1 00:00:01,440 --> 00:00:05,440 Speaker 1: Welcome to your diary episode. Here's the thing. I'm a 2 00:00:05,480 --> 00:00:09,080 Speaker 1: bit of a nomad, so these episodes come to from 3 00:00:09,119 --> 00:00:12,960 Speaker 1: wherever I'm living or traveling to at the time, so 4 00:00:13,360 --> 00:00:15,680 Speaker 1: I'll share with you what's going on in my world, 5 00:00:15,760 --> 00:00:21,400 Speaker 1: from book tours, animal encounters, delish meals, nature adventures, health 6 00:00:21,440 --> 00:00:25,599 Speaker 1: discoveries to swimming in hidden Byron Bay beaches. Come with 7 00:00:25,720 --> 00:00:32,160 Speaker 1: me as I share my adventures with you. Hello, Welcome 8 00:00:32,200 --> 00:00:36,760 Speaker 1: to your Los Angeles Diary pod. Big week, fun week, 9 00:00:37,040 --> 00:00:39,840 Speaker 1: lots to cover. I have three notebooks open in front 10 00:00:39,880 --> 00:00:44,360 Speaker 1: of me with all the notes from the last seven days. Also, 11 00:00:44,880 --> 00:00:48,640 Speaker 1: it literally feels like summer in La. Americans are walking around. 12 00:00:48,400 --> 00:00:50,680 Speaker 2: Being like, oh my god, it's eighty five. 13 00:00:50,479 --> 00:00:54,360 Speaker 1: Today, which I think is like high twenties, mid to 14 00:00:54,440 --> 00:00:56,640 Speaker 1: high twenties. I want to say, probably high twenties because 15 00:00:56,640 --> 00:01:01,320 Speaker 1: it's twenty seven. Might even be thirty today Aussie in Celsius. 16 00:01:02,040 --> 00:01:04,160 Speaker 1: So yeah, because it's getting to one hundred. It's getting 17 00:01:04,160 --> 00:01:06,720 Speaker 1: to one hundred on the weekend, which is forty I 18 00:01:06,760 --> 00:01:10,480 Speaker 1: want to say. So Alai's getting this real like hot warm, 19 00:01:10,520 --> 00:01:15,200 Speaker 1: snap right now, Okay, how funny I just told you 20 00:01:15,240 --> 00:01:17,080 Speaker 1: about the weather. There is so much exciting stuff to 21 00:01:17,120 --> 00:01:18,920 Speaker 1: tell you. First of all, I'm going to start with 22 00:01:20,040 --> 00:01:21,839 Speaker 1: I'm going to try and do it in chronological audier. 23 00:01:22,000 --> 00:01:25,680 Speaker 1: So you know, Matt and I am massive Peaky Blinders fans, 24 00:01:25,840 --> 00:01:28,360 Speaker 1: and you know that the Peaky Blinders movie is coming 25 00:01:28,400 --> 00:01:31,440 Speaker 1: out to Netflix on the twentieth of March, but from 26 00:01:31,480 --> 00:01:34,839 Speaker 1: the sixth of March it's been in select theaters across 27 00:01:34,880 --> 00:01:38,040 Speaker 1: the world as far as I'm aware. And we went 28 00:01:38,600 --> 00:01:41,760 Speaker 1: we went to this epic old theater in Hollywood called 29 00:01:41,760 --> 00:01:47,560 Speaker 1: the Egyptian Theater. So it's been around since the nineteen twenties. 30 00:01:47,640 --> 00:01:50,800 Speaker 1: In fact, the first ever movie premiere in Los Angeles, 31 00:01:51,240 --> 00:01:54,320 Speaker 1: Robin Hood, a silent film in nineteen twenty two, had 32 00:01:54,320 --> 00:01:57,720 Speaker 1: its premiere there. And it is so beautiful. There's like 33 00:01:58,000 --> 00:02:02,120 Speaker 1: Egyptian art on the walls, there a on the ceiling. 34 00:02:02,160 --> 00:02:06,360 Speaker 1: There's this huge golden scarub beetle. Is that what they're called. 35 00:02:07,240 --> 00:02:08,840 Speaker 1: I swear to my therapist about the other day and 36 00:02:08,840 --> 00:02:11,920 Speaker 1: I called it a carab beetle. It's definitely a scarab beetle, 37 00:02:12,760 --> 00:02:15,639 Speaker 1: and it's just beautiful. It's I didn't know this, but 38 00:02:15,680 --> 00:02:19,800 Speaker 1: it's the same designers or the same designer as the 39 00:02:19,880 --> 00:02:24,480 Speaker 1: Chinese Theater, which is literally diagonally directly across the road, 40 00:02:24,560 --> 00:02:28,120 Speaker 1: and that's where a lot of movie premieres are usually. 41 00:02:28,160 --> 00:02:32,920 Speaker 1: So Netflix has bought The Egyptian in Los Angeles, and 42 00:02:32,960 --> 00:02:35,200 Speaker 1: they also owned this beautiful old theater in New York 43 00:02:35,520 --> 00:02:38,440 Speaker 1: called the Paris and that's where I went last year 44 00:02:38,600 --> 00:02:42,480 Speaker 1: to the movie premiere for kind of Pregnant. So that's 45 00:02:42,520 --> 00:02:47,000 Speaker 1: a beautiful old theater in kind of like Midtown in Manhattan. 46 00:02:48,040 --> 00:02:52,919 Speaker 1: And the theory is that Netflix owned these theaters so too. 47 00:02:53,080 --> 00:02:55,920 Speaker 1: And I could be wrong, but like apparently, to get 48 00:02:56,160 --> 00:02:58,400 Speaker 1: to be eligible for award season, you have to have 49 00:02:58,400 --> 00:03:02,960 Speaker 1: a minimum two week run on in the theater, and 50 00:03:03,000 --> 00:03:05,400 Speaker 1: so Netflix puts things on for a couple of weeks 51 00:03:05,480 --> 00:03:08,880 Speaker 1: and then it's a way that they become eligible for 52 00:03:08,919 --> 00:03:13,880 Speaker 1: award seasons. Like Frankenstein the Jacobladi Frankenstein, He's won a 53 00:03:13,919 --> 00:03:16,800 Speaker 1: bunch of awards, and it had that run in theater 54 00:03:16,960 --> 00:03:18,200 Speaker 1: before it came to Netflix. 55 00:03:18,480 --> 00:03:20,519 Speaker 2: So it's a really smart, genius idea. 56 00:03:20,600 --> 00:03:23,720 Speaker 1: And the cool thing about the Egyptian is when Netflix 57 00:03:23,760 --> 00:03:27,200 Speaker 1: bought it, they refirmed it. They spent seventy million dollars 58 00:03:27,240 --> 00:03:33,600 Speaker 1: on making it look incredible. It is so beautiful. Tickets 59 00:03:33,600 --> 00:03:39,360 Speaker 1: are literally fifteen bucks. It's so so, so. 60 00:03:39,080 --> 00:03:39,880 Speaker 2: So gorgeous. 61 00:03:40,880 --> 00:03:43,520 Speaker 1: But yeah, I would highly recommend if you are in 62 00:03:43,640 --> 00:03:49,560 Speaker 1: Los Angeles and you're like, I don't know, like I 63 00:03:49,600 --> 00:03:52,120 Speaker 1: want to go to a theater, I don't you know, 64 00:03:52,320 --> 00:03:54,920 Speaker 1: I kind of want that old Hollywood feel. 65 00:03:55,120 --> 00:03:58,000 Speaker 2: There are a lot of historic theaters in LA. 66 00:03:58,520 --> 00:04:01,280 Speaker 1: So you've got the New Beverly in Tarantino owns that 67 00:04:01,280 --> 00:04:04,560 Speaker 1: that's in Beverly Hills. He also owns the Vista that's 68 00:04:04,600 --> 00:04:07,960 Speaker 1: in Los Pheelis. There's another like cool purple theater in 69 00:04:08,040 --> 00:04:12,240 Speaker 1: Los Pheelers, part of this like art house series. You've 70 00:04:12,240 --> 00:04:16,160 Speaker 1: got the Ultimo I believe it's called Draft House downtown. 71 00:04:16,839 --> 00:04:21,520 Speaker 1: That's a beautiful old theater. The Egyptian, the Chinese Theater. 72 00:04:22,320 --> 00:04:24,240 Speaker 1: Dolby Theater is where the Oscars are, so they were 73 00:04:24,279 --> 00:04:28,360 Speaker 1: setting up for the Oscars when we went to the Egyptian. Anyway, 74 00:04:28,560 --> 00:04:31,640 Speaker 1: so beautiful. But I'm just gonna give you a little 75 00:04:31,680 --> 00:04:34,320 Speaker 1: like taste of the Egyptian because like, if you're in 76 00:04:34,520 --> 00:04:37,720 Speaker 1: La go to a theater. The Egyptian Theater changed the 77 00:04:37,760 --> 00:04:39,920 Speaker 1: world of cinema when it opened its doors in nineteen 78 00:04:40,000 --> 00:04:45,240 Speaker 1: twenty two, providing a laviage lavish an immersive movie experience 79 00:04:45,279 --> 00:04:50,960 Speaker 1: for Hollywood audiences. The theater revolutionized film exhibition. How's the 80 00:04:51,000 --> 00:04:55,960 Speaker 1: first Hollywood movie premierees? I mentioned Robert Hood starring Douglas 81 00:04:56,160 --> 00:05:00,479 Speaker 1: Fairbanks and introduced the original red ca up at the 82 00:05:00,520 --> 00:05:05,000 Speaker 1: Egyptian was a fixture of Hollywood's Golden age. A classic, 83 00:05:05,080 --> 00:05:11,359 Speaker 1: that esteemed movie. An esteemed movie palace holds great, great 84 00:05:11,440 --> 00:05:16,120 Speaker 1: historical significance in the world of cinema. This historic venue 85 00:05:16,760 --> 00:05:22,320 Speaker 1: has been home to incredible cinematic experiences, helping to establish 86 00:05:22,360 --> 00:05:26,000 Speaker 1: Hollywood as the movie capital of the world, well becoming 87 00:05:26,040 --> 00:05:30,719 Speaker 1: a vital part of cultural heritage. How good, but yeah, 88 00:05:30,880 --> 00:05:34,120 Speaker 1: it's fully been restored to its original like how it 89 00:05:34,279 --> 00:05:38,200 Speaker 1: was in the heyday. It is so beautiful and it 90 00:05:38,320 --> 00:05:42,120 Speaker 1: is one of only five remaining theaters in the United 91 00:05:42,120 --> 00:05:47,839 Speaker 1: States capable of projecting nitrate film. The film stock used 92 00:05:47,880 --> 00:05:51,480 Speaker 1: from eighteen eighty nine to the nineteen fifties, as well 93 00:05:51,520 --> 00:05:55,600 Speaker 1: as thirty five mail and seventy mil and digital formats 94 00:05:55,680 --> 00:06:01,000 Speaker 1: being bringing classic classics to modern life. When I booked 95 00:06:01,200 --> 00:06:04,799 Speaker 1: the Peaky movie, it says, like what stock of film 96 00:06:04,839 --> 00:06:05,440 Speaker 1: they're using? 97 00:06:05,920 --> 00:06:06,400 Speaker 2: Very cool? 98 00:06:06,480 --> 00:06:08,320 Speaker 1: They end up using the digital one because I'm just 99 00:06:08,360 --> 00:06:13,640 Speaker 1: guessing that's you know, that was what they did to 100 00:06:13,760 --> 00:06:14,880 Speaker 1: roll out across the world. 101 00:06:15,040 --> 00:06:15,920 Speaker 2: But very interesting. 102 00:06:15,960 --> 00:06:18,480 Speaker 1: And also if you're like mad for a Netflix show 103 00:06:18,720 --> 00:06:22,599 Speaker 1: or you're a big fan, there's a Netflix store there too, 104 00:06:22,880 --> 00:06:26,440 Speaker 1: And there was like heaps of Stranger Things merch, loads 105 00:06:26,440 --> 00:06:30,000 Speaker 1: of Bridgeton merch. There was nothing peaky. I was like, oh, 106 00:06:30,040 --> 00:06:31,880 Speaker 1: I would have definitely bought a Peaky tea. You know, 107 00:06:31,920 --> 00:06:36,960 Speaker 1: I'm mad for merch. Anyway, Highly recommend you just book online, 108 00:06:37,520 --> 00:06:40,159 Speaker 1: so easy. We actually didn't end up booking online. We 109 00:06:40,279 --> 00:06:44,240 Speaker 1: just drove there and it was ten out of ten 110 00:06:44,320 --> 00:06:46,680 Speaker 1: no notes. That morning, I also went to the Hollywood 111 00:06:46,680 --> 00:06:49,200 Speaker 1: Farmer's Market with my mate Brian and sat mates Brian 112 00:06:49,240 --> 00:06:53,040 Speaker 1: and Zam and the La Marathon was on, so we 113 00:06:53,160 --> 00:06:55,080 Speaker 1: cheered on the marathon for a bit and then got 114 00:06:55,120 --> 00:06:57,520 Speaker 1: all our organic goods after that, and then came home, 115 00:06:57,960 --> 00:06:59,359 Speaker 1: worked for a bit, and then the Boss and I 116 00:06:59,400 --> 00:07:02,159 Speaker 1: went to like a movie and we've just had daylight 117 00:07:02,200 --> 00:07:04,800 Speaker 1: savings here so when you get out at like six 118 00:07:04,839 --> 00:07:09,320 Speaker 1: six said, it's still nice and light, right, So the 119 00:07:09,400 --> 00:07:12,960 Speaker 1: movie itself, can I tell you, sitting in this old theater, 120 00:07:14,880 --> 00:07:18,240 Speaker 1: truly sitting in this old theater, and then Killian Murphy 121 00:07:18,320 --> 00:07:22,960 Speaker 1: does this voiceover and it's like, Hey, I'm Killian Murphy. 122 00:07:23,160 --> 00:07:26,000 Speaker 1: You're seeing this in theaters before it comes out on Netflix. 123 00:07:26,080 --> 00:07:30,480 Speaker 1: Spoilers are terrible. Please do not share whatever happens in 124 00:07:30,520 --> 00:07:33,640 Speaker 1: this movie with anyone until it's officially out on Netflix 125 00:07:33,640 --> 00:07:35,920 Speaker 1: on the twentieth. And then he says, by order of 126 00:07:35,920 --> 00:07:37,040 Speaker 1: the Peaky Blinders, and. 127 00:07:36,960 --> 00:07:40,080 Speaker 2: I started crying. Yeah, Yeah, I did. I did. I 128 00:07:40,120 --> 00:07:40,840 Speaker 2: started crying. 129 00:07:41,120 --> 00:07:43,480 Speaker 1: I just got so overwhelmed one of my favorite actors 130 00:07:43,560 --> 00:07:45,440 Speaker 1: in this beautiful old theater. You just heard some of 131 00:07:45,480 --> 00:07:48,400 Speaker 1: the history of it, like it's been around from the heyday. 132 00:07:49,480 --> 00:07:53,600 Speaker 1: I just couldn't control my emotion. The movie itself is fantastic. 133 00:07:53,680 --> 00:07:56,200 Speaker 1: Barry Kiyogan is in it. I think I'm giving nothing 134 00:07:56,200 --> 00:08:01,720 Speaker 1: away by saying he plays Juke, which is Tommy Shelby's son. Also, 135 00:08:01,880 --> 00:08:06,400 Speaker 1: if you're a big Peaky Blinders fan on Netflix, they 136 00:08:06,440 --> 00:08:11,720 Speaker 1: have a three part video podcast, like twenty minute episodes, 137 00:08:11,880 --> 00:08:15,880 Speaker 1: and it's like, I believe the interviewer's name is Alan Or, 138 00:08:15,960 --> 00:08:21,400 Speaker 1: but she interviews Killian Stephen Knight, the creator, Barrick Yogan, 139 00:08:21,880 --> 00:08:26,360 Speaker 1: the costume designer, the actress that plays aidas shall be 140 00:08:26,840 --> 00:08:31,000 Speaker 1: very cool, highly high and they bring historians in to 141 00:08:31,080 --> 00:08:33,960 Speaker 1: talk about how true it was to the time. Anyway, 142 00:08:34,679 --> 00:08:38,240 Speaker 1: highly recommend. It's obviously going to be out on Netflix 143 00:08:38,280 --> 00:08:42,440 Speaker 1: in like a week's time, but yeah, so good. And 144 00:08:42,559 --> 00:08:45,000 Speaker 1: also like if you're in La, definitely go to the 145 00:08:45,080 --> 00:08:48,280 Speaker 1: Chinese Theater or go to the Egyptian Theater, like, and 146 00:08:48,320 --> 00:08:52,239 Speaker 1: it's also right next to where Jimmy Kimmel is records 147 00:08:52,280 --> 00:08:54,720 Speaker 1: and you can go there for free, like that's you 148 00:08:54,840 --> 00:08:57,240 Speaker 1: just put your name down. You either walk past and 149 00:08:57,240 --> 00:08:59,320 Speaker 1: put your name down, or you can sign up online, 150 00:08:59,360 --> 00:09:03,760 Speaker 1: Like it's so easy to sign up and be a 151 00:09:03,760 --> 00:09:05,160 Speaker 1: audience member on Jimmy Kimmel. 152 00:09:05,200 --> 00:09:06,960 Speaker 2: And it's all in the heart of Hollywood, Like it's. 153 00:09:06,840 --> 00:09:09,240 Speaker 1: All in that main drag where the Walk of Fame 154 00:09:09,400 --> 00:09:12,400 Speaker 1: stars are, and right when you get out of the 155 00:09:12,440 --> 00:09:15,600 Speaker 1: Egyptian it's got like Cate Blanchette star. I'm pretty sure 156 00:09:15,640 --> 00:09:19,200 Speaker 1: I saw Frank Sinatra as well that day. But do it, 157 00:09:19,280 --> 00:09:20,439 Speaker 1: do it, do it, do it. If you come in 158 00:09:20,640 --> 00:09:24,400 Speaker 1: LA and you want that mercy of Hollywood experience, one 159 00:09:24,480 --> 00:09:27,200 Speaker 1: hundred percent, do it, and like just have a little 160 00:09:27,200 --> 00:09:29,840 Speaker 1: Hollywood day where you do the Walker Stars it is 161 00:09:29,880 --> 00:09:35,240 Speaker 1: obviously touristy. It's really busy. There's people trying to sell you. 162 00:09:35,280 --> 00:09:37,160 Speaker 1: Like not in the theater or anything, but when you're 163 00:09:37,200 --> 00:09:40,559 Speaker 1: walking on Hollywood Boulevard, people be trying to sell you 164 00:09:40,600 --> 00:09:43,200 Speaker 1: their CDs and merchant da da da, So you just 165 00:09:43,200 --> 00:09:47,000 Speaker 1: got to be like no, thanks or whatever. I'm terrible 166 00:09:47,040 --> 00:09:48,840 Speaker 1: at saying no to that kind of stuff, but Matt's 167 00:09:48,840 --> 00:09:50,800 Speaker 1: always with me being like, don't say anything. 168 00:09:50,920 --> 00:09:55,760 Speaker 2: I'm like, okay, I always say sorry, I'm Australian. I'm Australian. Okay. 169 00:09:55,840 --> 00:09:59,400 Speaker 1: So the Farm's Market was unreal. LA Marathon unreal. My 170 00:09:59,440 --> 00:10:02,600 Speaker 1: mate Brian doing the London Marathon. I believe it's in April. 171 00:10:03,000 --> 00:10:06,120 Speaker 1: So we were like just nerding out over people's times and. 172 00:10:06,040 --> 00:10:06,680 Speaker 2: Stuff like that. 173 00:10:07,520 --> 00:10:10,160 Speaker 1: The last couple of days, Matt's been in this amazing 174 00:10:11,000 --> 00:10:15,559 Speaker 1: He was invited to this composers I kind of want 175 00:10:15,559 --> 00:10:17,800 Speaker 1: to call it a symposium, but it was like a 176 00:10:17,920 --> 00:10:22,040 Speaker 1: very select group of Aussie composers and I'm so flipp 177 00:10:22,080 --> 00:10:26,280 Speaker 1: and proud of him. He did so great and yeah, 178 00:10:26,400 --> 00:10:29,800 Speaker 1: I just yeah, I just am so proud of him. 179 00:10:29,880 --> 00:10:32,040 Speaker 1: I'm so flippant proud of him. And now we're getting 180 00:10:32,040 --> 00:10:35,800 Speaker 1: ready for south By Southwest, so I have I am 181 00:10:36,480 --> 00:10:39,320 Speaker 1: I'm hosting a podcast for Australia House which is going 182 00:10:39,400 --> 00:10:43,360 Speaker 1: to be out south By Southwest and I if you 183 00:10:43,360 --> 00:10:46,280 Speaker 1: can hear any of this, this. 184 00:10:46,160 --> 00:10:47,400 Speaker 2: Is all of my research. 185 00:10:47,640 --> 00:10:51,240 Speaker 1: Like I I'm interviewing. I believe it's up to forty 186 00:10:51,280 --> 00:10:54,760 Speaker 1: people in that first time. I'm not interviewing anyone so 187 00:10:54,800 --> 00:10:58,959 Speaker 1: in two days. So I've just been madly researching. So 188 00:10:59,200 --> 00:11:03,040 Speaker 1: I've got butchers paper out, I've got a notebook. Today 189 00:11:03,240 --> 00:11:06,440 Speaker 1: is flip card Day, so I'm making all flap flash cards. 190 00:11:06,480 --> 00:11:09,600 Speaker 1: I'm making color coordinating flash cards. Because there are different 191 00:11:09,640 --> 00:11:12,840 Speaker 1: panels talking about different things. So we've got a panel 192 00:11:12,880 --> 00:11:15,600 Speaker 1: on like Ossie Cafe culture, We've got a panel on 193 00:11:16,160 --> 00:11:20,760 Speaker 1: space and I'm interviewing someone from NASA, and then you 194 00:11:20,800 --> 00:11:26,480 Speaker 1: know aerospace engineers and very exciting slash a little nerve wracking. 195 00:11:27,080 --> 00:11:30,440 Speaker 1: Then we've got a panel on like AI and tech. 196 00:11:31,320 --> 00:11:33,840 Speaker 1: I've just found out today Matt speaking on a panel 197 00:11:33,920 --> 00:11:37,080 Speaker 1: about the business side of creatives and he's coming on 198 00:11:37,120 --> 00:11:41,040 Speaker 1: as a composer, so cool. And then of course there's 199 00:11:41,040 --> 00:11:47,800 Speaker 1: a creator real creatives, which is like showrunners from TV shows, movies, 200 00:11:48,160 --> 00:11:52,240 Speaker 1: shorts that are all within the festival, and Ozzie's are 201 00:11:52,240 --> 00:11:54,679 Speaker 1: just killing it, so I'm really excited. 202 00:11:55,720 --> 00:11:56,720 Speaker 2: To do these interviews. 203 00:11:56,760 --> 00:12:01,400 Speaker 1: I'm also, as you know, very a type, very control freak, 204 00:12:01,720 --> 00:12:05,880 Speaker 1: very love prep, so just gonna really knuckle down the 205 00:12:05,920 --> 00:12:08,480 Speaker 1: next few days and collate all of my invasion. I've 206 00:12:08,559 --> 00:12:10,480 Speaker 1: kind of been like very whimsical in the way I've 207 00:12:10,480 --> 00:12:13,240 Speaker 1: taken notes for the last week. I've just as soon 208 00:12:13,280 --> 00:12:15,360 Speaker 1: as I get sent a guest s bio, I'm like amazing, 209 00:12:15,400 --> 00:12:17,400 Speaker 1: and then I'll watch YouTube clips of the guests and 210 00:12:17,440 --> 00:12:19,800 Speaker 1: then I'll kind of like listen to any other pods 211 00:12:19,840 --> 00:12:22,240 Speaker 1: they've done. But then that guest kind of gets booked 212 00:12:22,280 --> 00:12:24,800 Speaker 1: on something else or gets called away, and so your 213 00:12:24,800 --> 00:12:26,920 Speaker 1: guest gets replaced. So now I've got to like be 214 00:12:26,960 --> 00:12:29,440 Speaker 1: a little bit more i would say sharp with my 215 00:12:29,520 --> 00:12:32,079 Speaker 1: research and kind of like collated a bit. And I'm 216 00:12:32,120 --> 00:12:36,160 Speaker 1: definitely over sharing the way in which I'm doing research. 217 00:12:36,200 --> 00:12:37,439 Speaker 1: I told you last week I was gonna get my 218 00:12:37,480 --> 00:12:42,679 Speaker 1: cholesterol retested no availabilities in the mornings. So I'm just 219 00:12:42,720 --> 00:12:44,760 Speaker 1: gonna get ahead of it and book for like a 220 00:12:44,800 --> 00:12:46,400 Speaker 1: month's time so that I can because I have to 221 00:12:46,440 --> 00:12:49,679 Speaker 1: be fasted so that i can do that. You know, 222 00:12:50,480 --> 00:12:52,200 Speaker 1: We'll get up one morning, just get it done and 223 00:12:52,200 --> 00:12:53,320 Speaker 1: then happy days. 224 00:12:54,559 --> 00:12:57,480 Speaker 2: What else? Okay, yesterday had a really fun day. 225 00:12:58,200 --> 00:13:01,960 Speaker 1: Do you remember I told you when I did the 226 00:13:02,040 --> 00:13:04,920 Speaker 1: pilot Codependent, I loved it, which is what's having as 227 00:13:04,920 --> 00:13:06,719 Speaker 1: world premiere at south By. 228 00:13:07,200 --> 00:13:10,680 Speaker 2: I loved it. I prepared really well and really heavily 229 00:13:10,800 --> 00:13:11,280 Speaker 2: for it. 230 00:13:11,640 --> 00:13:15,559 Speaker 1: But I was very anxious on set, like super nervous, 231 00:13:15,600 --> 00:13:17,560 Speaker 1: to the point that I was like, ah, why was 232 00:13:17,559 --> 00:13:20,439 Speaker 1: I so nervous, Like when I do Morning TV? Never nervous, 233 00:13:21,240 --> 00:13:23,880 Speaker 1: So I said to myself when I said to Matt, 234 00:13:23,880 --> 00:13:26,679 Speaker 1: I was like, I need more exposure therapy because I 235 00:13:26,720 --> 00:13:29,200 Speaker 1: was excited, but I was also nervous, and I don't 236 00:13:29,240 --> 00:13:33,280 Speaker 1: want those nerves because I want to be acting, you know, 237 00:13:33,440 --> 00:13:37,600 Speaker 1: you know, So like I I said to Matt, I 238 00:13:37,640 --> 00:13:39,120 Speaker 1: was like, I need to be doing I need to 239 00:13:39,120 --> 00:13:42,560 Speaker 1: be on more sets, not where I'm like making a 240 00:13:42,640 --> 00:13:45,320 Speaker 1: meal or speaking to a host of like you know 241 00:13:45,320 --> 00:13:48,000 Speaker 1: how I do KTLA and Morning TV and stuff like that. 242 00:13:48,840 --> 00:13:52,840 Speaker 1: I'm like, I need more exposure on sets as an actor, 243 00:13:53,559 --> 00:14:00,000 Speaker 1: watching actors, learning the lingo, like rolling state, set one reset, 244 00:14:00,320 --> 00:14:02,440 Speaker 1: all that kind of stuff, hitting your mark blah, blah 245 00:14:02,440 --> 00:14:05,520 Speaker 1: blah all that stuff. And so I shot an Indie 246 00:14:06,120 --> 00:14:08,640 Speaker 1: probably like three weeks ago now, maybe even a month ago, 247 00:14:09,360 --> 00:14:12,160 Speaker 1: and I felt so much more relaxed because I'd had 248 00:14:12,160 --> 00:14:15,000 Speaker 1: the experience of being on the pilot and I was like, Oh, 249 00:14:15,160 --> 00:14:16,520 Speaker 1: I know what they mean when they want to do 250 00:14:16,760 --> 00:14:19,080 Speaker 1: like a cold run through. Oh, I know what they 251 00:14:19,160 --> 00:14:21,920 Speaker 1: mean when the director wants to workshop ideas. And I 252 00:14:22,000 --> 00:14:26,520 Speaker 1: was way way more relaxed. And now I'm saying to 253 00:14:26,560 --> 00:14:29,720 Speaker 1: audition for bigger things. I said to Matt, I've got 254 00:14:29,760 --> 00:14:33,040 Speaker 1: to get exposure on bigger sets so that I'm not 255 00:14:34,040 --> 00:14:37,400 Speaker 1: anxious again because I love it and this is my passion, 256 00:14:37,480 --> 00:14:40,960 Speaker 1: this is what I want to do, And so I said, 257 00:14:41,120 --> 00:14:42,200 Speaker 1: I said to me, I was like, I think I'm 258 00:14:42,200 --> 00:14:44,000 Speaker 1: going to do some background work so that I can 259 00:14:44,040 --> 00:14:47,560 Speaker 1: get the exposure and experience of being on these humongous sets. 260 00:14:48,440 --> 00:14:52,960 Speaker 2: Wow, yesterday I got to work on Gray's Anatom. It 261 00:14:53,080 --> 00:14:54,000 Speaker 2: was so much fun. 262 00:14:54,440 --> 00:14:59,000 Speaker 1: So I played You're not allowed to give anything away, obviously, 263 00:14:59,640 --> 00:15:03,160 Speaker 1: and there it's like very strict rules, like no photos 264 00:15:03,200 --> 00:15:07,200 Speaker 1: as soon as you enter the lot. It's very, very 265 00:15:07,280 --> 00:15:10,120 Speaker 1: very strict, and it's a very well oiled business. I 266 00:15:10,120 --> 00:15:12,480 Speaker 1: mean they're shooting season twenty two right now, and they 267 00:15:12,480 --> 00:15:13,200 Speaker 1: were yesterday. 268 00:15:14,040 --> 00:15:16,400 Speaker 2: But it was so much fun. 269 00:15:16,480 --> 00:15:20,240 Speaker 1: So I was a worried hospital visitor, just pacing so 270 00:15:20,360 --> 00:15:23,480 Speaker 1: for the whole shot. Every time they'd be like and rolling, 271 00:15:23,600 --> 00:15:26,200 Speaker 1: I'd just be paid like a worried mum worried about 272 00:15:26,200 --> 00:15:29,080 Speaker 1: their kid in hospital. Right, No lines, nothing like that, 273 00:15:29,120 --> 00:15:32,720 Speaker 1: you literally background and but it was so much fun 274 00:15:32,760 --> 00:15:36,320 Speaker 1: to be on a massive like that is a giant, 275 00:15:37,160 --> 00:15:41,640 Speaker 1: giant set, Like the crew alone is probably around one 276 00:15:41,720 --> 00:15:48,200 Speaker 1: hundred people. The like the actors background, I'm guessing that's 277 00:15:48,240 --> 00:15:51,280 Speaker 1: around one hundred as well. Like it's huge, but it 278 00:15:51,360 --> 00:15:55,680 Speaker 1: is such a fun way to understand, Like this one 279 00:15:55,920 --> 00:15:56,920 Speaker 1: little scene. 280 00:15:56,600 --> 00:15:59,120 Speaker 2: I believe it was a very quick scene. Ten seconds. 281 00:16:00,120 --> 00:16:07,040 Speaker 1: You ran it, I'm gonna say twenty times maybe just shy, 282 00:16:07,960 --> 00:16:10,080 Speaker 1: maybe just shy of twenty times. And that took about 283 00:16:10,080 --> 00:16:12,360 Speaker 1: an hour and a half two hours, But it was 284 00:16:12,440 --> 00:16:15,360 Speaker 1: just cool to learn. Like you arrive, you have to 285 00:16:15,360 --> 00:16:19,640 Speaker 1: do like a full id check of course, then you park, 286 00:16:19,680 --> 00:16:22,400 Speaker 1: they've got like all on site parking, and then you 287 00:16:22,480 --> 00:16:27,479 Speaker 1: walk to a check intent and then you get costume. 288 00:16:28,400 --> 00:16:30,280 Speaker 1: You go to costume, and then they tell you if 289 00:16:30,280 --> 00:16:32,280 Speaker 1: you need to go to props. So depending on if 290 00:16:32,320 --> 00:16:35,240 Speaker 1: you play like an er doctor or a nurse, will 291 00:16:35,240 --> 00:16:36,160 Speaker 1: depend on if you go. 292 00:16:36,080 --> 00:16:36,720 Speaker 2: To props or not. 293 00:16:37,440 --> 00:16:41,240 Speaker 1: And then because obviously you need your stethoscope and your 294 00:16:41,640 --> 00:16:45,360 Speaker 1: patient files, that kind of thing. And then you get 295 00:16:45,400 --> 00:16:48,040 Speaker 1: put into a holding area. And then once every's in 296 00:16:48,040 --> 00:16:50,960 Speaker 1: their holding area, we broke for lunch, so they're like 297 00:16:51,080 --> 00:16:52,680 Speaker 1: lunch break, and so I was like, oh my god, 298 00:16:52,680 --> 00:16:56,560 Speaker 1: I feel that we just got here full caded, crafty everything. 299 00:16:57,400 --> 00:16:59,880 Speaker 1: And then we got put back in the holding area 300 00:17:01,880 --> 00:17:04,000 Speaker 1: for like and they had a time down to the minute, 301 00:17:04,040 --> 00:17:08,080 Speaker 1: like it is a humongous production, huge, and then taking 302 00:17:08,080 --> 00:17:10,560 Speaker 1: a set right and then when you get to set, 303 00:17:10,760 --> 00:17:14,639 Speaker 1: you're basically there are multiple like hots, I want to 304 00:17:14,640 --> 00:17:17,760 Speaker 1: call them hot stages, so where there's camera crew all 305 00:17:17,760 --> 00:17:19,840 Speaker 1: set up and there are so many people, like I 306 00:17:19,880 --> 00:17:21,840 Speaker 1: don't know how many people are in the props department. 307 00:17:23,520 --> 00:17:26,080 Speaker 1: I in fact think there's props department for depending on 308 00:17:26,200 --> 00:17:29,640 Speaker 1: like whether you're in an er room versus a weight 309 00:17:29,720 --> 00:17:32,639 Speaker 1: room versus like where I was, I was kind of 310 00:17:32,640 --> 00:17:35,080 Speaker 1: like pacing outside not I don't know what I'm allowed 311 00:17:35,080 --> 00:17:38,000 Speaker 1: to say anyway, as kind of pacing, and they call 312 00:17:38,040 --> 00:17:41,800 Speaker 1: them crossovers if you're a walking character. 313 00:17:42,800 --> 00:17:43,399 Speaker 2: Anyway, it was. 314 00:17:43,440 --> 00:17:46,680 Speaker 1: Just so fun because like right before they hit record, 315 00:17:46,800 --> 00:17:49,200 Speaker 1: you'd hear this big like drill sound like. 316 00:17:49,840 --> 00:17:51,040 Speaker 2: I don't know how to describe it. 317 00:17:51,040 --> 00:17:54,320 Speaker 1: It's like a huge like almost an alarm like because 318 00:17:54,320 --> 00:17:56,800 Speaker 1: that means they're about to record. And then you look 319 00:17:56,960 --> 00:18:00,720 Speaker 1: up and you'd see a huge flashing red light, so 320 00:18:00,960 --> 00:18:04,720 Speaker 1: knowing that it's live recording, and then you just hear 321 00:18:04,800 --> 00:18:10,240 Speaker 1: someone yell rolling and then we had another like a 322 00:18:10,280 --> 00:18:12,560 Speaker 1: pa with us that'd be like go, and then we'd 323 00:18:12,560 --> 00:18:15,639 Speaker 1: know to walk and to move to our mark and 324 00:18:15,680 --> 00:18:18,119 Speaker 1: then when to move back. But yeah, it was like 325 00:18:18,160 --> 00:18:20,600 Speaker 1: a very well oiled machine. Then we got back put 326 00:18:20,640 --> 00:18:24,199 Speaker 1: in holding and then they'd have to take your photos 327 00:18:24,320 --> 00:18:26,800 Speaker 1: and then you give your you had like ID cards, 328 00:18:27,000 --> 00:18:29,600 Speaker 1: you have to give them back as well. And then 329 00:18:29,760 --> 00:18:32,680 Speaker 1: by the time I'd got home, I had been sent 330 00:18:32,760 --> 00:18:35,120 Speaker 1: like my hours and I had to approve them. Anyway, 331 00:18:35,520 --> 00:18:38,520 Speaker 1: very cool, so much fun just to be on like 332 00:18:39,000 --> 00:18:44,120 Speaker 1: a mega set where there are so many working actors 333 00:18:44,359 --> 00:18:46,320 Speaker 1: and so the energy of it was just so fun. 334 00:18:47,000 --> 00:18:47,960 Speaker 2: I know in Australia. 335 00:18:48,080 --> 00:18:50,720 Speaker 1: In Australia, in the acting world, like background acting is 336 00:18:50,880 --> 00:18:55,000 Speaker 1: kind of like turned down, looked down upon a little bit. 337 00:18:55,720 --> 00:18:58,320 Speaker 1: But for me, I was like, my whole thing is 338 00:18:58,359 --> 00:19:01,080 Speaker 1: like also America, who is so much bigger, and no 339 00:19:01,119 --> 00:19:03,159 Speaker 1: one knows if you're background acting or not. And I 340 00:19:03,200 --> 00:19:06,919 Speaker 1: know a lot of actors did do do background acting 341 00:19:07,320 --> 00:19:09,080 Speaker 1: for the same reason I'm doing it, which is like 342 00:19:09,720 --> 00:19:12,119 Speaker 1: I just want to get exposure so that when I 343 00:19:12,160 --> 00:19:16,000 Speaker 1: am on set playing a speaking role or a guestie 344 00:19:16,320 --> 00:19:21,879 Speaker 1: or you know, one day hopefully a lead role, that 345 00:19:22,000 --> 00:19:23,760 Speaker 1: I'm like, oh yeah, I know what. I know they're 346 00:19:23,760 --> 00:19:25,359 Speaker 1: going to run at twenty times. Oh yeah, I know 347 00:19:25,440 --> 00:19:29,159 Speaker 1: that sound. Oh yeah, And it doesn't become nervous, it 348 00:19:29,320 --> 00:19:33,320 Speaker 1: just becomes natural. And so for me, I feel like 349 00:19:33,359 --> 00:19:37,040 Speaker 1: I'm really kind of doing more of the thing I love. Also, 350 00:19:37,240 --> 00:19:39,960 Speaker 1: you get to manifest like you're literally on one of 351 00:19:40,000 --> 00:19:44,480 Speaker 1: the most successful sets of the world twenty two epps, 352 00:19:44,560 --> 00:19:48,080 Speaker 1: like twenty two seasons, Like they're about to hit five 353 00:19:48,160 --> 00:19:51,280 Speaker 1: hundred EPs soon, Like that's in the realm of what 354 00:19:51,880 --> 00:19:56,760 Speaker 1: in cis like been around forever anyway, it was so 355 00:19:56,840 --> 00:19:59,920 Speaker 1: much fun. Like I said, you can't share anything about 356 00:20:00,400 --> 00:20:03,919 Speaker 1: you sign all these contracts about that, but I'm pretty 357 00:20:03,920 --> 00:20:06,520 Speaker 1: sure I can say I did it. 358 00:20:06,640 --> 00:20:08,280 Speaker 2: I loved it and I can't wait to do it again. 359 00:20:08,840 --> 00:20:12,080 Speaker 1: So yeah, I hope that maybe a bit of it 360 00:20:12,119 --> 00:20:17,600 Speaker 1: inspires you to go out and get closer to that 361 00:20:17,680 --> 00:20:20,560 Speaker 1: thing you love. And I think in the creative world 362 00:20:20,600 --> 00:20:27,119 Speaker 1: as an actor, it can feel sometimes like you're waiting 363 00:20:27,160 --> 00:20:30,560 Speaker 1: for the phone to call ring, you're waiting for the agent, 364 00:20:30,680 --> 00:20:32,960 Speaker 1: or you're waiting for the credit and the two you can't. 365 00:20:33,000 --> 00:20:35,280 Speaker 1: It's really hard to get credits without agents, da da da. 366 00:20:35,920 --> 00:20:38,159 Speaker 1: And for me, I just feel like this is getting 367 00:20:38,160 --> 00:20:43,119 Speaker 1: me so ready for when that next call happens. Like, 368 00:20:43,160 --> 00:20:46,680 Speaker 1: for example, if the pilot gets sold at south By Southwest, 369 00:20:46,720 --> 00:20:48,760 Speaker 1: that's what we're there for. By the way, Also, yes 370 00:20:48,800 --> 00:20:52,439 Speaker 1: i'm hosting for Aussie house but hosting their pod, but 371 00:20:52,600 --> 00:20:58,880 Speaker 1: also the world premiere for the pilot Codependent is happening, 372 00:20:59,520 --> 00:21:01,560 Speaker 1: and it's there is a second screening as well, and 373 00:21:02,720 --> 00:21:05,879 Speaker 1: in a dream world, that'll be sold and if that 374 00:21:05,920 --> 00:21:09,320 Speaker 1: gets sold, everything gets reshoot. 375 00:21:09,320 --> 00:21:10,840 Speaker 2: You're in production like pretty quick. 376 00:21:10,880 --> 00:21:14,920 Speaker 1: And so I'm so excited that I keep doing all 377 00:21:14,960 --> 00:21:18,600 Speaker 1: of this exposure therapy so that when I get that opportunity, 378 00:21:19,359 --> 00:21:23,760 Speaker 1: I'm so ready. It's a bit like Michael Jordan not 379 00:21:23,800 --> 00:21:25,280 Speaker 1: to compare myself to Michael Jordan. 380 00:21:25,119 --> 00:21:26,119 Speaker 2: But it's that same. 381 00:21:27,520 --> 00:21:33,239 Speaker 1: Work ethic of he took ballet lessons so that his 382 00:21:33,280 --> 00:21:34,600 Speaker 1: footwork was better. 383 00:21:36,040 --> 00:21:40,080 Speaker 2: On the basketball court. So I don't know, I do know. 384 00:21:40,240 --> 00:21:44,520 Speaker 1: I just think, like, spend more time doing this stuff 385 00:21:44,560 --> 00:21:49,840 Speaker 1: you love and do the stuff that helps you feel 386 00:21:49,920 --> 00:21:54,000 Speaker 1: ready but also helps you manifest more of the stuff 387 00:21:54,040 --> 00:21:56,440 Speaker 1: you love. Also, it's grazed anatomy, like who doesn't want 388 00:21:56,480 --> 00:22:00,400 Speaker 1: to be on that set? Anyway, there's my I hope 389 00:22:00,480 --> 00:22:04,360 Speaker 1: that inspired you a little. Now Monday's app, I'm gonna 390 00:22:04,359 --> 00:22:06,920 Speaker 1: have an actor coming out at a creative app or 391 00:22:06,960 --> 00:22:09,960 Speaker 1: a couple boo coming out on Monday, and then what 392 00:22:10,040 --> 00:22:14,800 Speaker 1: will happen is south By Southwest episodes. So we're gonna 393 00:22:14,800 --> 00:22:18,520 Speaker 1: have three two to three south By Southwest specials and 394 00:22:18,560 --> 00:22:23,080 Speaker 1: they're gonna drop right like literally not this coming Monday, 395 00:22:23,119 --> 00:22:25,320 Speaker 1: because we'll literally be at the festival and will still. 396 00:22:25,080 --> 00:22:27,600 Speaker 2: Be very much happening, but we're gonna. 397 00:22:27,359 --> 00:22:31,359 Speaker 1: Drop three south By Southwest episodes so that I'll be 398 00:22:31,400 --> 00:22:34,200 Speaker 1: meet injuring people, like I said, from AI and tech 399 00:22:34,280 --> 00:22:39,320 Speaker 1: to space to Aussie cafe culture, to film, TV to music, 400 00:22:39,920 --> 00:22:40,520 Speaker 1: you name it. 401 00:22:41,040 --> 00:22:43,840 Speaker 2: So that's gonna be really fun apps. 402 00:22:43,880 --> 00:22:45,480 Speaker 1: I want to bring them to you straight away, hot 403 00:22:45,480 --> 00:22:48,399 Speaker 1: off the press, so that you feel like you're at 404 00:22:48,400 --> 00:22:51,520 Speaker 1: south By as well. I went to bring you a 405 00:22:51,080 --> 00:22:54,680 Speaker 1: lot along for the ride, you know, all right, Oru. 406 00:22:54,880 --> 00:22:57,400 Speaker 1: So I hope this app inspires you to go out 407 00:22:57,400 --> 00:22:59,160 Speaker 1: and do the stuff you love, or. 408 00:22:59,160 --> 00:23:01,520 Speaker 2: To train for it. You know. 409 00:23:01,760 --> 00:23:03,679 Speaker 1: That's what I feel like I did yesterday. I just 410 00:23:03,840 --> 00:23:07,560 Speaker 1: got ready to myself for it. So yeah, big glove, 411 00:23:08,320 --> 00:23:10,000 Speaker 1: stay ready, hooru