,440 --> 00:07:22,720 Speaker 1: over the beginning radio jobs. That's fantastic. 129 00:07:23,040 --> 00:07:26,400 Speaker 3: Well just quickly, J before you go. Things have changed, right, 130 00:07:26,480 --> 00:07:28,360 Speaker 3: just a little bit from the days when you guys 131 00:07:28,400 --> 00:07:31,560 Speaker 3: would be fighting and scrapping whilst on tour. You know, 132 00:07:31,680 --> 00:07:34,760 Speaker 3: blood on your stage, blood on guitars, that kind of stuff. 133 00:07:35,000 --> 00:07:36,640 Speaker 3: What's what's it like now for you? 134 00:07:37,160 --> 00:07:43,040 Speaker 2: I'm sure you were It's it's much safe. People actually 135 00:07:43,080 --> 00:07:46,080 Speaker 2: come to see us, not to chase us off the stage. 136 00:07:47,360 --> 00:07:50,239 Speaker 1: Love it well, you're going to love the Asta Theater. 137 00:07:50,480 --> 00:07:53,520 Speaker 1: It's a beautiful place to for a show. The Stranglers 138 00:07:53,520 --> 00:07:56,480 Speaker 1: are playing the Asta Tuesday, March twenty five. Tickets are 139 00:07:56,520 --> 00:07:59,280 Speaker 1: available through ticket tak. Lovely to catch up with this 140 00:07:59,320 --> 00:08:01,400 Speaker 1: morning JJ all the best, Thank you. 141 00:08:01,480 --> 00:08:04,600 Speaker 2: Very much, and were looking forward to coming back to w. 142 00:08:05,240 --> 00:08:07,920 Speaker 3: We hope you can get down to Migrants. Yeah, down 143 00:08:07,960 --> 00:08:09,880 Speaker 3: to a door absolutely. 144 00:08:10,280 --> 00:08:13,400 Speaker 2: Well, you know we last time we were there because 145 00:08:13,520 --> 00:08:17,640 Speaker 2: we went down the river, yes, and right up to 146 00:08:17,680 --> 00:08:20,840 Speaker 2: the edge of the ocean. We also went up to 147 00:08:21,280 --> 00:08:26,760 Speaker 2: a little town on the what was it called Bird 148 00:08:26,920 --> 00:08:30,640 Speaker 2: Strange Birds and the city. Yeah, and then we went 149 00:08:30,680 --> 00:08:40,160 Speaker 2: to a circuit, went to a classic bike We rode 150 00:08:40,240 --> 00:08:43,280 Speaker 2: up to Seabird. There was a eucalyptus forest on the 151 00:08:43,280 --> 00:08:46,760 Speaker 2: way and there was also a racing circuit. Were doing 152 00:08:46,800 --> 00:08:48,280 Speaker 2: a classic bike races. 153 00:08:49,600 --> 00:08:52,360 Speaker 1: Perfect. Well, look, if you can't don't have time to 154 00:08:52,360 --> 00:08:56,200 Speaker 1: get down to Margaret River. Just going on a bike 155 00:08:56,320 --> 00:08:59,080 Speaker 1: into the Swan Valley. There you'll find some nice wine too, 156 00:08:59,200 --> 00:09:01,719 Speaker 1: so northeast to person I will, I can vouch for. 157 00:09:01,720 --> 00:09:05,640 Speaker 2: That, but if we can't get down to Margaret and 158 00:09:05,960 --> 00:09:08,000 Speaker 2: we can at least drink some Barbareick River. 159 00:09:07,920 --> 00:09:11,840 Speaker 1: Produce, absolutely definitely not have that on the rider. 160 00:09:13,679 --> 00:09:18,000 Speaker 2: Thanks. Thanks, thank you. Have a great day than