1 00:00:00,520 --> 00:00:02,200 Speaker 1: It's the Will and Woody podcast. 2 00:00:02,400 --> 00:00:04,200 Speaker 2: How quick did you quit your job? 3 00:00:04,760 --> 00:00:06,800 Speaker 3: That is the question we're asking on thirteen one oh 4 00:00:06,800 --> 00:00:09,880 Speaker 3: sixty five because the first ever female prime minister by 5 00:00:09,880 --> 00:00:13,320 Speaker 3: the name of first of female prime minister for Sweden, 6 00:00:13,800 --> 00:00:16,640 Speaker 3: her name is Magdalena and asan, I. 7 00:00:16,560 --> 00:00:17,720 Speaker 4: Think it's just Anderson Man. 8 00:00:18,360 --> 00:00:20,640 Speaker 2: Yeah, that's probably fair, and. 9 00:00:21,320 --> 00:00:25,079 Speaker 4: You tried to make it sound foreign anyway, I think 10 00:00:25,120 --> 00:00:27,160 Speaker 4: we'll just said Anderson. 11 00:00:27,280 --> 00:00:31,320 Speaker 2: So it's actually around the song. It's a really sad story. 12 00:00:31,640 --> 00:00:34,360 Speaker 3: So she becomes the prime minister, first female, really exciting, 13 00:00:34,440 --> 00:00:36,559 Speaker 3: and then she pitches her budget or she puts her 14 00:00:36,560 --> 00:00:40,479 Speaker 3: budget forward and it just gets rejected. It wasn't approved, 15 00:00:40,600 --> 00:00:43,519 Speaker 3: and the people of Sweden just chose the opposition's budget. 16 00:00:43,600 --> 00:00:44,440 Speaker 4: The GoF whitlam to. 17 00:00:45,920 --> 00:00:47,200 Speaker 2: Oh yeah, I don't know what that means. 18 00:00:47,240 --> 00:00:47,720 Speaker 5: But in. 19 00:00:49,560 --> 00:00:52,120 Speaker 4: Nineteen seventy five he was the prime minister. Yeah, right, 20 00:00:52,120 --> 00:00:54,440 Speaker 4: and he couldn't get a budget through. That's why you 21 00:00:54,480 --> 00:00:56,560 Speaker 4: had to get sucked by the sex, by the Governor General. 22 00:00:56,600 --> 00:01:01,560 Speaker 4: All sucked. But no, I think it was just sacked 23 00:01:01,600 --> 00:01:02,520 Speaker 4: John Curse active. 24 00:01:02,600 --> 00:01:04,520 Speaker 2: Well, Magale didn't need to be sacked. 25 00:01:04,600 --> 00:01:06,040 Speaker 3: No, no, she need to be sacked. So when her 26 00:01:06,040 --> 00:01:07,640 Speaker 3: budget wasn't approved. She was just like, well, what's the 27 00:01:07,640 --> 00:01:10,520 Speaker 3: point and just quit. So so two hours in the job. 28 00:01:10,560 --> 00:01:13,119 Speaker 3: I want to see if we can beat that. Right now, 29 00:01:13,160 --> 00:01:18,120 Speaker 3: how quick did you quit your job? We got Irena here, Irena, 30 00:01:19,400 --> 00:01:20,319 Speaker 3: how quick did you quit? 31 00:01:21,319 --> 00:01:22,200 Speaker 6: Four hours? 32 00:01:22,480 --> 00:01:23,840 Speaker 4: Blood? Wow? The hell? 33 00:01:23,880 --> 00:01:27,080 Speaker 2: I rainer? What happened in that four hours for you 34 00:01:27,160 --> 00:01:27,559 Speaker 2: to quit? 35 00:01:29,319 --> 00:01:29,880 Speaker 7: I did my. 36 00:01:29,840 --> 00:01:32,520 Speaker 6: First shift at Subway, my first and only ever. 37 00:01:32,800 --> 00:01:33,880 Speaker 4: Oh yeah, And I. 38 00:01:33,959 --> 00:01:36,280 Speaker 6: Got home afterwards and I said to my husband I 39 00:01:36,319 --> 00:01:39,280 Speaker 6: can't do this, and he said, come on. I said no, 40 00:01:39,319 --> 00:01:42,240 Speaker 6: I'm absolutely exhausted. I watched all these fifteen year old 41 00:01:42,600 --> 00:01:45,720 Speaker 6: making up subway rolls in like five seconds, and I 42 00:01:45,720 --> 00:01:47,000 Speaker 6: didn't know where to find anything. 43 00:01:47,440 --> 00:01:50,360 Speaker 3: Ah, that's right in front of you there when you 44 00:01:50,400 --> 00:01:52,880 Speaker 3: get there, under the glass. 45 00:01:53,040 --> 00:01:56,000 Speaker 4: It's very well labeled. Let's go. 46 00:01:56,640 --> 00:02:00,640 Speaker 8: Let's go to Christy on Betting one and six five. Christie, 47 00:02:00,920 --> 00:02:01,880 Speaker 8: how quickly did you quit? 48 00:02:02,960 --> 00:02:03,520 Speaker 1: One hour? 49 00:02:04,000 --> 00:02:04,240 Speaker 9: Oh? 50 00:02:04,480 --> 00:02:05,640 Speaker 4: Jeez, we're getting shorter. 51 00:02:05,840 --> 00:02:07,720 Speaker 2: So why'd you quit after an hour? What happened? 52 00:02:08,760 --> 00:02:11,440 Speaker 6: I got my trial was on a Saturday morning and 53 00:02:11,480 --> 00:02:13,919 Speaker 6: the shop was super, super busy, and no one was 54 00:02:13,960 --> 00:02:15,839 Speaker 6: showing me what to do. And I was standing there 55 00:02:15,880 --> 00:02:17,919 Speaker 6: like an idiot, and I'm just going to the toilet 56 00:02:18,040 --> 00:02:18,960 Speaker 6: and I never went back. 57 00:02:20,400 --> 00:02:23,799 Speaker 3: Nice, didn't even tell me about it. Classy, I like it, Christy. 58 00:02:23,760 --> 00:02:24,519 Speaker 2: Hard to beat an hour? 59 00:02:24,760 --> 00:02:27,280 Speaker 4: An hour is short? Is short. 60 00:02:27,400 --> 00:02:30,720 Speaker 3: Let's go to jewels here, now, jewels, can you beat 61 00:02:30,720 --> 00:02:31,080 Speaker 3: an hour? 62 00:02:31,080 --> 00:02:31,959 Speaker 2: How quick did you quit? 63 00:02:32,680 --> 00:02:33,320 Speaker 7: Three minutes? 64 00:02:36,160 --> 00:02:36,520 Speaker 8: Flex? 65 00:02:36,680 --> 00:02:39,040 Speaker 4: Okay, look at it. You knew you were sitting on 66 00:02:39,080 --> 00:02:41,919 Speaker 4: a gold mine, jewels. You were just like four hours? 67 00:02:41,960 --> 00:02:45,040 Speaker 4: One hour? Absolutely, child's fighting. Let's go through it. 68 00:02:45,040 --> 00:02:48,639 Speaker 7: Where we were working keep the radio and I thought, oh, 69 00:02:49,000 --> 00:02:54,400 Speaker 7: just try and ring. Yeah. It was a par that hotel, 70 00:02:54,520 --> 00:02:58,160 Speaker 7: and I had worked there before I got another job, 71 00:02:58,440 --> 00:03:02,480 Speaker 7: and the publican me ask me to come back. Make 72 00:03:02,520 --> 00:03:07,280 Speaker 7: the chef, and I knew the chef anyway. And I 73 00:03:07,400 --> 00:03:10,120 Speaker 7: walked in and the waitress and the chef were passing 74 00:03:10,200 --> 00:03:13,600 Speaker 7: on in the kitchen. Helly, both of them, and they 75 00:03:13,760 --> 00:03:15,040 Speaker 7: both had other partners. 76 00:03:15,320 --> 00:03:24,240 Speaker 4: Oh god, s wow, wait so you want him? 77 00:03:27,360 --> 00:03:27,520 Speaker 10: Wait? 78 00:03:27,680 --> 00:03:31,160 Speaker 7: Let chef left six months later because he was a 79 00:03:31,240 --> 00:03:35,800 Speaker 7: bit of an you're just a nasty person. Then I 80 00:03:35,840 --> 00:03:40,480 Speaker 7: worked there again, and yeah. 81 00:03:39,280 --> 00:03:40,720 Speaker 8: I should have gone out on the high with the 82 00:03:40,760 --> 00:03:42,360 Speaker 8: two people making on in the kitchen. 83 00:03:42,640 --> 00:03:44,880 Speaker 1: The whim Woody podcast. 84 00:03:44,680 --> 00:03:47,400 Speaker 8: One of our faves joining us on the phone right now, 85 00:03:47,440 --> 00:03:52,560 Speaker 8: and Darren McMullen on Will and Woodie does absolute pleasure 86 00:03:52,560 --> 00:03:53,160 Speaker 8: to have you on mate. 87 00:03:53,160 --> 00:03:54,760 Speaker 4: Woods and I have become very close to you recently. 88 00:03:54,800 --> 00:03:57,440 Speaker 8: We've been filming a TV show with you up in Sydney, 89 00:03:58,160 --> 00:04:00,760 Speaker 8: Celebrity Apprentice, which has been as Mata. It's been really 90 00:04:00,800 --> 00:04:03,680 Speaker 8: good to get to know you actually, and particularly given 91 00:04:03,680 --> 00:04:06,240 Speaker 8: that you were very much somebody that we watched on 92 00:04:06,320 --> 00:04:09,360 Speaker 8: TV screens earlier and one of the obviously the big 93 00:04:09,440 --> 00:04:11,440 Speaker 8: role for us was when you were hosting the Voice 94 00:04:11,720 --> 00:04:13,480 Speaker 8: and I know we're having a chat with you recently 95 00:04:13,560 --> 00:04:16,320 Speaker 8: just about you know, the transition there. Obviously it moved 96 00:04:16,360 --> 00:04:18,599 Speaker 8: networks and I just wanted to just share a story 97 00:04:18,640 --> 00:04:21,440 Speaker 8: because I feel like obviously in the entertainments, in the 98 00:04:21,560 --> 00:04:24,400 Speaker 8: entertainment sphere, when you are up the up in the 99 00:04:24,480 --> 00:04:26,200 Speaker 8: lights there, it looks all glitz and glam, but it 100 00:04:26,279 --> 00:04:29,839 Speaker 8: is absolutely brutal how the wheel works and how quickly 101 00:04:29,839 --> 00:04:31,640 Speaker 8: people are in and out of the jobs that they've got. 102 00:04:31,920 --> 00:04:33,880 Speaker 8: Would you be willing to just to share for us 103 00:04:34,160 --> 00:04:35,120 Speaker 8: how that happened with you? 104 00:04:36,000 --> 00:04:36,160 Speaker 6: Oh? 105 00:04:36,240 --> 00:04:38,960 Speaker 11: I think so. Hopefully nobody will be offended by this, 106 00:04:39,080 --> 00:04:42,480 Speaker 11: but I mean it's truth. I was at Trebo at 107 00:04:42,480 --> 00:04:45,719 Speaker 11: the time, luckily, and I picked up the Sunday paper 108 00:04:46,000 --> 00:04:49,320 Speaker 11: and the front page of the paper was the Voice 109 00:04:49,400 --> 00:04:52,159 Speaker 11: was moving to Channel seven. And I was like what. 110 00:04:53,400 --> 00:04:57,120 Speaker 11: And I ended up calling Delta and saying, Hey, did 111 00:04:57,160 --> 00:04:58,960 Speaker 11: you know about this? Then I think she just woke 112 00:04:59,040 --> 00:05:01,840 Speaker 11: up at it? So I think, what about what was? 113 00:05:02,000 --> 00:05:03,080 Speaker 11: Have you seen the paper? 114 00:05:03,480 --> 00:05:03,680 Speaker 9: You know? 115 00:05:03,960 --> 00:05:06,000 Speaker 11: Yet as I go grab the paper, it's like, oh 116 00:05:06,040 --> 00:05:09,040 Speaker 11: my god. And I was like, oh, I wonder if 117 00:05:09,080 --> 00:05:10,039 Speaker 11: we still have a job. 118 00:05:10,400 --> 00:05:11,039 Speaker 2: Wow. 119 00:05:11,960 --> 00:05:16,760 Speaker 11: But luckily, I was geared up to go skiing in Repo, 120 00:05:16,920 --> 00:05:19,000 Speaker 11: and you know, it took the sting out of it 121 00:05:19,040 --> 00:05:21,120 Speaker 11: a little. To be fair, I was like, Okay, well 122 00:05:21,160 --> 00:05:22,039 Speaker 11: onto the next one. 123 00:05:22,240 --> 00:05:22,680 Speaker 12: Yeah. 124 00:05:22,920 --> 00:05:24,560 Speaker 11: I've done about six years of the show too. It 125 00:05:24,600 --> 00:05:28,039 Speaker 11: was a brilliant show, and you know, just this disappointed 126 00:05:28,040 --> 00:05:30,200 Speaker 11: I couldn't get another crack at it with Renee, who 127 00:05:30,240 --> 00:05:32,600 Speaker 11: was a good friend of mine. That would have been fantastic. 128 00:05:32,680 --> 00:05:36,000 Speaker 11: But yeah, yeah, I mean then the breaks. Really, it's 129 00:05:36,040 --> 00:05:39,000 Speaker 11: a it's a it's a very tough industry. People always 130 00:05:39,080 --> 00:05:41,200 Speaker 11: kind of, you know, slide into the DMS. I want 131 00:05:41,200 --> 00:05:43,240 Speaker 11: to get into this industry. What advice would you give 132 00:05:43,320 --> 00:05:48,000 Speaker 11: I'm like, go to finance school. That would be the 133 00:05:48,279 --> 00:05:50,480 Speaker 11: guys were the big boats and the holiday houses and 134 00:05:50,520 --> 00:05:51,280 Speaker 11: all the rest of it. 135 00:05:51,400 --> 00:05:53,719 Speaker 4: Well, I'm trying to sell the soft story for your dads. 136 00:05:53,720 --> 00:05:55,240 Speaker 8: But you didn't help me when you were like, well, 137 00:05:55,279 --> 00:05:57,120 Speaker 8: I put down the paper and then clicked back on 138 00:05:57,200 --> 00:05:58,480 Speaker 8: my skis and then. 139 00:06:01,279 --> 00:06:01,880 Speaker 4: Tread vibe. 140 00:06:02,080 --> 00:06:04,279 Speaker 3: Next, let me tell that story, Darren, be alone in 141 00:06:04,320 --> 00:06:06,640 Speaker 3: your home and you know, more. 142 00:06:06,560 --> 00:06:10,000 Speaker 5: Emotion to it, but myself to sleep. 143 00:06:10,120 --> 00:06:15,320 Speaker 2: Yeah, that's right, here we go. 144 00:06:17,279 --> 00:06:20,000 Speaker 3: But Darren, then you I mean you actually and cref 145 00:06:20,040 --> 00:06:22,360 Speaker 3: I'm wrong, but you actually started off acting because I 146 00:06:22,400 --> 00:06:24,200 Speaker 3: might have been a surprise to people to then see 147 00:06:24,200 --> 00:06:27,520 Speaker 3: you on shows like House Husbands and Sea Change. And 148 00:06:27,560 --> 00:06:29,799 Speaker 3: obviously you are the star or one of the stars 149 00:06:29,839 --> 00:06:32,800 Speaker 3: of a new film coming out on stan December one. 150 00:06:33,080 --> 00:06:36,200 Speaker 2: It's called Christmas on the Farm. But you were you 151 00:06:36,240 --> 00:06:38,640 Speaker 2: a presenter first, then actor or actor then presenter? 152 00:06:39,279 --> 00:06:42,520 Speaker 11: Well no, I was presenter first. I'd acted to school 153 00:06:42,520 --> 00:06:44,880 Speaker 11: and everything else and drama and all the rest of it, 154 00:06:44,920 --> 00:06:47,280 Speaker 11: and I loved it. And then the hosting thing just 155 00:06:47,360 --> 00:06:49,080 Speaker 11: kind of took off. And you know, I'm a big 156 00:06:49,760 --> 00:06:52,599 Speaker 11: fan of swimming down streams sometimes and every time I 157 00:06:52,640 --> 00:06:54,760 Speaker 11: wanted to kind of delve back into the acting world. 158 00:06:54,839 --> 00:06:57,400 Speaker 11: Another host world would come up somewhere and I go, yeah, 159 00:06:57,920 --> 00:07:00,760 Speaker 11: I'll put that on ice or now. And then, thankfully 160 00:07:00,800 --> 00:07:03,359 Speaker 11: recently it's been mostly acting, so you know, host Husband 161 00:07:03,440 --> 00:07:07,520 Speaker 11: and then Sea Change and Doctor Doctor and then luckily 162 00:07:07,640 --> 00:07:10,240 Speaker 11: was in Queensland when as Sydney shut down so I 163 00:07:10,280 --> 00:07:12,720 Speaker 11: couldn't get back home. Yeah, and I was trying to 164 00:07:12,800 --> 00:07:16,640 Speaker 11: navigate that and I happened to addition to something a 165 00:07:16,760 --> 00:07:19,480 Speaker 11: rom com Christmas Wilm Calm called Christmas on the Farm 166 00:07:19,960 --> 00:07:24,080 Speaker 11: and got it. So with the lovely serendipitous moments where 167 00:07:24,080 --> 00:07:25,320 Speaker 11: I happened to be in the right place at the 168 00:07:25,360 --> 00:07:28,000 Speaker 11: right time, it was a lot of fun. Yeah, my 169 00:07:28,440 --> 00:07:32,680 Speaker 11: characters from Manhattan and we had to make downtown Brisbane 170 00:07:32,720 --> 00:07:36,320 Speaker 11: look like a very cole Manhattan on a Oh Wow, 171 00:07:37,040 --> 00:07:39,000 Speaker 11: which was fantastic to see. 172 00:07:39,240 --> 00:07:39,640 Speaker 2: Oh Wow. 173 00:07:39,680 --> 00:07:40,880 Speaker 8: Well, look, I really want to talk to you a 174 00:07:40,880 --> 00:07:42,520 Speaker 8: little bit more about Christmas on the Farm. It is 175 00:07:42,560 --> 00:07:44,280 Speaker 8: out December one on stand as well, so you can 176 00:07:44,320 --> 00:07:45,200 Speaker 8: stream it in your living room. 177 00:07:45,200 --> 00:07:45,360 Speaker 11: Camp. 178 00:07:45,360 --> 00:07:47,160 Speaker 8: We're only a month away from Christmas at the moment, 179 00:07:47,240 --> 00:07:49,000 Speaker 8: by the way, so I'm very much looking for to 180 00:07:49,000 --> 00:07:50,640 Speaker 8: talking about that right up next. The other thing I 181 00:07:50,680 --> 00:07:52,239 Speaker 8: wanted to touch on, though, is I'm trying to paint 182 00:07:52,240 --> 00:07:54,640 Speaker 8: this sub story for you were struggling, darn mcmallin. But 183 00:07:54,640 --> 00:07:57,760 Speaker 8: I can see on your Instagram here you just wrapped 184 00:07:57,800 --> 00:07:59,680 Speaker 8: New Christmas on the farm and you hanging out at 185 00:07:59,680 --> 00:08:02,400 Speaker 8: the Luck Sure Equality with Hugh Sheridan. I mean, Das, 186 00:08:02,480 --> 00:08:03,920 Speaker 8: You're not doing me any favors here. 187 00:08:06,600 --> 00:08:09,000 Speaker 11: You've got to take these opportunities they when they come up. 188 00:08:09,000 --> 00:08:10,720 Speaker 11: I think the mistake I make, like a lot of 189 00:08:10,720 --> 00:08:13,240 Speaker 11: people in my industry made, is you know, you get 190 00:08:13,240 --> 00:08:15,600 Speaker 11: a job, and you get the money for the job, 191 00:08:15,680 --> 00:08:17,800 Speaker 11: and then you just assume that you're going to have 192 00:08:17,800 --> 00:08:21,400 Speaker 11: this money every week like a regular salary, and then 193 00:08:21,640 --> 00:08:23,680 Speaker 11: you realize, oh wait, I might not work for another 194 00:08:23,680 --> 00:08:28,280 Speaker 11: two years. Yeah, I've divvying it up over the sixty 195 00:08:28,280 --> 00:08:29,800 Speaker 11: two weeks of the year. You go, oh, I'm rich 196 00:08:29,920 --> 00:08:32,720 Speaker 11: now all of a sudden, I'm going to spend all 197 00:08:32,760 --> 00:08:34,719 Speaker 11: the money. And then you go, oh. 198 00:08:34,600 --> 00:08:36,719 Speaker 2: Yeah, And before I know, you're on Celebrity Apprentice with 199 00:08:36,760 --> 00:08:37,280 Speaker 2: Will and Wooding. 200 00:08:39,720 --> 00:08:42,400 Speaker 8: You and I are up in Sydney Field Celebrity Apprentice 201 00:08:42,920 --> 00:08:46,559 Speaker 8: and one of the d or E Grade celebs. 202 00:08:46,120 --> 00:08:48,400 Speaker 4: That we've made good friends with. Is Darren McMullin, who 203 00:08:48,440 --> 00:08:50,360 Speaker 4: joins us on the phone right now. 204 00:08:51,240 --> 00:08:52,960 Speaker 11: Wow, I get de grade. I was going to go 205 00:08:53,040 --> 00:08:55,480 Speaker 11: for but that's okay. 206 00:08:55,840 --> 00:08:56,600 Speaker 2: Hey, can I be honest? 207 00:08:56,679 --> 00:08:58,800 Speaker 3: And we obviously can't talk about specifics of the show 208 00:08:59,400 --> 00:09:04,080 Speaker 3: us reasons, But when we first met, did you have 209 00:09:04,160 --> 00:09:05,319 Speaker 3: any idea who we were? 210 00:09:07,080 --> 00:09:07,800 Speaker 11: No? 211 00:09:09,679 --> 00:09:13,079 Speaker 4: Perfect perfect appreciate that. 212 00:09:13,440 --> 00:09:16,959 Speaker 11: As soon as you unleash your dulcet tones, I was like, oh, 213 00:09:17,000 --> 00:09:19,800 Speaker 11: but of course, well. 214 00:09:19,720 --> 00:09:22,400 Speaker 4: Come it, We'll come it. I appreciate that. I appreciate that, 215 00:09:22,480 --> 00:09:25,000 Speaker 4: but you didn't have to. Now, look, let's talk about you. 216 00:09:25,080 --> 00:09:27,360 Speaker 8: Movie mate, Christmas on the Farm out December one on 217 00:09:27,920 --> 00:09:32,800 Speaker 8: Stan dazz In his dazzling best playing the lead made 218 00:09:32,880 --> 00:09:37,439 Speaker 8: rot male role in a movie starring Poppy Montgomery, Hugh 219 00:09:37,520 --> 00:09:39,760 Speaker 8: Sheridan as well as I said December one on stand Dazz, 220 00:09:39,760 --> 00:09:41,839 Speaker 8: I'd ask you to tell us what it's all about, 221 00:09:41,880 --> 00:09:46,360 Speaker 8: but I've got some audio of you doing it succinctly over. 222 00:09:46,160 --> 00:09:47,600 Speaker 4: Some of the audio of the film, so I'd probably 223 00:09:47,600 --> 00:09:49,280 Speaker 4: just rather play that I. 224 00:09:49,240 --> 00:09:56,400 Speaker 11: Played billionaire playboy Jack London, heir to a publishing company. 225 00:09:55,600 --> 00:09:58,800 Speaker 4: Has. 226 00:10:00,160 --> 00:10:02,720 Speaker 10: A lot about our lesson it's called Christmas. 227 00:10:03,320 --> 00:10:05,319 Speaker 8: Well, it's not called Christmas. It's called Christmas on the Farm. 228 00:10:05,360 --> 00:10:07,840 Speaker 8: We've trimmed that a little bit tight, but it is 229 00:10:08,000 --> 00:10:13,520 Speaker 8: on stands. It's not just called Christmas. Christmas on the farm. 230 00:10:13,559 --> 00:10:16,120 Speaker 8: Decend what we're on there a month away from Christmas 231 00:10:16,160 --> 00:10:17,720 Speaker 8: right now, Das. And I know that you were saying 232 00:10:17,720 --> 00:10:21,240 Speaker 8: before that Love Actually is one of your all time films. 233 00:10:21,240 --> 00:10:24,080 Speaker 4: It's one of our all time films on this show 234 00:10:24,120 --> 00:10:24,439 Speaker 4: as well. 235 00:10:24,480 --> 00:10:25,760 Speaker 8: And I think one of the best things about Love 236 00:10:25,760 --> 00:10:30,760 Speaker 8: Actually is they beautifully wove in the romance around Christmas, 237 00:10:30,800 --> 00:10:32,360 Speaker 8: which is only something that you know can sort of 238 00:10:32,400 --> 00:10:35,280 Speaker 8: capture you actually, funnily enough, side note on the romance 239 00:10:35,360 --> 00:10:38,160 Speaker 8: on Love Actually for everyone listening, dads, I'm not sure 240 00:10:38,200 --> 00:10:42,440 Speaker 8: if you knew this, but what's her name? Kier Aaron 241 00:10:42,480 --> 00:10:45,319 Speaker 8: Knightley was the guy that she's with. She was a 242 00:10:45,480 --> 00:10:49,040 Speaker 8: closer in age to the boy Sam who played drums 243 00:10:49,040 --> 00:10:49,560 Speaker 8: in that movie. 244 00:10:49,840 --> 00:10:51,640 Speaker 4: When she was to the guy that she was with, 245 00:10:51,800 --> 00:10:54,800 Speaker 4: she was eighteen. She was eighteen on that set. Isn't 246 00:10:54,800 --> 00:10:55,360 Speaker 4: that wild? 247 00:10:56,120 --> 00:10:56,360 Speaker 6: Yeah? 248 00:10:56,360 --> 00:10:58,960 Speaker 11: Because she was so famous so young, wasn't she you 249 00:10:59,040 --> 00:11:02,520 Speaker 11: forget bend it? Like come? She watched Watch sixteen. 250 00:11:02,160 --> 00:11:04,719 Speaker 8: Man absolutely the scene and she had to do that 251 00:11:04,920 --> 00:11:07,640 Speaker 8: weird scene where she finds out that a guy who's 252 00:11:07,679 --> 00:11:10,840 Speaker 8: obviously like thirty five has been just following her around 253 00:11:11,040 --> 00:11:14,120 Speaker 8: filming her and then rocks up to her house and 254 00:11:14,320 --> 00:11:17,320 Speaker 8: tells her to not tell her husband and then basically 255 00:11:17,400 --> 00:11:19,120 Speaker 8: says that he wants to look up with her. 256 00:11:19,360 --> 00:11:20,800 Speaker 4: That was I mean, it was a great movie, but 257 00:11:20,880 --> 00:11:21,880 Speaker 4: that was a strange bit. 258 00:11:21,960 --> 00:11:25,040 Speaker 2: It's super great. It's very still great, but I'm sure 259 00:11:25,040 --> 00:11:25,360 Speaker 2: I got. 260 00:11:25,400 --> 00:11:27,160 Speaker 11: To be honest. Yeah, I hope I'll get in trouble 261 00:11:27,200 --> 00:11:30,000 Speaker 11: for saying this. But early on in the idea, when when, 262 00:11:30,080 --> 00:11:31,959 Speaker 11: when you know, everything seemed to be going ahead with 263 00:11:32,000 --> 00:11:34,520 Speaker 11: the movie, I wanted to meet Poppy and vice versa 264 00:11:34,640 --> 00:11:36,360 Speaker 11: so we could go out and hang out and you know, 265 00:11:36,440 --> 00:11:38,040 Speaker 11: see if we had that kind of connection that we 266 00:11:38,400 --> 00:11:42,160 Speaker 11: have chemistry film. Yeah, and I did make the mistake 267 00:11:42,200 --> 00:11:43,920 Speaker 11: of at one point saying, hey, you know what I 268 00:11:43,920 --> 00:11:45,960 Speaker 11: think it's really great about your film is for once 269 00:11:46,320 --> 00:11:48,360 Speaker 11: the woman gets the toy boy, you know, it's always 270 00:11:48,400 --> 00:11:50,640 Speaker 11: the other way around in these rob concerts. Excuse me. 271 00:11:51,120 --> 00:11:59,520 Speaker 11: I was like, it's just probably like a like a 272 00:11:59,559 --> 00:12:03,360 Speaker 11: sixteen fifteen year age step or whatever. It was just 273 00:12:03,640 --> 00:12:11,680 Speaker 11: it was just a terrible start. And yeah, yeah, I 274 00:12:11,720 --> 00:12:14,520 Speaker 11: was quite surprised when we moved further from that. I 275 00:12:14,600 --> 00:12:16,760 Speaker 11: was like, YEPF never do that. 276 00:12:17,840 --> 00:12:19,920 Speaker 3: So how did that impact then? So like you couldn't 277 00:12:19,920 --> 00:12:21,360 Speaker 3: have cooked it more when you first met her? And 278 00:12:21,400 --> 00:12:23,520 Speaker 3: then I imagine were there sex scenes in the movie 279 00:12:23,640 --> 00:12:24,720 Speaker 3: Down with You and Poppy? 280 00:12:25,440 --> 00:12:27,559 Speaker 11: There is? Yeah, there is, But I think everybody when 281 00:12:27,559 --> 00:12:29,960 Speaker 11: they watch films, they have this idea of, you know, 282 00:12:30,320 --> 00:12:31,960 Speaker 11: what what a sex scene's like, and it's hard and 283 00:12:32,000 --> 00:12:34,280 Speaker 11: it's steaming. It certainly looks that way when when the 284 00:12:34,280 --> 00:12:37,480 Speaker 11: finished product comes together, But I mean in reality, you've 285 00:12:37,480 --> 00:12:40,880 Speaker 11: got a bunch of grips chewing gum, where the beer 286 00:12:40,960 --> 00:12:44,640 Speaker 11: bellies hanging out holding up flex and lights and directors 287 00:12:44,679 --> 00:12:47,160 Speaker 11: and everyone there. And nowadays you have what they call 288 00:12:47,240 --> 00:12:50,920 Speaker 11: intimacy coaches just kind of guide you through every movement. 289 00:12:51,000 --> 00:12:53,480 Speaker 11: Are you comfortable with this? You're okay with this? The saber? Okay? 290 00:12:53,520 --> 00:12:55,840 Speaker 11: Can I touch here? Can I do this? Can I there? 291 00:12:56,240 --> 00:12:59,800 Speaker 11: So you know, there's there's very little kind of steaming 292 00:13:00,160 --> 00:13:02,959 Speaker 11: to a movie set really that the people to sin 293 00:13:03,080 --> 00:13:06,880 Speaker 11: there is, and it's all very disjointed and broken up 294 00:13:06,880 --> 00:13:10,120 Speaker 11: and hopefully in the finished product, you kind of get 295 00:13:10,120 --> 00:13:14,880 Speaker 11: that Hollywood style sex scene, but that's a full day 296 00:13:14,880 --> 00:13:21,520 Speaker 11: of shooting for what is it? Yeah? Wow, this, don't 297 00:13:21,520 --> 00:13:24,360 Speaker 11: do this, can't do that. Definitely don't go there. I 298 00:13:24,440 --> 00:13:27,040 Speaker 11: can't shoot There's there's a lot goes on for them. 299 00:13:28,160 --> 00:13:31,120 Speaker 3: Yeah, Cauds A personal question, darn, do you get worried 300 00:13:31,280 --> 00:13:34,959 Speaker 3: about women comparing you in real life in the bedroom 301 00:13:35,040 --> 00:13:38,000 Speaker 3: to the you in the movie bedrooms? I imagine that 302 00:13:38,120 --> 00:13:41,800 Speaker 3: you in the movie bedroom is a pretty smooth mover, 303 00:13:42,440 --> 00:13:44,040 Speaker 3: and I don't want to make any assumptions about you 304 00:13:44,080 --> 00:13:46,520 Speaker 3: in real life, but do you get worried about them thinking, Oh, 305 00:13:46,559 --> 00:13:49,160 Speaker 3: he's going to be really smooth and greater this in 306 00:13:49,200 --> 00:13:50,160 Speaker 3: the real bedroom. 307 00:13:50,640 --> 00:13:54,319 Speaker 11: Oh no, I'm terrible in both, which is for me. Yeah, 308 00:13:55,920 --> 00:14:01,320 Speaker 11: it's a drunken hook up in the film. I set 309 00:14:01,360 --> 00:14:02,920 Speaker 11: a very realistic goal. 310 00:14:05,360 --> 00:14:07,760 Speaker 10: Just a preview of what to expect in real life. 311 00:14:12,120 --> 00:14:12,760 Speaker 10: Great stuff. 312 00:14:13,160 --> 00:14:14,960 Speaker 8: If you guys want to see Christmas on the Farm, 313 00:14:15,440 --> 00:14:17,800 Speaker 8: then get it on stand Stand. He's an elite streaming 314 00:14:17,840 --> 00:14:19,760 Speaker 8: service these days, and so good to see they're putting 315 00:14:19,800 --> 00:14:22,520 Speaker 8: some homegrown stuff out there, and Aussie Christmas film, something 316 00:14:22,560 --> 00:14:25,720 Speaker 8: that we probably all really needed and wanted. We've all 317 00:14:25,760 --> 00:14:28,080 Speaker 8: been borrowing them for the holiday obviously. 318 00:14:28,120 --> 00:14:28,320 Speaker 4: Love. 319 00:14:28,320 --> 00:14:31,320 Speaker 8: Actually these are all bastardizations. Christmas is very special, very 320 00:14:31,360 --> 00:14:33,720 Speaker 8: different here in Australia, and it's great to see that 321 00:14:33,760 --> 00:14:35,680 Speaker 8: it's going to be done on Christmas in the farm 322 00:14:35,760 --> 00:14:39,720 Speaker 8: out December one on Stand starring our very own Darren 323 00:14:39,800 --> 00:14:41,840 Speaker 8: mcmullon Das. Thank you so much for joining us, mate, 324 00:14:41,840 --> 00:14:43,040 Speaker 8: It's been a pleasure to have you on the show. 325 00:14:43,640 --> 00:14:46,080 Speaker 11: Thank you boys. See you in the boardroom with Lord Sugar. 326 00:14:46,240 --> 00:14:49,440 Speaker 4: Yes, we will see you there, Celeb Apprentice. You'll be 327 00:14:49,440 --> 00:14:51,280 Speaker 4: able to see Dad's and us there next year. 328 00:14:51,360 --> 00:14:53,880 Speaker 1: On Channel nine it's the Will and Woody podcast. 329 00:14:54,040 --> 00:14:57,680 Speaker 8: Right now we are talking about a talking cactus toy 330 00:14:59,240 --> 00:15:04,040 Speaker 8: which was routing all sorts of language. One Brampton grandmother 331 00:15:04,080 --> 00:15:06,760 Speaker 8: said she got quite a shock when a dancing cactus 332 00:15:06,840 --> 00:15:10,200 Speaker 8: she bought saying a song with swear words and drug use. 333 00:15:10,440 --> 00:15:13,360 Speaker 11: The characters are sold online as an educational toy and 334 00:15:13,400 --> 00:15:16,240 Speaker 11: sing songs in three languages, but one song in Polish 335 00:15:16,520 --> 00:15:19,800 Speaker 11: talks about doing cocaine, depression and uses profanities. 336 00:15:20,120 --> 00:15:23,440 Speaker 4: See absolutely So that's the thirty one or sixty five. 337 00:15:23,480 --> 00:15:27,600 Speaker 8: By the way, if you've been in the situation where 338 00:15:27,840 --> 00:15:30,640 Speaker 8: you were armed with the foreign language, so you knew 339 00:15:30,680 --> 00:15:33,560 Speaker 8: the language, and it like the person that you're hanging 340 00:15:33,600 --> 00:15:35,800 Speaker 8: out with or the situation that you're in, the other 341 00:15:35,880 --> 00:15:40,040 Speaker 8: people didn't know that you knew the language. So in 342 00:15:40,080 --> 00:15:43,520 Speaker 8: the situation of this toy, this talking cactus, it took 343 00:15:43,520 --> 00:15:46,680 Speaker 8: a Polish woman who bought the toy for her grandkids 344 00:15:47,240 --> 00:15:49,720 Speaker 8: to be absolutely mortified by what the thing was saying. 345 00:15:49,760 --> 00:15:50,480 Speaker 4: Have you listen to this? 346 00:15:50,960 --> 00:15:55,040 Speaker 13: It's about taking five grams of cocaine and being alone, 347 00:15:55,920 --> 00:15:59,640 Speaker 13: something about he doesn't care, he lost the house already, 348 00:15:59,680 --> 00:16:02,600 Speaker 13: there's having to let for very depressing songs. 349 00:16:03,240 --> 00:16:05,200 Speaker 2: So deep, so deep. 350 00:16:05,400 --> 00:16:09,840 Speaker 4: So some really really lonely Polish. 351 00:16:09,920 --> 00:16:14,560 Speaker 8: Blokes somewhere in a factory writes a song, writing a 352 00:16:14,600 --> 00:16:17,080 Speaker 8: song for kids, and just decides to pour his life 353 00:16:17,080 --> 00:16:19,040 Speaker 8: story in either of that already, just send them the 354 00:16:19,040 --> 00:16:19,640 Speaker 8: wrong track. 355 00:16:20,040 --> 00:16:20,600 Speaker 4: Who knows? 356 00:16:20,680 --> 00:16:23,640 Speaker 8: Yeah, surely it's a joke one or the other. It's 357 00:16:23,680 --> 00:16:28,160 Speaker 8: amazing year. It's about doing five traps of Godcain. Let's 358 00:16:28,200 --> 00:16:31,160 Speaker 8: go to George on thirty one or sixty five. George, 359 00:16:31,160 --> 00:16:32,840 Speaker 8: they didn't know you could speak the language. 360 00:16:33,520 --> 00:16:36,160 Speaker 14: Yes, I used to work in retail and I was 361 00:16:36,240 --> 00:16:39,440 Speaker 14: dressing a guy for his formal and his parents weren't 362 00:16:39,480 --> 00:16:41,720 Speaker 14: liking what I was putting him in, even though he was, 363 00:16:42,280 --> 00:16:45,280 Speaker 14: and they started talking in Greek saying, Oh, don't listen 364 00:16:45,320 --> 00:16:47,880 Speaker 14: to him. He's got no he's got no sense of fashion, 365 00:16:49,040 --> 00:16:51,920 Speaker 14: he's got no idea what he's talking about. And then 366 00:16:52,240 --> 00:16:54,920 Speaker 14: they ended up choosing a different outfit. So towards the 367 00:16:55,000 --> 00:16:57,640 Speaker 14: end of the transaction, because I wanted to say, I 368 00:16:57,720 --> 00:17:00,000 Speaker 14: ended up saying to talk, saying to them in Greek, 369 00:17:00,080 --> 00:17:02,240 Speaker 14: by the way, I think that thirst outfit actually did 370 00:17:02,280 --> 00:17:05,000 Speaker 14: look really good. But if you think I've got no 371 00:17:05,320 --> 00:17:12,600 Speaker 14: no taste and that's fine and their faces just draw, is. 372 00:17:12,600 --> 00:17:16,320 Speaker 8: An amazing moment for you. It's a it's a rare privilege. 373 00:17:16,320 --> 00:17:18,480 Speaker 8: You must have skipped home that day thanks to call 374 00:17:18,600 --> 00:17:21,280 Speaker 8: George got Cat who's called on thirty one and six 375 00:17:21,400 --> 00:17:24,960 Speaker 8: five Cat. They didn't know that you spoke the language. 376 00:17:28,000 --> 00:17:32,359 Speaker 8: Hello Cat, Hey, they didn't know that you spoke the language. 377 00:17:33,119 --> 00:17:35,880 Speaker 11: Yeah, so I speak in Amagi and obviously they didn't know. 378 00:17:36,040 --> 00:17:38,600 Speaker 12: I wanted to get my nails done, and it's a 379 00:17:38,720 --> 00:17:39,760 Speaker 12: nail tech doing. 380 00:17:39,560 --> 00:17:41,760 Speaker 15: My nails speaking because we can go next. 381 00:17:41,520 --> 00:17:45,639 Speaker 5: To her about the bedroom antics of her and her husband. 382 00:17:46,040 --> 00:17:47,760 Speaker 4: Wow my god. 383 00:17:47,880 --> 00:17:49,800 Speaker 2: Wow, Now we're a family friendly show. 384 00:17:49,640 --> 00:17:52,600 Speaker 12: But not not family friendly. 385 00:17:55,000 --> 00:17:55,800 Speaker 4: You are kidding? 386 00:17:56,000 --> 00:17:56,879 Speaker 2: So you did you? 387 00:17:56,920 --> 00:17:59,359 Speaker 3: Did you ever revealed to the nole technician that you 388 00:17:59,359 --> 00:18:00,359 Speaker 3: could speak Viennies? 389 00:18:01,000 --> 00:18:05,720 Speaker 4: No, because I have to keep coming back, Yeah, right? 390 00:18:06,000 --> 00:18:07,640 Speaker 3: Do you keep going back to you so you can 391 00:18:07,640 --> 00:18:10,960 Speaker 3: hear about the bedromantic. 392 00:18:13,920 --> 00:18:15,280 Speaker 2: Nails and the show. I love it. 393 00:18:15,560 --> 00:18:18,560 Speaker 8: I've got Warrick who's caught on thirty one six five Warwick. 394 00:18:18,600 --> 00:18:20,119 Speaker 4: They didn't know you spoke the language? 395 00:18:21,200 --> 00:18:24,840 Speaker 5: Yeah, it wasn't me. It was a good Filipino friend 396 00:18:24,840 --> 00:18:28,520 Speaker 5: of mine. He lived with an Englishman. Yeah, and the 397 00:18:28,640 --> 00:18:31,080 Speaker 5: Englishman asked him to teach him how to say good 398 00:18:31,160 --> 00:18:34,840 Speaker 5: night in Filipino or the dialogue, and instead of teaching 399 00:18:34,920 --> 00:18:37,240 Speaker 5: him good night, he taught him the same you have 400 00:18:37,280 --> 00:18:41,000 Speaker 5: a big package. And so every night he told him 401 00:18:41,080 --> 00:18:42,960 Speaker 5: that he had a big package. 402 00:18:44,640 --> 00:18:46,320 Speaker 1: It's the Will and Woody podcast. 403 00:18:47,160 --> 00:18:49,080 Speaker 3: Got a bit of a challenge for you, Will and 404 00:18:49,160 --> 00:18:54,280 Speaker 3: the people listening right now because Tracy Cox, who was 405 00:18:54,320 --> 00:18:58,760 Speaker 3: a very well known sex and relationship expert by name 406 00:18:58,880 --> 00:19:04,080 Speaker 3: and reputation. Tra Cox has revealed the three things three 407 00:19:04,119 --> 00:19:08,399 Speaker 3: ways to gain a spark in the bedroom. She is 408 00:19:09,240 --> 00:19:12,160 Speaker 3: if that doesn't exist, now, just explain a bit more. 409 00:19:12,320 --> 00:19:14,119 Speaker 3: It's not saying you used to have the spark and 410 00:19:14,160 --> 00:19:16,960 Speaker 3: it's gone away, so how to reignite it. It's actually 411 00:19:17,000 --> 00:19:20,560 Speaker 3: talking about if you meet the right person, but you 412 00:19:20,680 --> 00:19:23,399 Speaker 3: just don't have a spark in the bedroom, how you 413 00:19:23,400 --> 00:19:27,119 Speaker 3: can actually get that going meet the right person, you 414 00:19:27,160 --> 00:19:29,520 Speaker 3: meet it's not there, Okay, you meet it person who 415 00:19:29,520 --> 00:19:30,520 Speaker 3: ticks all the boxes. 416 00:19:31,119 --> 00:19:33,879 Speaker 4: And why does the coxsmen think this? 417 00:19:35,040 --> 00:19:35,159 Speaker 15: Now? 418 00:19:35,200 --> 00:19:37,480 Speaker 3: The coxsman has just said if you're in that situation, 419 00:19:37,920 --> 00:19:42,320 Speaker 3: through her researches, her research, through her ex extensive research, 420 00:19:42,320 --> 00:19:43,080 Speaker 3: she's done a bit of that. 421 00:19:43,560 --> 00:19:45,680 Speaker 4: Oh no, everyone's a bit of a sexpert these days, 422 00:19:45,680 --> 00:19:46,200 Speaker 4: aren't they? 423 00:19:46,640 --> 00:19:49,119 Speaker 3: Not as good as the coxsman outself, Tracy Cox. So 424 00:19:49,359 --> 00:19:52,080 Speaker 3: there are three ways to get a spark in the 425 00:19:52,080 --> 00:19:53,560 Speaker 3: bedroom going if you want to have a guest. By 426 00:19:53,600 --> 00:19:55,600 Speaker 3: the way, Australia thirteen one o six ' five is 427 00:19:55,600 --> 00:19:56,840 Speaker 3: our I'm. 428 00:19:56,720 --> 00:19:59,119 Speaker 4: A sexpert because she got a degree in sex. 429 00:20:00,880 --> 00:20:04,800 Speaker 3: I can't speak to the background of Tracy Cox, but 430 00:20:05,000 --> 00:20:06,360 Speaker 3: I imagine you just do a lot of research. 431 00:20:06,840 --> 00:20:08,920 Speaker 8: Yeah, you keep saying that word speak to coming in 432 00:20:09,320 --> 00:20:11,080 Speaker 8: continues to mean less and less. 433 00:20:10,880 --> 00:20:12,879 Speaker 2: For Lucy goosey tech. What have we got anyway? So 434 00:20:13,359 --> 00:20:15,400 Speaker 2: have a guess. What are the three ways you think 435 00:20:15,440 --> 00:20:18,679 Speaker 2: to get a spark in the bedroom? Okay, it doesn't exist. 436 00:20:18,720 --> 00:20:21,439 Speaker 8: Now I actually heard this on this show once, this 437 00:20:21,520 --> 00:20:25,520 Speaker 8: first one. Yes, Now, apparently there's a method where in 438 00:20:25,600 --> 00:20:29,119 Speaker 8: order to increase libido between you and your partner. Yes, 439 00:20:30,040 --> 00:20:32,240 Speaker 8: you do the what they call the ten times in 440 00:20:32,320 --> 00:20:33,280 Speaker 8: ten days rule. 441 00:20:33,880 --> 00:20:34,199 Speaker 2: What's that? 442 00:20:34,960 --> 00:20:35,120 Speaker 4: Well? 443 00:20:35,119 --> 00:20:38,440 Speaker 8: I think it's pretty bloody obvious. Fair enough, So, yeah, 444 00:20:38,480 --> 00:20:40,720 Speaker 8: you do. You do it ten times in ten days, 445 00:20:40,760 --> 00:20:43,280 Speaker 8: and then you just force it doing it done, and 446 00:20:43,280 --> 00:20:46,000 Speaker 8: then that apparently increases your sexual appetite for each. 447 00:20:45,880 --> 00:20:48,600 Speaker 3: Now, now, will that's that? I think that's reigniting a 448 00:20:48,680 --> 00:20:49,960 Speaker 3: spark in a relationship. 449 00:20:50,000 --> 00:20:51,560 Speaker 2: I don't think a first date. 450 00:20:52,240 --> 00:20:56,040 Speaker 4: It's a first date. Well, this is a bit strong. 451 00:20:57,600 --> 00:21:01,080 Speaker 8: Time, suggest for the next ten days we might want 452 00:21:01,080 --> 00:21:02,160 Speaker 8: to clear your schedule. 453 00:21:02,600 --> 00:21:05,160 Speaker 2: You just met them, you've just met them, they're perfect 454 00:21:07,359 --> 00:21:08,200 Speaker 2: times in ten days? 455 00:21:08,440 --> 00:21:10,240 Speaker 8: Be coming on a bit strong, that'd be a tough pick. No, 456 00:21:10,359 --> 00:21:12,840 Speaker 8: fair enough, Well that's my first guess anyway. Okay, wrong, Okay, 457 00:21:13,560 --> 00:21:15,040 Speaker 8: are you going to give me one of them in 458 00:21:15,080 --> 00:21:16,920 Speaker 8: return for that? Or do I just have another guess? 459 00:21:16,920 --> 00:21:17,920 Speaker 2: Now I thot you're just going to guess. 460 00:21:17,920 --> 00:21:18,880 Speaker 4: I thought we were doing a bit of a one 461 00:21:18,920 --> 00:21:19,400 Speaker 4: for one thing. 462 00:21:20,640 --> 00:21:24,199 Speaker 8: Next guess Yeah again, This again might come on a 463 00:21:24,200 --> 00:21:24,560 Speaker 8: bit strong. 464 00:21:24,600 --> 00:21:25,520 Speaker 4: I might have missed interpret. 465 00:21:26,440 --> 00:21:27,040 Speaker 2: I'm really loving this. 466 00:21:27,119 --> 00:21:29,280 Speaker 4: You get another person involved? Wow? 467 00:21:29,480 --> 00:21:31,480 Speaker 3: Sorry, so on like a second date you would just 468 00:21:31,480 --> 00:21:32,960 Speaker 3: go what are your thoughts on a threesome? 469 00:21:34,440 --> 00:21:37,000 Speaker 4: Sexually attracted through them? But you want to get it involved. 470 00:21:37,040 --> 00:21:37,199 Speaker 5: You know. 471 00:21:37,560 --> 00:21:40,360 Speaker 8: It's like it's almost just like having a medium involved, 472 00:21:40,359 --> 00:21:42,359 Speaker 8: you know, have like a counsel, you know, sort of 473 00:21:42,400 --> 00:21:43,680 Speaker 8: just lubricate the edges. 474 00:21:43,480 --> 00:21:45,919 Speaker 2: Man, just lubricate interesting, you know what I mean? 475 00:21:46,080 --> 00:21:48,560 Speaker 8: Like, if it's not working out between two people, you're 476 00:21:48,560 --> 00:21:50,080 Speaker 8: bringing a mediator. 477 00:21:49,880 --> 00:21:51,320 Speaker 4: You know, bringing a third person. 478 00:21:51,560 --> 00:21:54,359 Speaker 3: A mediator is a very political term. Four third person 479 00:21:54,400 --> 00:21:56,080 Speaker 3: in a threesome. Can I just give you an idea 480 00:21:56,119 --> 00:21:58,159 Speaker 3: of the sort of stuff we're after? So I'll give you. 481 00:21:58,160 --> 00:21:59,920 Speaker 2: I'll give away one touch them. 482 00:22:00,119 --> 00:22:03,160 Speaker 4: Ah, this is why the cox fins. 483 00:22:03,520 --> 00:22:05,840 Speaker 3: It's just like hasn't got a degree in sex ology 484 00:22:05,840 --> 00:22:07,880 Speaker 3: in a non sexual way, just like. 485 00:22:09,040 --> 00:22:11,639 Speaker 4: You have to touch the section them to start with. 486 00:22:11,720 --> 00:22:13,680 Speaker 8: You know what I'm saying this, Make sure you catch 487 00:22:13,760 --> 00:22:16,560 Speaker 8: up with them first, don't try and have virtual sex. No, no, 488 00:22:18,040 --> 00:22:20,879 Speaker 8: she's what she's saying, she got what she's saying is 489 00:22:21,000 --> 00:22:23,320 Speaker 8: make sure we're in the same country as them. I mean, 490 00:22:23,359 --> 00:22:25,000 Speaker 8: how obscure we're getting you. 491 00:22:24,920 --> 00:22:27,480 Speaker 3: You know what she's saying in a non sexual way. 492 00:22:27,600 --> 00:22:29,960 Speaker 3: Just make a lot of physical contact. Great, so like 493 00:22:30,000 --> 00:22:32,320 Speaker 3: when you give them a drinks, shake their hand, Oh yeah, 494 00:22:32,359 --> 00:22:34,439 Speaker 3: shaking their hand, give them a drink. You just you 495 00:22:34,480 --> 00:22:35,920 Speaker 3: touch them on the shoulder and maybe give them a 496 00:22:35,960 --> 00:22:39,360 Speaker 3: little stroke, and apparently they get to going. Okay, now 497 00:22:39,359 --> 00:22:41,000 Speaker 3: that you know the sort of areas where you want 498 00:22:41,000 --> 00:22:42,639 Speaker 3: to have a guess at the other two because it's. 499 00:22:42,480 --> 00:22:46,280 Speaker 8: Bundy boring, Okay, make eye contact with the Okay, number two, 500 00:22:46,400 --> 00:22:48,399 Speaker 8: be sure you have a bed before you take. 501 00:22:48,280 --> 00:22:48,800 Speaker 4: Them to one. 502 00:22:49,040 --> 00:22:53,240 Speaker 2: Number two candle lit dinner. Yeah, I mean boring, candle 503 00:22:53,240 --> 00:22:53,680 Speaker 2: lit dinner. 504 00:22:54,240 --> 00:22:57,800 Speaker 3: This one's got interested in the beast. This one is 505 00:22:57,840 --> 00:23:02,760 Speaker 3: in twenty first century. Do so something thrilling together. So apparently, 506 00:23:03,680 --> 00:23:06,119 Speaker 3: if you've got no spark with someone, so people might 507 00:23:06,119 --> 00:23:08,320 Speaker 3: re relating to this right now, you're currently dating somewhere, 508 00:23:08,320 --> 00:23:10,600 Speaker 3: they're really perfect. Apparently if you do something just a 509 00:23:10,640 --> 00:23:12,840 Speaker 3: little bit naughty. So if you're like I don't know, 510 00:23:13,600 --> 00:23:15,560 Speaker 3: go to a movie and you haven't paid for the tickets. 511 00:23:16,160 --> 00:23:22,919 Speaker 4: God, my god, Gee, it was my horning. 512 00:23:23,080 --> 00:23:25,399 Speaker 8: I mean, I'd love to stick around and watch this film, 513 00:23:25,400 --> 00:23:27,399 Speaker 8: but we might have to get out of it. 514 00:23:27,960 --> 00:23:29,280 Speaker 4: That's the worst thing you've ever done on it. 515 00:23:29,800 --> 00:23:31,440 Speaker 1: It's the Will and Woody podcast. 516 00:23:31,720 --> 00:23:33,879 Speaker 4: Speaking of having a tough day. You might have had 517 00:23:34,359 --> 00:23:35,119 Speaker 4: a gut film. 518 00:23:35,560 --> 00:23:38,920 Speaker 2: I think I've just had enough. I enjoyed it. 519 00:23:39,119 --> 00:23:42,000 Speaker 3: I enjoyed it as a light baking, I light crisping, 520 00:23:42,080 --> 00:23:44,600 Speaker 3: if you will. When you had to go at the 521 00:23:44,640 --> 00:23:47,879 Speaker 3: fact that in proportion I have quite skinny legs compared 522 00:23:47,920 --> 00:23:51,320 Speaker 3: to my upper body, you took this joke and you 523 00:23:51,400 --> 00:23:53,200 Speaker 3: ran with it to the point where you just started 524 00:23:53,240 --> 00:23:56,200 Speaker 3: talking about my rat legs every single day on this show. 525 00:23:56,280 --> 00:23:59,480 Speaker 4: And have listened to this Woodrow, you've got rat legs. 526 00:23:59,520 --> 00:24:01,040 Speaker 4: I mean, there's no way to talk about it. 527 00:24:01,320 --> 00:24:03,000 Speaker 8: Yeah, for a guy who's as fit as you are, 528 00:24:03,400 --> 00:24:05,360 Speaker 8: your calves are a bit ratty. You cross the line 529 00:24:05,440 --> 00:24:08,720 Speaker 8: on rat legs over there are rat legs actually that unattractive. 530 00:24:09,119 --> 00:24:10,800 Speaker 8: Maybe your girlfriend, Mim should call woods. 531 00:24:11,640 --> 00:24:14,520 Speaker 2: She said before she likes my legs, did she She's lying? 532 00:24:14,600 --> 00:24:16,440 Speaker 4: Isn't she come on. 533 00:24:18,480 --> 00:24:22,159 Speaker 3: So it's got to the point where two days ago Monday, 534 00:24:22,160 --> 00:24:23,280 Speaker 3: you can see this on her Instagram. 535 00:24:23,359 --> 00:24:24,480 Speaker 2: Will and Woody, but. 536 00:24:24,480 --> 00:24:29,600 Speaker 3: A woman whose name escapes me, Elise got a tattoo 537 00:24:30,240 --> 00:24:33,639 Speaker 3: of my face with a rat's body underneath. 538 00:24:33,840 --> 00:24:35,400 Speaker 11: Ye are you? 539 00:24:35,480 --> 00:24:37,760 Speaker 3: Are you as my best friend, appreciating that this is 540 00:24:37,800 --> 00:24:39,320 Speaker 3: just getting a little bit out of hand. 541 00:24:39,560 --> 00:24:42,600 Speaker 4: As your best friend. This is the beginning of the road. 542 00:24:45,000 --> 00:24:46,760 Speaker 4: As far as I want to. 543 00:24:46,760 --> 00:24:49,520 Speaker 8: See rats genetically modified so that they can have just 544 00:24:50,000 --> 00:24:51,960 Speaker 8: a little you on their top half. 545 00:24:52,400 --> 00:24:54,520 Speaker 4: That's the goal for me. That's the goal. 546 00:24:54,760 --> 00:24:55,359 Speaker 2: I am permit. 547 00:24:55,880 --> 00:24:58,720 Speaker 4: We actually have a pet woody rat, leg a woody rat. 548 00:24:58,960 --> 00:24:59,920 Speaker 4: You can have it in your home. 549 00:25:01,320 --> 00:25:03,720 Speaker 3: So there's not one level of you that's going okay, 550 00:25:03,840 --> 00:25:05,760 Speaker 3: you know maybe what he's getting a bit hurt by 551 00:25:05,760 --> 00:25:08,240 Speaker 3: the fact that everyone in Australia thinks he has ratty leaves. 552 00:25:08,240 --> 00:25:09,920 Speaker 4: I think it's a good message for people. What's the 553 00:25:09,960 --> 00:25:12,919 Speaker 4: message to embrace embrace your weakest parts. 554 00:25:13,440 --> 00:25:15,760 Speaker 2: Well, I'm not embracing it and I am drying. I'm 555 00:25:15,760 --> 00:25:17,920 Speaker 2: doing calf raisers to try and help it, but nothing 556 00:25:18,000 --> 00:25:18,879 Speaker 2: works anyway. 557 00:25:18,960 --> 00:25:20,280 Speaker 4: They are relatively ratty. 558 00:25:20,480 --> 00:25:22,200 Speaker 2: I think this is there, it goes and here he goes, 559 00:25:22,359 --> 00:25:22,960 Speaker 2: So here's the thing. 560 00:25:23,080 --> 00:25:25,399 Speaker 3: So not only did a woman two days ago at 561 00:25:25,480 --> 00:25:27,600 Speaker 3: least get a tattoo. 562 00:25:27,119 --> 00:25:29,240 Speaker 8: Raspberry twists that you used to get at the lolly 563 00:25:29,280 --> 00:25:30,160 Speaker 8: shot when you're a kid. 564 00:25:30,240 --> 00:25:33,560 Speaker 4: Yeah, I know them, sort of flimsy, thin pink things. 565 00:25:34,240 --> 00:25:36,920 Speaker 2: I actually think they're too thick for this analogy. 566 00:25:37,320 --> 00:25:39,760 Speaker 4: Those flimsy think pick things. 567 00:25:39,880 --> 00:25:41,280 Speaker 2: Those twisters are actually quite thick. 568 00:25:41,720 --> 00:25:42,720 Speaker 4: They are not thick. 569 00:25:43,000 --> 00:25:46,320 Speaker 8: I'm not talking about it killer python, mate, be an 570 00:25:46,320 --> 00:25:48,560 Speaker 8: absolute hot dog down a hallway to a killer python. 571 00:25:48,600 --> 00:25:50,360 Speaker 4: I'm talking about those raspberry twists. 572 00:25:51,160 --> 00:25:53,200 Speaker 2: Yeah, and again I think they're actually quite fick. 573 00:25:54,560 --> 00:25:56,639 Speaker 4: Let's change it up to fads. Remember fads. 574 00:25:56,920 --> 00:25:57,439 Speaker 2: That's offensive. 575 00:25:57,520 --> 00:25:58,480 Speaker 4: Yeah, okay, fads is good. 576 00:25:58,640 --> 00:25:58,760 Speaker 15: Now. 577 00:25:58,800 --> 00:26:01,880 Speaker 3: Anyway, the reason I'm bringing this up is because I'm 578 00:26:01,880 --> 00:26:04,320 Speaker 3: starting to get pulled up in public a lot. And 579 00:26:04,359 --> 00:26:06,280 Speaker 3: I actually have a guy on the phone right now 580 00:26:06,320 --> 00:26:07,040 Speaker 3: called Jared. 581 00:26:07,800 --> 00:26:10,000 Speaker 2: Now, Jared, you got in touch with on Instagram. 582 00:26:10,040 --> 00:26:12,720 Speaker 3: You are one of the many people who has yelled 583 00:26:12,720 --> 00:26:16,520 Speaker 3: out of your car mate and commented on my rat legs. 584 00:26:17,400 --> 00:26:21,200 Speaker 5: It's true, Jared, you bloddy legend. 585 00:26:21,640 --> 00:26:24,359 Speaker 4: Welcome to the show, are you mate? Did you spot him? 586 00:26:24,359 --> 00:26:24,600 Speaker 5: Mate? 587 00:26:25,000 --> 00:26:25,880 Speaker 4: Did you spotted mate? 588 00:26:25,960 --> 00:26:27,600 Speaker 8: Did you think it was a floating tour, so at 589 00:26:27,640 --> 00:26:29,640 Speaker 8: first were like, gee, whiz, are there actually any legs 590 00:26:29,680 --> 00:26:30,040 Speaker 8: under there? 591 00:26:30,080 --> 00:26:31,640 Speaker 4: What was your what were your thoughts when you first 592 00:26:31,720 --> 00:26:33,280 Speaker 4: laid on I. 593 00:26:33,280 --> 00:26:34,720 Speaker 12: Spotted that floating man? 594 00:26:34,760 --> 00:26:35,479 Speaker 11: Done first? 595 00:26:38,800 --> 00:26:41,560 Speaker 8: This is good already, way dared, hold the story off 596 00:26:41,600 --> 00:26:42,000 Speaker 8: the story. 597 00:26:42,080 --> 00:26:44,359 Speaker 4: Let's go to a song. Let's go to a song. 598 00:26:44,480 --> 00:26:47,280 Speaker 8: Everyone wants to hear this that the rat legs spotted 599 00:26:47,359 --> 00:26:48,120 Speaker 8: in the wild. 600 00:26:48,600 --> 00:26:51,879 Speaker 4: Right up next, hang it afternoon, everyone is Will and Woody. 601 00:26:52,160 --> 00:26:55,040 Speaker 8: If you missed this couple of days ago, a listener 602 00:26:55,080 --> 00:26:57,040 Speaker 8: of ours court at least came in the studio and 603 00:26:57,080 --> 00:27:00,400 Speaker 8: she got a tattoo of Woody with rat legs on 604 00:27:00,480 --> 00:27:01,040 Speaker 8: her legs. 605 00:27:01,080 --> 00:27:03,159 Speaker 2: It's gone too far, and it's gone too far. 606 00:27:03,280 --> 00:27:05,000 Speaker 8: You can see that on our socials Will and Woody 607 00:27:05,000 --> 00:27:06,320 Speaker 8: if you want to see it. If you like, he 608 00:27:06,359 --> 00:27:08,560 Speaker 8: had to get in a new actually invent a whole 609 00:27:08,640 --> 00:27:11,520 Speaker 8: new tattoo gun, like a surgical style tattoo gun to 610 00:27:11,560 --> 00:27:14,080 Speaker 8: get it thin enough to actually paint the rat legs 611 00:27:14,560 --> 00:27:18,560 Speaker 8: on her legs. But anyway, you can see that on 612 00:27:18,560 --> 00:27:20,360 Speaker 8: online if you want to check it out for yourself, 613 00:27:20,480 --> 00:27:21,840 Speaker 8: and look, it is spiraling woods. 614 00:27:21,880 --> 00:27:24,280 Speaker 4: It's spiraling like all great trends and things do. 615 00:27:24,560 --> 00:27:26,080 Speaker 2: It's snowballing, blood. 616 00:27:26,240 --> 00:27:28,200 Speaker 4: Starting, it's starting, is starting together. 617 00:27:29,119 --> 00:27:31,600 Speaker 3: I'm permanently my rat legs are permanently on a woman's legs, 618 00:27:31,640 --> 00:27:33,760 Speaker 3: as you just said. Plus people are just starting to 619 00:27:33,840 --> 00:27:35,639 Speaker 3: yell this out of their cars. I'm scared to go 620 00:27:35,640 --> 00:27:37,359 Speaker 3: for a run on the streets now, you know that. 621 00:27:37,359 --> 00:27:39,160 Speaker 3: I've started going to an indoor gym on the cross 622 00:27:39,200 --> 00:27:41,960 Speaker 3: trainer because I'm so worried about people yelling out of 623 00:27:42,000 --> 00:27:43,000 Speaker 3: their cars going, oh there he. 624 00:27:43,160 --> 00:27:44,840 Speaker 2: Is rat legs himself. 625 00:27:44,880 --> 00:27:45,840 Speaker 4: Don't take a leg. 626 00:27:45,960 --> 00:27:48,640 Speaker 8: It's quite a marvel though, to see how they hold 627 00:27:48,720 --> 00:27:51,000 Speaker 8: up your torso like it's almost it's becoming a bit 628 00:27:51,000 --> 00:27:51,199 Speaker 8: of it. 629 00:27:51,400 --> 00:27:53,159 Speaker 4: That's a spectacle to see for itself. 630 00:27:53,200 --> 00:27:53,880 Speaker 2: An optical alert. 631 00:27:53,920 --> 00:27:55,000 Speaker 4: And we've got one. 632 00:27:54,840 --> 00:27:59,040 Speaker 8: Of those people who have spotted you, yes, with those 633 00:27:59,160 --> 00:28:00,800 Speaker 8: ratty legs out and about it. 634 00:28:00,840 --> 00:28:02,120 Speaker 4: I've called Jared's course, Jared. 635 00:28:02,160 --> 00:28:04,119 Speaker 8: The first thing you spotted you you obviously saw the 636 00:28:04,160 --> 00:28:06,480 Speaker 8: floating torso and the floating man bun, which was most 637 00:28:06,520 --> 00:28:07,240 Speaker 8: striking to you. 638 00:28:07,640 --> 00:28:09,560 Speaker 12: Couldn't get pass that. I was like, who the hell 639 00:28:09,640 --> 00:28:21,800 Speaker 12: is that? Ye twig I saw it was Jesus Irati Jared. 640 00:28:22,119 --> 00:28:24,639 Speaker 2: Now Jared, hang on, don't you don't you play? 641 00:28:24,640 --> 00:28:28,600 Speaker 8: Will's games are striking when you see them in real life, 642 00:28:28,680 --> 00:28:30,360 Speaker 8: Like you can see them on film, you can see 643 00:28:30,400 --> 00:28:32,240 Speaker 8: them online, and then you see them in real life 644 00:28:32,280 --> 00:28:34,919 Speaker 8: and like, you know, you just they almost it's almost 645 00:28:34,960 --> 00:28:37,239 Speaker 8: like you're looking for the sewer that they've come out of. 646 00:28:37,600 --> 00:28:40,320 Speaker 12: You know, you're it's like a pair of toothpicks with shoes. 647 00:28:40,640 --> 00:28:46,200 Speaker 2: Yeah, so you've been serious, Jared. 648 00:28:46,240 --> 00:28:49,040 Speaker 3: I mean again, I've only heard this from Will, and look, 649 00:28:49,080 --> 00:28:50,760 Speaker 3: I think he's got a vested interest to say that 650 00:28:50,800 --> 00:28:53,280 Speaker 3: my legs look incredibly thin. But have you been honest 651 00:28:53,280 --> 00:28:54,960 Speaker 3: that when you did see me? You have mentioned that 652 00:28:55,040 --> 00:28:57,480 Speaker 3: that you notice the man bun, but when you looked 653 00:28:57,480 --> 00:28:59,560 Speaker 3: at my body running there on the main road, because 654 00:28:59,560 --> 00:29:02,120 Speaker 3: I was run and I believe you were thinking you 655 00:29:02,320 --> 00:29:07,480 Speaker 3: could call it running. 656 00:29:11,320 --> 00:29:13,000 Speaker 2: Thanks for going. 657 00:29:17,000 --> 00:29:20,360 Speaker 12: Well, yeah, definitely, definitely it was you, and it was 658 00:29:20,440 --> 00:29:22,280 Speaker 12: just it was just one of those moments where I 659 00:29:22,280 --> 00:29:24,720 Speaker 12: couldn't resist. I thought I thought i'd have a toe. 660 00:29:24,960 --> 00:29:27,680 Speaker 4: Yeah, so you gave it. You gave it to the window, 661 00:29:27,720 --> 00:29:29,040 Speaker 4: did you. Well. 662 00:29:29,080 --> 00:29:29,840 Speaker 5: I got him. 663 00:29:30,040 --> 00:29:32,160 Speaker 12: I sort of took the horn at him and he 664 00:29:32,480 --> 00:29:34,960 Speaker 12: didn't didn't bite at first, so he was sort of 665 00:29:34,960 --> 00:29:37,360 Speaker 12: on the footpath and I was in the traffic. Yeah, 666 00:29:37,600 --> 00:29:40,800 Speaker 12: and I then sort of took the horn again, to 667 00:29:40,880 --> 00:29:43,440 Speaker 12: which he sort of did it over the hat, over 668 00:29:43,480 --> 00:29:47,400 Speaker 12: the head, sort of queen waves and sort of you know, yeah, 669 00:29:49,800 --> 00:29:52,280 Speaker 12: it gets it all the time. You came over like 670 00:29:52,360 --> 00:29:54,600 Speaker 12: here we go. So then I wound down the window 671 00:29:54,640 --> 00:29:56,320 Speaker 12: and I just sort of leaned down and said, keep 672 00:29:56,320 --> 00:29:57,760 Speaker 12: those right legs pumping with it. 673 00:30:03,960 --> 00:30:05,680 Speaker 4: So you're in the middle of the road, you walk 674 00:30:05,720 --> 00:30:09,680 Speaker 4: over to him and then drive off. 675 00:30:09,920 --> 00:30:12,480 Speaker 3: Yeah, I walked through traffic because I thought this guy 676 00:30:12,520 --> 00:30:14,200 Speaker 3: has something really important to tell me. 677 00:30:15,520 --> 00:30:20,640 Speaker 4: That's amazing. Jared, thank you so much for joining us. Right, 678 00:30:20,880 --> 00:30:22,120 Speaker 4: absolutely pleasure. 679 00:30:22,160 --> 00:30:23,680 Speaker 12: You guys are absolute legends. 680 00:30:26,280 --> 00:30:28,600 Speaker 4: Thanks right pleasure to have you on the show. 681 00:30:28,800 --> 00:30:30,440 Speaker 1: It's the Will and Woody Podcast. 682 00:30:30,680 --> 00:30:33,800 Speaker 2: Let's talk about Marianna's trench. Will. If you don't know 683 00:30:33,840 --> 00:30:36,600 Speaker 2: what Marianna's trench is, it is the deepest part of 684 00:30:36,920 --> 00:30:37,520 Speaker 2: the ocean. 685 00:30:37,560 --> 00:30:39,880 Speaker 8: When did they call it Marianna's trench? By the way, 686 00:30:41,960 --> 00:30:44,560 Speaker 8: couldn't tell you monocking news for all Marianna's when it 687 00:30:44,600 --> 00:30:45,320 Speaker 8: happened though. 688 00:30:45,280 --> 00:30:46,240 Speaker 2: Who is Marianna? 689 00:30:46,480 --> 00:30:50,880 Speaker 8: Well, I don't know. But if you were called Marianna. Yeah, 690 00:30:51,400 --> 00:30:53,560 Speaker 8: limitless gags for every person that ever slept with. 691 00:30:53,840 --> 00:30:57,080 Speaker 2: Is and you feel for the Marianna Mariannas. But how's this? 692 00:30:57,120 --> 00:31:00,000 Speaker 3: Will This blew my mind at the bottom of Marianna's trend. 693 00:31:00,160 --> 00:31:03,640 Speaker 3: And by the way, this is ten point nine kilometers down. 694 00:31:04,040 --> 00:31:06,440 Speaker 3: That's how deep it is to you is they found 695 00:31:06,840 --> 00:31:11,040 Speaker 3: a ten point nine k ten point nine k down 696 00:31:11,240 --> 00:31:13,600 Speaker 3: they found a frozen balloon. 697 00:31:16,520 --> 00:31:21,920 Speaker 9: Oh, not actually a frozen balloon, sorryz Capital Air Frozen, 698 00:31:22,080 --> 00:31:30,160 Speaker 9: a balloon of the movie Frozenoel send this story out 699 00:31:30,280 --> 00:31:32,760 Speaker 9: and I was like, gives a ship man, it's a 700 00:31:32,800 --> 00:31:34,719 Speaker 9: frozen balloon the ocean. 701 00:31:35,080 --> 00:31:37,360 Speaker 4: Why is this views It's. 702 00:31:37,200 --> 00:31:40,840 Speaker 3: A balloon from the film Frozen, which is tragic, by 703 00:31:40,880 --> 00:31:44,040 Speaker 3: the way, from an environmental perspective, that is tragic. 704 00:31:44,080 --> 00:31:46,000 Speaker 2: The plastic is getting down to the deepest part of 705 00:31:46,040 --> 00:31:46,520 Speaker 2: the ocean. 706 00:31:46,840 --> 00:31:49,000 Speaker 4: But I'm still in pristine condition. By the way. 707 00:31:49,000 --> 00:31:51,400 Speaker 8: That's the terrifying thing about plastic. Every piece of plastic 708 00:31:51,440 --> 00:31:52,640 Speaker 8: ever made is still on the planet. 709 00:31:52,720 --> 00:31:53,640 Speaker 2: Yeah, yeah, yeah, yeah. 710 00:31:53,800 --> 00:31:56,240 Speaker 3: But I also thought Will this was an incredible metaphor 711 00:31:56,360 --> 00:32:00,880 Speaker 3: for the fact that as parents, you can not escape 712 00:32:01,040 --> 00:32:04,640 Speaker 3: the annoying things that your kids watch. Yeah, and I 713 00:32:04,720 --> 00:32:07,720 Speaker 3: really want to hone in here. I'm just thinking about 714 00:32:07,720 --> 00:32:09,719 Speaker 3: all the parents out there that are having a nightmare 715 00:32:09,720 --> 00:32:11,360 Speaker 3: about the fact that that song, I mean, this song 716 00:32:11,440 --> 00:32:13,800 Speaker 3: right now would piss off so many parents. 717 00:32:13,880 --> 00:32:14,520 Speaker 2: Let it go. 718 00:32:17,000 --> 00:32:20,040 Speaker 3: The thousands of times that kids have watched it, But 719 00:32:20,080 --> 00:32:21,360 Speaker 3: the parents need to hear that as well. 720 00:32:21,400 --> 00:32:22,600 Speaker 2: So what I'm about to do right now. 721 00:32:22,440 --> 00:32:24,560 Speaker 3: Thirteen of those by the way, Yeah, but you're not 722 00:32:24,600 --> 00:32:27,760 Speaker 3: a parent, You're about to be a parent. Imagine if 723 00:32:27,760 --> 00:32:31,160 Speaker 3: that song was played literally thousands of time every single day. 724 00:32:31,600 --> 00:32:33,760 Speaker 8: Yeah, well, anything that's played thousands of times a day 725 00:32:33,840 --> 00:32:35,000 Speaker 8: is going to become infuriating. 726 00:32:35,040 --> 00:32:36,560 Speaker 3: This is what parents have to do with. Thirty one 727 00:32:36,600 --> 00:32:38,040 Speaker 3: oh six y five is our number. I want to 728 00:32:38,120 --> 00:32:40,400 Speaker 3: ask those parents out there, yea, what is the most 729 00:32:40,440 --> 00:32:43,360 Speaker 3: annoying thing that your kid is watching? 730 00:32:43,440 --> 00:32:43,960 Speaker 2: Right now? 731 00:32:45,040 --> 00:32:48,560 Speaker 8: Are we just talking like the reason? Can the reason 732 00:32:48,560 --> 00:32:51,520 Speaker 8: that you dislike the show be? Does it need to 733 00:32:51,560 --> 00:32:53,560 Speaker 8: be because they play the theme song of nauseum? 734 00:32:53,640 --> 00:32:55,200 Speaker 4: Or is it? Can it be because you have an issue 735 00:32:55,200 --> 00:32:55,720 Speaker 4: with the show. 736 00:32:56,680 --> 00:32:58,680 Speaker 2: I'll take issues with the show. I'll take that. 737 00:32:58,680 --> 00:33:01,760 Speaker 4: Because I really have an issue with Dorothy the Dinosaur. 738 00:33:02,040 --> 00:33:05,080 Speaker 8: Why, well, I just I don't I realized recently that 739 00:33:05,160 --> 00:33:07,480 Speaker 8: I don't like, nor did I even like as a kid, 740 00:33:07,560 --> 00:33:11,040 Speaker 8: any show that trivialized the potence the potency of a 741 00:33:11,120 --> 00:33:12,480 Speaker 8: carnivorous beast. 742 00:33:14,080 --> 00:33:14,280 Speaker 11: Bear. 743 00:33:14,560 --> 00:33:18,080 Speaker 4: You know, why is he eating sandwiches? Should be in humans? 744 00:33:18,400 --> 00:33:20,280 Speaker 8: You know, I quite liked the fact that Dorothy was 745 00:33:20,320 --> 00:33:23,320 Speaker 8: a dinosaur. Yeah, she was hanging out with kids. It's 746 00:33:23,360 --> 00:33:24,160 Speaker 8: not real though. 747 00:33:24,560 --> 00:33:27,080 Speaker 3: Do you think though, that Dorothy might be luring in 748 00:33:27,120 --> 00:33:29,160 Speaker 3: the kids to later have a feast. 749 00:33:29,280 --> 00:33:31,040 Speaker 2: She's just waiting for the opportune moment. 750 00:33:31,400 --> 00:33:35,600 Speaker 4: That's terrifying. There are kids out there. She's not doing that, 751 00:33:36,080 --> 00:33:37,520 Speaker 4: or she might be. She's not doing that. 752 00:33:37,600 --> 00:33:39,240 Speaker 2: I think it's an important lesson to tell the kids. 753 00:33:39,280 --> 00:33:43,480 Speaker 2: What's that that Dorothy might eat you? Anyway? Thirty MINSIX fied, 754 00:33:43,520 --> 00:33:44,560 Speaker 2: we've gone off topic. 755 00:33:45,360 --> 00:33:48,400 Speaker 8: What is the most you guys don't worry to the 756 00:33:48,480 --> 00:33:49,040 Speaker 8: kids out there. 757 00:33:49,280 --> 00:33:51,360 Speaker 2: You said you wanted to be a realist about dinosaur I. 758 00:33:51,360 --> 00:33:52,640 Speaker 4: Said I wanted to be real about them. 759 00:33:52,680 --> 00:33:54,920 Speaker 8: I didn't say that Dorothy was using her show to 760 00:33:55,000 --> 00:33:57,000 Speaker 8: lure you in so that she could eat you. 761 00:33:57,120 --> 00:33:59,680 Speaker 2: That is scary. We do have a parent in the studio. 762 00:34:00,520 --> 00:34:03,400 Speaker 3: While we're getting sidetracked talking about Dorothy eating you, Joel, 763 00:34:03,920 --> 00:34:06,000 Speaker 3: what's the most annoying thing that your kids are watching. 764 00:34:06,160 --> 00:34:06,840 Speaker 2: I could talk for. 765 00:34:06,840 --> 00:34:10,640 Speaker 16: Years, probably about my five year old playing SpongeBob every 766 00:34:10,800 --> 00:34:14,920 Speaker 16: second of the day. Yeah yeah, My wife and I 767 00:34:15,000 --> 00:34:17,239 Speaker 16: wake up to that pirate screaming are you ready? 768 00:34:17,280 --> 00:34:17,480 Speaker 4: Kids? 769 00:34:17,480 --> 00:34:18,880 Speaker 2: Every day. We want to choke him to death, but 770 00:34:19,000 --> 00:34:19,400 Speaker 2: we don't. 771 00:34:20,000 --> 00:34:21,920 Speaker 16: But we love our little two year old Austin very 772 00:34:22,000 --> 00:34:24,279 Speaker 16: very cute, and he'll just latch onto a little song 773 00:34:24,320 --> 00:34:27,040 Speaker 16: from any movie. And we're currently obsessed with the Adam 774 00:34:27,080 --> 00:34:32,680 Speaker 16: Sandler produced Hotel Transylvania Part three. In this great film, 775 00:34:32,680 --> 00:34:35,400 Speaker 16: there is a giant squid craken that comes out of 776 00:34:35,440 --> 00:34:37,560 Speaker 16: the water and crushes the boat to death. 777 00:34:38,840 --> 00:34:40,759 Speaker 2: For well, you know, in a playful kid way. 778 00:34:40,840 --> 00:34:43,719 Speaker 16: But there's this song that plays in the background, which 779 00:34:43,719 --> 00:34:48,600 Speaker 16: I've later found out was produced by Testo. Oh god, 780 00:34:50,800 --> 00:34:53,600 Speaker 16: now I want to give you my household right now. 781 00:34:53,680 --> 00:34:58,959 Speaker 16: So Austin's obsessed with that. 782 00:35:00,960 --> 00:35:04,600 Speaker 3: He sings, he sings, Well we now shout at him, Austin, 783 00:35:04,680 --> 00:35:05,640 Speaker 3: no more, no more. 784 00:35:06,360 --> 00:35:08,520 Speaker 16: He calls it the blah blah blah song. Tell a 785 00:35:08,560 --> 00:35:10,600 Speaker 16: two year old kick to shut up is pretty mean. 786 00:35:11,080 --> 00:35:13,960 Speaker 8: Do not have a pension for the will and woody 787 00:35:14,040 --> 00:35:16,400 Speaker 8: song as well. He likes our he likes our themes. 788 00:35:16,800 --> 00:35:18,600 Speaker 2: He sings it when he picks up his woody doll. 789 00:35:22,000 --> 00:35:25,120 Speaker 16: I'm trying to have a couple of post work cocktails 790 00:35:25,160 --> 00:35:26,680 Speaker 16: and here where their whaty. 791 00:35:27,320 --> 00:35:28,880 Speaker 2: Alright, let's hear from some of her parents. 792 00:35:28,880 --> 00:35:31,120 Speaker 3: Now, thirteen one oh sixty five, what's the most annoying 793 00:35:31,160 --> 00:35:32,719 Speaker 3: thing that your kid is currently watching? 794 00:35:32,760 --> 00:35:34,640 Speaker 2: We'll take him up next right now? 795 00:35:34,680 --> 00:35:37,680 Speaker 3: Sorry, we are asking, sorry really threated me quickly there, 796 00:35:38,120 --> 00:35:40,480 Speaker 3: what is the most annoying thing that your kid is 797 00:35:40,480 --> 00:35:41,359 Speaker 3: watching right now? 798 00:35:41,600 --> 00:35:42,839 Speaker 2: Thirteen one oh sixty five. 799 00:35:42,920 --> 00:35:44,600 Speaker 3: If you are a parent and you want to join 800 00:35:44,640 --> 00:35:47,400 Speaker 3: the boys on the airwaves, and we are talking about 801 00:35:47,400 --> 00:35:52,279 Speaker 3: it because a balloon from the film Frozen has been 802 00:35:52,320 --> 00:35:58,560 Speaker 3: found at the bottom of Marianna's trench. So just to 803 00:35:58,600 --> 00:36:00,880 Speaker 3: give an idea of how deep that is, that is 804 00:36:00,960 --> 00:36:03,799 Speaker 3: ten point nine kilometers under the ocean. And I think 805 00:36:03,840 --> 00:36:05,640 Speaker 3: it's a great metaphor of the fact that we just 806 00:36:05,680 --> 00:36:07,960 Speaker 3: cannot escape the things that our kids are watching. You're 807 00:36:08,000 --> 00:36:11,000 Speaker 3: about to become a father, will Does that concern you 808 00:36:11,080 --> 00:36:11,319 Speaker 3: at all? 809 00:36:11,480 --> 00:36:12,200 Speaker 4: What's that? 810 00:36:12,200 --> 00:36:13,680 Speaker 3: The fact that your kids are going to be watching 811 00:36:13,719 --> 00:36:16,399 Speaker 3: really annoying things on television? And maybe your DJing needs 812 00:36:16,400 --> 00:36:18,120 Speaker 3: to go to one side for a moment while you 813 00:36:18,200 --> 00:36:20,239 Speaker 3: watch things like Frozen and SpongeBob. 814 00:36:20,280 --> 00:36:22,440 Speaker 4: I'll be djaying with my child. They'll be tasteful. 815 00:36:22,760 --> 00:36:23,000 Speaker 2: Wow. 816 00:36:23,320 --> 00:36:27,120 Speaker 8: I actually found out the other day that the fetus 817 00:36:27,160 --> 00:36:30,120 Speaker 8: can actually hear starting to hear noises from outside. 818 00:36:30,200 --> 00:36:31,160 Speaker 2: You're not djaying for you. 819 00:36:31,239 --> 00:36:34,480 Speaker 4: Maybe I read on a blog, I read on read 820 00:36:34,560 --> 00:36:35,160 Speaker 4: on a block. 821 00:36:35,880 --> 00:36:38,120 Speaker 8: I read on a flow that you can start playing 822 00:36:38,200 --> 00:36:40,160 Speaker 8: in the music that you want them to get into. 823 00:36:40,520 --> 00:36:40,759 Speaker 4: Wow. 824 00:36:40,880 --> 00:36:41,920 Speaker 2: So there's some deep trance. 825 00:36:42,040 --> 00:36:44,000 Speaker 8: So I've got some ear musks from my girlfriend so 826 00:36:44,040 --> 00:36:44,960 Speaker 8: she doesn't have to hear it. 827 00:36:45,120 --> 00:36:45,359 Speaker 2: Wow. 828 00:36:45,400 --> 00:36:47,480 Speaker 4: And I'm just sat and considered in front of the speaker. 829 00:36:47,560 --> 00:36:48,239 Speaker 2: Extraordinary. 830 00:36:48,480 --> 00:36:52,960 Speaker 3: Let's go to Kara here on thirteen one oh six five. Cara, 831 00:36:53,160 --> 00:36:54,960 Speaker 3: what's the most annoying thing that your kids are watching 832 00:36:55,040 --> 00:36:55,319 Speaker 3: right now? 833 00:36:56,920 --> 00:36:59,280 Speaker 5: Easily? Pepper Pink without any shadow. 834 00:37:00,480 --> 00:37:02,200 Speaker 4: She's Spanish, isn't she Pepper? 835 00:37:04,480 --> 00:37:05,120 Speaker 2: She's Spanish? 836 00:37:05,200 --> 00:37:08,040 Speaker 4: Yeah, she's Spanish. Yeah, she's a Spanish pig. 837 00:37:09,480 --> 00:37:10,839 Speaker 5: I think she's actually from the UK. 838 00:37:11,160 --> 00:37:12,440 Speaker 15: She's very annoying. 839 00:37:12,480 --> 00:37:15,120 Speaker 3: I think you think that Dora will Yeah, I'm thinking 840 00:37:15,160 --> 00:37:19,319 Speaker 3: of do I think he's from the UK. 841 00:37:21,440 --> 00:37:23,960 Speaker 4: So why she's so annoying, Carra Is it just the song? 842 00:37:24,800 --> 00:37:28,640 Speaker 5: It's the song. She's a brat, right, she snorts all 843 00:37:28,680 --> 00:37:30,160 Speaker 5: the time. Is anything about it? 844 00:37:30,920 --> 00:37:32,280 Speaker 11: About it to go for five minutes? 845 00:37:32,920 --> 00:37:34,520 Speaker 4: Are there five minute episodes? 846 00:37:34,600 --> 00:37:37,399 Speaker 6: The only redeemable thing about Pepper Pig? 847 00:37:37,520 --> 00:37:37,800 Speaker 5: Yeah? 848 00:37:37,880 --> 00:37:40,520 Speaker 8: Yeah, that in the fact that she's Spanish. I've got Daniella, 849 00:37:40,520 --> 00:37:43,520 Speaker 8: who's called on thirty one and sixty five? Daniella, what 850 00:37:44,120 --> 00:37:45,640 Speaker 8: is what annoying thing? 851 00:37:45,719 --> 00:37:46,680 Speaker 4: Is your kid obsessed with? 852 00:37:48,200 --> 00:37:53,279 Speaker 15: So? Thankfully not my child. My cousin's eight year old 853 00:37:53,360 --> 00:38:01,320 Speaker 15: son is obsessed with Titanic? What on repeat? 854 00:38:02,640 --> 00:38:02,960 Speaker 2: Sorry? 855 00:38:03,000 --> 00:38:04,520 Speaker 4: How old is the kid? 856 00:38:05,520 --> 00:38:05,759 Speaker 6: Hey? 857 00:38:06,040 --> 00:38:09,680 Speaker 15: So, first he found the shipwreck, so the actual like 858 00:38:09,760 --> 00:38:13,120 Speaker 15: the ship he was interested. Then one day, one night, 859 00:38:13,280 --> 00:38:17,560 Speaker 15: the panic is on beyond the steps, like it's not normal. 860 00:38:17,960 --> 00:38:22,120 Speaker 3: Sorry, Daniella, are you sure he's not just watching it 861 00:38:22,160 --> 00:38:24,520 Speaker 3: for the scene where paint me in? 862 00:38:24,760 --> 00:38:26,439 Speaker 4: Uh your French girl? 863 00:38:28,560 --> 00:38:29,800 Speaker 2: Is he allowed to watch that scene? 864 00:38:31,320 --> 00:38:33,759 Speaker 15: No? No, no, don't worries. We make it like ge 865 00:38:34,040 --> 00:38:38,319 Speaker 15: we we let it BG but okay, like we clime it. 866 00:38:38,719 --> 00:38:41,120 Speaker 15: We've like timed it perfectly. We're always there when he 867 00:38:41,200 --> 00:38:44,600 Speaker 15: watches it. But when the ship goes down, he just 868 00:38:44,640 --> 00:38:45,160 Speaker 15: goes nuts. 869 00:38:45,640 --> 00:38:47,600 Speaker 4: Yeah, right, when the ship goes down. 870 00:38:47,680 --> 00:38:48,360 Speaker 2: It's just pumped. 871 00:38:48,440 --> 00:38:49,920 Speaker 4: Sounds like a sadistic little kid. 872 00:38:50,560 --> 00:38:51,120 Speaker 2: It sounds very sick. 873 00:38:51,200 --> 00:38:53,080 Speaker 4: Let's got a look here, have given birth to the devil? 874 00:38:53,120 --> 00:38:57,080 Speaker 3: Now, Luki, what's the what's the most annoying thing your 875 00:38:57,160 --> 00:38:58,040 Speaker 3: kids watch? 876 00:39:00,080 --> 00:39:00,319 Speaker 11: Phones? 877 00:39:00,400 --> 00:39:03,000 Speaker 5: Rob Man, good Money Patrick. 878 00:39:05,360 --> 00:39:07,440 Speaker 11: Every morning? Every morning. 879 00:39:07,760 --> 00:39:09,279 Speaker 2: You're just doing the show right now? Is that what 880 00:39:09,320 --> 00:39:13,319 Speaker 2: you're doing? Wow? That sounds to reazing. 881 00:39:13,360 --> 00:39:15,920 Speaker 8: Since SpongeBob meant to be a friendly little guy. Like 882 00:39:16,120 --> 00:39:18,680 Speaker 8: if you met SpongeBob, you'd probably shake his hand, Luke, 883 00:39:22,880 --> 00:39:23,200 Speaker 8: but you. 884 00:39:23,160 --> 00:39:25,200 Speaker 2: Still hate the show. So you like the guy, but 885 00:39:25,280 --> 00:39:25,919 Speaker 2: you hate the show. 886 00:39:25,920 --> 00:39:28,279 Speaker 3: I think of all these calls, though nothing is as 887 00:39:28,320 --> 00:39:30,759 Speaker 3: bad as we had a call once and hopefully my 888 00:39:30,880 --> 00:39:32,719 Speaker 3: audio man is picking up what I'm putting down here. 889 00:39:32,920 --> 00:39:35,120 Speaker 3: But there was a kid who was obsessed with Baby 890 00:39:35,239 --> 00:39:40,719 Speaker 3: Shark to all sorts of lengths. I think our button 891 00:39:40,760 --> 00:39:45,040 Speaker 3: pushes founded in three two one, and here it is. 892 00:39:45,560 --> 00:39:47,920 Speaker 5: There was one day he listened to the Baby Sharks. 893 00:39:49,920 --> 00:39:51,800 Speaker 11: The next night we put him in the bathtub. 894 00:39:52,200 --> 00:39:53,240 Speaker 12: He would not hop. 895 00:39:53,080 --> 00:39:55,560 Speaker 14: Out for three straight hours thinking of the shark. 896 00:39:55,800 --> 00:39:58,160 Speaker 4: Oh my gosh. 897 00:39:58,280 --> 00:40:00,439 Speaker 9: And every time I tried to get him out, I'd 898 00:40:00,480 --> 00:40:02,120 Speaker 9: either get bitten or in script. 899 00:40:03,640 --> 00:40:06,320 Speaker 2: That's wild. He's getting attacked because of baby showed