1 00:00:00,400 --> 00:00:03,200 Speaker 1: Jam Mission with joon Z and Amanda. 2 00:00:03,279 --> 00:00:05,760 Speaker 2: I know that you're not a big fan of Essays Australia, 3 00:00:05,760 --> 00:00:10,160 Speaker 2: and fundamentally you don't understand Essays Australia like I do. 4 00:00:10,280 --> 00:00:12,240 Speaker 1: Let me just say this, it's patronizing for you to 5 00:00:12,280 --> 00:00:14,240 Speaker 1: say that to me. I understand it. I just don't 6 00:00:14,240 --> 00:00:18,239 Speaker 1: find it pleasurable viewing. It's aggressive to watch. We've got 7 00:00:18,560 --> 00:00:20,840 Speaker 1: Merrick Watt's on the show today, so I thought i'd 8 00:00:20,840 --> 00:00:26,200 Speaker 1: watched the program last night. What the first chore exercise 9 00:00:26,280 --> 00:00:28,600 Speaker 1: they had to do on the show last night was 10 00:00:28,680 --> 00:00:34,520 Speaker 1: to be bundled into some kind of hostage situation where 11 00:00:34,560 --> 00:00:37,279 Speaker 1: they have to decide who is the hostage, who are 12 00:00:37,280 --> 00:00:41,680 Speaker 1: the two hostage takers? And fire. Accordingly, Candice Warner wasn't 13 00:00:41,720 --> 00:00:43,839 Speaker 1: able to do that successfully. And this is how she 14 00:00:43,880 --> 00:00:44,879 Speaker 1: gets spoken. 15 00:00:44,520 --> 00:00:51,520 Speaker 2: To stop what you just done? What have you not done? 16 00:00:52,040 --> 00:00:52,440 Speaker 2: There was a. 17 00:00:52,400 --> 00:00:55,800 Speaker 1: Gunpointing at me, so I shot. 18 00:00:55,680 --> 00:00:59,760 Speaker 3: Sho, I couldn't did you wait a shit? 19 00:01:00,240 --> 00:01:04,560 Speaker 2: Don't argue, ma? Do you want to rut? Shoot again? Consequently, 20 00:01:04,920 --> 00:01:09,200 Speaker 2: I'll go and tell your husband she's dead. Disappear there 21 00:01:09,240 --> 00:01:09,440 Speaker 2: you go? 22 00:01:10,160 --> 00:01:12,319 Speaker 1: You know how am I supposed to know how to 23 00:01:12,360 --> 00:01:15,039 Speaker 1: do that? They're not training. I know you say I 24 00:01:15,080 --> 00:01:18,240 Speaker 1: don't get the wardrobe of it. I do, but I'm 25 00:01:18,360 --> 00:01:20,720 Speaker 1: very aware that they're training for two weeks and their 26 00:01:20,800 --> 00:01:24,800 Speaker 1: end result is not to join the essays on them 27 00:01:24,800 --> 00:01:25,640 Speaker 1: when they can't. 28 00:01:25,400 --> 00:01:27,800 Speaker 2: Do it because it's the army. 29 00:01:27,840 --> 00:01:30,640 Speaker 1: But the people who were successful, do they actually give 30 00:01:30,760 --> 00:01:33,160 Speaker 1: up their families and careers and go and join the essays? 31 00:01:33,400 --> 00:01:38,160 Speaker 2: Yes, pretty much. I think it's people, but it's all 32 00:01:38,200 --> 00:01:39,400 Speaker 2: about see. 33 00:01:39,240 --> 00:01:42,200 Speaker 1: At one point they've said, this isn't about your self discovery. 34 00:01:42,200 --> 00:01:44,760 Speaker 1: It's not about your self discovery. But all of them 35 00:01:44,760 --> 00:01:46,360 Speaker 1: are saying I'm here to see how far I can 36 00:01:46,360 --> 00:01:48,280 Speaker 1: push my limits. They're there for self discovery. 37 00:01:48,280 --> 00:01:50,600 Speaker 2: If we're in it together, you would get us all shot. 38 00:01:50,880 --> 00:01:54,920 Speaker 2: You'd be like, ran in there and just shot everywhere. 39 00:01:55,240 --> 00:01:59,400 Speaker 2: He was like yippie mother beabers, just shooting everyone. There 40 00:01:59,440 --> 00:02:03,000 Speaker 2: was a rare bit of a humiliate humility from Merrick 41 00:02:03,040 --> 00:02:03,840 Speaker 2: Watts last night. 42 00:02:04,440 --> 00:02:06,480 Speaker 1: He's been playing it very straight, hasn't he. 43 00:02:06,320 --> 00:02:10,960 Speaker 2: He has been playing it so so straight. But there 44 00:02:11,040 --> 00:02:14,520 Speaker 2: was a moment there where he just really we saw 45 00:02:14,600 --> 00:02:17,160 Speaker 2: the layers. And I've wit named Merrick for a long 46 00:02:17,200 --> 00:02:17,720 Speaker 2: long time. 47 00:02:18,240 --> 00:02:21,160 Speaker 3: For twenty years, I worked in radio and I was 48 00:02:21,200 --> 00:02:24,280 Speaker 3: phenomenally successful. I had a number one radio program for 49 00:02:24,320 --> 00:02:26,560 Speaker 3: getting massive ratings, sending a lot of money, and it 50 00:02:26,600 --> 00:02:29,840 Speaker 3: was a really, really good time. And then died. You 51 00:02:29,919 --> 00:02:33,600 Speaker 3: do something like radio for twenty years, NonStop, you get 52 00:02:33,720 --> 00:02:36,079 Speaker 3: used to a certain way of doing things, and then 53 00:02:36,720 --> 00:02:38,400 Speaker 3: when you're out of it for a little while, it's 54 00:02:38,440 --> 00:02:41,840 Speaker 3: exciting and it's kind of cool. It's a release. But 55 00:02:41,880 --> 00:02:44,200 Speaker 3: then all of a sudden, there was a period where 56 00:02:44,520 --> 00:02:47,079 Speaker 3: I just didn't have a lot of work. There was 57 00:02:47,120 --> 00:02:49,680 Speaker 3: a moment there where I just went, what's next for me? 58 00:02:50,000 --> 00:02:52,040 Speaker 3: Who am I? What am I going to do? I 59 00:02:52,080 --> 00:02:55,679 Speaker 3: lost my self confidence, and I lost my strength and myself. 60 00:02:55,919 --> 00:03:02,360 Speaker 3: That started to slowly manifest into anxiety and depression. It 61 00:03:02,520 --> 00:03:05,280 Speaker 3: starts to seed. These things don't just become a true 62 00:03:05,800 --> 00:03:08,720 Speaker 3: one thing becomes another, becomes another, becomes another, And if 63 00:03:08,760 --> 00:03:11,080 Speaker 3: you let it go too big, it's too hard to 64 00:03:11,120 --> 00:03:11,960 Speaker 3: drop down, too. 65 00:03:11,919 --> 00:03:13,120 Speaker 2: Hard to chop down that tree. 66 00:03:13,480 --> 00:03:14,280 Speaker 1: Insightful listness. 67 00:03:14,320 --> 00:03:18,600 Speaker 2: And so he got interrogated by the staff and they 68 00:03:18,600 --> 00:03:21,080 Speaker 2: were quite surprised when Merek said what he did for 69 00:03:21,120 --> 00:03:22,440 Speaker 2: a living? What do you do? 70 00:03:22,560 --> 00:03:25,000 Speaker 3: Number ten? What do you do for a living? Yes, 71 00:03:25,760 --> 00:03:30,639 Speaker 3: I'm a comedian, stuff off, Come on, you're a comedian. 72 00:03:30,680 --> 00:03:31,280 Speaker 3: I'm a comedian. 73 00:03:31,320 --> 00:03:34,120 Speaker 2: Stuff. It's the most serious bloke of mad Tell me 74 00:03:34,160 --> 00:03:34,480 Speaker 2: a joke. 75 00:03:35,640 --> 00:03:38,800 Speaker 3: I'm a forty six year old father of two. I'm 76 00:03:38,840 --> 00:03:42,200 Speaker 3: a comedian and I've signed up to this that mean 77 00:03:42,280 --> 00:03:42,760 Speaker 3: to joke. 78 00:03:43,880 --> 00:03:47,640 Speaker 1: That's nothing worse than people saying, tell me a joke 79 00:03:47,680 --> 00:03:48,560 Speaker 1: when you haven't prepared. 80 00:03:48,600 --> 00:03:49,600 Speaker 2: What's your go to joke? 81 00:03:50,080 --> 00:03:51,880 Speaker 1: I was as is by a journalist the other day, 82 00:03:52,000 --> 00:03:54,320 Speaker 1: what's your best dad joke? I thought I should phone 83 00:03:54,400 --> 00:03:58,520 Speaker 1: jonesy one. I didn't think I know, and I just 84 00:03:58,560 --> 00:03:59,360 Speaker 1: couldn't think of one. 85 00:04:00,080 --> 00:04:01,680 Speaker 2: A routine little rolodex jokes. 86 00:04:01,760 --> 00:04:04,440 Speaker 1: No, I don't, you're so eighties? What do you mean 87 00:04:04,680 --> 00:04:06,520 Speaker 1: that's such a dad thing. 88 00:04:06,640 --> 00:04:10,680 Speaker 2: I've ever got a joke for the specific moment that 89 00:04:10,800 --> 00:04:12,840 Speaker 2: big in the abbey. I said, there's a go in 90 00:04:12,840 --> 00:04:15,160 Speaker 2: the French Foreign LEGIOND. So he signs up to the 91 00:04:15,160 --> 00:04:18,080 Speaker 2: French Foreign Legend. He wants to test himself. So he's 92 00:04:18,120 --> 00:04:20,799 Speaker 2: getting shown around the barracks and go right over there, 93 00:04:20,960 --> 00:04:23,800 Speaker 2: you've got a train. Over there, there's the watchhouse. Over there, 94 00:04:23,839 --> 00:04:27,760 Speaker 2: there's the rifle range, and over there there's a camel 95 00:04:27,960 --> 00:04:30,960 Speaker 2: and the guy goes, well, what's with the camel? And he's, well, 96 00:04:31,640 --> 00:04:37,120 Speaker 2: it gets very lonely out here, and some people, when 97 00:04:37,120 --> 00:04:40,839 Speaker 2: they feel the need, they use the camel. And they 98 00:04:41,279 --> 00:04:43,880 Speaker 2: you're kidding me. He goes, anyway, there's no judgment here. 99 00:04:44,279 --> 00:04:48,400 Speaker 2: So weeks go past. He's walking past his camel every day. 100 00:04:48,640 --> 00:04:49,919 Speaker 1: It starts to look attractive. 101 00:04:50,480 --> 00:04:52,920 Speaker 2: It's got long eyelashes. It's not it's not a bad 102 00:04:53,000 --> 00:04:54,640 Speaker 2: you know, it's not a bad looking camel. It's a 103 00:04:54,640 --> 00:04:59,840 Speaker 2: female camel. Those toes. This goes on for some day 104 00:05:00,440 --> 00:05:03,080 Speaker 2: and then one day it just gets the better of him, 105 00:05:03,120 --> 00:05:05,800 Speaker 2: the camel. So he gets a little stool, gets up 106 00:05:05,839 --> 00:05:09,039 Speaker 2: behind the camel. He's going away at the camel. The 107 00:05:09,080 --> 00:05:12,560 Speaker 2: sergeant comes, goes, what are you doing? And he said, well, 108 00:05:12,600 --> 00:05:14,360 Speaker 2: you said that I could use the camel. I guess 109 00:05:14,640 --> 00:05:16,400 Speaker 2: use it to ride into town and go to the 110 00:05:16,400 --> 00:05:17,200 Speaker 2: local brothel. 111 00:05:21,080 --> 00:05:23,240 Speaker 1: Oh, dear Dunk, your hitting the loose 112 00:05:25,440 --> 00:05:26,760 Speaker 3: With join Z and Amanda