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Speaker 1: Thinking about there we go.

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Speaker 2: There's my noise for today's down the podcast, and that

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Speaker 2: was my best sofar.

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Speaker 1: No, I agree with that.

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Speaker 3: That was my best your best bet?

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Speaker 4: Yeah?

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Speaker 3: Yeah?

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Speaker 1: Can I do a noise yep?

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Speaker 2: Tomorrow, I've done mine. We've done today's covered, Okay, if

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Speaker 2: I can look forward to yours tomorrow.

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Speaker 1: You're gonna do it anyway, aren't you. It's like a

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Speaker 1: red rag to.

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Speaker 3: A ball thinking about it. What I'm going to do

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Speaker 3: to make your noise look crap?

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Speaker 1: It would be very predictable if you did it.

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Speaker 2: Yeah, now you're confused, and now you're confused.

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Speaker 1: Yes, God, I played.

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Speaker 3: You well there, Yes, you know the noise we're going

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Speaker 3: to do as well?

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Speaker 2: I know, and I can't do that. I hate that nice,

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Speaker 2: very good. Yeah, it's good, isn't it. It's just like

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Speaker 2: a water drop obviously have you ever Have you ever

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Speaker 2: used that practically in what sense? Like you're trying to

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Speaker 2: confuse a friend. There's a leak, and have you pulled

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Speaker 2: it off?

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Speaker 5: Oh?

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Speaker 3: So if I was at like a home inspection and

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Speaker 3: I wanted to get the water the rent down, I'd

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Speaker 3: be like.

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Speaker 1: Leaking in this place, brilliant. Have you ever done that drinking,

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Speaker 1: pulled off leaking this through. We'll get off the phone

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Speaker 1: or something.

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Speaker 3: Sorry, the taps a reason, I.

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Speaker 6: Prove it, so they tap running.

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Speaker 3: Just use your on the head. No, no, seriously, I

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Speaker 3: don't think you can use your practically ogon the leaking

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Speaker 3: at the shocking suggestion, George, I reckon the the taps

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Speaker 3: running the rental one. You could get him though, if

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Speaker 3: the if the real estate was turned the other way,

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Speaker 3: and he'd be like, oh yeah, no, love your place.

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Speaker 3: But there I lost that.

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Speaker 1: And then you could say can you hear that? Say

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Speaker 1: to the guy, can you I can hear it? Yeah, brilliant.

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Speaker 1: Train up, Train up for game day.

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Speaker 3: You'll be on the pipes are leaking the same.

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Speaker 1: He turns around.

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Speaker 3: He turns around. He's like, and as you'll see, you've

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Speaker 3: got great views of the Oh geez, sorry mate, did

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Speaker 3: you hear that he'd been looking at you? No, turn

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Speaker 3: around and then around he looks just outside the analyst

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Speaker 3: was just smacking the sound. Yes, so he turns.

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Speaker 1: Around, but he eventually has to turn back around.

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Speaker 3: Yes he does. He just stop but I'm not I'm

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Speaker 3: not doing it like in his face. So he turns

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Speaker 3: around and then I'll go yeah, no, did you hear that?

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Speaker 3: And he goes no. Then he turns around, he goes,

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Speaker 3: he goes, whereabouts?

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Speaker 5: Did you.

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Speaker 3: Kid? Again?

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Speaker 1: You need to try and you obviously need to try practice. Yeah,

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Speaker 1: that's good, that's good.

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Speaker 2: So George, the idea is that every time the real

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Speaker 2: star is looking at him, it's like Giants Treasure. You

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Speaker 2: play that game as a child, Yeah, you know, when

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Speaker 2: you're trying to get the treasure between the giants league.

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Speaker 7: No, I know, I haven't played it.

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Speaker 1: Explaining the rules, you put.

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Speaker 3: Something under its an adult's feet and then then when

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Speaker 3: they turn around, you have to stop.

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Speaker 1: Stuck in the mud sort of stuff.

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Speaker 2: Yes, stuck in the mud, same same ideas.

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Speaker 1: Nothing stuck in the I don't even know what's stuck

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Speaker 1: in the muddy.

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Speaker 3: It's like, what's the time, mister Walls without the clock,

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Speaker 3: what's stuck in the mud.

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Speaker 6: That's a game that your parents used to play with

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Speaker 6: you all the time.

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Speaker 3: Just stick in the mud room.

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Speaker 1: Bit can't get a game. So I'd be like that, Yeah, right,

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Speaker 1: what's like that? Sorry?

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Speaker 3: Well, will doing the noise?

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Speaker 1: So every time I'm not doing anything and he's like,

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Speaker 1: where the hell is that leak? And then when he

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Speaker 1: goes to look for it, will goes that's just a joke,

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Speaker 1: a practical.

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Speaker 3: No, I'm trying to get because the value would.

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Speaker 7: Look at it and be like where, I can't say,

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Speaker 7: your leak, and we'd.

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Speaker 3: Be doing negotiation on the spot, negotiation on the spot,

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Speaker 3: and I tell you what, mate, Look, seven hundred sounds reasonable.

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Speaker 3: But look, if it wasn't for that that's going on.

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Speaker 1: You can't be mid centine. You gave it away quickly,

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Speaker 1: you didn't sell it at all.

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Speaker 2: What if it was over the phone, to drop the phone,

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Speaker 2: then it's your it's your leak, it's your.

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Speaker 3: Yeah, I'd be checking it out and I'd be like,

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Speaker 3: I'd call the head realized that I agent from the kitchen,

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Speaker 3: and I'd be like, I'm there right now. I'll tell

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Speaker 3: you what, seven hundred sounds reasonable. But because of this trip,

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Speaker 3: because I'll give you six to fifty, we're going.

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Speaker 1: To do this seriously. You need to get a recording device.

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Speaker 2: You're sneaking there lad at night, put it in the

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Speaker 2: roof and then every I don't know, five minutes.

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Speaker 7: Yeah, I was just yea thinking that operation goes in.

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Speaker 7: You're hiding in the cupboard underneath under the tap or that.

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Speaker 7: And then it's because now will or you're hiding in

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Speaker 7: the roof.

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Speaker 3: You stay there for a few us here, but that's.

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Speaker 1: In the camp up there, camp in the roof.

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Speaker 3: But you said, how is it going to prachnically help me.

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Speaker 1: That were bringing down the price of the house.

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Speaker 3: Surely I just record the sound of water and put

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Speaker 3: that on.

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Speaker 2: I mean that was my idea. But then George brought

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Speaker 2: up the live recorded and put it in the roof,

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Speaker 2: and then you were like, yeah, get in the roof.

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Speaker 3: It's got to be live. It's got to be a

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Speaker 3: live bit. I just reckon. This is how it works,

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Speaker 3: is okay, simple, very simple. It's very simple. We didn't

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Speaker 3: get back to the giants treasure thing. You're in somewhere

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Speaker 3: like Europe. Yere house there, No, I'm renting, and it's

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Speaker 3: it's it's cash. It's cash. It's got to be cash.

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Speaker 3: Got to be cash because because otherwise a Europe this

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Speaker 3: is iculous.

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Speaker 1: Systems pretty good over there like a player for.

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Speaker 3: A while, exactly because if you're in Australia, right you

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Speaker 3: go and do a least thing you got to sign,

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Speaker 3: you know, the Residential Tencies Act, all the sort of

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Speaker 3: stuff and through the processes and you're right at the

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Speaker 3: end of the day, you know or not, they just

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Speaker 3: get a plumber in and you know you're cooked. So

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Speaker 3: it needs to be in Europe somewhere like Croatia, somewhere

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Speaker 3: I think Eastern Europe, Romania somewhere like that. But there's

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Speaker 3: cash anyway. You walk in, Yeah, giants, treasure, can't see it,

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Speaker 3: can't find it.

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Speaker 1: Isn't there.

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Speaker 2: There's no bad plumbing that chest before then I look

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Speaker 2: over here and go but you can see the Eiffel

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Speaker 2: Tower of what.

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Speaker 3: The hell is this exactly? Yeah, you say that, and

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Speaker 3: then I go, look, mate, look the thing is. I'd

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Speaker 3: love to take the place off your hands. I'd love

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Speaker 3: to you're saying seven hundred kerner. Let's say we're in

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Speaker 3: Croatia about to change to the euro but it's seven

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Speaker 3: hundred kona right now. I'll give you six and fifty.

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Speaker 3: You give me a cash now, yeah, cash now, because

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Speaker 3: the gyp no, and there you go.

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Speaker 1: And that would be so much just to get a

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Speaker 1: plumber to fix it quickly, rather than just I don't know,

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Speaker 1: fifty not a lot of money month.

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Speaker 3: Let them go into the But that's how we do it.

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Speaker 2: Yeah, where we're gonna have to fly to Europe, find

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Speaker 2: a rental in Europe.

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Speaker 1: It's the only way. I just spent a lot of

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Speaker 1: money anyway. And then.

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Speaker 3: And then we've ripped them up years of skill, the

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Speaker 3: years of skill, and I think it should be a

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Speaker 3: skill that I should be able to use.

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Speaker 1: This could be an ongoing rote.

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Speaker 3: And then we go, mate, we're lucky to get it

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Speaker 3: off once you get it once like a well if

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Speaker 3: it will.

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Speaker 1: And then we get someone else to rent it for

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Speaker 1: seven hundred.

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Speaker 2: And then we just go around and do this to

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Speaker 2: all these different houses in Eastern Europe, in Eastern staying

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Speaker 2: over there.

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Speaker 1: We have to, we have to use you brought it up.

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Speaker 1: It's the only place to get away with it.

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Speaker 2: We just go around getting people with the plumbing, get

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Speaker 2: money off the rental then rented out at the premium price.

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Speaker 1: When we just do it all over the world. The

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Speaker 1: drip boys, they'll call us.

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Speaker 3: Oh when they catch us, when they make a movie

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Speaker 3: out they make a movie we'u island when I do

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Speaker 3: catch me? If you can about us, yes, the trip boys.

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Speaker 2: Bloody drip trippers and the current affair come to our

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Speaker 2: islands you'll be going like we're bettering up the lands,

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Speaker 2: flooding down.

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Speaker 3: We're on the plane on the back.

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Speaker 6: We're on the plane, so we mightn't.

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Speaker 3: Even the plane down as well. There's a trip when.

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Speaker 6: They're trying to extracide its back to Australia plans the planet.

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Speaker 6: There was tripping this plane. It wasn't even rating perfect.

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Speaker 6: That's awesome, that's a great idea.

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Speaker 1: Good work boys, work boys.

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Speaker 3: Criminal.

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Speaker 1: We are lying but it works.

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Speaker 3: Yeah, practical, practical at the end of the day. All right, well,

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Speaker 3: look enjoy the show. We'll see tomorrow. Bye.

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Speaker 8: This is the Will and Woody Podcast.

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Speaker 3: Big question today all last, I mean it was yesterday.

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Speaker 3: It was yesterday the big opening at Venice Film Festival

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Speaker 3: of Don't Worry Darling, the movie which was directed by

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Speaker 3: Liua Wilde, starring Florence Peugh and Harry Styles. The big

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Speaker 3: question is this tension that's obviously bubbling under the surface

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Speaker 3: between three of them. Was Harry with sorry have Harry

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Speaker 3: and Olivia Wilde broke it up? Woods? Jason s Dakers.

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Speaker 3: Was there an affair going on while the movie was

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Speaker 3: being run? Florence Pere is she not talking to them anymore?

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Speaker 2: And Is that why she doesn't like Harry Styles and

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Speaker 2: Olivia Wilde because she knew there was cheating going on?

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Speaker 1: And why the hell.

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Speaker 2: Is Harry Styles now spitting on Chris Pine.

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Speaker 3: There is just so much going on obviously, I feel like,

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Speaker 3: I mean, if it was you and I, if we

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Speaker 3: had the cold case, we'd bring Louise Marler in here,

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Speaker 3: doctor Louise Marle our human light detector, I have to,

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Speaker 3: and you'd bring in There'd be something. I think there'd

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Speaker 3: be one thing at the bottom of it. There has

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Speaker 3: to be one thing. I reckon that's like something something

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Speaker 3: happened on that set. But you and I can only speculate.

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Speaker 3: We're mere amateurs in this space. So trying to bring

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Speaker 3: a professional in Brooke Bony, Channel nine's entertainment reporter, how

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Speaker 3: might be the.

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Speaker 4: First time I've been called professional guys? Thank you?

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Speaker 3: Yeah, well, that's your job. I hope you know something

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Speaker 3: more about this than we do. Otherwise there'll be questions raised.

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Speaker 4: Talking about chicken nuggets today.

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Speaker 3: During this interview.

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Speaker 4: Last time I thought about it, but I have it.

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Speaker 2: Sorry, nice and there you are showing off your professionalism.

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Speaker 2: There you go, but tell us bones, give us, give

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Speaker 2: us something on this. Don't worry darling stuff that it

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Speaker 2: just feels like there's so much going on?

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Speaker 4: Can you so much going on? Give us a crazy

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Speaker 4: So it all started. Shia La Booth was originally cast

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Speaker 4: in the role that Harry Spell ended up playing, and

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Speaker 4: he's got all of this, like complicated history around women

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Speaker 4: and lots of other stuff which we don't have time

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Speaker 4: to get into anyway. Olivia Wilde was like, we have

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Speaker 4: a very high standard of behavior on set. So I

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Speaker 4: sacked him. I got rid of him.

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Speaker 3: Oh blah blah blah.

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Speaker 4: He wasn't happy about it. So then he released a

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Speaker 4: video where Olivia's like, Shaya, Shaya, Shia, don't worry about

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Speaker 4: miss Flow, like dissing Florence Pugh blah blah blah, like

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Speaker 4: trying to get him to come back and work on

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Speaker 4: the movie with it. So it seems like Harry Stell

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Speaker 4: didn't know that. He seems like he thought he was

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Speaker 4: sacked and then Harry replaced him, but Shia quit and

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Speaker 4: so in that one interview that she did in the

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Speaker 4: lead up to this, it sort of destroyed all of

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Speaker 4: their relationships. And so everyone's looking at that spitting video

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Speaker 4: where Chris Pine's sitting there, poor guy.

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Speaker 3: And it looks like Harry Chris Pine and he like

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Speaker 3: he's the kind of man who take home to your mother, right.

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Speaker 3: He just seems like a lovely man.

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Speaker 4: He's just a gorgeous book.

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Speaker 2: Wrong, it's an issuing you do his rock. And he

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Speaker 2: sort of looks like a European prime minister, you.

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Speaker 4: Know what he does. He looks like he could like

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Speaker 4: be in bilateral meetings in Denmark.

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Speaker 2: Because totally that's then, but we should focus back on

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Speaker 2: the details.

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Speaker 4: Why spat on so earlier on in the day, there

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Speaker 4: are all of these press conferences about the movie where

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Speaker 4: Olivia denied all of the stuff with Florence and dismissed

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Speaker 4: it as internet innuendo. Okay, And anyway, Harry Styles is

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Speaker 4: giving all of these.

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Speaker 3: Before you get there, though, before you get there, there

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Speaker 3: is definitely tension between Florence Pew and Olivia Watte though,

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Speaker 3: like you're that's that's pretty okay, that's playing for everyone

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Speaker 3: to say because on the Red Car, but they weren't

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Speaker 3: talking and stuff.

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Speaker 1: And then like even.

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Speaker 4: Before that, like all of these celebs, if you are

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Speaker 4: spending months of your life filming something and going into

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Speaker 4: production and get pedal this money like you do. You

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Speaker 4: promote it because you want.

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Speaker 5: It to do well.

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Speaker 4: You put it on your You're doing interviews, you're doing

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Speaker 4: photo shoots and covers of Vogue and Vanity Fair and

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Speaker 4: that sort of stuff. She hasn't done a single thing.

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Speaker 4: She hasn't liked.

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Speaker 3: She's the hottest actress in the world right now, so

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Speaker 3: she could throw her away behind any fire.

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Speaker 4: Okay, very weldly and cultured, very impressive. He hasn't done

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Speaker 4: She hasn't done a single thing, and so everyone perspected

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Speaker 4: that there was something going on now. Her ex Zach

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Speaker 4: Zach Brass was besties with Olivia's husband, Jason sa.

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Speaker 3: That's what's going on there. I was like, she's so

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Speaker 3: pissed off about this. But Zach Brath, who is Florence

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Speaker 3: Pugh's X, the guy who did scrubs for everyone, who's

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Speaker 3: trying to catch up, Like, I'm not in this world.

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Speaker 3: I'm just piecing all these bits together. He's mate with Sakis,

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Speaker 3: who's the guy from ted Lasso, who who Olivia wild

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Speaker 3: had was with when she had the affair with Harry Stars.

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Speaker 4: Well, so we don't know if there was an affair,

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Speaker 4: but the timing is a bit iffy because they broke

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Speaker 4: up after Don't Worry Darling started filming. Harry had already

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Speaker 4: been cast in the role. There were all of these

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Speaker 4: things about them spending a lot of time together, her

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Speaker 4: paying him a lot of attention, you know, these very

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Speaker 4: long periods of time where they were alone together.

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Speaker 2: And also served Olivia while when she was on stage

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Speaker 2: giving a presentation, which shows that there's bad blood between

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Speaker 2: those two.

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Speaker 4: Yeah, there's absolutely bad blood. And okay, so even if

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Speaker 4: there wasn't a crossover in you know, the timing of it,

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Speaker 4: she she got with Harry very quickly, very publicly, you know,

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Speaker 4: no exactly there were photos of her and him going

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Speaker 4: to a wedding together like a couple of months after

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Speaker 4: she'd broken up with her husband, who she has children with.

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Speaker 4: So even if, but what there was no overlap, it

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Speaker 4: was very very close, which you know, it's a bit

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Speaker 4: uncomfortable not to understand what it's so nice.

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Speaker 3: Okay, so wait, let's in. The final question here is

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Speaker 3: how does that lead to Harry styles kiss spitting on

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Speaker 3: Chris Pie.

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Speaker 4: So then they're in this press conference.

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Speaker 3: Then the press conference, Okay, we're gonna have to go

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Speaker 3: to a song there's more to this. I'm sorry, I mean,

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Speaker 3: I mean we wanted to. We've got our pop, We've

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Speaker 3: got our big competition up. He's got twenty five pod

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Speaker 3: to give away, but who cares? Yeah?

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Speaker 1: Can you stick Arend? Can you hold off ordering KFC

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Speaker 1: for two more minutes?

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Speaker 3: Yeah?

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Speaker 4: I can manage.

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Speaker 3: Okay, perfect, We're back on the other side. This makes

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Speaker 3: so contextually, it makes so much more sense.

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Speaker 9: Now.

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Speaker 2: I still don't understand how Pine is involved, but I'm

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Speaker 2: sure Bones says the answer for us because.

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Speaker 3: This press conference that she's about to talk about willam

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Speaker 3: Woody Take it from a middle aged balding man with

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Speaker 3: a kid. I hate gossip, but this stuff has got

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Speaker 3: me going on. And I honestly, even if you're not

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Speaker 3: into gossip this movie, don't worry darling. It's coming out well,

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Speaker 3: it hads to release at Venice Film Festival last night yesterday.

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Speaker 3: But it's the backstory behind it. Olivia Wilds, the director,

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Speaker 3: Florence Pew and her have apparently had this rift going

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Speaker 3: on for age and I thought it was I'm gonna

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Speaker 3: be honest, I thought it was. We were talking about

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Speaker 3: the fact that they weren't liking each other's photos. I

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Speaker 3: thought it was all a bit of a storm in

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Speaker 3: of tea cut Woods. But then we've got Brooke Bony

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Speaker 3: who's going to join us now, Bones, I want you

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Speaker 3: to she's the Channel nine and Saint reporter and she's

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Speaker 3: bringing us the loup speed on this. Please let me

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Speaker 3: know if I've got this wrong, but I'm just trying

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Speaker 3: to bring everybody else up to speed. So Olivia Harry

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Speaker 3: Styles is also in the movie, right, Okay, So Harry

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Speaker 3: Styles and Olivia wild start hooking up on the on

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Speaker 3: the on the set of the film. But that was

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Speaker 3: very close to the split that Olivia Wilde had with

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Speaker 3: her last boyfriend or husband. Who's Jason Saidakis, who's the

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Speaker 3: guy from ted Lasso.

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Speaker 5: Yep?

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Speaker 3: Great, what we just found out, Woods and I just

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Speaker 3: found out blew our minds in here. Gee, we've been

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Speaker 3: talking about it for the last three minutes all the

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Speaker 3: way through that hot Chune was Florence pew was going

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Speaker 3: out with Zach Braff, who's best mates with Jason Sadakis.

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Speaker 4: Exactly right, So she's right, so.

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Speaker 3: Back, Zach Bath's gone. Olivia Wild's an absolute dog, but

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Speaker 3: Florence Peugh's in this movie with her, So they've got

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Speaker 3: this huge rift and while she's meant to co star

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Speaker 3: with Harry Styles, who's going out with Olivia Wilde, who's

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Speaker 3: the director. And then it all blows up last night

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Speaker 3: when poor old Chris Pine and this is the boy

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Speaker 3: we've got up to, gets spat on by Harry Styles

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Speaker 3: in his seat of his own of the premiere of

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Speaker 3: his own movie.

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Speaker 2: And then one more little cookie in here, apparently Harry

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Speaker 2: Styles and Olivia wild are now not together as well.

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Speaker 1: That's a little room and that's going around as well.

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Speaker 3: Now Bones Florence Pierre and Zach Baths broke up as well.

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Speaker 3: I'll throw that in there.

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Speaker 4: They're breaking up.

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Speaker 1: Now, they're all breaking up.

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Speaker 3: What the hell's going on? What happens?

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Speaker 2: So it's so bones Well the big question for us

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Speaker 2: now we still don't understand where Piney gets involved. Beautiful

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Speaker 2: Chris Pine has got his new blonde, yeah do going on.

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Speaker 3: It's Lapine's funeral over there, and he's done nothing wrong, he's.

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Speaker 4: No hum and Nikrol are just in the middle of it,

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Speaker 4: and it's sad and so funny. So earlier in the

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Speaker 4: day there was a press conference and someone asked Harry

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Speaker 4: a question and like even mind. These are all like

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Speaker 4: professional actors who've been doing this for a very long time,

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Speaker 4: and he is, you know, I'm sure I love the guy,

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Speaker 4: but he's a he's a superstar. He's a musician who's

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Speaker 4: been called into this movie and he's like, oh look,

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Speaker 4: I'm not an actor. The thing that I love most

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Speaker 4: about this film is that it's a movie. And Chris

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Speaker 4: Pine sitting.

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Speaker 3: Like most of the films, that it's a movie.

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Speaker 1: What does that even mean?

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Speaker 2: I don't know.

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Speaker 4: Wait if he said, you know, my favorite thing about

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Speaker 4: the movie is it feels like a movie. Feels like

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Speaker 4: a real you know, go to the Bitter Film movie, right,

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Speaker 4: I'm sitting there like disassociated hundreds.

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Speaker 3: Of movies, Chris, Yeah, right, Okay.

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Speaker 4: You can see the vein like pulping out of his

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Speaker 4: neck and he's just sitting there like, please just kill me,

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Speaker 4: just kill me. And so by this stage, the whole

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Speaker 4: internet's picked up on the vibe of Bit and they're

401
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Speaker 4: blowing it up. It's memed. Everyone's making fun of Harry's.

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Speaker 4: Then later on in the day, when the film goes

403
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Speaker 4: to premiere, they're all sitting there waiting for him to

404
00:19:10,400 --> 00:19:13,000
Speaker 4: get in, and he walks in and that's when it

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Speaker 4: looks like he spits on Chris Pine. So you don't

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Speaker 4: actually see any of this bit, but I've watched the

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Speaker 4: video from a couple of angles, and Chris Pine looks

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Speaker 4: like genuinely offended.

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Speaker 3: He tries to laugh en off, doesn't he He's like, wow,

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Speaker 3: this guy, Yeah, that sort of fitny, this guy thought.

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Speaker 2: Perfect, perfect reenactment. You have similar ability to Chris Pine

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Speaker 2: and acting.

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Speaker 1: Thank you, Just just on that exact point though.

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Speaker 2: So Chris Pine is an incredible actor. Olivia Wilde, she's

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Speaker 2: a great actress. She's the director.

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Speaker 3: Get Ready brook this is the conspiracy theorist.

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Speaker 1: Here he goes Bones.

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Speaker 2: This movie, don't worry, Darling is now like it is trending,

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Speaker 2: Like I can't remember a movie that was talked about

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Speaker 2: more than this. Don't worry that it even talked about,

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Speaker 2: Like a James Bond boo would be talked about, because.

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Speaker 3: James spoken about a lot. Yeah, like a.

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Speaker 2: James Bond what I said, but Bones, is there a

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Speaker 2: chance that they're all in on promoting the movie through

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Speaker 2: all of this BS effectively?

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Speaker 4: I can understand why you would say that, But all

427
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Speaker 4: of them have heaps of other projects and I don't think.

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Speaker 4: But if all of this rumor and innuendo around the movie,

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Speaker 4: you know, is doing anyone any favors. I think the

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Speaker 4: only person who comes out of it sort of looking

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Speaker 4: okay is Florence Pugh. The rest of them, it sort

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Speaker 4: of seemed a bit awful, and you don't want to

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Speaker 4: have someone doing tours like press tours. They're going to

434
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Speaker 4: get asked about that from the now. Yeah, they're all

435
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Speaker 4: going to get asked about.

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Speaker 3: Chris Pine didn't make a statement day. He got some

437
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Speaker 3: representative to make a statement for him, which.

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Speaker 4: Is yeah, he's rep said something like it wasn't wasn't

439
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Speaker 4: spad On, it's chilly.

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Speaker 3: I'm talking about himself. He didn't even front up and

441
00:21:04,320 --> 00:21:05,960
Speaker 3: be like he was just like, just I need someone

442
00:21:05,960 --> 00:21:06,800
Speaker 3: else to talk about this for me.

443
00:21:06,920 --> 00:21:08,119
Speaker 1: This is already getting too nasty.

444
00:21:08,160 --> 00:21:09,600
Speaker 4: What would you want him to do, like show up

445
00:21:09,600 --> 00:21:12,240
Speaker 4: and be like, oh, fight Harry anywhere anytime in.

446
00:21:13,800 --> 00:21:14,520
Speaker 1: It would be elite.

447
00:21:15,119 --> 00:21:16,040
Speaker 3: I was actually maybe a.

448
00:21:16,240 --> 00:21:18,520
Speaker 4: Bridge, you know, the Venice has got all of those

449
00:21:18,520 --> 00:21:21,200
Speaker 4: canals and stuffy.

450
00:21:24,240 --> 00:21:28,720
Speaker 3: Gag deliberately ambiguous. Maybe at the bridge, which bridge is it?

451
00:21:32,280 --> 00:21:37,160
Speaker 4: People like claudiators, you know, how they can throw each

452
00:21:37,200 --> 00:21:39,760
Speaker 4: other off the bridge and then let land in the water. Actually,

453
00:21:39,760 --> 00:21:40,520
Speaker 4: that sounds.

454
00:21:40,200 --> 00:21:40,920
Speaker 9: Like a great movie.

455
00:21:41,119 --> 00:21:42,960
Speaker 3: I mean, I mean, maybe it's all this build up

456
00:21:43,000 --> 00:21:44,840
Speaker 3: to this sequel, which is just going to be Chrispine

457
00:21:44,880 --> 00:21:47,840
Speaker 3: versus Harry Styles on a bridge in Venice. Watch it

458
00:21:47,840 --> 00:21:50,520
Speaker 3: sounds awesome. Watch Do you think that? Do you think

459
00:21:50,560 --> 00:21:55,240
Speaker 3: that Harry Styles like because he's the Golden Boy and

460
00:21:55,240 --> 00:21:57,040
Speaker 3: obviously we've been playing a lot of his music recently.

461
00:21:57,040 --> 00:21:58,680
Speaker 3: He's about to this big global tour is coming to

462
00:21:58,720 --> 00:22:01,400
Speaker 3: Australia and stuff has his reputation being tarnished.

463
00:22:03,200 --> 00:22:04,919
Speaker 4: It's really hard to say. I think that we have

464
00:22:05,000 --> 00:22:07,040
Speaker 4: to wait for more stuff to come out, and you know,

465
00:22:07,200 --> 00:22:08,440
Speaker 4: like oil stuff.

466
00:22:08,640 --> 00:22:10,520
Speaker 3: I will also not be the one to smear the

467
00:22:10,520 --> 00:22:13,680
Speaker 3: one direction of slash Golden boyline by radio Worlds.

468
00:22:14,119 --> 00:22:15,680
Speaker 4: You think are in the world? Will you think when

469
00:22:15,680 --> 00:22:17,080
Speaker 4: I met up my friend is getting in.

470
00:22:18,880 --> 00:22:19,160
Speaker 1: Again.

471
00:22:20,359 --> 00:22:22,440
Speaker 3: Thanks for joining us. We've got to go. We've got

472
00:22:22,480 --> 00:22:25,760
Speaker 3: too much going on. We could keep talking, guys, I

473
00:22:25,760 --> 00:22:27,840
Speaker 3: think thanks to Brooke Bernie. Always great to have you

474
00:22:27,880 --> 00:22:30,800
Speaker 3: on the show mate. You can get into your chuck now. Goodbye.

475
00:22:31,160 --> 00:22:32,680
Speaker 3: Thanks for joining us. Legends.

476
00:22:32,880 --> 00:22:37,560
Speaker 8: It is the Will and Woody Podcast in your bill

477
00:22:37,640 --> 00:22:41,080
Speaker 8: a bit flat and you're after a boost, then lit

478
00:22:41,280 --> 00:22:44,000
Speaker 8: up to this tid bit baby.

479
00:22:44,160 --> 00:22:56,480
Speaker 1: It's a bit, it's will do we have tid baby.

480
00:22:57,600 --> 00:23:04,159
Speaker 3: Babies already. Well, so why is tomorrow? Why could it

481
00:23:04,240 --> 00:23:07,320
Speaker 3: be the best day in your best friend's life, most

482
00:23:07,320 --> 00:23:09,720
Speaker 3: important day in your best friend's life? You said before

483
00:23:09,720 --> 00:23:11,119
Speaker 3: I was actually I was talking at it in a

484
00:23:11,920 --> 00:23:14,960
Speaker 3: too Deloitte earlier today about mental health. And that's because

485
00:23:14,960 --> 00:23:18,520
Speaker 3: tomorrow's are you OK day? Yes? And it was funny

486
00:23:18,560 --> 00:23:20,960
Speaker 3: they were they were talking that The person before me

487
00:23:21,160 --> 00:23:25,320
Speaker 3: was this woman who had served in Afghanistan and she

488
00:23:25,440 --> 00:23:28,480
Speaker 3: told this story about a woman that she knew really well,

489
00:23:28,560 --> 00:23:30,760
Speaker 3: who she was well acquainted with, and she thought she

490
00:23:30,840 --> 00:23:35,080
Speaker 3: knew her really really well. And they were sitting there

491
00:23:35,119 --> 00:23:37,800
Speaker 3: talking and she literally just said to her, like, you

492
00:23:37,880 --> 00:23:39,440
Speaker 3: know how you're doing it all right? So yeah, fine,

493
00:23:39,440 --> 00:23:41,040
Speaker 3: I'm just going to go to the toilet. She went

494
00:23:41,080 --> 00:23:43,560
Speaker 3: to the toilet and she's suicide. And you know, I

495
00:23:43,760 --> 00:23:45,240
Speaker 3: like talking about this stuff and you know, I like

496
00:23:45,320 --> 00:23:47,320
Speaker 3: putting it out there like that because it's important for

497
00:23:47,359 --> 00:23:49,600
Speaker 3: people to know. And exactly as this woman said, this

498
00:23:49,680 --> 00:23:53,960
Speaker 3: sort of stuff happens. People were losing the fight against suicide.

499
00:23:54,040 --> 00:23:56,000
Speaker 3: It's crazy. The numbers get worse and worse and worse

500
00:23:56,040 --> 00:23:58,600
Speaker 3: and worse. Are youk is a really really important day?

501
00:23:59,880 --> 00:24:01,480
Speaker 3: I I should say right now, if you need to

502
00:24:01,520 --> 00:24:03,719
Speaker 3: call Lifeline thirteen eleven fourteen, you can always call them.

503
00:24:03,760 --> 00:24:06,200
Speaker 3: There's always somebody there to call and speak to. And

504
00:24:06,280 --> 00:24:09,160
Speaker 3: that's important. But it immediately, as soon as she told

505
00:24:09,200 --> 00:24:11,160
Speaker 3: me this story, as soon as she told everyone this story,

506
00:24:11,200 --> 00:24:12,840
Speaker 3: it meet him made me think about my best friends

507
00:24:13,520 --> 00:24:15,240
Speaker 3: and the people that I think I know really well.

508
00:24:15,640 --> 00:24:17,400
Speaker 3: And she kind of put the challenge on and she said,

509
00:24:17,640 --> 00:24:19,480
Speaker 3: have you is like, and this is for everybody in

510
00:24:19,520 --> 00:24:21,639
Speaker 3: their cars right now. Is there a person that you

511
00:24:21,800 --> 00:24:25,080
Speaker 3: know that you would consider to be your best friend? Like,

512
00:24:25,240 --> 00:24:27,800
Speaker 3: picture that person right now, Picture the person that you're like, Yeah,

513
00:24:27,800 --> 00:24:29,479
Speaker 3: I know that person really well, think about them as

514
00:24:29,480 --> 00:24:32,920
Speaker 3: my best friend. Have you ever earnestly checked in with them?

515
00:24:34,880 --> 00:24:37,400
Speaker 3: Have you ever earnestly had a conversation with them where

516
00:24:37,400 --> 00:24:40,320
Speaker 3: you're like, you know, beyond heard you pick up on

517
00:24:40,400 --> 00:24:43,240
Speaker 3: the weekend, you know, beyond footy banter.

518
00:24:43,400 --> 00:24:46,280
Speaker 1: Yeah, keep that chat though, by the way, absolutely.

519
00:24:45,880 --> 00:24:47,639
Speaker 3: That's a chat. Have you ever earnestly done it?

520
00:24:47,960 --> 00:24:48,399
Speaker 5: And why not?

521
00:24:48,520 --> 00:24:51,159
Speaker 3: Bookmark tomorrow is a way to go. You know what,

522
00:24:51,600 --> 00:24:53,399
Speaker 3: I'm just going to ask you, actually, how are you?

523
00:24:54,320 --> 00:24:58,920
Speaker 3: And that chat it can be a really hard chat

524
00:24:59,000 --> 00:25:02,439
Speaker 3: to have with somebody, even with your best friend. Sometimes

525
00:25:02,440 --> 00:25:06,440
Speaker 3: it's even more confronting with your best friend. And I

526
00:25:06,560 --> 00:25:10,600
Speaker 3: think that what's important about it is it And we

527
00:25:10,960 --> 00:25:14,000
Speaker 3: discussed this during the Share my Mood thing that we

528
00:25:14,119 --> 00:25:17,160
Speaker 3: did originally when we made the Shameo Mood app, which

529
00:25:17,200 --> 00:25:18,879
Speaker 3: is still available by the way, if people want to

530
00:25:18,920 --> 00:25:23,400
Speaker 3: download it. Is that conversation so tricky that people will

531
00:25:23,400 --> 00:25:28,040
Speaker 3: always dismiss it immediately. So my recommendation, my mental health

532
00:25:28,160 --> 00:25:30,600
Speaker 3: tidbit for today and something I learned through making the

533
00:25:30,680 --> 00:25:33,760
Speaker 3: share my Mood app was the two times are you okay?

534
00:25:33,920 --> 00:25:39,320
Speaker 3: Rule in quick succession or like okay, can be?

535
00:25:39,800 --> 00:25:40,080
Speaker 5: Can be?

536
00:25:40,200 --> 00:25:42,920
Speaker 3: Can we You can surprise them with it later in

537
00:25:43,000 --> 00:25:45,240
Speaker 3: the day if you like, I don't think it really matters.

538
00:25:45,280 --> 00:25:46,560
Speaker 3: Actually that's a good point.

539
00:25:47,040 --> 00:25:49,359
Speaker 2: But yeah, because something in my mind I'm thinking like, oh,

540
00:25:49,480 --> 00:25:51,200
Speaker 2: is it a bit? Does it look like I'm digging

541
00:25:51,280 --> 00:25:53,440
Speaker 2: too much? If I go you okay? Yeah, and going fine,

542
00:25:53,560 --> 00:25:55,760
Speaker 2: are you okay? Or should it be like I'll get

543
00:25:55,800 --> 00:25:58,040
Speaker 2: the I'll get the good and then I'll touch base

544
00:25:58,080 --> 00:25:59,560
Speaker 2: again later or yeah.

545
00:26:00,320 --> 00:26:01,960
Speaker 3: Well you know the person, I can feel it out,

546
00:26:02,080 --> 00:26:04,160
Speaker 3: like if you reckon, you hit a real snag there.

547
00:26:04,840 --> 00:26:07,080
Speaker 3: But the point is, the reason you ask it twice

548
00:26:07,760 --> 00:26:11,080
Speaker 3: is because the first time you ask it, they're going

549
00:26:11,160 --> 00:26:11,720
Speaker 3: to dismiss you.

550
00:26:11,960 --> 00:26:12,120
Speaker 7: Yeah.

551
00:26:12,240 --> 00:26:15,640
Speaker 3: Yeah, particularly if they're a guy. Yeah, they're gonna go yeah, good,

552
00:26:16,400 --> 00:26:20,119
Speaker 3: good gone. Well yeah, how about them tags on the weekend?

553
00:26:20,600 --> 00:26:21,600
Speaker 3: You know, I move it on.

554
00:26:21,960 --> 00:26:22,160
Speaker 1: Yeah.

555
00:26:22,359 --> 00:26:25,240
Speaker 3: But if you ask them twice, you're putting them on

556
00:26:25,320 --> 00:26:28,920
Speaker 3: the spot, and you're forcing them to and and that's

557
00:26:28,960 --> 00:26:33,120
Speaker 3: also for them as well. It's actually making them question

558
00:26:33,240 --> 00:26:35,800
Speaker 3: themselves because they probably don't do it. That's the other thing.

559
00:26:36,119 --> 00:26:38,360
Speaker 3: A lot of the time, people who present with mental

560
00:26:38,400 --> 00:26:40,040
Speaker 3: health conditions, and this is something I was talking to

561
00:26:40,040 --> 00:26:42,960
Speaker 3: my psychologist about today. Often I don't realize I'm in

562
00:26:43,000 --> 00:26:44,200
Speaker 3: trouble until I'm in trouble.

563
00:26:45,680 --> 00:26:48,000
Speaker 2: Yeah yeah, yeah, you get so good at suppressing it,

564
00:26:48,080 --> 00:26:50,480
Speaker 2: don't you get so good suppressing like the negative emotions

565
00:26:50,520 --> 00:26:52,000
Speaker 2: or the fact that you are feeling bad that.

566
00:26:52,200 --> 00:26:54,520
Speaker 1: Yeah, you're right, you don't actually know it in yourself.

567
00:26:54,600 --> 00:26:56,600
Speaker 1: So how am I supposed to communicate with anyone else?

568
00:26:56,760 --> 00:26:56,960
Speaker 9: Yeah?

569
00:26:56,960 --> 00:26:59,360
Speaker 1: I actually don't know myself, Well, if.

570
00:26:59,320 --> 00:27:01,639
Speaker 3: I haven't asked myself the question. Yeah, yeah, So you

571
00:27:01,760 --> 00:27:04,400
Speaker 3: rely on these people around you. And I always say,

572
00:27:04,520 --> 00:27:07,760
Speaker 3: and this is crucial, The great paradox of the mental

573
00:27:07,800 --> 00:27:10,520
Speaker 3: health crisis is that it has to be solved from

574
00:27:10,560 --> 00:27:15,000
Speaker 3: the people who aren't suffering. Can't be the people suffering,

575
00:27:15,000 --> 00:27:17,360
Speaker 3: because when you're suffering, you're in it. You can't get

576
00:27:17,359 --> 00:27:20,560
Speaker 3: yourself out. You cooked, and then that's why we're losing.

577
00:27:21,160 --> 00:27:23,600
Speaker 3: You need the people around you. So I really hope

578
00:27:23,640 --> 00:27:28,040
Speaker 3: that tomorrow I think we're asking Yeah, maybe we're asking

579
00:27:28,080 --> 00:27:30,800
Speaker 3: a lot to be asking randoms are you okay? And

580
00:27:30,880 --> 00:27:32,399
Speaker 3: maybe you're not going to get something out of them?

581
00:27:32,800 --> 00:27:35,440
Speaker 3: Start close in, start with the people next to you,

582
00:27:35,640 --> 00:27:37,880
Speaker 3: start with the building you know and love, ask them

583
00:27:38,440 --> 00:27:41,200
Speaker 3: because if everybody did that, then we'd take it off.

584
00:27:41,400 --> 00:27:44,000
Speaker 3: Yeah yeah, yeah, right, don't worry about reaching out too far.

585
00:27:44,160 --> 00:27:46,080
Speaker 3: Just think about the people near you around you.

586
00:27:46,520 --> 00:27:50,280
Speaker 2: Also think about if you get asked if you're okay tomorrow,

587
00:27:50,760 --> 00:27:52,119
Speaker 2: because don't dismiss it.

588
00:27:52,280 --> 00:27:56,639
Speaker 3: Yeah, the equation, yeah, lead by example, Yeah, yeah, go

589
00:27:56,880 --> 00:27:58,919
Speaker 3: like well yeah, hang on, I've actually got this going on.

590
00:27:59,040 --> 00:28:00,840
Speaker 2: Because yeah, because when some and asks you, they actually

591
00:28:00,840 --> 00:28:03,000
Speaker 2: want to know they're not just saying it flippantly or

592
00:28:03,080 --> 00:28:04,000
Speaker 2: was like a throw away comment.

593
00:28:04,119 --> 00:28:05,920
Speaker 3: Yeah, you can actually have a think about it a

594
00:28:06,160 --> 00:28:08,199
Speaker 3: response and if they don't think, if they, if they,

595
00:28:08,320 --> 00:28:12,040
Speaker 3: if they dismiss you, ask twice, always ask twice. Yeah,

596
00:28:12,119 --> 00:28:14,960
Speaker 3: thanks very much. I know you dismissed me. Are you okay?

597
00:28:15,200 --> 00:28:15,840
Speaker 1: Three too much?

598
00:28:15,960 --> 00:28:16,120
Speaker 3: Will?

599
00:28:16,280 --> 00:28:16,480
Speaker 5: Yeah?

600
00:28:17,080 --> 00:28:20,160
Speaker 1: Okay, there's the one. Don't you dare ask three times?

601
00:28:20,840 --> 00:28:21,280
Speaker 1: Three times?

602
00:28:21,840 --> 00:28:23,840
Speaker 3: I shouldn't say ask as many times as you need

603
00:28:23,960 --> 00:28:29,840
Speaker 3: to think if you think someone's as many times? Of course,

604
00:28:29,920 --> 00:28:31,000
Speaker 3: don't pis to someone?

605
00:28:31,200 --> 00:28:34,080
Speaker 1: Yeah, I mean four or five ridiculous, outrageous. Three were

606
00:28:34,119 --> 00:28:40,320
Speaker 1: allowing it. What is the most impressive thing you have done?

607
00:28:40,960 --> 00:28:44,880
Speaker 1: Pantless in your jocks or in your jocks?

608
00:28:44,920 --> 00:28:47,040
Speaker 2: Will? Thirteen one oh six y five is the number

609
00:28:47,160 --> 00:28:48,600
Speaker 2: we're talking about it because they had a bit of

610
00:28:48,600 --> 00:28:51,240
Speaker 2: a giggle last night as I was watching AKA also

611
00:28:51,360 --> 00:28:52,800
Speaker 2: known as a Current Affair.

612
00:28:53,360 --> 00:28:56,840
Speaker 1: When they were no no, no, no, no no. They

613
00:28:56,880 --> 00:28:58,960
Speaker 1: were doing a story on this guy who hoards he's

614
00:28:58,960 --> 00:29:02,960
Speaker 1: a hoard away and he just refused to put his.

615
00:29:03,080 --> 00:29:05,560
Speaker 2: Pants on when he was being interviewed by the beautiful

616
00:29:05,640 --> 00:29:08,840
Speaker 2: Hannah Sinclere from a Current Affair good dad.

617
00:29:10,560 --> 00:29:13,240
Speaker 3: Yeah, we'll come up put some day.

618
00:29:14,000 --> 00:29:16,800
Speaker 2: We lost that battle, but we did eventually get Dave

619
00:29:17,000 --> 00:29:18,400
Speaker 2: to detail what happened.

620
00:29:18,840 --> 00:29:21,000
Speaker 1: He didn't want to jack his pants on and have

621
00:29:21,160 --> 00:29:21,840
Speaker 1: a look at Dave.

622
00:29:21,920 --> 00:29:23,280
Speaker 2: I mean, I know you don't have a picture in

623
00:29:23,320 --> 00:29:25,960
Speaker 2: front of you Australia, but he's got an added ass

624
00:29:26,080 --> 00:29:29,840
Speaker 2: jumper on zip down below the belly button, Hello ladies.

625
00:29:30,200 --> 00:29:32,560
Speaker 1: And then the jocks covered in paint.

626
00:29:33,280 --> 00:29:36,280
Speaker 3: He's just got paintpot So I thought they were like

627
00:29:36,400 --> 00:29:36,880
Speaker 3: a camo.

628
00:29:38,560 --> 00:29:39,680
Speaker 1: No, you're right, Will, it's a.

629
00:29:43,400 --> 00:29:46,760
Speaker 3: He's gotta I think he's got a you know, speckled jock.

630
00:29:47,040 --> 00:29:49,800
Speaker 3: He's got a speckled jock, a speckled jock.

631
00:29:50,400 --> 00:29:55,360
Speaker 1: No traditionally, No, I'm just an all black man, very simple.

632
00:29:55,720 --> 00:29:57,960
Speaker 3: Downstairs, bloody earth, all business will.

633
00:29:59,000 --> 00:30:00,560
Speaker 2: But you know, if you're gonna go on NA TV,

634
00:30:00,720 --> 00:30:03,520
Speaker 2: go for a speckle. So that's pretty impressive, though, National TV.

635
00:30:03,800 --> 00:30:04,480
Speaker 1: In your jocks.

636
00:30:04,480 --> 00:30:07,120
Speaker 2: I want to see what impressive things other people have

637
00:30:07,280 --> 00:30:09,480
Speaker 2: done in their jocks. Bill, But we've got maca here,

638
00:30:09,560 --> 00:30:11,760
Speaker 2: macaut what happened to you the other night?

639
00:30:13,040 --> 00:30:13,720
Speaker 10: What's time that?

640
00:30:15,240 --> 00:30:15,600
Speaker 1: No match?

641
00:30:15,720 --> 00:30:16,280
Speaker 3: No match.

642
00:30:17,680 --> 00:30:20,800
Speaker 10: There? And walk up the other night dog jump on

643
00:30:20,840 --> 00:30:23,720
Speaker 10: my bed. He was afraid and all gonna hear was

644
00:30:23,760 --> 00:30:27,240
Speaker 10: screaming out in the hallway until whether they're fighting? So

645
00:30:27,320 --> 00:30:30,280
Speaker 10: I need to break it up. So broke up, got

646
00:30:30,320 --> 00:30:32,920
Speaker 10: into bed. Then the smashed up against the door. Broke

647
00:30:32,960 --> 00:30:33,440
Speaker 10: it up again.

648
00:30:34,560 --> 00:30:39,320
Speaker 1: I got a fight left, so I'm taking from that

649
00:30:39,480 --> 00:30:41,360
Speaker 1: foot with your dog in your jocks.

650
00:30:42,440 --> 00:30:43,880
Speaker 5: Yeah, no, I dog.

651
00:30:43,840 --> 00:30:46,200
Speaker 10: Jumped up on my bed and he was afraid, and

652
00:30:46,280 --> 00:30:46,800
Speaker 10: then I walk on.

653
00:30:47,880 --> 00:30:49,560
Speaker 3: No, no, he he got a hit in the lip

654
00:30:49,720 --> 00:30:51,400
Speaker 3: by two women out in the front of his house

655
00:30:51,440 --> 00:30:54,200
Speaker 3: who was trying to break up their fight. Yes, is

656
00:30:54,200 --> 00:30:54,840
Speaker 3: that right, Macca?

657
00:30:55,760 --> 00:30:56,520
Speaker 10: And they went back out.

658
00:30:57,120 --> 00:30:59,800
Speaker 3: You're still going? Are you just to take recording? This

659
00:30:59,880 --> 00:31:01,880
Speaker 3: is playing twice there? That's very good.

660
00:31:01,920 --> 00:31:04,800
Speaker 1: It's bad because I thought he said, dog, no, there's

661
00:31:04,840 --> 00:31:05,040
Speaker 1: a fight.

662
00:31:05,120 --> 00:31:06,880
Speaker 3: Two women were fighting out the front. Win, go break

663
00:31:06,880 --> 00:31:09,760
Speaker 3: it up. The dog got on his bed. He was frightened,

664
00:31:10,280 --> 00:31:11,960
Speaker 3: and then he was like, oh, what's going on? Two

665
00:31:12,040 --> 00:31:13,480
Speaker 3: women fighting out the front and you got hit in

666
00:31:13,480 --> 00:31:13,800
Speaker 3: the face.

667
00:31:13,880 --> 00:31:17,200
Speaker 2: That is pretty bloody impressive. That is much more impressive

668
00:31:17,240 --> 00:31:18,479
Speaker 2: than I thought. It was great work man.

669
00:31:18,560 --> 00:31:20,720
Speaker 3: Ask him again, though, No, that's all I got on

670
00:31:20,760 --> 00:31:21,680
Speaker 3: the bed. It was frightened.

671
00:31:23,360 --> 00:31:26,080
Speaker 2: Let's go to Jason here and Jason, we're talking about

672
00:31:26,080 --> 00:31:29,040
Speaker 2: the most impressive thing people have done in their jocks,

673
00:31:29,760 --> 00:31:31,720
Speaker 2: and this was your step dad in the jocks.

674
00:31:32,600 --> 00:31:37,000
Speaker 9: It was it was heydrn boys A long, long time ago.

675
00:31:37,120 --> 00:31:39,840
Speaker 9: I was only a kid at the time. My stepdad

676
00:31:39,960 --> 00:31:43,280
Speaker 9: heard someone break it into his car outside the bedroom

677
00:31:43,280 --> 00:31:45,680
Speaker 9: window out in the car port, went running out. There

678
00:31:46,240 --> 00:31:48,120
Speaker 9: was not in his jocks, he was in a little

679
00:31:48,200 --> 00:31:52,400
Speaker 9: less than that, and grabbed some kid that was rifling

680
00:31:52,440 --> 00:31:55,160
Speaker 9: through his console and whatnot, dragged him in the house.

681
00:31:55,560 --> 00:31:59,680
Speaker 9: The last thing I saw was horrific. Ran into the kitchen,

682
00:31:59,680 --> 00:32:01,440
Speaker 9: the sea what was going on and he had this

683
00:32:01,640 --> 00:32:04,440
Speaker 9: kids pinned in the corner of the kitchen basically on

684
00:32:04,560 --> 00:32:08,960
Speaker 9: his knees, with his face about six inches from my

685
00:32:09,000 --> 00:32:17,720
Speaker 9: stepdad to crushed. While he's on the phone with the cops'.

686
00:32:14,600 --> 00:32:16,760
Speaker 1: Run me through this again. I'll run you through it.

687
00:32:17,080 --> 00:32:18,200
Speaker 3: He's good. I'm lost.

688
00:32:18,560 --> 00:32:22,360
Speaker 2: Guy getting his camera broken into here's it runs out naked,

689
00:32:22,400 --> 00:32:25,080
Speaker 2: doesn't have time to chuck jockson, so he puts these kids.

690
00:32:25,120 --> 00:32:30,800
Speaker 2: He grabs you, grabs him, restrain, chucks in on his knees.

691
00:32:31,240 --> 00:32:34,480
Speaker 2: So he's mean face to Todja as he said a

692
00:32:34,520 --> 00:32:37,400
Speaker 2: couple of inches. Bloody hell, none of it. Take that

693
00:32:37,480 --> 00:32:39,040
Speaker 2: guy to prison. He's had the experience.

694
00:32:40,720 --> 00:32:45,280
Speaker 8: Coming up next with more Will and Woody, The Will

695
00:32:45,360 --> 00:32:46,440
Speaker 8: and Woody Podcast.

696
00:32:46,720 --> 00:32:51,280
Speaker 3: One of What's in My Absolute Favorites joins us right now.

697
00:32:51,960 --> 00:32:57,240
Speaker 3: It's rare in and amongst the hodgepodge of international flimsies

698
00:32:57,320 --> 00:33:00,400
Speaker 3: that we have on this show that we're not really

699
00:33:00,520 --> 00:33:03,720
Speaker 3: ever fully dialed into, that we get an interview with

700
00:33:03,800 --> 00:33:06,240
Speaker 3: someone that we are truly obsessed with. This bloke is

701
00:33:06,440 --> 00:33:08,880
Speaker 3: a star. Rob Run's new tour, A Night of Songs

702
00:33:08,920 --> 00:33:11,200
Speaker 3: and Laughter, kicks off in March. Tickets on sale our

703
00:33:11,280 --> 00:33:13,360
Speaker 3: livenation dot com dot you woods You and I got

704
00:33:13,400 --> 00:33:15,160
Speaker 3: to see Rob last time he was down. It was

705
00:33:15,200 --> 00:33:16,480
Speaker 3: a sensational show.

706
00:33:16,600 --> 00:33:17,280
Speaker 1: Took our dads.

707
00:33:17,560 --> 00:33:19,880
Speaker 3: We took our dads to go and see him at

708
00:33:19,920 --> 00:33:22,800
Speaker 3: the Palais down in Melbourne. And he joins us right

709
00:33:22,880 --> 00:33:28,200
Speaker 3: now on the phone, Rob Brydon on them mony, Hello, Rob,

710
00:33:28,840 --> 00:33:30,680
Speaker 3: last time when we saw when we saw you at

711
00:33:30,760 --> 00:33:34,960
Speaker 3: the Palais, you told an outrageous story about an encounter

712
00:33:35,040 --> 00:33:37,520
Speaker 3: that you had with Mick Jagger where Mick Jagger was

713
00:33:37,640 --> 00:33:41,920
Speaker 3: essentially requesting that you do your impression of Mick Jagger

714
00:33:42,040 --> 00:33:46,480
Speaker 3: to him. It was very meta. Have you have you

715
00:33:46,800 --> 00:33:49,520
Speaker 3: Have you since had any encounters with Mick, as he

716
00:33:49,720 --> 00:33:52,400
Speaker 3: continued to insist that you impersonate him face.

717
00:33:55,480 --> 00:33:59,240
Speaker 5: Oddly enough, I haven't run into him again, But I

718
00:33:59,400 --> 00:34:02,680
Speaker 5: see that that story was the story of how I

719
00:34:02,800 --> 00:34:04,600
Speaker 5: was at this party and he was there, and I'd

720
00:34:04,600 --> 00:34:06,680
Speaker 5: spoken to him a bit, and then as we were leaving,

721
00:34:06,760 --> 00:34:09,279
Speaker 5: I heard this voice and he was up on a

722
00:34:09,520 --> 00:34:11,720
Speaker 5: on a landing, on a sort of balcony in this house,

723
00:34:12,120 --> 00:34:14,800
Speaker 5: and he was he said, don't clow those spears of me.

724
00:34:15,160 --> 00:34:18,640
Speaker 5: I said what he said, don't he's spears at me.

725
00:34:19,080 --> 00:34:22,160
Speaker 5: And that that's when I realized he was doing me

726
00:34:22,520 --> 00:34:26,160
Speaker 5: doing Michael plain in Zulu. To start with, I thought

727
00:34:26,160 --> 00:34:28,279
Speaker 5: he was having a stroke. I mean, it was very

728
00:34:28,360 --> 00:34:31,919
Speaker 5: difficult to know, did you know what I mean? Because

729
00:34:32,920 --> 00:34:36,000
Speaker 5: things happen in your life. Yeah, things happen that are

730
00:34:36,040 --> 00:34:40,080
Speaker 5: so outside of any previous experience. So just the fact

731
00:34:40,080 --> 00:34:42,719
Speaker 5: that Mick Jagger is talking to you and knows who

732
00:34:42,800 --> 00:34:45,759
Speaker 5: you are is kind of odd. And then when when

733
00:34:45,840 --> 00:34:50,160
Speaker 5: he's really engaging with you and he's doing an odd voice,

734
00:34:50,200 --> 00:34:52,880
Speaker 5: and you think, well, what's he doing? What's going on?

735
00:34:53,200 --> 00:34:55,520
Speaker 5: And then I read there the penny dropped. So I

736
00:34:55,760 --> 00:34:58,280
Speaker 5: just turned back to him and I said, I've told

737
00:34:58,320 --> 00:35:00,680
Speaker 5: you before. If you're not going to thing, I don't

738
00:35:00,719 --> 00:35:02,919
Speaker 5: want to know, get back and you have a bloody room.

739
00:35:03,280 --> 00:35:05,320
Speaker 5: And of course we loved that. We burst out. He

740
00:35:05,719 --> 00:35:08,920
Speaker 5: goes Ah had off his stampings.

741
00:35:10,000 --> 00:35:16,560
Speaker 3: Righteous story, Righteous story. Rob. So it's ridiculous. Are the

742
00:35:16,600 --> 00:35:19,080
Speaker 3: stories that Rob jels? You want to go and say

743
00:35:19,160 --> 00:35:20,560
Speaker 3: him ant of songs and laughter?

744
00:35:20,840 --> 00:35:23,240
Speaker 2: Yes, And I mean obviously you have an incredible voice

745
00:35:23,360 --> 00:35:26,200
Speaker 2: as well, Rob, so we get to say both of

746
00:35:26,280 --> 00:35:29,399
Speaker 2: that laughter and songs are not of songs and laughter

747
00:35:29,719 --> 00:35:32,760
Speaker 2: doing songs from Tom White's to Tom Jones.

748
00:35:33,280 --> 00:35:35,800
Speaker 1: Have you ever actually met Tom Jones?

749
00:35:36,200 --> 00:35:39,560
Speaker 5: Rob? Oh? God, yeah, I've done. We did a I've

750
00:35:39,600 --> 00:35:41,560
Speaker 5: done loads of things with Tom. We did it. We

751
00:35:41,640 --> 00:35:45,080
Speaker 5: did a big charity show together at Wembley. We had

752
00:35:45,200 --> 00:35:49,080
Speaker 5: had one single over here with Tom Jones and we

753
00:35:49,200 --> 00:35:52,080
Speaker 5: went to Las Vegas to film the video with him

754
00:35:52,120 --> 00:35:55,080
Speaker 5: over there. So yeah, so Tom I've done and he's

755
00:35:55,160 --> 00:35:57,520
Speaker 5: come on shows I've had on the TV over here.

756
00:35:57,880 --> 00:36:00,359
Speaker 5: So yeah, now Tom is somebody I I have done

757
00:36:00,400 --> 00:36:00,879
Speaker 5: many things.

758
00:36:01,360 --> 00:36:04,160
Speaker 3: Do you do you do it? Do? Do you impersonate

759
00:36:04,239 --> 00:36:06,560
Speaker 3: Tom Johones. Do you do it Tom Jones in the.

760
00:36:06,640 --> 00:36:10,120
Speaker 5: Show I talk about you know, because the way the

761
00:36:10,200 --> 00:36:13,880
Speaker 5: way that he talks, you know, is he's always putting

762
00:36:13,920 --> 00:36:20,840
Speaker 5: this strange into his conversation, you know, for no reason,

763
00:36:21,440 --> 00:36:26,160
Speaker 5: and he puts a very strange emphasis when he's talking,

764
00:36:26,800 --> 00:36:30,320
Speaker 5: you know, on on words that don't need it.

765
00:36:30,840 --> 00:36:31,000
Speaker 6: You know.

766
00:36:31,440 --> 00:36:33,400
Speaker 5: I always say it's as if he's not sure if

767
00:36:33,480 --> 00:36:34,920
Speaker 5: English is your first language.

768
00:36:36,960 --> 00:36:39,360
Speaker 3: We are joined by the one and only Rob Ryden

769
00:36:39,560 --> 00:36:43,080
Speaker 3: with the Boys right now Webb. Obviously it's a very

770
00:36:43,120 --> 00:36:47,600
Speaker 3: famous people, uh, none more famous than the Queen. Did

771
00:36:47,640 --> 00:36:49,720
Speaker 3: you perform at her Platinum JUBBLI recently?

772
00:36:50,400 --> 00:36:53,280
Speaker 5: Not the recent one, the recent one, I was away,

773
00:36:53,560 --> 00:36:55,799
Speaker 5: we were on we were on holiday. But I did

774
00:36:55,880 --> 00:37:01,400
Speaker 5: the previous one, which was a huge concert at Buckingham

775
00:37:01,440 --> 00:37:05,120
Speaker 5: Palace and Tom was at that and Elton John and

776
00:37:05,560 --> 00:37:08,480
Speaker 5: Jaul McCartney and you kind of hanging. There's a very

777
00:37:08,560 --> 00:37:12,160
Speaker 5: funny photo actually you can probably find it online. At

778
00:37:12,200 --> 00:37:15,040
Speaker 5: the end they have a line up you'll meet the

779
00:37:15,120 --> 00:37:18,520
Speaker 5: Queen and we're all stood there, lined up and there's

780
00:37:18,560 --> 00:37:22,000
Speaker 5: this photo of the Queen and she's saying her loads

781
00:37:22,040 --> 00:37:27,160
Speaker 5: of grace Jones okay, and in between and slightly back

782
00:37:27,480 --> 00:37:29,560
Speaker 5: is me. I think she'd already said hello to me,

783
00:37:30,000 --> 00:37:32,400
Speaker 5: And it just so happens that when they took the photo,

784
00:37:32,880 --> 00:37:35,800
Speaker 5: there's a look on my face and it makes it

785
00:37:36,000 --> 00:37:41,000
Speaker 5: look as if I'm number one, very uncomfortable, very unsure

786
00:37:41,280 --> 00:37:44,399
Speaker 5: of Grace Jones and what she's doing. It's the most

787
00:37:44,520 --> 00:37:52,520
Speaker 5: unfold I've got a photo, we'll put it.

788
00:37:54,920 --> 00:37:58,719
Speaker 3: It's like she's just said that she's done something horrific

789
00:37:58,880 --> 00:38:01,680
Speaker 3: with the with the Queen's Corgi's or something, and you're

790
00:38:01,800 --> 00:38:05,400
Speaker 3: sort of reacting like you can't say that around the queen.

791
00:38:05,920 --> 00:38:08,200
Speaker 3: You are, you're taking it back.

792
00:38:08,600 --> 00:38:11,080
Speaker 5: Well, I tell you what. There's there's actually there's now

793
00:38:11,120 --> 00:38:12,759
Speaker 5: I think there's there's another one with the Queen. There

794
00:38:12,800 --> 00:38:15,160
Speaker 5: was another event that year. There was a sort of

795
00:38:15,239 --> 00:38:18,239
Speaker 5: reception for people in the art when I was at that,

796
00:38:18,840 --> 00:38:22,360
Speaker 5: and that was a funny story because I found myself,

797
00:38:22,520 --> 00:38:26,000
Speaker 5: first of all, stood with talking to Pau McCartney and

798
00:38:26,640 --> 00:38:28,680
Speaker 5: David Walliams and I David's a friend of mine, and

799
00:38:28,719 --> 00:38:31,000
Speaker 5: we were start talking to her, to him to Formcartney,

800
00:38:31,160 --> 00:38:34,000
Speaker 5: and then he saw the Queen somewhere far away and

801
00:38:34,280 --> 00:38:37,800
Speaker 5: Paul McCartney said to us, hey, boys, there's the queen.

802
00:38:38,200 --> 00:38:39,880
Speaker 5: Do you want to go and say hello to the queen?

803
00:38:40,440 --> 00:38:42,360
Speaker 5: And we thought, my god, this is incredible, so we

804
00:38:42,400 --> 00:38:46,000
Speaker 5: said yeah. So we head off following Paul McCartney and

805
00:38:46,160 --> 00:38:48,360
Speaker 5: somebody brings her over and they, you know, were a

806
00:38:48,440 --> 00:38:50,400
Speaker 5: line and you get you get to meet it. But

807
00:38:50,520 --> 00:38:53,520
Speaker 5: the terrible thing is you're meant to bow. Now. There

808
00:38:53,600 --> 00:38:57,120
Speaker 5: are many different types of bowels that exist, and there's

809
00:38:57,160 --> 00:38:59,600
Speaker 5: a type that you're supposed to do if you meet

810
00:38:59,640 --> 00:39:02,320
Speaker 5: their owner. But you know, I'm a show business person,

811
00:39:02,640 --> 00:39:06,520
Speaker 5: so my bows are very fulsome and I do the

812
00:39:06,680 --> 00:39:10,319
Speaker 5: show business bow for the queen. So when you see

813
00:39:10,400 --> 00:39:18,320
Speaker 5: this this photograph, I looked like the most subsilivian looking

814
00:39:18,960 --> 00:39:22,919
Speaker 5: God bless your mark kind of person let's ever lived.

815
00:39:22,960 --> 00:39:25,200
Speaker 5: And I want your listeners to know that isn't the case.

816
00:39:25,600 --> 00:39:28,520
Speaker 5: I was simply doing the show biz bow when I

817
00:39:28,600 --> 00:39:30,799
Speaker 5: should have been doing the royal bow.

818
00:39:32,160 --> 00:39:32,520
Speaker 3: Love that.

819
00:39:34,680 --> 00:39:38,800
Speaker 1: I cannot like to see you again, Yeah, for a

820
00:39:38,920 --> 00:39:39,719
Speaker 1: very long time.

821
00:39:40,440 --> 00:39:41,840
Speaker 3: But why talk to him about it when you can

822
00:39:41,920 --> 00:39:44,160
Speaker 3: go and watch him do it. Rob Brydon's new tour,

823
00:39:44,360 --> 00:39:47,080
Speaker 3: An of Songs and Laughter, kicks off in March tickets

824
00:39:47,120 --> 00:39:50,440
Speaker 3: on sound outlive nation, dot com dot au. Rob, thank

825
00:39:50,520 --> 00:39:53,120
Speaker 3: you so much for joining us, brilliant.

826
00:39:53,360 --> 00:39:55,799
Speaker 5: I really enjoyed it, guys, and maybe see you maybe

827
00:39:55,840 --> 00:39:56,600
Speaker 5: see you when I'm over.

828
00:39:56,800 --> 00:39:59,759
Speaker 3: Yeah, mate, No, we'll definitely get down and be watching again.

829
00:40:00,040 --> 00:40:02,080
Speaker 3: Do not worry about that. Be great. It would be

830
00:40:02,080 --> 00:40:03,240
Speaker 3: great to see you, mate. Absolutely.

831
00:40:03,560 --> 00:40:07,759
Speaker 5: Okay, thank you so much for a b it's well

832
00:40:07,920 --> 00:40:08,400
Speaker 5: and woody.

833
00:40:08,560 --> 00:40:12,720
Speaker 3: I want you guys to put together how this sound.

834
00:40:14,719 --> 00:40:20,160
Speaker 3: He's going to make us a billion dollars. It's a.

835
00:40:21,000 --> 00:40:25,840
Speaker 2: It's a it's like a highly powered stapler like and

836
00:40:25,920 --> 00:40:28,840
Speaker 2: they can staple metal together. That's what i'd suggest go again.

837
00:40:31,080 --> 00:40:35,320
Speaker 3: No high empowered staple then stable metal together.

838
00:40:35,719 --> 00:40:38,280
Speaker 1: It's the most could be a billion dollar idea.

839
00:40:39,200 --> 00:40:42,000
Speaker 3: Let's have it could be can I I'm not an engineer,

840
00:40:42,280 --> 00:40:44,319
Speaker 3: but I didn't roll. I didn't have the moment last night.

841
00:40:44,440 --> 00:40:47,440
Speaker 3: Ro I was like, oh, I know, it's a what's

842
00:40:47,480 --> 00:40:51,680
Speaker 3: going to make me rich? High powered metal staple.

843
00:40:52,800 --> 00:40:54,160
Speaker 1: Finally doing renovations.

844
00:40:54,160 --> 00:40:55,400
Speaker 2: At the moment, I thought you were chatting to the

845
00:40:55,480 --> 00:40:58,600
Speaker 2: builders and then together you came out with the high

846
00:40:58,640 --> 00:40:59,440
Speaker 2: powered stapler.

847
00:40:59,520 --> 00:41:01,160
Speaker 1: Okay, forget hammers.

848
00:41:00,920 --> 00:41:07,680
Speaker 3: Let's go. Let's hammers down, boys, let's go, let's go

849
00:41:07,760 --> 00:41:09,319
Speaker 3: to Brea. I'll play it one more time for everyone

850
00:41:09,360 --> 00:41:12,080
Speaker 3: because it is actually something very very relatable. I'll give

851
00:41:12,080 --> 00:41:13,960
Speaker 3: you a hint as we go, because I actually do

852
00:41:14,080 --> 00:41:15,240
Speaker 3: think I've got a billion dollar idea.

853
00:41:15,239 --> 00:41:15,359
Speaker 5: Here.

854
00:41:15,400 --> 00:41:18,120
Speaker 3: Let's kick it off with Bree Bree, what's the sound? Hey?

855
00:41:18,680 --> 00:41:20,960
Speaker 11: I think it's a KitKat that's still in the wrapper

856
00:41:21,040 --> 00:41:22,279
Speaker 11: that you're like breaking open.

857
00:41:22,800 --> 00:41:23,879
Speaker 1: Oh, let me again.

858
00:41:25,160 --> 00:41:28,200
Speaker 3: It's a very hard mate, unless it's kit cats made

859
00:41:28,200 --> 00:41:28,720
Speaker 3: of steel.

860
00:41:29,160 --> 00:41:32,000
Speaker 1: Yeah, well, it was very cold.

861
00:41:33,600 --> 00:41:36,719
Speaker 3: Almost. There's almost like two clicks that you can hear there. Yeah,

862
00:41:36,800 --> 00:41:41,040
Speaker 3: go again, go there's almost two clicks. Yeah, but then

863
00:41:41,640 --> 00:41:44,120
Speaker 3: second shooter on the grass. You know it goes but

864
00:41:44,440 --> 00:41:48,760
Speaker 3: think yeah, Omar has called what's the sound? What's the sound?

865
00:41:49,400 --> 00:41:51,600
Speaker 5: So I think it's there, like I said before, So.

866
00:41:53,320 --> 00:41:55,520
Speaker 3: I don't know the producers, right, yeah, carry on?

867
00:41:55,760 --> 00:41:58,919
Speaker 5: Oh okay, okay, yeah, running a car, running over a can,

868
00:41:59,680 --> 00:42:01,560
Speaker 5: oh running hands in my life?

869
00:42:02,239 --> 00:42:02,960
Speaker 4: So how about that?

870
00:42:03,200 --> 00:42:04,840
Speaker 3: How is that a billion dollar idea?

871
00:42:06,760 --> 00:42:08,040
Speaker 5: What do you mean billion dollar idea?

872
00:42:09,400 --> 00:42:09,440
Speaker 7: No?

873
00:42:09,600 --> 00:42:11,920
Speaker 3: No, no, that's right, that's the key step. Thanks for

874
00:42:11,960 --> 00:42:14,160
Speaker 3: the But you know, lots of people, this isn't the

875
00:42:14,200 --> 00:42:15,040
Speaker 3: secret sound guys.

876
00:42:15,520 --> 00:42:16,840
Speaker 2: But where does hear in sand? And we want to

877
00:42:16,840 --> 00:42:19,279
Speaker 2: have a guess it's fun. Okay, it does sound a

878
00:42:19,320 --> 00:42:20,440
Speaker 2: lot like you're running.

879
00:42:20,200 --> 00:42:20,719
Speaker 1: Over a can.

880
00:42:21,200 --> 00:42:25,600
Speaker 3: It doesn't where's the can? There's no car?

881
00:42:26,320 --> 00:42:27,879
Speaker 2: Yeah, and then the can flicks up off the road

882
00:42:27,920 --> 00:42:30,360
Speaker 2: that hits the road again. Oh yeah, yeah, that's not

883
00:42:30,440 --> 00:42:31,160
Speaker 2: you're lying to it.

884
00:42:31,320 --> 00:42:33,359
Speaker 3: It's a car running over an it's the billion dollar

885
00:42:33,400 --> 00:42:34,120
Speaker 3: idea with a can.

886
00:42:34,280 --> 00:42:36,920
Speaker 2: Something like the car picks up cans now, so then

887
00:42:36,960 --> 00:42:38,640
Speaker 2: you can go to those five cents of cans?

888
00:42:38,719 --> 00:42:40,480
Speaker 3: Go to cat on thirty one and six five.

889
00:42:40,560 --> 00:42:42,080
Speaker 1: What cages do that?

890
00:42:42,160 --> 00:42:43,040
Speaker 3: A lot cages?

891
00:42:43,280 --> 00:42:45,239
Speaker 1: You know, the cages of cans? Five cents of can?

892
00:42:46,800 --> 00:42:49,200
Speaker 3: You've got run over cans with my car?

893
00:42:49,400 --> 00:42:51,520
Speaker 1: Well, I figured the billion dollar ideas that you can't

894
00:42:51,520 --> 00:42:52,040
Speaker 1: pick them up?

895
00:42:52,520 --> 00:42:59,760
Speaker 3: Right, Let's go to cat on the one six five Cat? Hi, Okay,

896
00:42:59,800 --> 00:43:01,480
Speaker 3: hey Cat, what do you think the noise is? And

897
00:43:01,560 --> 00:43:03,080
Speaker 3: why do you think it's a billion dollar idea?

898
00:43:04,520 --> 00:43:08,719
Speaker 11: I think it's a price tag gun, just because it

899
00:43:08,880 --> 00:43:10,400
Speaker 11: just sounds like I worked in retails.

900
00:43:10,680 --> 00:43:15,759
Speaker 2: Ah, and you've you've invented something. Yeah, well, going back

901
00:43:15,800 --> 00:43:18,839
Speaker 2: the billion dollar it a billion dollar idea. You've invented something.

902
00:43:19,080 --> 00:43:21,440
Speaker 2: You've you've you've created a price tag gun so you

903
00:43:21,480 --> 00:43:23,440
Speaker 2: can take tags on myself.

904
00:43:23,480 --> 00:43:26,240
Speaker 3: And I really appreciate the respect that you're giving me today.

905
00:43:26,719 --> 00:43:29,080
Speaker 3: But I have not come up with a high powered

906
00:43:29,120 --> 00:43:32,920
Speaker 3: staple which can put steel together, something, a car device

907
00:43:33,000 --> 00:43:35,239
Speaker 3: that means that cars can drive over cans, pick them

908
00:43:35,320 --> 00:43:38,240
Speaker 3: up and deposit at the depository. Or did I invent

909
00:43:38,600 --> 00:43:41,000
Speaker 3: a new price tag gun. I haven't done any of

910
00:43:41,040 --> 00:43:42,719
Speaker 3: those things. It's not a price tag came up with

911
00:43:42,800 --> 00:43:45,760
Speaker 3: this overnight. I've never worked in any of those fields.

912
00:43:46,080 --> 00:43:53,000
Speaker 3: It's really simple. Yeah, okay. This noise is the sound

913
00:43:54,040 --> 00:43:59,200
Speaker 3: of the handle on a child's dummy, the plastic handle

914
00:44:00,160 --> 00:44:03,440
Speaker 3: clicking into the dummy when the dummy falls out of

915
00:44:03,480 --> 00:44:09,040
Speaker 3: the baby's mouth. Have a listen again, and clicking into

916
00:44:09,080 --> 00:44:11,400
Speaker 3: the dummy. Yes, so when the child spits the dummy

917
00:44:11,440 --> 00:44:13,480
Speaker 3: out and they fall asleep, they fall asleep with the

918
00:44:13,560 --> 00:44:17,160
Speaker 3: dummy in. The dummy falls out and it clicks, the

919
00:44:17,280 --> 00:44:21,680
Speaker 3: handle clicks against the dummy, and that and I've got

920
00:44:21,719 --> 00:44:24,000
Speaker 3: another noise here. I'm pretty sure you'll hear my baby

921
00:44:24,080 --> 00:44:25,920
Speaker 3: waking up after she hears it. No, I don't have

922
00:44:25,920 --> 00:44:28,160
Speaker 3: another noise there. Oh no, I have got another noise there.

923
00:44:28,160 --> 00:44:32,560
Speaker 3: You don't have, Thanks George. She wakes up as soon

924
00:44:32,600 --> 00:44:36,200
Speaker 3: as she hears she wakes up, but she hears the

925
00:44:36,239 --> 00:44:39,560
Speaker 3: clicking noise. Right. So here we go.

926
00:44:39,760 --> 00:44:40,960
Speaker 1: Here's the billion dollar idea.

927
00:44:42,040 --> 00:44:44,040
Speaker 3: And I want to know if if this is an

928
00:44:44,080 --> 00:44:47,080
Speaker 3: issue for other parents when your baby spits the dummy out,

929
00:44:47,920 --> 00:44:50,560
Speaker 3: I'm pretty sure it's the click when the dummy falls

930
00:44:50,600 --> 00:44:53,040
Speaker 3: out of their mouth that they go, oh, the dummy's out.

931
00:44:53,719 --> 00:44:55,920
Speaker 3: It's the noise of the mask, the noise of the

932
00:44:55,960 --> 00:44:58,439
Speaker 3: sound it goes right next to their head, the noise

933
00:44:58,480 --> 00:45:00,560
Speaker 3: of the sound. If I pull the dummy out silently,

934
00:45:00,640 --> 00:45:03,160
Speaker 3: she stays asleep. But as soon as it spits out

935
00:45:03,200 --> 00:45:04,800
Speaker 3: of her mouth and it clicks and you hear it

936
00:45:04,880 --> 00:45:06,879
Speaker 3: on the montor it goes a click, click, and she goes,

937
00:45:07,120 --> 00:45:11,480
Speaker 3: I'm awake. My idea, billion dollar idea. Here we go.

938
00:45:11,640 --> 00:45:13,560
Speaker 3: And I really want to know from other parents if

939
00:45:13,560 --> 00:45:15,759
Speaker 3: this is actually because it might not be. I've got

940
00:45:15,840 --> 00:45:17,200
Speaker 3: to be honest, obviously it might not be a billion

941
00:45:17,200 --> 00:45:18,719
Speaker 3: dollar idea, but I'm very happy to pursue this.

942
00:45:18,920 --> 00:45:19,120
Speaker 1: Yeah.

943
00:45:19,400 --> 00:45:22,600
Speaker 3: Thirty one and six five. Are you a parent? Is

944
00:45:22,800 --> 00:45:25,279
Speaker 3: that an issue for you? Does your child wake up?

945
00:45:25,440 --> 00:45:28,080
Speaker 3: Or did your children wake up when they spat the

946
00:45:28,160 --> 00:45:31,080
Speaker 3: dummy out and they heard that clicking noise? Nice because

947
00:45:31,120 --> 00:45:33,759
Speaker 3: I have an idea which I think could solve it

948
00:45:34,200 --> 00:45:36,279
Speaker 3: and could make us billions. But I need to know

949
00:45:36,320 --> 00:45:37,360
Speaker 3: if there's a market for it.

950
00:45:37,719 --> 00:45:40,600
Speaker 1: Brilliant, well, brilliant. I wish I could get around you more,

951
00:45:40,640 --> 00:45:41,960
Speaker 1: but I haven't experienced.

952
00:45:41,960 --> 00:45:42,640
Speaker 3: You've never experience.

953
00:45:43,719 --> 00:45:45,440
Speaker 1: That's parents to call parents.

954
00:45:45,640 --> 00:45:48,560
Speaker 3: Yes, when your child spits the dummy out, doesn't make

955
00:45:48,560 --> 00:45:50,600
Speaker 3: a clicking noise, doesn't wake it up, doesn't wake them up.

956
00:45:50,920 --> 00:45:53,080
Speaker 3: I've had a billion dollar idea. Okay, this is out.

957
00:45:53,120 --> 00:45:55,279
Speaker 3: I know it's outrageous. It's outrageous. It might not be

958
00:45:55,320 --> 00:45:57,359
Speaker 3: a billion dollar idea. We're about to find out thirty

959
00:45:57,360 --> 00:45:59,800
Speaker 3: one and six five. You've got babies that use it?

960
00:46:00,200 --> 00:46:01,399
Speaker 1: Do you the dummy with your kids?

961
00:46:01,760 --> 00:46:06,000
Speaker 3: Because whenever my baby wakes up, it's always predicated with

962
00:46:06,160 --> 00:46:10,280
Speaker 3: this noise. That sound is the sound of the dummy

963
00:46:10,800 --> 00:46:13,120
Speaker 3: being spat out of her mouth and the handle on

964
00:46:13,200 --> 00:46:16,960
Speaker 3: the dummy clicking up against the plastic of the actual dummy.

965
00:46:17,080 --> 00:46:20,200
Speaker 3: And you think that theory is yes, you carry on.

966
00:46:20,360 --> 00:46:22,600
Speaker 3: You think that noise wakes her up. I think it's

967
00:46:22,680 --> 00:46:26,279
Speaker 3: the clicking sound when the dummy hits the mattress, as

968
00:46:26,320 --> 00:46:29,160
Speaker 3: the handle hits the dummy, that's what actually wakes her up.

969
00:46:30,120 --> 00:46:34,640
Speaker 3: So my idea is that we it's pretty simple, but

970
00:46:34,719 --> 00:46:36,880
Speaker 3: the simber ones are the good ones, and we've already

971
00:46:36,920 --> 00:46:38,880
Speaker 3: patterned this. You dogs out there that are trying to

972
00:46:38,920 --> 00:46:42,520
Speaker 3: jump in, of course, we have not more idiots. We

973
00:46:42,640 --> 00:46:46,200
Speaker 3: better get somebody on the very quickly before I say

974
00:46:46,239 --> 00:46:50,040
Speaker 3: the idea. But basically they're just dummies. They we'll just

975
00:46:50,120 --> 00:46:54,160
Speaker 3: call them silent dummies. Silence is nice silent dummies. And

976
00:46:54,480 --> 00:46:56,920
Speaker 3: it's just felt on the inside of the handle and

977
00:46:57,000 --> 00:46:58,480
Speaker 3: on the inside of the dummy, so that when the

978
00:46:58,600 --> 00:47:00,839
Speaker 3: dummy spits out the handle, you can still keep the handle,

979
00:47:00,880 --> 00:47:03,080
Speaker 3: but it doesn't make a clicking noise, just cushioned.

980
00:47:02,960 --> 00:47:07,040
Speaker 1: Just it seems obvious, but it's like silent belcro like.

981
00:47:07,200 --> 00:47:10,120
Speaker 3: It's like, it's just a brilliant idea. Let's get no

982
00:47:10,200 --> 00:47:10,879
Speaker 3: one's done yet.

983
00:47:10,960 --> 00:47:12,160
Speaker 1: Let's find out of its relatable will.

984
00:47:12,239 --> 00:47:14,320
Speaker 2: Let's got a jade here, Jade, what are your thoughts

985
00:47:14,560 --> 00:47:17,120
Speaker 2: do your you've got five daughters, do you find that

986
00:47:17,200 --> 00:47:19,359
Speaker 2: they wake up by that clicking noise on the back

987
00:47:19,400 --> 00:47:20,759
Speaker 2: of a dummy when they spit it out.

988
00:47:22,120 --> 00:47:27,520
Speaker 4: I think so okay, I've gone through fifteen years, so yes.

989
00:47:27,480 --> 00:47:32,320
Speaker 3: Okay, Jade, big question, Well, would you buy a silent dummy?

990
00:47:33,320 --> 00:47:33,880
Speaker 4: Absolutely?

991
00:47:34,719 --> 00:47:35,040
Speaker 5: Wow?

992
00:47:36,080 --> 00:47:38,960
Speaker 1: Wow, this is big, this is big, and.

993
00:47:39,000 --> 00:47:40,960
Speaker 2: You could you could charge a bit for it, because

994
00:47:41,160 --> 00:47:44,600
Speaker 2: that's let's talkin what's your standing?

995
00:47:44,719 --> 00:47:45,680
Speaker 1: What's your standard dummy?

996
00:47:46,480 --> 00:47:51,960
Speaker 3: I don't know, I never bought one. How much do

997
00:47:52,040 --> 00:47:53,560
Speaker 3: you think you'd five bucks for a dummy?

998
00:47:53,600 --> 00:47:53,959
Speaker 5: I reckon?

999
00:47:54,160 --> 00:47:55,600
Speaker 1: So you're charging ten for a silencer?

1000
00:47:56,480 --> 00:47:59,920
Speaker 3: Yeah, okay, your greedy. All right, let's go to Kyly.

1001
00:48:00,719 --> 00:48:04,160
Speaker 3: We better go for cheaper, you know, cheaper and quieter.

1002
00:48:04,280 --> 00:48:06,040
Speaker 1: And then it seems dodgy. It seems like a dodgy product.

1003
00:48:06,120 --> 00:48:07,920
Speaker 1: Its cheaper about it?

1004
00:48:08,000 --> 00:48:12,040
Speaker 3: All right? Kylie, Kylie, Kyle, Kylie, you're the call I

1005
00:48:12,040 --> 00:48:14,720
Speaker 3: didn't want to get. You're saying there's already a product.

1006
00:48:16,280 --> 00:48:17,000
Speaker 5: Yeah. I hate the.

1007
00:48:17,080 --> 00:48:17,880
Speaker 10: Bus your.

1008
00:48:19,320 --> 00:48:22,640
Speaker 11: And I hate the ruin a billion dollar idea. There

1009
00:48:22,680 --> 00:48:24,640
Speaker 11: are rubber dummies that don't make noises.

1010
00:48:25,640 --> 00:48:27,800
Speaker 1: Rubber rubber might still make a bit of a noise,

1011
00:48:28,840 --> 00:48:29,480
Speaker 1: like a flacking.

1012
00:48:30,280 --> 00:48:34,760
Speaker 11: It's like it's like the material of the actual teet,

1013
00:48:34,880 --> 00:48:38,440
Speaker 11: but the whole dummy is like one material doesn't actually

1014
00:48:38,440 --> 00:48:38,919
Speaker 11: make a noise.

1015
00:48:39,000 --> 00:48:40,480
Speaker 3: No, No, that's a different thing. I think that's a

1016
00:48:40,520 --> 00:48:42,200
Speaker 3: different thing. That's the whole dummy is a teet.

1017
00:48:42,520 --> 00:48:45,080
Speaker 1: We're not making, you know, felt dummies.

1018
00:48:45,880 --> 00:48:48,080
Speaker 3: No, yeah, it's a that's a whole that's a teet dummy.

1019
00:48:48,160 --> 00:48:49,960
Speaker 1: But it has gotten around the problem of waking up

1020
00:48:49,960 --> 00:48:50,279
Speaker 1: the baby.

1021
00:48:50,280 --> 00:48:52,040
Speaker 3: But I think it's it's targeted a different thing. Hey,

1022
00:48:52,160 --> 00:48:53,560
Speaker 3: let me just get Kylie back quick because this is

1023
00:48:54,040 --> 00:48:56,800
Speaker 3: this will bring the whole thing down in flames, Kylie.

1024
00:48:57,680 --> 00:49:01,439
Speaker 3: It's the teeth dummy. I need a pick your brain.

1025
00:49:01,480 --> 00:49:04,040
Speaker 3: And the teat dummy is targeted at being like a teet,

1026
00:49:04,239 --> 00:49:05,640
Speaker 3: isn't it. It's meant to feel like.

1027
00:49:05,760 --> 00:49:08,880
Speaker 11: A No, it's a dummy. What do you call the

1028
00:49:08,920 --> 00:49:11,720
Speaker 11: bit that actually goes into their mouth? So I'm calling

1029
00:49:11,840 --> 00:49:15,000
Speaker 11: that part of the tea right. Whole dummy is like one.

1030
00:49:15,719 --> 00:49:18,759
Speaker 11: It's the whole thing is made of rubber, right, so

1031
00:49:19,280 --> 00:49:22,040
Speaker 11: when they spit it out, the handle doesn't handle is

1032
00:49:22,080 --> 00:49:24,200
Speaker 11: like that like a svationary thing. It doesn't like to

1033
00:49:24,280 --> 00:49:25,439
Speaker 11: flap around and make noise.

1034
00:49:27,080 --> 00:49:32,400
Speaker 3: It sounds Yeah, she's done enough, she's caused enough damage.

1035
00:49:32,600 --> 00:49:35,640
Speaker 1: Well, would it be more comfortable on your fingers. Do

1036
00:49:35,760 --> 00:49:39,200
Speaker 1: your fingers, you bitch, do your finger is so pumped.

1037
00:49:39,640 --> 00:49:41,600
Speaker 1: I'm out of here, going to buy an island. I

1038
00:49:41,600 --> 00:49:44,880
Speaker 1: haven't given up. Do your fingers get sore when they go.

1039
00:49:44,960 --> 00:49:46,960
Speaker 3: In the Are you trying to make a new idea?

1040
00:49:47,400 --> 00:49:49,480
Speaker 3: Trying to go product on the spot work.

1041
00:49:49,480 --> 00:49:52,239
Speaker 1: Because you had the felt idea, right, felt beautiful on

1042
00:49:52,320 --> 00:49:52,800
Speaker 1: your fingers?

1043
00:49:53,719 --> 00:49:57,440
Speaker 3: Yeah, yeah, yeah, is it somebody? If they all dropped off,

1044
00:49:57,640 --> 00:49:59,200
Speaker 3: it's Tiffany interested in buying the product.

1045
00:49:59,400 --> 00:50:01,320
Speaker 2: She was she They're all going to buy the rubber

1046
00:50:01,360 --> 00:50:04,319
Speaker 2: one that Kylie was just saying, and they certainly weren't

1047
00:50:04,320 --> 00:50:05,200
Speaker 2: selling it for ten bucks.

1048
00:50:05,280 --> 00:50:08,120
Speaker 1: That was greedy. That was super greedy, Will And that's

1049
00:50:08,160 --> 00:50:08,360
Speaker 1: on you.

1050
00:50:09,600 --> 00:50:14,239
Speaker 3: Yeah, I had them yeah, away from him, producers.

1051
00:50:14,520 --> 00:50:15,320
Speaker 1: What was that about?

1052
00:50:15,520 --> 00:50:17,040
Speaker 3: That was my billion dollar idea.

1053
00:50:17,360 --> 00:50:19,960
Speaker 1: It saves your embarrassment when you call like chemists warehouse.

1054
00:50:19,600 --> 00:50:22,080
Speaker 3: Though there were no Yes, they would.

1055
00:50:22,680 --> 00:50:25,160
Speaker 1: I've seen the dummy section, mate, I've actually seen the

1056
00:50:25,239 --> 00:50:28,240
Speaker 1: rubber one. That was funny.

1057
00:50:28,840 --> 00:50:31,440
Speaker 3: Well, and she got twenty five thousand dollars we can

1058
00:50:31,480 --> 00:50:32,359
Speaker 3: give away right now.

1059
00:50:32,960 --> 00:50:36,000
Speaker 2: Don't stuff the pup with popp and microwave popcorn.

1060
00:50:36,280 --> 00:50:38,880
Speaker 1: Find it in the chip style of all major retailers

1061
00:50:42,880 --> 00:50:48,279
Speaker 1: don't stop the park super simple. Well, we chuck a

1062
00:50:48,320 --> 00:50:49,960
Speaker 1: bit of popcorn in the microwave.

1063
00:50:50,040 --> 00:50:54,800
Speaker 2: Here in the studio, as the microwave is going, monetary

1064
00:50:54,880 --> 00:50:58,719
Speaker 2: figures are read out. It is your job, Abby to

1065
00:50:58,880 --> 00:51:02,480
Speaker 2: say stop before the microwave.

1066
00:51:02,480 --> 00:51:03,680
Speaker 1: Dinks you're keen to go?

1067
00:51:04,760 --> 00:51:06,640
Speaker 3: I am jee wiz.

1068
00:51:06,960 --> 00:51:07,080
Speaker 9: Now.

1069
00:51:07,160 --> 00:51:08,759
Speaker 1: Look, I don't want to give away too much.

1070
00:51:08,760 --> 00:51:10,520
Speaker 2: I want to give away the ghost, But it feels

1071
00:51:10,640 --> 00:51:13,640
Speaker 2: like most people are choosing to go out at two

1072
00:51:13,719 --> 00:51:14,319
Speaker 2: thousand bucks.

1073
00:51:15,360 --> 00:51:17,640
Speaker 3: That seems like they, you know, they've set their eyes

1074
00:51:17,680 --> 00:51:20,080
Speaker 3: on that beforehand. As soon as they get there, they

1075
00:51:20,200 --> 00:51:23,800
Speaker 3: pull out, Have you got a have you got a target? Abbey?

1076
00:51:25,280 --> 00:51:27,360
Speaker 4: No, I don't think so. I'm just gonna go for it.

1077
00:51:28,360 --> 00:51:28,800
Speaker 5: I like that.

1078
00:51:29,120 --> 00:51:29,520
Speaker 7: I like that.

1079
00:51:29,719 --> 00:51:35,840
Speaker 3: Okay, So you're just going to feel your way through it. Yep, yep, Okay, let's.

1080
00:51:36,000 --> 00:51:36,560
Speaker 8: Kick it off.

1081
00:51:40,320 --> 00:51:47,480
Speaker 12: Fifty dollars, eighty six dollars, two hundred and seventy dollars,

1082
00:51:49,400 --> 00:51:56,799
Speaker 12: five hundred dollars, eight hundred and sixty dollars, one tho,

1083
00:51:57,160 --> 00:52:03,640
Speaker 12: two hundred and thirty dollars, one thousand, five hundred dollars,

1084
00:52:06,200 --> 00:52:08,920
Speaker 12: two thousand, two hundred dollars up.

1085
00:52:09,760 --> 00:52:17,919
Speaker 1: Oh, all right, So this is that awful time.

1086
00:52:17,960 --> 00:52:19,960
Speaker 2: I mean, congratulations on the cash, but this is the

1087
00:52:20,040 --> 00:52:22,319
Speaker 2: tough time now where you get to hear just how

1088
00:52:22,480 --> 00:52:24,359
Speaker 2: high the money was going to get.

1089
00:52:31,400 --> 00:52:38,840
Speaker 12: One thousand, eight hundred dollars, two thousand, five hundred dollars.

1090
00:52:38,920 --> 00:52:41,440
Speaker 3: Oh no, are we're sitting on a month's three thousand.

1091
00:52:41,160 --> 00:52:42,480
Speaker 4: Two hundred and fifty dollars.

1092
00:52:42,480 --> 00:52:48,200
Speaker 12: Oh wow, three thousand, six hundred and nine dollars.

1093
00:52:48,320 --> 00:52:53,760
Speaker 1: Oh my god, four thousand and twelve dollars.

1094
00:52:53,920 --> 00:52:55,160
Speaker 3: Wow, please stop.

1095
00:52:58,360 --> 00:53:05,200
Speaker 6: Wowby that's all right, I'm still a thousand bucks or

1096
00:53:05,280 --> 00:53:05,719
Speaker 6: so for you.

1097
00:53:06,000 --> 00:53:08,880
Speaker 3: Con gratul life too. And it's better the kick in

1098
00:53:08,960 --> 00:53:11,839
Speaker 3: the two, doesn't it? Not too bad? If you guys

1099
00:53:11,840 --> 00:53:13,799
Speaker 3: would like to get involved, enter online pop and don't

1100
00:53:13,800 --> 00:53:15,520
Speaker 3: stop the pop dot com dot you don't stop the

1101
00:53:15,560 --> 00:53:17,640
Speaker 3: pop with pop and microwave popcorn, finding the chips isle

1102
00:53:17,680 --> 00:53:21,080
Speaker 3: of all major retails. Still so much money, well over

1103
00:53:21,160 --> 00:53:24,400
Speaker 3: twenty thousand dollars. No one's No one's got any co

1104
00:53:24,520 --> 00:53:27,560
Speaker 3: on this, No one, Every single one of the players

1105
00:53:27,600 --> 00:53:29,359
Speaker 3: we've had so far, absolute pens.

1106
00:53:29,360 --> 00:53:31,080
Speaker 1: We had one woman and got done by the ding.

1107
00:53:31,200 --> 00:53:32,359
Speaker 1: She had co hon there as well.

1108
00:53:32,719 --> 00:53:34,960
Speaker 3: No, she just wasn't here we've discussed that. I don't

1109
00:53:34,960 --> 00:53:36,600
Speaker 3: think if she even used you. Caught up for con