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Speaker 1: A final chance to join us at our can you

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Speaker 1: hear it?

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Speaker 2: Live?

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Speaker 1: A little bit later on, if you.

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Speaker 3: Think you can tell the difference between soft drink and

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Speaker 3: beer just by the sound of the can opening, head

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Speaker 3: along to Willewoodie dot com.

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Speaker 1: You could win twenty thousand dollars. But right now, Granny Sue,

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Speaker 1: here the Swift.

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Speaker 4: I'll be your last this evening.

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Speaker 5: My name is Taylor, Thank you for traveling.

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Speaker 4: With us here at the Ariostore. And here come the calls.

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Speaker 1: My lord are they coming for? Can you hear it?

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Speaker 1: They're going for? Can you hear it? I said this? Now,

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Speaker 1: look what this is mad? You're right.

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Speaker 3: People would honestly probably kill their parents, sibling or children

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Speaker 3: and then crawl over their corps for these tickets. We've

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Speaker 3: witnessed that. We have witnessed it live on these shows.

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Speaker 3: We've given out whole rows of tickets, and people have

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Speaker 3: lost their minds.

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Speaker 4: Make some noise for Taylors.

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Speaker 3: But a whole row of tickets Taylor Swift.

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Speaker 1: You know, would better way to thank you.

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Speaker 6: I would be saying, what a whole wrong.

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Speaker 1: Telor Swift ticket is so enchanted to be going?

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Speaker 7: I've never leard someone say they're enchanted to one of

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Speaker 7: the songs, he Lona, I actually have a really big

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Speaker 7: surprise for you words.

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Speaker 8: I managed to win you an entire road to go

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Speaker 8: see Taylor Swift to take whatever you want.

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Speaker 5: What.

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Speaker 8: Yeah, we are currently live. Congratulations and be curious.

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Speaker 1: It's will and here, it's real. You're going.

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Speaker 8: Please don't. I'm so sleep deprived, I'll cry.

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Speaker 4: Wow.

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Speaker 1: Not believable.

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Speaker 3: Right now, with another whole row to give away, to

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Speaker 3: go and see this woman.

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Speaker 9: And I'd say that there aren't going to be many

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Speaker 9: other chances. I would say this is one of the

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Speaker 9: final chances that you've got.

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Speaker 4: When she's here in Australa.

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Speaker 9: She released a day ago, she re released a few more.

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Speaker 9: She know a lot of people missed out here.

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Speaker 4: So yes, I mean it's true where.

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Speaker 1: She's here in two days, she's here on Friday. She

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Speaker 1: might even know. She might already be here. She might

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Speaker 1: be in the country. That's that's where we're at.

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Speaker 4: That's wild. That's totally wild. We're going to call someone

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Speaker 4: right now.

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Speaker 3: We're gonna call Teresa I think it is, who's I

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Speaker 3: think in them for her daughter?

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Speaker 4: Okay, hello speaking hello Teresa. Hey gain, Oh good, that's

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Speaker 4: a weird way to say that you're good. Do you

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Speaker 4: think it is? Is it guilty?

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Speaker 6: Oh my god? I'm gonna support with you.

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Speaker 1: Who's with you there?

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Speaker 6: I've got my boss Sarah and my colleague Chest.

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Speaker 4: Okay, guys, where do you work? What do you work as?

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Speaker 6: Teresa A training manager?

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Speaker 4: R t O awesome.

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Speaker 3: I don't know what that iss the chase es You've

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Speaker 3: got a whole role, Teil Swift.

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Speaker 1: Tickets Okay, they're yours.

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Speaker 3: I know now now wait w Therese, I haven't been

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Speaker 3: saying what I was going to say. Okay, the tickets

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Speaker 3: are yours. They're yours for your daughter Ava.

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Speaker 1: If yes, if you call Ava for us right up next.

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Speaker 10: Yeah, I can do that, I know.

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Speaker 3: But it's not We're going to give you something, a

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Speaker 3: challenge that you need to do with your daughter Ava,

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Speaker 3: involving these tickets.

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Speaker 4: If you're going to what you want.

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Speaker 6: It on the school bus that I can make it

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Speaker 6: work perfect.

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Speaker 4: That is so perfect.

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Speaker 1: We have a particularly evil idea. But yeah, she should be fair.

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Speaker 1: It's on the other side.

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Speaker 3: Stay with us, Teresa, don't go anyway. Everyone else, don't go,

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Speaker 3: Tore We're going to go to a song on the

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Speaker 3: other side of the last roll of Tailswift tickets in

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Speaker 3: the country to give away, as Teresa effectively prank calls her.

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Speaker 1: Seventeen year old daughter for them.

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Speaker 3: So, Teresa, what would like you to do right now?

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Speaker 3: Is was like to call Ava? Okay, tell her that

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Speaker 3: you won the tickets?

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Speaker 1: Yes, okay, but then.

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Speaker 3: You're going to tell her that you gave them back

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Speaker 3: because the night of the Taylor Swift gig that you've

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Speaker 3: got the tickets for is the same night as her

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Speaker 3: eighteenth Okay.

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Speaker 1: Where is she and how do you think she's going

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Speaker 1: to react?

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Speaker 6: I don't know, Actually I don't know.

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Speaker 8: She should be on the school bus.

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Speaker 4: Okay, awesome.

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Speaker 1: Are you going to be able to do this?

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Speaker 6: Yeah, yep, yep.

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Speaker 1: You're going to give her to do it.

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Speaker 4: We will not give you the tickets and you don't

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Speaker 4: do it.

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Speaker 8: Okay, Okay, you've got you've.

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Speaker 3: Got to have a straight face. And look, you can't

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Speaker 3: stop until we interrupt you.

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Speaker 6: Okay, Okay, no stopping until you interrupt.

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Speaker 1: Okay.

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Speaker 3: Now you've got one hand on them to raise that

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Speaker 3: you just have to. Okay, your daughter feel awful.

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Speaker 4: Them, probably probably got some abuse from your daughter.

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Speaker 3: I think we all want to hear yeah.

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Speaker 9: So we're going to call your daughter now, Terisa. Okay,

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Speaker 9: then you just start talking. All right, Okay, we've got

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Speaker 9: a number. All right, here we go.

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Speaker 1: Good luck.

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Speaker 6: Hello, Hey, aver it's me. We've got the tickets, but

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Speaker 6: it's the next Saturday. So I just said we can't

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Speaker 6: take them because you've got your party.

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Speaker 11: No.

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Speaker 6: Yeah, I'm sorry, Dylan. I just thought, yeah, well we've

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Speaker 6: already booked the DJ, she's got invites have already gone out.

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Speaker 1: No, I can move it.

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Speaker 6: Oh Dylan, Sorry, no, I've already get the tickets. I'm sorry,

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Speaker 6: aver Iva. Oh don't cry, don't cry. I'm gonna make

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Speaker 6: me cry. He was dead. Are you on the.

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Speaker 4: What happened t me?

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Speaker 11: Next Saturday?

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Speaker 6: And at my stupid party?

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Speaker 12: You said?

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Speaker 2: Not?

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Speaker 11: What's funny?

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Speaker 4: Hi? Eiva? Hi Iva Iva? Yeah, Hi Ivor, it's willing.

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Speaker 4: What are you here? Guess what you what? You've got

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Speaker 4: a whole roader going sat Tyler's Swim. You can have

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Speaker 4: your party too. You have your party. Stop crying because.

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Speaker 1: What I mean, yeah, it was me.

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Speaker 4: That was your mum's idea. By the way, it was

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Speaker 4: Teresa's idea to do that.

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Speaker 6: Thank you so much.

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Speaker 1: It's okay, Ava, where are you in?

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Speaker 3: I was gonna say, who is that random guy in

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Speaker 3: the background? Can we like, is he on speaker like?

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Speaker 3: Can we get him up to speed? Does he know

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Speaker 3: what's happened? Has he just seen you?

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Speaker 1: Cry? Mate? What's your name?

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Speaker 7: My thought to cry?

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Speaker 4: Your wife? It's your wife, Theresa full Person.

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Speaker 1: Yeah, yeah, well from your bespect what's your name? Dad, Brendon?

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Speaker 3: Hey, Brendan. From your perspective, what happened there? What did

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Speaker 3: you what did you watch on ava? I just saw

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Speaker 3: a turtle breakdown? Yeah, she has one, by the way,

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Speaker 3: you see how angry?

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Speaker 4: Thank God for that.

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Speaker 3: Yeah yeah, everything's all good in the hood, brother, Yeah, yeah,

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Speaker 3: no worries mate, No, I mean Brendan, he thought he

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Speaker 3: was going home to an absolute wall zone there.

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Speaker 1: It was tart of his life and happy birthday as well.

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Speaker 3: But we know you'll be parties next weekend with the

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Speaker 3: But the actual birthday is this weekend.

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Speaker 1: Oh mate, happy birthday.

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Speaker 3: What a treat for your eighteenth You're going to Taylor

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Speaker 3: Swift pleasure, mate, have a great enjoy enjoy God, my god,

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Speaker 3: stinker of a dry alrighty, guys, we're gonna keep things

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Speaker 3: moving here.

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Speaker 1: The uns on the other side. You can be twenty

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Speaker 1: thousand dollars with in about five.

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Speaker 3: Minutes if you can tell the emits between soft drink

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Speaker 3: and beer. How can you hear a live event?

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Speaker 1: Can the can into the.

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Speaker 2: Gen z Z?

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Speaker 4: How are you Judy Analis?

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Speaker 2: Not?

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Speaker 1: Now some gen Z energy in this place?

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Speaker 3: That's right, our favorite producer, junior producer, an Alys.

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Speaker 1: She's back in the studio. She represents all of gen Z.

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Speaker 3: We started doing this in a meeting room and we

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Speaker 3: were like, we've got to get this on the air

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Speaker 3: because the sheer gap between our understanding of who's a

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Speaker 3: celebrity is enormous. And now keep in mind Woods, you

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Speaker 3: and I are on the mid thirties, Analys, how old

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Speaker 3: are you? Nineteen twenty three?

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Speaker 1: You're getting on anyway, Look there's only ten years between us.

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Speaker 3: But like we would consider someone like Bruce Willis obviously

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Speaker 3: very famous.

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Speaker 4: Do you know who Bruce Willis is?

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Speaker 2: Wasn't he Superman?

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Speaker 4: Oh?

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Speaker 3: Wow?

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Speaker 1: Right?

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Speaker 4: Seriously, Bruce Willis, nothing's coming to mind?

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Speaker 2: No, so married to Demi Moore?

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Speaker 4: Pretty good? He was pretty good? Is his daughter? Bang?

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Speaker 1: So? You know his daughter?

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Speaker 2: Name?

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Speaker 4: One movie he's in?

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Speaker 11: No?

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Speaker 1: I thought he was sure man?

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Speaker 2: So he did a movie with Demi Moore, did not?

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Speaker 2: Did he? Not?

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Speaker 1: Thinking about Patrick Swayzey? Who's Patrick Swayzy?

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Speaker 2: He was the crawling guy. It's not dirty dancing.

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Speaker 1: Yeah, dang, it's good. By the way, we found this

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Speaker 1: to be a lot of fun.

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Speaker 3: So if you're interested, thirty one and six five give

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Speaker 3: us call. You can throw and name it analyst and

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Speaker 3: see whether she's got any idea.

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Speaker 4: Who they are? Clint Eastwood an actor? Anything else about him?

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Speaker 11: No?

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Speaker 2: No, I know he's an.

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Speaker 1: Old actor, but famous for a style of movie.

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Speaker 2: Maybe something like an action or he I feel like

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Speaker 2: he has that hair kind of like Elvis does.

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Speaker 1: Doesn't he get famous? Probably the most famous Western actor

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Speaker 1: of all time?

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Speaker 4: Did western?

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Speaker 2: I it sounds familiar.

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Speaker 4: They all sound familiar.

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Speaker 1: Who is Lucy Lou?

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Speaker 10: Oh?

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Speaker 2: Now this is going to be distracting because I know

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Speaker 2: a really good restaurant called Lucy Lou.

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Speaker 1: It's not that there is a very good Asian fusion restaurant. God,

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Speaker 1: Lucy Lou chef?

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Speaker 4: You're thinking chef.

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Speaker 2: I'm thinking chef. But I feel like she's an actress.

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Speaker 1: Yeah, I feel like that's your guest.

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Speaker 4: Do you say actress Lucy?

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Speaker 2: She sounds like I'm the girl with from The Grinch

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Speaker 2: with the little.

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Speaker 4: Cindy lu Cyndy Lou. That's the character's name.

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Speaker 1: Caroline, Caroline, you want to have a cracket. This you're enjoying?

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Speaker 1: Do you want to ask Analise if she knows someone? Yeah?

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Speaker 8: Anals what about Cindy Lauper?

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Speaker 4: Oh, you're the singer.

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Speaker 1: I want to dance with somebody. So this is what

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Speaker 1: what's annoying? Caroline can't believe it. It's shocking, isn't it? Caroline?

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Speaker 1: How did she She's.

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Speaker 3: Never read a Harry Potter book. She has no idea,

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Speaker 3: She has no idea. It's quite amazing. All right, have

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Speaker 3: we got another one for her?

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Speaker 4: Denzel Washington.

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Speaker 2: Denzel Denzel was in that movie.

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Speaker 4: Flight, the ones you know and the ones you don't.

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Speaker 2: I have some real Rogue's what I've seen. And just

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Speaker 2: that's where I know, like a Rowe face.

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Speaker 11: But that's it.

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Speaker 4: Anthony Hopkins.

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Speaker 2: Oh, I don't know who Anthony Hopkins is. He sounds

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Speaker 2: like he's in Parliament or something, but.

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Speaker 3: He's I don't think you'd know if he's Sir Anthony Hopkins.

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Speaker 4: Now you put a like a royal.

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Speaker 1: He's special. Royal.

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Speaker 3: He's not a royal, Sir, Anthony Hopkins. He was knighted

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Speaker 3: for something? What do you think he was knighted for?

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Speaker 3: He's done something amazing? What do you think he was

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Speaker 3: knighted for, Anthony Hopkins?

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Speaker 2: Well, he wasn't on the moon, because.

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Speaker 1: Now would today's Valentine's Day.

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Speaker 3: So obviously you know there's a whole bunch of us

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Speaker 3: who are hoping at one stage tonight that we are going.

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Speaker 1: To get a kiss.

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Speaker 4: Absolutely, you would like to think absolutely.

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Speaker 3: But can you tell them whether your relationship is going

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Speaker 3: to be ongoing a success just on how your partner

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Speaker 3: kisses you. I mean, it's a bloody good question. It

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Speaker 3: is a very very good question, and it is one

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Speaker 3: that Janine Hall plans on answering for us right now.

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Speaker 1: Welcome to the show, Janine.

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Speaker 5: Hello, thank you for having me. William Woody.

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Speaker 4: So, Janine, you're you're a kissing expert.

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Speaker 13: Well, I part of my book is I I insure

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Speaker 13: kiss print reading. So it's the actual kiss print of

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Speaker 13: your lips that I psychically and chew it.

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Speaker 4: My goodness.

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Speaker 9: So okay, so what sort of kiss should I be

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Speaker 9: worried about saying? If I was on a first date

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Speaker 9: with someone, and and and and we we locked lips.

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Speaker 4: What's what? What's the kind of kiss?

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Speaker 9: Where from your research and knowledge, that is a red flag?

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Speaker 4: It's like, oh, not sure if there's all workout?

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Speaker 5: Too aggressive?

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Speaker 4: Oh interesting?

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Speaker 1: And when do you mean by aggressive? Do you mean

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Speaker 1: too much tongue?

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Speaker 5: Yeah? Yeah, ye, too much tongue? You might?

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Speaker 4: You might.

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Speaker 5: You're probably a fan of the population.

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Speaker 9: Can you ingratiate the the the the tongue into like,

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Speaker 9: you know, kisses along the way though, so like you know,

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Speaker 9: first kiss a bit more gentle and the aggression comes later, Janine, Yes.

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Speaker 5: Absolutely, as you get to know each.

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Speaker 11: Other, absolutely, Yeah, okay interesting So no, No, the reason

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Speaker 11: that he is so defensive here is because he's a

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Speaker 11: big tongue guy. And you know now you are, You're

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Speaker 11: a big tongue and we all know occasion.

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Speaker 4: I know that.

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Speaker 1: I know that from personal experience as well.

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Speaker 3: Now look, Jeanine, I know we've sent you this kiss,

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Speaker 3: but wood you and I made out in the studio

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Speaker 3: last year. It's been enshrine and a mural down in

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Speaker 3: one of the back alleys down in Melbourne, in Richmond.

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Speaker 4: It's beautiful.

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Speaker 3: Now, you had to look at this kiss. Now, a

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Speaker 3: lot of our audience will have seen this kiss before.

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Speaker 3: I'll play a little bit of the audio.

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Speaker 4: Mmm, probably don't love Jeanine, that's beautiful.

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Speaker 1: What did you think about that kiss?

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Speaker 8: Oh?

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Speaker 5: Well, what can I say? That was just? That was

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Speaker 5: really bad?

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Speaker 4: On whose part? Janine? Was? Was there particularly bad?

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Speaker 5: Yours? Was petrified of you?

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Speaker 4: We were scared?

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Speaker 1: He was, wasn't I was?

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Speaker 2: I was.

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Speaker 3: I don't know why I'm talking about myself in the first

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Speaker 3: had another body experience, but.

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Speaker 9: We weren't on our first date. Will and I have

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Speaker 9: known each other since we're twelve years old. I thought

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Speaker 9: we were ready for tongue. That's that's just where I'm

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Speaker 9: That's where I'm at, Jeanine.

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Speaker 5: Okay, so you are very familiar with each other.

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Speaker 4: Was that your first kiss, first sober, first, first, first property? Yes, yeah, yeah,

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Speaker 4: I think.

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Speaker 5: So Will look clearly uncomfortable.

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Speaker 4: Yeah yeah.

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Speaker 3: And is that like maybe you know, he still is

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Speaker 3: for the record, very unlike like a line.

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Speaker 1: There's stalking his prey sometimes in this studio, no.

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Speaker 3: So, but today, so maybe like just extrapolating this for

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Speaker 3: everybody else in terms of when they're kissing their partner.

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Speaker 3: Obviously one of the things I'm really interested in is

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Speaker 3: what do you know both had babies last year and

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Speaker 3: going through this process of like learning how to like

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Speaker 3: be intimate again with your partner after you have a

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Speaker 3: baby is really interesting and like kind of like this

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Speaker 3: this idea of having like a sexy kiss versus a

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Speaker 3: non sexy.

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Speaker 1: Kiss and knowing where the line is.

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Speaker 3: And one of the things that I Sam and I

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Speaker 3: have started like initiating and I know this might sound

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Speaker 3: a bit weird, but like we will say to each

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Speaker 3: other before the kiss, and she finds this really comforting

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Speaker 3: now is she'll say, like tongue kiss with like no sex, right,

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Speaker 3: and like knowing that like we can kind of go

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Speaker 3: helpful leather and it's not going anywhere. Is a really

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Speaker 3: nice feeling for us just to enjoy a kiss rather

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Speaker 3: than feeling is if it needs to lead somewhere?

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Speaker 5: Yes, Well, that's part of a love language, isn't it.

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Speaker 1: Yeah right, somebody else's.

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Speaker 5: Love language might be doing the dishes for them.

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Speaker 4: Oh right, okay, yeah, service is that sound?

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Speaker 3: I was going to say, they've really missed out those people.

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Speaker 3: Have you got any have you got any final advice

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Speaker 3: for people? On Valentine's day, Janine about about how they

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Speaker 3: should kiss their partner or what they're looking for and

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Speaker 3: a kiss from their partner.

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Speaker 5: Yeah, just go slow, just and don't rush it. Try

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Speaker 5: not to not to use too much time, all.

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Speaker 4: Right, stop attacking, Jane, Seriously, We've talked about the tag enough.

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Speaker 4: I get it.

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Speaker 12: But you can also try and do Another really intimate

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Speaker 12: way is if you are embracing a kiss for the

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Speaker 12: first time. You showed me a couple of videos of

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Speaker 12: the notebook and Tato Swift's there and both of them

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Speaker 12: including you, Boody, grab the grab the hands, grab the cheeks,

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Speaker 12: got the other person. So that says that you're you

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Speaker 12: want them to like and trust you, and that you

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Speaker 12: want to be intimate with them.

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Speaker 4: Oh so that's really nice.

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Speaker 12: I think that if you're grabbing there, a net kiss

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Speaker 12: that's a whole roger sown there around your neck and

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Speaker 12: a forehead kiss is really intimate.

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Speaker 5: That means you've got to dip connection with somebody.

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Speaker 4: I like for I'm a big forward kisser with you're

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Speaker 4: a big tongue mate.

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Speaker 1: Don't try and say anything.

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Speaker 9: Else, sorry, Jenny, really quickly Kelsey and Taylor Swift, are

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Speaker 9: they genuine based on the kiss.

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Speaker 5: Oh for now they are they looked into it, but

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Speaker 5: they are actors.

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Speaker 1: Woodrow.

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Speaker 3: It is Valantine's Day today, and look mate, it's very

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Speaker 3: very special day, isn't she?

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Speaker 1: Though? Because a lot of people treat this day very.

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Speaker 3: Very differently, very very differently. And in fact, I was

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Speaker 3: reading an article online. There's an author, a London author

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Speaker 3: called Michelle Ellman who has written this whole piece about

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Speaker 3: why women should break up.

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Speaker 1: With their boyfriend.

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Speaker 3: Today if they're only making romantic efforts around things like

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Speaker 3: Valentine's Day or prose, and they're not making romantic efforts.

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Speaker 4: All the time all the time. Sure, what do you

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Speaker 4: think about that? I fully agree with that.

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Speaker 9: But I do think that a day like Valentine's Day

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Speaker 9: or a birthday, it's just a nice day to like

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Speaker 9: to lock it in, do you know what I mean?

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Speaker 4: Like, we all live very busy lives, and I think.

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Speaker 9: We can all be very guilty of going, oh, you know,

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Speaker 9: I haven't done a really nice romantic gesture or thing

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Speaker 9: for say a what about my partner him? And it

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Speaker 9: might be like a while, and then Valentine's direxip you go,

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Speaker 9: oh what, that's a great little thing for me? To

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Speaker 9: go like, well, I should be doing that, and it's

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Speaker 9: bad that I don't do it all the time, and

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Speaker 9: that I would need the reminder. Yes, but I think

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Speaker 9: it's nice to have moments within the year where it

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Speaker 9: locks it in.

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Speaker 4: Yes, that's true.

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Speaker 3: It's a nice little reminder for me. So my view

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Speaker 3: is that I think that romance can sometimes be a

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Speaker 3: total smoke screen for the fact that you're not in

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Speaker 3: a great relationship, as.

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Speaker 9: In, if things aren't going well, you do a grandiose

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Speaker 9: romantic gesture.

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Speaker 3: Yes, More like, I don't think that having romance in

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Speaker 3: your relationship is an indicator of the fact that the

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Speaker 3: relationship's going very well.

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Speaker 1: I think it can be that.

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Speaker 3: But I think the interesting thing is, and this is

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Speaker 3: from one of my favorite blog posts ever, this guy

421
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Speaker 3: called who wrote a blog called weight but Why, wrote

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Speaker 3: a whole blog on why Wednesday you should pick You

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Speaker 3: should pick a partner not based on how romantic they are,

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Speaker 3: but based on how many Wednesday Nights you're willing to

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Speaker 3: have with them.

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Speaker 4: Because you're gonna have more of them than big romantic moments.

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Speaker 4: That is so true.

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Speaker 3: His whole point is that if you met a stranger

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Speaker 3: in the street, right and Let's say you've never had

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Speaker 3: any sexual or physical or even just connection with them.

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Speaker 3: If you said to them, hey, i'll meet you on

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Speaker 3: Thursday night, put a romantic night on for me.

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Speaker 4: Yeah, well, that's the Bachelor run.

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Speaker 3: They're gonna be yeah right, You're going to be exactly

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Speaker 3: And you've got a TV crew there who are a

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Speaker 3: whole bunch of people have never met these people before.

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Speaker 3: They're going to be able to pick a nice spot,

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Speaker 3: they're gonna get a nice view, they're gonna get a

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Speaker 3: nice bottle of wine.

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Speaker 1: They're gonna make it great. And in fact, you're going to.

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Speaker 3: Rock up there and you're gonna go, gee, whiz, isn't

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Speaker 3: this nice? And you're probably going to walk away from

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Speaker 3: it going wow, that was really special for me. But like,

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Speaker 3: can you trust that emotion?

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Speaker 4: Did you love the person or did you love the

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Speaker 4: environment you were in?

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Speaker 3: And it's funny because I look back on, like some

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Speaker 3: of my relationships in the past, and I think about

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Speaker 3: Valentine's Day when I used to celebrate it because my

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Speaker 3: sen and my partner hates Valentine's Day. For this reason,

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Speaker 3: you can create a pseudo sense of romance and love

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Speaker 3: in your relationship through romantic gestures and it makes you

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Speaker 3: feel nice, but that is not where your relationship's at.

454
00:21:39,440 --> 00:21:40,960
Speaker 4: And I have and I.

455
00:21:40,840 --> 00:21:42,720
Speaker 3: Think, like as I said before, I've been in past

456
00:21:42,760 --> 00:21:45,359
Speaker 3: relationships where I've been like, it's Valentine's Day, got to

457
00:21:45,400 --> 00:21:47,720
Speaker 3: do something big here, and I would make them feel great,

458
00:21:47,760 --> 00:21:50,040
Speaker 3: and as a result, I would feel great, but then

459
00:21:50,119 --> 00:21:52,639
Speaker 3: like three days later, I would go straight back to

460
00:21:52,720 --> 00:21:54,440
Speaker 3: feeling exactly how I felt previously.

461
00:21:54,760 --> 00:21:55,480
Speaker 1: So the point that.

462
00:21:55,440 --> 00:21:57,200
Speaker 3: This guy makes and I've got a little bit of

463
00:21:57,240 --> 00:21:59,240
Speaker 3: Lady Gaga here because I bloody love this song, but

464
00:21:59,800 --> 00:22:04,840
Speaker 3: is the romance can be bad And I'm going to

465
00:22:04,920 --> 00:22:06,600
Speaker 3: let this song drop because it's just awesome.

466
00:22:06,640 --> 00:22:09,880
Speaker 1: But Wednesday nights is what matters more.

467
00:22:10,040 --> 00:22:13,240
Speaker 3: You're gonna have five thousand Wednesday night dinners with this person,

468
00:22:13,560 --> 00:22:15,480
Speaker 3: and you're gotta make sure that when you get rid

469
00:22:15,520 --> 00:22:17,400
Speaker 3: of the dinner, get rid of the wine, you get

470
00:22:17,480 --> 00:22:19,080
Speaker 3: rid of the picnices, you get rid of the chocolate,

471
00:22:19,560 --> 00:22:22,000
Speaker 3: you want to go home and you want to have

472
00:22:22,040 --> 00:22:22,919
Speaker 3: dinner with that person.

473
00:22:22,960 --> 00:22:25,560
Speaker 1: You want to have chicken nuggets and mashed potato, and

474
00:22:25,600 --> 00:22:27,120
Speaker 1: you want to watch a rerun of Friends.

475
00:22:27,280 --> 00:22:30,520
Speaker 3: And that matters more than what you're gonna do on

476
00:22:30,640 --> 00:22:31,560
Speaker 3: Valentine's Day.

477
00:22:31,720 --> 00:22:38,639
Speaker 1: Get around it nice, have a bad romance.

478
00:22:39,040 --> 00:22:42,520
Speaker 9: I feel motivated, be friends with your butner, never paying

479
00:22:42,560 --> 00:22:42,880
Speaker 9: for an.

480
00:22:42,760 --> 00:22:43,760
Speaker 4: Expensive dinner again.

481
00:22:44,359 --> 00:22:46,280
Speaker 1: This is my best.

482
00:22:49,000 --> 00:22:50,440
Speaker 8: I'm going to have the soft drink.

483
00:22:55,640 --> 00:22:57,159
Speaker 4: Dusy, no ducing, no.

484
00:23:01,280 --> 00:23:04,840
Speaker 3: Well dro This Friday night, someone's gonna win twenty thousand

485
00:23:04,840 --> 00:23:07,119
Speaker 3: dollars for the most bizarre reason imaginable.

486
00:23:07,720 --> 00:23:09,000
Speaker 1: Yes, they're gonna win twenty.

487
00:23:08,880 --> 00:23:11,399
Speaker 3: Thousand dollars because they can tell the difference between beer

488
00:23:11,440 --> 00:23:12,040
Speaker 3: and soft.

489
00:23:11,880 --> 00:23:14,480
Speaker 1: Drink just by the sound of the can opening. And

490
00:23:14,520 --> 00:23:16,600
Speaker 1: they'll be able to tell their kids that and their

491
00:23:16,600 --> 00:23:17,320
Speaker 1: grandkids that.

492
00:23:17,359 --> 00:23:21,520
Speaker 3: Oh that is if anything, Sure, the money's amazing, just

493
00:23:21,560 --> 00:23:24,280
Speaker 3: the fact that you have that as a story to

494
00:23:24,320 --> 00:23:26,680
Speaker 3: spin around your next barbecue. And what better way to

495
00:23:26,760 --> 00:23:29,160
Speaker 3: enjoy a great Dozzie meal or a great Dozsie barbie

496
00:23:29,200 --> 00:23:31,159
Speaker 3: than with the Kirks. To bring family and friends together,

497
00:23:31,760 --> 00:23:33,439
Speaker 3: you will have a chance to tell everyone that you

498
00:23:33,520 --> 00:23:36,200
Speaker 3: won twenty grand through a guessing the difference between beer

499
00:23:36,200 --> 00:23:37,600
Speaker 3: and soft drink just to the can opening.

500
00:23:37,600 --> 00:23:38,440
Speaker 1: I think it's wonderful.

501
00:23:38,560 --> 00:23:41,240
Speaker 3: It's gonna be happening this Friday night at our Can

502
00:23:41,280 --> 00:23:43,440
Speaker 3: you hear it live? If you'd like to come down

503
00:23:44,440 --> 00:23:47,399
Speaker 3: willanwoodoy dot COM's where you register or I'm pretty sure.

504
00:23:49,480 --> 00:23:51,600
Speaker 1: Maybe on the night there might be some walk up spots.

505
00:23:51,720 --> 00:23:55,160
Speaker 9: Maybe maybe, but I'd say go online, will we toms

506
00:23:55,280 --> 00:23:57,160
Speaker 9: or try and call now because we give you fast

507
00:23:57,160 --> 00:24:00,680
Speaker 9: passes if you can get three cans in rot I mean,

508
00:24:00,680 --> 00:24:02,360
Speaker 9: we'll I'd love to play with Vanessa right now?

509
00:24:02,800 --> 00:24:03,359
Speaker 1: Yeah?

510
00:24:03,440 --> 00:24:04,840
Speaker 4: Yeah, good Vanessa.

511
00:24:05,680 --> 00:24:07,800
Speaker 1: Hey, guys, how are you?

512
00:24:08,680 --> 00:24:09,680
Speaker 6: I'm not very good.

513
00:24:10,000 --> 00:24:12,359
Speaker 8: I'm sitting in the car. We were just about to

514
00:24:12,400 --> 00:24:16,400
Speaker 8: pick up the kids, and now there's a hailstorm, so

515
00:24:16,600 --> 00:24:21,080
Speaker 8: it's very hard to hear. Had a disadvantage.

516
00:24:21,560 --> 00:24:22,680
Speaker 4: Should we just end it now?

517
00:24:22,840 --> 00:24:28,600
Speaker 9: Vanessa again, just asking the question?

518
00:24:28,720 --> 00:24:36,440
Speaker 4: NeSSI all right, here we go? Can one Mmmm?

519
00:24:38,000 --> 00:24:38,520
Speaker 8: I think.

520
00:24:40,400 --> 00:24:40,840
Speaker 4: I like it?

521
00:24:40,960 --> 00:24:43,480
Speaker 1: Vanessa, Vanessa, all right.

522
00:24:43,440 --> 00:24:43,840
Speaker 3: Here we go.

523
00:24:44,520 --> 00:24:46,240
Speaker 8: It's one of those today.

524
00:24:47,240 --> 00:24:48,760
Speaker 4: Well done.

525
00:24:50,080 --> 00:24:50,720
Speaker 1: Wednesday, b.

526
00:24:52,800 --> 00:24:53,000
Speaker 2: Yep?

527
00:24:53,400 --> 00:24:58,119
Speaker 4: I did we can next?

528
00:24:59,320 --> 00:24:59,639
Speaker 1: Next?

529
00:25:01,440 --> 00:25:05,520
Speaker 4: How many beers have you had? I lied? I had three,

530
00:25:09,680 --> 00:25:12,640
Speaker 4: but that was ages ago, it was.

531
00:25:12,560 --> 00:25:13,120
Speaker 6: A while ago.

532
00:25:13,560 --> 00:25:15,320
Speaker 4: Here we go, Okay, here we go? Can to.

533
00:25:19,200 --> 00:25:20,080
Speaker 6: Oh ship.

534
00:25:22,880 --> 00:25:23,560
Speaker 1: She's half cut?

535
00:25:25,880 --> 00:25:28,000
Speaker 8: Oh that was This is a hard one.

536
00:25:28,480 --> 00:25:29,880
Speaker 1: That is hard. Actually that one's.

537
00:25:29,720 --> 00:25:34,920
Speaker 8: Going to go softy.

538
00:25:35,240 --> 00:25:38,840
Speaker 9: Imagine imagine if your superpower is like having a couple,

539
00:25:38,920 --> 00:25:40,760
Speaker 9: but you can't do it if you're sober.

540
00:25:41,560 --> 00:25:43,479
Speaker 1: So I think I think, you know what.

541
00:25:43,640 --> 00:25:45,600
Speaker 6: That's how I learned how to paddleboard.

542
00:25:46,040 --> 00:25:47,960
Speaker 4: Literally, I'm not going to ask any more.

543
00:25:49,840 --> 00:25:50,239
Speaker 1: About that.

544
00:25:50,600 --> 00:26:03,520
Speaker 8: I'm not going to ask, Oh, can I hear it again?

545
00:26:06,560 --> 00:26:10,040
Speaker 4: I cracked? That was I crack a real cann You can't.

546
00:26:10,160 --> 00:26:11,280
Speaker 4: You can't hear it again?

547
00:26:12,920 --> 00:26:15,200
Speaker 1: I feel like that was obvious that one as well.

548
00:26:16,080 --> 00:26:19,720
Speaker 8: Oh all right, it's fifty to fifty.

549
00:26:20,560 --> 00:26:22,080
Speaker 1: Well they're all fifty to fifty.

550
00:26:22,200 --> 00:26:24,320
Speaker 4: Can be honest? Have you just been guessing the whole time?

551
00:26:24,680 --> 00:26:26,000
Speaker 4: Are you just guessing the whole time?

552
00:26:26,359 --> 00:26:26,560
Speaker 5: Yeah?

553
00:26:26,640 --> 00:26:29,280
Speaker 8: Yeah, hundred per No. No, the first one I kind

554
00:26:29,280 --> 00:26:31,520
Speaker 8: of felt I felt that one. The second one was

555
00:26:31,560 --> 00:26:39,800
Speaker 8: a guess. The third one, I'm going to say, softy.

556
00:26:37,920 --> 00:26:40,399
Speaker 4: That is such a shame. That is such a shame.

557
00:26:40,960 --> 00:26:42,000
Speaker 4: I can't just break the rules.

558
00:26:42,040 --> 00:26:43,440
Speaker 9: I want to give you one. I want to crack

559
00:26:43,480 --> 00:26:44,880
Speaker 9: you one more. And if you get that, you come

560
00:26:44,960 --> 00:26:48,280
Speaker 9: to the event. I want canes at the event.

561
00:26:48,400 --> 00:26:50,320
Speaker 8: Okay, lash my tits, let's go.

562
00:26:50,760 --> 00:26:55,600
Speaker 6: Oh, there's nothing to say, It's all good.

563
00:26:58,880 --> 00:27:00,320
Speaker 4: It would have been a bit of jogie, he said,

564
00:27:00,359 --> 00:27:01,800
Speaker 4: can's But anyway.

565
00:27:01,800 --> 00:27:03,480
Speaker 3: Anyway, that's true.

566
00:27:03,480 --> 00:27:04,280
Speaker 6: I should have waved with that.

567
00:27:04,760 --> 00:27:06,000
Speaker 4: Okay, here we go, here we go.

568
00:27:06,520 --> 00:27:11,960
Speaker 8: All right, let's go, here we go.

569
00:27:12,800 --> 00:27:14,240
Speaker 4: I'm sorry, we gotta go again.

570
00:27:16,680 --> 00:27:17,520
Speaker 6: I said, softy.

571
00:27:17,840 --> 00:27:22,520
Speaker 13: I said, we put across the producers.

572
00:27:22,600 --> 00:27:24,640
Speaker 3: If there is room for can you hear it live

573
00:27:24,640 --> 00:27:26,400
Speaker 3: on Friday? I'm having for you to come there because

574
00:27:26,400 --> 00:27:26,920
Speaker 3: he sounds like.

575
00:27:27,280 --> 00:27:32,040
Speaker 8: Okay, that sounds fund. Have my people call your people.

576
00:27:33,440 --> 00:27:36,159
Speaker 3: We're gonna get you off the radio because start to

577
00:27:36,200 --> 00:27:38,800
Speaker 3: infringe on cots when you have an intoxicated person.

578
00:27:38,840 --> 00:27:41,520
Speaker 1: Here do we need to go to Brad? I feel like, Brad,

579
00:27:41,560 --> 00:27:44,960
Speaker 1: do you reckon? You can hear it? I'll give it

580
00:27:45,000 --> 00:27:47,560
Speaker 1: a go. Do you reckon? You can hear?

581
00:27:47,600 --> 00:27:47,679
Speaker 2: And?

582
00:27:47,680 --> 00:27:49,320
Speaker 1: I feel there's not a lot of confidence there. Brad

583
00:27:49,359 --> 00:27:49,800
Speaker 1: will give you.

584
00:27:49,720 --> 00:28:01,240
Speaker 10: A can here you go many yeah, bang, Brad.

585
00:28:01,280 --> 00:28:03,679
Speaker 1: I'll tell you what, Brad.

586
00:28:03,720 --> 00:28:06,040
Speaker 3: I'm happy to say, you're coming, You're coming, and can

587
00:28:06,160 --> 00:28:06,600
Speaker 3: you hear it?

588
00:28:06,920 --> 00:28:08,240
Speaker 4: I've got two in a row.

589
00:28:09,480 --> 00:28:12,280
Speaker 3: I said to k you can go now, and I'm

590
00:28:12,320 --> 00:28:14,760
Speaker 3: happy for Bradley to come down. The point is I

591
00:28:14,800 --> 00:28:17,760
Speaker 3: want as many confidence there. I meanness is just there

592
00:28:17,760 --> 00:28:20,720
Speaker 3: for a few laughs. But Brad's a player. Brad's a player.

593
00:28:20,720 --> 00:28:23,480
Speaker 3: You can hear it straight away. Confidence right, the confidence

594
00:28:23,520 --> 00:28:26,879
Speaker 3: he's sure about. That's what we're after. It's this Friday, guys,

595
00:28:26,840 --> 00:28:28,760
Speaker 3: willimoo dot com if you want to come along again,

596
00:28:28,960 --> 00:28:33,040
Speaker 3: twenty thousand dollars for the last man standing on Friday Night.

597
00:28:33,240 --> 00:28:35,960
Speaker 1: We could not be more excited about this. Can't wait

598
00:28:36,000 --> 00:28:38,880
Speaker 1: to see you there or thanks to Kirks