1 00:00:00,320 --> 00:00:03,160 Speaker 1: So to Echo are heading to town for their Machine tour. 2 00:00:03,200 --> 00:00:05,280 Speaker 1: They're going to do shows at the Asta Theater on 3 00:00:05,360 --> 00:00:08,239 Speaker 1: June twenty eight and Frio Social on June twenty nine. 4 00:00:08,280 --> 00:00:11,440 Speaker 1: You can get your tickets through Pseudo echo dot net 5 00:00:11,560 --> 00:00:15,080 Speaker 1: and Brian Canam's joining us right now. Good morning, welcome mate, 6 00:00:15,240 --> 00:00:19,279 Speaker 1: there you go. Happy happy fortieth, thank you. 7 00:00:19,239 --> 00:00:20,560 Speaker 2: Thank you. That sounds good. 8 00:00:23,360 --> 00:00:29,880 Speaker 1: Yeah, happy fortieth of listening and I mean it's it's amazing. Yeah. 9 00:00:30,000 --> 00:00:32,519 Speaker 2: Yeah, I don't know where those hes went, but it 10 00:00:32,560 --> 00:00:34,839 Speaker 2: is pretty amazing. It doesn't feel that long ago, that's 11 00:00:34,880 --> 00:00:35,600 Speaker 2: for sure. Yeah. 12 00:00:35,600 --> 00:00:37,880 Speaker 3: Absolutely, But these tour are you going to get people 13 00:00:37,960 --> 00:00:40,800 Speaker 3: up and dancing, heading back to maybe slightly smaller venues 14 00:00:40,800 --> 00:00:43,360 Speaker 3: and get them going in the clubs. Yeah. 15 00:00:43,600 --> 00:00:46,400 Speaker 2: So you know, the concert tour was a lot of fun, 16 00:00:46,640 --> 00:00:49,520 Speaker 2: and it was it was big, big scale, but yeah, 17 00:00:49,560 --> 00:00:51,640 Speaker 2: there's not a lot of dancing going on them. Yeah. 18 00:00:51,720 --> 00:00:53,960 Speaker 2: We think that's sort of feedback from the audience, so 19 00:00:54,640 --> 00:00:57,440 Speaker 2: it makes sense to alternate the tours and bring it 20 00:00:57,480 --> 00:00:58,680 Speaker 2: back into the clubs. Yeah. 21 00:00:58,760 --> 00:01:01,880 Speaker 1: We've often got the fun police stopping us from getting up. 22 00:01:02,520 --> 00:01:03,760 Speaker 1: I don't know. 23 00:01:04,440 --> 00:01:04,600 Speaker 2: Now. 24 00:01:04,600 --> 00:01:07,160 Speaker 1: The show is pitching itself as being full of epic 25 00:01:07,480 --> 00:01:11,440 Speaker 1: light lighting and visuals. Well, can you tell us about that. 26 00:01:12,040 --> 00:01:15,000 Speaker 2: Yeah, well, we usually run a big screen with a 27 00:01:15,000 --> 00:01:17,759 Speaker 2: whole bunch of sort of high tech looking images as 28 00:01:17,800 --> 00:01:21,360 Speaker 2: well as some nice nostalgic retro looking images that the 29 00:01:21,400 --> 00:01:26,000 Speaker 2: crowd love seeing, and we'll often even have dances depending 30 00:01:26,000 --> 00:01:29,160 Speaker 2: on the state where we are. But yeah, it's a 31 00:01:29,160 --> 00:01:32,760 Speaker 2: pretty big scale six piece band these days, and you know, 32 00:01:32,920 --> 00:01:35,800 Speaker 2: we blast through all the hits as people love to 33 00:01:35,840 --> 00:01:37,240 Speaker 2: hit them. 34 00:01:37,240 --> 00:01:39,080 Speaker 3: Listening make when you wrote that, did you think this 35 00:01:39,160 --> 00:01:40,520 Speaker 3: is going to be a hit or do you never know? 36 00:01:41,640 --> 00:01:44,920 Speaker 2: You never really know, But it was one of our 37 00:01:45,000 --> 00:01:48,840 Speaker 2: first tracks that we recorded and wrote and only enough. 38 00:01:48,880 --> 00:01:50,720 Speaker 2: When we first wrote it, it was quite down, but 39 00:01:50,880 --> 00:01:53,640 Speaker 2: it was halftime and quite dark. We were kind of 40 00:01:53,680 --> 00:01:57,960 Speaker 2: citing songs like Vienna by Ultravox, and we did it 41 00:01:57,960 --> 00:02:00,200 Speaker 2: at the show like that for quite a few months 42 00:02:00,840 --> 00:02:03,320 Speaker 2: until one day we just, I think it was by mistake, 43 00:02:03,680 --> 00:02:06,200 Speaker 2: we put the role drum pattern on and went double 44 00:02:06,280 --> 00:02:09,920 Speaker 2: speed and we said that's way better. Yes, we just 45 00:02:10,120 --> 00:02:10,880 Speaker 2: we left it like that. 46 00:02:11,960 --> 00:02:14,720 Speaker 1: How did you become the first unsigned band to appear 47 00:02:14,760 --> 00:02:15,760 Speaker 1: on Countdown back then? 48 00:02:16,639 --> 00:02:18,800 Speaker 2: Yeah, that was a kind of a crazy, crazy thing 49 00:02:18,840 --> 00:02:21,880 Speaker 2: that happened. I used to go to this club just 50 00:02:21,919 --> 00:02:24,120 Speaker 2: to check out the latest tunes, and Molly used to 51 00:02:24,120 --> 00:02:25,920 Speaker 2: be at the DJ there and I used to go 52 00:02:26,000 --> 00:02:28,400 Speaker 2: there every week. And he must have known this little 53 00:02:28,520 --> 00:02:31,280 Speaker 2: kid on the sidelines there just to watch him intently. 54 00:02:31,320 --> 00:02:34,359 Speaker 2: And then about a year or so later, somebody kicked 55 00:02:34,400 --> 00:02:36,000 Speaker 2: him off about this new band, so he thought he'd 56 00:02:36,000 --> 00:02:38,280 Speaker 2: better go check them out. So when he checks us out, 57 00:02:38,360 --> 00:02:41,560 Speaker 2: he sees it's me. That's a kid that used to 58 00:02:41,560 --> 00:02:43,720 Speaker 2: come to my club always. I'm talking to me, so 59 00:02:44,680 --> 00:02:46,760 Speaker 2: you know he was. He was so taken back by 60 00:02:46,760 --> 00:02:49,280 Speaker 2: the show and the band and didn't expect that at all. 61 00:02:49,440 --> 00:02:51,800 Speaker 2: And then within a couple of days he invited us 62 00:02:51,800 --> 00:02:52,920 Speaker 2: to come into Fire on Countdown. 63 00:02:53,000 --> 00:02:56,080 Speaker 3: Oh no, that's great. Memories of the Jump Club and 64 00:02:56,160 --> 00:02:59,480 Speaker 3: Molly spinning discs and Larissa have so much influence, mate. 65 00:03:00,080 --> 00:03:01,560 Speaker 2: Yeah, well, the Jump Club was the one where we 66 00:03:01,600 --> 00:03:02,720 Speaker 2: came in. That was one of us. 67 00:03:02,800 --> 00:03:05,880 Speaker 3: Oh well, unreal. But I mentioned as that I had 68 00:03:05,880 --> 00:03:08,239 Speaker 3: that copy of Listening that I said to Lesa just 69 00:03:08,240 --> 00:03:10,440 Speaker 3: about grooves out. But I also had the twelve inch 70 00:03:10,440 --> 00:03:12,000 Speaker 3: of a Beat for You, which was on that first 71 00:03:12,160 --> 00:03:15,120 Speaker 3: Tunnel Park album. Do you keep Stuff? You've got a 72 00:03:15,120 --> 00:03:17,720 Speaker 3: lot of your own memorabilia and vinyl. 73 00:03:18,080 --> 00:03:21,800 Speaker 2: I've got a couple of copies of each Thingah, I've 74 00:03:21,800 --> 00:03:23,799 Speaker 2: never been the best at looking after them. My wife 75 00:03:23,840 --> 00:03:29,080 Speaker 2: would tell how many. She's much better than me. Catalogs 76 00:03:29,120 --> 00:03:31,720 Speaker 2: things and archives that I'm a bit slack. 77 00:03:31,800 --> 00:03:31,960 Speaker 3: You know. 78 00:03:32,000 --> 00:03:37,680 Speaker 2: They're like a doorstop sometimes place Matt. But yeah, it's 79 00:03:38,040 --> 00:03:40,080 Speaker 2: nice to sort of look through the collection sometimes and 80 00:03:40,120 --> 00:03:42,160 Speaker 2: go wow and bring back so many memories. 81 00:03:42,920 --> 00:03:46,040 Speaker 1: A few slight changes to the band the lineup since 82 00:03:46,400 --> 00:03:50,400 Speaker 1: Autumnal Park came out. Your drummer is nineteen years old. 83 00:03:50,400 --> 00:03:54,840 Speaker 1: She's not even half but I believe you went through 84 00:03:54,880 --> 00:03:57,480 Speaker 1: five drummers on the tour. What it's the very spinal 85 00:03:57,600 --> 00:03:58,720 Speaker 1: tap of you. 86 00:03:58,720 --> 00:04:04,400 Speaker 2: There was a bit she exploded that is the ultimate rock. 87 00:04:06,120 --> 00:04:08,400 Speaker 2: It was crazy and she was really pulling at the 88 00:04:08,400 --> 00:04:10,840 Speaker 2: eleventh baron retell it being to the lobbying to get 89 00:04:10,840 --> 00:04:13,960 Speaker 2: her in the band. She spotted her online and said, 90 00:04:14,000 --> 00:04:16,280 Speaker 2: this girl's got such a glow about her. There's something 91 00:04:16,320 --> 00:04:18,720 Speaker 2: about it that's magical. And I took one look and 92 00:04:18,760 --> 00:04:22,839 Speaker 2: see she looked about fourteen in the video. She was 93 00:04:22,880 --> 00:04:27,080 Speaker 2: young given and you know, she just kept saying, I 94 00:04:27,120 --> 00:04:28,960 Speaker 2: want you to try her out. And then we were 95 00:04:29,040 --> 00:04:31,800 Speaker 2: two days out from a weekend of shows and drummer 96 00:04:31,800 --> 00:04:35,520 Speaker 2: pulled out again, as they do, and we gave recall 97 00:04:35,640 --> 00:04:38,440 Speaker 2: flew her into the show. Her audition was the sound check. 98 00:04:38,480 --> 00:04:40,600 Speaker 2: It wasn't really an audition. We'd already said you've got 99 00:04:40,600 --> 00:04:43,400 Speaker 2: the gig, and we just sent her all the stuff. 100 00:04:43,440 --> 00:04:45,560 Speaker 2: She learned it in those two days and came down 101 00:04:45,560 --> 00:04:49,719 Speaker 2: to our show with us flawlessly. That's awesome. No rehearsal 102 00:04:49,760 --> 00:04:53,960 Speaker 2: with the band at all, just that's impressive. Yeah, and 103 00:04:54,040 --> 00:04:57,279 Speaker 2: has been there solid ever since fourteen. 104 00:04:57,320 --> 00:04:59,200 Speaker 3: That's what Molly thought of you at the Jump Club. 105 00:05:00,960 --> 00:05:02,680 Speaker 2: First Rights and never never saard an Eye. 106 00:05:02,920 --> 00:05:05,680 Speaker 3: Yeah, that's right. You mentioned the lighting, un less I 107 00:05:05,680 --> 00:05:07,359 Speaker 3: mentioned the lighting and all the rest of It's a 108 00:05:07,360 --> 00:05:09,360 Speaker 3: great production. But is there going to be a small 109 00:05:09,400 --> 00:05:12,599 Speaker 3: stone hinge by any chance on stage spinal tap? 110 00:05:13,760 --> 00:05:16,120 Speaker 2: No, no, no, we've made sure we scaled. 111 00:05:15,839 --> 00:05:19,039 Speaker 1: Any nothing you can't get out of. 112 00:05:19,320 --> 00:05:21,800 Speaker 2: Yeah, we had had a couple of a couple of 113 00:05:21,880 --> 00:05:22,640 Speaker 2: close ones. 114 00:05:24,200 --> 00:05:26,520 Speaker 1: So Brian, it would have been something off autumnal Park. 115 00:05:26,640 --> 00:05:30,039 Speaker 1: Can you remember the first time you heard yourself on 116 00:05:30,240 --> 00:05:30,840 Speaker 1: the radio. 117 00:05:32,080 --> 00:05:35,800 Speaker 2: It was pretty epic. Yes, well, really the first time 118 00:05:35,920 --> 00:05:39,080 Speaker 2: was the countdown. That was really my first rush. Yes, 119 00:05:39,080 --> 00:05:41,599 Speaker 2: he's just seeing it broadcast and I think it was 120 00:05:41,600 --> 00:05:45,640 Speaker 2: at my twenty first birthday and somebody hooked it up 121 00:05:45,680 --> 00:05:48,240 Speaker 2: and played the recording of it at my party and 122 00:05:48,240 --> 00:05:50,719 Speaker 2: that was pretty exciting. Yeah, and there was some big 123 00:05:50,800 --> 00:05:53,880 Speaker 2: cheers from the northern suburbs. Oh, you got to love that. 124 00:05:53,960 --> 00:05:55,960 Speaker 3: And you worked with a legend called Peter dawkinslad it 125 00:05:56,040 --> 00:05:57,760 Speaker 3: work with the Dragon and Aussie crawl, so you're in 126 00:05:57,800 --> 00:05:59,120 Speaker 3: good company. 127 00:05:59,279 --> 00:06:02,080 Speaker 2: Peter was fair. He was old school, and he was 128 00:06:02,120 --> 00:06:04,200 Speaker 2: a lot older than us. We have to seem like 129 00:06:04,240 --> 00:06:07,200 Speaker 2: a headmaster. Really, it wasn't a lot of fun, but 130 00:06:07,240 --> 00:06:09,880 Speaker 2: he was very, very knowledgeable about music, and we learned 131 00:06:09,920 --> 00:06:12,640 Speaker 2: so much of him. He might have had his cranky 132 00:06:12,640 --> 00:06:16,760 Speaker 2: old ways, because you know, we were young rascals and 133 00:06:17,720 --> 00:06:20,719 Speaker 2: he taught us so much. He really did. He took 134 00:06:20,839 --> 00:06:23,120 Speaker 2: songs and he arranged and then took top bits out 135 00:06:23,120 --> 00:06:24,800 Speaker 2: and we'd be saying, no, not that you can't take 136 00:06:24,800 --> 00:06:27,360 Speaker 2: that bit out, that's our favorite bit. Yeah, he'd be saying, no, 137 00:06:27,440 --> 00:06:33,120 Speaker 2: that's just ten seconds of board. It was hard looking back, 138 00:06:33,200 --> 00:06:34,960 Speaker 2: you know, I know exactly what he was doing. He 139 00:06:35,000 --> 00:06:36,720 Speaker 2: was just getting to the good bits. 140 00:06:36,880 --> 00:06:38,520 Speaker 1: Yeah, yeah, fair enough. 141 00:06:39,080 --> 00:06:40,200 Speaker 3: And you had a mind for the goal. 142 00:06:40,240 --> 00:06:45,800 Speaker 1: Yeah, yeah, do you in addition to the shows that 143 00:06:45,880 --> 00:06:46,280 Speaker 1: you're doing. 144 00:06:46,960 --> 00:06:48,159 Speaker 2: Did I hear correctly? 145 00:06:48,200 --> 00:06:49,320 Speaker 1: You are writing a book. 146 00:06:50,600 --> 00:06:52,799 Speaker 2: I am, I am. I've been writing it for nearly 147 00:06:52,839 --> 00:06:56,960 Speaker 2: ten years, though I just held yes. I guess the 148 00:06:57,040 --> 00:06:59,640 Speaker 2: thing is is when I started the book, I had 149 00:06:59,640 --> 00:07:02,440 Speaker 2: one thing in mind, and then so many things happened 150 00:07:02,440 --> 00:07:04,400 Speaker 2: along the way that changed the course of where the 151 00:07:04,400 --> 00:07:06,840 Speaker 2: book was going to end, and so I had to 152 00:07:06,920 --> 00:07:11,200 Speaker 2: keep changing the tributory. So story in motion. Yeah, yeah, 153 00:07:11,240 --> 00:07:13,640 Speaker 2: there were so many things, and so you know, I had, 154 00:07:14,120 --> 00:07:16,280 Speaker 2: you know, heurm oil at some point, and it was 155 00:07:16,360 --> 00:07:18,160 Speaker 2: like this wasn't part of the book. The book was 156 00:07:18,200 --> 00:07:20,640 Speaker 2: meant to be a real feel good, happy ending. Yes, 157 00:07:21,760 --> 00:07:24,600 Speaker 2: you know, there's some dark clouds for here, so I've 158 00:07:24,680 --> 00:07:27,080 Speaker 2: navigated through a few of those and getting it back 159 00:07:27,120 --> 00:07:27,520 Speaker 2: on track. 160 00:07:28,160 --> 00:07:29,920 Speaker 3: I'll look forward to that absolutely. 161 00:07:30,080 --> 00:07:30,280 Speaker 2: Yeah. 162 00:07:30,520 --> 00:07:32,360 Speaker 3: Yeah, it might be twelve or fifteen years in the making, 163 00:07:32,360 --> 00:07:34,600 Speaker 3: but look forward to That's right, it'll real loggie. 164 00:07:34,800 --> 00:07:37,200 Speaker 1: Well, we're also looking forward to the show's Asta Theater 165 00:07:37,720 --> 00:07:39,120 Speaker 1: on the twenty eighth of next month. 166 00:07:39,160 --> 00:07:39,880 Speaker 2: Frio Social. 167 00:07:39,920 --> 00:07:42,480 Speaker 1: The next night, the twenty ninth. Tickets are available through 168 00:07:42,600 --> 00:07:45,440 Speaker 1: pseudo echo Dot. Lovely to chat to you, Brian. 169 00:07:45,520 --> 00:07:47,520 Speaker 2: It was a pleasure, but likewise guys always good to 170 00:07:47,600 --> 00:07:47,800 Speaker 2: chat