1 00:00:11,160 --> 00:00:14,240 Speaker 1: Coley Releases The Story Behind the Album. 2 00:00:14,600 --> 00:00:18,200 Speaker 2: East is the third studio album by Cold Chisel, released 3 00:00:18,200 --> 00:00:20,720 Speaker 2: in June nineteen eighty. The album peaked at number two 4 00:00:20,720 --> 00:00:24,400 Speaker 2: and spent sixty three weeks. 5 00:00:24,680 --> 00:00:27,440 Speaker 3: On the National chart. Sixty three weeks. 6 00:00:27,480 --> 00:00:28,240 Speaker 1: Phenomenal, wasn't it. 7 00:00:28,320 --> 00:00:30,800 Speaker 2: Yes, it was the biggest selling Australian album release of 8 00:00:30,960 --> 00:00:34,000 Speaker 2: nineteen eighty. It was the only Cold Chisel album to 9 00:00:34,120 --> 00:00:35,479 Speaker 2: chart in America. 10 00:00:35,640 --> 00:00:38,120 Speaker 3: As we've said, all killer, no filler. 11 00:00:38,200 --> 00:00:40,560 Speaker 2: The album was preceded by the release of the single 12 00:00:40,600 --> 00:00:42,360 Speaker 2: Choiet Girl, which we we'll get to in. 13 00:00:42,280 --> 00:00:42,840 Speaker 3: Just a moment. 14 00:00:43,280 --> 00:00:46,400 Speaker 2: My Baby and Cheap Wine were also released as singles. 15 00:00:46,680 --> 00:00:49,200 Speaker 2: East was the first Cold Chisel album to feature tracks 16 00:00:49,240 --> 00:00:51,200 Speaker 2: written by all the members of the band. 17 00:00:51,280 --> 00:00:51,480 Speaker 4: Yeah. 18 00:00:51,479 --> 00:00:53,559 Speaker 1: True, because even feel smaller bass player come up with 19 00:00:53,600 --> 00:00:56,040 Speaker 1: My Baby, as you mentioned there such a great, very 20 00:00:56,040 --> 00:00:58,480 Speaker 1: commercial kind of pop song. But it just worked. Yeah, 21 00:00:58,640 --> 00:01:02,400 Speaker 1: just incredible hair. So we talk about Cheap Wine, what 22 00:01:02,480 --> 00:01:05,520 Speaker 1: a song, What a great song it was. When you 23 00:01:05,560 --> 00:01:08,520 Speaker 1: talk about you know, having this great songwriter in Don 24 00:01:08,520 --> 00:01:10,800 Speaker 1: Walker being able to come up with those songs and 25 00:01:10,800 --> 00:01:12,199 Speaker 1: a lot of it as we just heard on sending 26 00:01:12,240 --> 00:01:15,440 Speaker 1: it outside, you know, piano based. He's done talking about 27 00:01:15,520 --> 00:01:15,920 Speaker 1: cheap Wine. 28 00:01:15,959 --> 00:01:19,960 Speaker 5: Cheap Wine was bits and pieces of verse that were 29 00:01:20,000 --> 00:01:27,440 Speaker 5: fitted fitted together at the last minute lyrically, I don't 30 00:01:27,440 --> 00:01:31,080 Speaker 5: think musically it was pretty much like that too. There 31 00:01:31,319 --> 00:01:34,959 Speaker 5: bits and pieces of other half finished songs or put together. 32 00:01:35,400 --> 00:01:37,839 Speaker 1: Magical how they can put things together from a starting 33 00:01:37,840 --> 00:01:39,959 Speaker 1: point where you go, I've got a bit of an idea. 34 00:01:39,640 --> 00:01:42,319 Speaker 3: And sounds like mad Max. Piece of this, piece of that. 35 00:01:42,400 --> 00:01:44,880 Speaker 1: Yeah, absolutely love pece from her next to some of 36 00:01:44,920 --> 00:01:45,839 Speaker 1: the outfits, it's. 37 00:01:45,720 --> 00:01:48,360 Speaker 3: A similar bye, it's about the same time wrong. 38 00:01:48,400 --> 00:01:50,760 Speaker 1: And then you bring in a player player to the 39 00:01:51,000 --> 00:01:53,639 Speaker 1: to the game called Marco Pis. Yeah, this great produce. 40 00:01:53,680 --> 00:01:55,880 Speaker 1: He'd worked with the boys from ac DC. He later 41 00:01:55,920 --> 00:01:57,560 Speaker 1: worked with the Vinyls on Azie Crawl and of course 42 00:01:57,560 --> 00:01:59,560 Speaker 1: he was the guy that put together Shabu Shabar with 43 00:01:59,600 --> 00:02:02,640 Speaker 1: an excess. Yes, Marco Bitzen is don walking talking about 44 00:02:02,640 --> 00:02:04,240 Speaker 1: working with this great producer Mark. 45 00:02:04,320 --> 00:02:07,000 Speaker 5: We've been working with Mark for about twelve months now. 46 00:02:07,280 --> 00:02:12,960 Speaker 5: Initially he was just straight producing it, but he's taught 47 00:02:13,000 --> 00:02:16,440 Speaker 5: us so many lessons that now it's more into a 48 00:02:16,480 --> 00:02:19,760 Speaker 5: co production situation. We just work as a team. 49 00:02:20,040 --> 00:02:24,000 Speaker 3: He's very quite bad, very clever man, indeed so many 50 00:02:24,040 --> 00:02:24,480 Speaker 3: great songs. 51 00:02:24,520 --> 00:02:26,080 Speaker 2: One of the big songs on it, of course, was 52 00:02:26,200 --> 00:02:32,960 Speaker 2: Iter now already a respected journalist. Ita made iter Buttros 53 00:02:33,240 --> 00:02:33,919 Speaker 2: very cool. 54 00:02:34,400 --> 00:02:36,960 Speaker 6: I had no idea cole Chesel were writing the song. 55 00:02:37,040 --> 00:02:40,320 Speaker 6: It came as a complete surprise. That's on their album East. 56 00:02:41,520 --> 00:02:43,680 Speaker 6: I didn't know much about the band. I don't quite frankly, 57 00:02:43,800 --> 00:02:47,320 Speaker 6: I didn't meet them until about twenty eleven. I used 58 00:02:47,360 --> 00:02:50,400 Speaker 6: to present the commercials for the Australian Women's Weekly every 59 00:02:50,400 --> 00:02:53,440 Speaker 6: week on television, and I was always behind a desk. 60 00:02:54,720 --> 00:02:58,000 Speaker 6: And Jimmy Barnes, the lead singer, recently wrote his own 61 00:02:58,080 --> 00:03:02,080 Speaker 6: book about his LAFE, viewed him, of course and personal 62 00:03:02,560 --> 00:03:06,120 Speaker 6: for the Studio ten. And you know I made him 63 00:03:06,160 --> 00:03:07,920 Speaker 6: sing me. I made him sing me a few bars 64 00:03:07,960 --> 00:03:12,959 Speaker 6: of my song, and he said to me that the boys, well, 65 00:03:13,000 --> 00:03:15,320 Speaker 6: excuse me, but I have to tell you, the boys 66 00:03:15,360 --> 00:03:18,520 Speaker 6: did the fantasize about me because they used to wonder 67 00:03:18,919 --> 00:03:21,440 Speaker 6: what I might be like and what might go on 68 00:03:22,320 --> 00:03:25,280 Speaker 6: below the desk, and so hence the song. 69 00:03:25,919 --> 00:03:27,520 Speaker 3: That's funny. 70 00:03:28,040 --> 00:03:32,880 Speaker 2: I can't believe it was thirty one years before. 71 00:03:32,560 --> 00:03:34,200 Speaker 1: She met them, isn't that incredible? 72 00:03:35,040 --> 00:03:36,000 Speaker 3: Thanks for the song. 73 00:03:36,520 --> 00:03:39,400 Speaker 1: She was absolutely chucked wasn't she Yes, you would be 74 00:03:39,440 --> 00:03:41,760 Speaker 1: would as you put it perfectly, you know, it made 75 00:03:41,760 --> 00:03:45,880 Speaker 1: her cool about it all. What about that beautiful song 76 00:03:45,960 --> 00:03:46,960 Speaker 1: Choir Girl, Qui Girl? 77 00:03:47,000 --> 00:03:49,600 Speaker 3: Yes, this was the single that came before the album. 78 00:03:49,880 --> 00:03:51,000 Speaker 3: This was in the old days. 79 00:03:51,000 --> 00:03:52,880 Speaker 2: They used to release well, I mean they still do 80 00:03:52,920 --> 00:03:55,400 Speaker 2: a bit, but there was always a single and then 81 00:03:55,560 --> 00:03:58,120 Speaker 2: you know, the album would come out maybe a couple 82 00:03:58,160 --> 00:03:58,760 Speaker 2: of months later. 83 00:03:59,000 --> 00:04:02,640 Speaker 3: Even taste a look, taster is what's coming? And who 84 00:04:02,760 --> 00:04:03,760 Speaker 3: was Qui Girl? A taster? 85 00:04:03,960 --> 00:04:06,400 Speaker 1: That's what a taster it was? What a sample? I'll 86 00:04:06,400 --> 00:04:08,280 Speaker 1: tell you he's marc Ope. It's the producer talking about 87 00:04:08,280 --> 00:04:08,800 Speaker 1: that great song. 88 00:04:08,880 --> 00:04:10,600 Speaker 4: Gotta understand, no one said to me go and do 89 00:04:10,640 --> 00:04:13,560 Speaker 4: a single. That's what I wanted to do because I 90 00:04:13,600 --> 00:04:16,159 Speaker 4: had that same feeling that the radio guys had to 91 00:04:16,160 --> 00:04:19,480 Speaker 4: give us something to play with integrity. And I spotted 92 00:04:19,560 --> 00:04:23,599 Speaker 4: Qui Girl, and I applied the techniques that I'd picked 93 00:04:23,640 --> 00:04:25,880 Speaker 4: up working with Andrew and Young about where to bring 94 00:04:26,240 --> 00:04:28,680 Speaker 4: backing vocals in. You know, maybe the course is a 95 00:04:28,680 --> 00:04:31,280 Speaker 4: bit long here or et cetera, et cetera. And given 96 00:04:31,600 --> 00:04:33,960 Speaker 4: the solo and more melodic feel and all that 97 00:04:34,520 --> 00:04:37,880 Speaker 1: Sort of thing, So damn good and knew how to 98 00:04:37,880 --> 00:04:38,560 Speaker 1: pick a hit to me,